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The Iceman Cometh

The Iceman Cometh

BAM 2015 Winter/Spring Season #IcemanCometh

Brooklyn Academy of Music

Alan H. Fishman, Chairman of the Board

William I. Campbell, Vice Chairman of the Board BAM and Adam E. Max, Vice Chairman of the Board present Karen Brooks Hopkins, President ’s Joseph V. Melillo, Executive Producer production of

By Eugene O’Neill Directed by

BAM Harvey Theater Feb 5—7, 10—14, 17—21, 24—28, Mar 3—7 & 10—14 at 7pm Feb 8, 15, 22, Mar 1, 8 & 15 at 2pm

Season Sponsor: Running time: four hours and 45 minutes, including three intermissions

Set design by Kevin Depinet BAM 2015 Theater Sponsor Inspired by a set design by John Conklin Lighting design by Costume design by Merrily Murray-Walsh

The Jaharis Family Foundation is proud to Casting by Adam Belcuore, CSA support The Iceman Cometh in honor of Additional casting by Telsey + , BAM President Karen Brooks Hopkins Will Cantler, CSA Dramaturgy by Neena Arndt Support provided by Laura Pels Production stage managers Joseph Drummond*, International Foundation for Theater Melissa Chacón* Major support for theater at BAM provided by: Stage manager Johannah Hail* The Gladys Krieble Delmas Foundation The Francena T. Harrison Foundation Trust This production received its world premiere at Stephanie & Timothy Ingrassia Donald R. Mullen Jr. Goodman Theatre, , IL on May 3, 2012 The Fan Fox & Leslie R. Samuels Foundation, Inc. Robert Falls, Artistic Director The Morris and Alma Schapiro Fund Roche Schulfer, Executive Director The Shubert Foundation, Inc. The SHS Foundation Who’s Who

Patrick Andrews Kate Arrington Marc Grapey

James Harms John Hoogenakker Salvatore Inzerillo John Judd

Andrew Long Larry Neumann, Jr. Stephen Ouimette John Reeger Brian Sgambati

Tara Sissom Lee Stark John Douglas Lee Wilkof Thompson The Iceman Cometh

CAST

HARRY HOPE, proprietor of a saloon and rooming house...... Stephen Ouimette* ED MOSHER, Hope’s brother-in-law and one-time circus man...... Larry Neumann, Jr.* ROCKY PIOGGI, night bartender...... Salvatore Inzerillo* CHUCK MORELLO, day bartender...... Marc Grapey* PIET WETJOEN (“The General”), one-time leader of a Boer Commando...... John Judd* CECIL LEWIS (“The Captain”), one-time Captain of the British Infantry...... John Reeger* JAMES CAMERON (“Jimmy Tomorrow”), one-time Boer War correspondent...... James Harms* JOE MOTT, one-time proprietor of a Negro gambling house...... * LARRY SLADE, one-time Syndicalist-anarchist...... Brian Dennehy* HUGO KALMAR, one-time editor of anarchist periodicals...... Lee Wilkof* WILLIE OBAN, a Harvard Law School alumnus...... John Hoogenakker* DON PARRITT...... Patrick Andrews* PEARL, streetwalker...... Tara Sissom* MARGIE, streetwalker...... Lee Stark* CORA, streetwalker...... Kate Arrington* THEODORE HICKMAN (“Hickey”), a salesman...... Nathan Lane* MORAN...... Andrew Long* LIEB...... Brian Sgambati*

Understudies never substitute for a listed player unless an announcement is made at the beginning of the play. Stephen Lee Anderson*—Larry Slade/Piet Wetjoen/Moran/Lieb; Jeff Brooks*—Harry Hope/Jimmy Tomorrow; Wally Dunn*—Hugo Kalmar/Cecil Lewis/Ed Mosher; Roxanna Hope*—Cora/Margie/Pearl; Andrew Long*— Theodore “Hickey” Hickman; Kerry Malloy*—Don Parrit/Willie Oban; Jonathan Earl Peck*—Joe Mott; Brian Sgambati*—Rocky Pioggi/Chuck Morello

*Denotes member of Actors’ Equity Association, the union of professional actors and stage managers in the United States.

Associate Lighting Designer Aaron Spivey Music Coach Andra Velis Simon Fight Consultant Nick Sandys Fight Captain John Hoogenakker Production Assistant Andi Sturtevant

TELSEY + COMPANY Bernie Telsey CSA, Will Cantler CSA, David Vaccari CSA, Bethany Knox CSA, Craig Burns CSA, Tiffany Little Canfield CSA, Rachel Hoffman CSA, Justin Huff CSA, Patrick Goodwin CSA, Abbie Brady-Dalton CSA, David Morris, Cesar A. Rocha, Andrew Femenella, Karyn Casl, Kristina Bramhall, Jessie Malone

Special thanks to Helen Uffner Vintage Clothing, LLC and Gerald Altenburg

SETTING Harry Hope’s saloon, .

ACT I A summer’s day, early morning. ACT II Near midnight of the same day. ACT III The middle of the next morning. ACT IV 1:30am—the following day. Director’s Note

I have long regarded Eugene O’Neill as the greatest playwright that America has produced so far— and my ongoing fascination with his plays has been a centerpiece of my 28-year tenure as Artistic Director of Chicago’s Goodman Theatre. During this time Brian Dennehy has been my primary collaborator; his own love of this essential American writer has led to towering performances in half a dozen O’Neill productions through the years, including a memorable turn as Hickey in The Iceman Cometh in 1990. Several years ago, Brian and I mentioned in an interview that we’d like to explore the play again, with Brian now playing the role of Larry Slade; Nathan Lane, a great friend of Brian’s, caught wind of this, and contacted me about his interest in Hickey, a role he’d long wanted to tackle. It took several years for our various schedules to mesh—but in the winter of 2012, Nathan, Brian and I began our work, along with a distinguished company of artists, many from our Chicago acting community. The resulting production, which opened at the Goodman in April of that year, was one of which we were all extremely proud, and we are thrilled to have the opportunity to continue our work three years later.

No playwright is as complex, unwieldy, and daunting to confront as O’Neill, and none of his plays is as challenging as The Iceman Cometh, written at the same time as his other masterwork, Long Day’s Journey into Night. Set in a bar in New York’s Bowery, Iceman is peopled with a microcosm of the world, a varied group of former soldiers of fortune, entrepreneurs, political dissidents, and social outcasts bound together by two things: their dreams of the glories that could be found just outside the doors of Harry Hope’s saloon, and their excitement at the impending arrival of Theodore Hickman, “Hickey” to his friends, a gregarious salesman who is the biggest dreamer of them all. Hickey does come, but his infectious optimism is now tempered by a newly acquired—and sobering—realism. His visit, and the discoveries that he reveals, lead to a series of dramatic events that are at comically absurd, savagely heartbreaking, and utterly profound. Mammoth in structure and epic in ambition, The Iceman Cometh is both an absorbing theatrical journey and an X-ray of the human condition, replete with all of its ambitions, its joys—and its inevitable, inexorable terrors.

—Robert Falls, Director

THE ICEMAN COMETH: PRODUCTION HISTORY

Although Eugene O’Neill completed a draft of The Iceman Cometh in 1939, his precarious health and depression over the “damned world debacle” of World War II delayed the play’s premiere until 1946. Critical response was mixed; but a 1956 Circle in the Square revival, directed by José Quintero and starring a little-known Robards, Jr., was rapturously received, and was later adapted for a CBS telecast. In 1973, producer Ely Landau chose Iceman to begin his series, in an adaptation featuring , , and a young . played Hickey in a 1974 Circle in the Square revival; Brian Dennehy essayed the role in Robert Falls’ 1990 Goodman Theatre production, which was reprised at ’s . ’s 1998 production, starring , came to for an acclaimed three-month run. This produc- tion of The Iceman Cometh premiered at Goodman Theatre in 2012, setting records as the most popular play in the theater’s 90-year history. Who’s Who

PATRICK ANDREWS* (Don Parritt) previ- at Goodman Theatre in 2012. Previous Good- ously appeared as Don Parritt in The Iceman man credits include (2004 and 2010), Cometh at Goodman Theatre in 2012. His other Krapp’s Last Tape, , Long Goodman credits include and The Actor. Day’s Journey into Night, Death of a Sales- Additional Chicago credits include American Buf- man, , The Iceman Cometh falo and The Book Thief at Steppenwolf Theatre (also at Dublin’s Abbey Theatre), and Galileo. Company; at TimeLine The- His Broadway credits include , atre Company; Do the Hustle at Writers Theatre; Desire Under the Elms, Inherit the Wind (with Red, The Pride, The Homosexuals, and ), Long Day’s Journey into Stupid Kids at About Face Theatre; Escape, The Night (Tony Award for Best Actor), Death of People’s Temple, and Speech & Debate at Amer- a Salesman (Tony Award for Best Actor), and ican Theater Company; at Drury Lane . Off-Broadway, he appeared in Rich- Theatre; The Snow Queen at Victory Gardens ard Nelson’s Conversations in Tesculum at the Theater; Dorian and at the House Public Theater; at BAM, and Theatre; at Marriott Theatre, and Says I, Says He at Phoenix Theatre. Regionally, Willy Wonka at Chicago Shakespeare Theater. he has appeared in , The Home- Additionally, Andrews performed in the national coming, All’s that Ends Well, Hughie, and tour of Broadway’s . His regional credits Krapp’s Last Tape at the Stratford Shakespeare include Red at ; at Festival in Stratford, Ontario, and Rat in the McCarter Theatre; Saved at Kansas City Reper- Skull at Wisdom Bridge Theatre. He appeared tory Theatre, and at Walnut in ’s West End in Street Theatre. Select choreography credits (Olivier Award for Best Actor). Dennehy’s select include Cherrywood, directed by film credits include Ratatouille, , at Mary-Arrchie Theatre Co.; and We Three Baz Luhrmann’s Romeo + Juliet, Gorky Park, Lizas and Queertopia at About Face Theatre. Presumed Innocent, Cocoon, and Silverado, On television, he has appeared in Chicago Code among others. He has appeared on television and Chicago Fire, and Stephen Cone’s feature in , Law & Order, , Just film Henry Gamble’s Birthday Party. Andrews Shoot Me!, Birdland, , and in numer- is an ensemble member of American Theater ous television movies and miniseries. Dennehy Company, an artistic associate with About Face was inducted into the American Theater Hall of Theatre, a member of the multi-city Goldmine Fame in 2010. collective, and a member of the electro--pop band BAATHHAUS (Baathhaus.com). MARC GRAPEY* (Chuck Morello) previously ap- peared as Chuck Morello in The Iceman Cometh KATE ARRINGTON* (Cora) previously appeared at Goodman Theatre in 2012. Other Goodman as Cora in The Iceman Cometh at Goodman in credits include Ask Aunt Susan, Race, and the 2012. Previous Goodman credits include Robert world premieres of ’s Griller and Falls’ production of , opposite Stacy Noah Haidle’s Vigils. Additional Chicago credits Keach (also at Shakespeare Theatre Company include Mizlansky/Zilinsky or Schmucks, The in Washington, DC). Arrington is a member of Chosen, Antigone, Dead Man’s Cell Phone, Steppenwolf Theatre Company, where she has Oblivion, and The Birthday Party at Steppen- appeared in The Qualms, Belleville, The Hot L wolf Theatre Company; The Normal Heart at Baltimore, , A Parallelogram, Fake, The TImeLine Theatre; I Sailed with Magellan, Class Pain and the Itch, The Well-Appointed Room, Dismissed, and ’s At Home at the and The Hour. She has appeared on Zoo ( nomination) at Victory Gardens Broadway in Grace and The American Plan. Theater; Richard III, The Taming of the Shrew, Off-Broadway credits include productions with and at Chicago Shakespeare Theater; Theater, Primary Stages, Soho and Isaac’s Eye at Writers Theatre; Funny Repertory Theatre, , Girl at Drury Lane Theatre; The Metal Children Mint Theater Company, 59 East 59, and HERE at Next Theatre Company, and Early and Often, Arts Center. She is a graduate of Northwestern , Beautiful Thing, and Hitting University in performance studies. for the Cycle (Jeff Award nomination) at Famous Door Theatre Company. He made his Broadway BRIAN DENNEHY* (Larry Slade) previously debut in 2005 opposite Nathan Lane and Mat- appeared as Larry Slade in The Iceman Cometh thew Broderick in the hit revival of ’s Who’s Who

The Odd Couple. Regionally, he has appeared at & Kumar Christmas, At Any Price, and the the Humana Festival of New American Plays at forthcoming films Consumed and Animals (Of- Actors Theatre of Louisville and the HBO ficial Selection, SXSW). Television credits include and Arts Festival in Aspen, CO. Film credits ER, The Beast, Gifted Hands, The Playboy Club, include At Any Price, Superbad, Adventureland, Boss, Chicago Fire, The Secret Santa, and Mind Ali, While You Were Sleeping, A Piece of Eden, Games. Hoogenakker’s voice work includes cam- and The Daytrippers. Television credits include paigns for McDonald’s, Miller, OnStar, and Sears. The West Wing, Arrested Development, Two and a Half Men, Law & Order: Special Victims Unit, SALVATORE INZERILLO* (Rocky Pioggi) previ- and most notably as publicist J.J. Mitchell on ously appeared as Rocky Pioggi in The Iceman HBO’s . Cometh at Goodman Theatre in 2012. Favorite credits include Dutch Heart of Man (Public JAMES HARMS* (Jimmy Tomorrow) previously Theater), Jesus Hopped the A Train, In Arabia appeared as Jimmy Tomorrow in The Iceman We’d All Be Kings, and The Last Days of Judas Cometh at Goodman Theatre in 2012. Additional Iscariot, all written by and Goodman credits include Kander and Ebb’s The directed by . He has Visit. Other Chicago credits include , The performed internationally at the Edinburgh Fringe Tempest, and Hecuba at Chicago Shakespeare Festival (Fringe First Award), London’s Donmar Theater; at Court Theatre; The Warehouse, and the Arts Theatre in the West Drowsy Chaperone at Marriott Theatre; Morn- End. Recent television and film appearances ing’s at Seven at Drury Lane Theatre; Iolanthe include Person of Interest, Gotham, Boardwalk at Light Works; and Empire, Blue Bloods, Law & Order: SVU, and at Chamber Opera Chicago. Harms received Jeff Jack Goes Boating. Awards for Hello, Dolly! and at Candlelight Dinner Playhouse; JOHN JUDD* (Piet Wetjoen) previously ap- at Forum Theater, and La Cage aux Folles at peared as Piet Wetjoen in The Iceman Cometh Candlelight Dinner Playhouse and Drury Lane at Goodman Theatre in 2012. Goodman credits Theatre. He toured with in the include , Sweet Bird of 30th anniversary tour of The Fantasticks and Youth, A Christmas Carol, Magnolia, Shining appeared in two Fantasticks tours of Japan and City, and the upcoming . Other on the cast recording as Bellomy. Other touring Chicago credits include Death and the Maiden credits include Joseph and the Amazing Tech- at Victory Gardens Theater; Three Sisters, nicolor Dreamcoat and . , Last of the Boys, The Dresser, Orson’s Shadow, and The Butcher of Baraboo JOHN HOOGENAKKER* (Willie Oban) previ- at Steppenwolf Theatre Company; Romeo and ously appeared as Willie Oban in The Iceman Juliet and The Feast: An Intimate Tempest at Cometh at Goodman Theatre in 2012. Additional Chicago Shakespeare Theater; , Crime Goodman credits include Other Desert Cities, and Punishment, and at Writers Theatre; The Good Negro, Rock ’n’ Roll, and Wrecks at Profiles Theatre; The Cripple of Play: a cycle in three parts. Other Chicago credits Inishmaan and The Lieutenant of Inishmore at include Port Authority at Writers Theatre; Wait Northlight Theatre; Gross Indecency: The Three Until Dark at Court Theatre; 100 Saints You Trials of and Lettice and Lovage Should Know at Steppenwolf Theatre Company; at Court Theatre; Gagarin Way at A Red Orchid The Retreat from at Northlight Theatre; Theatre; Execution of Justice at About Face Othello at Chicago Shakespeare Theater; Killer Theatre; Come Back, Little Sheba at Shattered Joe at The Theatre at 2851 Halsted and The Globe Theatre and Great Men of Science Nos. Bombitty of Errors at both the Royal George 21 and 22 at Lookingglass Theatre Company. Theatre and Chicago Shakespeare Theater. Re- Judd’s New York credits include Orson’s Shadow gional credits include Escape from Happiness at and An Oak Tree at , and Milwaukee Repertory Theater; Hamlet (title role) Crime and Punishment at . His at Shakespeare Festival, and Work Song: regional and international appearances include Three Views of Frank Lloyd Wright at Kansas City at Philadelphia Theatre Company and Repertory Theatre and Arizona Theatre Company. Pittsburgh’s City Theatre; American Buffalo at He has appeared on film in Flags of Our Fathers, McCarter Theatre; Orson’s Shadow at William- The Lucky Ones, Public Enemies, A Very Harold stown Theatre Festival, Westport Country Play- Who’s Who house, and the Beaver Creek Theatre Festival; . Regional credits include Henry VIII at Huntington Theatre Company (Chicago Shakespeare Theater), Antony and and Long Day’s Journey into Night at Town Hall Cleopatra, Cyrano, , and Don Carlos Theatre in Galway, Ireland. (Shakespeare Theatre Company, where he is a company member); Hamlet (Hartford Stage); NATHAN LANE* (Theodore “Hickey” Hickman) Educating Rita (Huntington Theater Company); previously appeared as Hickey in The Iceman M. Butterfly and Gross Indecency (Guthrie Cometh at Goodman Theatre in 2012. Broadway Theater); Enrico IV, , , credits include (Drama Desk and (Repertory Theatre of St Award nomination), , The Wind in the Louis); (Arena Stage); Willows, Some Americans Abroad, On Borrowed (Studio Theatre, Award); My Fair Time, (Tony Award nomination, Lady, Saving Aimee, and Drama Desk, and Outer Critics Circle Awards), (Signature Theatre); Oliver and Democracy Laughter on the 23rd Floor, Love! Valour! (Olney Theatre Center); The Taming of the Shrew Compassion! (Drama Desk and Outer Critics (Pioneer Theatre Company); Richard III (Denver Circle Awards), A Funny Thing Happened on Center) and productions with the Oregon, Illinois, the Way to the Forum (Tony, Drama Desk and and Shakespeare Festivals. Film credits Outer Critics Circle Awards), The Man Who include Blue Jasmine and Now, in the Wings on Came to Dinner, (Tony, Drama a World Stage. Desk, Outer Critics Circle, and Olivier Awards), , , , , LARRY NEUMANN, JR.* (Ed Mosher) previ- (Outer Critics Circle nomina- ously appeared as Ed Mosher in The Iceman tion), (Drama Desk and Cometh at Goodman Theatre in 2012. Additional Outer Critics Circle nominations), Goodman credits include A Christmas Carol and (Tony and Drama Desk nominations, Outer Crit- . Recent Chicago credits ics Circle and Drama League Awards), and It’s include Henry V at Chicago Shakespeare The- Only a Play. Lane received the 1992 ater; Cock and In God’s Hat at Profiles Theatre for Sustained Excellence of Performance. Off- and The Richard Nickel Story, Mr. Rickey Calls Broadway credits include The Common Pursuit, a Meeting, and The Shaggs: A Philosophy of The Film Society, The Lisbon Traviata (Drama the World at Lookingglass Theatre Company. Desk and Awards, Outer Critics Neumann received Jeff Awards for A Moon for Circle nomination), , Dedication the Misbegotten (First Folio Theatre), and The (Drama Desk nomination), Mizlansky/Zilinksy, Cider House Rules and Hitting for the Cycle Trumbo, Measure for Measure (St. Clair Bayfield (both at Famous Door Theatre). Other Chicago Award), A Midsummer Night’s Dream, She credits include The Madness of Edgar Allen Poe Stoops to Conquer, Love! Valour! Compassion! at First Folio Theatre, The Puppetmaster of Lodz (Obie Award), and Lips Together, Teeth Apart. at Writers Theatre, and Underneath the Lintel at Television credits include and Noble Fool Theatricals. He has appeared region- . Lane has received six Prime- ally at Milwaukee Repertory Theater, Madison time Emmy Award nominations, two Daytime Repertory Theatre, and Kansas City Repertory , and a People’s Choice Award. Theatre. Film and television credits include The Film credits include (Golden Globe Merry Gentleman, Stranger Than Fiction, Stir of nomination, Screen Actors Guild and American Echoes, and Sirens. Comedy Awards), Ironweed, Frankie and Johnny, Mousehunt, Jeffrey, , Stuart Little, STEPHEN OUIMETTE* (Harry Hope) previ- , The Producers (Golden ously appeared as Harry Hope in The Iceman Globe nomination), Swing Vote, and The English Cometh at Goodman Theatre in 2012. Other Teacher. He was inducted into the American Chicago credits include Troilus and Cressida and Theater Hall of Fame in 2008. The Taming of the Shrew at Chicago Shake- speare Theater. He has performed on Broadway ANDREW LONG* (Moran) appeared in Richard opposite , , III (Bridge Project, directed by ) at and in ’ La BAM, , and the international tour. Bête (also in London’s West End). Ouimette is a New York credits include Swansong (Summer 20-season veteran of the Stratford Shakespeare Play Festival). He has toured nationally with Festival, where he has appeared in King Lear, Who’s Who

All’s Well That Ends Well, The Taming of the ect Theater, and Landscape of the Body (directed Shrew, , , King John, by ) at Signature Theatre Company. Troilus and Cressida, No Exit, Hamlet, Richard Sgambati toured nationally with Frost/Nixon with III, Amadeus, Waiting for Godot, , . Regional credits include Prelude to A Funny Thing Happened on the Way to the a Kiss (Huntington Theatre Company) and The Forum, The Importance of Being Earnest, The Two Noble Kinsmen (Old Globe). Film and televi- Homecoming, and Twelfth Night (opposite Brian sion credits include Blue Bloods, Unforgettable, Dennehy), among others. He served as associate and Law and Order. He holds an MFA from the director of the Stratford Shakespeare Festival for University of , . seasons and directed 2004’s Timon of Ath- ens. Ouimette has worked extensively in theaters TARA SISSOM* (Pearl) previously appeared across Canada and the US. His television and as Pearl in The Iceman Cometh at Goodman film credits include Slings and Arrows, Mentors, Theatre in 2012. Chicago credits include Frat, I Was a Rat, Heater, Murder Most Likely, After 11:11, Tupperware: An American Musical Fable, Alice, Conspiracy of Silence, The Adjuster, and and That Sordid Little Story (Jeff Award for Best Firing Squad, and his voice-over work has been Original Music) at The New Colony, as well as heard in numerous cartoons, including Babar, Literally Sexy II, III and IV and Walk of Shame at Maggie and the Ferocious Beast, Dog City, Bob Victory Gardens Theater’s Fresh Squeezed series. and Margaret, and as in the long- Regional credits include Vanya and Sonia and running series Beetlejuice. Masha and Spike, Detroit, Seminar, The K of D, Jack Goes Boating, The Ladies Foursome and JOHN REEGER* (Cecil Lewis) previously ap- Gulf View Drive at B Street Theatre, and Children peared as Cecil Lewis in The Iceman Cometh at of Eden, Beauty and the Beast, and The Man Goodman Theatre in 2012. Additional Goodman Who Came to Dinner at Flat Rock Playhouse. credits include Romeo and Juliet, Richard II, Cry Sissom is an acting ensemble member of B the Beloved Country, The Good Person of Set- Street Theatre and The New Colony. She is a zuan, and three seasons in A Christmas Carol. graduate of Elon University’s Music Theatre Chicago credits include Leontes in The Winter’s Program, ’s Tale at Chicago Shakespeare Theater; Capt. Sho- Project, and iO Chicago. tover in Heartbreak House at Writers Theatre; Polonius in Hamlet, Malvolio in Twelfth Night, LEE STARK* (Margie) previously appeared as and Pridament in The Illusion at Court Theatre; Margie in The Iceman Cometh at Goodman and Fagin in Oliver! at Drury Lane Theatre. He Theatre in 2012. Additional Goodman credits also appeared as Ariste/Gorgibus in The Molière include Buzzer and Talking Pictures. Other with and in Henry IV Chicago credits include The Goddess at The Parts 1 & 2, which then toured to the RSC in Artistic Home; the world premiere of the Pulitzer Stratford, England. Reeger was recently seen as Prize-winning at American Theater Thénardier in Les Misérables at in Company; at Steppenwolf Theatre Lancaster, PA. He co-authored the musical The Company; at Victory Gardens Theater; Christmas Schooner with Julie Shannon, which Short Shakespeare! Romeo and Juliet at Chicago has received over 125 productions nationally. He Shakespeare Theater; Scenes from the Big has received a Jeff Award, an After Dark Award, Picture at Seanachaí Theatre Company, as well and an Illinois Artist Fellowship. as productions with Walkabout Theatre Company and the Inconvenience. Stark is a company BRIAN SGAMBATI* (Lieb) previously appeared member at Pearl Theatre Company in New York, in Goodman Theatre’s Passion Play: a cycle where she has appeared in Henry IV Pt. 1, The in three parts. Broadway credits include The Playboy of the World, Misalliance, and Merchant of Venice starring , as well The Sneeze. Her regional credits include Two as the Lincoln Center productions of Tom Stop- Gentlemen of Verona and Dracula at the Indiana pard’s trilogy (directed by Repertory Theatre and Geva Theatre Center; Jack O’Brien) and King Lear, starring Christopher The Letters at Cardinal Stage Company; Two Plummer. Off-Broadway credits include A Public Gentlemen of Verona at Great Lakes Theater and Reading of an Unproduced Screenplay About the Idaho and Tahoe Shakespeare Festivals, and the Death of Walt Disney at Soho Rep; Smudge Pride and Prejudice, The Cherry Orchard, and (directed by Pam MacKinnon) at Women’s Proj- Seven Keys to Slaughter Peak at the Milwaukee Who’s Who

Repertory Theater. She has appeared on Chicago Theatre Festival. Film credits include The Grey P.D. and in several independent films. Stark has Zone, Listen Up Phillip, The , This directed for 2nd Story Chicago, American Theater Boy’s Life, Private Parts, The Entity, , Company, and the Artistic Home, and holds a BA Before the Devil Knows You’re Dead, Leaves of in theater from . Grass, YellowBrickRoad, Route 30, Route 30, Too!, Route 30 3, and Dark Horse. He has ap- JOHN DOUGLAS THOMPSON* (Joe Mott) peared on television in more than 100 episodes previously appeared as Joe Mott in The Iceman and movies of the week. This past summer he Cometh at Goodman Theatre in 2012. Broad- directed the film No Pay, Nudity starring Gabriel way credits include A Time to Kill, Cyrano de Byrne and Nathan Lane. Bergerac, and Julius Caesar. His off-Broadway credits include Satchmo at the Waldorf (Drama EUGENE O’NEILL (Playwright, 1888—1953) Desk and Outer Critics Circle Awards) at West- is considered one of the greatest American side Theatre; , (title role), playwrights of the 20th century. His accolades Oroonoko, and Othello (Obie Award, Lucille Lor- include four Pulitzer Prizes in Drama—more than tel Award, Joe A. Callaway Award, and Drama any other playwright to date—and the Nobel League Award nomination) at Theatre for a New Prize in Literature. He received his first produc- Audience; King Lear at ; The tion in 1916 when the Provincetown Players per- Forest at Classic Stage Company; The Emperor formed Bound East for Cardiff in Provincetown, Jones at (Joe A. Callaway MA. O’Neill’s work was widely produced both Award and Lucille Lortel, Drama League, and in Provincetown and New York during the next Drama Desk nominations); Women Beware several years, and the playwright was awarded Women at Red Bull Theater, and his first Pulitzer, for Beyond the Horizon, just at New Workshop. Regional credits four years after his first Provincetown production. include Joe Turner’s Come and Gone (Mark Ta- O’Neill’s reputation rose steadily throughout the per Forum, Ovation Award); Antony and Cleopa- 1920s; he received a second Pulitzer in 1922 tra at Hartford Stage; the title role in Richard III for and a third in 1928 for Strange at Shakespeare & Company; Jesus Hopped the A Interlude. During this same period, The Emperor Train at Wilma Theater (Barrymore Award), and Jones, , and Desire Under the productions at Williamstown Theatre Festival, Elms brought O’Neill further popular and critical New York Stage and Film, Trinity Repertory acclaim. He labored throughout the 1930s on Company, American Repertory Theater, and Yale an 11-play cycle called A Tale of Possessors Repertory Theatre. Television and film credits Self-Dispossessed, which he never completed. include Glass Chin, Madame Secretary, All My He received the Nobel Prize in Literature in Children, One Life to Live, Law & Order, Law 1936, and in the late 1930s and early 1940s & Order: Special Victims Unit, Conviction, The wrote three of his best-known works: Long Day’s Bourne Legacy, Michael Clayton, Midway, and Journey into Night, The Iceman Cometh, and Malcolm X. He is a Fox Fellowship and Robert A Moon for the Misbegotten. O’Neill considered Brustein Award recipient. Long Day’s Journey into Night so personal that he left instructions for the play to be withheld LEE WILKOF* (Hugo Kalmar) previously ap- for 25 years after his death. In the early 1950s, peared as Hugo Kalmar in The Iceman Cometh O’Neill and his wife moved to , taking up at Goodman Theatre in 2012. He has appeared residence at the Shelton Hotel, where he died on Broadway in Breakfast at Tiffany’s, The Odd in 1953. As the executor of O’Neill’s estate, his Couple, Democracy, , wife gave permission for publication and produc- , , , tion of Long Day’s Journey into Night. The play and Kiss Me, Kate (Tony and premiered in 1956 and won O’Neill his fourth nominations). Off-Broadway credits include Little Pulitzer in 1957, four years after his death. Shop of Horrors, (Drama Desk Award nomination), The Present Tense (Obie Award, ROBERT FALLS (director) is the Artistic Director Drama Desk Award nomination), Mizlansky/Zil- of Chicago’s Goodman Theatre. He most recently insky or Schmucks, The Underpants, and June directed Rebecca Gilman’s Luna Gale at the Kirk Moon. He has appeared regionally in productions Douglas Theatre in , following its at , Baltimore Center- premiere at the Goodman; Beth Henley’s , McCarter Theatre, and the Williamstown Jacksonian at the New Group in New York; and Who’s Who

Don Giovanni, which opened the Lyric Opera of mountings of The Iceman Cometh at Goodman Chicago’s new season. Goodman credits include Theatre in 1990 and 2012, and at Dublin’s new plays by Steve Tesich, Eric Bogosian, John Abbey Theatre in 1992. Her Broadway credits Logan, and Richard Nelson; the American pre- include The Speed of Darkness (also directed miere of ’s House and Garden; by Falls) and Brothers. Regionally, her work has and ’s final play, Finishing the Pic- appeared at Arena Stage (Helen Hayes Award), ture. Broadway productions include Shining City; Westport Country Playhouse, Hartford Stage, ; ; The Speed of Dark- Oregon Shakespeare Festival, Williamstown The- ness; ’s Pulitzer Prize-winning The atre Festival, Children’s Theatre Company, South Young Man from Atlanta; and Death of a Sales- Coast Repertory, Actors Theatre of Louisville, man and Long Day’s Journey into Night, which Berkeley Repertory Theatre, Indiana Reper- together earned seven , including tory Theatre, and the Old Globe, among others. best director and best revival. Widely regarded Opera credits include works with Washington as a leading interpreter of Eugene O’Neill’s National Opera, Opera, Glimmer- plays, he has also directed Ah, Wilderness!, A glass Opera, Opera Virginia, Boston Lyric Opera, Touch of the Poet, Hughie, and Desire Under and Columbus Opera. She was the associate the Elms. Other classic works include Hamlet, costume designer (with Tony Walton) for the film King Lear, Measure for Measure, Three Sisters, , directed by Paul New- , , and Galileo. His man and starring Joanne Woodward. Other film long-running production of Elton John and Tim credits include the IMAX films The Discoverers, Rice’s continues to play around the world, Homeland, and the documentary short Speed. and his work in opera and theater has also been Television credits include Kingfish: A Story of seen at the , Houston Grand Huey P. Long; In Search of Dr. Seuss (Emmy Opera, Grand Théâtre de Genève, Dublin’s Abbey Award nomination); The Murder of Mary Phagan Theatre, the , , (co-designed with Judy Moorcroft; Emmy Award Lincoln Center, London’s Lyric Hammersmith, for Outstanding Miniseries); MGM: When the and in the West End. Lion Roared; War Story: Vietnam, and Miss Lonelyhearts as part of American Playhouse on KEVIN DEPINET (set designer) designed scen- PBS. She studied at Mills College and Carnegie ery for The Iceman Cometh at Goodman Theatre Mellon University, and trained with John Conklin in 2012. Additional Goodman credits include and Tony Walton. She is currently an artist in Smokefall, , Ask Aunt Susan, the New residence at Emerson College and designing Stages Festival, Mary, High Holidays, and The Daniel Beaty’s Breath and Imagination for Arts Crowd You’re In With. He has designed for Step- Emerson. penwolf Theatre Company, Chicago Shakespeare Theater, McCarter Theatre, Court Theatre, Writers NATASHA KATZ (lighting designer) received a Theatre, Drury Lane Theatre, Chicago Children’s Jeff Award for her lighting design of The Iceman Theatre, Denver Center Theatre Company, Arden Cometh at Goodman Theatre. She previously Theatre Company, Milwaukee Repertory Theater, designed lighting for the Goodman’s production American Players Theatre, Indiana Repertory of Turn of the Century (Jeff Award nomina- Theatre, and the Illinois Shakespeare Festival. tion). Other Chicago credits include Motown, He was the associate designer for August: Osage The Addams Family, Sweet Smell of Success, County (Steppenwolf Theatre Company, National That’s Christmas, and Aida (directed by Robert Theatre in London, the Music Box Theatre on Falls). Her Broadway credits include , Broadway, and the US national tour). Depinet The Glass Menagerie (Tony Award), Motown, designed scenery for Detroit at London’s National Scandalous, Elf, Mike Tyson: Undisputed Truth, Theatre. He also designed scenery for Michael Once (Tony Award), , , The Little Mann’s film Public Enemies, as well as a touring Mermaid, The Coast of Utopia [Part 3 – Salvage] museum exhibit for Sherlock Holmes. Depinet is (Tony Award), , The 25th Annual Putnam an adjunct professor of design at DePaul Univer- County Spelling Bee, Aida (Tony Award), Twelfth sity. He studied at Ball State University and the Night, Dance of Death, The Capeman, Gypsy, Yale School of Drama. Barrymore, and Beauty and the Beast. She has worked extensively off-Broadway, including Altar MERRILY MURRAY-WALSH (costume designer) Boyz and The Normal Heart. Regional credits in- has worked with Robert Falls on three previous clude work at the Mark Taper Forum, Trinity Rep- Who’s Who

ertory Company, American Repertory Theater, Ages, and Million Dollar Quartet. Off-Broadway Dallas Theater Center, Spoleto Festival, Alliance credits include New York Spring Spectacular Theatre, and Seattle Repertory Theatre. Opera and productions for , and dance credits include , MCC Theater, Public Theater, Second Stage, and , , San Signature Theatre Company. Regional credits Francisco Ballet, , Edinburgh include productions for Alliance Theatre, Ameri- International Festival, Metropolitan Opera, and can Repertory Theater, Dallas Theater Center, New York City Opera. She has designed lighting Goodman Theatre, La Jolla Playhouse, New York for concert acts for Shirley MacLaine, Ann-Mar- Stage and Film, Paper Mill Playhouse, Signature gret, and , and in Las Vegas for EFX! Theatre, and Williamstown Theatre Festival. and The Masquerade Village. Permanent lighting Film credits include The Intern, Ithaca, Focus, A installations include Niketown in New York and Most Violent Year, Into the Woods, The Last Five London and The Big Bang at the American Mu- Years, Stage Fright, and Song One. Television seum of Natural History in New York City. credits include Flesh and Bone, Peter Pan Live!, Penny Dreadful, Masters of Sex, and various NEENA ARNDT (dramaturg) is the associate commercials. Telseyandco.com dramaturg at Goodman Theatre. In six seasons, she has served as production dramaturg for more JOSEPH DRUMMOND* (production stage than 20 productions, including Robert Falls’ manager) is in his 41st season with Goodman productions of Measure for Measure and The Theatre, where his credits include Smokefall, Seagull, David Cromer’s production of Sweet Luna Gale, Pullman Porter Blues, Race, Red, Bird of Youth, and the world premiere of Rebecca House and Garden, Death of a Salesman (also Gilman’s Luna Gale. She has also worked on Broadway and at the Ahmanson Theatre in with American Repertory Theater, Milwaukee Los Angeles), , Turn of the Century, Repertory Theater, Actors Theatre of Louisville, Desire Under the Elms, Rock ’n’ Roll, Animal New Harmony Project, and Actors Shakespeare Crackers, Passion Play, King Lear, The Clean Project, among others. Arndt has taught at House, Finishing the Picture, The Rose Tattoo, Boston University and DePaul University. She The Beard of Avon, Drowning Crow, , holds an MFA in dramaturgy from the A.R.T./ The , All the Rage, Arcadia, Another MXAT Institute for Advanced Theatre Training at Midsummer Night, the Iguana, On Harvard University, and a BA in linguistics from the Open Road, Book of the Night, Landscape College. of the Body, The Gospel at Colonus, (also on Broadway), and 12 produc- ADAM BELCUORE (casting) is the associate tions of A Christmas Carol. In December 2011, producer and director of casting for Goodman he received the Del Hughes Award for Lifetime Theatre, where he has cast over 100 productions Achievement from the Stage Managers’ As- the last 11 seasons. He has also cast projects sociation in New York City. He is included in the for a number of other theaters including Chicago 2012 edition of Marquis’ Who’s Who in America Children’s Theatre, Northlight Theatre, Seattle and is the recipient of the Jeff Award for Lifetime Children’s Theatre, Seattle Repertory Theatre, Achievement after 25 years of stage manage- Writers Theatre, and About Face Theatre. ment at the Goodman. He is a 43-year member Belcuore is also a founding member of Serendip- of Actors’ Equity Association. ity Theatre Collective and served as the artistic director until 2005. During his tenure he created JOHANNAH HAIL* (stage manager) previously 2nd Story, the storytelling event that is now the served as floor manager for The Iceman Cometh company’s namesake and primary focus. He cur- at Goodman Theatre in 2012. Additional Good- rently serves on 2nd Story’s advisory board. man credits include Crowns, , Race, A Christmas Carol, and Red. Hail has served as TELSEY + COMPANY (additional casting) production stage manager for The Adventures of Broadway and national tour credits include Frog and Toad and The Elephant and the Whale Something Rotten!, An American in Paris, at Chicago Children’s Theatre and Short Shake- Finding Neverland, , Hand to speare! A Midsummer Night’s Dream at Chicago God, Honeymoon in Vegas, , This Shakespeare Theater. Regional stage managing is Our Youth, If/Then, , , credits include The Games Afoot at Peninsula , , , Motown, Rock of Players Theatre; Snapshots and New Play Proj- Who’s Who ects at the Guthrie; Henry IV at Classic Actor’s the past two decades, one-third of Goodman Ensemble; Urban Village Music Series and Much productions (including 21 world premieres) Ado About Nothing at the Lake Tahoe Shake- have featured artists of color, and the Goodman speare Festival, and Richard II, The Winter’s was theater in the world to produce all Tale, , A Midsummer 10 plays in ’s 20th Century Cyle. Night’s Dream, My Way, The Fantasticks, Much Each year the Goodman’s numerous education Ado About Nothing, Don’t Dress for Dinner, and and community engagement programs serve at the Oklahoma Shakespeare several thousand Chicago public school students. Festival. Production assistant credits include Corporate sponsors for The Iceman Cometh’s Cyrano de Bergerac, Othello, Two Gentlemen Chicago production included Allstate, Fifth Third of Verona, Cyrano de Bergerac, Othello, Two Bank, and . Gentleman of Verona, Moonlight and Magno- lias, and Julius Caesar at the Utah Shakespeare ROCHE EDWARD SCHULFER (Goodman Festival. Theatre Executive Director) is in his 35th season as Executive Director. In 2014, he received MELISSA CHACÓN* (production stage man- the Visionary Leadership Award from Theatre ager) National tour credits include We Will Rock Communications Group. During his tenure You, Billy Elliot: the Musical, , and . he has overseen more than 335 productions, Other credits include Shida—A New Musical including close to 130 world premieres. Since (American Repertory Theater); 1001; Pinkali- 1986, under Schulfer’s partnership with Artistic cious; Jimi & Mr. B; Circle of Friends; The Ameri- Director Robert Falls, the Goodman has received can Girls Revue, as well as Much Ado About numerous accolades including the Tony Award Nothing and The School for Husbands (New for Outstanding Regional Theater, recognition by York Classical Theatre). She earned her MFA in Time magazine as the “Best Regional Theatre” stage management from Rutgers University’s in the US, the Pulitzer Prize for ’s Mason Gross School of the Arts. , and many Jeff Awards for achievement in Chicago theater. Schulfer has negotiated the GOODMAN THEATRE has been internation- presentation of Goodman productions at many ally recognized for its artists, productions and national and international venues. He is a found- programs since its founding in 1925 by William er and two-time chair of the League of Chicago O. Goodman and his family in memory of their Theatres. Schulfer has been privileged to serve son, Kenneth Sawyer Goodman. The Goodman in leadership roles with Arts Alliance Illinois, is a major cultural, educational, and economic Theatre Communications Group, Performing Arts pillar in Chicago. Named the nation’s “Best Alliance, League of Resident Theatres, and the Regional Theater” by Time magazine, Goodman Arts & Business Council. He has been recog- Theatre has garnered hundreds of awards for ar- nized for his work by Actors’ Equity Association tistic achievement and community engagement, for promoting diversity and equal opportunity including Tony Awards and Pulitzer Prizes. Under in Chicago theater; American Arts Alliance; Arts the leadership of Artistic Director Robert Falls & Business Council; Chicago magazine and and Executive Director Roche Schulfer, Goodman Chicago Tribune as a “Chicagoan of the Year”; Theatre’s priorities include new plays, reimag- Arts Alliance Illinois; Joseph Jefferson Awards ined classics, culturally specific work, musical Committee; North Central College with an honor- theater, and international collaborations. Over the ary doctor of fine arts degree; Lawyers for the past 30 years, the Goodman has produced more Creative Arts; Season of Concern for support of than 100 world or American premieres. Robert direct care for those living with HIV/AIDS; and Falls’ productions of Death of a Salesman, Long the Vision 2020 Equality in Action Medal for Day’s Journey Into Night, and King Lear have promoting gender equality and diversity in the been celebrated nationally and internationally, workplace. Schulfer is a member of the adjunct along with his artistic collaboration with actor faculty of the Theatre School at DePaul University Brian Dennehy. Diversity and inclusion are and a graduate of the University of Notre Dame. cornerstones of the Goodman’s mission; over Goodman Theatre—Staff

Robert Falls Victoria S. Rodriguez Ramsey Carey Jess Hill Jenna Kate Karn Artistic Director Manager of Stewardship Publicity Coordinator House Rigger Carpenter Melissa Yonzon and Community Engage- Guest Services Roche Schulfer ment Events Graphic Design Properties Associates Executive Director Molly McKenzie Kelly Rickert Alice Maguire Daniel Gomez Manager of Individual and Creative Director Properties Supervisor Whitney Pipes Artistic Collective Major Gifts Cori Lewis Stephen Kolack Cassandra Rose Steve Scott Amber Bel’cher Cecily Pincsak Properties Head Jonathan Wallace Producer Campaign Manager Graphic Designers Christopher Kolz Part-Time Guest Services Chuck Smith Scott Podraza Cameron Johnson Properties Carpenter Associates Resident Director Annual Fund Coordinator Videographer Jeff Harris Eldridge Davis Katie Lane Properties Artisan Facilities Coordinator Manilow Resident Director Women’s Board and Benefit Ticket Services Rachelle Moore Stadt Rodrigo Garcia Henry Godinez Events Coordinator Erik Schnitger Properties Assistant Adam Kaufman Resident Artistic Associate Christine Obuchowski Director of Ticket Services Jay Tollefsen Facilities Technicians Brian Dennehy Development/Board Summer Snow Assistant Properties Juanito Murphy Rebecca Gilman Relations Coordinator Associate Director Supervisor Michael Rice Michelle Neuffer of Ticket Services Security Officers Henry Wishcamper Development Communica- Bridget Melton Electrics Miguel Melecio Artistic Associates tions Coordinator Ticket Services Manager Gina Patterson Randy Sickels Seth Bockley Hayley Trezzo Claire Guyer Lighting Supervisor Custodians Playwright-in-Residence Prospect Research Assistant Assistant Ticket Patrick Feder Brittany Brewer Amy Szerlong Services Manager Assistant Lighting Tawanda Brewer Institutional Giving Emmelia Halpern-Givens Supervisor Tamara Davis Administration Assistant Ticket Services Supervisor Sherry Simpson Allan Johnson Peter Calibraro Josh Carter Philip Lombard Electrics Head Part-Time Custodial Staff Managing Director Development Assistant Group Sales Mike Durst Raul Barrigan John Collins Representative Patrick Hudson Stephanie Boudreaux Associate Managing Education & Community Terri Gonzalez Jay Rea Valentino Davenport Director Engagement Paul Lewis Electricians Emmanuel Dunagan Jodi J. Brown Willa Taylor Keyana Marshall Margaret Dunn HR/Business Office Director of Education & Alex Martinez Sound Cristina Granados Manager Community Engagement Ron Popp Richard Woodbury Sarah Gise Richard Glass Teresa Rende Shawn Schikora Resident Sound Designer Johnathan Koller Systems Administrator Education & Community Ticket Services David Naunton Michael Krystosek Cristin Barrett Engagement Coordinator Representatives House Audio Supervisor Tara Levy Assistant to the Director Elizabeth Rice Stephanie Farina Judy Loyd Dana Black Education Programs Production Audio Head Keri Mack Assistant to the Associate Scott Conn Rebecca Miles-Steiner Executive Director Bobby Biedrzycki Production Manager Costumes Lila Morse Ashley Jones Curriculum and Matthew Chandler Heidi Sue McMath Marla Mortrud Morgan Araujo Instruction Associate Associate Production Costume Shop Manager Reed Motz Business Office Manager, Albert Eileen Clancy Elizabeth Nungaray Associates Marketing/Public Relations Ryan Retartha Assistant to the Manager Lauren Paustian Erin Madden Lori Kleinerman Associate Production Crystal Jovae Mazur Kate Pflugradt Company Manager Marketing & PR Director Manager, Owen Assistant to the Designer Taylor Pittman Owen Brazas Jay Corsi Amber Porter Jessica Rodriguez Rebecca Cao Romero IT General Help Desk Director of Advertising Assistant to the Shop Assistant Karena Sims Paul Kappel & Sales Production Manager Michelle L. Bush Demetrice Smith Tessitura Database Manager Kimberly D. Furganson Tom Keller Kristyn Zoe Wilkerson Marissa Ford Marketing Associate/Group Stage Management Shoppers Jordan Zeman Producing Apprentice Sales Manager Joseph Drummond Birgit Rattenborg Wise Front of House Staff Gabriela Jirasek Melissa Chacón Head Draper Artistic New Media Manager Production Stage McKinley Johnson M. Graham Coleman/Davis Adam Belcuore Jenny Gargaro Manager Draper Wright Tremaine LLP Associate Producer/Director Marketing Manager Johannah Hail Hyunjung Kim Legal Counsel of Casting Michael Mellini Stage Manager First Hand Tanya Palmer Marketing Communications Madeleine Borg Frances Ball Director of New Play Coordinator Floor Manager Amy Frangquist Development Madeline Wolfe Elizabeth Hunstad Neena Arndt New Media Assistant Scenic Art Austin Pettinger Associate Dramaturg Hank Greene Karl Kochvar Stitchers Erica Sartini-Combs Audience Development Resident Scenic Artist, Kelly Rose Casting Coordinator Associate USAA Dyer Julie Massey David Diaz Mary Griswold Susan Lemerand Assistant to the Marketing Project Associate Vivienne Marie Crafts Artistic Director Casey Chapman Donna Slager Rick Jarvie Jonathan Green Telemarketing Manager Scenic Artists Wigs Literary Management Shari Eklof Yvette Wesley Associate Telemarketing Sales Scenery Wardrobe Joseph Pindelski Associate Ryan Schultz Jeneé Garretson Assistant to the Producer Jillian Meuller Technical Director Wardrobe Head Shift Supervisor Alex Bergeron Development John Accrocco Luke Lemanski Dorlisa Martin Operations & Facilities Janet Balou Assistant Technical Director of Development Mark J. Kozy Elizabeth Butler Directors Lisa Feingold Director of Operations John Donnell John Russell Associate Director Justine Bondurant Fredericka Gaston Scene Shop Foreman of Development Events and Operations Ray James Sandy Anetsberger Jeff M. Ciaramita Manager Susan Monts-Bologna Josh Edwards Senior Director of Special Chris Smith Jillian Mueller Stephen Geis Events & Stewardship Front of House Manager James Mulcahy Casey Kelly Sharon Martwick Kyle Shoemake Will Opel Dave Stadt Director of Guest Services Manager Subscription Sales/ Carpenters Institutional Giving Demi Smith Fundraising Meghan Griffin Kate Welham House Manager Scene Shop Assistant Director of Institutional Arthur Mathews Publicity Michael Bugajski Grants and Development Steve Snodgrass Denise Schneider Jaime Guiscafre Operations Assistant House Publicity Director Assistant Carpenters Managers Elizabeth Elliott James Norman Publicity Manager House Carpenter

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