Hollywood Daily Screen World (December 31, 1929)

Total Page:16

File Type:pdf, Size:1020Kb

Hollywood Daily Screen World (December 31, 1929) HOLERA Y NUMBER 10c HOl'kYWOOD Universal’s new star , whose picture , “ The Shanghai Lady," has set box-office records at the Colony Theatre, New York, and in many other key cities. Her next starring vehicle, “Undertow,” is to be released at an early date. ” Tiffany Production Extend The Season’s Qreetings "-and offer the first Los Angeles’ Premiere of the s New Year - - - - n The Lost Zeppelin v \ 4 At the Million Dollar Theatre 12:01 A* M., January 1, 1930 — HOL^OOD Daily Scj^enVforld "'today's motionpicture news today" Vol. II HOLLYWOOD, CALIFORNIA (Los Angeles P. O.) DECEMBER 31, 1929 No. 198 FILM LEADERS PREDICT BIGGER YEAR FOR ALL Marked Improvement in Universal’s Films *r Head of Universal M-G-M Studio Chief m By LOUIS B. MAYER Marked improvement is seen in all products of the Universal Pic- The union of scientific research Corporation since Carl tures and the imaginative creations of Laemmle, Jr., became the general our greatest authors have devel- manager some months ago. Under oped for the screen the ultimate his regime, such high quality in entertainment. And this en- box-office successes as “The Shang- tainment in 1930 will bring to hai Lady, “Hell’s Heroes” and the motion picture industry, there others have been made. Also such is no doubt, the most prosperous super-productions as Paul White- and progressive year in the history man’s “King of Jazz” and “All of pictures. Quiet on the Western Front” have Talking pictures have during the been launched, assuring exhibitors past year been so developed, mechan- a wide range of subjects for their ically and artistically, that enter- tainment of the screen during the patrons during the months to coming twelve months will transcend come. anything audiences have ever before In the face of all the mergers of seen. Great revues, famous dramas, the past year, financial adversities musical comedy, opera—every phase and general readjustments conse- of the art of the drama will he given quent to the revolution caused by all audiences. talking pictures, the position of Uni- LOUIS B. MAYER Foreign versions are taking our versal is unique. The institution, CARL LAEMMLE, Jr. best talking pictures to people of founded by Carl Laemmle, is both other lands in their own languages. traditional and potential in the Some of the great works of Europe amusement field. will come to us. All over the world Carl Laemmle, Jr., has inherited the the motion picture has been placed shrewdness of his father, who is still on a new plane amid the fine arts. very active, and every indication Progress in the art naturally car- points to position in amuse- a new ries with it economic progress. Never ment leadership by the Universal By ELIZABETH LONERGAN before have there been such oppor- York Correspondent of the Daily Screen World Pictures Corporation under its new New tunities for the exhibitor, in the shape quality progressive policy for higher of a great new product that will pack products. UST what 1930 will do to the legitimate theatre is something his houses. To the public in general 1930 will mean a year of greater en- that is perplexing not only the producers, but the actors as well. J tertainment than even the most san- twenty-nine dealt some particularly hard blows to the the- “Sally,” Dillon Picture Nineteen guine fan ever dreamed of. It will atrical industry. The road has been practically abolished; theatres mean a new and increased interest Opens Here January 10 have been taken over by the wholesale to house pictures and man- in the screen that will spread over the whole world. It means the most agers and actors have deserted their former callings to heed the cry When First National’s most am- eventful milestone in the history of of the films for talent. film release to date, “Sally,” the industry. bitious Road conditions have been slipping have been abandoned. Christ- directed by John Francis Dillon, (Continued on Last Page) for some time, due to a combination mas week saw just 54 shows list- opens at Warner Brothers’ Hollywood of higher salaries for players, heavy ed and after New Year's there Theatre on January 10, it will intro- conditions imposed by unions and the will doubtless be around 30. Sev- duce here two new motion picture demand of smaller centers for orig- eral reasons—the high price of Sez Jake: stars, Marilyn Miller and Alexander inal casts and their refusal to accept tickets, the often inferior qual- Gray. They were leads also in the substitutels. Many cities which for- ity of show presented and the a hunch New York stage production. Gray I HAVE merly had high-class theatrical at- very great opposition that talking had done three other important pic- (and I’ve been tractions, have no theatre available pictures present. tures for the same company since, pretty lucky with for a traveling company should one Establish Habit and Miss Miller is returning to make be so foolish as to storm its doors. For a long time I have marvelled hunches) 1930 will a number of others as soon as her Picture theatres everywhere, even how people who live in a city that bang-up present Ziegfeld engagement in “Tom, be a outnumbering the vaudeville and com- offers so many good things in the Dick and Harry” closes in New York. year in the film bination houses of a few years back. theatre can be content with pictures industry, so all On Broadway we had a few —no matter how superior they are. I SEITER TO MEXICO years ago somewhere around 80 have asked many questions and the we have to do is William A. Seiter is off to Mexico high-class houses and usually replie's indicate that the growing buckle up, use City by way of El Paso for a vaca- about 70 attractions at the height fondness for screen plays is due to the old bean tion, having just finished directing of the season. Many of these the fact that they are reasonable, and go to it! Corinne Griflith’s latest starring pic- theatres have become first-run that there is no uncertainty about get- ture for Fiirst National, “Back Pay.” picture houses, while others (Continued on Last Page) ! ) HOLIDAY NUMBER : : HOLLYWOOD DAILY SCREEN WORLD (greetings for A Happy New Year and Qood Times 'HE COMING of the New Year— 1930—presents two cele- brations of distinctly different character, but both of national interest. One is the passing of the first milestone in the for- ward march of Radio-Keith-Orpheum, —a new amusement organi- zation which will observe its first birthday on January first. is the of a Sfl The second, and more vital to all Americans, dawn year in which a new era of prosperity is predicted. Our Chief Executive, President Herbert Hoover, has taken the initiative in pointing out possibilities of genuine security and national happi- ness, thrift and good fortune by co-operation and a real desire to help one another. interest in this drive for €J In this connection, and to stimulate greater prosperity, our theatres wherever located, during “JANU- of HIRAM S. BROWN ARY GOOD TIMES JUBILEE,” are committed to a policy President Radio-Keith- merchants, Orpheum Corporation helpfulness and local co-operation, with city officials, financial institutions, civic organizations and public spirited citizens ourselves, desire to contribute to this movement to ex- who, like l I S K hit) hilarate trade, enterprise and enjoyment in the best interests of the residents of our communities and commonwealths. q We sincerely trust that the efforts of our representatives may be an inspiration to others and that their co-operation may prove of value to our neighbors, our patrons and our friends. Prosperous, Happy and record New Year, I am, €J Wishing all a Sincerely UBILEE President, Radio-Keith-Orpheum Corporation. RK-O THEATRES IN LOS ANGELES: ORPHEUM R'K-O [9th and Broadway] [8th and Hillj WORLD PREMIERES Greater R-K-O Vaudeville of and First-Run Pictures GREATEST PICTURES WEEKLY CHANGE CONTINUOUS CONTINUOUS POPULAR PRICES POPULAR PRICES Now Showing: 3 Shows Daily ‘HIT THE DECK” 4 Saturday and Sunday HOLIDAY NUMBER : : HOLLYWOOD DAILY SCREEN WORLD Radio Pictures Enter 1930 as a Titan ITH a studio that spells the last word in efficiency; with every facility at its command for the making of talking, singing, W musical productions; with a roster of stars, featured players, directors and writers of proven ability; with the entire resources of the R-C-A Photophone laboratories, the Radio Corporation of America and the Radio-Keith-Orpheum circuit of theatres, and with the guiding influences of a master showman, William LeBaron, Radio Picture's enters 1930 as a Titan in every sense of the word. In preparing for its new season’s product, which will include the filming of 12 special productions and more than 30 features, involving an expenditure of $15,000,000, Radio Picture!: has brought the old F-B-O studios, which it ac- quired early in 1929, to a state of physical perfection unsurpassedby by any other Hollywood film plant. More than $3,000,000 was spent during the past year for buildings and equipment. Construction of the world’s largest sound stage was begun, a 45- acre ranch in the San Fdrnando Valley was acquired an ddozens of new studio buildings were completed. Twelve Stages for Filming When the giant new sound stage opens in February, R-K-O will have in operation 12 stages for the filming of talking pictures.
Recommended publications
  • Completeandleft Felix ,Adler ,Educator ,Ethical Culture Ferrán ,Adrià ,Chef ,El Bulli FA,F
    MEN WOMEN 1. FA Frankie Avalon=Singer, actor=18,169=39 Fiona Apple=Singer-songwriter, musician=49,834=26 Fred Astaire=Dancer, actor=30,877=25 Faune A.+Chambers=American actress=7,433=137 Ferman Akgül=Musician=2,512=194 Farrah Abraham=American, Reality TV=15,972=77 Flex Alexander=Actor, dancer, Freema Agyeman=English actress=35,934=36 comedian=2,401=201 Filiz Ahmet=Turkish, Actress=68,355=18 Freddy Adu=Footballer=10,606=74 Filiz Akin=Turkish, Actress=2,064=265 Frank Agnello=American, TV Faria Alam=Football Association secretary=11,226=108 Personality=3,111=165 Flávia Alessandra=Brazilian, Actress=16,503=74 Faiz Ahmad=Afghan communist leader=3,510=150 Fauzia Ali=British, Homemaker=17,028=72 Fu'ad Aït+Aattou=French actor=8,799=87 Filiz Alpgezmen=Writer=2,276=251 Frank Aletter=Actor=1,210=289 Frances Anderson=American, Actress=1,818=279 Francis Alexander+Shields= =1,653=246 Fernanda Andrade=Brazilian, Actress=5,654=166 Fernando Alonso=Spanish Formula One Fernanda Andrande= =1,680=292 driver.=63,949=10 France Anglade=French, Actress=2,977=227 Federico Amador=Argentinean, Actor=14,526=48 Francesca Annis=Actress=28,385=45 Fabrizio Ambroso= =2,936=175 Fanny Ardant=French actress=87,411=13 Franco Amurri=Italian, Writer=2,144=209 Firoozeh Athari=Iranian=1,617=298 Fedor Andreev=Figure skater=3,368=159 ………… Facundo Arana=Argentinean, Actor=59,952=11 Frickin' A Francesco Arca=Italian, Model=2,917=177 Fred Armisen=Actor=11,503=68 Frank ,Abagnale ,Criminal ,Catch Me If You Can François Arnaud=French Canadian actor=9,058=86 Ferhat ,Abbas ,Head of State ,President of Algeria, 1962-63 Fábio Assunção=Brazilian actor=6,802=99 Floyd ,Abrams ,Attorney ,First Amendment lawyer COMPLETEandLEFT Felix ,Adler ,Educator ,Ethical Culture Ferrán ,Adrià ,Chef ,El Bulli FA,F.
    [Show full text]
  • Friends Newsletter
    FRIENDS OF THE OVIATT LIBRARY Summer 2009 OOviattviatt FrFriieennddss Oviatt Exhibit Marks CSUN’s 50-year Celebration ifty years ago it was farmland. Today it is a also found some unexpected historical gems that top-tier regional university with a multi- collectively highlight the institution’s triumphs and ethnic student population and thrills, trials and tumults, as it matured F global reach. In celebration of over the past half-century. Here I’ll focus its remarkable metamorphosis from on items that most caught my attention. agriculture to academe, CSUN on My first surprise was a photo of leg- September 22 kicked off a yearlong endary anthropologist, Margaret Mead. observance of its 50th anniversary with Although a member of the University’s the first-ever Founders Day celebration. faculty for more than 45 years, I was As part of the festivities, returning alum- unaware that in 1957 this remarkable, ni, former faculty and staff heard much-in-demand woman had expound- Professor Emeritus John Broesamle, ed on “Changing ideas of discipline” in author of the institution’s history, a temporary classroom on the Suddenly a Giant, expound on near-barren campus of a fledgling the campus’s coming-of-age, and San Fernando Valley State afterwards joined in dedicating College, the institution’s original the James and Mary Cleary Walk, name. But, I discovered she was named in honor of the institu- just one among many luminaries tion’s longest serving president to grace the young institution’s and his wife. At day’s end the halls of learning. I also found returnees were treated to a visual photographic affirmation of visits rerun of the campus’s bygone by: Pulitzer prize-winning poet times at the launch of the Oviatt Gwendolyn Brooks, who in 1972 Library’s exhibition, “Fifty and Images from the Fifty and Fabulous Exhibition enchanted a class with a poetry Fabulous,” in the Tseng Family recitation; actor Jon Voight, who Gallery.
    [Show full text]
  • Andy Warhol Was Born in Pittsburgh, Pennsylvania in 1928 and Died in Manhattan in 1987
    ANDY WARHOL Andy Warhol was born in Pittsburgh, Pennsylvania in 1928 and died in Manhattan in 1987. He attended free art classes offered at the Carnegie Institute in Pittsburgh at a young age. In 1945, after graduating high school, he enrolled at the Carnegie Institute for Technology (now Carnegie Mellon University), focused his studies on pictorial design, and graduated with a Bachelor of Fine Arts degree in 1949. Shortly after, Warhol moved to New York City to pursue a career in commercial art. In the late 1950s, Warhol redirected his attention to painting, and famously debuted “pop art”. In 1964, Warhol opened “The Factory”, which functioned as an art studio, and became a cultural hub for famous socialites and celebrities. Warhol’s work has been presented at major institutions and is featured in innumerous prominent collections worldwide. ANDY WARHOL B. 1928, D. 1987 LIVED AND WORKED IN NEW YORK, NY SELECTED SOLO EXHIBITIONS 2017 Andy Warhol: Self Portrait (Fright Wigs), Skarstedt Upper East Side, New York (NY) The Age of Ambiguity: Abstract Figuration, Figurative Abstraction, Vito Schnabel Gallery, St Moritz (Switzerland) 2016 Andy Warhol - Idolized, David Benrimon Fine Art, New York (NY) Andy Warhol - Shadows, Yuz Museum Shanghai (Shanghai) Andy Warhol: Sunset, The Menil Collection, Houston, TX Andy Warhol: Contact - M. Woods Beijing (China) Andy Warhol: Portraits, Crocker Art Museum (Sacramento, CA) Andy Warhol: Works from the Hall Collection, Ashmolean Museum (Oxford, England) Warhol: Royal, Moco Museum (Amsterdam, Netherlands) I‘ll be your mirror. Screen Tests von Andy Warhol, Galerie für Zeitgenössische Kunst (GfZK) (Leipzig, Germany) Andy Warhol: Icons - The Fralin Museum of Art, University of Virginia Art Museums (Charlottesville, VA) Andy Warhol - Little Electric Chairs, Venus Over Manhattan (New York City, NY) Andy Warhol - Shadows, Honor Fraser (Los Angeles, CA) Andy Warhol - Artist Rooms, Firstsite (Colchester, UK) Andy Warhol Portraits, Crocker Art Museum (Sacramento, CA) Andy Warhol.
    [Show full text]
  • American Jewish Philanthropy and the Shaping of Holocaust Survivor Narratives in Postwar America (1945 – 1953)
    UNIVERSITY OF CALIFORNIA Los Angeles “In a world still trembling”: American Jewish philanthropy and the shaping of Holocaust survivor narratives in postwar America (1945 – 1953) A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Rachel Beth Deblinger 2014 © Copyright by Rachel Beth Deblinger 2014 ABSTRACT OF THE DISSERTATION “In a world still trembling”: American Jewish philanthropy and the shaping of Holocaust survivor narratives in postwar America (1945 – 1953) by Rachel Beth Deblinger Doctor of Philosophy in History University of California, Los Angeles, 2014 Professor David N. Myers, Chair The insistence that American Jews did not respond to the Holocaust has long defined the postwar period as one of silence and inaction. In fact, American Jewish communal organizations waged a robust response to the Holocaust that addressed the immediate needs of survivors in the aftermath of the war and collected, translated, and transmitted stories about the Holocaust and its survivors to American Jews. Fundraising materials that employed narratives about Jewish persecution under Nazism reached nearly every Jewish home in America and philanthropic programs aimed at aiding survivors in the postwar period engaged Jews across the politically, culturally, and socially diverse American Jewish landscape. This study examines the fundraising pamphlets, letters, posters, short films, campaign appeals, radio programs, pen-pal letters, and advertisements that make up the material record of this communal response to the Holocaust and, ii in so doing, examines how American Jews came to know stories about Holocaust survivors in the early postwar period. This kind of cultural history expands our understanding of how the Holocaust became part of an American Jewish discourse in the aftermath of the war by revealing that philanthropic efforts produced multiple survivor representations while defining American Jews as saviors of Jewish lives and a Jewish future.
    [Show full text]
  • Walking Box Ranch Planning and Design Quarterly Progress Report: Period Ending January 10, 2012
    Walking Box Ranch Public Lands Institute 1-10-2012 Walking Box Ranch Planning and Design Quarterly Progress Report: Period ending January 10, 2012 Margaret N. Rees University of Nevada, Las Vegas, [email protected] Follow this and additional works at: https://digitalscholarship.unlv.edu/pli_walking_box_ranch Part of the American Popular Culture Commons, Business Administration, Management, and Operations Commons, Educational Assessment, Evaluation, and Research Commons, and the Historic Preservation and Conservation Commons Repository Citation Rees, M. N. (2012). Walking Box Ranch Planning and Design Quarterly Progress Report: Period ending January 10, 2012. 1-115. Available at: https://digitalscholarship.unlv.edu/pli_walking_box_ranch/30 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Article in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Article has been accepted for inclusion in Walking Box Ranch by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. QUARTERLY PROGRESS REPORT University of Nevada, Las Vegas Period Covering October 11, 2010 – January 10, 2012 Financial Assistance Agreement #FAA080094 Planning and Design of the Walking Box Ranch Property Executive Summary UNLV’s President Smatresk has reiterated his commitment to the WBR project and has further committed full funding for IT and security costs.
    [Show full text]
  • March 1, 2016 REGULAR and EXECUTIVE
    March 1, 2016 REGULAR AND EXECUTIVE SESSIONS OF THE BOARD OF SUPERVISORS AND PUBLIC HEALTH DISTRICT BOARD OF DIRECTORS AND WORK SESSIONS OF THE BOARD OF SUPERVISORS PURSUANT TO A.R.S. § 38-431.02 10:00 a.m. – Regular and Executive Sessions Immediately following – Work Session 1:15 p.m. – Executive and Work Sessions Continued First Floor Meeting Room 219 E. Cherry, Flagstaff, Arizona The Board may change the order of the agenda at the time of convening the meeting or at any time during the meeting. Members of the Board of Supervisors will attend either in person or by telephone conference call. Work sessions and regular meetings are open to the public. Persons with a disability may request a reasonable accommodation by contacting the Clerk of the Board of Supervisors Office at 928- 679-7144. Requests should be made as early as possible to allow time to arrange the accommodation. Notice of Option to Recess in Executive Session Pursuant to A.R.S. § 38-431.02, notice is hereby given to the members of the Board of Supervisors and to the general public that, at this meeting, the Board of Supervisors may vote to recess into Executive Session, which will not be open to the public, with the County’s attorneys for legal advice and discussion on any item listed on the following agenda, pursuant to A.R.S. § 38-431.03 (A) (3). Call to the Public for items not on the Agenda After the pledge of allegiance, the Chairman will call on members of the public to speak on any item or area of concern not listed on the agenda.
    [Show full text]
  • Howard Higgin Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​
    Howard Higgin Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​ The New https://bg.listvote.com/lists/film/movies/the-new-commandment-59152922/actors Commandment The Wilderness Woman https://bg.listvote.com/lists/film/movies/the-wilderness-woman-48671669/actors The Line-Up https://bg.listvote.com/lists/film/movies/the-line-up-106795722/actors Marriage on Approval https://bg.listvote.com/lists/film/movies/marriage-on-approval-106808223/actors The Great Deception https://bg.listvote.com/lists/film/movies/the-great-deception-12124649/actors The Painted Desert https://bg.listvote.com/lists/film/movies/the-painted-desert-1401845/actors The Final Edition https://bg.listvote.com/lists/film/movies/the-final-edition-14755254/actors In the Name of Love https://bg.listvote.com/lists/film/movies/in-the-name-of-love-19363644/actors Battle of Greed https://bg.listvote.com/lists/film/movies/battle-of-greed-20814452/actors Raw Timber https://bg.listvote.com/lists/film/movies/raw-timber-20814712/actors Sal of Singapore https://bg.listvote.com/lists/film/movies/sal-of-singapore-2213722/actors Hell's House https://bg.listvote.com/lists/film/movies/hell%27s-house-2405065/actors The Leatherneck https://bg.listvote.com/lists/film/movies/the-leatherneck-2412450/actors Skyscraper https://bg.listvote.com/lists/film/movies/skyscraper-2592510/actors The Racketeer https://bg.listvote.com/lists/film/movies/the-racketeer-2740725/actors Power https://bg.listvote.com/lists/film/movies/power-3400895/actors Rent Free https://bg.listvote.com/lists/film/movies/rent-free-3736331/actors The Reckless Lady https://bg.listvote.com/lists/film/movies/the-reckless-lady-48671665/actors The Perfect Sap https://bg.listvote.com/lists/film/movies/the-perfect-sap-56284306/actors Carnival Lady https://bg.listvote.com/lists/film/movies/carnival-lady-66305468/actors High Voltage https://bg.listvote.com/lists/film/movies/high-voltage-938617/actors.
    [Show full text]
  • GSC Films: S-Z
    GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything.
    [Show full text]
  • DT Filmography
    Dolly Tree Filmography Legend The date after the title is the release date and the number following is the production number Main actresses and actors are listed, producer (P) and director (D) are given, along with dates for when the film was in production, if known. All credits sourced from AFI, IMDB and screen credit, except where listed Included are contentious or unclear credits (listed as Possible credits with a ? along with notes or sources) FOX FILMS 1930-1932 1930 Just Imagine (23/11/30) Maureen O’Sullivan, Marjorie White David Butler (D) Possible Credits 1930 ? Soup to Nuts ? Part Time Wife 1931 Are You There? (3/5/31) Hamilton MacFadden (D) Annabelle’s Affairs (14/6/31) Jeanette Macdonald Alfred Werker (D) Goldie (28/6/31) Jean Harlow Benjamin Stoloff (D) In production mid April – mid May 1931 Bad Girl (12/9/31) Sally Eilers, Minna Gombell Frank Borzage (D) In production July 1931 Hush Money (5/7/31) Joan Bennett, Myrna Loy Sidney Lanfield (D) In production mid April – mid May 1931 The Black Camel (June 1931) Sally Eilers, Dorothy Revier Hamilton MacFadden (D) In production mid April – early May 1931 Transatlantic (30/8/31) Myrna Loy, Greta Nissen William K. Howard (D) In production mid April – early May 1931 Page 1 The Spider (27/9/31) Lois Moran William C. Menzies (D) In production mid June – early July 1931 Wicked (4/10/31) Una Merkel, Elissa Landi Allan Dwan (D) In production mid June – early July 1931 Skyline (11/10/31) Myrna Loy, Maureen O’Sullivan Sam Taylor (D) In production June 1931 The Brat (20/9/31) Sally O’Neill,
    [Show full text]
  • Motion Picture Reviews
    MOTION PICTURE REVIEWS WOMEN’S UNIVKSI17 CLUB LOS ANGCLCS.CAL/r Vol. Ill 1932 Digitized by the Internet Archive in 2016 with funding from Media History Digital Library https://archive.org/details/motionpicturerev00wome_1 MOTION PICTURE REVIEWS THE WOMEN'S UNIVERSITY CLUB LOS ANGELES, CALIFORNIA JANUARY 1932 THE WOMEN’S UNIVERSITY CLUB LOS ANGELES BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN 943 South Hoover Street <$xj> Telephone DRexel 2177 <Sx8> Copyright by Women’s University Club 1931 WEBBCRAFT PRINTERS. 1051 ARLINGTON AVE , LOS ANGELES Motion Picture Reviews Three MOTION • PICTURE • REVIEWS Published monthly by THE WOMEN’S UNIVERSITY CLUB LOS ANGELES BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN Mrs. John Vruwink Mrs. Gerard A. Murray ) Co-Chairmen Mrs. Palmer Cook, \ Preview Chairman Editors Mrs. J. Allen Davis Mrs. Arthur Jones Mrs. Walter Van Dyke Mrs. Palmer Cook M rs. John Vruwink, Mrs. F. H. Partridge Address all communications to The Women’s University Club, 943 South Hoover Street, Los Angeles, California. VOL. III. No. 1 JANUARY, 1932 10c per Copy, $1.00 per Year FEATURE FILMS 4 BEAU HUNKS » » lem and the crime situation, realistic and ex- Laurel and Hardy. Direction by James citing. Mr. Huston gives an excellent charac- terization. Horne. M.G.M. Adolescents, 12 to 16 Children, 8 to 12 When Hardy’s best girl refuses him, he and Laurel join the Foreign Legion and become Not suitable No heroes through a series of blunders only possi- C+-9 ble to these incomparable comedians. The picture follows the well known Laurel and COCK OF THE AIR » » Hardy formula and will delight their many Billie Dove, Chester Morris, .Watt Moore followers.
    [Show full text]
  • SHSU Video Archive Basic Inventory List Department of Library Science
    SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films.
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]