Dirty Blonde
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Press Release
BoHo Theatre 2437 W Farragut Ave #3B, Chicago, IL 60625 773-791-2393 www.BoHoTheatre.com FOR IMMEDIATE RELEASE CONTACT: Peter Blair, Executive Director March 4, 2011 Ph. 860-833-1107 (not for publication) [email protected] BOHO THEATRE FINDS BEAUTY WITH DIRTY BLONDE CHICAGO—BoHo Theatre presents Claudia Shear’s Dirty Blonde, a multilayered exploration of American entertainment icon Mae West as seen through the eyes of a pair of disaffected present-day fans, running April 1 through May 1, 2011 at Theater Wit, 1229 W Belmont Avenue. Dirty Blonde is directed by BoHo Artistic Advisor Stephen Genovese. “I made myself platinum, but I was born a dirty blonde.” –Mae West Claudia Shear’s hilarious and touching play weaves together the rise and fall of Mae West, the legendary star of stage and screen, with the awkward romance of Jo and Charlie, two Mae West fanatics in present- day New York. The brash and outspoken Jo is an aspiring actress stuck in a cycle of temp jobs while Charlie, a meek and introspective soul, works in the film archives of the New York public library. Though seemingly polar opposites, both are striving for something they see in Mae—a confidence and finesse that made her into the extravagant, sexy, taboo-breaking public persona that was the hallmark of her fame. But Mae sacrificed much to maintain her public image. What are Charlie and Jo willing to sacrifice to become like her? Directed by Jeff Award-winning director Stephen Genovese (Sideshow, The Glorious Ones, I Am My Own Wife (co-director)), the production features three versatile and talented performers who sing, dance, and play dozens of characters. -
Sesame Street Platinum All-Time Favorites
“Sesame Street: Platinum All-Time Favorites” (1995) Added to the National Registry: 2014 Essay by Kathryn A. Ostrofsky (guest post)* Joe Raposo Original album cover Jeff Moss “Sesame Street,” which premiered in 1969 and is still producing new episodes 50 years later, is one of the most recognizable and beloved programs in the history of television. Its meticulously- researched curriculum and its memorable puppet characters have long been acknowledged to have been important factors both in “Sesame Street’s” popularity and in its contributions to American culture, but its music has been just as critical. As a musical comedy-variety show, “Sesame Street” has broadcast thousands of songs and released over one hundred albums, along with scores of singles and book-and-audio sets. Catchy melodies attracted preschoolers’ attention, repetitious song structures served as teaching tools, and professional performances rendered the children’s program entertaining for adults who controlled the dial. Meanwhile, releasing albums extended “Sesame Street’s” lessons beyond the broadcast hour and helped fund continued production of the show. “Sesame Street” reached nearly every American preschooler for decades, cutting across lines of ethnicity, region, and social class. Thus, although “Sesame Street” is rarely mentioned in lists of popular music, it is probable that more Americans can sing “C is for Cookie” than know most of the chart-topping hits of bygone years. The “Platinum All-Time Favorites” album is a compilation of recordings from “Sesame Street’s” first 25 years, released in 1995 by Sony Wonder on cassette and CD. It represents “Sesame Street’s” prolific output of broadcasts and recordings, which served as a common cultural experience for generations of American audiences. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Doing the Time Warp: Queer Temporalities and Musical Theater Permalink https://escholarship.org/uc/item/1k1860wx Author Ellis, Sarah Taylor Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Doing the Time Warp: Queer Temporalities and Musical Theater A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater and Performance Studies by Sarah Taylor Ellis 2013 ABSTRACT OF THE DISSERTATION Doing the Time Warp: Queer Temporalities and Musical Theater by Sarah Taylor Ellis Doctor of Philosophy in Theater and Performance Studies University of California, Los Angeles, 2013 Professor Sue-Ellen Case, Co-chair Professor Raymond Knapp, Co-chair This dissertation explores queer processes of identification with the genre of musical theater. I examine how song and dance – sites of aesthetic difference within the musical – can warp time and enable marginalized and semi-marginalized fans to imagine different ways of being in the world. Musical numbers can complicate a linear, developmental plot by accelerating and decelerating time, foregrounding repetition and circularity, bringing the past to life and projecting into the future, and physicalizing dreams in a narratively open present. These excesses have the potential to contest naturalized constructions of historical, progressive time, as well as concordant constructions of gender, sexual, and racial identities. While the musical has historically been a rich source of identification for the stereotypical white gay male show queen, this project validates a broad and flexible range of non-normative readings. -
Following Is a List of All 2019 Festival Jurors and Their Respective Categories
Following is a list of all 2019 Festival jurors and their respective categories: Feature Film Competition Categories The jurors for the 2019 U.S. Narrative Feature Competition section are: Jonathan Ames – Jonathan Ames is the author of nine books and the creator of two television shows, Bored to Death and Blunt Talk His novella, You Were Never Really Here, was recently adapted as a film, directed by Lynne Ramsay and starring Joaquin Phoenix. Cory Hardrict– Cory Hardrict has an impressive film career spanning over 10 years. He currently stars on the series The Oath for Crackle and will next be seen in the film The Outpostwith Scott Eastwood. He will star and produce the film. Dana Harris – Dana Harris is the editor-in-chief of IndieWire. Jenny Lumet – Jenny Lumet is the author of Rachel Getting Married for which she received the 2008 New York Film Critics Circle Award, 2008 Toronto Film Critics Association Award, and 2008 Washington D.C. Film Critics Association Award and NAACP Image Award. The jurors for the 2019 International Narrative Feature Competition section are: Angela Bassett – Actress (What’s Love Got to Do With It, Black Panther), director (Whitney,American Horror Story), executive producer (9-1-1 and Otherhood). Famke Janssen – Famke Janssen is an award-winning Dutch actress, director, screenwriter, and former fashion model, internationally known for her successful career in both feature films and on television. Baltasar Kormákur – Baltasar Kormákur is an Icelandic director and producer. His 2012 filmThe Deep was selected as the Icelandic entry for the Best Foreign Language Oscar at the 85th Academy Awards. -
Bao TGVN So 28 2015
Töø 9/7 ñeán 15/7/2015 Q Phaùt haønh Thöù Naêm Q Soá 28 (1110) Q Giaù: 4.800ñ www.tgvn.com.vn TRONG SOÁ NAØY Hai keû thuø cuõ vaø söï khôûi ñaàu môùi Daáu moác 20 naêm bình thöôøng hoùa quan heä Vieät Nam - Hoa Kyø (1995-2015) chính laø dòp ñeå nhìn VIEÄT NAM - HOA KYØ laïi vaø nhôù ñeán nhöõng kieán truùc sö chính cuûa chaëng ñöôøng bình thöôøng hoùa quan heä giöõa hai nöôùc. Vaø toâi nhôù tôùi Phoù Thuû töôùng, Boä tröôûng Ngoaïi giao Nguyeãn Cô Thaïch vaø laõnh ñaïo cuõ cuûa toâi, Ñaïi söù William Sullivan. Trang 13 Veõ chaân dung tìm söï thaät Nöôùc Myõ seõ khoâng bao giôø hieåu veà moái quan heä giöõa hai nöôùc neáu khoâng hieåu roõ veà Hoà Chí Minh. Trang 20 30 ngaøy ñöùc haïnh vaø hoøa giaûi Muøa heø 2015 "noùng boûng" khoâng ngaên caûn khoaûng 1,6 tyû tín ñoà Hoài giaùo khaép theá giôùi böôùc vaøo thaùng leã Ramadan (töø 18/6-17/7) vôùi ñöùc tin tuyeät ñoái, coøn caùc nhaø laõnh ñaïo quoác teá thì tranh thuû göûi thoâng ñieäp hoøa giaûi chính trò. Trang 9 Nhöõng ñaïi söù hoaït hình 40 NAÊM SAU CHIEÁN TRANH VIEÄT NAM VAØ 20 NAÊM SAU KHI THIEÁT LAÄP QUAN HEÄ NGOAÏI GIAO, QUAN HEÄ VIEÄT NAM VAØ HOA KYØ VÖÕNG BÖÔÙC TIEÁN VAØO GIAI ÑOAÏN PHAÙT TRIEÅN MÔÙI. MOÄT TRONG NHÖÕNG SÖÏ KIEÄN LÒCH SÖÛ LAØ CHUYEÁN THAÊM Treû em Afghanistan khi lôùn leân seõ coù kyù öùc ñeïp CHÍNH THÖÙC HOA KYØ CUÛA NGÖÔØI ÑÖÙNG ÑAÀU ÑAÛNG COÄNG SAÛN VIEÄT NAM, vaø mang theo nhöõng baøi hoïc trong loaït phim hoaït TOÅNG BÍ THÖ NGUYEÃN PHUÙ TROÏNG TÖØ NGAØY 6-110/7. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Programming and Award-Winning Work in the Community
We l c o m e t o Welcome – it’s so good to have you What an exciting time to be at The Old here! Globe! We’re wrapping up an enormously suc- It’s “one from column A, and one cessful 2004 Winter Season, during which we from column B” for this last round of hosted the great American playwright Arthur Season 2004, and they couldn’t be Miller for his incredible production of more polar opposites, nor more beauti- Resurrection Blues, and presented William Inge’s fully yoked together. classic Bus Stop, plus Pulitzer Prize-winner Nilo In the Globe, Stephen Wadsworth Cruz’s Two Sisters and a Piano. We’re now getting returns with his celebrated Don Juan, one of the great and into gear for summer, highlighted by the much-anticipated challenging classics of Moliere, no where as farcical as the Shakespeare Festival, alongside the delightful new musical Lucky Duck, more familiar productions we’ve hosted over the years, but a directed by 2002 Tony Award®-winner John Rando, and a contempo- great, probing, and fascinating take on the life of the famous rary comedy, The Intelligent Design of Jenny Chow. reprobate that stands with Mozart’s Don Giovanni in its repu- We’ve just announced our 2004/2005 Winter Season as well, tation. Wadsworth is one of the true originals directing these continuing the Globe’s tradition of artistic excellence with an ambi- days, whose intense mastery of the works of the 17th and tious line-up of some of the most significant work being produced in 18th Centuries – whether it be Handel’s opera, Xerxes or the the theatre today. -
Bradley King and Beowulf Boritt
A Conversation With BRADLEY KING & BEOWULF BORITT Rendering of Flying Over Sunset - OPENING Book by James Lapine, Music by Tom Kitt, and Lyrics by Michael Korie Directed by James Lapine | Produced by Lincoln Center Theater Set by Beowulf Boritt | Lighting by Bradley King BACKGROUND LED tape is a unique lighting product in today’s entertainment world. Many disciplines of design interact with it - especially lighting and set designers. City Theatrical asked Tony Award winning lighting and scenic designers, Bradley King and Beowulf Boritt, about their work together on Broadway’s Flying Over Sunset to compare their perspectives on the show, LED tape and how they use it, what they see for the future of this LED technology, and their outlook on the future of the theater industry as a whole. Q&A: of our first preview in March 2020. We had LSD use pre-1960s. People think LSD and three invited dress audiences, so only a hippies, but before that, it was recommended City Theatrical (CTI): What is Flying Over handful of people were able to see it. by doctors as an antidepressant, essentially. Sunset about? What was it like to work on it? Bradley King: I agree, for many people the We stayed very far away from any tie show is a complete unknown. It was the dye imagery, and tried to bring a far more Beowulf Boritt: It is hard to say what Flying first realized production of this show ever. nuanced chromatic interpretation to the Over Sunset is, and I think [the writer and And there are not too many cold opens on experience of taking LSD. -
Advance Program Notes Broadway in Blacksburg the Color Purple Thursday, February 13, 2020, 7:30 PM
Advance Program Notes Broadway in Blacksburg The Color Purple Thursday, February 13, 2020, 7:30 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. TROIKA ENTERTAINMENT, LLC presents BOOK BY MUSIC AND LYRICS BY MARSHA NORMAN BRENDA RUSSELL ALLEE WILLIS STEPHEN BRAY BASED ON THE NOVEL WRITTEN BY ALICE WALKER AND THE WARNER BROS./AMBLIN ENTERTAINMENT MOTION PICTURE WITH MARIAH LYTTLE SANDIE LEE CHÉDRA ARIELLE ANDREW MALONE BRANDON A. WRIGHT NASHKA DESROSIERS ELIZABETH ADABALE JARRETT ANTHONY BENNETT DAVID HOLBERT PARRIS LEWIS JENAY NAIMA MON’QUEZ DEON PIPPINS GABRIELLA RODRIGUEZ SHELBY A. SYKES RENEE TITUS IVAN THOMPSON CARTREZE TUCKER JEREMY WHATLEY GERARD M. WILLIAMS SET DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN HAIR DESIGN JOHN DOYLE ANN HOULD-WARD JANE COX DAN MOSES SCHREIER CHARLES G. LAPOINTE CASTING ASSOCIATE COSTUME DESIGN BINDER CASTING CHRISTOPHER VERGARA CHAD ERIC MURNANE, C.S.A. MUSIC SUPERVISION MUSIC DIRECTOR/CONDUCTOR ORCHESTRATIONS MUSIC COORDINATION DARRYL ARCHIBALD JONATHAN GORST JOSEPH JOUBERT TALITHA FEHR EXCLUSIVE TOUR DIRECTION MARKETING & PUBLICITY DIRECTION PROJECTION SUPERVISOR COMPANY MANAGER THE BOOKING GROUP BOND THEATRICAL GROUP B.J. BELLARD BARRY BRANFORD GENERAL MANAGEMENT PRODUCTION MANAGEMENT EXECUTIVE PRODUCER BRIAN SCHRADER HEATHER CHOCKLEY KORI PRIOR ASSOCIATE DIRECTOR SAMANTHA SALTZMAN DIRECTION AND MUSICAL STAGING JOHN DOYLE The Color Purple was produced on Broadway at the Broadway Theater by Oprah Winfrey, Scott Sanders, Roy Furman, and Quincy Jones. The world premiere of The Color Purple was produced by the Alliance Theatre, Atlanta, Georgia. -
AS YOU LIKE IT, the First Production of Our 50Th Anniversary Season, and the First Show in Our Shakespearean Act
Welcome It is my pleasure to welcome you to AS YOU LIKE IT, the first production of our 50th anniversary season, and the first show in our Shakespearean act. Shakespeare’s plays have been a cornerstone of our work at CSC, and his writing continues to reflect and refract our triumphs and trials as individuals and collectively as a society. We inevitability turn to Shakespeare to express our despair, bewilderment, and delight. So, what better place to start our anniversary year than with the contemplative search for self and belonging in As You Like It. At the heart of this beautiful play is a speech that so perfectly encapsulates our mortality. All the world’s a stage, and we go through so many changes as we make our exits and our entrances. You will have noticed many changes for CSC. We have a new look, new membership opportunities, and are programming in a new way with more productions and a season that splits into what we have called “acts.” Each act focuses either on a playwright or on an era of work. It seemed appropriate to inaugurate this with a mini-season of Shakespeare, which continues with Fiasco Theater's TWELFTH NIGHT. Then there is Act II: Americans dedicated to work by American playwrights Terrence McNally (FIRE AND AIR) and Tennessee Williams (SUMMER AND SMOKE); very little of our repertoire has focused on classics written by Americans. This act also premieres a new play by Terrence McNally, as I feel that the word classic can also encapsulate the “bigger idea” and need not always be the work of a writer from the past. -
Teacher Resource Guide Falsettos.Titlepage.09272016 Title Page As of 091516.Qxd 9/27/16 1:51 PM Page 1
Teacher Resource Guide Falsettos.TitlePage.09272016_Title Page as of 091516.qxd 9/27/16 1:51 PM Page 1 Falsettos Teacher Resource Guide by Nicole Kempskie MJODPMO!DFOUFS!UIFBUFS André Bishop Producing Artistic Director Adam Siegel Hattie K. Jutagir Managing Director Executive Director of Development & Planning in association with Jujamcyn Theaters presents Music and Lyrics by William Finn Book by William Finn and James Lapine with (in alphabetical order) Stephanie J. Block Christian Borle Andrew Rannells Anthony Rosenthal Tracie Thoms Brandon Uranowitz Betsy Wolfe Sets Costumes Lighting Sound David Rockwell Jennifer Caprio Jeff Croiter Dan Moses Schreier Music Direction Orchestrations Vadim Feichtner Michael Starobin Casting Mindich Chair Tara Rubin, CSA Production Stage Manager Musical Theater Associate Producer Eric Woodall, CSA Scott Taylor Rollison Ira Weitzman General Manager Production Manager Director of Marketing General Press Agent Jessica Niebanck Paul Smithyman Linda Mason Ross Philip Rinaldi Choreography Spencer Liff Directed by James Lapine Lincoln Center Theater is grateful to the Stacey and Eric Mindich Fund for Musical Theater at LCT for their leading support of this production. LCT also thanks these generous contributors to FALSETTOS: The SHS Foundation l The Blanche and Irving Laurie Foundation The Kors Le Pere Foundation l Ted Snowdon The Ted and Mary Jo Shen Charitable Gift Fund American Airlines is the Official Airline of Lincoln Center Theater. Playwrights Horizons, Inc., New York City, produced MARCH OF THE FALSETTOS Off-Broadway in 1981 and FALSETTOLAND Off-Broadway in 1990. TABLE OF CONTENTS INTRODUCTION . 1 THE MUSICAL . 2 The Story . 2 The Characters . 4 The Writers . 5 Classroom Activities . -
Evening at the Talk House by Wallace Shawn
EVENING AT THE TALK HOUSE BY WALLACE SHAWN DRAMATISTS PLAY SERVICE INC. EVENING AT THE TALK HOUSE Copyright © 2017, Wallace Shawn All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of EVE- NING AT THE TALK HOUSE is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copy- right Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, in- cluding without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distri- bution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for EVENING AT THE TALK HOUSE are con- trolled exclusively by Dramatists Play Service, Inc., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of Dramatists Play Service, Inc., and paying the requisite fee.