Boston Symphony Orchestra Concert Programs, Summer, 2002

Total Page:16

File Type:pdf, Size:1020Kb

Boston Symphony Orchestra Concert Programs, Summer, 2002 BOSTON SYMPHONY ORCHESTRA 2002 season " ''**/ v % f-iw ''*":'*' ..V „*''.< .. 4& ^ - V » •' '>' ' irf , J ^ v:>? . 5 •^t - I ORIGINS GflUCRV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01 262 . Every car has its moment. This one has thousands per second. iiflH Sillfll! The new 3 Series. Pure drive, The New ^KS*. BMW 3 Series /gPr^E^ From $27,745* \jf Test drive The Ultimate Driving Machine^ bmwusa.com The Ultimate at your authorized BMW center 1-800-334-4BMW Driving Machine* . For all there is to see and do in city after city, after city, after city. Britain is brimming with the finest theatre, art, music, entertainment, dining, shopping and more, in city after city. So is our UK City Experience Guide. It's rich with information about the incredible range of all there is to see and do in the cities of Britain. From living it up in Liverpool, to immersing yourself in drama in Bath. For your free copy of the UK City Experience Guide call 1-800-205-9846, visit us on the web at www. travelbritain.org/cityculture. BRITISH TOURIST AUTHORITY BOSTON SYMPHONY ORCHESTRA One Hundred and Twenty-First Season, 2001-02 TANGLEWOOD 2002 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Deborah Davis Berman, Vice-Chairman Vincent M. O'Reilly, Treasurer Julian Cohen, Vice-Chairman Ray Stata, Vice-Chairman Nina L. Doggett, Vice-Chairman Harlan E. Anderson Charles K. Gifford Ed Linde Edward I. Rudman Gabriella Beranek Avram J. Goldberg Richard P. Morse Hannah H. Schneider Jan Brett Thelma E. Goldberg Mrs. Robert B. Newman Roger T. Servison Paul Buttenwieser Julian T. Houston Robert P. O'Block Thomas G. Sternberg James F. Cleary Edna S. Kalman Peter C. Read Stephen R. Weiner John F. Cogan, Jr. George Krupp Donna Riccardi, Dr. Nicholas T. Zervas ex-officio Nancy J. Fitzpatrick R. Willis Leith, Jr. Life Trustees Vernon R. Alden Mrs. Edith L. Dabney George H. Kidder Mrs. George Lee David B.Arnold, Jr. Nelson J. Darling, Jr. Harvey Chet Krentzman Sargent J.P. Barger Archie C. Epps Mrs. August R. Meyer Richard A. Smith Leo L. Beranek Mrs. John H. Fitzpatrick William J. Poorvu John Hoyt Stookey Jane C. Bradley Dean W. Freed Irving W. Rabb John L. Thorndike Abram T. Collier Mrs. George I. Kaplan Other Officers of the Corporation Thomas D. May and John Ex Rodgers, Assistant Treasurers Suzanne Page, Clerk ofthe Board Board of Overseers of the Boston Symphony Orchestra, Inc. Diddy Cullinane, Chair Helaine B. Allen Jane C. Edmonds Steven E. Karol Patrick J. Purcell Joel B. Alvord William R. Elfers Douglas A. Kingsley Carol Reich Marjorie Arons-Barron George M. Elvin Robert Kleinberg Alan Rottenberg Caroline Dwight Bain John P. Eustis II David I. Kosowsky Michael Ruettgers George D. Behrakis Pamela D. Everhart Dr. Arthur R. Kravitz Arthur I. Segel George W. Berry Judith Moss Feingold Mrs. William D. Ross E. Sherbrooke Larkin, Mark G. Borden J. Richard Fennell Jr. L. Scott Singleton Alan Bressler Lawrence K. Fish Robert J. Lepofsky Gilda Slifka Robin A. Brown Myrna H. Freedman Alexander M. Levine Mrs. Micho Spring Samuel B. Bruskin A. Alan Friedberg Christopher J. Lindop Charles A. Stakeley William Burgin Dr. Arthur Gelb Shari Loessberg Jacquelynne M. Dr. Edmund B. Cabot Mrs. Kenneth J. Edwin N. London Stepanian Rena F. Clarke Germeshausen Diane H. Lupean Samuel Thorne Mrs. James C. Collias Robert P. Gittens John A. MacLeod II Bill Van Faasen Eric D. Collins Michael Halperson Carmine Martignetti Loet A. Velmans Ranny Cooper John P. Hamill Joseph B. Martin, M.D. Paul M. Verrochi Martha H.W. Ellen T. Harris Robert J. Mayer, M.D. Larry Weber Crowninshield Deborah M. Hauser Barbara E. Maze Stephen R. Weber Joan P. Curhan Carol Henderson Thomas McCann Robert S. Weil Robert W. Daly Anne C. Hodsdon Patricia McGovern James Westra Tamara P. Davis Phyllis S. Hubbard Joseph C. McNay Mrs. Joan D. Wheeler Mrs. Miguel de Braganca F Donald Hudson Dr. Martin C. Mihm, Jr. Reginald H. White Disque Deane Roger Hunt Molly Beals Millman Margaret Williams- Betsy P. Demirjian Ernest Jacquet Robert T.O'Connell DeCelles Paul F. Deninger Mrs. Robert M. Jaffe Norio Ohga Robin Wilson JoAnne Walton Charles H. Jenkins, Jr. Louis F Orsatti Robert Winters Dickinson Michael Joyce May H. Pierce Kathryn A. Wong Harry Ellis Dickson Martin S. Kaplan Dr. Tina Young Poussaint Richard Wurtman, Francis A. Doyle William M. Karlyn Millard H. Pryor, Jr. M.D. Overseers Emeriti Sandra Bakalar Jordan Golding Benjamin H. Lacy Mrs. Peter van S. Rice William M. Bulger Mark R. Goldweitz Hart D. Leavitt John Ex Rodgers Mrs. Levin H. Mrs. Haskell R. Gordon Laurence Lesser Mrs. Jerome Rosenfeld Campbell Susan D. Hall Frederick H. Roger A. Saunders Earle M. Chiles Mrs. Richard D. Hill Lovejoy, Jr. Lynda Anne Schubert Johns H. Congdon Glen H. Hiner Mrs. Charles P. Lyman Francis P. Sears, Jr. Phyllis Curtin Marilyn Brachman Mrs. Harry L. Marks Mrs. Carl Shapiro Phyllis Dohanian Hoffman C. Charles Marran Mrs. Arthur I. Strang Goetz B. Eaton Lola Jaffe Nathan R. Miller Robert A. Wells Harriett Eckstein H. Eugene Jones Hanae Mori Mrs. Thomas H. P. Edward Eskandarian Leonard Kaplan Mrs. Hiroshi H. Whitney Peter H.B. Mrs. S. Charles Kasdon Nishino Mrs. Donald B. Wilson Frelinghuysen Perkins Richard L. Kaye John A. Mrs. John J. Wilson Mrs. Thomas Mrs. Gordon F. David R. Pokross Galligan, Jr. Kingsley Daphne Brooks Prout Mrs. James Garivaltis Robert K. Kraft Robert E. Remis Business Leadership Association Board of Directors Charles K. Gifford, Chairman Leo L. Beranek, James F. Cleary, and Michael J. Joyce, President Harvey Chet Krentzman, Chairmen Emeriti Robin A. Brown John P. Hamill Thomas J. May Roger T. Servison Michael J. Costello Ernest K. Jacquet J. Kent McHose Malcolm L. Sherman Robert W. Daly Steven E. Karol Joseph C. McNay Ray Stata Francis A. Doyle Edmund F. Kelly Louis F. Orsatti William C. Van Faasen William R. Elfers Christopher J. Lindop Patrick J. Purcell Paul M. Verrochi Lawrence K. Fish Carmine A. Martignetti Lynda A. Schubert Lawrence Weber Ex-Officio Peter A. Brooke • Diddy Cullinane • Nicholas T. Zervas Officers of the Boston Symphony Association of Volunteers Donna Riccardi, President Melvin R. Bleiberg, Executive Vice-President/ Audley Fuller, Executive Vice-President/ Tang/ewood Administration Olga Turcotte, Secretary Ann Philbin, Executive Vice-President/ William A. Along, Treasurer Fundraising Barbara Steincr, Nominating Committee Chairman Joyce Anagnos, Symphony Dorothyann M. Callahan, Lisa Mafrici, Special Projects Shop Staffing Membership Ellen Mayo, Public Relations Judy Barr, Hall Services Howard Cutler, Resource Barbara Roller, Education and Development Outreach Administration Mark Volpe, Managing Director Eunice andJulian Cohen Managing Directorship, fullyfunded in perpetuity Tony Beadle, Manager, Boston Pops Kim Noltemy, Director ofSales and J. Carey Bloomfield, Director ofDevelopment Marketing Anthony Fogg, Artistic Administrator Caroline Smedvig Taylor, Senior Advisor Marion Gardner- S axe, Director ofHuman Resources to the Managing Director Director Music Center Ellen Highstein, ofTanglewood Ray F. Wellbaum, Orchestra Manager Thomas D. May, Director ofFinance and Business Affairs ADMINISTRATIVE STAFF/ARTISTIC Karen Leopardi, Artist Assistant/Secretary to the Music Director • Vincenzo Natale, Chauffeur/Valet • Suzanne Page, Assistant to the Managing Director/Manager ofBoardAdministration • Alexander Steinbeis, Artistic Administration Coordinator ADMINISTRATIVE STAFF/ PRODUCTION Christopher W. Ruigomez, Operations Manager Felicia A. Burrey, Chorus Manager • John Demick, Senior Stage Technician • Keith Elder, Production Coordinator • Julie Giattina, Assistant Chorus Manager • Stephanie Kluter, Assistant to the Orchestra Manager • Jake Moerschel, Ozawa Hall Stage Manager • Mark C. Rawson, Stage Technician • Timothy Tsukamoto, Orchestra Personnel Coordinator BOSTON POPS Dennis Alves, Director ofProgramming Jana Gimenez, Operations Manager • Sheri Goldstein, Personal Assistant to the Conductor • Julie Knippa, Administration Coordinator • Margo Saulnier, Artistic Coordinator BUSINESS OFFICE Sarah J. Harrington, Director ofPlanning and Budgeting Pam Wells, Controller Lamees Al-Noman, Cash Accountant • Shira Beckerman, Budget Assistant • Yaneris Briggs, Accounts Payable Supervisor • Michelle Green, Executive Assistant to the Director ofFinance and Business Affairs • Y Georges Minyayluk, Senior Investment Accountant • Pam Netherwood, Assistant Manager, Symphony Shop • John O'Callaghan, Payroll Accountant • Mary Park, Budget Analyst • Harriet Prout, Accounting Mana- ger • Taunia Soderquist, Assistant Payroll Accountant/Accounting Clerk • Teresa Wang, StaffAccountant DEVELOPMENT Alyson Bristol, Director of Corporate Sponsorships Judi Taylor Cantor, Director ofIndividual and Planned Giving Sally Dale, Director ofStewardship and Development Administration Deborah Hersey, Director ofDevelopment Services and Technology Jo Frances Kaplan, Director ofInstitutional Giving Tracy Wilson, Director ofTanglewood Community Relations and Development Liaison Tahli Adler, Program Coordinatorfor Corporate Sponsorships • Howard L. Breslau, Senior Major Gifts Offi- cer • Diane Cataudella, Manager ofStewardship Programs • Rebecca R. Crawford, Director ofDevelopment Communications "Joanna Drake, Coordinator, Tanglewood Annual Funds • Elizabeth Drolet, Senior Major Gifts Officer • Adrienne Ericsson, Grants Coordinator • Sandy Eyre, Manager,
Recommended publications
  • Press Release
    BoHo Theatre 2437 W Farragut Ave #3B, Chicago, IL 60625 773-791-2393 www.BoHoTheatre.com FOR IMMEDIATE RELEASE CONTACT: Peter Blair, Executive Director March 4, 2011 Ph. 860-833-1107 (not for publication) [email protected] BOHO THEATRE FINDS BEAUTY WITH DIRTY BLONDE CHICAGO—BoHo Theatre presents Claudia Shear’s Dirty Blonde, a multilayered exploration of American entertainment icon Mae West as seen through the eyes of a pair of disaffected present-day fans, running April 1 through May 1, 2011 at Theater Wit, 1229 W Belmont Avenue. Dirty Blonde is directed by BoHo Artistic Advisor Stephen Genovese. “I made myself platinum, but I was born a dirty blonde.” –Mae West Claudia Shear’s hilarious and touching play weaves together the rise and fall of Mae West, the legendary star of stage and screen, with the awkward romance of Jo and Charlie, two Mae West fanatics in present- day New York. The brash and outspoken Jo is an aspiring actress stuck in a cycle of temp jobs while Charlie, a meek and introspective soul, works in the film archives of the New York public library. Though seemingly polar opposites, both are striving for something they see in Mae—a confidence and finesse that made her into the extravagant, sexy, taboo-breaking public persona that was the hallmark of her fame. But Mae sacrificed much to maintain her public image. What are Charlie and Jo willing to sacrifice to become like her? Directed by Jeff Award-winning director Stephen Genovese (Sideshow, The Glorious Ones, I Am My Own Wife (co-director)), the production features three versatile and talented performers who sing, dance, and play dozens of characters.
    [Show full text]
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • ARSC Journal
    A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers.
    [Show full text]
  • Songs by Artist
    Sunfly (All) Songs by Artist Karaoke Shack Song Books Title DiscID Title DiscID (Comic Relief) Vanessa Jenkins & Bryn West & Sir Tom Jones & 3OH!3 Robin Gibb Don't Trust Me SFKK033-10 (Barry) Islands In The Stream SF278-16 3OH!3 & Katy Perry £1 Fish Man Starstrukk SF286-11 One Pound Fish SF12476 Starstrukk SFKK038-10 10cc 3OH!3 & Kesha Dreadlock Holiday SF023-12 My First Kiss SFKK046-03 Dreadlock Holiday SFHT004-12 3SL I'm Mandy SF079-03 Take It Easy SF191-09 I'm Not In Love SF001-09 3T I'm Not In Love SFD701-6-05 Anything FLY032-07 Rubber Bullets SF071-01 Anything SF049-02 Things We Do For Love, The SFMW832-11 3T & Michael Jackson Wall Street Shuffle SFMW814-01 Why SF080-11 1910 Fruitgum Company 3T (Wvocal) Simon Says SF028-10 Anything FLY032-15 Simon Says SFG047-10 4 Non Blondes 1927 What's Up SF005-08 Compulsory Hero SFDU03-03 What's Up SFD901-3-14 Compulsory Hero SFHH02-05-10 What's Up SFHH02-09-15 If I Could SFDU09-11 What's Up SFHT006-04 That's When I Think Of You SFID009-04 411, The 1975, The Dumb SF221-12 Chocolate SF326-13 On My Knees SF219-04 City, The SF329-16 Teardrops SF225-06 Love Me SF358-13 5 Seconds Of Summer Robbers SF341-12 Amnesia SF342-12 Somebody Else SF367-13 Don't Stop SF340-17 Sound, The SF361-08 Girls Talk Boys SF366-16 TOOTIMETOOTIMETOOTIME SF390-09 Good Girls SF345-07 UGH SF360-09 She Looks So Perfect SF338-05 2 Eivissa She's Kinda Hot SF355-04 Oh La La La SF114-10 Youngblood SF388-08 2 Unlimited 50 Cent No Limit FLY027-05 Candy Shop SF230-10 No Limit SF006-05 Candy Shop SFKK002-09 No Limit SFD901-3-11 In Da
    [Show full text]
  • Daily Iowan (Iowa City, Iowa), 1969-12-06
    oil Seroirt~ the Uni"efsily of luwo Q/I{i the PeoplB of IOIJ)(J CiLl} Eslablishecf in JUGa 10 cenls 8 copy Associaled Press ),eased Wire and Wirepll(lto Jowa City. Iowa 5~turda)', December e, III6t Civili'ans Join My Lai Probe WASHINGTON IA'I - Two Ne\~ York Maj . Kenneth A. Raby, the young lieute· that there was no basis for disciplining ent Americal Division but went DO hi_ lawyers were assigned Friday to an nant was hustled into the Pentagon and any U.S. soldiers. in the chain of command. Army probe of investigative aspects of down to the Army's secret operatlons That conclusion, according to the Pen· Resor said MacCrate, 48, will be spIO I the alleged My Lai massacre, while the tagon, was reviewed by the unit's par- ial counsel to the Peers Inquiry. only man charged in the case underwent center shortly after noon. Pmtag<ln questioning. Newsmen tried to <l sk Calley questions, ~'irst Lt. William L. Calley Jr ., ac- bllt he lookpd straight ahead and said I cuoed of murdering 109 Vietnamese civ­ nothing. ilians, arrived tight·· lipped at the Penta­ Calley WilS luder of • plaloon Ihll Black Committee gon , where the Army hearing is being went into My Lai as part of I com piny 'st . a held . commanded by Capt. Ernelt Medinl. 1 The Army panel Is seoki ng to learn Medina told reporters Thursday he ne­ sl1 i,. t/ whether field oftic;ers tried to cover up Iny mass killings in their inilial invesli . ither ordered a massacre nor saw or To Be Appoi nted heard of one.
    [Show full text]
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • Richard Lert Papers 0210
    http://oac.cdlib.org/findaid/ark:/13030/kt638nf3ww No online items Finding Aid of the Richard Lert papers 0210 Finding aid prepared by Rebecca Hirsch The processing of this collection and the creation of this finding aid was funded by the generous support of the National Historic Publications and Records Commission. USC Libraries Special Collections Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California, 90089-0189 213-740-5900 [email protected] June 2010 Finding Aid of the Richard Lert 0210 1 papers 0210 Title: Richard Lert papers Collection number: 0210 Contributing Institution: USC Libraries Special Collections Language of Material: English Physical Description: 58.51 Linear feet70 boxes Date (inclusive): 1900-1981 Abstract: This collection consists of Richard Lert's video and audio recordings of performances, rehearsals and lectures, personal papers and his music score library. Lert was born in Vienna and trained as an orchestral conductor in Germany. He moved to the United States in 1932 with his family and was the conductor of the Pasadena Symphony Orchestra from 1932 until his retirement in 1972. creator: Lert, Richard, 1885-1980 Biographical Note Richard Lert was born September 19, 1885, in Vienna, Austria. He trained as an orchestral conductor under Arthur Nikisch and began his career in Darmstadt, Germany, where he met and married his wife, Vicki Baum, in 1916. They had two sons. Lert held posts in Frankfurt, Kiel and Hannover before becoming the music director of the Berlin National Opera. Lert and his family moved to Los Angeles in 1932, where he became the music director of the Pasadena Symphony Orchestra.
    [Show full text]
  • Navigating, Coping & Cashing In
    The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1961-1962
    BOSTON SYMPHONY ORCHESTRA. CHARLES MUNCH _* C^ivtk Dirtcier ttr THEATRE-CONCERT HALL — TANGLEWOOD Monday and Tuesday Evenings, August 7 and 8, 1961 The Opera Department and the Orchestra of the BERKSHIRE MUSIC CENTER PRESENT KING THEODORE IN VENICE (II Re Teodoro in Venezia) Opera in two acts and seven scenes Music by Giovanni Paisiello Libretto by Giambattista Casti English version by Arthur Schoep and Boris Goldovsky Conducted by Maurits Sillem Staged by . Boris Goldovsky and Arthur Schoep Settings & Lighting by ... Aristides Gazetas Costumes by Leo Van Witsen lillllllllllllllllllllllllllillllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllillllllllllllllllllllllllllllllllllllllll NOTE ON THE TANGLEWOOD PRODUCTION In the present production (which is very likely the first in the western hemisphere) all the orchestrally accompanied numbers will be heard in the original form and in the order given in Paisiello's original manuscript, a microfilm of which could fortunately be obtained from the composer's native city of Naples. The only major change is the substitution of spoken dialogue for the secco recitatives of the original version. The uninspired sequence of harmonies in these recitatives creates a strong suspicion that these sections of the score had been entrusted to one of Paisiello's pupils, a common practice in the eighteenth century when composers were expected to fashion full-length works on extremely short notice. Paisiello's score has many features of extraordinary interest. Especially remarkable are the two extended finales, the one to the first act being a worthy precursor of the great second-act finale of Mozart's The Marriage of Figaro. In this connection it is worth mentioning that Mozart was present at the first performance of King Theodore in Venice in Vienna and was obviously greatly impressed by the work.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 2009
    SUMMER 2009 • . BOSTON SYMPHONY ORCHESTRA JAMES LEVINE MUSIC DIRECTOR DALECHIHULY HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE 3 Elm Street, Stockbridge 413 -298-3044 www.holstengaIleries.com Olive Brown and Coral Pink Persian Set * for a Changing World They're Preparing to Change the 'I'Mi P i MISS HALL'S SCHOOL what girls have in mind 492 Holmes Road, Pittsfield, Massachusetts 01201 (413)499-1300 www.misshalls.org • e-mail: [email protected] m Final Weeks! TITIAN, TINTORETTO, VERONESE RIVALS IN RENAISSANCE VENICE " "Hot is the WOrdfor this show. —The New York Times Museum of Fine Arts, Boston March 15-August 16, 2009 Tickets: 800-440-6975 or www.mfa.ore BOSTON The exhibition is organized the Museum by The exhibition is PIONEER of Fine Arts, Boston and the Musee du sponsored £UniCredit Group by Investments* Louvre, and is supported by an indemnity from the Federal Council on the Arts and Titian, Venus with a Mirror (detail), about 1555. Oil on canvas. National Gallery of Art, Washington, Andrew the Humanities. W. Mellon Collection 1 937.1 .34. Image courtesy of the Board of Trustees, National Gallery of Art, Washington. James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 128th season, 2008-2009 Trustees of the Boston Symphony Orchestra, Inc. Edward H. Linde, Chairman • Diddy Cullinane, Vice-Chairman • Robert P. O'Block, Vice-Chairman Stephen Kay, Vice-Chairman • Roger T. Servison, Vice-Chairman • Edmund Kelly, Vice-Chairman • Vincent M. O'Reilly, Treasurer • George D. Behrakis • Mark G. Borden • Alan Bressler • Jan Brett • Samuel B. Bruskin • Paul Buttenwieser • Eric D.
    [Show full text]
  • THROUGH LIFE and LOVE Richard Strauss
    THROUGH LIFE AND LOVE Richard Strauss Louise Alder soprano Joseph Middleton piano Richard Strauss (1864-1949) THROUGH LIFE AND LOVE Youth: Das Mädchen 1 Nichts 1.40 Motherhood: Mutterschaft 2 Leises Lied 3.13 16 Muttertänderlei 2.27 3 Ständchen 2.42 17 Meinem Kinde 2.52 4 Schlagende Herzen 2.29 5 Heimliche Aufforderung 3.16 Loss: Verlust 18 Die Nacht 3.02 Longing: Sehnsucht 19 Befreit 4.54 6 Sehnsucht 4.27 20 Ruhe, meine Seele! 3.54 7 Waldseligkeit 2.54 8 Ach was Kummer, Qual und Schmerzen 2.04 Release: Befreiung 9 Breit’ über mein Haupt 1.47 21 Zueignung 1.49 Passions: Leidenschaft 22 Weihnachtsgefühl 2.26 10 Wie sollten wir geheim sie halten 1.54 23 Allerseelen 3.22 11 Das Rosenband 3.15 12 Ich schwebe 2.03 Total time 64.48 Partnership: Liebe Louise Alder soprano 13 Nachtgang 3.01 Joseph Middleton piano 14 Einerlei 2.53 15 Rote Rosen 2.19 2 Singing Strauss Coming from a household filled with lush baroque music as a child, I found Strauss a little later in my musical journey and vividly remember how hard I fell in love with a recording of Elisabeth Schwarzkopf singing Vier Letze Lieder, aged about 16. I couldn’t believe from the beginning of the first song it could possibly get any more ecstatic and full of emotion, and yet it did. It was a short step from there to Strauss opera for me, and with the birth of YouTube I sat until the early hours of many a morning in my tiny room at Edinburgh University, listening to, watching and obsessing over Der Rosenkavalier’s final trio and presentation of the rose.
    [Show full text]
  • Société De Musique La Chaux-De-Fonds
    SOCIÉTÉ DE MUSIQUE LA CHAUX-DE-FONDS du 3 octobre au 9 mai Dossier de presse www.musiquecdf.ch Créer lʼévénement : un défi permanent Replacer la ville parmi les centres musicaux de première importance en Suisse et en Europe, voilà la tâche à laquelle nous nous attelons, avec succès, depuis trois ans. La Société de Musique de La Chaux-de-Fonds est entrée dans sa 121ème année ! Malgré cet héritage impressionnant, chaque saison représente un nouveau défi ! Nous avons le sentiment de lʼavoir à nouveau relevé en ce qui concerne la cuvée 2013-2014. Deux de nos meilleurs atouts : lʼexcellente acoustique de la Salle de musique de La Chaux-de-Fonds et des invités sélectionnés avec une grande exigence : une exigence remarquée et appréciée, qui a convaincu Espace 2 dʼenregistrer, lors de la prochaine saison, sept concerts sur les onze que compte la GRANDE SERIE. Une exigence à ne pas confondre avec « élitisme ». Dʼune part, nous mettons sur pied chaque saison la SERIE PARALLELES, héritage des anciennes Heures de Musique : lʼoccasion dʼinviter, dans de plus petites salles, de jeunes interprètes prometteurs, des musiciens de notre région, ou encore de proposer une programmation différente. Dʼautre part, la Société de Musique de La Chaux-de-Fonds souhaite faire cohabiter une qualité sans compromis avec des prix accessibles (en comparaison de la plupart des séries de concerts de ce niveau en Suisse). Ainsi, un membre de la Société de Musique peut assister à nʼimporte lequel de nos concerts à partir de 25.-, un non membre à partir de 30.- et les étudiants et moins de 16 ans pour le prix de 10.-.
    [Show full text]