Bram Fischer - Wikipedia, the Free Encyclopedia Page 1 of 3
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
'Race', Complicity and Restitution in the Non-Fiction of Antjie Krog
Literator - Journal of Literary Criticism, Comparative Linguistics and Literary Studies L L ISSN: (Online) 2219-8237, (Print) 0258-2279 L Page 1 of 10 Original Research LLL i t e r a t o r Mostly ‘black’ and ‘white’: ‘Race’, complicity and restitution in the non-fiction of Antjie Krog Author: This article analyses the role of ‘race’ in Antjie Krog’s non-fiction trilogyCountry of My Skull 1 Jacomien van Niekerk (1998), A Change of Tongue (2003) and Begging to Be Black (2009). It explores her explicit use of Affiliation: terms such as ‘heart of whiteness’ and ‘heart of blackness’. Claims that Krog essentialises 1Department of Afrikaans, Africa and ‘black’ people are investigated. The article also addresses accusations of racism in University of Pretoria, Krog’s work. A partial answer to the persistent question of why Krog is so determinedly South Africa focused on ‘race’ is sought in the concept of complicity. There is definite specificity in the Corresponding author: way Krog writes about ‘white’ perpetrators and ‘black’ victims in South Africa, but her trilogy Jacomien van Niekerk, should be read within the broader context of international restitution discourses, allowing for jacomien.vanniekerk@up. a somewhat different perspective on her contribution to the discussion of the issue of whether ac.za ‘white’ people belong in (South) Africa. Dates: Received: 26 Nov. 2015 Accepted: 11 May 2016 Meestal ‘swart’ en ‘wit’: ‘Ras’, medepligtigheid en restitusie in die nie-fiksie van Antjie Published: 24 Aug. 2016 Krog. Hierdie artikel ontleed die rol van ‘ras’ in Antjie Krog se nie-fiksie trilogieCountry of My How to cite this article: Skull (1998), A Change of Tongue (2003) en Begging to Be Black (2009). -
The Suppression of Communism, the Dutch Reformed Church, and the Instrumentality of Fear During Apartheid
THE SUPPRESSION OF COMMUNISM, THE DUTCH REFORMED CHURCH, AND THE INSTRUMENTALITY OF FEAR DURING APARTHEID. SAMUEL LONGFORD: 3419365 SUPERVISOR: PROFESSOR PARTICIA HAYES i A mini-thesis submitted for the degree of MA in History University of the Western Cape November 2016. Supervisor: Professor Patricia Hayes DECLARATION I declare that The Suppression of Communism, the Dutch Reformed Church, and the Instrumentality of Fear during apartheid is my own work and has not been submitted for any degree or examination in any other university. All the sources I have used or quoted have been indicated and acknowledged by complete references. NAME: Samuel Longford: 3419365 DATE: 11/11/2016. Signed: ii ACKNOWLEDGEMENTS. This mini-thesis has been carried out in concurrence with a M.A. Fellowship at the Centre for Humanities Research (CHR), University of the Western Cape (UWC). I acknowledge and thank the CHR for providing the funding that made this research possible. Opinions expressed and conclusions arrived at are those of the author and are not necessarily to be attributed to the CHR. Great thanks and acknowledgement also goes to my supervisor, Prof Patricia Hayes, who guided me through the complicated issues surrounding this subject matter, my partner Charlene, who put up with the late nights and uneventful weekends, and various others who contributed to the workings and re-workings of this mini-thesis. iii The experience of what we have of our lives from within, the story that we tell ourselves about ourselves in order to account for what we are doing, is fundamentally a lie – the truth lies outside, in what we do.1 1 Slavoj Zizek¸ Violence: Six Sideways Reflections (London: Profile Books, 2008): 40. -
Innocents in Africa?
Innocents in Africa? - Tony McGregor* reviewing Antjie Krog’s “Begging to be Black” “...picking my confused way through a world where there existed not one, but two sources of light. My perception is still confused by double shadows from those twin suns. I would never say that my perception is African. But Africa is lodged in my perception all the same.” - from Innocents in Africa by Drury Pifer (Granta, 1994). Being white in Africa is a very confused way, a way that one has to tread through very carefully. Because the light from the two suns casts different shadows, and I, for one, am continually having to make some choices between one sun and the other. Do I take my time and direction from the African sun which burns and scorches with an unpredictable urgent life, or do I take my time and direction from the European sun with its comfortable, relatively predictable cultural answers to all the questions that life, in Africa, no less than in Europe, throws at one from moment to moment. When I first arrived at the University of Stellenbosch back in the early 1960s I had to be interviewed by the house committee of the residence in which I was going to be staying. I was asked my name, which, when I gave it, was greeted with the rather rude expostulation: “O, nog 'n fokken soutpiel!” Which, being translated, means, “O, another effing salt-penis!” The term “soutpiel” is a derogatory name for Englishmen and comes from the saying of [Afrikaans-speaking white South Africans] that Englishmen have one foot in Europe and one in Africa, leaving their penises to hang in the sea between the two continents. -
Apartheid, Liberalism and Romance a Critical Investigation of the Writing of Joy Packer
UNIVERSITY OF UMEÅ DISSERTATION ISSN 0345-0155 ISBN 91-7191-140-5 From the Department of English, Faculty of Humanities, Umeå University, Sweden Apartheid, Liberalism and Romance A Critical Investigation of the Writing of Joy Packer AN ACADEMIC DISSERTATION which will, on the proper authority of the Chancellor’s Office of Umeå University for passing the doctoral examination, be publicly defended in hörsal F, Humanisthuset, on Friday, 23rd February 1996, at 3.15 p.m. John A Stotesbury Umeå University Umeå 1996 Abstract This is the first full-length study of the writing of the South African Joy Packer (1905-1977), whose 17 works of autobiography and romantic fiction were primarily popular. Packer’s writing, which appeared mainly between 1945 and 1977, blends popular narrative with contemporary social and political discourses. Her first main works, three volumes of memoirs published between 1945 and 1953, cover her experience of a wide area of the world before, during and after the Second World War: South Africa, Britain, the Mediterranean and the Balkans, and China. In the early 1950s she also toured extensive areas of colonial "Darkest Africa." When Packer retired to the Cape with her British husband, Admiral Sir Herbert Packer, after an absence of more than 25 years, she adopted fiction as an alternative literary mode. Her subsequent production, ten popular romantic novels and a further three volumes of memoirs, is notable for the density of its sociopolitical commentary on contemporary South Africa. This thesis takes as its starting-point the dilemma, formulated by the South African critic Dorothy Driver, of the white woman writing within a colonial environment which compels her to adopt contradictory, ambivalent and oblique discursive stances and strategies. -
Designing the South African Nation from Nature to Culture
CHAPTER 3 Designing the South African Nation From Nature to Culture Jacques Lange and Jeanne van Eeden There is to date very little published research and writing about South African design history. One of the main obstacles has been dealing with the legacy of forty years of apartheid censorship (1950 to 1990) that banned and destroyed a vast array of visual culture in the interests of propaganda and national security, according to the Beacon for Freedom of Expression (http://search.beaconforfreedom.org/about_database/south%20africa.html). This paucity of material is aggravated by the general lack of archival and doc- umentary evidence, not just of the struggle against apartheid, but also of the wider domain of design in South Africa. Even mainstream designed mate- rial for the British imperialist and later apartheid government has been lost or neglected in the inadequate archival facilities of the State and influential organizations such as the South African Railways. Efforts to redress this are now appearing as scholars start to piece together fragments, not in order to write a definitive history of South African design, but rather to write histories of design in South Africa that recuperate neglected narratives or revise earlier historiographies. This chapter is accordingly an attempt to document a number of key moments in the creation of South African nationhood between 1910 and 2013 in which communication design played a part. Our point of departure is rooted in Zukin’s (1991: 16) belief that symbolic and material manifestations of power harbour the ideological needs of powerful institutions to manipulate class, gender and race relations, ultimately to serve the needs of capital (and governance). -
Bram Fischer and the Meaning of Integrity Stephen Ellman
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of North Carolina School of Law NORTH CAROLINA JOURNAL OF INTERNATIONAL LAW AND COMMERCIAL REGULATION Volume 26 | Number 3 Article 5 Summer 2001 To Live Outside the Law You Must Be Honest: Bram Fischer and the Meaning of Integrity Stephen Ellman Follow this and additional works at: http://scholarship.law.unc.edu/ncilj Recommended Citation Stephen Ellman, To Live Outside the Law You Must Be Honest: Bram Fischer and the Meaning of Integrity, 26 N.C. J. Int'l L. & Com. Reg. 767 (2000). Available at: http://scholarship.law.unc.edu/ncilj/vol26/iss3/5 This Comments is brought to you for free and open access by Carolina Law Scholarship Repository. It has been accepted for inclusion in North Carolina Journal of International Law and Commercial Regulation by an authorized editor of Carolina Law Scholarship Repository. For more information, please contact [email protected]. To Live Outside the Law You Must Be Honest: Bram Fischer and the Meaning of Integrity Cover Page Footnote International Law; Commercial Law; Law This comments is available in North Carolina Journal of International Law and Commercial Regulation: http://scholarship.law.unc.edu/ncilj/vol26/iss3/5 To Live Outside the Law You Must Be Honest: Bram Fischer and the Meaning of Integrity* Stephen Ellmann** Brain Fischer could "charm the birds out of the trees."' He was beloved by many, respected by his colleagues at the bar and even by political enemies.2 He was an expert on gold law and water rights, represented Sir Ernest Oppenheimer, the most prominent capitalist in the land, and was appointed a King's Counsel by the National Party government, which was simultaneously shaping the system of apartheid.' He was also a Communist, who died under sentence of life imprisonment. -
South Africa
South Africa r OR THE PEOPLE OF SOUTH AFRICA, 1990 was one of the most dra- matic, exciting, and, at the same time, bewildering periods in recent history. It was a year in which radical government action hastened the dismantling of apartheid and further threatened the traditionally dominant and privileged position of whites. Jews shared the anxieties of other whites about the future and were also mindful of their own potential role as scapegoats during the painful adjustments to come. They were worried, too, about the apparent growth of black anti-Semitism and how this might afiFect them in the new South Africa.' National Affairs On February 2, 1990, Pres. F.W. de Klerk stated in his opening speech to Parliament that the government had decided to lift the ban on all prohibited organi- zations, including the African National Congress (ANC), as well as to release, unconditionally, ANC leader Nelson Mandela and other political prisoners. Fur- thermore, the three-year-old "state of emergency" would be relaxed in regard to media curbs, conditions imposed on released emergency detainees, and restrictions on some 33 organizations. He also announced the repeal of the Separate Amenities Act of 1953, which comprised the discriminatory laws generally referred to as "petty apartheid." De Klerk's speech marked the beginning of a new phase in the process of political reform that had been initiated more than a decade earlier by his predecessor, P. W. Botha, in response to growing doubts within the National party about the continued viability of apartheid and to various political and economic developments during the late 1960s and 1970s. -
History 1886
How many bones must you bury before you can call yourself an African? Updated December 2009 A South African Diary: Contested Identity, My Family - Our Story Part D: 1886 - 1909 Compiled by: Dr. Anthony Turton [email protected] Caution in the use and interpretation of these data This document consists of events data presented in chronological order. It is designed to give the reader an insight into the complex drivers at work over time, by showing how many events were occurring simultaneously. It is also designed to guide future research by serious scholars, who would verify all data independently as a matter of sound scholarship and never accept this as being valid in its own right. Read together, they indicate a trend, whereas read in isolation, they become sterile facts devoid of much meaning. Given that they are “facts”, their origin is generally not cited, as a fact belongs to nobody. On occasion where an interpretation is made, then the commentator’s name is cited as appropriate. Where similar information is shown for different dates, it is because some confusion exists on the exact detail of that event, so the reader must use caution when interpreting it, because a “fact” is something over which no alternate interpretation can be given. These events data are considered by the author to be relevant, based on his professional experience as a trained researcher. Own judgement must be used at all times . All users are urged to verify these data independently. The individual selection of data also represents the author’s bias, so the dataset must not be regarded as being complete. -
Mary Benson's at the Still Point and the South African Political Trial
Safundi The Journal of South African and American Studies ISSN: 1753-3171 (Print) 1543-1304 (Online) Journal homepage: https://www.tandfonline.com/loi/rsaf20 Stenographic fictions: Mary Benson’s At the Still Point and the South African political trial Louise Bethlehem To cite this article: Louise Bethlehem (2019) Stenographic fictions: Mary Benson’s AttheStillPoint and the South African political trial, Safundi, 20:2, 193-212, DOI: 10.1080/17533171.2019.1576963 To link to this article: https://doi.org/10.1080/17533171.2019.1576963 © 2019 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. Published online: 08 May 2019. Submit your article to this journal Article views: 38 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rsaf20 SAFUNDI: THE JOURNAL OF SOUTH AFRICAN AND AMERICAN STUDIES 2019, VOL. 20, NO. 2, 193–212 https://doi.org/10.1080/17533171.2019.1576963 Stenographic fictions: Mary Benson’s At the Still Point and the South African political trial Louise Bethlehem Principal Investigator, European Research Council Project APARTHEID-STOPS, The Hebrew University of Jerusalem, Jerusalem, Israel ABSTRACT KEYWORDS From the mid-1960s onward, compilations of the speeches and trial South African political trials; addresses of South African opponents of apartheid focused atten- Mary Benson; the Holocaust; tion on the apartheid regime despite intensified repression in the Eichmann trial; wake of the Rivonia Trial. Mary Benson’s novel, At the Still Point, multidirectional memory transposes the political trial into fiction. Its “stenographic” codes of representation open Benson’s text to what Paul Gready, following Foucault, has analyzed as the state’s “power of writing”: one that entangles the political trialist in a coercive intertextual negotiation with the legal apparatus of the apartheid regime. -
AD1844-Bd8-3-3-01-Jpeg.Pdf
h(d\h 3 . 5 pi 621 INNES CHAMBERS, PRITCHARD STREET, JOHANNESBURG. ,12th June, 1964. Dear John, The Rivonia case ended at noon today, when sentences of life imprisonment were imposed on all the remaining eight accused - Bernstein as you know was acquitted yesterday and immediately re-arrested, pre sumably on a charge of taking part in the activities of one of our"unlawful organizations. 'v- ^ There was tremendous tension in court. Even before arriving in Pretoria one,had to pass through police blocks along all the main roads leading to that city. In and around the court buildings there were armed police, tommy guns, rifles with bayonets, etc. The atmosphere which this sort of thing creates in an cprdinary court is extremely difficult to describe. I tfhink one has to experience it in order to know what it is. /' As you know, the accused had all been found I— guilty of sabotage yesterday and today the evidence of Alan Paton was led in mitigation and Harold Hanson, Q.C. addressed the court for about three-quarters of an hour in a truly magnificent speech. As you also probably know, the accused were found guilty in greatly varying degrees: Mandela had told the court how and why he founded Umkonto; Sisulu, though never actually a member of the High Command, accepted full responsibility as the person who exercised political control; Mbeki - the gentlest of them all - first became associated with Umkonto in January, 1963, and only went onto the High Command in April, 1963, but accepted full responsibility for everything. -
Bloemfoi{Tein
BLOEMFOI{TEIN 1962 Gt !=hn[[rgo 'N PARALLELMEDIUM.SKOOL VIR SEUNS GESTIC .i855 s-boolbluD frlug iltrnt @rcy @slltqo A PARALLEL MEDIUM SCHOOL FOR BOYS *a lheDshstt - @lftorful 5tsff Redakteur - Editor Mnr./Mr. J. L. CRONJE. B e sl ghei d sb e st uurder B u siness M anager Mnr./Mr. K.- PIENAAR Komitee - Comrnittee Messrs./Mnre. H. EARP, L. SHEPSTONE. A. SIEBERHAGEN, P. FERREIRA, E. EAST. J. STRYDOM, J. BUYS, R. BARRY, A. SINCLAIR, G. SABBAGHA, EN MEJ. P. DE VILLIERS. A dvertise ments - A cit, e;'tensiewerwers R. v. HEERDEN, J. v. NIEKERK, C. HEWSON. Volume 43 November 1962 No.90 PERSONEEL -1962 -STAFF Agtcrslc ry (l n r ): Mnre , M v Zyl, .l dc V .loubc;t. F Rrutcrrbilch, t' Wcsscls, L l Slrcp\t('n!. J llul-s. .1. Rossourv, ll H Wrilrht, M I'rctr)riLr\, A A. Marais Sccond row (ltr): Mcssrs D Brcytcnbirch, R Cillicrs. N F. Cronjd, l), J I'errcirr, J Vcrsl.cr, (i. C. Satrbaglra, R Barry, N ['ortric, F Krugcr, D dc Waal,J.C B Clarsscn,S Strydonr,J A S:eyr1 f)crdcrv(l nr): Mnrc.J [-ourcns,C.P.Fouric,A.Sinc]air,.l Vil;ocn l) gchon,:gcvcl..l SlccrrkrrrrJr.A H 1\{arais,D Marcluard, l.Krugcr.A Sieber- hrgcrr.MHcvn\,JPCStrydonr, l.l,Loubscr,.l l.Cronjct,TCl\l.Woltnitrrrrs Fourtlt row(l tr): Miss A I'rclorrus, rDrss l. N{lburgh, nressrs .l C Rous"cru, E Fr\t, l\{ llrtrrct. l\liss A Sctncltr,Mrs l) Streltstonc, Mrs M vrn Rooy- Mrs [i M Crorrjc<, Mcssrs K J Picnirrr, C Nlrrris, ll liarp. -
Of Local Mourning: the South African War and State Commemoration
Society in Transition ISSN: 1028-9852 (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/rssr19 A ‘secret history’ of local mourning: The South African War and state commemoration Liz Stanley To cite this article: Liz Stanley (2002) A ‘secret history’ of local mourning: The South African War and state commemoration, Society in Transition, 33:1, 1-25, DOI: 10.1080/21528586.2002.10419049 To link to this article: https://doi.org/10.1080/21528586.2002.10419049 Published online: 12 Jan 2012. Submit your article to this journal Article views: 64 View related articles Citing articles: 8 View citing articles Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rssr20 Society in Transition 2002, 33(1) .· A 'secret history' of local mourning: the South African War and state commemoration Liz Stanley Sociology/Women's Studies, University of Manchester Manchester M13 9PL, UK liz. [email protected]@man. a c. uk A central claim in the war commemoration literature is that World War I brought about a fundamental change in state commemorative practices. This argument is problematised using a case study concerned with the relationship between local mourning, state commemoration and remem brancefollowingbrance following the South African War of 1899-1902, in which meanings about nationalism, belonging and citizenship have been inscribed within a 'legendary topography' which has concretised remembrance in commemo rative memorials and monuments. Two silences in commemoration from this War - a partial one concerning children and a more total one con cerning all black people - are teased out in relation to the Vrouemonument built in 1913, the Gedenktuine or Gardens of Remembrance constructed during the 1960s and 70s, and some post-1994 initiatives, and also related to ideas about citizenship and belonging.