Aziz Ansari Snl Monologue Transcript
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Climate Change Communication in Late-Night Comedy Television
Fordham University Fordham Research Commons Student Theses 2015-Present Environmental Studies Fall 9-14-2020 Live From New York, It’s Environmental Science! Climate Change Communication in Late-Night Comedy Television Serena A. Ingram Follow this and additional works at: https://research.library.fordham.edu/environ_2015 Live From New York, It’s Environmental Science! Climate Change Communication in Late-Night Comedy Television Serena A. Ingram Abstract This thesis explores why traditional climate change communication often fails in the mainstream news media and how late-night comedy television circumvents these problems. These late-night shows provide humorous news coverage that holds politicians and the press accountable for enabling denialist rhetoric. The first chapter sources data from the Intergovernmental Panel on Climate Change, the U.S. Environmental Protection Agency, and the Yale Project on Climate Change Communication to outline the issues of climate change and public understanding of climate science. The second chapter describes how rhetorical analysis can identify effective or ineffective climate communication strategies. It also discusses the emotional factors that surround climate change, and how humor strengthens communication and unifies individuals toward a common goal. The third chapter addresses the issue of politically spun news and information biases in climate reporting. It details how political figures influence news coverage of climate change and spin the news to reinforce their own agendas. The fourth chapter provides examples and analysis of climate change related segments from Last Week Tonight with John Oliver, The Daily Show with Trevor Noah, and Saturday Night Live’s “Weekend Update.” The fifth chapter applies the principles of late-night comedy and climate change communication to potential government policy and more mainstream television news. -
Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected]
Clemson University TigerPrints All Dissertations Dissertations 12-2016 Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_dissertations Recommended Citation Elrick, Kathy, "Ironic Feminism: Rhetorical Critique in Satirical News" (2016). All Dissertations. 1847. https://tigerprints.clemson.edu/all_dissertations/1847 This Dissertation is brought to you for free and open access by the Dissertations at TigerPrints. It has been accepted for inclusion in All Dissertations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. IRONIC FEMINISM: RHETORICAL CRITIQUE IN SATIRICAL NEWS A Dissertation Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Rhetorics, Communication, and Information Design by Kathy Elrick December 2016 Accepted by Dr. David Blakesley, Committee Chair Dr. Jeff Love Dr. Brandon Turner Dr. Victor J. Vitanza ABSTRACT Ironic Feminism: Rhetorical Critique in Satirical News aims to offer another perspective and style toward feminist theories of public discourse through satire. This study develops a model of ironist feminism to approach limitations of hegemonic language for women and minorities in U.S. public discourse. The model is built upon irony as a mode of perspective, and as a function in language, to ferret out and address political norms in dominant language. In comedy and satire, irony subverts dominant language for a laugh; concepts of irony and its relation to comedy situate the study’s focus on rhetorical contributions in joke telling. How are jokes crafted? Who crafts them? What is the motivation behind crafting them? To expand upon these questions, the study analyzes examples of a select group of popular U.S. -
Topical Monologue Jokes
Topical Monologue Jokes On Donuts Featuring Dr. Fauci’s Face: Due to the desperate need for facts and science that’s sweeping the Nation in this Coronavirus time, Dr. Fauci is becoming something of a hero. In fact, CNN reported that donuts featuring Dr. Fauci’s face are becoming a hit in NYC…[graphic]: Stephen Colbert: Donuts? New York—you couldn’t think of a healthier food for one second while we’re all trying to stay healthy and improve our immune systems? You couldn’t try carving Dr. Fauci’s face into an eggplant? [Colbert NY accent]: “In honor of this man that provided us with medical truth that ultimately saved the nation from entirely dying out from a deadly virus, here’s some diabetes!" Trevor Noah: People are so into Dr. Fauci right now, it’s crazy. He’s going to become our new mascot, I’m telling you. Like instead of the Easter Bunny, it’ll just be Dr. Fauci sneaking around your house, laying chocolate eggs with his face on them everywhere for you to find. Luckily Christmas will pretty much just be the same: an old white man as the bearer of good things. Fauci isn’t fat like Santa Claus, but after a few of those donuts with his face on them… On Drake’s kid: Trevor Noah: Drake has finally revealed to the public a picture of his kid on social media. [graphic] Here he is: Adonis Graham. Yes, Drake named his kid Adonis—after the mortal that had sex with Aphrodite. Aphrodite! Goddess of love, beauty, and pleasure! ….I see what you’re doing here, Drake. -
(FCC) Complaints About Saturday Night Live (SNL), 2019-2021 and Dave Chappelle, 11/1/2020-12/10/2020
Description of document: Federal Communications Commission (FCC) Complaints about Saturday Night Live (SNL), 2019-2021 and Dave Chappelle, 11/1/2020-12/10/2020 Requested date: 2021 Release date: 21-December-2021 Posted date: 12-July-2021 Source of document: Freedom of Information Act Request Federal Communications Commission Office of Inspector General 45 L Street NE Washington, D.C. 20554 FOIAonline The governmentattic.org web site (“the site”) is a First Amendment free speech web site and is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. Federal Communications Commission Consumer & Governmental Affairs Bureau Washington, D.C. 20554 December 21, 2021 VIA ELECTRONIC MAIL FOIA Nos. -
When Is Comedy Over the Line? the Departure of Shane Gillis from SNL - the Prindle Post When Is Comedy Over the Line? the Departure of Shane Gillis from SNL
8/9/2021 When Is Comedy Over the Line? The Departure of Shane Gillis from SNL - The Prindle Post When Is Comedy Over the Line? The Departure of Shane Gillis from SNL By Rachel Robison-Greene - Oct 1, 2019 "File:Radio City Music Hall (2549293905).jpg" by File Upload Bot (Magnus Manske) is licensed under CC BY-SA 2.0 Earlier this month, the famous sketch comedy program Saturday Night Live announced that Shane Gillis would be joining the troupe. The comedian was allegedly cast in an attempt to appeal to more conservative potential viewers. In recent years, the show has been perceived by many to have a liberal bias, and its creators wanted to draw more politically diverse viewership. Several days later, however, SNL announced that Gillis would not be joining the cast after all. The show’s representatives acknowledged that they cast Gillis on the basis of the strength of his audition, but failed to adequately vet him before offering him the job. In the days immediately following the casting announcement, comedic material surfaced that many found appalling. A good number of the offensive remarks came from a podcast co-hosted by Gillis in which he makes unambiguously racist, sexist, homophobic, and transphobic remarks. There are also recordings of Gillis making rape jokes and mocking people with disabilities. This is not the first time a comedic institution has decided to part ways with Gillis over the nature of his comedy. The Good Good Comedy Theater, a prominent Philadelphia Comedy Club, tweeted the following, We, like many, were very quickly disgusted by Shane Gillis’ overt racism, sexism, homophobia and transphobia – expressed both on and off stage – upon working with him years ago. -
The Performance of Intersectionality on the 21St Century Stand-Up
The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage © 2018 Rachel Eliza Blackburn M.F.A., Virginia Commonwealth University, 2013 B.A., Webster University Conservatory of Theatre Arts, 2005 Submitted to the graduate degree program in Theatre and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Dr. Nicole Hodges Persley Dr. Katie Batza Dr. Henry Bial Dr. Sherrie Tucker Dr. Peter Zazzali Date Defended: August 23, 2018 ii The dissertation committee for Rachel E. Blackburn certifies that this is the approved version of the following dissertation: The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage Chair: Dr. Nicole Hodges Persley Date Approved: Aug. 23, 2018 iii Abstract In 2014, Black feminist scholar bell hooks called for humor to be utilized as political weaponry in the current, post-1990s wave of intersectional activism at the National Women’s Studies Association conference in San Juan, Puerto Rico. Her call continues to challenge current stand-up comics to acknowledge intersectionality, particularly the perspectives of women of color, and to encourage comics to actively intervene in unsettling the notion that our U.S. culture is “post-gendered” or “post-racial.” This dissertation examines ways in which comics are heeding bell hooks’s call to action, focusing on the work of stand-up artists who forge a bridge between comedy and political activism by performing intersectional perspectives that expand their work beyond the entertainment value of the stage. Though performers of color and white female performers have always been working to subvert the normalcy of white male-dominated, comic space simply by taking the stage, this dissertation focuses on comics who continue to embody and challenge the current wave of intersectional activism by pushing the socially constructed boundaries of race, gender, sexuality, class, and able-bodiedness. -
Emmy Nominations
2021 Emmy® Awards 73rd Emmy Awards Complete Nominations List Outstanding Animated Program Big Mouth • The New Me • Netflix • Netflix Bob's Burgers • Worms Of In-Rear-Ment • FOX • 20th Century Fox Television / Bento Box Animation Genndy Tartakovsky's Primal • Plague Of Madness • Adult Swim • Cartoon Network Studios The Simpsons • The Dad-Feelings Limited • FOX • A Gracie Films Production in association with 20th Television Animation South Park: The Pandemic Special • Comedy Central • Central Productions, LLC Outstanding Short Form Animated Program Love, Death + Robots • Ice • Netflix • Blur Studio for Netflix Maggie Simpson In: The Force Awakens From Its Nap • Disney+ • A Gracie Films Production in association with 20th Television Animation Once Upon A Snowman • Disney+ • Walt Disney Animation Studios Robot Chicken • Endgame • Adult Swim • A Stoopid Buddy Stoodios production with Williams Street and Sony Pictures Television Outstanding Production Design For A Narrative Contemporary Program (One Hour Or More) The Flight Attendant • After Dark • HBO Max • HBO Max in association with Berlanti Productions, Yes, Norman Productions, and Warner Bros. Television Sara K. White, Production Designer Christine Foley, Art Director Jessica Petruccelli, Set Decorator The Handmaid's Tale • Chicago • Hulu • Hulu, MGM, Daniel Wilson Productions, The Littlefield Company, White Oak Pictures Elisabeth Williams, Production Designer Martha Sparrow, Art Director Larry Spittle, Art Director Rob Hepburn, Set Decorator Mare Of Easttown • HBO • HBO in association with wiip Studios, TPhaeg eL o1w Dweller Productions, Juggle Productions, Mayhem Mare Of Easttown • HBO • HBO in association with wiip Studios, The Low Dweller Productions, Juggle Productions, Mayhem and Zobot Projects Keith P. Cunningham, Production Designer James F. Truesdale, Art Director Edward McLoughlin, Set Decorator The Undoing • HBO • HBO in association with Made Up Stories, Blossom Films, David E. -
A Step-By-Step Guide to Why People Can't Stop Arguing About 'Cancel
Sections Get one year for $29 Sign in Democracy Dies in Darkness Pop Culture Analysis Home A step-by-step guide to why people Share can’t stop arguing about ‘cancel 263 culture’ SNL announces it will no longer hire Shane Gillis "Saturday Night Live" announced Sept. 16 that the show will no longer hire Shane Gillis whose past use of racist, homophobic and sexist language sparked outcry. (Darian Woehr/The Washington Post) By Abby Ohlheiser and Elahe Izadi September 19, 2019 at 1:32 a.m. GMT+8 Shane Gillis’s historically brief tenure on “Saturday Night Live” has turned into a referendum on an amorphous idea: cancel culture. Shortly after Gillis was announced as a new featured player on SNL late last week, clips of the comedian using racist language about Asians on a podcast recorded last year began circulating online — along with calls for him to lose his new job. He tried to explain himself as a performer who “pushes boundaries.” On Monday, SNL decided to part ways with him. Follow the latest on Election 2020 “This is just cancel culture. The guy shouldn’t have been fired,” comedian Jim Jefferies said Monday on David Spade’s talk show. The Federalist, a conservative online publication, praised Democratic presidential candidate Andrew Yang for “refus[ing] to join cancel culture” when he offered to have a conversation with the comedian. Most Read Entertainment Helping small businesses like Morgan Miller Plumbing fnd new customersAD Perspective 1 Trumpism is a lifestyle disease, chronic in America 2 With ‘The Life Ahead,’ Sophia Loren is The concept has been around for a while, but this particular approaching her term has stuck in recent months. -
2019 Alumni Notes Newsletter
ALUMNI & FRIENDS OF ALUMNI NOTES FIORELLO H. LAGUARDIA HS OF 2019 MUSIC & ART AND PERFORMING ARTS "I loved the freedom of going to school where people could be whatever they 1 wanted to be, that the creative 2 side of us was "A family of artists that as important as represented all walks the academic." of life and cultures, – Laurie J. Greenwald were accepting 4 (PA '74) and encouraging 3 of one another and demonstrated what people should be like, what America should be like, what the world should be like." – Rudy Valentine (M&A '67) 7 6 – Marlon Wayans "Going to LaGuardia was a blessing." (LaG '90) 5 1 I would not be frank or human if I did not take pride in this institution and its students. – Mayor Fiorello Henry LaGuardia, 1939 DID YOU KNOW? The bust of Toscanini that once graced the halls of the High School of Music & Art now stands guard opposite the entrance to LaGuardia's Concert Hall. WE’RE Please LIKE and FOLLOW us at facebook.com/AlumniandFriends and on Instagram @lagalumniandfriends. Stay up-to-date on alumni news, reunion information, and 2 SOCIAL! event details. Keep an eye out for FREE tickets to LaGuardia performances! Award and the Florence Mandell Memorial Art Award; Michelle Li (LaG '19), recipient of the Class of M&A 1960 Award and the Class of M&A 1952 Award Michelle Li (LaG '19), recipient of the Class M&A 1960 Award and the Florence Mandell Memorial Art Award; Award Photography to bottom) Rebecca Park (LaG '18), recipient of the Mary Zoe Descoteaux (LaG '18), recipient of the King Sang Wong Frank & Pablo Award; (Top THANK YOU FROM ALUMNI & FRIENDS (A&F) Dear Friends, When I entered LaGuardia in 1985 I was part of the second incoming class at the “new building.” My classmates and I have the distinction of being the first to audition at the LaGuardia building, which was not quite finished. -
Snl Skit Rap Consent
Snl Skit Rap Consent Calfless and senatorial Fox underpay: which Menard is sportier enough? When Rocky lunch his chaplet pet not ludicrously enough, is Wright slashing? Clive is unceasing and lames monstrously as attendant Artur misrated horizontally and support unattractively. Saturday night live teased fans what he thought the purchase something like crenshaw with snl skit as one album last free to lead their separate ways big time The sketch ends with Palin delivering the trademark opening are from New York. SNL rides for Ruth Bader Ginsburg in fine new rap video 'You summon some. In ram first episode of Shonda Rhimes's romantic period drama we vary as. Staten island wedding in texas democratic party pics, making sure to snl skit rap consent visit our community finance team, seemingly aimed at silive. The two rappers were featured in an SNL skit based on acknowledging and. I'm dye a mission for that ass come first I looking like permission they rap While the booty-seeking duo continues their mission particular visitor Future begins. Entertainment forums at syracuse university for snl skit rap consent is affecting millions of these things! Future And Lil Wayne Star In conspicuous And Respectful 'SNL. The 32 year-old be set the present each week's popular US sketch show. SNL stars Chris Redd and Kenan Thompson played a rap duo called the Booty Kings in a spoof music video That's case whole lot of oxygen B Oh alright Please. The upcoming item before spitting about snl skit rap consent and consent visit our. -
Stand-Up Comedy: Quantifying Humor and Identity
Stand-up Comedy: Quantifying Humor and Identity Johnny Ma January 27, 2020 Laughter Detection and Punchline Classification 1.1 Introduction It’s just me, the mic, and the audience. — Richard Pyror, Pyror Convictions Being a stand-up comedian is no joke. Very few can, with mere words, fill an arena or club basement with laughter for over an hour. Unlike TV or movie comedy with its canned laughter or studio editing, comedians kill or bomb in real time. Being funny is merely a prerequisite; you must be a charismatic and consistent writer, orator, and stage performer. In this highly personal environment, it is no surprise that identity plays a major role in not only what jokes are told, but what jokes are considered funny. We can treat a stand-up comedian’s routine as a multi-modal experience involving audio, visual, and textual cues that seek to entice an audience laughter response. There have been several attempts at computational humor detection from one-liners [20], puns [29], double-entendres [17], TV scripts [6], TV dialogue [23], and one-off jokes in TED talks [9]. As the primary goal of stand-up comedy is to elicit laughter in a live setting, the goals of a stand-up routine is most similar to that of an persuasive speech [5]. Just like campaign speeches, a stand-up routine first takes form as a long written collection of bits and jokes containing lexical and rhetorical strategies in the form of set-up lines and punchlines. The routines are then performed in a large social setting, where comedians employ acoustic techniques to signal and elicit a laughter response from an expectant audience. -
Snl Downloads Free SNL Financial Is Now a Part of S&P Global Market Intelligence
snl downloads free SNL Financial is now a part of S&P Global Market Intelligence. SNL Financial built its reputation with deep, sector-specific analytics. Now SNL Financial has joined forces with S&P Capital IQ to form S&P Global Market Intelligence: a single, powerful source for essential business intelligence. On This Page: On This Page: Welcome to S&P Global Market Intelligence Our Vision Our Commitment. The SNL Financial data you know and love hasn’t gone away. Access SNL Financial analytics, plus a host of other data including financials from S&P Capital IQ, by logging into the S&P Capital IQ Pro platform. The depth of SNL Financial sector-focused analytics plus the breadth of S&P Capital IQ financial data. That’s the power of Market Intelligence. Cutting-edge SNL Financial analytics, now with the rich history of S&P Global. As a leader in sector-specific business intelligence for nearly 30 years, SNL Financial sustained rapid growth driven by an intense focus on our clients. Now, this growth is propelling S&P Global forward, while staying true to its proud, 156-year heritage as a trusted source of information to the business community. OUR VISION: A hallmark of both SNL Financial and S&P Global. is the ability to evolve and adapt to serve the changing needs of clients, investors, and key decision makers. SNL Financial’s name has changed, but its core principles have not. Integrity, excellence, accuracy, and relevance remain the central focus. Today, you need actionable insights across markets. because every decision is only as good as the intelligence used to make it.