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Home , Bob Stillman, Claudia Shear, Dan Moses Schreier, Dirty Blonde (play), Ernie (Sesame Street), James Lapine

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A glorious welcome to all!!! And just look what a load of new treasures your Old Globe has in store! Thank you for joining us for another exciting Brilliant director Dan Sullivan Summer Festival at The Old Globe. returns to uncork his searing vision of We have so much to celebrate this summer – Julius Caesar, if ever, a play for our own two of Shakespeare’s most beloved plays, Julius time, and one that has not been seen in Caesar and Much Ado About Nothing; the hilarious Balboa Park for much too long with an Time Flies; and the Broadway hit . astonishing cast... There is a flurry of activity off stage as well, with Hometown heroine Kathy Najimy brings to the Globe her our “Real Globe” summer theater camp, where inimitable presence and the brilliant performance of ’s middle and high schools students come to The Dirty Blonde that pretty much stopped the crowd in Old Globe for an intense experience in every aspect of the theater, from its tracks, in ’s staging, directed here by Gareth designing sets to performing their own version of Shakespeare’s The Hendee... Tempest. Just one of many outstanding educational outreach programs at That wildly David Ives returns to the intimacy of the the Globe, which include the award-winning, bilingual playwriting pro- Carter with another bundle of hilarious and idiosyncratic looks at gram, Teatro Meta, the annual Language Arts Awards, as well as the each and every one of us with Time Flies, directed by Matt August in Playguides program and Insights Seminars, which offer learning opportu- his welcome directorial debut... nities surrounding each production for both children and adults. And finally, Brendon Fox gives us the glowing Much Ado About These programs would not be possible without the strong support of Nothing and welcomes back to the Globe one of our favorite actors as our Members. With the cuts in government and corporate support that all Benedick, the irresistable Billy Campbell... non-profit organizations are facing, we rely even more heavily on the sup- Words of explanation or qualification are hardly necessary. A port from individuals who love the work we do. I encourage you to not bumper crop, and each one “Globe-guaranteed” to please. We’re truly only subscribe to the Globe as an endorsement of the art and artists on happy to have you with us. our stages, but to help secure the continued health of the theatre through membership in our annual fund. You may be receiving a friendly call in the coming months from one of our staff whose job it is to secure membership support for our annual fund campaign. We know how much you value your theatre-going experiences at the Globe, and I sincerely hope you will give our knowledgeable Globe representatives a moment of your time when JACK O’BRIEN they contact you later in the summer and ask you to contribute to this Artistic Director beloved institution you obviously enjoy. again, thank you so much for being with us at the Globe this summer, and thank you, in advance, for your continued support. As we cel- ebrate the glorious accomplishments of this great theatre and plan for its future, we remember and pay tribute to our closest at The Old Globe.

LOUIS G. SPISTO Executive Director

PERFORMANCES MAGAZINE P1 S p o n s o r s

Our 2003 Season Sponsors continue a tradition of annual leadership gifts of $50,000 or more to The Old Globe that help us sustain the highest possible quality of work appearing on our stages. We are deeply grateful to these most generous donors. The Lipinsky Family Donald and Darlene Shiley Anonymous Sheryl and Harvey P. White Karen and Donald Cohn

We also gratefully acknowledge our generous sponsors of this production of Dirty Blonde: Dr. Stan Willis and

Dr. Stan Willis has been a friend of The Old Globe for nearly 50 years, as a Board member, subscriber, and donor. Stan was also an actor with the Globe in the 50s and 60s, performing in such shows as The Reluctant Debutante, Holiday for Lovers, The Captain’s Paradise and The Waltz of the Toreadors – all directed by his good friend, Craig Noel. Dr. Willis, a lawyer and psychiatrist, is also the owner of the Park Manor Suites, a European-style hotel overlooking Balboa Park that combines the amenities of a hotel with the comforts of home.

AT&T has a long history of support for the Theatre, having sponsored last year’s Imaginary Friends, as well as Da, Play On!, The White Rose, The Old Settler and Jar the Floor. AT&T is recognized nationally for their long-standing commitment to the arts; locally, the remains actively involved throughout the community and is represented on the Globe’s Board by Area Vice President Tim MacDonald.

The Old Globe salutes Dr. Stan Willis and AT&T for their endorsement of the theatre with these very generous sponsorship gifts. We’re pleased to honor them as sponsors of Dirty Blonde.

We are also grateful to our Media Sponsor:

P2 PERFORMANCES MAGAZINE THE | JULY 20, 2003 – AUGUST 30, 2003

P R E S E N T S

BY Claudia Shear

CONCEIVED BY

Claudia Shear AND James Lapine

SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN Douglas Stein David Lander Dan Moses Schreier

ARRANGEMENTS/MUSICAL DIRECTION STAGE MANAGER STAGE MANAGER ASSISTANT STAGE MANAGER * Leila Knox* D. Adams* Tracy Skoczelas*

MUSICAL STAGING John Carrafa

DIRECTED BY James Lapine & Gareth Hendee

Original song “Dirty Blonde” by Bob Stillman*

* Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers of the . Presented by special arrangement with Samuel French, Inc.

PERFORMANCES MAGAZINE P3 CAST OF C h a r a c t e r s

Jo/Mae ...... KATHY NAJIMY* Charlie...... * Man ...... BOB STILLMAN*

* Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers of the United States.

T H I S P R O D U C T I O N W I L L B E P R E S E N T E D W I T H N O I N T E R M I S S I O N .

P r o f i l e s

(as a bipolar therapist!), 3 episodes of Ellen, Cinderelmo for Fox TV, and was thrilled to play Sharon Stone’s gynocologist in HBO's If These Walls Could Talk II with Ellen DeGeneres. Kathy sang and danced to open “When caught the '95 Oscars and she recently starred in Disney's The Scream Team. She created and directed Back to Bacharach with Steve between Gunderson in NY and LA, as well as directed Kathy Najimy several one-woman shows. Ms. Najimy has (Jo/Mae) received awards from GLAAD, PETA, HRCF, two evils, In 2001 Kathy starred on Broadway in Dirty LA Shanti, Voters for Choice and, as a proud Blonde and is delighted to reprise the role at Lebanese American, from ACC and the the Globe in her hometown of San Diego. In ADC. She tours the country speaking to issues I generally 1986, Kathy moved to NY where she per- concerning women's rights, animal rights, gay formed The Kathy and Mo Show (written by rights and choice. Kathy has performed The pick the one Kathy and Mo Gaffney) off-Broadway and on Vagina Monologues with Jane Fonda, Oprah tour for 8 years, won an for the Winfrey, Alanis Morrisette and many play and several awards for both HBO spe- others. San Diego audiences might remember I’ve never cials: Parallel Lives and The Dark Side (which she Kathy from The Robber Bridegroom, and The also executive produced). Since then Ms. Kathy and Mo Show at The Old Globe; Sisters On Najimy has appeared in over 20 films, includ- Stage, New Image Teen Theater (director), or tried before.” ing her award-winning/starring roles in Sister the dozens of musicals where Kathy appeared Acts 1&2, Hocus Pocus, Rat Race, Hope Floats, as the best friend, secretary or customer - Nevada, Don’t Dance, Zack and Reba, This Is #2. She attended SDSU for 4 years. Kathy My Life, , Soapdish, and The Hard lives in LA with her kick-ass husband Way; as well as cameo appearances in It's Pat, actor/singer and her glorious The Wedding Planner, Jeffrey, and The Big K. For six-year-old daughter, Samia. 8 seasons, Kathy has voiced the role of Peggy Hill for the Fox TV hit ( award). Other TV appearances include 3 sea- sons as Olive on NBC's Veronica's Closet (American Comedy Award), In Search of Dr. Seuss for TNT, a three-week arc on Hope

P4 PERFORMANCES MAGAZINE P r o f i l e s CONTINUED

Kevin Chamberlin Bob Stillman (Charlie) (Man, Arrangements/Musical Direction) “When women Mr. Chamberlin originated the role of Charlie BROADWAY: Dirty Blonde (2002 Tony Award in Dirty Blonde on Broadway (Tony, Drama nomination), Kiss of the Spider Woman (oppo- Desk nominations) as well as the European site Vanessa Williams), ’s Grand go wrong, premiere in Leeds, UK. Other Broadway cred- Hotel, Legs Diamond. OFF-BROADWAY: The its include Horton the Elephant in , Last Session, ’s Saturn Returns at the Musical (Tony, Drama Desk nominations), . REGIONAL: credits men go right My Favorite Year, Abe Lincoln in Illinois and include , Chicago’s Triumph of Love. City Center Encores! Series (Jefferson Award nomination); West Side Story appearances include Ziegfeld Follies of 1936 and with the Minnesota Orchestra; the L.A. pro- after them.” One Touch of Venus. OFF-BROADWAY: the duction of The Last Session (Ovation and L.A. /John Weidman musical Critics Awards); the U.S. production of workshop Wise Guys, directed by , Andrew Lloyd Weber’s Whistle Down the Wind at New York Theatre Workshop; Smoke on the (directed by Hal Prince); Dirty Blonde (2001 Mountain at the Lamb's Theatre; and Juno at the Jefferson Award, Chicago). ADDITIONAL Vineyard and As Thousands Cheer at Drama Dept. CREDITS: This past season, Mr. Stillman was REGIONAL: Yale Rep, McCarter Theater, nominated for a second Tony Award, as one of Williamstown Theatre Festival, Repertory the composers of the score for Urban Cowboy, Theater of St. Louis and Theaterworks/USA. The Musical. An accomplished singer-song- FILM: Suspect Zero, Providence, The Road to writer, he recently completed his debut CD, Perdition, directed by Sam Mendes, Die Hard: Come Down Angel. EDUCATION: Mr. Stillman With a Vengeance, In and Out, Trick, Herman U.S.A. studied piano at the Juilliard and Manhattan TV: Earthly Possessions for HBO, directed by Schools, and graduated with honors in com- James Lapine, New York News (series regular), position from Princeton. Frasier, Kingpin, Without a Trace, Nip/Tuck, Liberty, and Law & Order: Special Victims Unit.

PERFORMANCES MAGAZINE P5 Earthly Possessions. Claudia Shear Gareth Hendee (Playwright) (Director) BROADWAY: The Smell of the Kill, directed by Chris Gareth Hendee has been involved with Dirty Ashley (). Dirty Blonde, direct- Blonde since the first conversation between ed by James Lapine (Tony and Drama Desk James Lapine and Claudia Shear. In Chicago, Nominations as playwright for Best Play and also he directed Sunday in the Park with George by Best Actress, Drama League Award, Theatre World Lapine and Stephen Sondheim (2003 Jeff Award). OFF-BROADWAY: Blown Sideways Citation Award for Best Director and Best Through Life (one-woman play), directed by Chris Production of a Musical), and the world pre- Ashley (Obie Award, Drama Desk Nomination), miere production of Muscle, a new musical by New York Theatre Workshop; transferred to Cherry Lapine, and Ellen Fitzhugh. “It’s not the Lane Theatre. REGIONAL: The Smell of the Kill, New York directing credits include Tango Ballad Berkshire Theatre Festival; Dirty Blonde, The (Lotte Lenya Remembers Kurt Weill) at the Actors man in your life Kennedy Center (Helen Hayes Award nominations Studio (at the invitation of Estelle Parsons); for Best Play and Actress) and Theatre on the the American premiere of Howard Barker’s The Square, ; End of the Day (by Jon Robin Possibilities at Tribeca Lab; Romeo and Juliet at St. that counts. Baitz), Williamstown Theatre Festival; Blown Paul’s Chapel; Dahling - The Life and Times of Sideways Through Life, Coronet Theatre. TV: Friends, Tallulah Bankhead at the Grove Street Earthly Possessions (dir. James Lapine), Blown Playhouse; and projects at Dixon Place, New Sideways Through Life (dir. Chris Ashley). FILM: York Theatre Workshop, Ensemble Studio Living Out Loud, It Could Happen to You, The Theatre, and the Judith Anderson Theatre. It’s the life in Opportunists. Ms. Shear writes for various publica- tions, including The New York Times, New York Magazine, Vogue and Travel & Leisure. She is a mem- your man.” ber of the Sundance Screenwriters Lab, NYTW's John Carrafa Usual Suspects and the Dramatists Guild. (Musical Staging) BROADWAY: Dance of the Vampires; (Tony Award nomination); !, The Musical (Tony Award nomination, Obie James Lapine Award Winner, Lucille Lortel Award Winner, (Director) Drama Desk nomination); True Home, Dirty James Lapine collaborated with Stephen Blonde, Love! Valour! Compassion! (also film adap- Sondheim as both librettist and director on the tation). OFF-BROADWAY: Credits at Lincoln Broadway productions of Sunday in the Park with Centre Theatre, Manhattan Theatre Club, The George, Into the Woods, and . With William Drama Dept, The Public Theatre, New York Finn, he collaborated on the off-Broadway shows Theatre Workshop, Playwright’s Horizons; City March of the and , later pro- Center Encores Series: Pajama Game, Out of This duced together on Broadway as Falsettos, and on for Theater. He wrote World, On a Clear Day You Can See Forever. REGION- the book and directed the Menken/Schwartz AL: True Home (Director/Choreographer), musical The Hunchback of Notre Dame for Disney Charlotte Rep. FILM: 20 feature films, including in . He has also written the plays Table The Thomas Crown Affair, The Last Days of Disco, Settings, Twelve Dreams (revived by Lincoln Center Earthly Possessions. TV: Thou Swell, Thou Witty – The Theatre); Luck, Pluck & Virtue, The Moment When Songs of Rodgers and Hart (PBS Great Performances, and Fran’s Bed. On Broadway he directed Michel Director/Choreographer), Sex and the City (HBO). LeGrand’s , the recent revival of Into the Mr. Carrafa is the Creative Director for the Woods, the revival of The Diary of Anne Frank, and National Basketball Association. ’s . He has also directed the films Impromptu, , and

P6 PERFORMANCES MAGAZINE P r o f i l e s CONTINUED

Susan Hilferty Douglas Stein (Costume Design) (Scenic Design) Recent New York productions include Into the BROADWAY: credits include Dirty Blonde, Woods (2002 Tony Award and Drama Desk Falsettos, Our Town, Largely New York, Fool Moon, nominations), My Life with Albertine (2003 Timon of Athens, The Government Inspector, The Lucille Lortel Award nomination), The General Moliere Comedies and 's Freak. from America, Franny’s Way, Sorrow and Rejoicings OFF-BROADWAY: credits include Jules (also London, South Africa and Los Angeles Feiffer’s A Bad Friend at Lincoln Center; 36 productions), Helen, Necessary Targets, Madame Views at the Public Theatre; numerous projects Melville, A Skull in Connemara, , Dirty Blonde, with Bill Irwin, including The Regard of Flight; Crimes of the Heart. Her current projects include Scapin for the Roundabout; and Texts for Nothing the new Broadway musical Wicked. She has (Obie Award) for The . worked with , , Michael He designed the original productions of March “It’s better to be Wilson, Richard Nelson, Robert Woodruff, of the Falsettos and Falsettoland for Playwrights Garland Wright, , Mark Lamos, Horizons, Franz Xaver Kroetz's Through the James Lapine, , Des McAnuff, Laurie looked over than Leaves for the Women's Interart Theater (Obie Anderson, David Petrarca, Chris Ashley, JoAnne Award), and Edward Bond's Saved (Obie Akalaitis, , David Warren, Carole Award) for Theater for a New Audience. He has overlooked.” Rothman, Mark-Linn Baker and . designed for all the major regional theaters Ms. Hilferty is Chair of the Department of including a special 10-year association with the Design at NYU Tisch School of the Arts and has during Garland Wright's won many awards, including a 2000 Obie for tenure as Artistic Director. His recent work at sustained excellence. the Guthrie includes Rita Dove's The Darker Face of the Earth, directed by Lou Bellamy. His designs for opera and dance include Philip Glass and Susan Marshall's adaptation of Jean Cocteau's Les Infantes Terribles (BAM). His David Lander ongoing collaboration with Susan Marshall & (Lighting Design) Company includes two recent works: The Most David lit the original Broadway production of Dangerous Room in the House (BAM) and The Dirty Blonde directed by James Lapine, for Descent Beckons (Joyce Theater). A graduate of which he received a 2000 Drama Desk nomi- the Yale School of Drama, he has taught at nation for Best Lighting Design. Before , Princeton University, the Broadway, Dirty Blonde was presented off- School of Visual Arts in and Broadway at New York Theatre Workshop. Also Fordham University and has served on the on Broadway and also directed by James boards of Theatre Communications Group and Lapine, David lit David Henry Hwang's Golden Theatre for a New Audience. Child. His lighting can currently be seen off- Broadway in ’ production of I Am My Own Wife, directed by Moises Kaufman. Regional credits include Muscle by James Lapine and William Finn (Pegasus Players Chicago); world premiere of Claudia Lazlo by , and Venecia starring Chita Rivera, adapted and directed by Arthur Laurents, both at George Street Playhouse; Dear World, Funny Girl and , all at Sundance Theatre; seven musicals in two

PERFORMANCES MAGAZINE P7 seasons at the St. Louis MUNY; productions at Leila Knox the Cincinnati Playhouse in the Park, Kennedy (Stage Manager) Center for the Performing Arts, South Coast BROADWAY: Dirty Blonde, Amour, One Mo’ Time. Repertory and ACT. International: Japan, REGIONAL: credits include: Production Singapore and the UK. Dance: Ice Theatre of Supervisor of the National Tour and West New York since 1997, Chen and Dancers, 1994- Yorkshire Playhouse productions of Dirty “So many men. 1997. David’s architectural lighting designs can Blonde; Observe the Sons of Ulster, Lincoln Center; be seen in permanent public art installations in Mislansky/Zilinsky or “schmucks”, Red, The Memory New York, Denver, Providence, and Pittsburgh, of Water, Manhattan Theatre Company; All My So little time.” and theme parks in and Florida. Sons, The Mineola Twins, Roundabout Theatre; A Madhouse in Goa, Second Stage; Twilight, Los Angeles, 1992, Berkeley Rep; Alice’s Adventures Underground, Cabin Pressure, SITI; Demonology, Dan Moses Schreier Playwright’s Horizons; The Woman Warrior, (Original Music & Sound Design) Huntington Theatre, Berkeley Rep; 11 seasons THE OLD GLOBE: Julius Caesar, Floyd Collins, with the Williamstown Theatre Festival. EDU- Cymbeline. BROADWAY (Sound Design): Into CATION: Ms. Knox is a graduate of the Woods, Top Dog/Underdog, Dirty Blonde, Northwestern University. Amour, Dance of Death, The Ride Down Mt. Morgan, The Diary of Anne Frank, The Tempest, Bring in ‘Da Noise/Bring in ‘Da Funk, The Government Inspector, Hedda Gabler. OFF- BROADWAY: Homebody/Kabul, Radiant Baby, D. Adams Spinning into Butter, Far East, Floyd Collins, Spic-O- (Stage Manager) Rama, God’s Heart and many others. As a com- THE OLD GLOBE: Pentecost, Loves & Hours, Oldest poser, Dan wrote the music for the Broadway Living Confederate Widow Tells All, Pericles, The Taming productions of Dance of Death starring Ian of the Shrew, Compleat Female Stage Beauty, Stones in Mckellen and Helen Mirren, George C. Wolfe’s His Pockets, A Midsummer Night’s Dream, The Boswell production of The Tempest and Daniel Sullivan’s Sisters, Art, Dinner with Friends, The Woman in Black, production of Major Barbara. Innova Dr. Seuss’ How the Grinch Stole Christmas! (‘98- Recordings will release a CD of his music/ ’02), Love’s Labour’s Lost, Henry V, Over the River and theater piece The Shoulder, written with Dan Through the Woods, The Seagull, Thunder Knocking on Hurlin and produced by the Long Wharf the Door, The Merry Wives of Windsor, The Magic Fire, Theatre/Dance Theater Workshop/ Walker Arts Bedroom Farce, Floyd Collins, Paramour, As You Like It, Center. Dan has received the 2003 The Cocktail Hour, Emily, Antony and Cleopatra, Entertainment Design Award for sustained Twelfth Night, Macbeth, The Tempest, Coriolanus, excellence, two Drama Desk Awards (Into the Wings, The Gin Game, Mass Appeal, Tartuffe. OFF- Woods, Floyd Collins), an Obie Award, Audelco BROADWAY: Production Stage Manager for Award and grants from the National Thunder Knocking on the Door. REGIONAL: Endowment for the Arts. Production Stage Manager for Great Lakes Theatre Festival, San Diego Repertory Theatre, Stage Manager for the Mark Taper Forum, and The Denver Center Theatre Company. ELSE- WHERE: Production Stage Manager for Sylvia, San Francisco and Toronto; Forever Plaid, Theatre in Old Town; Corridos, a world-premiere musical by Luis Valdez, in Los Angeles and San Diego; Livin’ Dolls, , and Billy Budd, Los Angeles.

P8 PERFORMANCES MAGAZINE Tracy Skoczelas (Assistant Stage Manager) THE OLD GLOBE: Pentecost, Loves & Hours, Oldest Living Confederate Widow Tells All, Splendour, Pericles, All My Sons, Complete Female Stage Beauty, Betrayal, Smash, Memoir, Dr. Seuss’ How the Grinch Stole Christmas! (‘01-’02), Twelfth Night, A Midsummer Night’s Dream, Henry V, The Trojan Women.

ADDITIONAL STAFF

Assistant Scenic Designer ...... Amanda Stephens Assistant Costume Designer ....Charlotte Devaux Assistant Lighting Designer...... Jason Bieber Production Assistant ...... Alicia Cohen

ACKNOWLEDGEMENTS

Mae West materials courtesy of The Estate of Mae West, by The Roger Richman Agency, Beverly Hills, CA.

Original production by the Shubert Organization, Inc., Chase Mishkin, Ostar Productions and ABC, Inc. in association with New York Theatre Workshop.

The producers wish to express their appreciation to for its support of the above mentioned production.

SPECIAL THANKS

Jack O’Brien; Leigh Kelton Smith, Amy Zasadny, King of the Hill; Michael Orland, Kathe Mazur Mission Hills Florist

The Scenic, Costume, Lighting, and Sound Designers in LORT are represented by United Scenic Artists Local USA-829, IATSE.

The Director is a member of the Society of Stage Directors and Choreographers, an independent national labor union.

PERFORMANCES MAGAZINE P9 Program Notes

Director’s Note

– Gareth Hendee When James Lapine called and mentioned the name “Mae West,” Claudia Shear felt a small voice inside her simply say “yes.” That immediate and clear recognition started a journey of obsession – research, travel, reams of paper and innumerable viewings of West’s films led Claudia to a unique understanding of the culture of celebrity that reflects, and in many ways defines, who we are as Americans. Mae West was born into an age when “celebrity” shift- ed from the realm of nobility and aristocracy, and it became something achievable for the common man. The advent of mass media allowed poor immigrants to become national heroes, and the notion that one could become a household name was woven into the fabric of the American Dream. The cinema took it one step further – one could become a household face. Mae West – the child of immigrant parents who was raised in the rough neighborhood of Greenpoint – fixed her sights on the vaudeville stage and decided at the age of six that she would be one of its stars. It took her thirty years, but she did it. People look to and identify with celebrities as personal heroes and almost as archetypal demigods, choosing the figure that represents, for them, the possibility that they too can become more than the Average Jo. Working with Claudia Shear and James Lapine was a lesson in the heat of obsession – the heat and compression that can turn a lot of material and a lot of work into a diamond.

P10 PERFORMANCES MAGAZINE MAE WEST I used to be Snow White, but I drifted.

She wasn’t exactly born in a proverbial show business trunk, but Mary Jane West arrived in Brooklyn, New York, on August 17, 1883, to parents whose careers were doggedly entrenched in the world of prize fighting and vaudeville, without the benefit of notable fame or fortune. Her show business destiny was clear from the age of five when she began dancing onstage in vaudeville. By the age of 14, with the full support of her mother, she was billed as “The Baby Vamp.” Mary Jane literally never looked back. Life was often harsh and schooling was minimal in her childhood on the circuit, but as a young girl she formed an interest and ability in writing plays, applying a sharp sense of the comedic technique she had culled from her early experience in vaudeville. In 1926, the first of her plays to gain notoriety (in the truest sense of the word) was bluntly entitled Sex. Produced on Broadway by Miss West herself, it ran for 375 performances before it resulted in obscenity charges against her and landed her in jail for ten days. Two years later her play Diamond Lil became a huge Broadway success and her career soared. Hollywood took notice - Paramount Pictures specifically. She starred in Paramount’s Night After Night (1932) followed by the film version of Diamond Lil, entitled She Done Him Wrong (1933), which broke box office records and saved Paramount from selling out to MGM. Other successes followed – all scripted by Mae herself – and by 1935 she was the highest-paid woman in the United States. She was said to be a “master of the double entendre, known for her portrayals of defiantly sexy women of lost virtue and irreverent wit. With her platinum-blond , buxom figure, distinctive walk, and drawling, seductive speech, West became an anti-Puritan icon, both reviled and admired for her disdain of convention- al morals.” She is credited, deservedly or undeservedly, with bringing about censorship in films with the advent of the Motion Picture Production Code. Her battles with the censors brought about a diminuation of her trade- mark bawdiness and by the late 30s to early 40s her films lacked the energy of her earlier work and were less successful; one notable exception being My Little Chickadee in 1940, which she co-wrote and co-starred in with W.C. Fields. In the 1940s, she returned to the stage with the Broadway revue, Catherine Was Great, and toured Diamond Lil. Her night club act at the age of 60, glamorously done-up in her inimitable fashion and sur- rounded by handsome young men, was quite successful. She appeared in the films Myra Breckinridge in 1978 and Sextette in 1978; and she wrote several novels and her autobiography, Goodness Had Nothing to Do with It (1959). For many, Mae West is best remembered for her witty observations, rife with ribald double entendre and some very deliberate shock value, even in this decidedly non-Puritanical age. It has been said that she is quoted as often as Ben Franklin. A sampling of her brilliant and rib-tickling quotes can be found throughout this program. Enjoy! Photo Credit: Microsoft® Encarta® Online Encyclopedia 2003; Archive Photos/American Stock.

PERFORMANCES MAGAZINE P11 P12 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE P13 2 0 0 3 B o a r d o f D i r e c t o r s

Welcome home to The Old Globe. We’re pleased that you’re here. There are changes in the air. We hope you’ll approve. One change is the return to our original name. We’re “The Old Globe” again, after a period of marketing ourselves as “The Globe Theatres.” We learned from that experiment that the theatrical world cannot resist calling us by the name we grew up with, “The Old Globe,” so we decided to go back to using it ourselves. On our three stages themselves, you’ll find a lot more that’s new at The Old Globe. In the year ahead, we will continue to bring meaningful works to you from the great masters of classical theatre like Shakespeare and Moliere. What a treat to have them both on our current production schedule. We also look forward to having you join us for plays by some of the world’s lead- ing contemporary playwrights, including , , Tom Stoppard and , among others. We’re working hard at being accessible to you off-stage, as well as on-stage. Have you logged on to our new web site? Please try it out for your next subscription, or for your next purchase of individual tickets. Encourage your out of town guests to do so, as well. The site is filled with information about our productions, artists, staff, history, events for supporters, and much, much more. We thank American Express for the grant which allowed us to develop this site, and we invite you to visit us there, at www. theoldglobe.org. Well, the lights seem to be dimming. It’s time to sit back and enjoy the performance. One last thing. Please let us know, from time to time, how we’re doing. We’ll succeed in keeping The Old Globe new, only with your thoughtful advice. We look forward to it. Now, on with the show!

Paul I. Meyer, President, Board of Directors

Board of Lisa A. Barkett Stephen M. Krant, M.D. EMERITUS DIRECTORS Directors Joseph Benoit Sheila Lipinsky Garet B. Clark John A. Berol Timothy A. MacDonald J. Dallas Clark Harvey P. White, Samuel Brown Carlos Malamud* Honorary Chairman Sister Sally Furay, R.S.C.J. Mary N. Clendeninn Richard V. McCune Bernard Lipinsky Karen Cohn* Robert L. Noble, A.I.A. Paul I. Meyer*, (1914–2001) President Valerie S. Cooper John Rebelo Delza Martin Christopher L. Crockett Sandra Redman Susan Major*, Patsy Shumway Executive Vice President David W. Down Tom Sayles Robert H. Gleason*, Bruce M. Dunlap Phyllis Schwartz HONORARY DIRECTORS Vice President – Development Sue Ebner Louis G. Spisto* Mrs. Richard C. Adams Tim K. Zinn*, Bea Epsten Anne C. Taubman Vice President – Finance Clair Burgener Victor P. Gálvez Dean Thorp Mrs. John H. Fox Sally Furay*, R.S.C.J., Lee Goldberg Cherie Halladay Tirschwell Treasurer (1908–2003) Ronald Heller, M.D. Evelyn Mack Truitt Sheryl White*, Audrey Geisel Secretary Kay Taylor Hopkins Carol M. Veit Viviana Ibanez Patricia Weil Paul Harter Joseph E. Jessop, Jr. Julie Meier Wright Gordon Luce Sheri Karpinski Carolyn Yorston Dolly Poet Katherine Kennedy Deborah Szekely *Denotes Executive Committee Member Hon. Pete Wilson

The Old Globe is supported in part by grants from the City of San Diego Commission for Arts and Culture, the California Arts Council, the County of San Diego and the National Endowment for the Arts; and is a constituent of the Theatre Communications Group and a member of the League of Resident Theatres and the San Diego Performing Arts League. This theater operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the union of professional actors and stage managers in the United States; and also under an agreement with the Society of Stage Directors and Choreographers (an independent, national labor union), and the International Alliance of Theatrical Stage Employees Local 122.

P14 PERFORMANCES MAGAZINE A d v i s o r y C o u n c i l M e m b e r s

Robert S. Albritton Bernard Eggertsen, M.D. Bob Martinet / Susan Parkin Donald & Darlene Shiley & Georgie Leslie & Ms. Nemkov Dr. Marianne McDonald Ms. Roberta J. Simpson Lawrence Alldredge Marion M. Eggertsen Merrill Lynch / Dorothy & Joel Sollender & Dawn Moore Barbara & Dick Enberg Mr. Scott Wilson Gail Squires & Yaman Sencan Rich & Deavon Badami Danah H. Fayman Judy & George Miller Jeanette Stevens Paul Black Fifth & Hawthorn Restaurant/ Rena Minisi & Rich Paul Jay & Diane Sweeney Patricia Butler Ed Nickelson & Dave Witt Harle Garth Montgomery Marc Tarasuck, AIA Dr. & Mrs. Edgar D. Canada Susanna & Michael Flaster Maria & Michael Morris Harry & Selma Tennebaum Dallas & Mary Clark Mary Ann & Arnold Ginnow David & Noreen Mulliken Evelyn Mack Truitt Steven J. Cologne Sheryl A. Harris Neiman Marcus Dixie & Ken Unruh R. Patrick & Sharon Connell Michelle Hetlinger Arthur & Marilyn Neumann Jordine & Harvey Von Valerie & Harry Cooper Leonard & Elaine Hirsch Charles Noell Wantoch Celeste & Steven Cowell Alfred & Pat JaCoby Jane & Victor Ottenstein Lewis L. Warner Susan B. Cowell Russell & Mary Johnson James & Claudia Prescott Omar & Carol Winter Sid & Jenny Craig Marge & Jerry Katleman RAdm. Arthur June Yoder Dr. & Mrs. Francis C. Mr. & Mrs. Julian Kaufman & Peggy Price, Jr. Robert & Deborah Young Cushing, Jr. Bob & Gladys King Paul & Katherine Ponganis *Deceased Darlene G. Davies Ken & Sheryl King Ann & Ernest Pund Pat & Dan Derbes Dr. Ara and Sosi Klijian Bobbie & Blaine Quick For more information, Mrs. Philip H. Dickinson Phyllis and Martin Kornfeld Jeannie & Arthur Rivkin please contact Brad Ballard Nina & Robert Doede Ruth and Ronald G. Leonardi Mr. & Mrs. Roger Roberts at 619/231-1941, ext. 2309. Peter & Inge Manes Saks Fifth Avenue M e m b e r s M a k e t h e D i f f e r e n c e The Old Globe rewards its members with the following exclusive benefits, services and events: General Membership: BRONZE ($50 to $249): 10% discount on purchases at the Helen Edison Gift Shop; discount on subscriptions to American Theatre maga- zine; complimentary backstage tour and reception; free admission to Insights Seminars; complimentary subscription to Upstage; invita- tion to the annual members’ meeting; ticket exchange fee waived (in person, by phone or via fax)  SILVER ($250 to $499) all Bronze benefits, plus: listing as a contributor in program magazine for one year; Discounts at participating restaurants for pre- and post-show dining; Service charge waived for all single ticket purchases  GOLD ($500 - $999) all Silver benefits, plus: one complimentary admis- sion for two to the Lipinsky Family Suite (VIP Lounge); two Bard Cards for desserts or beverages at Lady Carolyn’s Pub; $10 gift certificate for purchases at the Gift Shop (no cash exchange value); two complimentary blanket rentals for Festival productions  PLATINUM ($1,000 - $1,499) all Gold benefits, plus: one additional admission for two to the Lipinsky Family Suite (total of 2); four additional Bard Cards (total of 6); complimentary 12 oz. bag of Globe gourmet roasted coffee or specialty tea selection (available through the Helen Edison Gift Shop). The Circle Patrons: The Circle Patrons play an important role and provide significant financial support by making gifts of $1,500 or more. Circle Patron membership includes the following special benefits and services: CRAIG NOEL CIRCLE ($1,500 - $2,499) all Platinum benefits, plus: unlimited admission to the Lipinsky Family Suite; personal VIP ticket service; four additional Bard Cards (total of 10); Invitations to all Circle Patron events; listing as a contributor in Upstage, the Globe’s quarterly newsletter; priority upgrades on subscription seating.  PLAYWRIGHT CIRCLE ($2,500 - $4,999) all Craig Noel Circle benefits, plus: two complimentary meals form the Lipinsky Family Suite menu; collector’s edition of Shakespeare’s works (upon request); listing as a contributor on lobby signs in Old Globe Theatre lobby; Listing as a contributor on Globe website (upon request).  FOUNDER CIRCLE ($5,000 - $9,999) all Playwright Circle benefits, plus: compli- mentary admission for two to a Circle Patron event of your choice; two additional Lipinsky Family Suite meals (total of four).  DIREC- TOR CIRCLE ($10,000 - $24,999) all Founder Circle benefits, plus: complimentary valet parking for one performance of each produc- tion; two house seats to a performance of your choice; access to host a reception or meeting at The Old Globe; eligibility for production sponsorship in the Cassius Carter Centre Stage ($15,000 and above; please call for details). Production Sponsorships: ($25,000 and above): Many individual and corporate members at the Diamond Circle level choose to direct their support toward spon- sorship of productions or specific education programs. Additional benefits for production sponsorships at this level include prominent recognition at The Old Globe, as well as many special VIP privileges.

For more information about membership at any level, please contact The Old Globe development department at (619) 231-1941, x2309. PERFORMANCES MAGAZINE P15 D o n o r s

The Old Globe, the flagship of San Diego’s performing arts community, maintains a long-standing reputation as one of this country’s leading non-profit theatres. The ability to uphold this standard, while keeping ticket prices affordable, is due in large part to the annual financial support of nearly 4,000 individuals, businesses, and foundations. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and many other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight: Benefactors Gold Circle Founder Circle ($100,000 and above) ($10,000 to $24,999) ($5,000 to $7,499) City of San Diego, Anonymous (2) Lawrence G. Alldredge & Dawn Moore Commission for Arts & Culture Elisabeth & John Bergan Anonymous (2) Audrey S. Geisel/The San Diego The Louis Yager Cantwell Mr. & Mrs. James W. Bastien Foundation Dr. Seuss Fund Private Foundation Teresa & Tom Bernard The San Diego Union-Tribune Neil & Mary Clendeninn Nina & Robert Doede The Shubert Foundation Valerie & Harry Cooper Mrs. Danah H. Fayman J. Dave Cours/ICON Systems, Inc. Susanna & Michael Flaster Mr. & Mrs. Brian Devine Mrs. John H. Fox* Season Sponsors Christina L. Dyer Samuel J. & Katherine French Fund, ($50,000 - $99,999) Dr. Robert and Bea Epsten Wells Fargo Trustee J. Dallas & Mary H. Clark Fund of Robert Gleason & Marc Matys Mary Ann & Arnold Ginnow The San Diego Foundation Lee & Frank Goldberg Fred & Alicia Hallett Karen & Donald L. Cohn Dr. Ronald & Susan Heller Arthur & Eleanor Herzman Globe Guilders and Family Dr. & Mrs. Harry F. Hixson, Jr. The Lipinsky Family Wanda & Tom Insley Melissa & James Hoffmann The Parker Foundation Deni & Jeff Jacobs Susan & John Major (Gerald & Inez Parker) Joseph E. Jessop, Jr. Dr. Marianne McDonald Sempra Energy Katherine Kennedy/ Money/Arenz Foundation, Inc. Donald & Darlene Shiley Relocation Coordinates Pratt Memorial Fund Wells Fargo Nina Lannan Associates, Inc. Ellen C. Revelle Sheryl & Harvey P. White Mrs. Anna P. Lord Jeannie & Arthur Rivkin Richard V. McCune Deborah Szekely Paul & Maggie Meyer/ Howard G. Tirschwell, D.D.S.* & Production Latham & Watkins, LLP Cherie Halladay Tirschwell Sponsors Mr. Steve Miller Brent V. Woods & Laurie C. Mitchell ($25,000 – $49,999) Laurie D. Munday Mrs. June E. Yoder American Airlines Robert L. Noble, AIA American Express Company John & Laura Robbins AT&T The San Diego Foundation Playwright Circle Bank of America Weingart-Price Fund ($2,500 to $4,999) Mr. & Mrs. William J. Barkett Patsy & Forrest Shumway Dr. & Mrs. Wayne Akeson John A. Berol Anne Taubman & David Boyle Robert S. Albritton Break-Away Tours Mr. & Mrs. Lawrence Veit Dr. Tony & Sue Allessandra California Arts Council Patricia & Christopher Weil Anonymous (1) Continental Airlines Family Foundation Jan & Rich Baldwin/ County of San Diego Carolyn W. Yorston Nth Generation Computing Kathyrn Hattox Ellen & Tim Zinn Ken & Ginger Baldwin Joan & Irwin Jacobs Melissa Garfield Bartell & Michael Bartell Mr. & Mrs. Neil Kjos Charles & Molly Brazell The Lodge at Torrey Pines Silver Circle Garet & Wendy Clark Northern Trust Bank ($7,500 to $9,999) Sid & Jenny Craig Qualcomm, Inc. Cecilia Carrick & Stan Nadel Ann & John Davies Saks Fifth Avenue Bob Martinet Dean & Mrs. M. H. Dessent Sheraton San Diego Hotel & Marina Arthur & Marilyn Neumann Bernard J. Eggertsen & Florence Nemkov Union Bank of California Ms. Jeanette Stevens Martha & George Gafford Mandell Weiss Charitable Trust Evelyn Mack Truitt Madeline L. & Milton D Goldberg Stanley E. Willis II Family Foundation Rita C. Grady Russell & Mary Johnson Dr. & Mrs. Richard L. Kahler Bob & Gladys King Dr. Ron & Mrs. Ruth Leonardi Peter & Inge Manes

P16 PERFORMANCES MAGAZINE Drs. Frank & Pat Montalbano Elaine & Murray Galinson Marc R. Tarasuck, AIA Maria & Michael Morris Barbara & Albert Garlinghouse The Tarlov Family Mrs. Margaret F. Peninger Bill & Judy Garrett Mr. & Mrs. Charles Taubman Dolly & Jim Poet Nancy Reed Gibson Mrs. Claire Tavares Mr. & Mrs. Blaine Quick Bud, Nancy & Rebecca Goodpasture Harry & Selma Tennebaum Mr. & Mrs. Jeremiah B. Robins John Greenbush & Dr. Marilyn Friesen Dixie & Ken Unruh The San Diego Foundation Sandra Gulden & Leon J. Goldberger Doris & Lou Vettese Jay & Diane Sweeney Gulden Private Foundation Jordine & Harvey Von Wantoch Dr. & Mrs. Andrew J. Viterbi Mrs. Cheryl Haimsohn Merle & Phil Wahl Lewis & Jean Warner Sheryl A. Harris John & Christy Walton Jean & Tim Weiss Maria & Michael Herman WD-40 Company Robert & Deborah Young Mr. & Mrs. Leonard Hirsch Shirli Fabbri Weiss Dr. David K. Hostetler Betty Jo & Hal Williams Richard & Janet Hunter Omar & Carol Winter Craig Noel Circle Mrs. T. Bruce Iredale Ms. Julie Meier Wright ($1,250 to $2,499) Alfred & Pat JaCoby Mrs. Mary Thomas Adams Ron & Christy Johnson Marge & Jerry Katleman Premiere Circle Richard Addesso ($1,000 to $1,249) In Memory of Charles R. Allen Mrs. Katherine Kaufman Anonymous (2) William & Edyth Kenton Ms. Gail Andrade Atkins & Associates Mr. & Mrs. Irving J. Kern Anonymous (2) Mr. & Mrs. John E. Barbey, Jr. Ken & Sheryl King Sally & John Berry Diana Barliant & Nowell Wisch Dr. Ara & Sosi Klijian Charlotte & Charles Bird Dr. C. K. Barta & Inge Lehman Phyllis & Martin Kornfeld Carol & Rudy Cesena Jack Benson Ledford Enterprises Inc. Carol & Jeff Chang Joan & Jeremy Berg Terry & Mary Lehr James H. & Rita F. David John & Karen Berger, M.D. Ms. Sherrill Leist Rick & Dicker Stephen & Pamela Billings Carl Levinger Dr. Charles C. & Sue K. Edwards Paul Black Tom Mabie & Rhonda Heth Bruce & Patricia Fischer Cynthia Bolker & Greg Rizzi Mr. Robert E. Mackey, Jr. Karen & Orrin Gabsch William & Janice Bopp Joseph L. Marshall & Martin & Enid Gleich Robert & Lillie Breitbard Foundation Rosemarie Marshall Johnson, M.D. Geraldo & Scarrain Gomes Mr. & Mrs. Blaine A. Briggs Laura Martin Dr. & Mrs. William Gott Arthur & Sophie Brody Elizabeth & Edward McIntyre Norman & Valerie Jacobs Hapke Mrs. Jeanette Burnett Law Offices of Miller, Monson, James & Betty Hempstead Dr. & Mrs. Robert M. Callicott Peshel, Polacek & Hoshaw Judy & George Miller Sharon Lee Hudson Ruth Mary Picard Campbell Rosalie Kostanzer Dr. & Mrs. Edgar D. Canada Rena Minisi & Rich Paul Harle Garth Montgomery Bob & Laura Kyle Ken & Deni Carpenter Dr. & Mrs. James E. Lasry Dr. & Mrs. Clifford W. Colwell David & Noreen Mulliken Ruth & Jim Mulvaney Ms. Leah S. Liersch Ms. Heidi Conlan/ Mr. Calvin Manning The Sahan Daywi Foundation Dr. Gail Naughton Josiah & Rita Neeper Mr. & Mrs. James S. Milch R. Patrick & Sharon Connell Judith & Neil Morgan Richard & Stephanie Coutts Charles E. Noell Jack O’Brien Gail Powell Davis Celeste & Steve Cowell Brenda Marsh-Rebelo & John Rebelo Susan B. Cowell Paul & Katherine Ponganis James & Claudia Prescott William & Susane Roberts Mrs. Willard T. Cudney Ms. Nancy J. Robertson Dr. & Mrs. Francis C. Cushing, Jr. RAdm. Arthur & Peggy Price, Jr. Ann & Ernest Pund Dr. H. Warren Ross Darlene G. Davies Margery P. Schneider in memory of Lowell Davies Roger & Christine Roberts Mrs. William C. Ruzich David & Sharon Snelling Desire Igual DeMontijo Gloria Penner Snyder & Bill Snyder Pat & Dan Derbes Warren & Beverly Sanborn Mrs. Philip Hugh Dickinson Ms. Roberta J. Simpson Celeste & Gene Trepte Marion Eggertsen Skyy Vodka Uncle Biff’s California Killer Cookies Barbara & Dick Enberg Rodney & Dolores Smith Laki & Carol Vassiliadis Ira & Noddy Epstein Dotti & Joel Sollender Beverly & Allan Zukor Ron & Sandy Erbetta Gail Squires & Yaman Sencan Dieter & Susan Fischer/ Eugene L. & Hannah Step Dieter’s Mercedes Service Gwen Stoughton Hon. & Mrs. Charles W. Froehlich, Jr. Takahashi Family Fund of The San Diego Foundation

PERFORMANCES MAGAZINE P17 D o n o r s CONTINUED

Patron Members Charlie & Jackie Mann Ms. Sheila M. Bobenhouse & ($500 to $999) Gary & Margaret Mathews Mr. Jeffrey C. Truesdell Anonymous (3) R.J. Maus, Architects Nick Bonaker Susan Atkins Dr. & Mrs. M. Joseph McGreevy Dr. James Lewis Bowers Mike & Rhoda Auer Elizabeth & Louis Meyer Mrs. Henri Brandais Mr. & Mrs. David A. Baer Dr. Ronald H. Miller Dr. Andrew Breiterman Joseph C. Baker Akiko Charlene Morimoto Ronald & Dorothy Brown Randall & Vivian Black William E. & Lollie M. Nelson Ruth Bunn Mary Ann Blair Audrey Newman Clint & Susie Burdett Drs. Gary & Barbara Blake Katherine Newton Linda Burgum-Sunkel Robert & Nancy Blayney Willene D. Nichols David Burns & Diane Lischio Joyce & Bob Blumberg Rod & Barbara Orth John & Kirk Butler Mrs. Suzanne I. Bond Mr. & Mrs. David J. Pettitt Beth & Tim Cann Ronda & Stanley Breitbard Marcia & Jim Piper Jane Carrigan Carol & Anthony Broad Ken D. Pischel, M.D. & William & Shirley Carrington Ted Bromfield, Esq. Katherine Ozanich, M.D. George & Ellen Casey Stuart & Joanne Butler Mary & Kedar Pyatt Charlene Chatham & Wm. “Skip” Price Sandra & Harry Carter Stuart & Linda Robinson Woo Y. Choi Harry & Carol Cebron Don & Darlene Russell Mr. & Mrs. Henry B. Clark, Jr. Drs. Lynne Champagne & Wilfred Kearse Marilies Schoepflin, PhD. Randy Clark & Michael Fairchild Doug & Elisabeth Clark Barry & Janet Sharpless Gary & Penny Cowell Steve & Carolyn Conner In Memory of Edward Silverstein Brian Cromer Gordon F. Costine Mr. & Mrs. Randall Silvia Mr. Ronald D. Culbertson Clif & Jane Cowgill Susan Sincoff & Dr. Joseph Yedid Ms. Frances Curtis Wes & Elaine Dillon Dr. Timothy S. Smith Robert P. Dahlquist Dr. & Mrs. William R. Dito Herbert & Elene Solomon John Wm. Davis & William M. Hughes Jim & Sally Ditto Harold Stanley Theodore E. Davis Dr. Paul & Kelly Dougherty Ann & Robert Steiner Alex & Betty DeBakcsy Silvia Dreyfuss/LABS, Inc. Mr. Robert H. Stickel Ms. Pauline des Granges Mary & David Fitz Mrs. John R. Stitt Capt. & Mrs. Donald L. Dill Ms. Pat Frost Charles B. Tesar, M.D. In Memory of Edith Dolnick Hal & Pam Fuson Daniel J. Travanti Mr. & Mrs. Glen Doughty Drs. Tom & Jane Gawronski Stephen & Greta Treadgold Hal & Jacque Eastman Arthur & Judy Getis Will & Vanessa Van Loben Sels Ms. Elizabeth Eldridge Dr. & Mrs. Michael Goldbaum Natalie C. Venezia & Paul A. Sager Peggy Elliott The Golemb Family Dennis & Carol Wilson Dan & Phyllis Epstein Carol & Don Green Bill & Heidi Woods Lisa Erburu & M. Cocalis Mr. & Mrs. James Harris Zona Weekly Donald & Patricia Falkner Alice B. Hayes Dr. Susan Fee Dorothy V. Hill Mr. & Mrs. Robert Fei Sponsor Members Richard & Donna Ferrier Drs. Andrew & Sonia Israel ($250 to $499) Sandra & Robert Kritzik Drs. Lawrence & Irene Fine Mr. & Mrs. Fritz Kuhn Mr. Gale Acker & Dr. Nancy Acker Larry & Jan Ford Elaine & Adrian Kuyper B.J. & Sybil Adelson Dr. & Mrs. Richard Friedman Dr. Eric Lasley Tom & Louise Adler Joseph & Annette Fritzenkotter Georgie B. Leslie George Amerault Christopher W. Garrett Arthur & Sandy Levinson Anonymous (8) Charlie C. George Don & Mary Jane Lincoln Mrs. Ina S. Bartell Patricia & Norman Gillespie Mrs. Thelma Lindblade Beverly Bartlett & Barbara Sailors Deni D. Goodman Ernie & Sandy Lippe Richard & Linda Basinger Hubert F. Gordon, Trustee/ Stan & Susan Loft Mr. & Mrs. William E. Beamer The San Diego Foundation Mr. & Mrs. Edward Lyon Lee & Amnon Ben-Yehuda Gordon Family Trust Fund Ms. Jo Bobbie MacConnell Edgar & Julie Berner Ms. Euvoughn L. Greenan Carl Maguire & Margaret Sheehan Lanie & Lazare F. Bernhard Dr. Henry & Mary Ellen Gregg Drs. Betty Joan Maly & John Meyers Douglas & Dawn Bertozzi Vivienne D. Griffin Dr. Robert & Marcia Malkus Mr. & Mrs. Stanley Birstein Mr. George Guerra Ron & Mercy Mandelbaum Robert Blanton & Ann Clark Dan Guest & Catherine Lee

P18 PERFORMANCES MAGAZINE Dr. A.T. Hagler & Mark C. Lorenzo Edward & Rae Samiljan Ms. Martha Obermeier Charles & Robin Luby Regina J. Schard Deborah A. Hammond Sally & Bill Luster Mr. & Mrs. Arthur Schiff Robert W. & Helen M. Hammond Dr. David Lynn Dr. & Mrs. Roger H. Schmitt Robert M. & Helen M. Hansen Judge & Mrs. Frederick Mandabach Stephen & Brenda Schulman Jay & Mary Hanson Delza Martin Linda J. Seifert George D. Hardy Harold & Beverly Martyn Alice & Lew Silverberg Mayme & Albert Harris Susan B. Mason Eunice M. Simmons, M.D. Alex & Mary Hart Cdr. & Mrs. John C. Mathews III Tina & Marvin Simner Dr. & Mrs. C.R. Henkelmann Chris Maxin & Anne & Ronald Simon Thomas M. Henry Stephanie Buttell-Maxin Terrence & Kathryn Slavin Mr. & Mrs. Arnold Hess Valli & Tom McDougle Mr. & Mrs. Fred C. Stalder Mr. & Mrs. Thomas O. Hippie Teresa McEuen Mr. & Mrs. Charles M. St. Laurent Alexa Kirkwood Hirsch Harold O. McNeil, Esq. Abbe & David Stutz Mark & Lynn Hofflund L.M. & Marcia McQuern Mr. & Mrs. Ronald Styn Peggy & John Holl Metropolis Furniture Virginia Sunelli Terry Usher Holt & Peter D. Holt James & Dorothy Mildice Mrs. J. B. Swedelius Jean E. Holtz Dr. & Mrs. Mr. & Mrs. Clifford Sweet Nancy & Bill Homeyer Carole Morrison Dr. Blake S. & Mrs. Peggy Jean Talbot Bonnie & Cecil Hornbeck Connie Myers Dr. Terry & Naomi Tanaka Kendyl & Merri Houdyshell Dr. & Mrs. James H. Nelson Dr. Marshall & Leila Taylor Kenneth Hoyt Niddrie & Hegemier LLP Steven & Anoush Tencati Bettina J. Huber Stephen Nielander & Dominique Alessio Betsy & Michael Thomas/ Rob & Liz Jackson Mrs. S. Falck Nielsen San Diego Area Postal Annex+ Richard & Katherine Jarvis Judge A. V. Nigro Judge & Mrs. David R. Thompson In Memory of Donald Jenkins Gwen & Dr. Mike Nobil Lt. & Mrs. Jack E. Timmons Mr. & Mrs. William S. Johnston Ray & Diane Nobis John & Kay Torell Kenneth & Marilyn Jones Judge & Mrs. Paul Overton Mr. & Mrs. Stan Ulrich Judge Anthony C. & Joyce Joseph Sheila Palmer Design Associates Ginny Unanue Drs. Irvin & Nancy Kaufman Dr. Vic Pankey & Elena Pankey Mr. & Mrs. James van der Plaats Patricia & Alexander Kelley Susan C. Parker Mrs. Nellora J. Walker Terri & Paul Kidd William & Sandra Peavey Kathy & Jim Waring Patricia Kirk/Spin-Tek Systems Clifford T. Pentrack & Pitt & Virginia Warner Mark Kjos & Kelly Gale Mary E. Giovaniello Jo & Howard Weiner Mr. Philip M. Klauber Mrs. Seymour W. Perlman Mr. & Mrs. David Weinrieb Leroy & Jo Ann Knutson Deborah Brooks Pettry Mr. & Mrs. James D. Welterlen Curt & Nancy Koch Drs. Julie Prazich & Sara Rosenthal Ross & Barbara White Marvin Krichman & Francy Starr Bill & Judi Quiett Mr. & Mrs. Roland Wilhelmy Marvin Kripps, M.D. Vicki Quinones-Hartwell Michael & Penny Wilkes Inger & Kai Kristensen Dr. Helen Ranney Cass Witkowski Paul K. Laikind Anne F. Ratner Mr. & Mrs. John W. Witt John Q. Lalas, Jr. Jeffrey & Vivien Ressler Dr. Perri L. Wittgrove Mr. Daniel La Marche Ms. Kalpana Rhodes Keith Wong Pinkee Lauridsen George A. Rice Mr. & Mrs. C.E. Wylie/ Harriet Lazer & James Walker Andrew Ries, M.D. & C.E. Wylie Construction Company Dixon & Pat Lee Vivian Reznik, M.D. Vicki Zollweg & J. Michael Dunteman Jim & Veronica Lee Dr. & Mrs. David Roseman Dick & Sonie Lennon Ursula R. Roth *Deceased Tom & Terry Lewis Dr. Norman & Barbara Rozansky Mr. & Mrs. James Lim Frank & Cheryl Ruyak This list is current as of June 25, 2003 Philip Lindsley Amy Rypins Donald C. Lipkis & Arlene Pollard Joseph & Carol Sabatini Mr. & Mrs. Mathew Loonin George & Karen Sachs

To learn more about membership and the benefits offered at each level, please visit the Globe’s website at www.TheOldGlobe.org or call (619) 231-1941, ext 2305.

PERFORMANCES MAGAZINE P19 C o r p o r a t e M e m b e r s

CORPORATE LEADERS $25,000 AND ABOVE

S A K S F I F T H A V E N U E

Corporate Donors Fifth & Hawthorn Neiman Marcus ($2,500 to $24,999) FloraStyle Nokia Ariston Consulting Goldman Ferguson Partners Nordstrom & Technologies, Inc. Higgs, Fletcher & Mack, LLP The Prado at Balboa Park Barney & Barney Home Bank of California Relocation Coordinates Bertrand at Mister A’s ICON Systems, Inc. San Diego National Bank BRG Consulting Kforce Professional Staffing Scudder Private Investment Counsel Chalone Wine Estates KPMG, LLP Slayton International Executive Search City National Bank Latham & Watkins, LLP Stewart Title of California Cornerstone America Marsh, Inc. Target Stores Cush Automotive Merrill Lynch The T Sector Charitable Foundation Mervyn’s TK&A Custom Catering De Anza Harbor Resort Mission Federal Credit Union U.S. Bank

National Corporate Theatre Fund is a non-profit corporation created to increase and strengthen support from the business community for eleven of this country’s most distinguished professional theatres. The following foundations, individuals and corporations support these theatres through their contributions of $10,000 or more to National Corporate Theatre Fund:

Benefactors ($20,000 & Above) Pacesetters ($15,000 to $19,999) Donors ($10,000 to $14,999) Altria Group, Inc. Citigroup CreditSuisseFirstBoston Ogilvie & Mather Ernst & Young CVS/pharmacy Gershman Brown New York Quick & Reilly Davis, Polk & Wardwell JPMorgan Chase Robert K. Futterman & Praxis Media/Palace Production Fleet Bank Center/Rabbit Ears Entertainment GE Fund Marsh & McLennan Companies, Inc. Associates, LLC KPMG Merrill Lynch & Co. Vellmeir Development Stauback Retail Services Mintz, Levin, Cohn, Ferris, Viacom Inc. UBS Glovsky & Popeo Zaremba Group

Corporate Members enjoy exclusive benefits and recognition, especially the opportunity to entertain clients and employees with exclu- sive receptions in our Patron and Lipinsky Family Suites, behind-the-scenes tours, and preferred seating at our shows. For informa- tion, please contact Chris Graham at (619)231-1941, ext. 2308.

P20 PERFORMANCES MAGAZINE T h e C r a i g N o e l L e a g u e

“I want this theatre to have the security of an endowment so that we may continue to engage and inspire audiences for generations to come.” — Craig Noel The Craig Noel League was established in November 2000 to build the endowment and secure the legacy Craig Noel and countless others fashioned for The Old Globe. The League honors those thoughtful friends who help to secure our future through a gift by will or trust. Please join us in thanking these very generous friends who are helping to build the Craig Noel League.

Craig Noel Robert S. Albritton Jean & David Laing Donald & Darlene Shiley Nancine Belfiore Jerry Lester Foundation B. Sy & Ruth Ann Silver League Members Dr. & Mrs. Edgar D. Canada Dr. Bernard Lipinsky* John & Cindy Sorensen Garet & Wendy Clark Heather Manion Marje Spear Securing the future J. Dallas & Mary H. Clark Calvin Manning Nancy A. Spector through planned gifts. Patricia W. Crigler, Ph.D., Paul I. & Margaret W. Meyer & Alan R. Spector CAPT/USN/Ret. Judy & George Miller Eric Leighton Swenson Patricia & Donn DeMarce Steve Miller Anne C. Taubman Mrs. Philip H. Dickinson Dr. Robert W. Miner Marian Trevor Dr. & Mrs. Robert Epsten Laurie Dale Munday (Mrs. Walter M.)* Frank A. Frye, III Shirley Mulcahy Evelyn Mack Truitt Robert H. Gleason Stanley Nadel & Harvey & Jordine & Marc Matys Cecilia Carrick Von Wantoch Marcy Goldstone Arthur & Marilyn Neumann Sheryl & Harvey P. White Kathryn Crippen Hattox Craig Noel Mrs. Jack Galen Whitney David & Debbie Hawkins Greg & Polly Noel Julie Meier Wright Craig & Mary Hunter PACEM (Pacific Academy of Carolyn Yorston Barbara Iredale Ecclesiastical Music) *Deceased Bob Jacobs Mrs. Margaret F. Peninger Joseph E. Jessop Florence Borgeson Plunkert* For more information on J. Robert & Gladys H. King Dolly & Jim Poet The Craig Noel League, please contact Brad Ballard Marilyn Kneeland Dorothy Shorb Prough* at (619) 231-1941, x 2309.

Endowment The Old Globe has received Anonymous (2) National Endowment Gifts gifts, dedicated to John A. Berol for the Arts the endowment, from many Joe A. Callaway* Stephen Nielander & Supporting the theatre generous supporters over the Dr. David & Ava Carmichael Dominique Alessio in perpetuity. years. Just as past gifts to Maria Carrera Mrs. Margaret F. Peninger the endowment have helped J. Dallas & Mary H. Clark Florence Borgeson Plunkert* to create the theatre and In Memory of Lowell Davies Jessie W. Polinsky* educational programs of today, Morey & Jeanne Feldman Jeannie & Arthur Rivkin continued support of the and Family San Diego Trust and Savings endowment will ensure a The Globe Guilders Mr. & Mrs. Gene Trepte financially strong and artisti- Jim & Betty Hempstead *Deceased cally excellent Globe for Hollis Foundation tomorrow. Please join us in Mrs. Anna P. Lord For more information, thanking these very special Mission Valley please contact Brad Ballard donors for their far-sighted Community Foundation at (619) 231-1941, x 2309. support of The Old Globe.

PERFORMANCES MAGAZINE P21 A s s o c i a t e A r t i s t s OF THE OLD GLOBE

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as ASSOCIATE ARTISTS OF THE OLD GLOBE, the following who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of this theater.

Jack O’Brien, Artistic Director Louis G. Spisto, Executive Director Craig Noel, Artistic Director

William Anton Monique Fowler Tom Lacy Robert Morgan Don Sparks Jacqueline Brookes Ralph Funicello Diana Maddox Steve Rankin David Ogden Stiers Lewis Brown Lillian Garrett-Groag Dakin Matthews Marion Ross Conrad Susa Kandis Chappell Harry Groener Deborah May Steven Rubin Deborah Taylor George Deloy A.R. Gurney Katherine McGrath Ken Ruta Sada Thompson Tim Donoghue John McLain Douglas W. Schmidt Paxton Whitehead Richard Easton Mark Harelik Jonathan McMurtry Seret Scott James R. Winker Tovah Feldshuh Bob James Stephen Metcalfe David F. Segal Robert Wojewodski

PATRON INFORMATION

Ticket Services Restrooms & Telephones HOURS Restrooms are located in the lower lobby of the Old Globe Theatre and Monday / noon – 6:00 pm adjacent to the Festival Theatre; pay phones may be found in the lower Tuesday through Saturday / noon – 8:30 pm Globe lobby and next to the Gift Shop. Sunday / noon – 7:30 pm Closed Holidays Seating of Latecomers Although we understand parking is often at a premium, the seating of PHONE (619) 23-GLOBE or (619) 239-2255 latecomers is extremely disruptive. Latecomers may be given alternative FAX (619) 239-1037 seating and will be seated at an appropriate interval. Administration Young Children HOURS Children under 5 years of age will not be admitted to performances. Monday – Friday / 9:00 am – 5:00 pm PHONE (619) 231-1941 Electronic Devices & Cameras WEBSITE www.TheOldGlobe.org Use of recording devices and cameras is not permitted. If you are ADDRESS wearing a digital watch or pager, or if you are carrying a cellular phone, The Old Globe please silence it prior to entering the theater. P.O. Box 122171 San Diego, CA 92112-2171 Direct Ear™ Listening System For the convenience of the hearing impaired, the Direct Ear™ Listening Ordering Tickets / Change of Address System has been installed in the Old Globe Theatre. Lightweight head- The Old Globe accepts Visa, Discover, MasterCard , or American sets may be obtained from the house manager prior to performances. Express. Phone orders are subject to a $6.00 per order service charge. Direct Ear™ Listening System is provided courtesy of Sonus. Ticket exchanges are subject to a service charge. If you have moved, please notify the subscription office so records may be updated. Phone Public Tours (619) 235-2250 during business hours or mail your change of address Go behind the scenes at The Old Globe to learn about the history, to the subscription office. three stages, shops and crafts areas. Open tours: most Saturdays and Sundays at 10:30 a.m. Groups by reservation. $5 adults; $2 seniors and Unable to Attend? students. Phone (619) 231-1941 for information/reservations. If you find you are unable to use your tickets, please give them to a friend or turn them in to the Box Office and receive a tax credit for your donation.

P22 PERFORMANCES MAGAZINE DIRECTOR P r o f i l e s

Jack O’Brien Craig Noel Louis G. Spisto Artistic Director Artistic Director Executive Director Recent Globe productions include Imaginary Craig Noel was first appointed director in 1939, Louis G. Spisto was appointed Executive Friends, Twelfth Night, The Full Monty, The Seagull, The directing 15 productions prior to World War II, Director of The Old Globe in October 2002. He Magic Fire, How the Grinch Stole Christmas!, the Since then has directed more than 221 plays of has over twenty years experience managing some world premieres of Associate Artist A.R. Gurney’s all styles and periods, and produced more than of this country’s leading arts organizations, Labor Day and Tina Howe’s Pride’s Crossing, as well 365 (over 40 of which were directed by William where his track record for fiscal as well as artistic as Time and Again, The Doctor Is Out (Getting Away Roesch from 1961 through 1976) His vision for leadership has been highly praised. He returns to With Murder) by Stephen Sondheim and George the Globe during the past 60 years resulted in the Southern California arts community from Furth, plus productions of Henry IV, Much Ado the establishment of the Shakespeare Festival in his most recent position as Executive Director of About Nothing, Oleanna, Damn Yankees, , the late '40s, expansion to two theaters in the American Ballet Theatre in New York City. While Ghosts, , Uncle Vanya, and world premieres of '50s, Globe Educational Tours in the '70s and there, he increased ticket income and annual Terrence McNally’s Up in Saratoga, A.R. Gurney’s Teatro Meta in the '80s. Among recent directori- contributions for the organization by nearly 20 The Snow Ball and The Cocktail Hour, Tom Dulack’s al assignments were The Pavilion and Over the percent. He also tripled the Ballet’s touring Breaking Legs, Stephen Metcalfe’s Emily. else- River and Through the Woods. ELSEWHERE: dur- weeks and the resources devoted to education where: (Tony Award), The Invention of ing the 1940s, dialogue director, 20th Century and training programs. Prior to his position at Love (Tony nominations, best director and play), Fox Studios; former director, Ernie Pyle Theatre, the ABT, he served as the President of the Lincoln Center Theater, The Full Monty (Tony Tokyo. Honors include the Governor's Award for Symphony Orchestra, where he provided nominations, best director and musical), Eugene the Arts; the mayoral proclamation of “the Year fundraising leadership and creative direction for O’Neill Theatre; More to Love; Labor Day, of Craig Noel" (1987) in San Diego; inclusion in the orchestra’s $60 million renovation project, Manhattan Theatre Club; St. Louis Woman, City The San Diego Union's list of 25 persons who and helped dramatically increase ticket sales Center Encores!; Pride’s Crossing, The Little Foxes, shaped San Diego; 1985 Outstanding Alumnus while initiating several new series for the orches- Hapgood (Lucille Lortel Award for Direction, of the Year, SDSU; Honorary Doctor of Humane tra. Spisto established a reputation as a superb 1995), Lincoln Center; Damn Yankees (Tony nomi- Letters, University of San Diego; a combined arts executive here in California, where he spent nation, best musical revival) and Two tribute from the Public Arts Advisory Council over ten years as the Executive Director of the Shakespearean Actors (Tony nominations, best and San Diego County Board of Supervisors; the Pacific Symphony Orchestra in Orange County. director and play) on Broadway; Porgy and Bess for mayor's Living Treasure Award; Member, College During his tenure there, he tripled the orchestra’s Houston Grand Opera and Broadway (Tony of Fellows of the American Theatre. annual budget all while eliminating a prior Award), as well as Radio City Music Hall; The deficit and successfully completing the orches- Magic Flute, San Francisco Opera; Tosca, Santa Fe tra’s first endowment campaign. In addition, he Opera; Cosi fan Tutte and , Houston Grand established a series of innovative recording pro- Opera; The Most Happy Fella, Michigan Opera and jects with Sony Classical and oversaw many Broadway. TV: An Enemy of the People, All My Sons, I nationally-recognized commissioning projects. A Never Sang for My Father, Painting Churches, and The strong advocate of arts education, he built one of Skin of Our Teeth, all for PBS’ American Playhouse. the largest and most respected music training Recent awards: 2002 “Mr. Abbott” Award and outreach efforts. During his career, Spisto (SDCF), 2001 Joan Cullman Award for has also served as Director of Marketing for the Extraordinary Creativity, 2001 Joe A. Callaway Pittsburgh Symphony Orchestra and Director of Award (SDCF), the Drama League’s Hansen Operations and Development for the Performing Award for Excellence in Directing, 2001. Arts Center at UC Berkeley. He holds a Masters Member, College of Fellows of the American degree from the University of Wisconsin in Arts Theatre; Honorary Doctor of Humane Letters, Administration and a Bachelors of Business University of San Diego. Mr. O’Brien is the recip- Administration from the University of Notre ient of the Drama League’s Julia Hansen Award Dame, and spent many years acting, directing for Excellence in Directing, 2001. Member, and producing plays and musicals throughout College of Fellows of the American Theatre; his student days, as well as in professional sum- Honorary Doctor of Humane Letters, University mer theater. of San Diego.

PERFORMANCES MAGAZINE P23 THE OLD GLOBE S t a f f

Jack O’Brien Louis G. Spisto Craig Noel Artistic Director Executive Director Artistic Director Karen Carpenter Matt Aylsworth, David Properties Violanda Corona, Ismael MARKETING ASSOCIATE ARTISTIC Berzansky, Curt Carlsteen, Jim Neil A. Holmes Delgado, Humberto Elvira, Becky Biegelsen DIRECTOR Hopper, Thomas Ibbitson, PROPERTIES DIRECTOR David Gaspar, Roberto PUBLIC RELATIONS MANAGER Michael G. Murphy Rogelio Rosales M.H. Schrenkeisen Gonzalez, Margarita Meza, Frank Teplin GENERAL MANAGER CARPENTERS SHOP FOREMAN Jose Morales, Maria Rios AUDIENCE DEVELOPMENT Dave Henson Nick Fouch Rory Murphy BUILDING STAFF MANAGER DIRECTOR OF MARKETING CHARGE CARPENTER, CARTER LEAD CRAFTSMAN Jessica Brodkin AND COMMUNICATIONS Danny Griego Jennifer G. Brawn Gittings PROFESSIONAL MARKETING COORDINATOR Mark Somers CHARGE SCENIC ARTIST BUYER TRAINING Sandra Parde, Andrea Rhodes DIRECTOR OF FINANCE Edee Armand, Ken Scar Raphael Acosta, Ryan Buckalew, Llance Bower MARKETING ASSISTANTS Richard Seer ASSISTANT SCENIC ARTISTS Patricia Rutter, Kristin Steva PROGRAM COORDINATOR Joan Marcus, Craig Schwartz DIRECTOR OF J.W. Caldwell, Victoria Erbe, CRAFTSPERSONS Maria Carrera, Cynthia PRODUCTION PROFESSIONAL TRAINING Marcella Lucenti, Analisa Pat Cain Caywood,Patricia Conolly, PHOTOGRAPHERS Tombrello PROPERTY MASTER, GLOBE Gerhard Gessner, Jan Gist, SCENIC ARTISTS Marcus Polk Colleen Kelly, Fred Robinson, Ticket Services ARTISTIC PROPERTY MASTER, CARTER Terry Ross Shamayne Hakim Brendon Fox MFA FACULTY ASSOCIATE DIRECTOR Costumes Trevor Hay OF SALES ASSOCIATE DIRECTOR/ PROPERTY MASTER, FESTIVAL CASTING Stacy Sutton James Feinberg,Corey COSTUME DIRECTOR Tim Cole, Lisa Starace James Connelly Johnston, Robin Sanford ASSISTANT MANAGERS Lorraine Boyd PROPERTIES ASSISTANT EXECUTIVE ASSISTANT Charlotte Devaux Roberts, Chris Rynne RESIDENT DESIGN ASSISTANT MFA PRODUCTION STAFF Diana Sparta Diane Sinor LEAD TICKET SERVICES DRAMATURGY ASSOCIATE Jennifer Hanson Lighting REPRESENTATIVE ASSISTANT TO THE DIRECTOR Chris Rynne EDUCATION Deborah Dimery Raúl Moncada Shelly Williams INTERIM LIGHTING DIRECTOR Donna Marie Cory, ASSISTANT MANAGER, LITERARY ASSOCIATE DESIGN ASSISTANT, FESTIVAL Tonnie Ficken Patti Saraniero GROUP SALES Janet Hayatshahi Lucien Rose Anselmo MASTER ELECTRICIAN, DIRECTORS OF EDUCATION John Donlon LITERARY ASSISTANT DESIGN ASSISTANT/SHOPPER GLOBE Michael Smith GROUP SALES ASSISTANT Jan Gist K. Glee Brandon Jim Dodd REGISTRAR VOCAL COACH MASTER ELECTRICIAN, DYER/PAINTER CARTER Holly Ward Elisabeth Everhart Linda Black TOUR COORDINATOR VIP TICKET SERVICES Stage Management Kevin Liddell REPRESENTATIVE LEAD CRAFTSPERSON MASTER ELECTRICIAN, Carol Green D. Adams, Julie Baldauff, Leila Louise M. Herman, Gwen FESTIVAL SPEAKERS BUREAU Heather Bald, Drussillia Garcia, COORDINATOR Knox, Peter Van Dyke Dunham, Marsha Kuligowski, Randy Anetsky, Jason Bieber, Mame Gile, Ashleyrose Gilham, STAGE MANAGERS Chris Moad, Randal Sumabat Charlotte Greenblatt, Fred Holt, David Fenner, Patrick Merilee Kunkle, Mary Jan Lindsay Byrne, Tracy Skoczelas DRAPERS Josh Klem, Andy Lowe, Megan McBride, Jonathan McMurtry, Livensparger, Nikki Maack, Jean ASSISTANT STAGE MANAGER Gloria Bradford, Su Lin Chen, Lujan, Miranda Mikesh,Leah John Tessmer, Tony Ward McKissick, Raúl Moncada, Anne Glidden Grace, Dr. John Warriner Paul Ortiz, Saleena Shaw, Nelman, Travis Richardson, TEACHING ARTISTS PRODUCTION Susan Sachs, Sasha Rieker Stephen Schmitz, Mira Suddarth, Brittany Summers, Lora Tange, Robert Drake ASSISTANT CUTTERS Laurel Withers Brennan Taylor, Erica Zeckser TICKET SERVICES STAFF DIRECTOR OF PRODUCTION Mary Miller ELECTRICIANS FINANCE Debra Pratt Ballard COSTUME ASSISTANT Rita Edenfield ASSOCIATE DIRECTOR ACCOUNTING SUPERVISOR PATRON SERVICES OF PRODUCTION Nunzia Pecoraro Sound ASSITANT CUTTER/STITCHER Jose Cortez Mike Callaway Paul Peterson THEATRE MANAGER Ellen Dieter Babs Behling, Mariah Bowers, SOUND DIRECTOR ACCOUNTING ASSISTANT COMPANY MANAGER Diane Jenkins Jay Maness, Rick Page Rachel Hill, Erin Pearson, Erik Carstensen HOUSE MANAGERS Jan Burgoyne MASTER SOUND ACCOUNTING ASSISTANT PRODUCTION COORDINATOR Margo Selensky, Maureen Latour, Samya Serougi, Georgia Veale, TECHNICIAN, GLOBE Lynn Dougherty Merlin D. “Tommy” Thompson Amy Bristol Chris Judd RECEPTIONIST PATRON SERVICES PRODUCTION INTERN Sarah Wiley REPRESENTATIVE STITCHERS MASTER SOUND TECHNICIAN, CARTER Dana Juhl Becky Hanson, Becke Shulman, DEVELOPMENT Technical Jeremy Nelson Robert Ford FOOD & BEVERAGE MANAGER Vanessa Dragoo MASTER SOUND Benjamin Thoron CRAFTS ARTISANS TECHNICIAN, FESTIVAL ASSOCIATE DIRECTOR, Robert Byrd, Roland Roberge, TECHNICAL DIRECTOR FOUNDATIONS & GOVERNMENT Nicola Roberts, Felicia Tobias Molly O’Connor Caren Heintzelman Liz Eisele MIC RUNNER, FESTIVAL Brad Ballard PUB STAFF ACTING ASSISTANT TECHNICAL WIG & MAKEUP SUPERVISOR ASSOCIATE DIRECTOR, Patrick Seick Megan Sullivan DIRECTOR Kathleen Kurz MAJOR & PLANNED GIFTS FRONT OF HOUSE ASSISTANT ASSISTANT TO WIG & MAKEUP INTERN Amanda Stephens SUPERVISOR Chris Graham Katie Chadwick, RESIDENT DESIGN ASSISTANT ASSOCIATE DIRECTOR, Karen Batul ADMINISTRATION CORPORATIONS Rose Espiritu, Joe Kocurek Wendy Stymerski WIG ASSISTANT GIFT SHOP SUPERVISORS DRAFTSPERSON June Andujar Diane Addis Beverly Boyd EXECUTIVE ASSISTANT MEMBERSHIP Security/Parking Services Matt McKinney HEAD DRESSER ADMINISTRATOR Rachel “Beahr” Garcia INTERN Information Technology S. Alexis Stein SECURITY/PARKING Lisa Wylie SERVICES SUPERVISOR Rusty Jolgren RUNNING CREW EVENTS MANAGER SHOP FOREMAN/ Dean Yager MASTER CARPENTER INFORMATION TECHNOLOGY Ed Byrd, Irene Herrig, Rebecca Morgan MANAGER DRESSER, GLOBE Donor Services Brandi Mahan Bob Dougherty SECURITY OFFICERS MASTER CARPENTER, ThadSteffen Stephen Serieka Angela Miller INFORMATION TECHNOLOGY FESTIVAL THEATRE CREW CHIEF, CARTER DEVELOPMENT ASSOCIATE Roberto Almaquer, Sherisa ASSISTANT Elisin, Deborah Elliot, Jane Jim Masacek Allison Pakladowski James Ferguson, Rose FLYMAN, STAGE CARPENTER, DRESSER, CARTER Jenny Kazan-Mills Southall, Brett Young Geren, Mark Zedaker GLOBE HUMAN RESOURCES PARKING ATTENDANTS Michael Dondanville ASSOCIATE SUITE CONCIERGES Jeremiah Aldrich-Lutz, CREW CHIEF, FESTIVAL Rose Southall, Kevin Tom, Stephen Aldrich-Lutz, Maintenance Traci Van Wyk, Karen Birdsell, Brett Young Forrest Aylsworth, Sean La Motte V.I.P. VALET ATTENDANTS Kristen Sauter, Tim Hooper BUILDING MANAGER DRESSERS, FESTIVAL Angela Land P24 PERFORMANCES MAGAZINE RENTAL ASSISTANT PERFORMANCES MAGAZINE P24