Playbill: Tuck Everlasting
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Press Release
BoHo Theatre 2437 W Farragut Ave #3B, Chicago, IL 60625 773-791-2393 www.BoHoTheatre.com FOR IMMEDIATE RELEASE CONTACT: Peter Blair, Executive Director March 4, 2011 Ph. 860-833-1107 (not for publication) [email protected] BOHO THEATRE FINDS BEAUTY WITH DIRTY BLONDE CHICAGO—BoHo Theatre presents Claudia Shear’s Dirty Blonde, a multilayered exploration of American entertainment icon Mae West as seen through the eyes of a pair of disaffected present-day fans, running April 1 through May 1, 2011 at Theater Wit, 1229 W Belmont Avenue. Dirty Blonde is directed by BoHo Artistic Advisor Stephen Genovese. “I made myself platinum, but I was born a dirty blonde.” –Mae West Claudia Shear’s hilarious and touching play weaves together the rise and fall of Mae West, the legendary star of stage and screen, with the awkward romance of Jo and Charlie, two Mae West fanatics in present- day New York. The brash and outspoken Jo is an aspiring actress stuck in a cycle of temp jobs while Charlie, a meek and introspective soul, works in the film archives of the New York public library. Though seemingly polar opposites, both are striving for something they see in Mae—a confidence and finesse that made her into the extravagant, sexy, taboo-breaking public persona that was the hallmark of her fame. But Mae sacrificed much to maintain her public image. What are Charlie and Jo willing to sacrifice to become like her? Directed by Jeff Award-winning director Stephen Genovese (Sideshow, The Glorious Ones, I Am My Own Wife (co-director)), the production features three versatile and talented performers who sing, dance, and play dozens of characters. -
Better Nate Than Ever Free
FREE BETTER NATE THAN EVER PDF Tim Federle | 296 pages | 21 Feb 2014 | SIMON & SCHUSTER | 9781442446915 | English | New York, United States Book for Kids Raises Eyebrows Over Young Gay Character | HuffPost The plot centers on Nate Foster, a year-old musical theater Better Nate Than Ever who runs away from his Pennsylvania home to audition for "E. Upon his arrival in Big Apple, Nate meets the colorful denizens of Manhattan's theater world -- from child prodigies to rigid casting directors and ultra-conniving stage mothers -- but he never looks back on his dreams of Broadway glory. Check out Tim Federle's 10 Nate inspirations in the slideshow below, then scroll down to keep reading:. Despite its hero's whimsical journey, Federle's literary debut has a more realistic core than "Pitch Perfect," with twice the heart of a weekly "Glee" episode. To be fair, Nate's New York mishaps would be entertaining enough in their own right, but Federle adds depth and texture by exploring his pudgy protagonist's checkered family relationships and encounters with bullying. Theatrical authenticity is present in no short supply throughout the book, too; Nate substitutes the titles of Broadway flops like "Carrie" and "Dance of the Vampires" for curse words in chats with his gal pal Libby, Better Nate Than Ever his Aunt Heidi a character, Federle reveals, who was partly inspired by his "Little Mermaid" co-star Heidi Blickenstaff serves as his eventual Better Nate Than Ever Mame. Though Federle shares his passion for theater and a mid-Atlantic upbringing with his teen protagonist, he said Better Nate Than Ever is altogether more of an aspirational than autobiographical work. -
Better Nate Than Ever by Tim Federle
Better Nate Than Ever by Tim Federle An eighth-grader who dreams of performing in a Broadway musical concocts a plan to run away to New York and audition for the role of Elliot in the musical version of "E.T." Why you'll like it: Hilarious. Insightful. Heartfelt. About the Author: Tim Federle is "a prolific scribe whose breezy wit isn't bound to a single genre" (Huffington Post). Tim's award-winning novels include The New York Times Notable Books The Great American Whatever and the Nate series. Tim co-wrote both the Tony-nominated Broadway musical Tuck Everlasting, and the Golden Globe and Oscar-nominated Best Animated Feature Ferdinand, starring John Cena and Kate McKinnon. A native of San Francisco who grew up in Pittsburgh, Tim now divides his time between New York and the internet (@TimFederle). Questions for Discussion 1. As the novel begins, readers meet Nate and Libby in the Fosters’ backyard. After reading this first chapter, list at least three worries Nate has about his upcoming adventure to New York. Also, list at least three concerns Nate has about how life is going in Jankburg. 2. Nate and Libby use a kind of shorthand in their conversations by referring to Broadway shows and song lyrics. Can you think of any shared experiences that you and your friends or family use to communicate in a special way? Explain your answer. 3. Throughout his stay in New York City, Nate finds himself delighted by the diversity and open-mindedness of its citizens. Give at least for specific examples of this delight that makes Nate love the city more and more. -
The First Critical Assessments of a Streetcar Named Desire: the Streetcar Tryouts and the Reviewers
FALL 1991 45 The First Critical Assessments of A Streetcar Named Desire: The Streetcar Tryouts and the Reviewers Philip C. Kolin The first review of A Streetcar Named Desire in a New York City paper was not of the Broadway premiere of Williams's play on December 3, 1947, but of the world premiere in New Haven on October 30, 1947. Writing in Variety for November 5, 1947, Bone found Streetcar "a mixture of seduction, sordid revelations and incidental perversion which will be revolting to certain playgoers but devoured with avidity by others. Latter category will predomin ate." Continuing his predictions, he asserted that Streetcar was "important theatre" and that it would be one "trolley that should ring up plenty of fares on Broadway" ("Plays Out of Town"). Like Bone, almost everyone else interested in the history of Streetcar has looked forward to the play's reception on Broadway. Yet one of the most important chapters in Streetcar's stage history has been neglected, that is, the play's tryouts before that momentous Broadway debut. Oddly enough, bibliographies of Williams fail to include many of the Streetcar tryout reviews and surveys of the critical reception of the play commence with the pronouncements found in the New York Theatre Critics' Reviews for the week of December 3, 1947. Such neglect is unfortunate. Streetcar was performed more than a full month and in three different cities before it ever arrived on Broadway. Not only was the play new, so was its producer. Making her debut as a producer with Streetcar, Irene Selznick was one of the powerhouses behind the play. -
MUSICAL NOTES a Guide to Goodspeed Musicals Productions 2009 Season
MUSICAL NOTES A Guide to Goodspeed Musicals Productions 2009 Season Musical Notes is made possible through the generosity of Music by HARRY WARREN Lyrics by AL DUBIN Book by MICHAEL STEWART and MARK BRAMBLE Directed by RAY RODERICK Choreographed by RICK CONANT Scenery Design Costume Design Lighting Design HOWARD JONES DAVID H. LAWRENCE CHARLIE MORRISON Hair and Wig Design Sound Orchestrations Music Supervisor Music Director MARK ADAM RAMPMEYER JAY HILTON DAN DELANGE MICHAEL O’FLAHERTY WILLIAM J. THOMAS Production Manager Production Stage Manager Casting R. GLEN GRUSMARK BRADLEY G. SPACHMAN STUART HOWARD ASSOCIATES, PAUL HARDT Associate Producer Line Producer BOB ALWINE DONNA LYNN COOPER HILTON Produced for Goodspeed Musicals by MICHAEL P. PRICE Cast of Characters Andy Lee………………………………………………………TIM FALTER Maggie Jones…………………………………………………..DOROTHY STANLEY Bert Barry………………………………………………………DALE HENSLEY Phyllis Dale…………………………………………………….ELISE KINNON Lorraine Fleming……………………………………………….ERIN WEST Ann Reilly……………………………………………………....JENIFER FOOTE Billy Lawlor…………………………………………………….AUSTIN MILLER Peggy Sawyer…………………………………………………..KRISTEN MARTIN Julian Walsh…………………………………………………….JAMES LLOYD REYNOLDS Dorothy Brock………………………………………………….LAURIE WELLS Abner Dillon……………………………………………………ERICK DEVINE Pat Denning…………………………………………………….JONATHAN STEWART Ensemble……………………………………………………….ALISSA ALTER KELLY DAY BRANDON DAVIDSON ERIN DENMAN TIM FALTER JOE GRANDY CHAD HARLOW ELISE KINNON ASHLEY PEACOCK KRISTYN POPE COLIN PRITCHARD ERNIE PRUNEDA TARA JEANNE VALLEE ERIN WEST Swings TYLER ALBRIGHT EMILY THOMPSON Biographies Harry Warren and Al Dubin (Music and Lyrics) Harry Warren and Al Dubin were legendary tunesmiths both as a team and as individuals. Between the two, their prodigious careers spanned six decades. They wrote Broadway shows and revues and were pioneer song- writers for sound pictures. Their combined output of songs can only be described as astonishing. Al Dubin, born in Switzerland in 1891, died in New York in 1945. -
"HIGH SCHOOL MUSICAL: the MUSICAL: the HOLIDAY SERIES" TALENT BIOS Olivia Rodrigo Olivia Rodrigo Plays the Lead Role O
"HIGH SCHOOL MUSICAL: THE MUSICAL: THE HOLIDAY SERIES" TALENT BIOS Olivia Rodrigo Olivia Rodrigo plays the lead role of "Nini" on "High School Musical: The Musical: The Series." With nearly 300 million streams worldwide, the season one hit she wrote and composed, "All I Want," entered the Billboard Hot 100 chart at #90 and has been certified Gold in the U.S. and Canada. Rodrigo also debuted at #18 on the Billboard Emerging Artists chart. Prior to HSMTMTS, Rodrigo stared as Paige Olvera in Disney Channel's live-action comedy "Bizaardvark." Her first professional acting job was in an Old Navy commercial and she then went on to star as the bubbly Grace Thomas in the popular direct-to-DVD movie, "An American Girl: Grace Stirs Up Success." Born and raised in Temecula, California, Rodrigo began taking singing and acting classes when she was six. Her love for performing continued to grow and she soon landed roles in several school plays as well as regional musical theater. Rodrigo currently resides in Los Angeles with her parents. In her spare time, she enjoys singing, playing piano, hanging out with friends and shopping at vintage stores. She loves to travel and explore new places. Twitter: @Olivia_Rodrigo; IG: @Olivia.Rodrigo Joshua Bassett Joshua Bassett plays the lead role of "Ricky" on "High School Musical: The Musical: The Series." He co-wrote and performed "Just For a Moment" with Olivia Rodrigo for season one and will debut an acoustic version of "The Perfect Gift," a song he penned for season two, on "High School Musical: The Musical: The Holiday Special." He is also known for his recurring role as Aidan Peters on Disney Channel's "Stuck in the Middle." He recently guest starred on "Dirty John" and ABC's "Grey's Anatomy." An artist with Warner Records, Bassett unveiled his solo debut “Common Sense” in 2020. -
Tuck Everlasting Will Be Held on Thursday, December 6, 2018 and Thursday, December 13, 2018 at 11:00 Am, at the Lucie Stern Theatre in Palo Alto
T UCK E VERLASTING Anonymous Michelle & Michael Kwatinetz OUR PARTNERS The Applied Materials Foundation Dick & Cathy Lampman Carol Bacchetti Arlene & Jack Leslie IN EDUCATION Katie Bartholomew Mark Lewis & Barbara Shapiro Elaine Baskin & Ken Krechmer Karen & Mike Matthys Rosyland & Bob Bauer Bruce McLeod & Carla Befera TheatreWorks thanks our Katherine Bazak & John Dohner Dave & Carolyn McLoughlin generous donors to the Don & Deborah Bennett Leigh Metzler & Jim McVey Education Department, David & Lauren Berman Yvonne & Mike Nevens Jayne Booker Bill & Janet Nicholls whose financial support Steve & Gayle Brugler The David & Lucile Packard enables us to provide Patrick Burt and Sally Bemus Foundation in-depth arts education H. Hans Cardenas David Pasta in memory of Ron & Sally Carter Gloria J.A. Guth throughout Silicon Valley Steven & Karin Chase Janine Paver & Eric Brown and the San Francisco Randy Curry & Kay Simon Carey & Josh Pickus Bay Area. Katie & Scott Dai Lowell & Carole Price Karla Dailey Joe and Nancy Ragey John & Wynne Dobyns In memory of Pearl Reimer We serve over 20,000 Dodge & Cox Investment Edward & Verne Rice students, patients, and Managers Mark & Martha Ross community members each Susan Fairbrook Joseph & Sandy Santandrea year, and made more The Leonard C. & Mildred F. Philip Santora & Cristian Asher Ferguson Foundation Kaila Schwartz than 57,000 educational Barbara Franklin & Bernie Loth Cynthia Sears interactions during last Terry & Carolyn Gannon Martha Seaver & Scott Walecka season alone. in honor of Robert Kelley Marge & Jim Shively Sylvia & Ron Gerst Carolyn & Rick Silberman Anne & Larry Hambly Joyce Reynolds Sinclair & Emeri & Brad Handler Dr. Gerald M. Sinclair Heising-Simons Foundation Gerry Sipes The William & Flora Hewlett Denise & Jim Stanford Foundation Laura Stefanski Anne & Emma Grace Holmes Rick Stern & Nancy Ginsburg Susan M. -
Program Booklet
February 9 & 16 Nashoba-wheelockfam5.5x7.5.indd 1 9/23/19 3:16 PM WFT@BU January/February 2020 Why Little Women? “It was the best of times, it was the worst of times.” “Call me Ishmael.” And “Christmas won’t be Christmas without any presents.” Little Women is on a short list of great works of literature featuring famous first lines. I returned to these opening lines for our first rehears- al and realized that the first two pages of Louisa May Alcott’s classic novel contain all the ingredients of her story: The four sisters are the first four characters whose voices we hear – this is a story about them. Jo has the first of these four lines – she will be the trailblazing leader of the sisters. Father is away at war – this is a matriarchal home. Marmee has asked her daughters to sacrifice their Christmas presents so as not to “spend money for pleasure, when our men are suffering so in the army” — this family is generous and mission-driven. Each sister has a different passion: books, music, drawing — this family does not have a lot, but they do have each other. It is their charity, love, and fire that make this family the Marches, that enable us to see ourselves in one of the four sisters, or parts of ourselves in all. As a young reader and moviegoer, what always spoke to me about Little Women is the rebel story of a young woman defying the gender norms of her time period through writing her own story. -
Wonder Read English
Wonder Read Reading Begins at Home t is never too soon to introduce your child to books. As parents, you are a major influence in I helping your child learn to love books and to develop the habit of reading. The UES Gonda Family library staff invites you to visit the library to check out books to share with your child and to ask us how we can help you find books that both you and your child will enjoy. Here are some basic points to keep in mind when selecting books and sharing literature with your child. Babies and Pre-Nursery School: • Select books that stimulate your child’s sense of sight. Books should be colorful, clear and uncluttered. • Young children respond to the sound of language. Look for books with rhythm, exciting sounds and repetition, such as Mother Goose. • Wordless picture books encourage children to participate with the parent to create their own stories. • Select board or cloth books which children can enjoy on their own. Children Ages 3 to 5: • Keep books handy everywhere throughout the house and in the car. Include books with toys so that children are just as likely to pick up a book as they are to pick up a toy. • Young children enjoy hearing the same book read over and over. • Young children enjoy books with combinations of rhythm, repetition and familiar objects. Mother Goose and simple folk tales are ideal for this age. • Look for books with simple sentences, action, humor and a clear sequence of events. • Select books that invite children’s participation in the story. -
Tuck Everlasting by Natalie Babbitt a Choose to Read Ohio Toolkit
Tuck Everlasting by Natalie Babbitt A Choose to Read Ohio Toolkit About the Book Doomed to—or blessed with—eternal life after drinking from a magic spring, the Tuck family wanders about trying to live as inconspicuously and comfortably as they can. When ten-year-old Winnie Foster stumbles on their secret, the Tucks take her home and explain why living forever at one age is less a blessing that it might seem. Complications arise when Winnie is followed by a stranger who wants to market the spring water for a fortune. Permission to use book jacket image and book description granted by Natalie Babbitt/Macmillan Books (http://us.macmillan.com/ ) Book details: Tuck Everlasting by Natalie Babbitt Macmillan, 2007, 1976, ISBN 978-0-312-36981-1. Grades 5-up. http://us.macmillan.com/tuckeverlasting Other formats: audiobook, 2001, 978-1-883332648. Available through the State Library of Ohio Talking Book Program: http://www.klas.com/talkingbooks/ohio . Available in audio through the Ohio eBook Project, http://ohdbks.lib.overdrive.com/ . Tuck Everlasting won the American Library Association's Notable Book Award and the Christopher Award for juvenile fiction in 1976. Tuck Everlasting has also won the Janusz Korczak Medal, IBBY, Polish National Section Award. http://oh.webjunction.org/ohctrointro About the Author Natalie Babbitt was born and grew up in Ohio. She spent large amounts of time in her early years drawing, and reading fairy tales and myths. Her mother, an amateur landscape and portrait painter, provided early art lessons and saw to it that there was always enough paper, paint, pencils, and encouragement. -
HONOUR LIST 2016 © International Board on Books for Young People (IBBY), 2016
HONOUR LIST 2016 © International Board on Books for Young People (IBBY), 2016 IBBY Secretariat Nonnenweg 12, Postfach CH-4009 Basel, Switzerland Tel. [int. +4161] 272 29 17 Fax [int. +4161] 272 27 57 E-mail: [email protected] http://www.ibby.org Book selection and documentation: IBBY National Sections Editors: Susan Dewhirst, Liz Page and Luzmaria Stauffenegger Design and Cover: VischerVettiger, Basel Lithography: LAC, Basel Printing: China Children’s Press and Publication Group (CCPPG) Cover illustration: Motifs from nominated books (Nos. 45, 71, 72, 82, 92, 93, 99, 109, 117, www.ijb.de 121,129) We wish to kindly thank the International Youth Library, Munich for their help with the Bibliographic data and subject headings, and the China Children’s Press and Publication Group for their generous sponsoring of the printing of this catalogue. IBBY Honour List 2016 IBBY Honour List 2016 The IBBY Honour List is a biennial selection of outstanding, recently published books, honour- ing writers, illustrators and translators from IBBY member countries. The 2016 Honour List comprises 173 nomina- tions in 48 different languages from 57 countries. Selected for the 2016 list are 68 entries in the category of Writing; 52 in the category Illustra- tion; and 53 in the category Translation. Included for the first time are three books in Armenian, one in Faroese, one in Greenlandic, and another in seSotho. After the drop in nominations for the 2014 Honour List, we are pleased to report that the 2016 IBBY Honour List includes the highest number of entries to date. The titles are selected by the National Sections of IBBY, who are invited to nominate books charac- teristic of their country and suitable to recommend for publication in different languages. -
Season Subscription Form WVLO Musical Theatre Company
BLUE WVLO Musical Theatre Company Season Subscription Form RENEWAL PLEASE RETURN THIS ENTIRE FORM. Announces its 54th Season, 2018–2019 NEW Subscribe Now! Save up to 30% over single show tickets. See all 3 shows by “42nd Street” ............................Nov/Dec 2018 indicating below the performance dates and times (Evening or Matinee) you want. Don’t miss out on WVLO Musical Theatre Company's 54th Season! Written by Harry Warren, Lyrics by Al Dubin, Book by Michael Stewart and Mark Bramble 42nd Street Smokey Joe’s Will Rogers This musical is the third longest-running show in Broadway history and is a song and FRI SAT SUN FRI SAT SUN FRI SAT SUN dance celebration of Broadway in the 1930’s about people involved in shows. It is 11/3(1) 11/4(2) 3/9(1) 3/10(2) 6/22(1) 6/23(2) based on the novel by Bradford Ropes about an aspiring chorus girl, Peggy Sawyer, 11/9 11/10 11/11(2) 3/16 3/17(2) 6/28 6/29 6/30(2) and takes us along her journey to become a star. Audiences enjoy watching the under- (2) (2) (2) (2) (2) (2) dog succeed. This Tony-award winning musical was directed and choreographed by 11/16 11/17 11/18 3/22 3/23 3/24 7/6 7/7 Gower Champion, opening on Broadway in 1980, with the Opening marred by the 11/24 11/25(2) 3/29 3/30 3/31(2) 7/12 7/13 7/14(2) announcement that Gower Champion had died that afternoon!! The show starred Jerry 11/30 12/1 4/5 4/6 7/19 7/20 Orbach, Tammy Grimes and Wanda Richert recreating the classic backstage movie musical of the same name.