DOCSLIB.ORG

Miles Davis Recordings 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Miles Davis Recordings 1 Miles Davis Recordings 2016/7/31 Sound Album Recording Date Label Item Number Format Jacket Track Time File Size Remarks Jacket Image Quality 1 Young Miles (4CD) 1945-1949 Proper Records 4CD Box 2 Early Milestones 1945-1948 Naxox CD 1945/04/24, 46/10/18, 3 Early Miles Davis: The Birth of the Cool Trumpet Definitive Records CD 47/06/00, 48/09/25 4 First Miles 1945/04/24, 1947/08/14 Nippon Columbia CD Benny Carter and his orchestra featuring Miles Davis & Dexter 5 1945-1948 Jazz Door JD 1206 CD Gordon (Recorded in Los Angeles) 6 Miles Davis/Rare Miles (Misc., 1946-1955) (3CD) 1946-1955 Further Along FAP-001/002/003 3CD 7 In Los Angeles 1946/03 Private Recording WAV 8 Complete Vocalist Sessions 1946/10/05 Definitive Records DRCD 11160 CD 9 Bopping the blues 1946/10/18 Black Lion BLCD760102 CD 10 The Miles Davis Tuba Band/Lennie Tristano: Why Do I Love You? 1947-1948 Natasha NT-4015 CD 1947/08/14,1949/01/21, 24bit Digital Francis Dreyfus 11 Milestones 1949/04/22,1949/05/08, ISRC-FR-14F Remastered 0:55:25 559MB Jacket Scanned A (Sony Music France) 1950/02/18,1950/03/09 CD 1948/09/04, 09/18, 12 Complete Birth of the Cool (Disc 2) Definitive Records DRCD 11159 2CD 09/25 1945/11/26 - 13 Complete Savoy & Dial Recordings (2CD) Definitive Records DRCD 11158 CD 1948/09/24 From Cool to Bop The Anthology (Miles Davis nonet at the Roya Stardust/Nippon 14 1948/09/00 CRCL-8895 2CD Roost, NY) Disc 1 Crown 1948/09/04, 09/18, 15 Chasin' The Blues/Live at the Royal Roost, New York ARJ ARJ001 CD 09/25 16 The Real Birth Of The Cool 1948/09/18 Bandstand TKCB-71061 CD 17 The Real Birth Of The Cool 1948/09/18 Bandstand TKCB-30024 CD '1948/0925, 1952/05/02- 18 Miles Davis Quintet with Lee Konitz Sextet with Jackie McLean Fresh Sound FSCD-1000 CD 03 Charlie Parker: Bird & The Trumpets (Track 4: On A Slow Boat to 19 1948/12/11 Musica Jazz MJCD 1102 CD 0:05:12 Jacket Scanned B+ China) 20 Cool Boppin' Miles Davis Nonet and Tadd Dameron's Big Ten 1948-1949 Fresh Sound FSCD-1008 CD 21 The Metronome All Star Bands (RCA Camden: CAL-426) 1949/01/03 RCA LP 22 The Metronome All Star Bands (RCA/BMG 7636-1-RB) 1949/01/03 RCA LP 23 Nonet 1948 - Jam 1949 1948/09/04, 1949/01/17 Royal Jazz RJD514 CD 1949/01/03, 01/21, 24 Completer Birth of the Cool (Disc 1) Definitive Records DRCD 11159 2CD 04/22, 1950/03/09 1949/02/21, 25 Charlie Parker/Rara Avis Rare Bird Stash ST-CD-21 CD 1952/03/04, 1954 All Stars Recordings (Stan Getz, J.J. Johonson, Coleman Hawkins, 1949/02/19, 26 Definitive Records Illinois Jacquet, Tadd Dameron) 1949/02/26, 1949/04/21 27 With Tadd Dameron 1949/03/05 Private Recording WAV 28 Bebop Professors (LP) 1949/04/21 Capitol Jazz LP LPJ 29 Miles Davis & The Tadd Dameron Quintet 1949/05/03 Jazz Door JD 12110 CD Miles Davis & Tadd Dameron Quintet In Paris Festival Internationa 30 1949/05/03 Sony Master Sound SRCS 9301 CD Mini-LP De Jazz May 1949 From Cool to Bop The Anthology (Miles Davis/Tadd Dameron Stardust/Nippon 31 1949/05/03 CRCL-8896 2CD Quintet at the Festival International de Jazz, Paris) Disc 2 Crown Carnegie Hall, X'mas '49; Charlie Parker and The Stars of Modern 32 1949/12/25 Jazz Records J-CD-16 CD Jazz 33 Birth Of The Cool 1949-1950 Capitol Jazz TOCJ-5953 CD 34 The Complete Birth Of The Cool 1949-1950 Capitol Jazz TOCJ-6200 CD 1 Miles Davis Recordings 1950/02/18, 1951/0602, 35 Birdland Days Featuring Stan Getz Fresh Sound FSR CD-124 CD 1951/09/29 1950/02/18, 36 The Birdland Sessions (featuring Stan Getz) Charly LE JAZZ CD23 CD 1951/06/02, 09/29, At the Royal Roost 1948, At Birdland 1950,51,53 (There is 1 exstra 1950/05/18, 05/20, 37 Charly LE JAZZ CD45 CD CD) 1951/02/17 38 Sarah Vaughan in Hi-F 1950/05/18-19 Columbia CK 65117 CD 39 The Last Bebop Session 1950/06/30 JMY ME 6401 CD 40 Birdland 1950 Complete Two Discs 1950/06/30 Megadisc CD-R 41 Sonny Rollins and The Modern Jazz Quarte 1951/01/17 Prestige VICJ-60282 20bitK2 CD Mini-LP 42 Charlie Parker: Swedish Schnapps 1951/01/17 Verve UCCU-5117 CD 43 Birth Of The Cool Vol.2 1951/01/24 Capitol Jazz CDP 7 98935 2 CD 0:46:42 Jacket Scanned A- 44 In New York 1951/02/17 Private Recording WAV 45 Miles Davis, 'Lockjaw' Davis, Art Blakey At Birdland (LP) 1951/06/02, 09/29 Ozone LP LPJ 46 MilesDavis/Down (Birdland in New York) 1951/06/02, 09/29 Green Line CDJJ-620 CD 1951/06/02, 09/29, 47 Complete Birdland Recordings Definitive Records CRCD 11165 CD 1952/05/02-03 OJCCD-1726-2 (P- 48 Conception 1951/10/05 Prestige CD 7013) OJCCD-005-2 (P- 49 Dig 1951/10/05 Prestige CD 7012) 50 Our Delight/Miles Davis-Jimmy Forrest (Live at the Burrel) 1952 Spring Prestige PCD-24117-2 51 Live At The Barrel/Miles Davis-Jimmy Forrest 1952 Spring Prestige VICJ-2016 20bitK2 CD 52 Miles Davis And His All Stars At Birdland (LP) 1952/05/02-03 Ozone LP LPJ 53 Tempus Fugit - Complete Miles Davis on Blue Note (2CD) 1952 May, 1954 Mar Blue Note TOCJ-5659-60 2CD 54 Miles Davis: Volume 1 (The Rudy Van Gelder Edition 1952/05/09, 1954/03/06 Blue Note 7243 5 32610 2 3 CD Hi-Hat All Stars/Live at The Hi-Hat, Boston (The CD jacket 55 1953 Fresh Sound FSR-CD 13 CD indicates the recording date as 1955 incorrectly. 1953 is correct.) 56 Hi-Hat All Stars (Same as above) 1953 Jazz Door JD 1216 CD VICJ-60342 (LP 57 Collectors' Items 1953 Jan, 1956 Mar Prestige 20bitK2 CD Mini-LP 7044) 58 Mile Davis and Horns 1953/02/19 Prestige VICJ-2012 CD 59 Miles Davis, Volume 2 (The Rudy Van Gelder Edition 1953/04/20 Blue Note 7243 5 32611 2 2 CD 1953/5/16, 55/07/13, 60 Makin' Wax Chakra LP LPJ 57/07/13, 58/05/17 OJCCD-093-2 (P- 61 Blue Haze 1953/05/19 Prestige CD 7053) 62 Unknown Venue 1953/06/xx Private Recording WAV OJCCD-480-2 (C- 63 At Last! Miles Davis And The Lighthouse All Stars 1953/09/13 Contemporary CD 7645) 64 Miles Davis 1954-55 1954-1955 Jazz Portraits CD 14537 CD OJCCD-213-2 (P- 65 Walkin' 1954/04/29 Prestige CD 7076) 66 Walkin' 1954/04/29 Prestige 24K VICJ-60264 20bitK2 CD Mini-LP 67 Bags Groove 1954/12/24 Prestige OJCCD-245-2 CD OJCCD-347-2 (P- 68 Miles Davis And The Modern Jazz Giants 1954/12/24, 1956/10/26 Prestige CD 7150) 24 Karat CDD Compact Gold 69 The Miles Davis Quartet/The Musings Of Miles 1955/06/07 GZS-1106 (LP 7007) Classic (Prestige) Compact Disc Miles Davis Studio Sessions Vol. 1 (Sessions of 'Round About 70 1955/06/25 Jazz Time JazzTime-043 3CD-R Midnight and Milestones) (Disc 2) OJCCD-043-2 (DEB- 71 Blue Moods 1955/07/09 Debut CD 120-2) 72 At Newport Jazz Festival 1955 1955/07/17 Wolfgang Vault TYMD-1031 0:19:55 201MB Jacket Designed 73 Miles Davis At Newport 1955 - 1975 (Disc 1 of 4) 1955/07/17 Columbia/Legacy 8875081952 4CD 0:20:30 74 European Tour '56 1955/07/17 Definitive Records 2 Miles Davis Recordings 1955/07/17, 1956/11/19, 75 Milscellaneous Mile Davis 1955-1957 Jazz Unlimited JUCD 2050 CD 1957/10/17&30, 1957/12/18 OJCCD-012-2 (P- 76 Miles Davis and Milt Jackson Quintet/Sextet 1955/08/05 Prestige CD 7034) The Session of Round About Midnight (STUDIO RECORDING 1955/10/25, Legendary Collection 77 2CD SESSIONS OF NEW YORK CITY: "Ah-Leu-Cha" & "Billy Boy") 1956/06/05, 1956/09/10 Series Miles Davis Studio Sessions Vol. 1 (Sessions of 'Round About 78 1955/10/26 Jazz Time JazzTime-043 3CD-R Midnight and Milestones) (Disc 1) 79 Basic Miles 1955 Oct, 1956 Sep Columbia 80 Hudson Theatre, New York 1955/11/17 Private Recording WAV 1955/10/26, 81 Round About Midnight Columbia COL 472359 2 CD 1956/06/05, 1956/09/10 1955/10/26, 82 Round About Midnight Sony Master Sound SRCS 9101 CD Mini-LP 1956/06/05, 1956/09/10 83 The Making of 'Round About Midnigh 1955-1956 Kind Of Blue KIND OF BLUE 004 CD The Session of Round About Midnight (STUDIO RECORDING 1955/10/26, Legendary Collection 84 SESSIONS OF NEW YORK CITY: "Dear Old Stockholm" & 2CD 1956/06/05, 1956/09/10 Series "Tadd's Delight") 85 Miles/The New Miles Davis Quintet 1955/11/01 Prestige K2 VICJ-60302 20bitK2 CD Mini-LP 86 In Pasadena 1956/02/18 Private Recording CD-R 87 Rare Unreleased Broadcasts/Miles Davis 1952 Apr, 1957 Jul Yadeon OJCCD-391-2 (P- 88 Steamin' with The Miles Davis Quintet 1956/05/11, 1956/10/26 Prestige CD 7200) 89 Steamin' with The Miles Davis Quintet 1956/05/11, 1956/10/26 Prestige K2 VICJ-60268 20bitK2 CD Mini-LP 90 Workin' with The Miles Davis Quintet 1956/05/11 Prestige OJCCD-296-2 CD 91 Workin' with The Miles Davis Quintet 1956/05/11 Prestige K2 VICJ-60267 20bitK2 CD Mini-LP 92 Spider Burks and The Miles Davis Quintet at Peacock Alley 1956/07/14 &21 SOULARD (VGM) VGM-SOU 1997 CD Miles Davis Quintet with John Coltrane/Live in Saint Louis 1956 93 (Possiblly, the recording date may be 1957/02/16&23 at Peacock 1956/07/14&21 The Jazz Factory JFCD-22879 CD Alley in St Louis ) 94 What is Jazz/Leonard Bernstein 1956/09/10 Sony Family Club FCCP93008 CD 95 What is Jazz/Leonard Bernstein (LP) 1956/09/10 Columbia LP LPJ Café Bohemia, New York (In the CD-R with 1956/09/15, 09/29, 1956/09/15, 09/29, 96 Private Recording CD-R 12/08, and 1957/04/13) 12/08, 1957/04/13 1956/09/15, 09/29, 1957/04/13, 97 The Unissued Café Bohemia Broadcasts Domino Records 891221 CD 1:16:19 770MB Jacke Scanned B+ 1958/05/17,1958/11/00, 1953/02/21 98 Music for Brass/The Jazz & Classical Music Society 1956/10/20-23 Columbia SRCS 5696 CD 99 Music for Brass/The Jazz & Classical Music Society (LP) 1956/10/20-23 Columbia LP LPJ OJCCD0128-2 (P- 100 Cookin' 1956/10/26 Prestige CD 7094) 101 Cookin' 1956/10/26 Prestige 24K Mini-LP OJCCD-190-2 (P- 102 Relaxin' 1956/10/26 Prestige CD 7129) 103 Relaxin' 1956/10/26 Prestige 24K VICJ-60766 20bitK2 CD Mini-LP 104 The Unissued 1956/1957 Paris Broadcasts 1956/11/02 RLR Records RLR 88665 CD 0:07:12 72.5MB Jacket Scanned 105 Rare Live/Miles Davis, Stan Getz (1
Load more

Recommended publications
  • Seeing (For) Miles: Jazz, Race, and Objects of Performance
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College
    [Show full text]
  • Sideways Title Page
    SIDEWAYS by Alexander Payne & Jim Taylor (Based on the novel by Rex Pickett) May 29, 2003 UNDER THE STUDIO LOGO: KNOCKING at a door and distant dog BARKING. NOW UNDER BLACK, A CARD -- SATURDAY The rapping, at first tentative and polite, grows insistent. Then we hear someone getting out of bed. MILES (O.S.) ...the fuck... A door is opened, and the black gives way to blinding white light, the way one experiences the first glimpse of day amid, say, a hangover. A worker, RAUL, is there. MILES (O.S.) Yeah? RAUL Hi, Miles. Can you move your car, please? MILES (O.S.) What for? RAUL The painters got to put the truck in, and you didn’t park too good. MILES (O.S.) (a sigh, then --) Yeah, hold on. He closes the door with a SLAM. EXT. HIDEOUS APARTMENT COMPLEX - DAY SUPERIMPOSE -- SAN DIEGO, CALIFORNIA Wearing only underwear, a bathrobe, and clogs, MILES RAYMOND comes out of his unit and heads toward the street. He passes some SIX MEXICANS, ready to work. 2. He climbs into his twelve-year-old convertible SAAB, parked far from the curb and blocking part of the driveway. The car starts fitfully. As he pulls away, the guys begin backing up the truck. EXT. STREET - DAY Miles rounds the corner and finds a new parking spot. INT. CAR - CONTINUOUS He cuts the engine, exhales a long breath and brings his hands to his head in a gesture of headache pain or just plain anguish. He leans back in his seat, closes his eyes, and soon nods off.
    [Show full text]
  • Amjad Ali Khan & Sharon Isbin
    SUMMER 2 0 2 1 Contents 2 Welcome to Caramoor / Letter from the CEO and Chairman 3 Summer 2021 Calendar 8 Eat, Drink, & Listen! 9 Playing to Caramoor’s Strengths by Kathy Schuman 12 Meet Caramoor’s new CEO, Edward J. Lewis III 14 Introducing in“C”, Trimpin’s new sound art sculpture 17 Updating the Rosen House for the 2021 Season by Roanne Wilcox PROGRAM PAGES 20 Highlights from Our Recent Special Events 22 Become a Member 24 Thank You to Our Donors 32 Thank You to Our Volunteers 33 Caramoor Leadership 34 Caramoor Staff Cover Photo: Gabe Palacio ©2021 Caramoor Center for Music & the Arts General Information 914.232.5035 149 Girdle Ridge Road Box Office 914.232.1252 PO Box 816 caramoor.org Katonah, NY 10536 Program Magazine Staff Caramoor Grounds & Performance Photos Laura Schiller, Publications Editor Gabe Palacio Photography, Katonah, NY Adam Neumann, aanstudio.com, Design gabepalacio.com Tahra Delfin,Vice President & Chief Marketing Officer Brittany Laughlin, Director of Marketing & Communications Roslyn Wertheimer, Marketing Manager Sean Jones, Marketing Coordinator Caramoor / 1 Dear Friends, It is with great joy and excitement that we welcome you back to Caramoor for our Summer 2021 season. We are so grateful that you have chosen to join us for the return of live concerts as we reopen our Venetian Theater and beautiful grounds to the public. We are thrilled to present a full summer of 35 live in-person performances – seven weeks of the ‘official’ season followed by two post-season concert series. This season we are proud to showcase our commitment to adventurous programming, including two Caramoor-commissioned world premieres, three U.S.
    [Show full text]
  • The Concert Hall As a Medium of Musical Culture: the Technical Mediation of Listening in the 19Th Century
    The Concert Hall as a Medium of Musical Culture: The Technical Mediation of Listening in the 19th Century by Darryl Mark Cressman M.A. (Communication), University of Windsor, 2004 B.A (Hons.), University of Windsor, 2002 Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the School of Communication Faculty of Communication, Art and Technology © Darryl Mark Cressman 2012 SIMON FRASER UNIVERSITY Fall 2012 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for “Fair Dealing.” Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Darryl Mark Cressman Degree: Doctor of Philosophy (Communication) Title of Thesis: The Concert Hall as a Medium of Musical Culture: The Technical Mediation of Listening in the 19th Century Examining Committee: Chair: Martin Laba, Associate Professor Andrew Feenberg Senior Supervisor Professor Gary McCarron Supervisor Associate Professor Shane Gunster Supervisor Associate Professor Barry Truax Internal Examiner Professor School of Communication, Simon Fraser Universty Hans-Joachim Braun External Examiner Professor of Modern Social, Economic and Technical History Helmut-Schmidt University, Hamburg Date Defended: September 19, 2012 ii Partial Copyright License iii Abstract Taking the relationship
    [Show full text]
  • Metodologia Della Critica Musicale La Musica Di Miles Davis: Aspetti E Problemi Critici
    Metodologia della critica musicale La musica di Miles Davis: aspetti e problemi critici Miles Davis Miles Davis (Alton, IL 1926 – Santa Monica, CA1991) Studi a East St. Louis 1945, New York: brevemente alla Juilliard School of Music, sideman con Billy Eckstine, Charlie Parker, Dizzy Gillespie e altri. 1947-48: membro stabile del quintetto di Parker e partecipazione al workshop di Gil Evans che culmina nel 1949-50: registrazioni, firmate come leader di Birth of the Cool con Gerry Mulligan, Johnny Carisi, John Lewis, Lee Konitz… 1949-54: varia attività con musicisti bebop (a parte Parker e Gillespie, J.J. Johnson, Horace Silver, Sonny Rollins, Thelonius Monk, Milt Jackson) e dipendenza dall’eroina 1955-57: I quintetto con John Coltrane (ts), Red Garland (p), Paul Chambers (b), Philly Joe Jones (d) Relaxin’, Steamin’, Workin’, Cookin’,’Round Midnight (tutti del 1956) 1957: a Parigi, musiche per Ascenseur pour l’échafaud di Louis Malle Ancora con Gil Evans: Miles Ahead (1957) 1957-59: il quintetto è ampliato a sestetto con Julian Cannonball Adderley (ts, as), a Red Garland succedono Wynton Kelly e Bill Evans (p), e a Philly Joe Jones succede Jimmy Cobb (d) Milestones (1958), Porgy and Bess (1958), Kind of Blue (1959), Sketches of Spain (1959-60) Lasciano Miles per formare gruppi propri: Bill Evans (1958), Julian Cannonball Adderley (1959), John Coltrane (1960), Kelly con Chambers e Cobb (1962) e nei primi anni Sessanta Miles impiega nelle sue formazioni diversi musicisti tra cui Victor Feldman (p), George Coleman e Sam Rivers (ts) 1963-68:
    [Show full text]
  • 'Door De Globalisering, Is Alle Muziek Van De Wereld Vandaag Toegankelijk En Onderdeel Van Ons Culturele Leven Geworden.'
    3 door: Rosalien van der Poel RvdP: Wat is het belang voor studenten aan een conservatorium om in hun klassieke Op dinsdag 25 maart heeft Joep Bor zijn inaugu- muziekopleiding niet-westerse muziek rele rede gehouden. Hiermee aanvaardde hij het gedoceerd te krijgen? ambt van hoogleraar Extra-European Performing Arts Studies bij de Faculteit der Kunsten van de Bor: ‘Door de globalisering, dat wil zeggen: migratie, Universiteit Leiden. Een interview met de kersverse mobiliteit, de muziekindustrie, de media en het web, hoogleraar. is alle muziek van de wereld vandaag toegankelijk en onderdeel van ons culturele leven geworden. RvdP: Je oratie begint met de zin: In 1987 was er Daarom ben ik van mening dat een inleidende cursus plotseling wereldmuziek. Kan je uitleggen wat Muziek wereldwijd onderdeel moet zijn van elke er zo ‘plotseling’ aan was? conservatoriumopleiding. De ervaring op het Rotterdams Conservatorium heeft geleerd dat studenten zo’n cursus Bor: ‘De titel en eerste zin van mijn oratie zijn ironisch bijzonder boeiend vinden. Voor studenten klassieke bedoeld. In 1987 werd de term ‘wereldmuziek’ door een muziek en jazz is het van belang om te weten dat veel aantal Britse platenlabels als een marketingconcept componisten en vernieuwers in de jazz door oosterse en gelanceerd. Toen besefte men dat er overal in de wereld andere niet-westerse muziek beïnvloed zijn.’ fabuleuze muziek werd gemaakt, en dat daar geld aan te verdienen was. Wereldmuziek werd big business. RvdP: In je oratie zeg je dat niet-westerse collega’s Maar uit mijn verhaal blijkt duidelijk dat er eigenlijk een stem in het internationale muziek- en altijd belangstelling is geweest voor de muziek en dans dansgebeuren hebben en dat zij een actieve uit de wereld.
    [Show full text]
  • Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
    STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach.
    [Show full text]
  • Miles Davis - Discografia Essenziale 01/07/01
    Miles Davis - Discografia essenziale 01/07/01 Anno Titolo Formazione R Note 1950 Birth of the Cool Gruppo 9 el. M 1954 Bags' Groove Monk, Rollins, M. Jackson M Walkin' Sestetto 1 (0) M Blue & Boogie Sestetto 1 M 1955 The New Miles Davis Quintet Quintetto 1 M (1) Miles and Coltrane " M 1956 Relaxin' with the Miles Davis Quintet Quintetto 1 M Workin' Quintetto 1 M Steamin' Quintetto 1 M Cookin' Quintetto 1 M Round Midnight M Music for Brass Ballads M This is Miles: Acoustic side M 1957 Miles Ahead Gil Evans + orch. 19 el. M L'ascensour pour l'Echefaud Form. francese M 1958 Milestones Sestetto 2 M (2) On Green Dolphin Street Sestetto 2 + B.Evans M Porgy & Bess Gil Evans + orch. S Miles and Monk at Newport 1959 Kind of Blue Sestetto 2 + B.Evans S (3) 1960 Sketches of Spain Gil Evans + orch. S Directions 1961 Some Day my Prince will Come Quintetto 1 M Black Hawk Concerts Quintetto 1 Vivo M.D. at Carnegie Hall Orchestra Vivo Live Miles Vivo 1962 Quiet Nights Gil Evans + orch Antologia 1963 Seven Steps to Heaven Hancock, T.Williams M.D. in Europe Europea Fest. Antibes 1964 Four & More Vivo. Phil. Hall (ritm.) My Funny Valentine Vivo. Phil. Hall (class.) Miles in Tokyo Vivo Miles in Berlin Vivo 1965 E.S.P. Quintetto 2 (4) Live at Plugged Nickel Quintetto 2 5LP 1966 Miles Smiles Quintetto 2 1967 Sorcerer Quintetto 2 Nefertiti Quintetto 2 1968 Miles in the Sky Quintetto 2 + J.McLaughin e al. Filles de Kilimanjaro Quintetto 2 Water Babies 1969 In a Silent Way Quintetto 2 + Zawinul, JML Bitches Brew Quintetto 2 + Zawinul, JML 1970 Live-Evil con K.Jarrett Black Beauty Quintetto 2 Vivo Fillmore West Live at Fillmore West Quintetto 2 Tribute to Jack Johnson Quintetto 2 1972 On the Corner Form.
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]
  • Trevor Tolley Jazz Recording Collection
    TREVOR TOLLEY JAZZ RECORDING COLLECTION TABLE OF CONTENTS Introduction to collection ii Note on organization of 78rpm records iii Listing of recordings Tolley Collection 10 inch 78 rpm records 1 Tolley Collection 10 inch 33 rpm records 43 Tolley Collection 12 inch 78 rpm records 50 Tolley Collection 12 inch 33rpm LP records 54 Tolley Collection 7 inch 45 and 33rpm records 107 Tolley Collection 16 inch Radio Transcriptions 118 Tolley Collection Jazz CDs 119 Tolley Collection Test Pressings 139 Tolley Collection Non-Jazz LPs 142 TREVOR TOLLEY JAZZ RECORDING COLLECTION Trevor Tolley was a former Carleton professor of English and Dean of the Faculty of Arts from 1969 to 1974. He was also a serious jazz enthusiast and collector. Tolley has graciously bequeathed his entire collection of jazz records to Carleton University for faculty and students to appreciate and enjoy. The recordings represent 75 years of collecting, spanning the earliest jazz recordings to albums released in the 1970s. Born in Birmingham, England in 1927, his love for jazz began at the age of fourteen and from the age of seventeen he was publishing in many leading periodicals on the subject, such as Discography, Pickup, Jazz Monthly, The IAJRC Journal and Canada’s popular jazz magazine Coda. As well as having written various books on British poetry, he has also written two books on jazz: Discographical Essays (2009) and Codas: To a Life with Jazz (2013). Tolley was also president of the Montreal Vintage Music Society which also included Jacques Emond, whose vinyl collection is also housed in the Audio-Visual Resource Centre.
    [Show full text]
  • Acoustic Sounds Catalog Update
    WINTER 2013 You spoke … We listened For the last year, many of you have asked us numerous times for high-resolution audio downloads using Direct Stream Digital (DSD). Well, after countless hours of research and development, we’re thrilled to announce our new high-resolution service www.superhirez.com. Acoustic Sounds’ new music download service debuts with a selection of mainstream audiophile music using the most advanced audio technology available…DSD. It’s the same digital technology used to produce SACDs and to our ears, it most closely replicates the analog experience. They’re audio files for audiophiles. Of course, we’ll also offer audio downloads in other high-resolution PCM formats. We all like to listen to music. But when Acoustic Sounds’ customers speak, we really listen. Call The Professionals contact our experts for equipment and software guidance RECOMMENDED EQUIPMENT RECOMMENDED SOFTWARE Windows & Mac Mac Only Chord Electronics Limited Mytek Chordette QuteHD Stereo 192-DSD-DAC Preamp Version Ultra-High Res DAC Mac Only Windows Only Teac Playback Designs UD-501 PCM & DSD USB DAC Music Playback System MPS-5 superhirez.com | acousticsounds.com | 800.716.3553 ACOUSTIC SOUNDS FEATURED STORIES 02 Super HiRez: The Story More big news! 04 Supre HiRez: Featured Digital Audio Thanks to such support from so many great customers, we’ve been able to use this space in our cata- 08 RCA Living Stereo from logs to regularly announce exciting developments. We’re growing – in size and scope – all possible Analogue Productions because of your business. I told you not too long ago about our move from 6,000 square feet to 18,000 10 A Tribute To Clark Williams square feet.
    [Show full text]
  • Nr Kat Artysta Tytuł Title Supplement Nośnik Liczba Nośników Data
    nr kat artysta tytuł title nośnik liczba data supplement nośników premiery 9985841 '77 Nothing's Gonna Stop Us black LP+CD LP / Longplay 2 2015-10-30 9985848 '77 Nothing's Gonna Stop Us Ltd. Edition CD / Longplay 1 2015-10-30 88697636262 *NSYNC The Collection CD / Longplay 1 2010-02-01 88875025882 *NSYNC The Essential *NSYNC Essential Rebrand CD / Longplay 2 2014-11-11 88875143462 12 Cellisten der Hora Cero CD / Longplay 1 2016-06-10 88697919802 2CELLOSBerliner Phil 2CELLOS Three Language CD / Longplay 1 2011-07-04 88843087812 2CELLOS Celloverse Booklet Version CD / Longplay 1 2015-01-27 88875052342 2CELLOS Celloverse Deluxe Version CD / Longplay 2 2015-01-27 88725409442 2CELLOS In2ition CD / Longplay 1 2013-01-08 88883745419 2CELLOS Live at Arena Zagreb DVD-V / Video 1 2013-11-05 88985349122 2CELLOS Score CD / Longplay 1 2017-03-17 0506582 65daysofstatic Wild Light CD / Longplay 1 2013-09-13 0506588 65daysofstatic Wild Light Ltd. Edition CD / Longplay 1 2013-09-13 88985330932 9ELECTRIC The Damaged Ones CD Digipak CD / Longplay 1 2016-07-15 82876535732 A Flock Of Seagulls The Best Of CD / Longplay 1 2003-08-18 88883770552 A Great Big World Is There Anybody Out There? CD / Longplay 1 2014-01-28 88875138782 A Great Big World When the Morning Comes CD / Longplay 1 2015-11-13 82876535502 A Tribe Called Quest Midnight Marauders CD / Longplay 1 2003-08-18 82876535512 A Tribe Called Quest People's Instinctive Travels And CD / Longplay 1 2003-08-18 88875157852 A Tribe Called Quest People'sThe Paths Instinctive Of Rhythm Travels and the CD / Longplay 1 2015-11-20 82876535492 A Tribe Called Quest ThePaths Low of RhythmEnd Theory (25th Anniversary CD / Longplay 1 2003-08-18 88985377872 A Tribe Called Quest We got it from Here..
    [Show full text]