1926 Account of the Construction of First National
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
First National News Dated May 1
- COLLEEN-A'-- GEORGE MOORE ^- FITZMAURICE- \€ fill M t* •' j 7 Vol. III. No. 8. April 15/1928 " and then in 1928 came a great turning point in the history of the picture industry* "That year First National broke with FIVE famous record- breakers right off the bat! "Colleen Moore in 'Her Wild Oat', Richard Barthelmess in 'The Patent Leather Kid', 'The Private Life of Helen of Troy', 'Shepherd of the Hills' by Harold Bell Wright, and Richard Barthelmess in 'The Noose'— one right after another! And each one better than the last. "Of course everybody remembers these great hits today, just as they remember 'Abraham Lincoln/ 'The Sea Hawk,' and 'Birth of a Nation'. But the thing few people realize is that these five pictures that have come down in history were released in A SINGLE MONTH by A SINGLE COMPANY. "And on top of that First National followed right up with "I made more a dozen others just as big, including Colleen Moore in 'Lilac with 'The Time', Richard Barthelmess in 'The Little Shepherd of King- money dom Come', Charlie Murray in 'Vamping Venus', Johnny Patent Leather Hines in 'Chinatown Charlie', Harry Langdon in 'The Kid' than with Chaser', 'Ladies' Night in a Turkish Bath' with Jack Mulhall and Dorothy Mackaill, and Charlie Murray and George Sidney in 'Flying Romeos'. or ff "What a season that was! *Fill in here the titles of any "Of course all my house records were knocked sky-high. two of the greatest Specials "I remember as though it were yesterday how completely of the past or present and these great hits took the trade by storm. -
Howard Higgin Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ)
Howard Higgin Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ) The New https://bg.listvote.com/lists/film/movies/the-new-commandment-59152922/actors Commandment The Wilderness Woman https://bg.listvote.com/lists/film/movies/the-wilderness-woman-48671669/actors The Line-Up https://bg.listvote.com/lists/film/movies/the-line-up-106795722/actors Marriage on Approval https://bg.listvote.com/lists/film/movies/marriage-on-approval-106808223/actors The Great Deception https://bg.listvote.com/lists/film/movies/the-great-deception-12124649/actors The Painted Desert https://bg.listvote.com/lists/film/movies/the-painted-desert-1401845/actors The Final Edition https://bg.listvote.com/lists/film/movies/the-final-edition-14755254/actors In the Name of Love https://bg.listvote.com/lists/film/movies/in-the-name-of-love-19363644/actors Battle of Greed https://bg.listvote.com/lists/film/movies/battle-of-greed-20814452/actors Raw Timber https://bg.listvote.com/lists/film/movies/raw-timber-20814712/actors Sal of Singapore https://bg.listvote.com/lists/film/movies/sal-of-singapore-2213722/actors Hell's House https://bg.listvote.com/lists/film/movies/hell%27s-house-2405065/actors The Leatherneck https://bg.listvote.com/lists/film/movies/the-leatherneck-2412450/actors Skyscraper https://bg.listvote.com/lists/film/movies/skyscraper-2592510/actors The Racketeer https://bg.listvote.com/lists/film/movies/the-racketeer-2740725/actors Power https://bg.listvote.com/lists/film/movies/power-3400895/actors Rent Free https://bg.listvote.com/lists/film/movies/rent-free-3736331/actors The Reckless Lady https://bg.listvote.com/lists/film/movies/the-reckless-lady-48671665/actors The Perfect Sap https://bg.listvote.com/lists/film/movies/the-perfect-sap-56284306/actors Carnival Lady https://bg.listvote.com/lists/film/movies/carnival-lady-66305468/actors High Voltage https://bg.listvote.com/lists/film/movies/high-voltage-938617/actors. -
Motion Picture Reviews
MOTION PICTURE REVIEWS WOMEN’S UNIVKSI17 CLUB LOS ANGCLCS.CAL/r Vol. Ill 1932 Digitized by the Internet Archive in 2016 with funding from Media History Digital Library https://archive.org/details/motionpicturerev00wome_1 MOTION PICTURE REVIEWS THE WOMEN'S UNIVERSITY CLUB LOS ANGELES, CALIFORNIA JANUARY 1932 THE WOMEN’S UNIVERSITY CLUB LOS ANGELES BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN 943 South Hoover Street <$xj> Telephone DRexel 2177 <Sx8> Copyright by Women’s University Club 1931 WEBBCRAFT PRINTERS. 1051 ARLINGTON AVE , LOS ANGELES Motion Picture Reviews Three MOTION • PICTURE • REVIEWS Published monthly by THE WOMEN’S UNIVERSITY CLUB LOS ANGELES BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN Mrs. John Vruwink Mrs. Gerard A. Murray ) Co-Chairmen Mrs. Palmer Cook, \ Preview Chairman Editors Mrs. J. Allen Davis Mrs. Arthur Jones Mrs. Walter Van Dyke Mrs. Palmer Cook M rs. John Vruwink, Mrs. F. H. Partridge Address all communications to The Women’s University Club, 943 South Hoover Street, Los Angeles, California. VOL. III. No. 1 JANUARY, 1932 10c per Copy, $1.00 per Year FEATURE FILMS 4 BEAU HUNKS » » lem and the crime situation, realistic and ex- Laurel and Hardy. Direction by James citing. Mr. Huston gives an excellent charac- terization. Horne. M.G.M. Adolescents, 12 to 16 Children, 8 to 12 When Hardy’s best girl refuses him, he and Laurel join the Foreign Legion and become Not suitable No heroes through a series of blunders only possi- C+-9 ble to these incomparable comedians. The picture follows the well known Laurel and COCK OF THE AIR » » Hardy formula and will delight their many Billie Dove, Chester Morris, .Watt Moore followers. -
Howard Higgin Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Howard Higgin 电影 串行 (大全) The New https://zh.listvote.com/lists/film/movies/the-new-commandment-59152922/actors Commandment The Wilderness https://zh.listvote.com/lists/film/movies/the-wilderness-woman-48671669/actors Woman The Line-Up https://zh.listvote.com/lists/film/movies/the-line-up-106795722/actors Marriage on https://zh.listvote.com/lists/film/movies/marriage-on-approval-106808223/actors Approval The Great Deception https://zh.listvote.com/lists/film/movies/the-great-deception-12124649/actors The Painted Desert https://zh.listvote.com/lists/film/movies/the-painted-desert-1401845/actors The Final Edition https://zh.listvote.com/lists/film/movies/the-final-edition-14755254/actors In the Name of Love https://zh.listvote.com/lists/film/movies/in-the-name-of-love-19363644/actors Battle of Greed https://zh.listvote.com/lists/film/movies/battle-of-greed-20814452/actors Raw Timber https://zh.listvote.com/lists/film/movies/raw-timber-20814712/actors The Racketeer https://zh.listvote.com/lists/film/movies/the-racketeer-2740725/actors Power https://zh.listvote.com/lists/film/movies/power-3400895/actors Rent Free https://zh.listvote.com/lists/film/movies/rent-free-3736331/actors The Reckless Lady https://zh.listvote.com/lists/film/movies/the-reckless-lady-48671665/actors The Perfect Sap https://zh.listvote.com/lists/film/movies/the-perfect-sap-56284306/actors Carnival Lady https://zh.listvote.com/lists/film/movies/carnival-lady-66305468/actors High Voltage https://zh.listvote.com/lists/film/movies/high-voltage-938617/actors æ˜Ÿå²›åŒ æ ‘ https://zh.listvote.com/lists/film/movies/%E6%98%9F%E5%B2%9B%E5%8F%8C%E6%A0%91-2213722/actors åœ°ç„ ä¹‹å®¶ https://zh.listvote.com/lists/film/movies/%E5%9C%B0%E7%8D%84%E4%B9%8B%E5%AE%B6-2405065/actors https://zh.listvote.com/lists/film/movies/%E6%B5%B7%E5%86%9B%E9%99%86%E6%88%98%E9%98%9F%E5%91%98- 海军陆战队员 2412450/actors 摩天高楼 https://zh.listvote.com/lists/film/movies/%E6%91%A9%E5%A4%A9%E9%AB%98%E6%A5%BC-2592510/actors. -
4,940 Chamberplans Workforyear, Hears Rep(H
\ }V* - f - r- >■ -•■—■ THK'WEATRfil&~ • NET m ss s BUn AVERAGE D A niT CIROIJLA'nON; „ PF THE EVENING HERALD Fair and continued cold tonli^t • for the month of Noremheri 1026, and Friday. •-53 4,940 i 's CIJWBLVE^PAGES) PRICE THREE CENtE Clfwsiecd AdvercMng on Pago 6 MANCHES^R, cbm, 2, 1926. VOL. XLI, No. 5 3 . ' . !■ v ■ y- ■• " '■ ■ ■ . , . J . ^ . S > ' CHAPLINAS WIFE $5,D00,M(> D d M t ? - R a ! H a! CHAMBERPLANS QUITS WITH TOTS ( M A R I O 0^ Comedian’s Second Mate Has ,1 • WORKFORYEAR, Left Hollywood Home in Ro\7 W B A F T E R T E N After Party. HEARS REP(H!TS Los Angeles, Dec. 2.— Y E A i m Y N E S S Charles Chaplin, film comed ian, and his wife, the former Llta Grey, have separated. , As the aftermath of a dis Consenratiyes Win an Over- Austin Cheney, Re-Elected agreement at the Chaplin A Wf^ Wasn He In dic'd? home Monday night, when TO Chaplin entertaineij a number whehnmg Victory on the President, Asks For Great of guests, Mrs. Chaplin took her two children and went to FROM I S JOB Roars McCarter to Jury er Cooperation— 75 Mem the horde of her grandparents, Issue of Government Li Mr. and Mrs. William Curry. Neither Chaplin nor his wife BOSTON ADOPTS bers at Meeting. would discuss Just what occur quor Control. EPWINES Big Guns of Law red. Mrs. Chaplin today did not deny that she had left ELI AS NATIVE her husband’s home. -
Columbia Pictures: Portrait of a Studio
University of Kentucky UKnowledge Film and Media Studies Arts and Humanities 1992 Columbia Pictures: Portrait of a Studio Bernard F. Dick Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Dick, Bernard F., "Columbia Pictures: Portrait of a Studio" (1992). Film and Media Studies. 8. https://uknowledge.uky.edu/upk_film_and_media_studies/8 COLUMBIA PICTURES This page intentionally left blank COLUMBIA PICTURES Portrait of a Studio BERNARD F. DICK Editor THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1992 by The University Press of Kentucky Paperback edition 2010 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data for the hardcover edition is available from the Library of Congress ISBN 978-0-8131-3019-4 (pbk: alk. paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. -
Clark Gable ~ 27 Films
3 Clark Gable ~ 27 Films William Clark Gable was born on 1 February 1901 in Cadiz, Ohio, to William Henry and Adeline Gable. When he was seven months old, his mother died and his father, an oil-well driller, sent him to live with his maternal aunt and uncle in Pennsylvania, where he stayed until he was two, after which his father fetched him back to Cadiz. At 16, Gable quit school and worked at an Akron, Ohio, tyre factory until, after seeing the play The Bird of Paradise, he decided to become an actor. He toured in stock companies, worked oil fields and sold neckties. In December 1924, he married his acting coach Josephine Dillon, fifteen years his senior. The pair moved to Hollywood so Gable could further his acting career. A number of small silent film and stage roles followed. In April 1930, the marriage ended in divorce. A year later, Gable married Maria Langham, also about seventeen years his senior. While working in the theatre, Gable became a lifelong friend of prominent and influential thespian Lionel Barrymore. Despite several failed screen tests for Barrymore and Darryl Zanuck, in 1930 Gable was signed by MGM. After a small part in The Painted Desert (1931), Joan Crawford asked for him as co-star with her in Dance, Fools, Dance (also 1931). In the same year, the public loved his manhandling of Norma Shearer in A Free Soul. His unshaven lovemaking with Jean Harlow in Red Dust (1932) made him MGM's most important star, after which his acting career flourished. -
Prominent Men, Movie Actress to Help Dedicate New State Theatre
The News of All 1 Pages T( The Township Snorting News, Page' •ol,. V, No. 52 .WOODBRIDGE, N. J., FRIDAY, SKPTKMBKR 1G, 1927 PRICE THREE CENW Prominent Men, Movie Actress to Woman Fined $50. for Buying WIDE DIFFERENCE Stolen Lace; Thief Is Jailed MARKS BIDDINGS Help Dedicate New State Theatre Judge Censures Purch»M> of $50. Value for * Dollar and a Plate of Soup, Discounting Plea Store Proprietress AVENEL SEWER Public Service Buys Out Did Not Know Box of Curtains Were Stolen Impressive Ceremony to Precede Hansen A Jensen's All Bus Routes in This (,'harged with receiving stolen Officer Ben Parsons led to Dunn's Do Work for Two Third, i Regular Program Monday Night Vicinity; Pays $500,000 -,'odds, Mrs. Julia Gurzaly who keeps arrest. i store at 284 Fulton street, was Under questioning Dunn admitted Next Lowest Figure P Welcomed enthusiastically by the business interests of That the Public Service haR ar- ined $50 by Recorder Voget Tues- he had been given a drink of hootch Contract at $6,686.70. tr.wn because they aee in it a possibility of stimulating commu- rived one step nearer to controlling lay morning. The woman admitted as further payment for the curtains. all bus transportation in northern •>aying $1.00 and a plate of soup Mrs. Gurialy denied she knew the I OTHER IMPROVEMEf -,;tv pride to the extent of keeping local residents from going: ^New Jersey was made evident yts- curtains had been stolen but the ] for H box of lace curtains stolen by per cent. , it iif town to seek amusement, the new State Theatre will be terday in its announcement of the Edward Dunn. -
Newspaper Film Festival.Pdf
THE NEWSPAPER PICTURE at Film Forum in New York City Page 1 of 16 New York’s leading movie house for independent premieres and repertory programming A nonprofit cinema since 1970 Share this page “You have to go back nearly half a century to sample the sights, sounds and smells that still evoke the quintessence of print journalism in all its inky, hectic glory. Or you could go to Film Forum... the program is a crackerjack history lesson and also, perhaps, a valediction. [The Newspaper film is] a vibrant and protean genre.” – A.O. Scott, The New York Times Click here to read full article Click here to read Clyde Haberman's interview with series programmer Bruce Goldstein in The New York Times “Once upon a time, newspaper men and women — in all their wisecracking, get-the-story glory — could often be found performing their fact-checking up on the silver screen. Each daily in this inspired Fourth Estate series is worth a look, with many of the films still headliners!” – Flavorpill “The essential invention of this subgenre — which are really comedies or mysteries, nitromethane-fueled by hot-brained, motormouth reporters in the classic urban-American style — might just be a masterstroke. Is there a class of film, besides the history-specific emergence of Noir, that says as much about American life? Westerns, musicals and romantic comedies were their own brands of fantasy, but the newspaper movie, with its boundless cynicism and keep-it-moving pace and narrative need to know *what happened*, captures a sense of our national character that's unique and that hasn't faded a pixel since.” – Michael Atkinson, The L Magazine Click here to read full article “A SPLENDID SERIES!” – Lou Lumenick, New York Post Click here to read full article “Almost as soon as the movies learned to talk, reporters started monopolizing the on-screen conversation. -
Guide to the Motion Picture Stills Collection 1920-1934
University of Chicago Library Guide to the Motion Picture Stills Collection 1920-1934 © 2006 University of Chicago Library Table of Contents Descriptive Summary 3 Information on Use 3 Access 3 Citation 3 Scope Note 3 Related Resources 5 Subject Headings 5 INVENTORY 6 Series I: Actors and Actresses 6 Series II: Motion Picture Stills 171 Series III: Scrapbooks 285 Subseries 1: Scrapbooks; Individual Actors and Actresses 285 Subseries 2: Miscellaneous Scrapbooks 296 Series IV: Vitaphone Stills 297 Series V: Large Film Stills and Marquee Cards 300 Series VI: Coming Attractions, Glass Lantern Slides 302 Series VII: Duplicate Film Stills 302 Series VIII: Index Cards 302 Descriptive Summary Identifier ICU.SPCL.MOTIONPICTURE Title Motion Picture Stills. Collection Date 1920-1934 Size 87.5 linear feet (139 boxes) Repository Special Collections Research Center University of Chicago Library 1100 East 57th Street Chicago, Illinois 60637 U.S.A. Abstract Contains approximately 30,000 black and white photographs of movie stills, production shots, and portrait photographs of actors. Includes 8" x 10" photographs, 187 scrapbooks devoted to individual film stars, marquee cards, and glass lantern slides announcing coming attractions from Pathe and other movie studios. Information on Use Access No restrictions. Citation When quoting material from this collection, the preferred citation is: Motion Picture Stills. Collection, [Box #, Folder #], Special Collections Research Center, University of Chicago Library Scope Note The Motion Picture Stills Collection features a group of approximately 30,000 black and white photographs of movie stills, production shots, and portrait photographs of actors. The first half of this collection consists of these 8" x 10" photographs. -
La Novela Semanal Cinematográfica
La Novela Semanal Cinematográfica Ediciones Bistagne (Barcelona) CATÁLOGO GENERAL DE TÍTULOS PUBLICADOS (1923-1932) © 2015 by Juan B. Heinink LA NOVELA SEMANAL CINEMATOGRÁFICA • Ediciones Bistagne (Barcelona) • 1923-1930 001 • No hay juegos con el amor (Dangerous Business) US-1920 (Associated First National) d/ Roy William Neill i/ Constance Talmadge, Kenneth Harlan e/ 26.Oct.22 (Barcelona). Empresas Reunidas 002 • El valle florido (Peaceful Valley) US-1920 (Associated First National) d/ Jerome Storm i/ Charles Ray, Harry Myers e/ 2.Nov.22 (Barcelona). Empresas Reunidas 003 • Amor de madre (Mon p'tit) F-1922 (Gaumont) d/ René Plaissetty i/ Léontine Massart, Marguerite Madys e/ 19.Oct.22 (Barcelona). Gaumont 004 • La virgen de las rosas (Revelation) US-1918 (Metro) d/ George D. Baker i/ Alla Nazimova, Charles Bryant e/ 7.Nov.22 (Barcelona). M de Miguel 005 • La culpa ajena (Passion’s Playground) US-1920 (First National) d/ J. A. Barry i/ Katherine MacDonald, Norman Kerry e/ 24.Nov.22 (Barcelona). Empresas Reunidas 006 • De hombre a hombre (Man to Man) US-1922 (Universal) d/ Stuart Paton i/ Harry Carey, Lillian Rich e/ 22.Ene.23 (Barcelona). Levantische 007 • Una mujer (Any Wife) US-1922 (Fox) d/ Herbert Brenon i/ Pearl White, Holmes Herbert e/ 7.Nov.22 (Madrid). Verdaguer 008 • Pesadillas y supersticiones (When the Clouds Roll By) US-1919 (United Artists) d/ Victor Fleming i/ Douglas Fairbanks, Kathleen Clifford e/ 9.Feb.23 (Madrid). Artistas Asociados 009 • Desinterés (The Woman Gives) US-1920 (First National) d/ Roy William Neill i/ Norma Talmadge, John Halliday e/ 19.Dic.22 (Barcelona). -
Poverty Row Films of the 1930S by Robert J Read Department of Art History and Communication Studies
A Squalid-Looking Place: Poverty Row Films of the 1930s by Robert J Read Department of Art History and Communication Studies McGill University, Montreal August 2010 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy All rights reserved. This work may not be reproduced in whole or in part, by photocopy or by other means, without permission of the author. Robert J Read, 2010. ii Abstract Film scholarship has generally assumed that the low-budget independent film studios, commonly known as Poverty Row, originated in the early sound-era to take advantage of the growing popularity of double feature exhibition programs. However, the emergence of the independent Poverty Row studios of the 1930s was actually the result of a complex interplay between the emerging Hollywood studios and independent film production during the late 1910s and 1920s. As the Hollywood studios expanded their production, as well as their distribution networks and exhibition circuits, the independent producers that remained outside of the studio system became increasingly marginalized and cut-off from the most profitable aspects of film exhibition. By the late 1920s, non-Hollywood independent film production became reduced to the making of low-budget action films (westerns, adventure films and serials) for the small profit, suburban neighbourhood and small town markets. With the economic hardships of the Depression, the dominant Hollywood studios were forced to cut-back on their lower budgeted films, thus inadvertently allowing the independent production companies now referred to in the trade press as Poverty Row to expand their film practice.