We l c o m e t o
A glorious welcome to all!!! And just look what a load of new treasures your Old Globe has in store! Thank you for joining us for another exciting Brilliant director, Dan Sullivan, Summer Festival at The Old Globe. returns to uncork his searing vision of We have so much to celebrate this summer – Julius Caesar, if ever, a play for our own two of Shakespeare’s most beloved plays, Julius time, and one that has not been seen in Caesar and Much Ado About Nothing; the hilarious Balboa Park for much too long with an Time Flies; and the Broadway hit Dirty Blonde. astonishing cast... There is a flurry of activity off stage as well, with Hometown heroine Kathy Najimy brings to the Globe her our “Real Globe” summer theater camp, where inimitable presence and the brilliant performance of Claudia Shear’s middle and high schools students come to The Dirty Blonde that pretty much stopped the New York theatre crowd in Old Globe for an intense experience in every aspect of the theater, from its tracks, in James Lapine’s staging, directed here by Gareth designing sets to performing their own version of Shakespeare’s The Hendee... Tempest. Just one of many outstanding educational outreach programs at That wildly wicked David Ives returns to the intimacy of the the Globe, which include the award-winning, bilingual playwriting pro- Carter with another bundle of hilarious and idiosyncratic looks at gram, Teatro Meta, the annual Language Arts Awards, as well as the each and every one of us with Time Flies, directed by Matt August in Playguides program and Insights Seminars, which offer learning opportu- his welcome directorial debut... nities surrounding each production for both children and adults. And finally, Brendon Fox gives us the glowing Much Ado About These programs would not be possible without the strong support of Nothing and welcomes back to the Globe one of our favorite actors as our Members. With the cuts in government and corporate support that all Benedick, the irresistable Billy Campbell... non-profit organizations are facing, we rely even more heavily on the sup- Words of explanation or qualification are hardly necessary. A port from individuals who love the work we do. I encourage you to not bumper crop, and each one “Globe-guaranteed” to please. We’re truly only subscribe to the Globe as an endorsement of the art and artists on happy to have you with us. our stages, but to help secure the continued health of the theatre through membership in our annual fund. You may be receiving a friendly call in the coming months from one of our staff whose job it is to secure membership support for our annual fund campaign. We know how much you value your theatre-going experiences at the Globe, and I sincerely hope you will give our knowledgeable Globe representatives a moment of your time when JACK O’BRIEN they contact you later in the summer and ask you to contribute to this Artistic Director beloved institution you obviously enjoy. Once again, thank you so much for being with us at the Globe this summer, and thank you, in advance, for your continued support. As we cel- ebrate the glorious accomplishments of this great theatre and plan for its future, we remember and pay tribute to our closest friends at The Old Globe.
LOUIS G. SPISTO Executive Director
PERFORMANCES MAGAZINE P1 S p o n s o r s
Our 2003 Season Sponsors continue a tradition of annual leadership gifts of $50,000 or more to The Old Globe that help us sustain the highest possible quality of work appearing on our stages. We are deeply grateful to these most generous donors. The Lipinsky Family Donald and Darlene Shiley Anonymous Sheryl and Harvey P. White Karen and Donald Cohn
We also gratefully acknowledge our generous sponsors of this production of Time Flies:
and The Mandell Weiss Charitable Trust San Diego National Bank, a vital part of the San Diego community for the last 20 years, believes that being a good corporate citizen makes good business sense and contributes to community pride. San Diego National Bank management, staff and board members contribute time and money to more than 350 community organizations in San Diego. Christopher L. Crockett, SDNB Senior Vice President, represents the bank on The Old Globe’s Board of Directors and is a member of the Development Committee.
The Mandell Weiss Charitable Trust has sponsored numerous Globe productions over the past eight years, including The Merry Wives of Windsor, Macbeth, Things We Do For Love, the world-premiere of The Boswell Sisters, and last year’s hit Beyond Therapy. Through its gen- erous support of the entire San Diego theatre community, the Trust ensures that the vision and legacy of philanthropist Mandell Weiss continues to endure.
We extend our sincerest thanks to San Diego National Bank and the Mandell Weiss Charitable Trust for their continued endorsement of the Globe’s artistic endeavors.
We are also grateful to our Media Sponsor:
P2 PERFORMANCES MAGAZINE THE CASSIUS CARTER CENTRE STAGE | JULY 27, 2003 – SEPTEMBER 7, 2003
PRESENTS
BY David Ives
SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN David Ledsinger Holly Poe Durbin Chris Rynne Paul Peterson
STAGE MANAGER Julie Baldauff*
DIRECTED BY Matt August
* Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers of the United States.
Casting by: Brendon Fox & Liz Woodman, C.S.A.
PERFORMANCES MAGAZINE P3 CAST OF C h a r a c t e r s
BABEL’S IN ARMS The Desert, circa 1000 BC Gorph...... MARK SETLOCK* Cannaphilt ...... DAVID ADKINS* Businesswoman ...... NANCY BELL* High Priestess ...... MIA BARRON* Eunuch...... JEFFREY BRICK
T I M E F L I E S A Pond Horace ...... MARK SETLOCK* May ...... MIA BARRON* David Attenborough ...... DAVID ADKINS* Frog ...... JEFFREY BRICK
THE GREEN HILL A Journey Jake...... DAVID ADKINS* Sandy ...... NANCY BELL* Ensemble ...... MIA BARRON*, JEFFREY BRICK, MARK SETLOCK*
INTERMISSION
THE MYSTERY AT TWICKNAM VICARAGE Roger’s Drawing Room Roger ...... DAVID ADKINS* Sarah...... NANCY BELL* Dexter...... MARK SETLOCK* Mona ...... MIA BARRON* Jeremy ...... JEFFREY BRICK
BOLERO An Apartment Man ...... MARK SETLOCK* Woman ...... NANCY BELL*
LIVES OF THE SAINTS A Church Basement Flo ...... MIA BARRON* Edna ...... NANCY BELL* Ensemble ...... JEFFREY BRICK, DAVID ADKINS*, MARK SETLOCK*
* Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers of the United States.
P4 PERFORMANCES MAGAZINE P r o f i l e s
Sarita, Berkshire Theatre Festival. Co-creator Night’s Dream, The Matchmaker, The Theatre at of vaudeville inspired show, Big Times, Ohio Monmouth; Twelfth Night, Folger Shakespeare Theatre, HERE. TV: Guiding Light, Amy's Rules. Library. NATIONAL TOURS: Othello, Twelfth EDUCATION: Ms. Barron holds an MFA Night, The Roaring Girl, Shenandoah Shake- from the Graduate Acting Program at NYU. speare. EDUCATION: Mr. Brick holds a BFA in Acting from Marymount Manhattan College.
David Adkins (Cannaphilt, David Attenborough, Jake, Roger) THE OLD GLOBE: Debut. BROADWAY: National Actor’s Theatre. OFF-BROADWAY: Boy Gets Girl, Manhattan Theatre Club; Sabina, Primary Stages; Immaculate Misconception (writ- ten by Carl Djerasi, creator of the birth control Nancy Bell pill). REGIONAL: Most recently, Going Native, (Businesswoman, Sandy, Sarah, Woman, Edna) Mark Setlock Long Wharf Theatre; Colussus of Rhodes, ACT- THE OLD GLOBE: Debut. OFF-BROADWAY: (Gorph, Horace, Dexter) San Francisco; also credits at the Goodman Polish Joke, Manhattan Theatre; Owners, New York THE OLD GLOBE: Debut. BROADWAY: Rent. Theatre, Center Stage, ACT - Seattle, Theatre Workshop. REGIONAL: Credits at OFF-BROADWAY: credits at Rising Phoenix Denver Center Theater, Huntington South Coast Rep, Berkeley Rep, A Contemporary Rep, Target Margin, New Georges, Primary Theatre. TV: Law & Order, Trinity, SVU, Blaq Jaq Theatre, McCarter Theatre, Dallas Theater Stages, and Tiny Mythic; member of the (pilot), Ben Franklin (mini series). FILM: The Center, Studio Arena Theatre, Baltimore Center Vineyard Theatre’s Community of Artists. Thomas Crown Affair. EDUCATION: Juilliard. Stage, Berkshire Theatre Festival, Cincinnati REGIONAL: credits at Adirondack Theatre Playhouse, St. Louis Rep, Papermill Playhouse, Festival, Huntington Theatre Company. Mr. among others. FILM: An American Tragedy, Thirst. Setlock will direct and appear in Fully Committed TV: Chicago Hope, Law & Order, Law & Order: SVU, at Portland Center Stage this season (2000 Mad About You, Newsradio, Star Trek: Voyager, Major Outer Critics Circle Award for best solo perfor- Payne, The Journey of Alan Strange, Guiding Light, Just mance, Drama Desk nomination) which he Act Normal. created with playwright Becky Mode. Film: New Suit. EDUCATION: Mr. Setlock is a gradu- ate of the ART Institute at Harvard University.
Mia Barron (High Priestess, May, Mona, Flo) THE OLD GLOBE: Debut. OFF-BROAD- David Ives WAY: She Stoops to Comedy, The World Over, (Playwright) Playwrights Horizons; Bread and Roses, New David Ives was born in Chicago, and educated York Theatre Workshop; QED, (u/s), Lincoln at Northwestern University and Yale School of Center. REGIONAL: Sixteen Wounded (directed Jeffrey Brick Drama. A 1995 Guggenheim Fellow in play- by Matt August), Long Wharf Theatre; (Eunuch, Frog, Jeremy) writing, he is probably best known for his Heartbreak House, Springtime for Henry, THE OLD GLOBE: Pericles, The Taming of the evening of one-act comedies, All in the Timing, Huntington Theatre; The School for Scandal, Ah, Shrew. With The Old Globe/USD Professional which ran for over 600 performances off- Wilderness!, Guthrie Theatre; Heaven Can Wait, Actor’s Training Program: The Misanthrope, The Broadway, and was subsequently presented in Westport Country Playhouse; A Breath Short of Winter’s Tale, Psychopathia Sexualis, The Two Gentle- many cities here and abroad. The show won Breathing, New York Stage and Film; Macbeth, men of Verona, Heartbreak House. OFF-BROAD- the Outer Critics Circle Playwriting Award, California Shakespeare Festival; The Rivals, WAY: Much Ado About Nothing, John Houseman and was included in The Best Plays of 1993-94, Acting Company, National Tour; Tartuffe, Diary Theatre; Hamlet, Theater Ten-Ten. REGIONAL: and in the 1995-96 season was the most per- of a Scoundrel, New Jersey Shakespeare Festival; Cymbeline, Henry IV, parts 1 and 2; A Midsummer formed play in the country, after Shakespeare
PERFORMANCES MAGAZINE P5 P r o f i l e s CONTINUED productions. Two other well-known evenings David Ledsinger University and her MFA from UCLA School of of short comedies include, Mere Mortals, (Scenic Design) Theater, Film and Television. She currently heads which enjoyed an extended off-Broadway run the Costume Design program at SDSU. THE OLD GLOBE: Knowing Cairo, All My Sons, in 1997-98, and Lives of the Saints, which pre- The SantaLand Diaries, The Pavilion, The Countess, miered at Philadelphia Theatre Company and Crumbs from the Table of Joy, Orson's Shadow, The later at the Berkshire Theater Festival in 1999. Seagull, Three Days of Rain, Blues for an Alabama Four of his short comedies have been included Sky. With The Old Globe/University of San in the Best Short Plays of the Year volumes. His Diego Professional Actor Training Program: new play, Polish Joke, had its world premiere at Macbeth, As You Like It, The Winter's Tale, Twelfth A Contemporary Theatre in Seattle in 2001, Night. ELSEWHERE: Amy's View, San Jose Rep; and was produced by Manhattan Theatre Club Together in the Fires of Delight, Forcefields, in February 2002. He is presently writing Malashock Dance & Co; Parallel Lives, The Kathy Chris Rynne Batman: The Musical with composer Jim and Mo Show, Actors Theatre of Phoenix; How I (Lighting Design) Steinman for Warner Brothers and the adapta- Learned to Drive, San Diego Rep; The Ghost THE OLD GLOBE: Knowing Cairo, Beyond tion of The Little Mermaid f0r Buena Vista Sonata, Phenomenal Acceleration, Sweet Charity, Therapy, The SantaLand Diaries ('01), Associate Theatrical Group (Disney). My Marriage to Earnest Borgnine, Demonology, designer for Dr. Seuss’ How the Grinch Stole Free Will & Wanton Lust, Sledgehammer Christmas!. Assistant designer for over 30 pro- Theatre; Dominion,Mark Taper Forum/New ductions on the Globe and Festival stages. Works Festival; Romeo and Juliet, Cape Fear With The Old Globe/University of San Diego Regional Theatre; Candide, The Mad Restaurant, Professional Actors’ Training Program: All in The Original Theatreworks. Mr. Ledsinger is the Timing, The Winter's Tale, Two Gentlemen of the recipient of an NEA/TCG Design Verona, Macbeth, Getting Married. ELSEWHERE: Fellowship. U.S. premiere of Noel Coward's Star Quality at the Pasadena Playhouse; Associate designer for Matt August Norma, San Diego Opera; Luis Valdez’ (Director) Mummified Deer, San Diego Rep; Travesties, THE OLD GLOBE: Resident Assistant in Importance of Being Earnest, A Perfect Ganesh, 1998; Judith (lab). BROADWAY: Associate Summer and Smoke, The African Company Presents Director to Jack O’Brien for the upcoming Richard III, Auntie Mame, North Coast Rep; Irma Henry IV, also, Imaginary Friends, The Invention of Vep, Fifth of July, Boys in the Band, Love! Valour! Compassion! (Patté Award), Destiny of Me, Love, The Full Monty national tours, Director of Diversionary Theatre; Crazy for You, Starlight The Full Monty, Australia. OFF-BROADWAY: Holly Poe Durbin (Costume Design) Theatre. TV: Lighting Designer for the 2001 16 Wounded, Cherry Lane Alternative; The Merry San Diego Sockers commercials. EDUCA- THE OLD GLOBE: Beyond Therapy, An Infinite Wives of Windsor, Romeo and Juliet, National TION: Mr. Rynne holds a B.A. in Theatre from Ache. OFF-BROADWAY: The Daughter in Law, Shakespeare Company; Velvet Ropes, Drama UCSD. League; Howard Barker’s Judith, HERE. Mint Theatre; Gershwin Alone, Tiffany Theatre. REGIONAL: Much Ado About Nothing (with REGIONAL: 16 Wounded (starring Martin Brendon Fox), Shakespeare LA; The Winter’s Tale, Landau), Long Wharf Theatre; Jump Rope, Next Missouri Repertory Theatre; The Cherry Orchard Stages at Boston Playwrights. Mr. August has (starring Marsha Mason), Santa Fe Stages; The served as Assistant Director to Tony Award Berlin Chalk Circle (with John Fleck and Megan winner John Rando three times, Nicholas Mullally), Evidence Room Theatre; Collected Martin twice, Gordon Davidson, Libby Appel, Stories (with Linda Lavin and Samantha Mathis), Joseph Hardy, Robert Wilson; and was The Geffen Playhouse; also credits at Cincinnati Playhouse, Mark Taper Forum, St. Louis Paul Peterson Acting Company’s Staff Repertory Director (Sound Design) from 1999-2000. Awards: Drama League Repertory Theatre. On London’s West End: The Wood Demon, Playhouse Theatre; Miss Evers Boys, THE OLD GLOBE: Pentecost, Knowing Cairo, Fellow, Phil Killian Directing Fellow from London Barbican Center. FILM: Movie Magic, Loves & Hours, Splendour, All My Sons, Faith Oregon Shakespeare Festival. EDUCATION: with Steven Spielberg as Narrator; In Pursuit, with Healer, Smash, An Infinite Ache, Compleat Female MFA- California Institute of the Arts. Claudia Schiffer and Daniel Baldwin. TV: Last Stage Beauty, Betrayal, The SantaLand Diaries, Dr. Chance, a cable series about Amelia Earhart. Ms. Seuss’ How the Grinch Stole Christmas!, The Durbin received her BA from Vanderbilt Pavilion, Enter the Guardsman, The Boswell Sisters,
P6 PERFORMANCES MAGAZINE Vita and Virginia, The Countess, Crumbs from the Liz Woodman Casting ADDITIONAL STAFF Table of Joy, Orson's Shadow, God's Man in Texas, (Casting) Travels with My Aunt. ELSWHERE: The Magic Assistant Scenic Designer ...... Amanda Stephens THE OLD GLOBE Splendour, Loves & Hours, Fire, Milwaukee Rep; POP Tour (1999 & Assistant Costume Designer...... Lucien Anselmo Knowing Cairo, Pentecost, Compleat Female Stage 2000), La Jolla Playhouse; Sic, A Knife in the Production Intern ...... Amy Bristol Beauty, An Infinite Ache, All My Sons, Faith Healer, Heart, Richard III, The Chairs, Demonology, Alice in Directing Intern ...... Jessica Beck Pericles, The Taming of the Shrew, Twelfth Night, The Modernland, Sledgehammer Theatre; Forever Assistant to the Director...... Jonathan Cohn Boswell Sisters, A Midsummer Night’s Dream, Art, Plaid, Backstage at Aubergine; Gross Indecency, Dinner with Friends, The Countess, Love’s Labour’s Diversionary Theatre; also credits at The Lost, The Trojan Women, The Full Monty, God’s Man Wilma Theatre, L.A. TheatreWorks, San Diego in Texas, Orson’s Shadow, Cymbeline, Things We Do Repertory Theatre, North Coast Repertory For Love, Private Eyes, The Weir, Bedroom Farce, Blues Theatre, Cape Fear Regional Theatre, Hope UNDERSTUDIES for an Alabama Sky, Paramour, Romeo and Juliet, The Summer Repertory Theatre, Malashock Dance Old Settler, Cowgirls, All in the Timing. REGIONAL: & Company, The University of San Diego, San Roles played by The Alley Theatre, Hartford Stage. FILM: The Diego State University, and the Freud Theatre Mia Barron ...... Karen Zippler Lunch Date (Academy Award). TV: Loving (Artios at UCLA. EDUCATION: BFA in Drama with Roles played by Award nomination), Another World, Texas Dottie. an emphasis in Technical Design from San Nancy Bell ...... Deborah Heinig ELSEWHERE: Ms. Woodman has cast many Diego State University. Roles played by plays in New York, from Sugar Babies to Timon of Mark Setlock...... Rod Brogan Athens (National Actors Theatre) to Cowgirls, The Roles played by Full Monty and A Thousand Clowns with Tom David Adkins...... Christopher Gottschalk Selleck. She cast Not About Nightingales for Trevor Roles played by Nunn in both London and New York. Currently, Jeffrey Brick ...... Antonie Knoppers she is the casting director for the national com- pany of The Full Monty (Artios Award Nomination). MEMBERSHIPS: Casting Society of America, ATAS, League of Julie Baldauff Professional Theatre Women. (Stage Manager) THE OLD GLOBE: The Full Monty, What the World Needs Now, The Doctor Is Out, Pilgrims, Puddin ‘N Pete, Hedda Gabler, Twelfth Night, The King of the Kosher Grocers, Burning Hope, Out of Purgatory, From the Mississippi Delta, Breaking Up, Mr. Ricky Calls a Meeting, Shirley Valentine, Romeo and Juliet, The School for Scandal, As You Like It, Our Town. BROADWAY: The Play What I Wrote, The Full Monty, Fool Moon, Getting Away With Murder, The Little Foxes, The Rehearsal, Summer and Smoke. OFF-BROADWAY: Pride’s Crossing, Hapgood, Arms and the Man, You Never Can Tell. REGIONAL: The Children of Heracles (directed by Peter Sellers), European tour and American Repertory Theatre; Fool Moon, Kennedy Center.
The Scenic, Costume, Lighting, and Sound Designers in LORT Theatres are represented by United Scenic Artists Local USA-829, IATSE.
The Director is a member of the Society of Stage Directors and Choreographers, an independent national labor union.
PERFORMANCES MAGAZINE P7 Program Notes Why Write for Theater? – by David Ives In the high school I attended, we had an extraordinary tradition that I doubt existed in many other American schools. This was an all-boys Catholic seminary sandwiched among Chicago's Lithuanian, Irish, and black neighbor- hoods. Discipline was strong, the syllabus demanding. We would-be priests were groomed for gravitas. Paradoxically, at the end of a student's fourth year, he could take part in creating and performing in what was called “The Senior Mock," a show that sent up the school's faculty. All the students attended, near-riotously, and it was considered bad form for a faculty member not to be present. The school's hard-nosed rector had to clear the script beforehand, but he censored only obscenities, stetting even the most merciless satirical slices. I myself played Mr. Hild, the chain-smoking English teacher who coached the track team (while smoking); I also wrote a song mocking a particularly free-thinking religion teacher, and sang it, a cappella, in front of a crowd of six hundred. My classmate Frank Boyle, otherwise somber, portrayed that same hard-nosed rector in a bald cap which he shined onstage with Turtle Wax. I wrote my first play when I was nine, but somehow “The Senior Mock” not only focused my attention on theater in a new way, it gathered up – I now see – all the threads that have gone into theater since Aeschylus. No show I've been involved with in the thirty years since then has been more fundamentally theatrical, or has been fun- damentally different. We pimply adolescents didn't stop to think we were doing the same thing as Aristophanes in 400 BC. We just wanted, desperately and joyously, to mirror the world we'd come to know in our four years together, to have a say about it, to hint what we'd change about it, and to celebrate what had made us laugh about it before we left it at graduation. That same year I saw a matinee of Edward Albee's A Delicate Balance and, even as I sat there agape in the balcony, I knew there could be no better or more exciting calling. I left the path to the priesthood and forked onto the road to playwriting. If you want to work in the art form that most profoundly sets up a glass to human life, then the theater is for you. After all, the world doesn't present itself to us as printed words, or pigment on canvas, or sculpted marble or bronze, or dancers moving to music, or fixed two-dimensionally on looping celluloid, but as human bodies moving three-dimen- sionally in space and in real time, talking to each other or to us or to themselves, working something out to the music of the human voice. Our lives happen in voices: in inner monologue and outer dialogue, in scenes of interwoven tension and resolution with comic byplay. As drama. As comedy. As a live, local, handmade event. As theater. All social interaction is inescapably political, and if you're looking to work in a social (and political) art form, then the theater is also for you. Again, it can't be coincidence that Western drama was born in ancient Athens at exactly the same moment as democracy, because theater and democracy germinate from the same idea: that it's good for people to put their differences aside and pool their talents and experience, so that out of mutual collaboration something fine – maybe something brilliant, maybe even something lasting – can be made. As a playwright, you don't work alone. You've got actors, a director, designers all helping to shape what you write, challenging it, exploring it, then – like life – the company disbands and moves on. So much for the high road. There are a million other, more mundane reasons to write for the theater. Because your spouse keeps telling you that your life as a podiatrist would make a terrific play. Because you want to commem-
P8 PERFORMANCES MAGAZINE orate a parent or an uncle or a sibling or a friend. Because you want to resuscitate a failed marriage or affair and make your lost spouse or lover speak again. Because you want to send a letter to the dead by way of the living. Because you saw The Star-Spangled Girl at your community theater and think you can do better. Because you find actors smart, perceptive, and unimaginably gallant and you want to hang out and have drinks with them on a regular basis. Because you glimpsed two tramps waiting beside a road, or an old man raging on a heath, or saw a man and woman arguing outside the bus window – and you want to imagine out loud what was going on and why and who those vanished people were. Because you have some voices in your head that won't be still. Because you want to do some- thing really difficult – to chase down the elusive element that makes a very, very few plays good or even great and immortal, yet somehow escapes all those many other plays. Or because you feel like it. Or because you don't have any choice. Because you have to.
Director’s Note – Matt August I always said that if I couldn't make myself laugh, how could I possibly make anybody else laugh? Fortunately for me, (and you) I've been cracking up over David Ives' plays ever since I began working with John Rando on All in the Timing as the resident Assistant Director here in '98, and then later with Rando and Ives on Lives of the Saints. I'm gig- gling again with Ives now in delight and anticipation for what we might do with this new collection of his plays, two of which have never been seen before. I've linked these particular six plays together because they cover the arc of human relationships – which are not always funny but which are always beautiful. From the two buddies in Babel's in Arms, to a first date in Time Flies, to a mid-life crisis with The Green Hill, to the complications of extra-marital affairs in The Mystery at Twicknam Vicarage, to the real and imagined fears that break people apart in Bolero, to the friendship of two widows in Lives of the Saints, we'll travel through Ives' zaniness, his fantasies, his fears and celebrations of human resilience. So sit back, and laugh with us, sigh with us, escape with us.
PERFORMANCES MAGAZINE P9 P10 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE P11 by William Shakespeare November 15 - November 23, 2003 Cassius Carter Centre Stage Two shipwrecked twins discover things are not always what they seem in the magical land of Illyria. Love, laughter, and hijinks fill the air in Shakespeare’s romantic masterpiece.
Call today for tickets to this annual sell-out! The Old Globe Box Office (619) 23-GLOBE
Presented by The Old Globe/University of San Diego Master of Fine Arts in Drama Program Visit www.globemfa.org for more information
P12 PERFORMANCES MAGAZINE by William Shakespeare November 15 - November 23, 2003 Cassius Carter Centre Stage Two shipwrecked twins discover things are not always what they seem in the magical land of Illyria. Love, laughter, and hijinks fill the air in Shakespeare’s romantic masterpiece.
Call today for tickets to this annual sell-out! The Old Globe Box Office (619) 23-GLOBE
Presented by The Old Globe/University of San Diego Master of Fine Arts in Drama Program Visit www.globemfa.org for more information
PERFORMANCES MAGAZINE P13 2003 Board of Directors
Welcome home to The Old Globe. We’re pleased that you’re here. There are changes in the air. We hope you’ll approve. One change is the return to our original name. We’re “The Old Globe” again, after a period of marketing ourselves as “The Globe Theatres.” We learned from that experiment that the theatrical world cannot resist calling us by the name we grew up with, “The Old Globe,” so we decided to go back to using it ourselves. On our three stages themselves, you’ll find a lot more that’s new at The Old Globe. In the year ahead, we will continue to bring meaningful works to you from the great masters of classical theatre like Shakespeare and Moliere. What a treat to have them both on our current production schedule. We also look forward to having you join us for plays by some of the world’s lead- ing contemporary playwrights, including Arthur Miller, William Inge, Tom Stoppard and Nicky Silver, among others. We’re working hard at being accessible to you off-stage, as well as on-stage. Have you logged on to our new web site? Please try it out for your next subscription, or for your next purchase of individual tickets. Encourage your out of town guests to do so, as well. The site is filled with information about our productions, artists, staff, history, events for supporters, and much, much more. We thank American Express for the grant which allowed us to develop this site, and we invite you to visit us there, at www. theoldglobe.org. Well, the lights seem to be dimming. It’s time to sit back and enjoy the performance. One last thing. Please let us know, from time to time, how we’re doing. We’ll succeed in keeping The Old Globe new, only with your thoughtful advice. We look forward to it. Now, on with the show!
Paul I. Meyer, President, Board of Directors
Board of Lisa A. Barkett Stephen M. Krant, M.D. EMERITUS DIRECTORS Directors Joseph Benoit Sheila Lipinsky Garet B. Clark John A. Berol Timothy A. MacDonald J. Dallas Clark Harvey P. White, Samuel Brown Carlos Malamud* Honorary Chairman Sister Sally Furay, R.S.C.J. Mary N. Clendeninn Richard V. McCune Bernard Lipinsky Karen Cohn* Robert L. Noble, A.I.A. Paul I. Meyer*, (1914–2001) President Valerie S. Cooper John Rebelo Delza Martin Christopher L. Crockett Sandra Redman Susan Major*, Patsy Shumway Executive Vice President David W. Down Tom Sayles Robert H. Gleason*, Bruce M. Dunlap Phyllis Schwartz HONORARY DIRECTORS Vice President – Development Sue Ebner Louis G. Spisto* Mrs. Richard C. Adams Tim K. Zinn*, Bea Epsten Anne C. Taubman Vice President – Finance Clair Burgener Victor P. Gálvez Dean Thorp Mrs. John H. Fox Sally Furay*, R.S.C.J., Lee Goldberg Cherie Halladay Tirschwell Treasurer (1908–2003) Ronald Heller, M.D. Evelyn Mack Truitt Sheryl White*, Audrey Geisel Secretary Kay Taylor Hopkins Carol M. Veit Viviana Ibanez Patricia Weil Paul Harter Joseph E. Jessop, Jr. Julie Meier Wright Gordon Luce Sheri Karpinski Carolyn Yorston Dolly Poet Katherine Kennedy Deborah Szekely *Denotes Executive Committee Member Hon. Pete Wilson
The Old Globe is supported in part by grants from the City of San Diego Commission for Arts and Culture, the California Arts Council, the County of San Diego and the National Endowment for the Arts; and is a constituent of the Theatre Communications Group and a member of the League of Resident Theatres and the San Diego Performing Arts League. This theater operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the union of professional actors and stage managers in the United States; and also under an agreement with the Society of Stage Directors and Choreographers (an independent, national labor union), and the International Alliance of Theatrical Stage Employees Local 122.
P14 PERFORMANCES MAGAZINE Advisory Council Members
Robert S. Albritton Bernard Eggertsen, M.D. Bob Martinet / Susan Parkin Donald & Darlene Shiley & Georgie Leslie & Ms. Florence Nemkov Dr. Marianne McDonald Ms. Roberta J. Simpson Lawrence Alldredge Marion M. Eggertsen Merrill Lynch / Dorothy & Joel Sollender & Dawn Moore Barbara & Dick Enberg Mr. Scott Wilson Gail Squires & Yaman Sencan Rich & Deavon Badami Danah H. Fayman Judy & George Miller Jeanette Stevens Paul Black Fifth & Hawthorn Restaurant/ Rena Minisi & Rich Paul Jay & Diane Sweeney Patricia Butler Ed Nickelson & Dave Witt Harle Garth Montgomery Marc Tarasuck, AIA Dr. & Mrs. Edgar D. Canada Susanna & Michael Flaster Maria & Michael Morris Harry & Selma Tennebaum Dallas & Mary Clark Mary Ann & Arnold Ginnow David & Noreen Mulliken Evelyn Mack Truitt Steven J. Cologne Sheryl A. Harris Neiman Marcus Dixie & Ken Unruh R. Patrick & Sharon Connell Michelle Hetlinger Arthur & Marilyn Neumann Jordine & Harvey Von Valerie & Harry Cooper Leonard & Elaine Hirsch Charles Noell Wantoch Celeste & Steven Cowell Alfred & Pat JaCoby Jane & Victor Ottenstein Lewis L. Warner Susan B. Cowell Russell & Mary Johnson James & Claudia Prescott Omar & Carol Winter Sid & Jenny Craig Marge & Jerry Katleman RAdm. Arthur June Yoder Dr. & Mrs. Francis C. Mr. & Mrs. Julian Kaufman & Peggy Price, Jr. Robert & Deborah Young Cushing, Jr. Bob & Gladys King Paul & Katherine Ponganis *Deceased Darlene G. Davies Ken & Sheryl King Ann & Ernest Pund Pat & Dan Derbes Dr. Ara and Sosi Klijian Bobbie & Blaine Quick For more information, Mrs. Philip H. Dickinson Phyllis and Martin Kornfeld Jeannie & Arthur Rivkin please contact Brad Ballard Nina & Robert Doede Ruth and Ronald G. Leonardi Mr. & Mrs. Roger Roberts at 619/231-1941, ext. 2309. Peter & Inge Manes Saks Fifth Avenue Members Make the Difference The Old Globe rewards its members with the following exclusive benefits, services and events: General Membership: BRONZE ($50 to $249): 10% discount on purchases at the Helen Edison Gift Shop; discount on subscriptions to American Theatre maga- zine; complimentary backstage tour and reception; free admission to Insights Seminars; complimentary subscription to Upstage; invita- tion to the annual members’ meeting; ticket exchange fee waived (in person, by phone or via fax) SILVER ($250 to $499) all Bronze benefits, plus: listing as a contributor in program magazine for one year; Discounts at participating restaurants for pre- and post-show dining; Service charge waived for all single ticket purchases GOLD ($500 - $999) all Silver benefits, plus: one complimentary admis- sion for two to the Lipinsky Family Suite (VIP Lounge); two Bard Cards for desserts or beverages at Lady Carolyn’s Pub; $10 gift certificate for purchases at the Gift Shop (no cash exchange value); two complimentary blanket rentals for Festival productions PLATINUM ($1,000 - $1,499) all Gold benefits, plus: one additional admission for two to the Lipinsky Family Suite (total of 2); four additional Bard Cards (total of 6); complimentary 12 oz. bag of Globe gourmet roasted coffee or specialty tea selection (available through the Helen Edison Gift Shop). The Circle Patrons: The Circle Patrons play an important role and provide significant financial support by making gifts of $1,500 or more. Circle Patron membership includes the following special benefits and services: CRAIG NOEL CIRCLE ($1,500 - $2,499) all Platinum benefits, plus: unlimited admission to the Lipinsky Family Suite; personal VIP ticket service; four additional Bard Cards (total of 10); Invitations to all Circle Patron events; listing as a contributor in Upstage, the Globe’s quarterly newsletter; priority upgrades on subscription seating. PLAYWRIGHT CIRCLE ($2,500 - $4,999) all Craig Noel Circle benefits, plus: two complimentary meals form the Lipinsky Family Suite menu; collector’s edition of Shakespeare’s works (upon request); listing as a contributor on lobby signs in Old Globe Theatre lobby; Listing as a contributor on Globe website (upon request). FOUNDER CIRCLE ($5,000 - $9,999) all Playwright Circle benefits, plus: compli- mentary admission for two to a Circle Patron event of your choice; two additional Lipinsky Family Suite meals (total of four). DIREC- TOR CIRCLE ($10,000 - $24,999) all Founder Circle benefits, plus: complimentary valet parking for one performance of each produc- tion; two house seats to a performance of your choice; access to host a reception or meeting at The Old Globe; eligibility for production sponsorship in the Cassius Carter Centre Stage ($15,000 and above; please call for details). Production Sponsorships: ($25,000 and above): Many individual and corporate members at the Diamond Circle level choose to direct their support toward spon- sorship of productions or specific education programs. Additional benefits for production sponsorships at this level include prominent recognition at The Old Globe, as well as many special VIP privileges.
For more information about membership at any level, please contact The Old Globe development department at (619) 231-1941, x2309. PERFORMANCES MAGAZINE P15 D o n o r s
The Old Globe, the flagship of San Diego’s performing arts community, maintains a long-standing reputation as one of this country’s leading non-profit theatres. The ability to uphold this standard, while keeping ticket prices affordable, is due in large part to the annual financial support of nearly 4,000 individuals, businesses, and foundations. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and many other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight: Benefactors Gold Circle Founder Circle ($100,000 and above) ($10,000 to $24,999) ($5,000 to $7,499) City of San Diego, Anonymous (2) Lawrence G. Alldredge & Dawn Moore Commission for Arts & Culture Elisabeth & John Bergan Anonymous (2) Audrey S. Geisel/The San Diego The Louis Yager Cantwell Mr. & Mrs. James W. Bastien Foundation Dr. Seuss Fund Private Foundation Teresa & Tom Bernard The San Diego Union-Tribune Neil & Mary Clendeninn Nina & Robert Doede The Shubert Foundation Valerie & Harry Cooper Mrs. Danah H. Fayman J. Dave Cours/ICON Systems, Inc. Susanna & Michael Flaster Mr. & Mrs. Brian Devine Mrs. John H. Fox* Season Sponsors Christina L. Dyer Samuel J. & Katherine French Fund, ($50,000 - $99,999) Dr. Robert and Bea Epsten Wells Fargo Trustee J. Dallas & Mary H. Clark Fund of Robert Gleason & Marc Matys Mary Ann & Arnold Ginnow The San Diego Foundation Lee & Frank Goldberg Fred & Alicia Hallett Karen & Donald L. Cohn Dr. Ronald & Susan Heller Arthur & Eleanor Herzman Globe Guilders and Family Dr. & Mrs. Harry F. Hixson, Jr. The Lipinsky Family Wanda & Tom Insley Melissa & James Hoffmann The Parker Foundation Deni & Jeff Jacobs Susan & John Major (Gerald & Inez Parker) Joseph E. Jessop, Jr. Dr. Marianne McDonald Sempra Energy Katherine Kennedy/ Money/Arenz Foundation, Inc. Donald & Darlene Shiley Relocation Coordinates Pratt Memorial Fund Wells Fargo Nina Lannan Associates, Inc. Ellen C. Revelle Sheryl & Harvey P. White Mrs. Anna P. Lord Jeannie & Arthur Rivkin Richard V. McCune Deborah Szekely Paul & Maggie Meyer/ Howard G. Tirschwell, D.D.S.* & Production Latham & Watkins, LLP Cherie Halladay Tirschwell Sponsors Mr. Steve Miller Brent V. Woods & Laurie C. Mitchell ($25,000 – $49,999) Laurie D. Munday Mrs. June E. Yoder American Airlines Robert L. Noble, AIA American Express Company John & Laura Robbins AT&T The San Diego Foundation Playwright Circle Bank of America Weingart-Price Fund ($2,500 to $4,999) Mr. & Mrs. William J. Barkett Patsy & Forrest Shumway Dr. & Mrs. Wayne Akeson John A. Berol Anne Taubman & David Boyle Robert S. Albritton Break-Away Tours Mr. & Mrs. Lawrence Veit Dr. Tony & Sue Allessandra California Arts Council Patricia & Christopher Weil Anonymous (1) Continental Airlines Family Foundation Jan & Rich Baldwin/ County of San Diego Carolyn W. Yorston Nth Generation Computing Kathyrn Hattox Ellen & Tim Zinn Ken & Ginger Baldwin Joan & Irwin Jacobs Melissa Garfield Bartell & Michael Bartell Mr. & Mrs. Neil Kjos Charles & Molly Brazell The Lodge at Torrey Pines Silver Circle Garet & Wendy Clark Northern Trust Bank ($7,500 to $9,999) Sid & Jenny Craig Qualcomm, Inc. Cecilia Carrick & Stan Nadel Ann & John Davies Saks Fifth Avenue Bob Martinet Dean & Mrs. M. H. Dessent Sheraton San Diego Hotel & Marina Arthur & Marilyn Neumann Bernard J. Eggertsen & Florence Nemkov Union Bank of California Ms. Jeanette Stevens Martha & George Gafford Mandell Weiss Charitable Trust Evelyn Mack Truitt Madeline L. & Milton D Goldberg Stanley E. Willis II Family Foundation Rita C. Grady Russell & Mary Johnson Dr. & Mrs. Richard L. Kahler Bob & Gladys King Dr. Ron & Mrs. Ruth Leonardi Peter & Inge Manes
P16 PERFORMANCES MAGAZINE Drs. Frank & Pat Montalbano Elaine & Murray Galinson Marc R. Tarasuck, AIA Maria & Michael Morris Barbara & Albert Garlinghouse The Tarlov Family Mrs. Margaret F. Peninger Bill & Judy Garrett Mr. & Mrs. Charles Taubman Dolly & Jim Poet Nancy Reed Gibson Mrs. Claire Tavares Mr. & Mrs. Blaine Quick Bud, Nancy & Rebecca Goodpasture Harry & Selma Tennebaum Mr. & Mrs. Jeremiah B. Robins John Greenbush & Dr. Marilyn Friesen Dixie & Ken Unruh The San Diego Foundation Sandra Gulden & Leon J. Goldberger Doris & Lou Vettese Jay & Diane Sweeney Gulden Private Foundation Jordine & Harvey Von Wantoch Dr. & Mrs. Andrew J. Viterbi Mrs. Cheryl Haimsohn Merle & Phil Wahl Lewis & Jean Warner Sheryl A. Harris John & Christy Walton Jean & Tim Weiss Maria & Michael Herman WD-40 Company Robert & Deborah Young Mr. & Mrs. Leonard Hirsch Shirli Fabbri Weiss Dr. David K. Hostetler Betty Jo & Hal Williams Richard & Janet Hunter Omar & Carol Winter Craig Noel Circle Mrs. T. Bruce Iredale Ms. Julie Meier Wright ($1,250 to $2,499) Alfred & Pat JaCoby Mrs. Mary Thomas Adams Ron & Christy Johnson Marge & Jerry Katleman Premiere Circle Richard Addesso ($1,000 to $1,249) In Memory of Charles R. Allen Mrs. Katherine Kaufman Anonymous (2) William & Edyth Kenton Ms. Gail Andrade Atkins & Associates Mr. & Mrs. Irving J. Kern Anonymous (2) Mr. & Mrs. John E. Barbey, Jr. Ken & Sheryl King Sally & John Berry Diana Barliant & Nowell Wisch Dr. Ara & Sosi Klijian Charlotte & Charles Bird Dr. C. K. Barta & Inge Lehman Phyllis & Martin Kornfeld Carol & Rudy Cesena Jack Benson Ledford Enterprises Inc. Carol & Jeff Chang Joan & Jeremy Berg Terry & Mary Lehr James H. & Rita F. David John & Karen Berger, M.D. Ms. Sherrill Leist Rick & Linda Dicker Stephen & Pamela Billings Carl Levinger Dr. Charles C. & Sue K. Edwards Paul Black Tom Mabie & Rhonda Heth Bruce & Patricia Fischer Cynthia Bolker & Greg Rizzi Mr. Robert E. Mackey, Jr. Karen & Orrin Gabsch William & Janice Bopp Joseph L. Marshall & Martin & Enid Gleich Robert & Lillie Breitbard Foundation Rosemarie Marshall Johnson, M.D. Geraldo & Scarrain Gomes Mr. & Mrs. Blaine A. Briggs Laura Martin Dr. & Mrs. William Gott Arthur & Sophie Brody Elizabeth & Edward McIntyre Norman & Valerie Jacobs Hapke Mrs. Jeanette Burnett Law Offices of Miller, Monson, James & Betty Hempstead Dr. & Mrs. Robert M. Callicott Peshel, Polacek & Hoshaw Judy & George Miller Sharon Lee Hudson Ruth Mary Picard Campbell Rosalie Kostanzer Dr. & Mrs. Edgar D. Canada Rena Minisi & Rich Paul Harle Garth Montgomery Bob & Laura Kyle Ken & Deni Carpenter Dr. & Mrs. James E. Lasry Dr. & Mrs. Clifford W. Colwell David & Noreen Mulliken Ruth & Jim Mulvaney Ms. Leah S. Liersch Ms. Heidi Conlan/ Mr. Calvin Manning The Sahan Daywi Foundation Dr. Gail Naughton Josiah & Rita Neeper Mr. & Mrs. James S. Milch R. Patrick & Sharon Connell Judith & Neil Morgan Richard & Stephanie Coutts Charles E. Noell Jack O’Brien Gail Powell Davis Celeste & Steve Cowell Brenda Marsh-Rebelo & John Rebelo Susan B. Cowell Paul & Katherine Ponganis James & Claudia Prescott William & Susane Roberts Mrs. Willard T. Cudney Ms. Nancy J. Robertson Dr. & Mrs. Francis C. Cushing, Jr. RAdm. Arthur & Peggy Price, Jr. Ann & Ernest Pund Dr. H. Warren Ross Darlene G. Davies Margery P. Schneider in memory of Lowell Davies Roger & Christine Roberts Mrs. William C. Ruzich David & Sharon Snelling Desire Igual DeMontijo Gloria Penner Snyder & Bill Snyder Pat & Dan Derbes Warren & Beverly Sanborn Mrs. Philip Hugh Dickinson Ms. Roberta J. Simpson Celeste & Gene Trepte Marion Eggertsen Skyy Vodka Uncle Biff’s California Killer Cookies Barbara & Dick Enberg Rodney & Dolores Smith Laki & Carol Vassiliadis Ira & Noddy Epstein Dotti & Joel Sollender Beverly & Allan Zukor Ron & Sandy Erbetta Gail Squires & Yaman Sencan Dieter & Susan Fischer/ Eugene L. & Hannah Step Dieter’s Mercedes Service Gwen Stoughton Hon. & Mrs. Charles W. Froehlich, Jr. Takahashi Family Fund of The San Diego Foundation
PERFORMANCES MAGAZINE P17 D o n o r s CONTINUED
Patron Members Charlie & Jackie Mann Ms. Sheila M. Bobenhouse & ($500 to $999) Gary & Margaret Mathews Mr. Jeffrey C. Truesdell Anonymous (3) R.J. Maus, Architects Nick Bonaker Susan Atkins Dr. & Mrs. M. Joseph McGreevy Dr. James Lewis Bowers Mike & Rhoda Auer Elizabeth & Louis Meyer Mrs. Henri Brandais Mr. & Mrs. David A. Baer Dr. Ronald H. Miller Dr. Andrew Breiterman Joseph C. Baker Akiko Charlene Morimoto Ronald & Dorothy Brown Randall & Vivian Black William E. & Lollie M. Nelson Ruth Bunn Mary Ann Blair Audrey Newman Clint & Susie Burdett Drs. Gary & Barbara Blake Katherine Newton Linda Burgum-Sunkel Robert & Nancy Blayney Willene D. Nichols David Burns & Diane Lischio Joyce & Bob Blumberg Rod & Barbara Orth John & Kirk Butler Mrs. Suzanne I. Bond Mr. & Mrs. David J. Pettitt Beth & Tim Cann Ronda & Stanley Breitbard Marcia & Jim Piper Jane Carrigan Carol & Anthony Broad Ken D. Pischel, M.D. & William & Shirley Carrington Ted Bromfield, Esq. Katherine Ozanich, M.D. George & Ellen Casey Stuart & Joanne Butler Mary & Kedar Pyatt Charlene Chatham & Wm. “Skip” Price Sandra & Harry Carter Stuart & Linda Robinson Woo Y. Choi Harry & Carol Cebron Don & Darlene Russell Mr. & Mrs. Henry B. Clark, Jr. Drs. Lynne Champagne & Wilfred Kearse Marilies Schoepflin, PhD. Randy Clark & Michael Fairchild Doug & Elisabeth Clark Barry & Janet Sharpless Gary & Penny Cowell Steve & Carolyn Conner In Memory of Edward Silverstein Brian Cromer Gordon F. Costine Mr. & Mrs. Randall Silvia Mr. Ronald D. Culbertson Clif & Jane Cowgill Susan Sincoff & Dr. Joseph Yedid Ms. Frances Curtis Wes & Elaine Dillon Dr. Timothy S. Smith Robert P. Dahlquist Dr. & Mrs. William R. Dito Herbert & Elene Solomon John Wm. Davis & William M. Hughes Jim & Sally Ditto Harold Stanley Theodore E. Davis Dr. Paul & Kelly Dougherty Ann & Robert Steiner Alex & Betty DeBakcsy Silvia Dreyfuss/LABS, Inc. Mr. Robert H. Stickel Ms. Pauline des Granges Mary & David Fitz Mrs. John R. Stitt Capt. & Mrs. Donald L. Dill Ms. Pat Frost Charles B. Tesar, M.D. In Memory of Edith Dolnick Hal & Pam Fuson Daniel J. Travanti Mr. & Mrs. Glen Doughty Drs. Tom & Jane Gawronski Stephen & Greta Treadgold Hal & Jacque Eastman Arthur & Judy Getis Will & Vanessa Van Loben Sels Ms. Elizabeth Eldridge Dr. & Mrs. Michael Goldbaum Natalie C. Venezia & Paul A. Sager Peggy Elliott The Golemb Family Dennis & Carol Wilson Dan & Phyllis Epstein Carol & Don Green Bill & Heidi Woods Lisa Erburu & M. Cocalis Mr. & Mrs. James Harris Zona Weekly Donald & Patricia Falkner Alice B. Hayes Dr. Susan Fee Dorothy V. Hill Mr. & Mrs. Robert Fei Sponsor Members Richard & Donna Ferrier Drs. Andrew & Sonia Israel ($250 to $499) Sandra & Robert Kritzik Drs. Lawrence & Irene Fine Mr. & Mrs. Fritz Kuhn Mr. Gale Acker & Dr. Nancy Acker Larry & Jan Ford Elaine & Adrian Kuyper B.J. & Sybil Adelson Dr. & Mrs. Richard Friedman Dr. Eric Lasley Tom & Louise Adler Joseph & Annette Fritzenkotter Georgie B. Leslie George Amerault Christopher W. Garrett Arthur & Sandy Levinson Anonymous (8) Charlie C. George Don & Mary Jane Lincoln Mrs. Ina S. Bartell Patricia & Norman Gillespie Mrs. Thelma Lindblade Beverly Bartlett & Barbara Sailors Deni D. Goodman Ernie & Sandy Lippe Richard & Linda Basinger Hubert F. Gordon, Trustee/ Stan & Susan Loft Mr. & Mrs. William E. Beamer The San Diego Foundation Mr. & Mrs. Edward Lyon Lee & Amnon Ben-Yehuda Gordon Family Trust Fund Ms. Jo Bobbie MacConnell Edgar & Julie Berner Ms. Euvoughn L. Greenan Carl Maguire & Margaret Sheehan Lanie & Lazare F. Bernhard Dr. Henry & Mary Ellen Gregg Drs. Betty Joan Maly & John Meyers Douglas & Dawn Bertozzi Vivienne D. Griffin Dr. Robert & Marcia Malkus Mr. & Mrs. Stanley Birstein Mr. George Guerra Ron & Mercy Mandelbaum Robert Blanton & Ann Clark Dan Guest & Catherine Lee
P18 PERFORMANCES MAGAZINE Dr. A.T. Hagler & Mark C. Lorenzo Edward & Rae Samiljan Ms. Martha Obermeier Charles & Robin Luby Regina J. Schard Deborah A. Hammond Sally & Bill Luster Mr. & Mrs. Arthur Schiff Robert W. & Helen M. Hammond Dr. David Lynn Dr. & Mrs. Roger H. Schmitt Robert M. & Helen M. Hansen Judge & Mrs. Frederick Mandabach Stephen & Brenda Schulman Jay & Mary Hanson Delza Martin Linda J. Seifert George D. Hardy Harold & Beverly Martyn Alice & Lew Silverberg Mayme & Albert Harris Susan B. Mason Eunice M. Simmons, M.D. Alex & Mary Hart Cdr. & Mrs. John C. Mathews III Tina & Marvin Simner Dr. & Mrs. C.R. Henkelmann Chris Maxin & Anne & Ronald Simon Thomas M. Henry Stephanie Buttell-Maxin Terrence & Kathryn Slavin Mr. & Mrs. Arnold Hess Valli & Tom McDougle Mr. & Mrs. Fred C. Stalder Mr. & Mrs. Thomas O. Hippie Teresa McEuen Mr. & Mrs. Charles M. St. Laurent Alexa Kirkwood Hirsch Harold O. McNeil, Esq. Abbe & David Stutz Mark & Lynn Hofflund L.M. & Marcia McQuern Mr. & Mrs. Ronald Styn Peggy & John Holl Metropolis Furniture Virginia Sunelli Terry Usher Holt & Peter D. Holt James & Dorothy Mildice Mrs. J. B. Swedelius Jean E. Holtz Dr. & Mrs. Isaac Mizrahi Mr. & Mrs. Clifford Sweet Nancy & Bill Homeyer Carole Morrison Dr. Blake S. & Mrs. Peggy Jean Talbot Bonnie & Cecil Hornbeck Connie Myers Dr. Terry & Naomi Tanaka Kendyl & Merri Houdyshell Dr. & Mrs. James H. Nelson Dr. Marshall & Leila Taylor Kenneth Hoyt Niddrie & Hegemier LLP Steven & Anoush Tencati Bettina J. Huber Stephen Nielander & Dominique Alessio Betsy & Michael Thomas/ Rob & Liz Jackson Mrs. S. Falck Nielsen San Diego Area Postal Annex+ Richard & Katherine Jarvis Judge A. V. Nigro Judge & Mrs. David R. Thompson In Memory of Donald Jenkins Gwen & Dr. Mike Nobil Lt. & Mrs. Jack E. Timmons Mr. & Mrs. William S. Johnston Ray & Diane Nobis John & Kay Torell Kenneth & Marilyn Jones Judge & Mrs. Paul Overton Mr. & Mrs. Stan Ulrich Judge Anthony C. & Joyce Joseph Sheila Palmer Design Associates Ginny Unanue Drs. Irvin & Nancy Kaufman Dr. Vic Pankey & Elena Pankey Mr. & Mrs. James van der Plaats Patricia & Alexander Kelley Susan C. Parker Mrs. Nellora J. Walker Terri & Paul Kidd William & Sandra Peavey Kathy & Jim Waring Patricia Kirk/Spin-Tek Systems Clifford T. Pentrack & Pitt & Virginia Warner Mark Kjos & Kelly Gale Mary E. Giovaniello Jo & Howard Weiner Mr. Philip M. Klauber Mrs. Seymour W. Perlman Mr. & Mrs. David Weinrieb Leroy & Jo Ann Knutson Deborah Brooks Pettry Mr. & Mrs. James D. Welterlen Curt & Nancy Koch Drs. Julie Prazich & Sara Rosenthal Ross & Barbara White Marvin Krichman & Francy Starr Bill & Judi Quiett Mr. & Mrs. Roland Wilhelmy Marvin Kripps, M.D. Vicki Quinones-Hartwell Michael & Penny Wilkes Inger & Kai Kristensen Dr. Helen Ranney Cass Witkowski Paul K. Laikind Anne F. Ratner Mr. & Mrs. John W. Witt John Q. Lalas, Jr. Jeffrey & Vivien Ressler Dr. Perri L. Wittgrove Mr. Daniel La Marche Ms. Kalpana Rhodes Keith Wong Pinkee Lauridsen George A. Rice Mr. & Mrs. C.E. Wylie/ Harriet Lazer & James Walker Andrew Ries, M.D. & C.E. Wylie Construction Company Dixon & Pat Lee Vivian Reznik, M.D. Vicki Zollweg & J. Michael Dunteman Jim & Veronica Lee Dr. & Mrs. David Roseman Dick & Sonie Lennon Ursula R. Roth *Deceased Tom & Terry Lewis Dr. Norman & Barbara Rozansky Mr. & Mrs. James Lim Frank & Cheryl Ruyak This list is current as of June 25, 2003 Philip Lindsley Amy Rypins Donald C. Lipkis & Arlene Pollard Joseph & Carol Sabatini Mr. & Mrs. Mathew Loonin George & Karen Sachs
To learn more about membership and the benefits offered at each level, please visit the Globe’s website at www.TheOldGlobe.org or call (619) 231-1941, ext 2305.
PERFORMANCES MAGAZINE P19 Corporate Members
CORPORATE LEADERS $25,000 AND ABOVE
SAKS FIFTH AVENUE
Corporate Donors Fifth & Hawthorn Neiman Marcus ($2,500 to $24,999) FloraStyle Nokia Ariston Consulting Goldman Ferguson Partners Nordstrom & Technologies, Inc. Higgs, Fletcher & Mack, LLP The Prado at Balboa Park Barney & Barney Home Bank of California Relocation Coordinates Bertrand at Mister A’s ICON Systems, Inc. San Diego National Bank BRG Consulting Kforce Professional Staffing Scudder Private Investment Counsel Chalone Wine Estates KPMG, LLP Slayton International Executive Search City National Bank Latham & Watkins, LLP Stewart Title of California Cornerstone America Marsh, Inc. Target Stores Cush Automotive Merrill Lynch The T Sector Charitable Foundation Mervyn’s TK&A Custom Catering De Anza Harbor Resort Mission Federal Credit Union U.S. Bank
National Corporate Theatre Fundis a non-profit corporation created to increase and strengthen support from the business community for eleven of this country’s most distinguished professional theatres. The following foundations, individuals and corporations support these theatres through their contributions of $10,000 or more to National Corporate Theatre Fund:
Benefactors ($20,000 & Above) Pacesetters ($15,000 to $19,999) Donors ($10,000 to $14,999) Altria Group, Inc. Citigroup CreditSuisseFirstBoston Ogilvie & Mather Ernst & Young CVS/pharmacy Gershman Brown New York Quick & Reilly Davis, Polk & Wardwell JPMorgan Chase Robert K. Futterman & Praxis Media/Palace Production Fleet Bank Center/Rabbit Ears Entertainment GE Fund Marsh & McLennan Companies, Inc. Associates, LLC KPMG Merrill Lynch & Co. Vellmeir Development Stauback Retail Services Mintz, Levin, Cohn, Ferris, Viacom Inc. UBS Glovsky & Popeo Zaremba Group
Corporate Members enjoy exclusive benefits and recognition, especially the opportunity to entertain clients and employees with exclu- sive receptions in our Patron and Lipinsky Family Suites, behind-the-scenes tours, and preferred seating at our shows. For informa- tion, please contact Chris Graham at (619)231-1941, ext. 2308.
P20 PERFORMANCES MAGAZINE The Craig Noel League
“I want this theatre to have the security of an endowment so that we may continue to engage and inspire audiences for generations to come.” — Craig Noel The Craig Noel League was established in November 2000 to build the endowment and secure the legacy Craig Noel and countless others fashioned for The Old Globe. The League honors those thoughtful friends who help to secure our future through a gift by will or trust. Please join us in thanking these very generous friends who are helping to build the Craig Noel League.
Craig Noel Robert S. Albritton Jean & David Laing Donald & Darlene Shiley Nancine Belfiore Jerry Lester Foundation B. Sy & Ruth Ann Silver League Members Dr. & Mrs. Edgar D. Canada Dr. Bernard Lipinsky* John & Cindy Sorensen Garet & Wendy Clark Heather Manion Marje Spear Securing the future J. Dallas & Mary H. Clark Calvin Manning Nancy A. Spector through planned gifts. Patricia W. Crigler, Ph.D., Paul I. & Margaret W. Meyer & Alan R. Spector CAPT/USN/Ret. Judy & George Miller Eric Leighton Swenson Patricia & Donn DeMarce Steve Miller Anne C. Taubman Mrs. Philip H. Dickinson Dr. Robert W. Miner Marian Trevor Dr. & Mrs. Robert Epsten Laurie Dale Munday (Mrs. Walter M.)* Frank A. Frye, III Shirley Mulcahy Evelyn Mack Truitt Robert H. Gleason Stanley Nadel & Harvey & Jordine & Marc Matys Cecilia Carrick Von Wantoch Marcy Goldstone Arthur & Marilyn Neumann Sheryl & Harvey P. White Kathryn Crippen Hattox Craig Noel Mrs. Jack Galen Whitney David & Debbie Hawkins Greg & Polly Noel Julie Meier Wright Craig & Mary Hunter PACEM (Pacific Academy of Carolyn Yorston Barbara Iredale Ecclesiastical Music) *Deceased Bob Jacobs Mrs. Margaret F. Peninger Joseph E. Jessop Florence Borgeson Plunkert* For more information on J. Robert & Gladys H. King Dolly & Jim Poet The Craig Noel League, Dorothy Shorb Prough* please contact Brad Ballard Marilyn Kneeland at (619) 231-1941, x 2309.
Endowment The Old Globe has received Anonymous (2) National Endowment Gifts gifts, dedicated to John A. Berol for the Arts the endowment, from many Joe A. Callaway* Stephen Nielander & Supporting the theatre generous supporters over the Dr. David & Ava Carmichael Dominique Alessio in perpetuity. years. Just as past gifts to Maria Carrera Mrs. Margaret F. Peninger the endowment have helped J. Dallas & Mary H. Clark Florence Borgeson Plunkert* to create the theatre and In Memory of Lowell Davies Jessie W. Polinsky* educational programs of today, Morey & Jeanne Feldman Jeannie & Arthur Rivkin continued support of the and Family San Diego Trust and Savings endowment will ensure a The Globe Guilders Mr. & Mrs. Gene Trepte financially strong and artisti- Jim & Betty Hempstead *Deceased cally excellent Globe for Hollis Foundation tomorrow. Please join us in Mrs. Anna P. Lord For more information, thanking these very special Mission Valley please contact Brad Ballard donors for their far-sighted Community Foundation at (619) 231-1941, x 2309. support of The Old Globe.
PERFORMANCES MAGAZINE P21 Associate Artist s OF THE OLD GLOBE
In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as ASSOCIATE ARTISTS OF THE OLD GLOBE, the following who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of this theater.
Jack O’Brien, Artistic Director Louis G. Spisto, Executive Director Craig Noel, Artistic Director
William Anton Monique Fowler Tom Lacy Robert Morgan Don Sparks Jacqueline Brookes Ralph Funicello Diana Maddox Steve Rankin David Ogden Stiers Lewis Brown Lillian Garrett-Groag Dakin Matthews Marion Ross Conrad Susa Kandis Chappell Harry Groener Deborah May Steven Rubin Deborah Taylor George Deloy A.R. Gurney Katherine McGrath Ken Ruta Sada Thompson Tim Donoghue Joseph Hardy John McLain Douglas W. Schmidt Paxton Whitehead Richard Easton Mark Harelik Jonathan McMurtry Seret Scott James R. Winker Tovah Feldshuh Bob James Stephen Metcalfe David F. Segal Robert Wojewodski
PATRON INFORMATION
Ticket Services Restrooms & Telephones HOURS Restrooms are located in the lower lobby of the Old Globe Theatre and Monday / noon – 6:00 pm adjacent to the Festival Theatre; pay phones may be found in the lower Tuesday through Saturday / noon – 8:30 pm Globe lobby and next to the Gift Shop. Sunday / noon – 7:30 pm Closed Holidays Seating of Latecomers Although we understand parking is often at a premium, the seating of PHONE (619) 23-GLOBE or (619) 239-2255 latecomers is extremely disruptive. Latecomers may be given alternative FAX (619) 239-1037 seating and will be seated at an appropriate interval. Administration Young Children HOURS Children under 5 years of age will not be admitted to performances. Monday – Friday / 9:00 am – 5:00 pm PHONE (619) 231-1941 Electronic Devices & Cameras WEBSITE www.TheOldGlobe.org Use of recording devices and cameras is not permitted. If you are ADDRESS wearing a digital watch or pager, or if you are carrying a cellular phone, The Old Globe please silence it prior to entering the theater. P.O. Box 122171 San Diego, CA 92112-2171 Direct Ear™ Listening System For the convenience of the hearing impaired, the Direct Ear™ Listening Ordering Tickets / Change of Address System has been installed in the Old Globe Theatre. Lightweight head- The Old Globe accepts Visa, Discover, MasterCard, or American sets may be obtained from the house manager prior to performances. Express. Phone orders are subject to a $6.00 per order service charge. Direct Ear™ Listening System is provided courtesy of Sonus. Ticket exchanges are subject to a service charge. If you have moved, please notify the subscription office so records may be updated. Phone Public Tours (619) 235-2250 during business hours or mail your change of address Go behind the scenes at The Old Globe to learn about the history, to the subscription office. three stages, shops and crafts areas. Open tours: most Saturdays and Sundays at 10:30 a.m. Groups by reservation. $5 adults; $2 seniors and Unable to Attend? students. Phone (619) 231-1941 for information/reservations. If you find you are unable to use your tickets, please give them to a friend or turn them in to the Box Office and receive a tax credit for your donation.
P22 PERFORMANCES MAGAZINE DIRECTOR P r o f i l e s
Jack O’Brien Craig Noel Louis G. Spisto Artistic Director Artistic Director Executive Director Recent Globe productions include Imaginary Craig Noel was first appointed director in 1939, Louis G. Spisto was appointed Executive Friends, Twelfth Night, The Full Monty, The Seagull, The directing 15 productions prior to World War II, Director of The Old Globe in October 2002. He Magic Fire, How the Grinch Stole Christmas!, the Since then has directed more than 221 plays of has over twenty years experience managing some world premieres of Associate Artist A.R. Gurney’s all styles and periods, and produced more than of this country’s leading arts organizations, Labor Day and Tina Howe’s Pride’s Crossing, as well 365 (over 40 of which were directed by William where his track record for fiscal as well as artistic as Time and Again, The Doctor Is Out (Getting Away Roesch from 1961 through 1976) His vision for leadership has been highly praised. He returns to With Murder) by Stephen Sondheim and George the Globe during the past 60 years resulted in the Southern California arts community from Furth, plus productions of Henry IV, Much Ado the establishment of the Shakespeare Festival in his most recent position as Executive Director of About Nothing, Oleanna, Damn Yankees, King Lear, the late '40s, expansion to two theaters in the American Ballet Theatre in New York City. While Ghosts, Hamlet, Uncle Vanya, and world premieres of '50s, Globe Educational Tours in the '70s and there, he increased ticket income and annual Terrence McNally’s Up in Saratoga, A.R. Gurney’s Teatro Meta in the '80s. Among recent directori- contributions for the organization by nearly 20 The Snow Ball and The Cocktail Hour, Tom Dulack’s al assignments were The Pavilion and Over the percent. He also tripled the Ballet’s touring Breaking Legs, Stephen Metcalfe’s Emily. else- River and Through the Woods. ELSEWHERE: dur- weeks and the resources devoted to education where: Hairspray (Tony Award), The Invention of ing the 1940s, dialogue director, 20th Century and training programs. Prior to his position at Love (Tony nominations, best director and play), Fox Studios; former director, Ernie Pyle Theatre, the ABT, he served as the President of the Lincoln Center Theater, The Full Monty (Tony Tokyo. Honors include the Governor's Award for Detroit Symphony Orchestra, where he provided nominations, best director and musical), Eugene the Arts; the mayoral proclamation of “the Year fundraising leadership and creative direction for O’Neill Theatre; More to Love; Labor Day, of Craig Noel" (1987) in San Diego; inclusion in the orchestra’s $60 million renovation project, Manhattan Theatre Club; St. Louis Woman, City The San Diego Union's list of 25 persons who and helped dramatically increase ticket sales Center Encores!; Pride’s Crossing, The Little Foxes, shaped San Diego; 1985 Outstanding Alumnus while initiating several new series for the orches- Hapgood (Lucille Lortel Award for Direction, of the Year, SDSU; Honorary Doctor of Humane tra. Spisto established a reputation as a superb 1995), Lincoln Center; Damn Yankees (Tony nomi- Letters, University of San Diego; a combined arts executive here in California, where he spent nation, best musical revival) and Two tribute from the Public Arts Advisory Council over ten years as the Executive Director of the Shakespearean Actors (Tony nominations, best and San Diego County Board of Supervisors; the Pacific Symphony Orchestra in Orange County. director and play) on Broadway; Porgy and Bess for mayor's Living Treasure Award; Member, College During his tenure there, he tripled the orchestra’s Houston Grand Opera and Broadway (Tony of Fellows of the American Theatre. annual budget all while eliminating a prior Award), as well as Radio City Music Hall; The deficit and successfully completing the orches- Magic Flute, San Francisco Opera; Tosca, Santa Fe tra’s first endowment campaign. In addition, he Opera; Cosi fan Tutte and Aida, Houston Grand established a series of innovative recording pro- Opera; The Most Happy Fella, Michigan Opera and jects with Sony Classical and oversaw many Broadway. TV: An Enemy of the People, All My Sons, I nationally-recognized commissioning projects. A Never Sang for My Father, Painting Churches, and The strong advocate of arts education, he built one of Skin of Our Teeth, all for PBS’ American Playhouse. the largest and most respected music training Recent awards: 2002 “Mr. Abbott” Award and outreach efforts. During his career, Spisto (SDCF), 2001 Joan Cullman Award for has also served as Director of Marketing for the Extraordinary Creativity, 2001 Joe A. Callaway Pittsburgh Symphony Orchestra and Director of Award (SDCF), the Drama League’s Julia Hansen Operations and Development for the Performing Award for Excellence in Directing, 2001. Arts Center at UC Berkeley. He holds a Masters Member, College of Fellows of the American degree from the University of Wisconsin in Arts Theatre; Honorary Doctor of Humane Letters, Administration and a Bachelors of Business University of San Diego. Mr. O’Brien is the recip- Administration from the University of Notre ient of the Drama League’s Julia Hansen Award Dame, and spent many years acting, directing for Excellence in Directing, 2001. Member, and producing plays and musicals throughout College of Fellows of the American Theatre; his student days, as well as in professional sum- Honorary Doctor of Humane Letters, University mer theater. of San Diego.
PERFORMANCES MAGAZINE P23 THE OLD GLOBE S t a f f
Jack O’Brien Louis G. Spisto Craig Noel Artistic Director Executive Director Artistic Director Karen Carpenter Matt Aylsworth, David Properties Violanda Corona, Ismael MARKETING ASSOCIATE ARTISTIC Berzansky, Curt Carlsteen, Jim Neil A. Holmes Delgado, Humberto Elvira, Becky Biegelsen DIRECTOR Hopper, Thomas Ibbitson, PROPERTIES DIRECTOR David Gaspar, Roberto PUBLIC RELATIONS MANAGER Michael G. Murphy Rogelio Rosales M.H. Schrenkeisen Gonzalez, Margarita Meza, Frank Teplin GENERAL MANAGER CARPENTERS SHOP FOREMAN Jose Morales, Maria Rios AUDIENCE DEVELOPMENT Dave Henson Nick Fouch Rory Murphy BUILDING STAFF MANAGER DIRECTOR OF MARKETING CHARGE CARPENTER, CARTER LEAD CRAFTSMAN Jessica Brodkin AND COMMUNICATIONS Danny Griego Jennifer G. Brawn Gittings PROFESSIONAL MARKETING COORDINATOR Mark Somers CHARGE SCENIC ARTIST BUYER TRAINING Sandra Parde, Andrea Rhodes DIRECTOR OF FINANCE Edee Armand, Ken Scar Raphael Acosta, Ryan Buckalew, Llance Bower MARKETING ASSISTANTS Richard Seer ASSISTANT SCENIC ARTISTS Patricia Rutter, Kristin Steva PROGRAM COORDINATOR Joan Marcus, Craig Schwartz DIRECTOR OF J.W. Caldwell, Victoria Erbe, CRAFTSPERSONS Maria Carrera, Cynthia PRODUCTION PROFESSIONAL TRAINING Marcella Lucenti, Analisa Pat Cain Caywood,Patricia Conolly, PHOTOGRAPHERS Tombrello PROPERTY MASTER, GLOBE Gerhard Gessner, Jan Gist, SCENIC ARTISTS Marcus Polk Colleen Kelly, Fred Robinson, Ticket Services ARTISTIC PROPERTY MASTER, CARTER Terry Ross Shamayne Hakim Brendon Fox MFA FACULTY ASSOCIATE DIRECTOR Costumes Trevor Hay OF SALES ASSOCIATE DIRECTOR/ PROPERTY MASTER, FESTIVAL CASTING Stacy Sutton James Feinberg,Corey COSTUME DIRECTOR Tim Cole, Lisa Starace James Connelly Johnston, Robin Sanford ASSISTANT MANAGERS Lorraine Boyd PROPERTIES ASSISTANT EXECUTIVE ASSISTANT Charlotte Devaux Roberts, Chris Rynne RESIDENT DESIGN ASSISTANT MFA PRODUCTION STAFF Diana Sparta Diane Sinor LEAD TICKET SERVICES DRAMATURGY ASSOCIATE Jennifer Hanson Lighting REPRESENTATIVE ASSISTANT TO THE DIRECTOR Chris Rynne EDUCATION Deborah Dimery Raúl Moncada Shelly Williams INTERIM LIGHTING DIRECTOR Donna Marie Cory, ASSISTANT MANAGER, LITERARY ASSOCIATE DESIGN ASSISTANT, FESTIVAL Tonnie Ficken Patti Saraniero GROUP SALES Janet Hayatshahi Lucien Rose Anselmo MASTER ELECTRICIAN, DIRECTORS OF EDUCATION John Donlon LITERARY ASSISTANT DESIGN ASSISTANT/SHOPPER GLOBE Michael Smith GROUP SALES ASSISTANT Jan Gist K. Glee Brandon Jim Dodd REGISTRAR VOCAL COACH MASTER ELECTRICIAN, DYER/PAINTER CARTER Holly Ward Elisabeth Everhart Linda Black TOUR COORDINATOR VIP TICKET SERVICES Stage Management Kevin Liddell REPRESENTATIVE LEAD CRAFTSPERSON MASTER ELECTRICIAN, Carol Green D. Adams, Julie Baldauff, Leila Louise M. Herman, Gwen FESTIVAL SPEAKERS BUREAU Heather Bald, Drussillia Garcia, COORDINATOR Knox, Peter Van Dyke Dunham, Marsha Kuligowski, Randy Anetsky, Jason Bieber, Mame Gile, Ashleyrose Gilham, STAGE MANAGERS Chris Moad, Randal Sumabat Charlotte Greenblatt, Fred Holt, David Fenner, Patrick Merilee Kunkle, Mary Jan Lindsay Byrne, Tracy Skoczelas DRAPERS Josh Klem, Andy Lowe, Megan McBride, Jonathan McMurtry, Livensparger, Nikki Maack, Jean ASSISTANT STAGE MANAGER Gloria Bradford, Su Lin Chen, Lujan, Miranda Mikesh,Leah John Tessmer, Tony Ward McKissick, Raúl Moncada, Anne Glidden Grace, Dr. John Warriner Paul Ortiz, Saleena Shaw, Nelman, Travis Richardson, TEACHING ARTISTS PRODUCTION Susan Sachs, Sasha Rieker Stephen Schmitz, Mira Suddarth, Brittany Summers, Lora Tange, Robert Drake ASSISTANT CUTTERS Laurel Withers Brennan Taylor, Erica Zeckser TICKET SERVICES STAFF DIRECTOR OF PRODUCTION Mary Miller ELECTRICIANS FINANCE Debra Pratt Ballard COSTUME ASSISTANT Rita Edenfield ASSOCIATE DIRECTOR ACCOUNTING SUPERVISOR PATRON SERVICES OF PRODUCTION Nunzia Pecoraro Sound ASSITANT CUTTER/STITCHER Jose Cortez Mike Callaway Paul Peterson THEATRE MANAGER Ellen Dieter Babs Behling, Mariah Bowers, SOUND DIRECTOR ACCOUNTING ASSISTANT COMPANY MANAGER Diane Jenkins Jay Maness, Rick Page Rachel Hill, Erin Pearson, Erik Carstensen HOUSE MANAGERS Jan Burgoyne MASTER SOUND ACCOUNTING ASSISTANT PRODUCTION COORDINATOR Margo Selensky, Maureen Latour, Samya Serougi, Georgia Veale, TECHNICIAN, GLOBE Lynn Dougherty Merlin D. “Tommy” Thompson Amy Bristol Chris Judd RECEPTIONIST PATRON SERVICES PRODUCTION INTERN Sarah Wiley REPRESENTATIVE STITCHERS MASTER SOUND TECHNICIAN, CARTER Dana Juhl Becky Hanson, Becke Shulman, DEVELOPMENT Technical Jeremy Nelson Robert Ford FOOD & BEVERAGE MANAGER Vanessa Dragoo MASTER SOUND Benjamin Thoron CRAFTS ARTISANS TECHNICIAN, FESTIVAL ASSOCIATE DIRECTOR, Robert Byrd, Roland Roberge, TECHNICAL DIRECTOR FOUNDATIONS & GOVERNMENT Nicola Roberts, Felicia Tobias Molly O’Connor Caren Heintzelman Liz Eisele MIC RUNNER, FESTIVAL Brad Ballard PUB STAFF ACTING ASSISTANT TECHNICAL WIG & MAKEUP SUPERVISOR ASSOCIATE DIRECTOR, Patrick Seick Megan Sullivan DIRECTOR Kathleen Kurz MAJOR & PLANNED GIFTS FRONT OF HOUSE ASSISTANT ASSISTANT TO WIG & MAKEUP INTERN Amanda Stephens SUPERVISOR Chris Graham Katie Chadwick, RESIDENT DESIGN ASSISTANT ASSOCIATE DIRECTOR, Karen Batul ADMINISTRATION CORPORATIONS Rose Espiritu, Joe Kocurek Wendy Stymerski WIG ASSISTANT GIFT SHOP SUPERVISORS DRAFTSPERSON June Andujar Diane Addis Beverly Boyd EXECUTIVE ASSISTANT MEMBERSHIP Security/Parking Services Matt McKinney HEAD DRESSER ADMINISTRATOR Rachel “Beahr” Garcia INTERN Information Technology S. Alexis Stein SECURITY/PARKING Lisa Wylie SERVICES SUPERVISOR Rusty Jolgren RUNNING CREW EVENTS MANAGER SHOP FOREMAN/ Dean Yager MASTER CARPENTER INFORMATION TECHNOLOGY Ed Byrd, Irene Herrig, Rebecca Morgan MANAGER DRESSER, GLOBE Donor Services Brandi Mahan Bob Dougherty SECURITY OFFICERS MASTER CARPENTER, ThadSteffen Stephen Serieka Angela Miller INFORMATION TECHNOLOGY FESTIVAL THEATRE CREW CHIEF, CARTER DEVELOPMENT ASSOCIATE Roberto Almaquer, Sherisa ASSISTANT Elisin, Deborah Elliot, Jane Jim Masacek Allison Pakladowski James Ferguson, Rose FLYMAN, STAGE CARPENTER, DRESSER, CARTER Jenny Kazan-Mills Southall, Brett Young Geren, Mark Zedaker GLOBE HUMAN RESOURCES PARKING ATTENDANTS Michael Dondanville ASSOCIATE SUITE CONCIERGES Jeremiah Aldrich-Lutz, CREW CHIEF, FESTIVAL Rose Southall, Kevin Tom, Stephen Aldrich-Lutz, Maintenance Traci Van Wyk, Karen Birdsell, Brett Young Forrest Aylsworth, Sean La Motte V.I.P. VALET ATTENDANTS Kristen Sauter, Tim Hooper BUILDING MANAGER DRESSERS, FESTIVAL Angela Land P24 PERFORMANCES MAGAZINE RENTAL ASSISTANT