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MOTION PICTURE REVIEWS

WOMEN’S UNIVKSI17 CLUB LOS ANGCLCS.CAL/r

Vol. Ill 1932 Digitized by the Internet Archive

in 2016 with funding from Media History Digital Library

https://archive.org/details/motionpicturerev00wome_1 MOTION PICTURE REVIEWS

THE WOMEN'S UNIVERSITY CLUB LOS ANGELES, CALIFORNIA

JANUARY 1932 THE WOMEN’S UNIVERSITY CLUB

LOS ANGELES BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN 943 South Hoover Street

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Telephone DRexel 2177

WEBBCRAFT PRINTERS. 1051 ARLINGTON AVE , LOS ANGELES Motion Picture Reviews Three

MOTION • PICTURE • REVIEWS

Published monthly by THE WOMEN’S UNIVERSITY CLUB LOS ANGELES BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN

Mrs. John Vruwink Mrs. Gerard A. Murray ) Co-Chairmen Mrs. Palmer Cook, \ Preview Chairman

Editors

Mrs. J. Allen Davis Mrs. Arthur Jones Mrs. Walter Van Dyke Mrs. Palmer Cook M rs. John Vruwink, Mrs. F. H. Partridge Address all communications to The Women’s University Club, 943 South Hoover Street, Los Angeles, California.

VOL. III. No. 1 JANUARY, 1932 10c per Copy, $1.00 per Year

FEATURE FILMS 4

BEAU HUNKS » » lem and the crime situation, realistic and ex- Laurel and Hardy. Direction by James citing. Mr. Huston gives an excellent characterization. Horne. M.G.M. Adolescents, 12 to 16 Children, 8 to 12 When Hardy’s best girl refuses him, he and Laurel join the Foreign Legion and become Not suitable No heroes through a series of blunders only possi- C+-9 ble to these incomparable comedians. The picture follows the well known Laurel and COCK OF THE AIR » » Hardy formula and will delight their many Billie Dove, Chester Morris, .Watt Moore followers. Written by Robert Sherwood and Charles Adolescents, 12 to 16 Children, 8 to 12 Lederer. Direction by Tom Buckingham. Excellent Excellent Howard Hughes Production. United 0-9 Artists. CITY SENTINELS » » From a brilliant beginning this picture Previewed under the title “Smashing the simmers down into slapstick, sacrificing all Vice Ring”. Walter Huston, Jean Her- plot value in a jumble of antics. It is difficult to criticize because the production has sholt, Jean Harlow, Tully Marshall. Di- some charm; lovely scenes of a Venetian rection by Charles Brabin. M.G.M. carnival, other familiar and intriguing (Seen in preview). European settings, airplane shots which are distinctive beautiful. Billie Honest and sincere “Fighting Fitzpatrick” and But Dove is not the type for slapstick and one feels works his way up in the police force from a certain amount of embarrassment in finding patrolman to Chief. He is determined to her there. It might have been a thrilling clean up the city despite the handicaps of romance exquisitely produced. Actually it is politics, “writs of habeas corpus”, and medd- a mediocre inconsistent comedy which man- ling civic committees. In this drama of ages to preserve some measure of entertain- gangster activities the police are the heroes ment. in the unequal struggle to protect life and property even at the cost of their own lives. Adolescents, 12 to 16 Children, 8 to 12 It is a fair presentation of the police prob- Not recommended No Four Motion Picture Reviews

CORSAIR » » chilling moments, and in the working out of the great discovery which ends in the triumph Chester Morris, Thelma Todd. A Ro- of the lower self. The story has its super- Production. United Artists. land West natural aspects, and the photography and The whole idea of this picture involves sound are so directed as to convince the audi- such preposterous ethics that no discriminat- ence even of the incredible. There are some ing audience could possibly accept it. A intimate and objectionable scenes, not in football hero, clerk in a Wall Street broker- keeping with the original story, that seem age, is revolted at the demand that he sell in poor taste. It is exceptionally stirring and worthless mining stock to a widow'. In order will prove, for many, too much of an to prove that he can make just as much emotional strain to be encompassed within money without duping widows, he becomes a the realm of entertainment, but the excell- murderous hi-jacker. Having gained the re- ence of the production will appeal to most spect of his former employer by his superior adults and its real interest in retrospect will cunning and brutality, he condescends to ac- be its spiritual significance. satisfied with the assur- cept a fine position, Adolescents, 12 to 16 Children, 8 to 12 ance that he will not have to sell poor stock Too Strong Too hair-raising to unsuspecting victims. Fortunately the production is neither glamorous nor well acted C't'J enough to disguise its stupidity and not con- EMMA » » sistent enough to make its bad ethics seem Marie Dressier, Jean Hersholt, Richard practical. Cromwell. Direction by Clarence Brown. Adolescents, 12 to 16 Children, 8 to 12 M.G.M. No No An unusual story, definitely constructed for C'KO Miss Dressier, gives us the combination of tears and laughter which we associate with DANCE TEAM » » the work of this delightful artiste. It is a James Dunn, Sally Eilers. Direction by theme of love and devotion, of deepest faith Sidney Sanfield. Fox. in human goodness, and leaves us better for The personal charm of the stars and the having seen it. Even a suggestion of the is unnecessary. like it; appealing quality of this human little story plot You will laugh of the struggles, successes and vicissitudes of at the delicious absurdities, and cry without two young people make this a delightfully embarrassment at the pathos. entertaining picture. James Dunn and Sally Adolescents, 12 to 16 Children, 8 to 12 Eilers are ideally cast, and the well developed Excellent Good plot, spontaneous humor and clean romance should hold great appeal for family audiences. GALLOPING THROUGH » » Adolescents, 12 to 16 Children, 8 to 12 Tom Tyler. Direction by Lloyd Nosier. Good Probably little Monogram Pictures. interest A Western of the old type with some good C-KS riding and much sudden death. Details have not been carefully chosen to place the story DR. JEKYLL AND MR. HYDE in pioneer days ; consequently there seems Fredric March, Rose Hobart, Miriam little excuse for the administration of justice Hopkins, Halliswell Hobbes. Direction by continuous gun play. Episodes are melodramatic to the point of absurdity. It is on by Rouben Mamoulian. Adapted by a level with cheap magazine serials, boring Percy Heath and Samuel Hoffenstein for adults and discriminating adolescents, from the story by Robert Louis Steven- fostering wrong ideas of citizenship for those son. Paramount-Publix. with untrained minds. Adolescents, Fredric March gives a remarkable and 12 to 16 Children, 8 to 12 masterful presentation of the dual personali- Not recommended No of Dr. Mr. His buoyant, ty Jekyll and Hyde. C-+-0 impulsive doctor of the the early scenes makes GIRL » » him a thoroughly likable character, which OF THE RIO emphasizes the contrast when he sinks to the Dolores Del Rio, Leo Carrillo. Adapted level of the degraded Hyde. The change is from the play “The Dove” by Willard adroitly effected by the use of sound effects Mack. Direction by Herbert Brennen. and shifting camera to indicate the reversion of feeling that he undergoes. On the whole R.K.O. the mood, the atmosphere, of the Stevenson It may be that the pendulum of taste has novel is retained in the hair-raising and blood swung away from romantic swashbuckling Motion Picture Reviews Five

the plot melodrama so far that this former stage jokes and situations are off color and cheerfully. success suffers in consequence. At any rate is of no consequence, but all ends the picture seems unreal and arouses little Adolescents, 12 to 16 Children, 8 to 12 struggles with interest. A well selected cast Too sophisticated No interest situations which invite no sympathy and do not leave an impression of plausibility. The plot is laid in a Mexican border gambling HUSBAND'S HOLIDAY » » resort where the “Dove” dances in the Clive Brook, Vivienne Osborne. Adapted Casino. She attracts the attention of a law- play by Ernest Pas- less gambler who exerts every effort to get from the novel and her as his mistress. The reason for his final cal entitled “Daddy Goes A Hunting.” renunciation is not so convincing as it seem- Direction by Robert Milton. Paramount- ed in the stage production. The photography Publix. and outdoor settings are exquisite. A program picture concerning “a woman’s Adolescents, !2 to 16 Children, 8 to 12 struggle to preserve her marriage in the face Not recommended No of her husband’s infidelity.” It lacks originality in treatment or theme and is of aver- c-t-s age interest only for adult audiences. HELL DIVERS » » Adolescents, 12 to 16 Children, 8 to 12 Marjorie Clark Gable, Wallace Beery, No No Rambeau. A Geo. Hill production. M. CfJ G.M. LADIES OF THE BIG HOUSE » » Whatever type of picture you usually pre- Sidney, Gene Raymond. Direction fer, here is one that cannot fail to give you Sylvia a real thrill. United States Naval aviators by Marion Gering. Paramount-Publix. in action, the airplane carrier “Saratoga”, In this starkly realistic drama, an innocent its huge deck swarming with planes, target young couple are “framed” and thrown into practice from the clouds, maneuvers in the prison for a crime they have not committed. air that make you dizzy just to watch. Even The unforgetable scenes of prison life, the without the fictional element that holds to- suffering and despair of the young husband gether these magnificently photographed and wife and their final vindications should scenes, there would be plenty of romance in be powerful propaganda against injustice and watching the every day life of these aviators, corruption. Though perfectly acted and skill- but the scenarist has provided deeds of hero- fully directed, the maturity and intensity of ism and self-sacrifice and breath-taking ad- its theme are too somber for children. ventures that keep you on the edge of your Adolescents, 12 to 16 Children, 8 to 12 seat. Singularly lacking in the maudlin sentimentality that often mars such pictures, Hardly No the story is developed mainly through inter- C'KS est in the character of a sergeant, expert » » bomber of the squadron whose loyalty to his LADIES OF THE JURY “Skipper” and dogged devotion to duty are Edna May Oliver, Ken Murray. Direc- equalled only by his love of a fight. Wallace tion by Lowell Sherman. R.K.O. Beery so ably portrays this character that he A very charming lady wheedles and per- fairly lives the part, and among real the suades her reluctant fellow-jurors to acquit navy men does not stand out as a mere alien an ex-chorus girl of murder. Edna May actor. With the cooperation of the United Oliver as the “charming lady”, gives just the States Navy the producers have made a pic- right touch of comedy and burlesque, and be- ture that is worthy of a place among the best. cause of her finesse and humor we all can Adolescents, 12 to 16 Children, 8 to 12 enjoy a most entertaining evening at the ex- Excellent Very exciting pense of our famous jury system. Adolescents, 12 to 16 Children, 8 to 12 Harmless Little interest HER MAJESTY LOVE » » G'KO Marilyn Miller, Ben Lyon, Ford Sterling, MANHATTAN PARADE » » Leon Errol. Direction by William Die- Winnie Lightner, Charles Butterworth. terle. Warner Brothers-First National. Direction by Lloyd Bacon. Photographed Excellent comic relief, good acting and a in technicolor. Brothers. tuneful score enliven this light musical Warner comedy. Marilyn Miller as barmaid in a If “Manhattan Parade” is Hollywood’s night club is the charming leading lady who answer to “Once in a Lifetime” it misses loves a rich young society man. Some of the fire by too malicious an attack. Hollywood Six Motion Picture Reviews took the “kidding” too seriously, for the bur- MEN OF CHANCE » » lesque is overdone and the typical characteri- Mary Astor, John Halliday, Ralph Ince, reality, Winnie Lightner alone zations lose Ricardo Cortez, Kitty Kelly. Direction seeming human. For plot: a woman costumer by George Archainbaud. R.K.O. exploits a mad Russian playwright in order to secure contracts for a Broadway show, and Against the picturesque and colorful back- the vulgarity of two producers provides the ground of a Parisian race track is unfolded humor. However it is different in theme and a romance of the intrigues of professional has excellent color effects, which make it on gamblers. Mary Astor as a bogus countess the whole a fairly entertaining, if trivial, and Ricardo Cortez as a handsome gambler program picture. are the leading figures in this sophisticated and well acted drama. All the shady deals Adolescents, 12 to 16 Children, 8 to 12 and sordid situations, though entirely in Unobjectionable No interest keeping with this type of story, are confusing and not particularly wholesome subjects for the entertainment of immature audiences. It MATA-HARI » » is fairly entertaining for adults. Greta Garbo, Ramon Novarro, Lionel Adolescents, 12 to 16 Children, 8 to 12 Barrymore, Lewis Stone. Direction by Better not No interest George Fitzmaurice. M.G.M. PANAMA FLO » » There is always a degree of fascination in Helen Twelvetrees, Robert Armstrong, the operations of a spy. In this play Mata Hari, most notorious of the World War intri- Charles Bickford. Direction by Ralph gants, comes to life in the person of Greta Murphy. R.K.O. -Pathe. Garbo and relives the vivid and tragic “Panama Flo” is strictly for adult audi- months in Paris which inevitably lead to the ences if they enjoy sordid, tawdry melodrama firing squad. It is one of the finest oppor- without any particularly artistic accomplish- tunities Miss Garbo has had to display her ments to redeem it. It tells the story of a skill and charm. Lionel Barrymore and Ra- girl, stranded by her fiance, and without mon Novarro appear as two of the officers funds, who, in her abandoned predicament, ensnared by her fascination, Lewis Stone as is caught stealing. She is forced to work her superior in the espionage system. The out her redemption, and loyalty to her cast is exceptional even to the minor charac- rescuer is rewarded in the end. It is vulgar ters, and direction is noteworthy, with very in substance and implication. skillful touches in the use of silence and dark- Adolescents, 12 to 16 Children, 8 to 12 ness. It is a picture for the discriminating. Absolutely not Nevertheless, because of the facts of the story, No the general tone is depressing, and the cour- C'f-S tesan phase of Mata Hari’s life is too strong- PARTNERS » » ly emphasized for adolescents. Tom Keene, Nancy Drexel. Direction by Adolescents, 12 to 16 Children, to 12 8 Fred Allen. R.K.O. -Pathe. Too mature No Adjust your yawns to a wolesome, simple direct “Western”. It is a well photographed C'KO film, rather stilted in dialogue, but adequate MEN IN HER LIFE » » in cast and swift in action. An old peddler is murdered and a- young rancher accused of Charles Bickford, Lois Moran. From the the crime. The peddler’s small grandson book by Warner Fabian. Direction by helps detect the real culprit. Though the picture contains nothing outstanding for adult William Beaudine. Columbia Pictures. audiences, it is probably entertaining for Charles Bickford plays the part of a rich juveniles, and the presence of the child actor will heighten the interest for them. bootlegger who decides to retire and learn Adolescents, 12 to 16 Children, 8 to 12 parlor tricks. Lois Moran is a society girl Yes Yes hires to in need of money whom he teach ce+s him drawing-room tactics. The story is at PEACH O'RENO » » first amusing with a dash of spice but later Bert Wheeler, Robert Woolsey, Joseph develops into a melodramatic tragedy rather Cawthorn, Dorothy Lee, Zelma O’Neal. antiquated in treatment. Direction by William Seiter. R.K.O. Adolescents, 12 to 16 Children, 8 to 12 Reno furnishes amusing material for this Better not No absurd burlesque full of comical situations, Motion Picture Reviews Seven

» stunts and gags. The Brunos quarrel on their THE RAINBOW TRAIL » 25th anniversary and rushing off to Reno, George O’Brien, Cecilia Parker, Minna engages the firm of Wattles and Swift. each Gombell, Roscoe Ates. From the novel Humor runs riot over divorce methods and by Zane Grey. Direction by Barry court room scenes. The cast is uneven, the jokes broad, enjoyment of which is a matter Conners and Philip Klein. Fox. of personal taste. An old fashioned “Western” with villains Adolescents, 12 to 16 Children, 3 to 12 and heroes melodramatically characterized, Not recommended No the “Rainbow Trail” is a sequel to “Riders of the Purple Sage”. It is somewhat confused and improbable in plot but well G'KS enough acted and directed, and distinguished PRIVATE LIVES » » by glorious photography of the Grand Can- yon. Possible for family audiences, it is Norma Shearer, Robert Montgomery, marred by needlessly harrowing scenes. Reginald Denny, Una Merkel, Jean Adolescents, 12 to 16 Children, 8 to 12 Hersholt. Direction by S. Franklin. Yes Questionable in de- M.G.M. tail, but full of action. Strictly out of order for the immature and those who have puritanical leanings, this is e-fO nevertheless a highly diverting comedy of the sophisticated type which has held a domi- THIS RECKLESS AGE » » nant place on the stage during recent years. Richard Bennett, Frances Starr, Charles It throws the proprieties to the winds. Amanda and Ellyot, a divorced couple, meet Rogers, Frances Dee, Peggy Shannon, by a freak of chance in a French hotel, Charles Ruggles. Direction by Frank where each is embarking on a new matro- monial venture, and swept away by the old Tuttle. infatuation, leave together for a chalet in “There’s still good in our young folk”, Switzerland. There follows the conflict of might well be the theme this two charming and temperamental people who song of pleasantly sentimental tale. father love each other and vet are too individual The and mother of two selfish irresponsible children to sacrifice anything for the sake of peace. find them essentially sound when a crisis presents it- It is all very human, and in spite of farcical self. Richard Bennett and Frances Starr give exaggerations, gives an insight into most convincing and natural performances as marriages and gaily ridicules divorce as a father and mother, Charles Rogers and the panacea. The dialogue is satiric, often rest of the cast are adequate. It is agree- scintillating, and both actors and directors able though unstimulating entertainment for have entered completely into the spirit of the whole family. Noel Coward’s play concerning the complexity of modern marital relations. Adolescents, 12 to 16 Children, 8 to 12

Adolescents, 12 to 16 Children, 8 to 12 Yes Very little interest Very unsuitable No e-to c+J SHERLOCK HOLMES' FATAL HOUR » » RACING YOUTH » » Arthur Wentner, Norman McKennell, June Clyde, Frank Albertson, Louise Fa- Jane Welch, Minnie Rayner. English zenda, Slim Summerville. Direction by production released by Warner Bros. Vin Moore. Universal Pictures Corp. This English production excels in flawless A beautiful girl inherits an automobile fac- sets, beautiful photographic effects, fine dia- tory and arrives to investigate it, accompani- logue spoken by cultured trained voices, good ed by a formidable spinster secretary. The acting and direction. It has an interesting factory manager mistakes the secretary for story in which the famous detective ferrets the owner. This complication plus a villain, out the mystery of a bank robbery. While it a terrific automobile race and a romance sup- is tense and gripping it is never gruesome, ply the points of interest in a stereotyped and dry humor frequently relieves the situ- comedy. There are two major accidents ations. This type of detective story may be thrown in to appeal to the gladiatorial taste safely enjoyed by adolescents as well as of the mob. grown-ups.

Adolescents, 12 to 16 Children, 8 to 12 Adolescents, 12 to 16 Children, 8 to 12 Not harmful Not harmful Good Too mature Eight Motion Picture Reviews sooky » » deemed through the effort of Brother Jacob, Jackie Cooper, Robert Coogan, Jackie the host at an all night mission in the slums. The dialogue is stilted, the plot dreary Searl. Direction by Norman Taurog. and the photography very dark. It is not a Paramount-Publix. wholesome production although it points a As a sequel to “Skippy” this comedy drama moral. of the lives of three small boys, Skippy, Adolescents, 12 to 16 Children, 8 to 12 Sooky, and Sidney, has lost none of the enter- Not recommended interest tainment quality so outstanding in the for- No mer production but has indeed more charm 0-9 and pathos in its unfolding. The story of TORCHY TURNS THE TRICK » » the devotion of Skippy to his Shanty town friend, Sooky, is a treat for any audience. Ray Cooke, Dorothy Dix. Educational There are many fine shots and well selected Pictures, Inc. bits humor, as well as strong tragedy. It of A cheap and unimportant comedy in which is an excellent family picture for all except “Torchy” the office boy, through a ruse, gains those who might find its pathos too emotion- a million dollar order for his firm! Only al. passable for any audience. Adolescents, 12 to 16 Children, S to 12 0-9 Excellent Good if they are not disturbed by TWO KINDS OF WOMEN » » pathos. Miriam Hopkins, Phillips Holmes, Irving cso Pichel, Stuart Erwin, STEPPING SISTERS » » Wynne Gibson. Louise Dresser, Minna Gombel, Jobyna Direction by William de Mille. Para- Howland. Direction by Seymour Felix. mount-Publix. From Robert Sherwood’s Fox Film Corp. play “This is New York.” Much good acting talent is wasted in this This picture, with an unusually experi- slow moving slapstick comedy. The plot is enced cast and directed by William de Mille, concerned with an ambitious mother who at- is nevertheless a distinct disappointment. The tempts to secure social prestige for her story showing a cross-section of New York daughter by a “'good match”. Her former night life has the usual sordid details of profession of Burlesque show girl overtakes squandered money, excessive drinking and her and many complications arise. It is often unpleasant entanglements. Even the “comic vulgar and much overdrawn but there are relief” is unpleasant unless one can enjoy the a few good laughs. owlish blinking of a gin-dazed woman. It 12 Adolescents, 12 to 16 Children, 8 to contains nothing new in lines or situations Not recommended No and is not constructive. It would be a waste of time for an audience seeking agreeable C'f-S or thought provoking diversion. » » A STRANGE AFFAIR Adolescents, 12 to 16 Children, 8 to 12 Jack Holt, Ralph Graves. R.K.O.-Pathe. No No Detective story which is not outstanding in o^> entertainment value. It is lightly amusing, only fairly interesting. Unobjectionable. UNEXPECTED FATHER » »

Adolescents, 12 to 16 Children, 8 to 12 Slim Summerville, Zazu Pitts, Cora Sue Unobjectionable Too mature if Collins. Direction by Thorton Freeland. type is enjoyed 0-9 Universal Pictures Corp. THE SOUL OF THE SLUMS » » A light comedy which presents Slim Sum- merville as a man about town, grown William Collier Jr., Cora Mahaffey. Di- suddenly wealthy. Pudge, an orphan waif is rection by Frank Strayer. Action Pic- responsible for a change in marriage plans tures. Seen in Preview. for Slim, which incidentally supplies Pudge with a mother A gloomy melodrama concerned with the and father. The child, played by Cora Sue Collins, will reform of a boy who has served a seven win the hearts of the audience, and year prison term for a crime which he did two such comedians as Slim and Zazu Pitts as usual not commit On learning of the boy’s release supply an abundance of laughs. from prison, the man who “framed” him, deserts his common law wife and leaves town. Adolescents, 12 to 16 Children, 8 to 12 This girl and boy fall in love and are re- Amusing Amusing Motion Picture Reviews Nine

THE WOMAN FROM MONTE CARLO » » WORKING GIRLS » » Hall, Lil Dagover, Walter Huston, Warren Paul Lukas, Judith Wood, Dorothy Charles Rogers, Stuart Erwin, Mary William, John Wray, George Stone. Di- Forbes. From the play, “Blind Mice” rection by Michael Curtis. Warner by Vera Caspary and Winifred Lenihan. Brothers. Direction by Dorothy Arzner. Para-

Anyone who is interested in new personali- mount-Publix. ties on the screen will enjoy seeing Miss Two sisters, the one a clinging vine, and Dagover, though the picture in which she the other an independent breezy individual, makes her bow to our public has little else arrive in New York to seek their fortune. to recommend it. It is a confused and im- A saxophone player, a noted scientist, and a plausible story of a woman with a past who play boy provide the male coefficients for leaves the past only to return to it after ad- situations which vary from naive introduct- ventures in matrimony on a French warship ions to complicated indiscretions. A “shot have ended unsatisfactorily. gun” marriage makes a climax to a very Adolescents, 12 to 16 Children, 8 to 12 much bemuddled alignment of love affairs. Not recommended No interest Adolescents, 12 to 16 Children, 8 to 12 No No 0-0 C'KO UNDER EIGHTEEN » » X MARKS THE SPOT » » Marian Marsh, Anita Page, Warren Lew Cody, Wallace Ford, Sally Blane,

William, Norman Foster. Direction by Mary Nolan. Direction by Earl C. Ken- ton. Tiffany. Archie Mayo. Warner Brothers. A good mystery story well written, fast The sweet girl graduate, disillusioned by moving, excellently acted. The editor of a the unhappiness of her sister’s penniless scandal sheet, investigating a libel suit, be- marriage, decides to sacrifice herself for comes involved in the murder of an actress. money. Her indiscretions are discovered in The plot has a familiar trend perhaps, but the “nick of time”. We cannot recommend there are tense moments, and the climax is this trifle, morally or aesthetically. It is quite unexpected and exciting. It is best suited to dull. adults who enjoy this type of relaxation.

Adolescents, 12 to 16 Children, 8 to 12 Adolescents, 12 to 16 Children, 8 to 12 No No Not recommended No- Ten Motion Picture Reviews

SHORT SUBJECTS * AHOY » » PLAY BALL WITH RUTH » »

Santa Barbara Sea Scouts. Direction by Direction by Ben Stoloff. Universal Donovon Miller. Educational Pictures, Pictures Corp. A. Slide, Babe, Slide. Inc. B. “Just Pals”. C. “Perfect Control”. This Boy Scouts of America Short Subject wins for itself merely honorable mention as Babe Ruth enthusiasts will be pleased with an attempt by amateurs to show the intrigue this original and attractive presentation of and excitement that boys find in sea scouting. their favorite. Always the hero of a gang Unfortunately the picture is stilted and has of boys, orphans, school kids, etc. Ruth an improbable plot. Boys will find it teaches them the game of baseball and inci- derisively amusing. dentally, a few truisms of the game of life. He has a most engaging way with youngsters. All three reels recommended for all audiences. CANINE CHAMPIONS » » Grantland Rice Sportlight. R.K.O.- 0-9 Pathe. SELF-CONDEMNED » » An interesting and educational study of champion pointers and setters from the Mit- Direction by Spencer Gordon Bennett. ten Kennels in Pennsylvania. The dogs’ fine This is one of a series of Nick Harris qualities are displayed and later the camera films depicting actual solution of crimes. In accompanies them a-field, during a pheasant this case four men are held on the suspicion hunt. Excellent for all audiences. of murdering a certain lawyer, and the detective, by persuading them to reenact the oo crime, discovers the guilty individual. It is a dramatic story, portrayed with realism, FANCY CURVES » » morally fitting in that punishment is meted Fourth in series called “Play Ball with out to the criminal. Nevertheless, there is Babe Ruth”. Direction by Lou Breslow. a question whether such cases might not Universal. better be left to the police records and the evening papers. Not recommended for family very A amusing comedy in which Babe audiences. Ruth coaches a team of girl players. It is instructive as well as humorous and will 0-9 entertain all audiences. UGLY DUCKLING » » 0-9 Silly Symphony Cartoon. » » MICKEY'S ORPHANS This Silly Symphony is a parody on the Mickey Mouse Cartoon. “Ugly Duckling”. The accompanying music is punctuated entertainingly with sounds from An idyll on the Christmas spirit, satirical various animals. Recommended for the and very amusing. The action swings in family. rhythm and mood to a musical accompaniment. Children will delight in it. Recom- mended for the family. -t f f

MOTION PICTURE REVIEWS

THE WOMEN’S UNIVERSITY CLUB LOS ANGELES, CALIFORNIA

FEBRUARY 1932 THE WOMEN’S UNIVERSITY CLUB

LOS ANGELES BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN 943 South Hoover Street

<$*$>

Telephone DRexel 2177

<$*$>

WEB9CRA FT PRINTERS. 1851 ARLINGTON AVE.. LOS ANGELES Motion Picture Reviews Three

MOTION • PICTURE • REVIEWS

Published monthly by THE WOMEN’S UNIVERSITY CLUB LOS ANGELES BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN « »

Mrs. John Vruwink ) Mrs. Gerard A. Murray Co-Chairmen. Mrs. Palmer Cook, j Preview Chairman

Editors

Mrs. J. Allen Davis Mrs. Arthur Jones Mrs. Walter Van Dyke Mrs. Palmer Cook Mrs. John Vruwink, Mrs. F. H. Partridge Address all communications to The Women’s University Club, 943 South Hoover Street, Los Angeles, California.

VOL. III. No. 2 FEBRUARY, 1932 10c per Copy, $1.00 per Year

FEATURE FILMS 4

There are several films which we believe men particularly will find exceptionally inter- deserve special mention this month. Of these esting. there are only two which can be called family There are other films also which are recom- pictures: “The Man Who Played God” is a mended for one reason or another in the re- simple human story which leaves us a little view's, making quite a generous quota in one happier for having seen it. “The Man I month. But unfortunately not many are Killed,” splendidly acted and directed, has either suitable or will appeal to children. a great theme and, to quote Mrs. Winter, Saturday afternoon will have to call for other “it is interesting to note that the author is plans than movies! a great French dramatist, the director a great german artist, and the actors notable Ameri- ARSENE LUPIN » » cans.” John Barrymore, Lionel Barrymore, “Arsene Lupin” is for the sophisticated. Karen Morley, Tully Marshall, John The combination of the Barrymore brothers Miljan. Direction by Jack Conway. on the screen is an occasion for rejoicing and M.G.M. this brilliant, artistic, (if immoral) vehicle The charm of John Barrymore as well as will delight such audiences. “The Hatchet- the artistry of Lionel Barrymore, delights in Man” is distinguished by the acting of Mr. this vivid, intriguing mystery story, in which the element of suspense is cleverly maintained Robinson. The play is very melodramatic. to the close. Strong dramatic values, un- In “The Shanghai Express” exceptional photo- usual photographic effects, and attractive graphy and direction make the picture un- scenes distinguish the picture. It is to be usual. It is a sophisticated story of a glamor- regretted that there is the introduction of several unnecessary and highly suggestive ous woman, suitable only for adult audiences. passages which besmirch an otherwise de- “The Beast of The City,” previously reported lightful picture. There is a zest of adven- as “City Sentinals,” is a stirring drama which ture throughout, now with the arch crook, Four Motion Picture Reviews now with the police, with an undercurrent land Yard volunteer their services to assist of humor that relieves any incident which in solving a mystery murder. A Scotland might become sombre. Yard detective is found dead, just as he is Adolescents, 12 to 16 Children, 8 to 12 on the point of establishing his facts in a murder case. Genially scattering proverbs as Sophisticated, Too mature he goes, Chan helps expose the crime. Most G-tO devotees of this form of drama will enjoy it thoroughly. BUSINESS AND PLEASURE » » Adolescents, 12 to 16 Children, 8 to 12 Will Rogers, Jetta Goudal, Joel McCrea, Good Too mature Dorothy Peterson. Direction by David c+J Butler. Fox. Reviewed in September from CHEATERS AT PLAY » » a theatre preview. Tom Meighan, Charlotte Greenwood, This screen play taken from “The Pluto- crat” by Booth Tarkington has a fantastic William Bakewell. Direction by Hamil- plot that is wholesome in general but descends ton MacFadden. Fox. to melodrama towards the end. Throughout A poor and misleading title covers an inter- an ocean voyage and a sojourn in the vicinity esting play concerning the reformed Lone of Port Said, Will Rogers as a razor-blade Wolf’s atempt to withold his son from a life magnate is kept in continual difficulty by a of crime. The action takes place on ship- too conventional daughter, a jealous wife and board. Much of the picture is done in an a scheming adventuress. There is not so entertaining manner by proficient actors, and much riotous humor as one usually expects comic relief is furnished by Charlotte Green- from Will Rogers, but there is plenty of wood. There is howerever an artificiality in opportunity for his usual sly by-play and the treatment which leaves one skeptical of shrewd observations. The film is one which should appeal to family audiences. the final outcome. For younger people the thrill of the crook’s life might easily outwr eigh Adolescents, 12 to 16 Children, 8 to 12 the more obvious plea for honesty. Good Mature Adolescents, 12 to 16 Children, 8 to 12 c+J Questionable No BEAST CITY » » THE OF THE C'KS Walter Huston, Jean Hersholt, Tully DISORDERLY CONDUCT » » Marshall, Jean Harlow, Wallace Ford. Spencer Tracy, Sally Eilers, El Brendel. Direction Brabin. bv Charles M.G.M. Direction by John Considine, Jr. Fox. This picture was reported in the December Another police gangster drama in which bulletin under the title “City Sentinals.” It the police are shown to have many oppor- is a very strong drama picturing a splendid tunities for graft, although Honest Dan and and successful fight against the ramifications his methods come out best in the long run. of oraginzed crime in a great city. It is hon- Sally Eilers has a headstrong role as the estly portrayed, without sentimentality or ex- daughter of the very wealthv gang leader, aggeration, is stirring emotionally, and eulo- whose policy is to break the law but not to

gizes the honest and sincere efforts of the fight it. The audience has no sympathy police force. The acting is exceptionally fine, either with the reckless young woman or with notably Walter Huston. Adults and older gangster methods. There are several cli- adolescents will find it thrilling entertainment maxes at the end of the film any one of with stimulating moral reactions. which might be the close. A small boy makes intense tear provoking, and Adolescents, 12 to 16 Children, 8 to 12 the drama and Very exciting No. Too harrowing also supplies much of the humor. Adolescents, !2 to 16 Children, 8 to 12 C'KS Not recommended Too Strong CHARLIE CHAN'S CHANCE » » c+s> Warner Oland, Alexander Kirkland, H. » » B. Warner, Linda Watkins, Marion THE EXPERT Dickie Lois Wilson, Nixon, James Kirkwood. Direction by Chic Sale, Moore, Foxe. from Fer- G. Blystone. Fox. Earle Adapted Edna ber’s novel “Old Minick.” Direc- Charlie Chan, the Chinese detective of Earl Man Derr Biggers’ stories, moves again with or- tion by Archie Mayo. Warner Brothers. iental good humor and wisdom through this This is the story of an old man who comes latest mystery film, “Charlie Chan’s Chance.” to live with his son and daughter-in-law. Mr. Chan selects New York this time for his Full of good intentions he completely upsets sleuthing. He and Inspector Fyfe of Scot- the household, but in the end he ev >Ives a Motion Picture Reviews Five

solution which we are led to believe pro- HIGH PRESSURE » » vides a happier life for all concerned. Old William Powell, Evelyn Brent, Evalyn man Minick is by no means the hilarious sort of role usually expected of Chic Sale. Knapp, Frank McHugh. Direction by The character is genuinely lovable but pa- Mervyn LeRoy. Warner Brothers. thetic, and Mr. Sale plays it splendidly and William Powell departs from his usual with fine understanding. It holds real inter- form and presents a different characterization est for adults, but the theme and characters in that of a breezy, adventurous, romantic will probably have little meaning for youth- promoter whose activities are hazardous at ful audiences. times. The story is amusing and full of Adolescents, 12 to 16 Children, 8 to 12 action, with good dialogue and is well acted, relaxation. Little interest Little interest providing pleasant Adolescents, 12 to 16 Children, 8 to 12 c+~s> Entertaining Probably of little interest GAY CABALLERO » »

George O’Brien, Victor McLaglen, Con- C'f-O chita Montenegro, Linda Watkins. From INTIMATE » » the novel by Tom Gill. Direction by Alfred Werker. Fox. Fredric March, Kay Frances. From In this vigorous, swift-moving story of the “The Storm Lamb” by William J. Locke. Mexican border an American impersonates a Direction by Loctar Mendes. Paramount- bandit in order to champion the cause of op- Publix. pressed peons. Atmosphere is heightened by Do not let the title scare you away because a fiesta and good desert effects. There is so “Intimate” is actually a wholesome, amusing much action and it is sometimes difficult to farce with which the family may pass a follow, but it is the kind of adventure pic- pleasant hour. The picture is entertaining ture that juniors enjoy as well as many grown-ups. chiefly because of the presence of Fredric March, Kay Francis, and Stuart Erwin, but Adolescents, 12 to 16 Children, 8 to 12 the dialogue is also satisfactory and the Yes Very exciting humorous situations are skillfully handled. It is a story of mistaken identities, where one C'KS twin steps into his brother’s place to the THE HATCHET MAN (Honorable Mr. Wong) satisfaction of all. Edward G. Robinson, Loretta Young. Adolescents, 12 to 16 Children, 8 to 12 Direction by William Wellman. Warner Good Harmless Brothers-First National. C'KD This is a picture with such intensity » » of theme that it can hardly be classed THE LADY WITH A PAST as entertainment. Like other stories dealing Constance Bennett, David Manners, Ben with oriental traditions, it is grimly solemn Lyon. Direction by Griffith. R.K.O.- and leads inevitably towards tragedy. The first scene is laid in San Francisco’s China- Pathe. town as it was some twenty years ago. Mr. “The Lady With a Past,” actually a mis- Wong, Honorable Hatchet Man, is called up- nomer for the girl in question, proves to be on to avenge the murder of a member of his a smart, amusing and sophisticated comedy, Tong. Then follows a terrific emotional con- a take off on the younger set, their psychol- flict between loyalties, which is the keynote of ogy, search for excitement, and decidedly the entire plot. Mr. Robinson achieves a no- unpuritanical reactions. A latchkey offered by table triumph in the power and restraint of a notorious woman to the heroine’s “light o’ his acting. He seems to be truly oriental not love” is the causa causans which influences only in appearance but in spirit. Fidelity to her to seek a past of her own. Ben Lyon is detail in costume and setting emphasizes all delightful as the gigolo who assists her to the more the inability of others of the cast to win a reputation, and Constance Bennett put themselves into character. It is this in- shows a real flair for comedy which has adequacy together with a too sensational plot, been overlooked in casting her in dramatic that keeps the picture from being more wor- roles. It is light, clever, entertaining, but not thy of Mr. Robinson’s capabilities. However presenting life truthfully or with any empha- it is out of the ordinary, and the story is sis on the accepted moralities. It is recom- coherent and well developed. mended for “grown-ups” only. Adolescents, 12 to 16 Children, 8 to 12 Adolescents, 12 to 16 Children, 8 to 12 Unsuitable theme No No No !

Six Motion Picture Reviews

LAW AND ORDER » » hero but the horsemanship excels as usual, Walter Huston, Harry Carey. Direction the chase is as stirring and the romantic interest as charming. Juniors will find it quite by Edward Kahn. Universal Pictures satisfying. Corp. Adolescents, 12 to 16 Children, 8 to 12 Reviewing Westerns is becoming a game A matter of taste Harmless like current stamp collecting, every week a new issue. However, “Law and Order” is decidedly above the average. It is an au- LOVERS COURAGEOUS » » thentic cross section of early days in Tomb- stone, Arizona, a typical pioneering town Robert Montgomery, Madge Evans, Ro- with its corner saloons, hitching posts and land Young. Direction by Robert Z. false facades on frame buildings. Terroriz- Leonard. M.G.M. ed by a maurauding element, the people per- suade a United States marshal, who is famous A simple and not unusual story is lifted for his courageous enforcement of the law to to a plane above the average by good char- take command and organize a safe commun- acterizations and clever lines. An adven- ity for them. He succeeds here as elsewhere turous young Englishman wanders about the because his methods are just and are backed world seeking his fortune and eventually falls by the steady aim of his six shooters. His- in love with the daughter of an admiral. torical incidents from the life of Wyatt When her father very logically objects to the Earpe, well-known peace officer of his day, match, Willie and Mary find their path be- set difficulties. form the basis of the plot. The prologue is with Concerning two normal, somewhat too long and the comedy relief attractive young people, it is a pleasing grotesque, but an excellent cast creates and change from the jazz pictures, and can be maintains the illusion of that period. It is recommended for a family audience. a good family picture although exciting for Adolescents, 12 to 16 Children, 8 to 12 young children. Yes Not sufficient interest Adolescents, 12 to 16 Children, 8 to 12 Good Very exciting eW » » THE MAN I KILLED LAW OF THE SEA » » William Farnum, Rex Bell, Sally Blane, Phillips Holmes, Nancy Carroll, Louise Priscilla Dean. Direction by Otto Carter, Zazu Pitts, Lionel Barrymore, Brauer. Chadwick Production for Mono- Tom Douglas. From the play by Mau- gram Pictures Release. rice Rostand. Direction by Ernest Lub- This exaggerated and unwholesome melo- itsch. Pararnount-Publix. has one redeeming feature, splendid drama This picture portrays not the brutalities of sea photography. But even this cannot com- actual combat but the pathological stress of pensate for improbable situations handled post war conditions. It is a remarkable plea with obvious brutality, exemplifying the ethi- for international understanding and the aboli- cal standard of the Old Testament, “an eve tion of war. The plot depicts a young for an eye.” Perhaps the excitement engen- Frenchman, who is haunted by the perpetual dered by fierce and prolonged fighting may recollection of killing a German lad. Unable satisfy a primitive urge in some natures, but to find spiritual relief, he decides his only the average person will miss nothing by hope rests in gaining the forgiveness of the keeping the children at home and staying boy’s parents. Such a stirring vehicle chal- with them lenges Lubitsch’s skill. He misses no telling Adolescents, 12 to 16 Children, 8 to 12 opportunities to symbolize the irony and No No hypocrisy surrounding wars, and altogether c+s produces a beautifully eloquent and very human drama. To Lionel Barrymore goes » » THE LOCAL BAD MAN the most outstanding dramatic scene. He and Hoot Gibson, Sally Blane. Adapted Lubitsch bring out superbly the pathos of from the story “All For Love” by Peter this moment . Here Barrymore’s closing line strikes the keynote of Rostand’s belief, “Good- B. Kyne. Direction by Otto Brown. Al- bye old men, nurse your hates if you wish, lied Pictures Corporation. I’m with the young who know how to for- As an antidote for oversophistication the give.” Do not miss this picture. breezy vigor of the wide open spaces of a Adolescents, 12 to 16 Children, 8 to 12 good old western melodrama is not to be overlooked. True, we recognize the familiar Very sad and mature No trend of the villainous plot against our brave Psychology beyond them Motion Picture Reviews Seven

THE MAN WHO PLAYED GOD » » handled with a due amount of delicacy', and the play will probably be acceptable to a George Arliss, Violet Hemming, Ivan sophisticated audience. Simpson. Direction by John Adolphi. Adolescents, 12 to 16 Children, 8 to 12 Warner Brothers-First National. No No interest There is a distinct lesson in this film which, Presents however, does hot spoil its entertainment wrong point of view value. When a family heritage of deafness descends upon a great concert pianist, he C'KS accepts his fate with bitterness and cynicism, POLLY OF THE CIRCUS » » repudiating God for robbing him of his music. Lip-reading brings him back to the Marion Davies, Clark Gable. Direction world but his bitterness continues for he can- by Alfred Santell. M.G.M. (Seen in not reconcile the idea of a loving God who preview.) creates great beauty with the same God who destroys it. The way in which he finally ‘‘Polly of The Circus,” the story of a achieves happiness makes an appealing story. charming and appealing performer in a cir- This picture cannot be classified as a great cus who finds herself unceremoniously thrust production yet it is outstanding due to Mr. under the care and protection of a minister, Arliss’ finesse in acting and Mr. Adolphi’s proves as entertaining in motion pictures as restraint in direction. The theme is simple, on the stage. The conflict of standards as direct and wholesome and is highly recom- represented by the circus and the church mended for the family. forms the basis for this swiftly moving melo- Adolescents, 12 to 16 Children, 8 to 12 drama. Miss Davies does creditable work as a trapese performer, giving the audience a Good No interest fair quota of thrills. Clark Gable as an Episcopal minister is convincing and sincere. The divergent attitudes are fairly presented and at no time are there any offensive situa- NECK NECK » » AND tions. The circus background affords humor- Glen Tryon, Vera Reynolds, Carol Nye. ous bits which children may enjoy. Love and sacrifice supply the pathos which makes this Direction by Richard Thorpe. Sona-art drama intensive for adults and a bit mature World Wide production. Educational for young folk. Films. in Seen preview. Adolescents, 12 to 16 Children, 8 to 12 A “fourflusher” selling aluminum ware Passable Little interest from door to door, goes about bragging and boasting of his accomplishments until he becomes entangled in the consequences of the tales that he tells. Horse racing plays a PRESTIGE » » prominent part. The plot is tiresome on the Ann Harding, Adolphe Menjou, Melvvn whole, but several scenes, chief of which is an interesting poker game, have elements of Douglas. Direction by Tay Garnett. entertainment. R.K.O.-Pathe.

Adolescents, 12 to 16 Children, 8 to 12 Even the charm of Ann Harding does not Not recommended Not recommended mitigate the cruel realism of this morbid story. It pictures the demoralizing influence of tropical climate and an c-+o uncongenial appointment upon a young army' officer who is NO ONE MAN » » stationed in Indo-China in charge of the French penal colony'. His wife strives loyally' Carole Lombard, Ricardo Cortez, Paul to help him keep his morale under terrible Lukas. Direction by Lloyd Corrigan. conditions. While it undoubtedly' presents a Paramount-Publix. significant problem its appeal to American audiences is not apparent. The depressing This film presents the predicament of a surroundings, the cruel conditions within the girl endeavoring to find the right husband prison and the general horror of such a mili- among the idle rich at Palm Beach and points tary appointment are problems which we can- north. Again we have a society drama with not solve. As propaganda it leaves us help- all the trappings of fine backgrounds, clever less and certainly it does not entertain al- photography, smart dialogue, luxurious cos- though the production is interesting techni- tumes and dramatic appeal. The morality' cally. is not sound, in that short term marriages are considered one of the natural concomit- Adolescents, 12 to 16 Children, 8 to 12 ants of present day life, but situations are Not recommended Certainly not! ;

Eight Motion Picture Reviews

THE SECRET WITNESS » » climax. The directors have shown ingen- Una Markel, Zazu Pitts, William Col- uity and skill in developing the action, using discretion in the detail necessary to motivate lier, Jr. Direction by Thorton Freeland. the murder, in the suspense and tempo of the Columbia. dramatic court room scene lightened by the A penthouse is the scene of a murder mys- delightfully comic humor of one witness, and tery in which there are numerous suspects in the method of portraying the solution. The with opportunities to have committed the cast is excellent. It will undoubtedly appeal crime, among whom is a pet ape. Una Mer- to lovers of distinctive fiction and to older kel, as a self-appointed “Miss Sherlock adolescents. Holmes” reveals the clever criminal when Adolescents, 12 to 16 Children, 8 to 12 the police are about to make a cumbersome Doubtful Better not error. The love element is present but secondary in the unfolding of the mystery. Zazu C'KO Pitts as a telephone operator provides many SKY DEVILS » » laughter provoking snatches. It is above the Spencer Tracy, William Boyd. Direc- average of its type. tion by Edward Sutherland. Howard Adolescents, 12 to 16 Children, 8 to 12 Hughes Production. Probably good Doubtful “Sky Devils” resembles in general design rather exciting other and earlier war pictures, since the very thin plot concerns the adventures of three SHANGHAI EXPRESS » » soldiers in war-time France, with the attend- ant scenes showing aviators in action. LTn- Marlene Dietrich, Lawrence Grant, like its predecessors its humor is generally Warner Oland, Clive Brook, Anna May wholesome, but the director apparently did Wong. Direction by Josef von Sternberg. not have the courage of his convictions if he Paramount-Publix. wanted to make it entirely so, for he introduced several blatant vulgarities that do The most impressive atribute of this ex- much to offset the good points of the picture cellent photo play is its perfect photography. and overshadow the commendable scenes. The camera seems to have caught everything Adolescents, 12 to 16 Children, 8 to 12 as it would have been seen by a participant in the drama, thus creating such an extra- Not recommended No ordinary atmosphere of reality that one lives c+J in the picture. The story itself concerns what TAXI » » happens to a motley group travelling on the James Cagney, Loretta Young. Direc- Shanghai Express from Peking to Shanghai Bros. during one of the frequent revolutionary up- tion by Roy Del Ruth. Warner risings. Marlene Dietrich is the “Shanghai James Cagney has a very engaging per- Lily”, exotic lady whose name is a by-word sonality and real ability which seems doomed among men. The rather melodramatic events to be veiled in the shadows of the under- of the journey hinge upon her personality, world. He is again cast as a gangster ever and the other characters all are influenced ready with his fists or with his gun. This in one way or another by her presence on the time it is a taxi cab racket where life is valu- train. The cast is ideally chosen to represent ed very lightly and punishment is left to the the necessary types. Humor, pathos and thrills revengeful discretion of the rival companies. abound. Marlene Dietrich’s beauty casts a Direction is capital, and it may prove enter- in spell that makes the fantastic plot credible, taining to those who are still interested

pictures . not recommend it and the realism of each small detail convinces gangster We do to youthful audiences because its moral val- the beholder that he actually is in China. It ues are rather too indefinite. is an eminently satisfying entertainment for any audience to whom the “Shanghai Lily” Adolescents, 12 to 16 Children, 8 to 12 is acceptable as a heroine. Not recommended No Adolescents, 12 to 16 Children, 8 to 12 c+*s> Too sophisticated No TOMORROW AND TOMORROW » » Ruth Chatterton, Paul Lukas, Robert THE SILENT WITNESS » » Ames. Direction by Richard Wallace. Lionel Atwill, Bramwell Fletcher, Greta Based on the play by Philip Barry. Nissen. Direction by Marcel Varnel, Paramount-Publix. R. L. Hough. Fox. Excellent acting makes this picture an A vivid and stirring mystery story holding achievement in entertainment of the more interest at high pitch until the unexpected serious type of problem play. The treatment Motion Picture Reviews Nine

of the theme for the most part is phychologi- such places, and the suggestion of possible cal, making unconventional situations suffi- drama flits here and there among the hetero- ciently objective and delicate not to be of- geneous groups. It is entertaining and ex- fensive. Ruth Chatterton as the childless wife, citing, though not to be taken seriously since

longing for maternal experience ; Robert young Fairbanks is never convincing as the Ames as a devoted but matter-of-fact hus- hobo. The complicated action is somewhat band; and Paul Lukas as a charming and confusing and the picture is not sufficiently famous psychologist, all give excellent char- impressive to leave a lasting memory. One acter portrayals. It is an impressive drama wishes certain crudities had been omitted. of its kind. Adolescents, 12 to 16 Children, 8 to 12 Adolescents, 12 to 16 Children, 8 to 12 Not recommended for its ethics No No Incomprehensible G'KS G-+S) ZANE GREY'S SOUTH SEA ADVENTURES UNION DEPOT » » Photographed by Romer Grey, Bob Car- Douglas Fairbanks, Jr., Joan Blondell. ney, Thomas B. Middleton. Description Direction by Alfred E. Green. First written by Tom Geraghty. Produced by National. Sol Lesser. Douglas Fairbanks, Jr. is cast in the role Fishermen’s paradise, and a fish tale which of a light-fingered hobo with gentlemanly never would have been believed without the manners who, having just left jail with his accompanying pictures as proof of Mr. Grey’s pal, is first seen in quest of food and clothes skill ! There is real interest for “land lub- at the expense of the public. After a series bers” in this film portraying Mr. Grey’s ad- of encounters with the police, lightning ventures searching the South Seas for rare changes into other people’s clothing and a and sporty fish and the editing has been skill- wild chase, he rescues a lady in distress and fully done to maintain interest throughout. the picture ends leaving him and his pal The equipment is shown and there are excel- just where they started. Practically the lent shots giving final catches which will whole of the action takes place in a depot prove very satisfying, especially to those who and occupies only the space of one evening’s love this sport. time. A realistic background is formed by moving throngs coming and going through Adolescents, 12 to 16 Children, 8 to 12 the station, types such as one sees always in Excellent Good

SHORT SUBJECTS *

ANYBODY'S GOAT » » DUCKS AND DRAKES » » Educational Pictures, Inc. Grantland Rice Sportlight. R. K. O.- Three crooks try to procure the money of Pathe. about a country girl with an elaborate story An explanation of the method of using de- a purse. More a goat which has swallowed coys in duck hunting, with beautiful shots of harmless but not very entertain- slap-stick; birds in flight. It is of special interest to ing. sportsmen. A family picture. C'KS THE DUCK HUNT » » KEEP LAUGHING » » Mickey Mouse Cartoon. Columbia Pic- Educational Pictures. tures, Inc. The proprietress of a night club finds diffi- Mickey Mouse goes duck hunting with his culty in revealing the best points of her busi- hound. They are both outwitted by the wary ness to a prospective buyer. Plenty of slap- birds. Extremely good fun. Recommended stick for those who like it and some good for the family. acrobatic dancing. Fair entertainment. Ten Motion Picture Reviews

» » LAND OF GHANDI "Found in Morocco" 8 8 Vagabond Adventure. A “wanderlust” picture. This travelogue seems to eschew prevail- It has a superficial beauty but lacks the ing Cook’s Tours and really scratch below freshness and originality of the other films in the surface of Indian life. The domestic and this group. industrial scenes smack of reality and the at- "Toney Wong's Scrap Book" 8 8 mosphere created is convincing. Recommend- ed for the family. Tony Wong of radio fame reads poems which are illustrated on the screen by charm- o-s ing photographic studies.

THE LAST DANCE » » "Happy Hunting Grounds" 8 8 In this Aesop Fable, good music and a Ward Laselle. splendid voice is wasted on a mediocre car- Studies of wild animal life in Oregon. toon. It is a story of a cat courting his lady Children will delight, especially in the epi- love and luring her away from a dance by sode of the bear cubs. his serenade. Recommended for adolescents - and children. 0 4-3 TORCHY TOO TOOTS » 8 0-3 Ray Cooke, Dorothy Dix, Franklin Pang-

TALKING PICTURES EPICS (Six Short born, Edmund Breese. Educational Pic- Travelogues) tures, Inc. This is a harmless but rather dull Torchy "Mexico Today" 8 » episode in which Torchy saves his boss from another embarassing situation. His antics Emma Lindsey Squier. will probably amuse young people. An introduction to the physical beauty and rich tradition of Mexico. This is the first GS-S of a series on this country. It is excellent. TOY TOWN » »

"City of Faith" » 8 Aesop Fable. R.K.O.-Pathe. Elmer Clifton. An original and delightful cartoon in which mice visit a toy shop and meet with This two reel travelogue of a visit to the entertaining adventures. Excellent for all, Holy Land into which Biblical history is in- with real charm for children. troduced is most unusual. Its reverent and authentic character will be appreciated by 0-4-3 all. UNCROWNED CHAMPIONS » » "Boston Common" 8 8 Grantland Rice Sportlight. One of a series of “Great American Cities” Four expert sportsmen demonstrate their in which historical landmarks are beautifuly skill. One in fly casting, another in pistol photographed and the fascinating charm of shooting, a third at bowling, and a fourth the city is caught. Very interesting, and es- in calling moose in the great Northwest. pecially recommended to children studying Such exhibitions of skill are both educational American History. and diverting. Recommended for the family.

MOTION PICTURE REVIEWS

THE WOMEN’S UNIVERSITY CLUB LOS ANGELES, CALIFORNIA

MARCH 1932 THE WOMEN’S UNIVERSITY CLUB Los Angeles Branch American Association of University Women 943 SOUTH HOOVER STREET Telephone DRexel 2177 COPYRIGHT NINETEEN THIRTY. TWO WOMEN S UNIVERSITY CLUB

WEBBCR AFT PRINTERS, 1S5I ARLINGTON AVE LOS ANGELES —

Motion Picture Reviews Three

MOTION • PICTURE • REVIEWS

Published monthly by THE WOMEN’S UNIVERSITY CLUB LOS ANGELES BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN

Mrs. Gerard A. Murray Mrs. Madison J. Keeney Mrs. Bruce A. Findlay Preview Chairman Business Manager Asst. Business Manager Mrs. John Vruwink - Co-Chairmen - Mrs. Palmer Cook EDITORS

Mrs. J. Allen Davis Mrs. John Vruwink Mrs. Walter Van Dyke Mrs. Palmer Cook Mrs. Arthur Jones Mrs. F. H. Partridge Address all communications to The Women’s University Club, 943 South Hoover St., Los Angeles, Calif.

1 Oc Per Copy - - $1.00 Per Year

Vol. Ill MARCH, 1932 No. 3

EDITORIAL

Will Hays, on a recent trip to Hollywood, not encouraged, except by a few neighbor- gave out the following statement to the press: hood exhibitors who believed in the value of “America’s motion-picture fans have gone good will by giving attention to the women’s high-brow requests for family programs and junior “Pictures of a dramatic and intellectual matinees. There was a general opinion, not caliber, which would not have been successful only in the industry but often among the laity, popular entertainment a few years ago, are that these women’s groups wished to con- now being received with enthusiastic ap- trol, or to censor films. Quite generally ex- proval. hibitors felt that announced approval of a

“Group leadership has aided in shaping picture “damned” it for the public. They be- community taste toward higher levels of lieved that approval would be given only entertainment.” pictures which were down to a child’s level This moulding of public opinion in favor of appreciation and that consequently only of good pictures has been the objective of the sweet, banal or trite would come under organized women’s groups over a period of a recommended classification. It was also some ten years. This is the first public generally believed that condemnation by acknowledgment which we recall, that the women reviewers would send the public motion picture industry feels any result from flocking to pictures, in the hope of finding their concentrated effort. sophistication. It is interesting to realize the Up to the time of Mrs. Winter’s arrival changed attitude. At a recent gathering of at the Hollywood offices of the Association women and exhibitors in Los Angeles, a num- of Motion Picture Producers and Distributors ber of managers announced that, with a few and the opening of facilities for previewing exceptions, the money makers in their houses at the Academy of Motion Picture Arts and were those films most heartily recommended Sciences, the efforts of club women were ap- by the previewing groups. parently frowned upon, certainly they were It may be interesting to those who are not Four Motion Picture Reviews familiar with the history of the work of to place an average nine-year-old interpreta- “better films” committees, to know something tion as the standard for their evaluation, of the development of previewing. realizing that children under this age had In the early days one “went to the actually no business at any performance. movies.” Few questioned the type of films The value of public opinion was realized to which they went, and few doubted the by a large chain of theatres in California, suitability of all films for the children. The now known as the Fox-West Coast, which family went to the nearest theatre, the chil- placed Miss Regge Doran as director of the dren were given an extra dime on Saturday Public Relations Department. A charming, afternoon, and the sophisticates clung to the intelligent college woman, she enthusiastic- traditions of the stage and remained away ally helped to build up this cooperation be- from the movies. tween theatres and the public and when she left her place was taken by Miss Ryllis Hem- The writer recently saw a revival of early ington, a former theatre owner, whose accu- silent films which seemed to explain this early rate and keen knowledge of the exhibiting indifference on the part of parents to chil- business, and sympathetic understanding of dren’s attendance. The exaggerated melo- the women’s view point further cemented the dramatic action of these thrillers, one featur- bond between the two groups. ing Blanch Sweet and the other Harry Carey, The previewing continued through the was so far from realism that no one could courtesy of these theatres and the distributing connect it with actuality. A child possibly agencies, but it was not entirely practical for carried home a remembrance only of swift the exhibitors because the reports came in action, superhuman strength, and punishment too late to be of assistance in booking and for evil, all as far from reality as the usual many pictures of real family appeal were un- beloved fairy tales. intentionally lost for week end performances But as technique improved a more critical when, if information had been available, they attitude grew and mothers began to have a might have replaced a picture of interest only realization of the power of visual education. to adult or uncritical groups. Managers run- They realized that pictures made for adult ning junior matinees were forced to buy sub- audiences, and suitable for mature apprecia- stitute films for Saturday afternoons which tion were frequently confusing and sometimes did not appeal as much to children or, more actually dangerous to unoriented youth. important still, gave them the unfortunate Groups grew naturally which presented re- impression that the club women were “cen- quests for children’s matinees to neighbor- soring” their shows, nothing being more ob- hood theatre managers. These men were jectionable to children or youth! Also the often willing to cooperate with the women, reviews were helpful only locally. They were but buying their pictures in blocks, often be- useless in commgnities even close to Los fore the films were actually made, seeing Angeles because of difference in booking only the titles or the advance notices of the dates. type of film, and this information purely a In spite of handicaps and severe disap- publicity man’s idea for adult advertising, pointments the women persevered. The work they had no idea of what the picture would begun under the auspices of the Los Angeles mean to children’s audiences. They asked for District, California Federation of Women’s suggestions for booking. The women found Clubs, grew to include the Daughters of themselves at a loss to comply. And thus the American Revolution, Parent-Teachers Asso- “previewing” began. Women went to the ciation, University women, and many other first run down town theatres to give their local groups. In six years the interest opinion of the films’ suitability for matinees. throughout California and other states, not- These audiences were composed usually of ably Georgia and New York, developed until children from 2 to 12 years old. It was a the advent of sound in motion pictures difficult problem, but the women finally had created a real crisis. 2 2

Motion Picture Reviews Five

The entire character of motion picture en- of Motion Producers first recognized the work tertainment changed with the addition of of the women’s groups by arranging pre- sound, both in subject matter and in tech- views for them at the Academy, and in Sep- nique. Children’s attendance became an tember of that year appointed Mrs. Thomas immediate and distressing problem to parents G. Winter to be the representative or official who feared the greater sophistication of dia- go-between for women’s clubs and the indus- logue and the increased realism of the action, try. We shall outline in the April “Reviews” and also, after the first curiosity had been the method of previewing and the important satisfied, the public generally became more part which Mrs. Winter has played in any selective and women’s groups, known to be accomplishment which the women have “previewing” or reviewing films were be- achieved. seiged for information on current releases, C^v9 not only for children’s recreation, but also to CORRECTION aid adults in finding entertainment to suit The editors wish to call attention to the their own tastes. It was the beginning of following correction of a typographical error the reaction hoped for by women’s groups that appeared in the February “Reviews.” which had for years suggested discriminat- “Arsene Lupin” was characterized as “im- ing attendance—or “talking through the box moral.” The word intended was “unmoral” office.” and of course carries a very different con- Then in the spring of 1929 the Association notation.

FEATURE FILMS

C-K9 ALIAS THE DOCTOR « « CARNIVAL BOAT « « Richard Barthelmess, Marion Marsh. Bill Boyd, Ginger Rogers, Hobart Bos- Direction by Michael Curtiz. Adapted worth. Direction by A1 Rogel. R.K.O. from Emric Foeldes’ Hungarian Play. The boss of a lumber camp affectionately Warner Brothers First National. hopes that his likable son will inherit his job. A Carnival Boat drifts into the scene and a A dramatic and interesting plot, finished little dancer brings a crisis in their lives. But acting and unusually competent direction are the simple, unimportant story fades into the combined in a photoplay of superior enter- background as interest centers in the activities tainment value. The story is of a young and thrilling experiences of log cutters amid medical student who sacrifices his future in unusually beautiful natural scenery of tim- an effort to save his brother. As the plot un- bered mountains. The picture will appeal to folds there are many tense and stirring situa- family audiences as a wholesome outdoor tions. The atmosphere is very real and true story. to medical procedure. Richard Barthelmess in the leading role will enlist the sympathy Adolescents, 1 2 to 16 Children, 8 to 1 and admiration of the audience. Good Exciting Adolescents, 1 2 to 16 Children, 8 to 1 g^s> Interesting Beyond their understanding FIREMAN SAVE MY CHILD « « Joe E. Brown, Evalyn Knapp, Lilian BROKEN LULLABY « « Bond, Dickie Moore, Guy Kibbee. Direc- Phillips Holmes, Nancy Carroll, Louise tion by Lloyd Bacon. First National. Carter, Zazu Pitts, Lionel Barrymore, Joe E. Brown, with his naive egotism and Tom Douglas. From the play by Maurice his funny grimaces, is the whole show in this rollicking farce depicting the fortunes of a Rostand. Direction by Ernest Lubitsch. baseball player. There is nothing extraordi- Paramount-Publix. nary about the picture, but it is full of genu- Reviewed in February, 1932, under the title ine humor and will appeal especially to base- of “The Man I Killed.” ball fans old and young. The irrelevant title 2 22

Six Motion Picture Reviews

will mislead only those who have not yet the unravelling of the secret provides pleas- learned to expect the unexpected from Joe E. ant recreation for adults and older ado- Brown. lescents.

Adolescent's, 1 2 to 16 Children, 8 to 1 2 Adolescents, 1 2 to 16 Children, 8 to 1 2 Good Harmless fun Passable Mature cW C'KO IMPATIENT MAIDEN « « FORBIDDEN « « John Halliday, Mae Clarke, Lew Ayres, Barbara Stanwyck, Adolph Menjou, Una Merkel, Andy Devine. Direction by Ralph Bellamy. Direction by Frank James Whale. Universal. Capra. Columbia. The doctor is now emerging as our latest This picture tries pitifully to run the whole type of film hero, and if you take your opera- gamut of human emotions in a rather vain tions seriously you may enjoy a rather real- attempt to prove the truth of the old familiar istic close up of the heroine’s appendectomy. maxim: “Sin doesn’t pay.” Lulu, a library One follows the many and divergent calls on worker, seeks romance, finds it in Robert an interne’s time, sometimes tragic, some- Grover, clings to it in spite of the fact that times amusing, and strives to sympathize he is married and apparently in love with his with his sweetheart who, while apparently wife. Her decisions to be noble come at un- very worldly wise, shows surprising naivete expected moments when her nobility will hurt in her relationship with her employer. The everyone but herself. In spite of the good story is shallow, and the general tone is de- cast the picture is neither healthy nor in- pressing rather than entertaining for the teresting. average spectator. Adolescents, 1 2 to 1 6 Children, 8 to 1 2 Adolescents, 1 2 to 16 Children, 8 to 1 No No interest Unsuitable No C'-KS FREAKS « « LOST SQUADRON « « Olga Baclanova, Wallace Ford, Leila Richard Dix, Robert Armstrong, Joel Hyams, Rosco Ates, and the world’s McCrea, Mary Astor, Erich Von Stro- most famous freaks. Direction by Tod heim, Dorothy Jordan. Direction by Browning. M.G.M. George Archainbaud. R.K.O. -Radio. In this unpleasant melodrama a midget Seeing this film, the audience has the falls in love and marries a beautiful trapeze novel sensation of watching, over a director’s artist. Her scheme to kill him is frustrated, shoulder, the making of another film. The and the revenge perpetrated by his fellow plot revolves around three aviators, the last freaks is a horrible spectacle. Physical ab- of their flying squadron in France. Holly- normalities are exploited in a revolting man- wood is the eventual setting where we find ner, and unnatural relationships are sug- these men exhibiting their skill for the cam- gested. It is thoroughly unsavory and era and taking fearful risks in order to pro- offensive to good taste in subject matter and duce sensational shots. Jealousy on the part portrayal. The producer in attempting to of a relentless director sends one aviator to create a still more extravagant thriller has destruction; loyalty kills a second. The cast run amuck and succeeded only in pandering is adequate, but aside from the extremely to morbid curiosity. violent action, the hair-raising stunts and spectacular crashes, “Lost Squadron” is just Adolescents, 1 2 to 1 6 Children, 8 to 1 another aviation “movie.” It is too exciting No Absolutely not for children, and even if this objection is considered negligible, a murder and the dis- posal of a dead body make it exceedingly HOTEL CONTINENTAL « « harrowing. Shannon, Theodor Von Eltz. Peggy Adolescents, 1 2 to 16 Children, 8 to 1 Direction by Christy Cabanne. Tiffany. Passable No The Hotel Continental, for fifty years a cto city’s gilded rendezvous, is to be torn down. MAKER OF MEN « « On this last night of its hospitality, a Jack Holt, Richard Cromwell. Direction strange assortment of guests fill it to capacity, by Sedgwick. Columbia Pictures. and a stranger mystery permeates the atmos- Edward phere. While it is not an outstanding picture, Jack Holt as “Uncle Dudley” is a college —2 2

Motion Picture Reviews Seven football coach who tries to make a real player advancement and have decided destructive of his weak and rather “yellow” son. Two moral influence. games are shown, which will please football Adolescents, 1 2 to 1 6 Children, 8 to 1 enthusiasts, and the whole theme is a lesson No No in good sportsmanship. Thanks to Jack Holt and good continuity the picture is interesting c-to entertainment of its kind. ONE HOUR WITH YOU « « Adolescents, 1 2 to 16 Children, 8 to 1 Good Good Maurice Chevalier, Jeannette MacDon- ald, Roland Young, Genevieve Tobin, cto Charles Ruggles. Direction by Ernest « « MICHAEL AND MARY Lubitsch. Paramount. Edna Best, Herbert Marshall, Frank A young French doctor and his wife, hav- Lawton. Direction by Victor Saville. ing been married three years, are still ro- mantically in love when the wife’s best friend Gainsborough Productions of England arrives and makes a dead set for the doc- Distributors. Universal Pictures U. S. tor. There are the usual suave scenes, Corp. From a play by A. A. Milne. exquisitely staged, that we have learned to expect in Chevalier-Lubitsch It A genuine love story is fraught with that a comedy. combination of delicacy, whimsy, pathos and is all done with a very light satirical touch understanding which distinguishes Milne as and a musical comedy atmosphere, and those to the inuendos are apparent should a playwright. The director has sensed the whom not be shocked. Though the Straus music qualities of the original to the full, and the is a subordinate part, the songs are enter- adaptation to the screen is unusually true. taining and very well sung by Chevalier The English cast makes the most of the good and Jeannette MacDonald. The badge of dialogue; the acting is admirable. It is the honor really goes to Lubitsch for the per- story of two inherently fine people who over- fection of detail and deft touches that dis- step the rigid English divorce laws, and who, tinguish his pictures from all others. in spite of the circumstances which made this Adolescents, 1 to Children, to 1 decision wholly justifiable, are ultimately 2 16 8 faced with the prospect of suffering and dis- No No honor. As an adult picture it ranks high, and it is appropriate for well-balanced juniors because of its excellent attitude toward love and home life. THE PASSIONATE PLUMBER « « Adolescents, 1 2 to 16 Children, 8 to 1 Buster Keaton, James Durante, Irene Yes No interest Purcell, Gilbert Roland, Polly Moran. c+s Direction by Edward Sedgwick. From the play “Her Cardboard Lover.” « « NICE WOMEN M.G.M. Frances Dee, Sydney Fox, Russell Glea- “Her Cardboard Lover,” a light Parisian son, Lucile Gleason. Direction by Edwin farce, starring Leslie Howard in the New H. Knopf. Universal. York production, has had its metamorphosis at Metro-Goldwyn-Mayer and now emerges The unconventional behavior on the part as “The Passionate Plumber.” In this film of most of the characters of this social drama version the humor is broadened and coars- pigeonholes it as a border line play. It is not ened, and scarcely more than the general blatantly vulgar, but the well worn theme of outline of the plot is left. Yet with all its youth about to be sacrificed to an old roue vulgarity, its strident slap stick, and entire in order to provide financial relief for a lack of the nuances which marked the stage family with champagne tastes and insufficient play, it is absurdly funny. An American girl income, certainly has a poor moral tone. Al- wishing to save herself from an infatuation though the plot is decidedly weak, elements with a French lover employs the first avail- of entertainment are maintained by the re- able man, who happens to be her plumber, freshing characterization of the cast. Miss to keep her out of mischief. The humor is not Dee is convincing as a “nice woman” and outstandingly witty nor of the highest type, gives a sincere performance in her sacrifice but no one will take the clowning seriously. to her family, while Miss Fox is irresistible in her wickedness. Several sequences are Adolescent's, 1 2 to 16 Children, 8 to 1 interpolated which have no value as plot Unsuitable Unsuitable 2 2

Eight Motion Picture Reviews

POLICE COURT « « suggestion of sadism in the character of the Leon Janny, Henry B. Walthall, Aileen jealous husband, and risque repartee which is sometimes funny, but often only coarse. Pringle, A1 St. John, King Baggett. There are so many better pictures that we Direction by Louis King. Monogram. do not recommend this. The title gives little or no idea of this play Adolescents, 1 2 to 16 Children, 8 to 1 2 which concerns a once famous actor, vitiated No by drink, and the devoted son who struggles No heroically to lead him back to the world of CKO fame and fortune. It is not entertaining in « « the lighter sense of the word, but it has fine STRANCERS IN LOVE dramatic values, an unusual vividness and Frederic March, Kay Frances. From sincerity, which make it a notable picture. “The Shorn Lamb” by William J. Locke. Walthall is splendid; Leon Janny does ex- Direction Lothar Mendes. Paramount- cellent work as the engaging though pathetic “Junior.” The very unpretentiousness with Publix. which the story is developed gives it unusual Reviewed in February, 1932, under the title power. of “Intimate.”

1 Children, 8 to 1 Adolescents, 2 to 16 G'+O

Very mature theme .. Too depressing TEXAS PIONEERS « « Bill Cody. Direction by Harry Fraser. THE SADDLE BUSTER « « Monogram. Tom Keene, Robert Frazer, Marie A Saturday matinee audience might accept Quillan, Mary Foster. Direction by Fred this western melodrama if nothing better available. Allen. R.K.O.-Pathe. were Its appeal lies in setting, action, wild Indians and fine horses. But The struggle between a cowboy and the few children will take it seriously and it is “killer” horse, Fury, constitutes the Wild doubtful whether they will really enjoy the part of the story, with love a main made inferior plot, weak direction and amateurish subordinate issue. Like many Westerns it is acting. lacking in finesse and uniformity, but chil- Adolescents, 1 2 to 16 Children, 8 to 1 dren, adolescents and adults who like this type of picture will be highly entertained by Of doubtful interest Harmless morally the swift moving plot, the thrilling bronco- busting and scenes of wild horses wandering over the range. The absence of gun-play WAYWARD « « it children. makes especially good for Nancy Carroll, Richard Arlen, Pauline Adolescent's, 1 2 to 16 Children, 8 to 1 Frederic. Based on novel “Wild Beauty,” Good Very good by Matell Howe Farnham. Direction by Edward Sloman. Paramount. SHE WANTED A MILLIONAIRE « « “Wayward” tells the story of two young people of different social strata who struggle Joan Bennett, Una Merkel, Spencer to hold their home together in spite of the Tracy, James Kirkwood. Direction by bitter opposition of a selfishly absorbing John Blystone. Fox. mother. The theme had possibilities but the to be convincing through over- This trivial play about trivial people picture fails emphasis and exaggeration of character and would be handsomely housed in a nickel- action. It lacks reality and becomes an odian—“From Rags to Riches,” or “Money extravagant melodrama, clean and whole- is Not All,” etc. It is the story of a factory some in detail, but without subtlety or special girl who wins a beauty contest and marries interest. a millionaire though she has no affection for 1 2 to 16 Children, 8 to 1 2 him. Throughout the film there is a tire- Adolescents, some vulgarity of lavish display, a revolting Hardly edifying No, unsuitable Motion Picture Reviews Nine

SHORT SUBJECTS

c+J>

BOB WHITE « « THE LIVING GOD OF THE MONGOLS Grantland Rice Sportlight. R.K.O.- Talking Picture Epics. Pathe. No member of the family should miss these A quail hunting expedition, chiefly inter- unusual and splendidly taken pictures of esting because of the beauty and expert per- Northern Mongolia and the Gobi Desert. formance of the hunting dogs. Suitable for all audiences. e-KS

G'fO PATHE AUDIO REVIEW No. 8 « « « « DOOR OF ASIA Uneven editing mars this Review; inter- Vagabond Adventure. esting scenes of logging, entrancing views of dull shots of “bathing beauties” This time the “Vagabond” adventures in Edinborough, on a mountain climb, and a fairly amusing the land of rice fields. He discovers the an- short talking parrot. cient Chinese methods of manufacturing, of a building, agriculture and a few of their customs. Recommended for all. MOTHER’S HOLIDAY « « CSvS THE GROCERY BOY « « Educational. A Mickey Mouse cartoon. Columbia Pic- A comedy of “Mother’s Day” where down- mother rises in revolt and throws tures Corp. trodden the cake in father’s face. Harmless. Mickey Mouse and his dog deliver gro- ceries to Minnie and remain to help her rfJ cook a turkey dinner. There are novel bits « « such as the rhythmic preparation of the food. ROMEO MONK One of the best of these amusing cartoons. Aesop Fable. Columbia. Delightful for the whole family. A dull animated cartoon, lacking in imagi- cfJ nation and ingenuity but harmless for juniors HELPMATES « « and children. Laurel and Hardy. Hal Roach. CW Laurel and Hardy try house cleaning be- SLIM FIGURING « « fore the wife returns and indulge in the usual slap-stick dish throwing and general destruc- Grantland Rice Sportlight. tion. Stupid but harmless. This a photographic cataloguing of the strenuous sports in which American women take part, ranging from La Crosse at Smith HURRY CALL « « College to calisthenics of prospective chorus Chic Sales. R.K.O. girls. The examples shown cover a wide Chic Sales in an amusing, well-acted film range of physical activities. Recommended which should entertain the whole family. for all.

MOTION PICTURE REVIEWS

THE WOMEN’S UNIVERSITY CLUB LOS ANGELES, CALIFORNIA

APRIL 1932 THE WOMEN’S UNIVERSITY CLUB Los Angeles Branch American Association of University Women 943 SOUTH HOOVER STREET Telephone DRexel 2177 COPYRIGHT NINETEEN THIRTY-TWO WOMEN S UNIVERSITY CLUB

WEBBCRAFT PRINTERS, 1651 ARLINGTON AVE., LOS ANGELES Motion Picture Reviews Three

• MOTION • PICTURE REVIEWS

Published, monthly by THE WOMEN’S UNIVERSITY CLUB LOS ANGELES BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN

Mrs. Gerard A. Murray Mrs. Madison J. Keeney Mrs. Bruce A. Findlay Preview Chairman Business Manager Asst. Business Manager Mrs. John Vruwink - Co-Chairmen - Mrs. Pai.mer Cook EDITORS

Mrs. J. Allen Davis Mrs. John Vruwink Mrs. Walter Van Dyke Mrs. Palmer Cook Mrs. Arthur Jones Mrs. F. H. Partridge

Address all communications to The Women’s University Club, 943 South Hoover St., Los Angeles, Calif.

1 Oc Per Copy - - $1.00 Per Year

Vol. Ill APRIL, 1932 No. 4

EDITORIAL

The Association of Motion Picture Pro- with care and discrimination by the chairmen ducers and Distributors, in offering the pre- of the groups, and must prove to offer in- viewing of current releases to the women’s telligently constructive criticisms before they groups, made one stipulation, namely, that are accepted as permanent workers. only those should be invited which had As the reviewers enter the lounge where national distribution for their reviews. The the pictures are shown, each is given two first groups to receive and accept this privi- duplicate questionnaires. These have been lege were: The General Federation of written in Mrs. Winter’s office with the Women’s Clubs, The Daughters of the Amer- cooperation of the chairmen of the groups ican Revolution, The International Federa- whose comments and criticisms were re- tion of Catholic Alumnae, The California quested. The form is as follows: Association of Parents and Teachers, and Your Name and Organization: the Women’s University Club, Los Angeles Projection Date:

Branch of the American Association of Uni- Production :

versity Women. One or two other women’s Producers : organizations were invited, but declined be- Direction : cause they felt the work outside of their out- Cast : line of service. The Boy Scouts of America From the Book or Play: were included, the Young Men’s Christian Author of Script and Dialogue: Association, and also the American Librar- STORY ians’ Association. The boys’ groups are unable this picture that your to be regular in attendance, and the Librar- You are trying to judge so point of view may interpret its value to an enormous ians send only pic- representatives when the audience with wide variations. The terms used below ture is an adaptation of a book in which they are merely suggestions. Use any characterizations you feel sufficient interest to warrant their atten- choose. tion. Later the National Society of New Eng- I. THE FIRST PURPOSE OF COMMERCIAL land Women, the National Council of Jewish PICTURES IS ENTERTAINMENT Women, and more recently, the United (a) What entertaining or outstanding elements has picture? For example, is it vivid, fresh, stimulating, Church Brotherhood accepted the invitation this charming? Or is it banal, with hackneyed scenes and to these previews. theme? Do you recommend it? Each organization is privileged to send five (b) How do you grade it for adults? For juniors? representatives. These reviewers are selected For children under 12? Four Motion Picture Reviews

II. ETHICAL VALUES the public, but as it has worked out, actually Estimate the picture as a whole rather than fixing (a) no pressure has even been brought to bear your mind on the details. (This means, does it leave a on the final reports issued. The chairmen good taste in the mouth? Is the general trend, the atmosphere, wholesome? Does it build morality? Or is send copy directly to the printer’s office, it demoralizing in its total? Note that questionable where it is posted also. It is then read by should be judged according to whether they situations Mrs. Winter’s office in its final released form. drive a lesson or are introduced for their own sake.) (b) Has it particularly objectionable features, such as The groups accepting this financial help an uncalled-for drinking, vulgar sex relations, objec- are the International Federation of Catholic tionable crime situations? Alumnae, the General Federation of Women’s (c) If questions of law are involved, does it build Clubs, the Daughters of the American Revo- good citizenship? lution, the Council of Jewish Women, and III. ARTISTIC VALUATIONS (a) What type of drama is it? (This is important that of the New England Women. The because we do not demand the same treatment of all Young Men’s Christian Association, Boy for example, farce and tragedy.) forms— of Scouts and Parent-Teachers Association re- (b) Story Structure. (Is the story well told? This lease their reviews through their own means, does it hold together, seem consistent, properly developed? Does the dialogue fit the story?) monthly magazines. The Women’s Uni- (c) Acting. (Discuss the fitness of the actors for their versity Club publishes a monthly bulletin, parts. they real or just stagey? Are they appropri- Are financing it through a subscription price of ately cast? Discuss voices and enunciation.) one dollar a year. The fact that it has (d) Directorship. (For example, development of dramatic possibilities; use of silence; swift or slow financed itself, with a steadily increasing list movement ; scenic relation to dramatic situations.) of subscribers, has been encouraging to those

Note : It would be well to give a brief synopsis of responsible for the venture. the picture, using the other side of this sheet. With one exception all the groups report It is of interest to note that the social to their public on all films seen, whether value of the film is stressed first, comments the comment is favorable or adverse. The from the artistic side follow. International Federation of Catholic Alumnae Each previewer is requested to write still adhere to their policy of giving out only duplicate reviews. One is returned to the recommended lists. This organization and chairman of the group represented, the other the General Federation of Women’s Clubs is mailed to Mrs. Winter. These comments have their general chairmen in New York, are not written at the Academy rooms. One where their reports are printed and mailed. of the first requests made by the Producers’ They often include comments on films which Association, even before Mrs. Winter’s ar- have not been shown at the Academy in rival in Hollywood, was that no discussion Hollywood. The Parent-Teachers Associa- of the pictures take place in the Academy tion and the Women’s University Club send rooms among the previewers. They insisted reviewers to the theatres to catch pictures that the previewers make individual reports, which have not been shown at the Academy. uninfluenced by others seeing the film, and It must be remembered that the showing of under no circumstances should the picture films at the Academy is entirely a voluntary be discussed with members of the Producers’ service on the part of the individual pro- Association who might be present at the ducers, and a few are not entirely in sym- showing. Every effort was made that fair- pathy with the procedure. Also mechanical ness and courtesy be afforded the previewers. difficulties sometimes prevent showing before The chairmen of the different groups have release. committees which then edit the five reports What is the value of this work? It must on each picture and give to their public their be remembered that the origin of previewing final evaluation. by the women’s groups was not to censor In order to have this reviewing of any films, but, as explained in the last issue of value, either to the Producers’ Association this bulletin, to give to interested individuals or to the different groups, these final reports and community groups all over the country had to have a means of distribution over the information on current releases. It was begun country. It was naturally important to each primarily for selection for children’s enter- Producer that the recommended films attract tainment and later for discriminating adults. attention so that increased attendance make As far as we know none of the previewing the previewing worth while. However, no groups believes in political censorship as a restrictions were placed upon adverse com- practical correction for poor pictures. On the ment. Inasmuch as financing such a project other hand the increased demand for the seemed a serious problem to most of the comments broadcast by the reviewing groups, groups, the Association of Motion Picture the greater use of these lists in newspapers, Producers and Distributors offered to finance magazines, schools, and libraries, the en- the printing or mimeographing, and postage. couraging reports from exhibitors that the This has caused some criticism on the part of recommended films are box office successes, Motion Picture Reviews Five would seem to indicate that selective attend- definition of science which was to be applied ance is the best answer to the problem. There in their approach to the study. She said: is no desire to place a ten-year-old apprecia- “The essence of science is the determina- tion as the intellectual or moral standard for tion to investigate everything without con- motion pictures. Where there are pictures ceding anything to current human prejudice.” which interest and appeal to that age, let the We believe that no one connected with the children go. Junior matinees and Mickey work has approached that unbiased, balanced Mouse clubs beg for “a break”—for some- attitude as successfully as has Mrs. Winter. thing which will joyously and cleanly enter- Within the industry she brings the viewpoint tain these eager little movie fans. But on the of the public (represented by the previewing other hand there is in addition to the chil- groups) to the Studio Relations Committee, dren’s matinees and the family audiences, a which reads the scripts and sees the pictures large and ever increasing public for adult in the process of construction, and in their themes handled intelligently and with good finished forms before release. This opinion, taste! There will always be bad pictures. added to her personal ability, must carry Intelligence and good taste may be culti- weight in these conferences. Inside the vated, but usually people are naturally en- studios a force is at work for finer productions outside the studios the momentum de- dowed with them. An industry as great as the ; motion picture cannot be fortunate enough to pends upon this organized public. secure only those so gifted. No movement of value can achieve results Mrs. Winter’s connection with the Public without complete understanding, similar standards and viewpoints, and cooperation Relations office has been most fortunate for between those working. Mrs. Winter’s ad- the women’s groups. She brings to the work vent has drawn closer the different groups the value of her vast experience, her singu- which had the same objective but possibly a larly clear and unprejudiced insight, and different approach. They are now working the highest ethical and moral standards. Dr. together more closely, and increased results Miriam Van Waters, in a study group organ- are actual. This is due in great part to Mrs. ized by the Women’s University Club and Winter’s drawing of the groups together, to sponsored by the University of California their recognition of her balanced and un- Extension, on the subject of the Social Value prejudiced attitude and to her insistence upon of Motion Pictures, once gave the group a their adherence to the highest ideals.

FEATURE FILMS

» » AFTER TOMORROW of emotional crises, most of which are whole- Charles Farrell, Marion Nixon, William some and will bring sympathetic interest Collier, Sr., Minna Commbel. From a play from a not too analytical audience. by Hugh Stange and John Golden. Direc- Adolescents, 12 to 16 Children, 8 to 12 tion by Frank Borzage. Fox. Possibly interesting— No interest but drab Reminiscent of “Street Scene,” this serio- comedy traverses the path of ordinary folk. The audience is lead through a maze of obstacles which circumstance has interposed AMATEUR DADDY » » to thwart the marriage plans of a romantic Warner Baxter, Marion Nixon, Rita LeRoy. and ambitious boy and girl. The young lovers Direction by John Blystone. Fox Film Corp. are portrayed with sincerity by Miss Nixon and Mr. Farrell the character parts of the The locale of “Amateur Daddy” is a par- ; remainder of the cast are well directed and ticularly pleasing one. The charm of the presented. Minute detail in the unfolding of children and good directorship make a re- the story makes the picture seem longer than freshing picture from a slightly saccharine it really is. Although there is some comedy story. An engineer, who promises to provide relief, the story, as a whole, is based on the for the family of a dying workman, makes a theme of disappointment and self-sacrifice. mistake and adopts the wrong brood, an The appeal of the production is in its series error which proves fortunate in the end. It Six Motion Picture Reviews

» » is the type of film that the whole family may BROKEN WING enjoy. Lupe Velez, Leo Carillo, George Barbier, Adolescents, 12 to 16 Children, 8 to 12 Melvyn Douglas. From the play by Paul Yes Yes Dickey and Charles W. Goddard. Direction by Lloyd Corrigan. Paramount-Publix.

Leo Carrillo !s a dashing dare devil * » ARE YOU LISTENING bandit. Lupe Velez is the foster daughter William Haines, Madge Evans. Adapted of an American business man in a Mexican from a “Collier’s” magazine story by ). P. mining territory. A complicated “triangle McEvoy. Direction by Harry Beaumont. affair” develops when a plane is crashed in M.C.M. the heroine’s garden, with the handsome pilot The interesting activities of a radio broad- emerging from the wreckage. A happy outcome is effected only after numerous exciting casting station provide a novel and entertain- incidents. The dialogue is humorous and which starts ing background for a production sparkling and the story moves with charming out as a fast moving, up-to-the-minute com- spontaneity. It is a film that the family may edy. Unfortunately, sordid situations and un- enjoy.

Adolescents, 12 to 16 Children, 8 to 1 2 necessary vulgarity enter to change the char- Good Some interest acter of the story, and broken and episodic continuity destroy whatever interest has been * aroused. Adolescents, 12 to 16 Children, 8 to 12 BUT THE FLESH IS WEAK » » No No Robert Montgomery, Edward Everett Hor- ton, Eleanor Gregor, C. Aubrey Smith. From “The Truth Game," by Ivor Norello. Direc- BEAUTY AND THE BOSS » » tion by Jack Conway. M.G.M.

Marian Marsh, David Manners, Charles But- A confusion in treatment is the greatest terworth. From the stage play “The weakness of this picture. Played as pure Church Mouse.” Direction by Roy Del Ruth. farce the ridiculous crudities of the plot Warner Brothers. might have forestalled criticism, but as smart comedy, it becomes frequently vulgar and This comedy cannot be recommended for rather boring. It traces the adventures of discriminating audiences. The plot concerns two charming and impecunious gentlemen, an unprincipled Austrian nobleman and an father and son, who live by their wits, and ugly duckling secretary who is transformed its lack of sincerity and pointlessness, make it a disappointing vehicle for an excellent by a Paris gown. The humor is generally cast. based on questionable situations which are Adolescents, 12 to 16 Children, 8 to 12 not sufficiently cleverly handled to escape be- Unwholesome No ing offensive. The atmosphere is unsavory and unconvincing. Adolescents, 12 to 16 Children, 8 to 12 CARELESS LADY » » No No Joan Bennett, John Boles. Direction by Kenneth McKenna. Fox. Accepting BEHIND THE MASK » » the hazardous theory that a woman to be attractive to men must have Holt, Constance Cummings, Boris Jack experience and sophistication, Joan Bennett Karsloff. Direction by Francis Dillon. John sets out to acquire both. The story of how Columbia. she succeeds is absurdly farcical. But John A mysterious man whose identity is hidden Boles has a light touch, and Joan herself is behind a mask, and the melodramtic doings perhaps sufficiently attractive to surmount the of a ring of narcotic peddlers, are the mate- dull moments (of which there are many). rials of which this thriller is fashioned. Sus- This may prove mildly diverting to adults, pense is maintained throughout, which, after but its cheap implications and banal presen- all, may be the test of its entertainment value tation make it doubtful entertainment for for audiences who like this type of picture. adolescents. Adolescents, 12 to 16 Children, 8 to 12 Adolescents, 12 to 16 Children, 8 to 12 Not advised No Not suitable No Motion Picture Reviews Seven

» » CAIN » » DANCERS IN THE DARK Oakie, William Col- Native cast. Direction by Leon Poirier. Miriam Hopkins, Jack King.” Direc- Talking Picture Epics. lier, Jr. From the play “Jazz tion by David Burton. Paramount. This French picture, taken on a small plot is concerned with a island off the coast of Madagascar, has been The mediocre leader, a taxi dancer, one of adapted to American use by the substitution jazz orchestra all of are of English words in certain sequences, but the band, and a gangster, whom excellent talent. If the roles were they are so infrequent, that it can scarcely enacted by well the story would have no be called a talking picture. It is the story not played so Oakie as a self- of a stoker who steals from a cabin passenger interest whatsoever. Jack is not so convincing as and escapes to an island where he lives for sacrificing character, in his more humorous roles, and Miriam years till his conscience bids him return the ability to warrant a valuables and once more he is confronted Hopkins certainly has de- with the choice between civilized and primi- better vehicle. It is a waste of time and situations which even if they were true, tive life. The photography, which is very picts the art which beautiful, and the spontaneous acting of the would not be any credit to natives, make the picture worth seeing, al- presents them. There are present some ele- though some will cavil at the extreme sim- ments of entertainment, but these are all on dramatic instances are plicity of the plot. a low level, and the intense variety. Adolescents, 12 to 16 Children, 8 to 12 not even of an Interesting Yes Adolescents, 12 to 16 Children, 8 to 12 No Decidedly not

COHENS AND KELLYS IN HOLLYWOOD » » » Charles Murray, George Sidney, June Clyde, DEVIL’S LOTTERY Norman Foster. Direction by Howard Green. Elissa Landi, Paul Cavanaugh, Alexander Universal. Kirkland, Beryl Mercer, Victor McLaglen. From a novel by Nalbro Bartley. Direction Here is a golden opportunity for all those by Sam Taylor. Fox. who enjoyed “Abie’s Irish Rose!” Once more they can enjoy the Kellys and the Cohens in The play commences with a clever and action, this time enhanced by the familiar promising situation. Lord Litchfield decides Hollywood background of movie stars, direc- to entertain at his castle the four winners of tors, song writers, popular restaurants and the Calcutta sweepstakes lottery, in order to swimming pools. It is cleverly and amusingly observe their reaction to suddenly acquired presented, and more, there is real appeal, also riches. It is a motley group, including an underlying truth in the triumphs and vicissi- adventurer, a crippled soldier, a Cockney tudes of Melville and Kelly. The whole widow and a young American archeologist. family will enjoy this one. Perhaps, because of the complexity of the Adolescents, 12 to 16 Children, 8 to 12 characters’ lives, the theme is more suitable Excellent Good, if it for a novel than a play; at any rate, in spite interests of good casting, excellent comedy, exciting sequences and the charm of Elissa Landi, the production fails to fulfill the promise of its COUNTY FAIR » » opening scenes and becomes confused, un- Hobart Bosworth, Marian Schilling, William convincing and melodramatic, but still holding interest for adults. Collier, Jr. Direction by Louis King. Mono- gram Pictures Corp. Cooperative Exchange. Adolescents, 12 to 16 Children, 8 to 12 Doubtful; Very No unsophisticated, old-fashioned melo- An sophisticated drama, in which suspense, action, and a simple love story supply pleasant, wholesome entertainment. The horse race at the county THE DOCKS OF SAN FRANCISCO » » fair provides the climax after all the foul play connected with the heroine’s horse is Mary Nolan, Jason Robards. Direction by circumvented. In addition to the story, the George Seitz. Action Pictures. (Seen in gay setting of the fair, the character types Preview.) and the beautiful horses will hold interest A dive on the waterfront is visited by a and make it a picture which the whole family slumming party, one of whom is a young will enjoy. author. By this chance he becomes involved Adolescents, 12 to 16 Children, 8 to 12 in the life of a woman who is the hireling Entertaining Yes and mistress of a gang leader. Her desire to Eight Motion Picture Reviews

go straight is the impetus for the plot delinea- HEART OF NEW YORK » » tion. Melodrama in the is ridiculous thence- George Sidney, Joe Smith, Charles Dale, forward presented. At the supposed dramatic Ruth Hale, Anna Appel Donald Cook. Based peak falls it the story flat. Unless is im- on the play "Mendel, Inc.” Direction by proved before the final release, it is too poor Mervyn Le Roy. Warner Brothers. to recommend to any audience. Adolescents, 12 to 16 Children, 8 to 12 This is an amusing study of the Ghetto and its inhabitants, tracing the fortunes of a A waste of time No interest Jewish plumber and his family through alter- nate poverty and affluence. After the manner of Fannie Hurst the characterizations are THE FINAL EDITION » » both satiric and sympathetic, and the per- Mae Clark, Pat O'Brien. Direction by How- sonnel includes the whole neighborhood, ard Higgins. Columbia. showing many types which seem authentic. Here we have a picture of gangsters and Though some of the humor is unnecessarily newspaper reporters as well as a murder coarse and adds nothing to the reality of the picture, acting, direction settings mystery and a romance, but the plot is neither the and new or subtle and more than once leans combine to make interesting entertainment. heavily on our credulity. Mae Clark as usual Adolescents, 12 to 16 Children, 8 to 12 gives a good performance. Entertaining Mature, but harmless Adolescents, 12 to 16 Children, 8 to 12 No No LENA RIVERS » » GIRL CRAZY * » Charlotte Henry, Beryl Mercer, Morgan Calloway, James Kirkwood. Direction by Eddie Quillan, Robert Woolsey, Kitty Kelly, Philip Rosen. Tiffany. Mitzi Green, Bert Wheeler. Direction by William Seiter. R.K.O. The old sentimental romance of “Lena Rivers” has now been brought to the screen “Girl Crazy” is a cross between a slap and provides pleasant, if unstimulating en- stick comedy and a burlesque. While the tertainment. Here is a love story with a acting is passable and there are certain situa- happy ending, colorful horse races, and some tions which might prove amusing to children, tuneful darky singing — and in addition a most attractive heroine, for Miss Henry’s it really doesn’t rank very high. natural manner and charming personality Adolescents, 12 to 16 Children, 8 to 12 make “Lena” very appealing. Not recommended Not recommended Adolescents, 12 to 16 Children, 8 to 12 Not harmful No interest

THE CREEKS HAD A WORD FOR THEM » MAN WANTED » » Ina Claire, Joan Blondell, Madge Evans, Lowell Sherman. Direction by Lowell Sher- Kay Francis, David Manners. Direction by man. United Artists. William Dieterle. First National.

Whether it was courage or stupidity that We are growing a little weary of whatever prompted the use of such unsavory and unit was that the Greeks had a word for. interesting material, we cannot see any ex- Though this farce is beautifully staged and cuse for this picture. Even French telephones the three leading actresses are cleverly chosen and polo clothes have a limited appeal when the plot is stupid and illogical and the situa- for their roles, the cynical audience may not tions are a boring repetition of unpraise- laugh so heartily as it did at the play of al- worthy incidents. most the same name. Anything based on so Adolescents, 12 to 16 Children, 8 to 12 sordid a theme must be scintillating in the No! No! extreme to overcome the average person’s dislike for certain situations. The dialogue THE MENACE » » is very flippant and sometimes clever; the H. B. Warner, Bette Davis, Walter Byron. production is the apex of sophistication. Direction by Roy W. Neil. Columbia. Adolescents, 12 to 16 Children, 8 to 12 Little remains to be said about these mys- No No tery thrillers that has not already been Motion Picture Reviews Nine

applied to others. Like a batter recipe which, PROBATION » » with slight variations, produces muffins, pan- John Darrow, Sally Blane. Direction by cakes, or waffles, the ingredients in these pic- Richard Thorpe. Distributed through Pacific tures are likewise mixed in different propor- Coast Exchange. tions and then turn out well or ill. But this This silly production is the result of com- story is a good one of its kind; an old murder bining two inharmonious types of entertain- mystery, an unjust conviciton, a gang of ment. From the title and opening scenes one crooks, a Scotland Yard detective, two young expects a social problem drama showing lovers and an English estate as background, youth running afoul of the Juvenile are the elements which are successfully modern Court. Suddenly an unsophisticated love worked out by the aid of competent acting story develops in which the romance of a and good direction, to provide an hour’s rich girl is diversion. poor young man and a young steered by a benevolent uncle towards an Adolescents, 12 to 16 Children, 8 to 12 improbable happy ending. Bad taste and A matter of taste Too mature excessive drinking in certain portions of the picture might advantageously have been left out. The good cast is to be congratulated for THE MIRACLE MAN » » preserving a modicum of charm and enter- Sylvia Sidney, Chester Morris, John Wray, tainment value. Ned A. Sparks, Robert Coogan, Hobart Adolescents, 12 to 16 Children, 8 to 12 Bosworth. Direction by Norman McLeod. Not recommended No Paramount-Publix.

The effect of this picture will differ greatly with the type of individual who sees it and » » with his mood at the time of presentation. It STEADY COMPANY relies for its appeal entirely on emotional Norman Foster, June Clyde, Henry Armetta, quality devices, such as stirring or soft music, Zasu Pitts. Direction by Edward Ludwig. slow movement and other special technique Universal. being used to that end. The story tells of a When Zasu Pitts is cast in a film one ex- group of professional scamps who come to a pects to laugh, and in “Steady Company” small town by chance and believe they have there is an opportunity for wholesome merri- found an excellent field for their operations ment. Henry Armetta as the lovable and de- by exploiting a faith-healer, the Patriarch, voted foster father is distinctly appealing. whose simplicity and goodness, however, He takes the spot light. The plot is common- prove a bulwark against evil. The tone is place. A truck driver with pugilistic ambi- distinctly moral in that wholesome living is tions is engaged to a telephone operator. She upheld, but because of its theatrical effects is under the false impression that her fiance this version is more obvious and at the same is in lofty pursuit of a medical career. In time less convincing than either the stage or spite of the ringside atmosphere, which silent version. plays no small part in this picture, it is good clean Adolescents, 12 to 16 Children, 8 to 12 fun. Fair Too emotional Adolescents, 12 to 16 Children, 8 to 12 Good Harmless PLAY GIRL » » Loretta Young, Winnie Lightner, Norman Foster, Cuy Kibbe, Dorothy Burgess. Direc- SYMPHONY OF SIX MILLION » » tion by Ray Enright. Warner Brothers-First Ricardo Cortez, Anna Appel, Irene National. Dunn, Noel Madison, Gregory Ratoff. Direction by In “Play Girl” we follow the misfortunes Gregory LaCava. R.K.O.-Pathe. and misunderstandings of a young husband The poverty and suffering of the Ghetto and wife. Although the plot is not unusual, help to create the play is done in an interesting manner a great surgeon, “Dr. Felix and succeeds in holding one’s attention to the Klauber,” who dedicates his skill to the poor end. In spite of the number of scenes con- and helpless. How he loses his high purpose cerned chiefly with race tracks and gambling, —and finds it again—is an absorbing story the picture contains nothing really objection- told with great able. Winnie Lightner and Guy Kibbe fur- dramatic skill. Ricardo Cor- nish excellent comic relief. tez gives a memorable performance as the Adolescents, 12 to 16 Children, 8 to 12 sensitive, brilliant young doctor. Because of Passable No its strong emphasis on human sacrifice and Ten Motion Picture Reviews suffering this picture is recommended only to She misses the sly artfulness and sparkle of adults and to adolescents who are emotionally Thackeray’s immortal heroine (and of Mrs. mature. Fisk’s stage interpretation). One feels her Adolescents, 12 to 16 Children, 8 to 12 coldness and ruthlessness, but not “Becky’s” Very intense No undying charm. The task of condensing the long and involved novel and holding the characters to the original type in a mod- THE TRIAL OF VIVIENNE WARE » » ernized version has been very well done and deserves commendation. It is an interesting Joan Bennett, Donald Cook, Zasu Pitts, production, well worth seeing, but the thrill- Richard "Skeets” Gallaghar. Direction by ing quality of genius which has made William Howard. Based on the novel by “Vanity Fair” a great novel, is missing. Kenneth M. Ellis. Fox. (Seen in Preview.) Adolescents, 12 to 16 Children, 8 to 12 The murdered man in this case has been Mature Too mature the fiance of Miss Ware (Joan Bennett) until the day of the tragedy. The attorney for Miss Ware (Donald Cook) has the double THE WISER SEX » » effort of defending a woman who is sur- Melvyn Douglas, Claudette Colbert, Lilyan rounded by incriminating circumstances and Tashman. Based on play “Her Confessions,” of fighting for the life of this same woman by Clyde Fitch. Direction by Berthold whom he loves. A cabaret dancer, two gang- Viertel. Paramount-Publix. sters, a butler, a chauffeur, and a busy-body next door, all figure in the spectacular legal A pleasing cast is wasted on another battle between the district attorney and Cook. gangster story which is not sufficiently differ- Comedy relief is furnished by Zasu Pitts as ent to hold much interest. Swift action and a newspaper woman covering the case, and exciting situations are its only asset. The by “Skeets” Gallagher, a radio announcer plot concerns the sordid experiences of a broadcasting the trial. Interest never lags. young woman who enters the underworld in The picture can be recommended to those order to obtain proof to discredit circum- who enjoy murder mysteries. stantial evidence against the man she wishes Adolescents, 12 to 16 Children, 8 to 12 to marry. It is unconvincing, and there is Not harmful Not recommended nothing unusual enough about the production to warrant one’s wasting an hour or more in intimate association with such objectionable VANISHING MEN » » characters. Adolescents, 12 to 16 Children, 8 to 12 Tom Tyler, Yakima Canutt, Adele Lacy. No No Direction by Harry Fraser.

“Go get ’em, men!” is the dialogue theme of the cattle “rustlers” and the sheriff’s posse THE WET PARADE » » horse. in this western melodrama aboard a Lewis Stone, Walter Huston, Dorothy is swift, exciting, The action the climaxes and Jordan, Robert Young, Neil Hamilton, the dialogue stilted. The sympathy of the “Snozzle” Durante. Based on novel by audience is with the law and the redemption Upton Sinclair. Direction by Victor Fleming. of a young “rustler,” making the purport M.G.M. wholesome in spite of considerable gun play. • Southern Audiences will find the drama has average “Mr. Chilcote,” a gentleman entertainment value. (Lewis Stone), by committing suicide, supplies the first tragedy in the parade of the Adolescents, 12 to 16 Children, 8 to 12 Good Good misuse of liquor. The film then becomes a pictorial debate on the subject of prohibition, presenting the case without prejudice and drawing no conclusion. The treatment is VANITY FAIR » » chronological in showing the saloons, the Myrna Loy, Conway Tearle, Barbara Kent, war-time prohibition, the passing of the Montague Love, Lionel Belmore. From the amendment and the present chaos of speak- classic by Thackeray. Adapted by S. W. easies, organized bootleggers and the failure Herbert. Direction by Chester Franklin. of law enforcement. Here is intense drama, Allied Pictures Corp. perfectly enacted throughout. A love story The generation brought up on “Vanity of Dorothy Burgess as “Maggie May Chil- Fair” will be most exacting as to its pres- cote” and Robert Young as “Kip Tarleton,” entation. To them Myrna Loy’s interpreta- ties together the divergent elements. As en- tion of “Becky Sharp” will not be satisfying. tertainment “The Wet Parade” has emo- Motion Picture Reviews Eleven

» » tiona! appeal and stimulates thought, but YOUNG BRIDE offers little in the nature of relaxation. We Helen Twelvetrees, Eric Linden, Arline recommend it highly as an exceedingly inter- Judge, Roscoe Ates, Polly Walters, Cliff esting presentation of a social problem. Edwards. Direction by William Seiter. Adolescents, 12 to 16 Children, 8 to 12 R.K.O.-Pathe. Mature Not suitable Diligent search of this plot will reveal a few elements of entertainment, but these A WOMAN COMMANDS » » are obscured by vulgar scenes and situations, Roland Young, Basil Rathbone. Pola Negri, most of which occur in a dance hall of the Direction by Paul Stein. R.K.O.-Pathe. lowest order. Helen Twelvetrees is almost melodramatic and jumbled comedy ro- A saccharine in her portrayal of “Allie Smith,” mance of intrigue and revolution in a a children’s librarian, in search of a Galahad. mythical kingdom handicaps Miss Negri in her “comeback” to pictures. It is interesting Eric Linden plays the braggart whom “Allie” only as a vehicle for her. However, she is marries. The rest of the cast provide a most the is excellent. If delightful, and cast we realistic atmosphere of so-called “modern care to overlook the story, the beautiful youth” having its fling. At best this picture is photography of old world sets and the per- oor entertainment. sonality of the stars will compensate. Adolescents, 12 to 16 Children, 8 to 12 Adolescents, 12 to 16 Children, 8 to 12 Not recommended No No Impossible!

SHORT SUBJECTS

ATHLETIC DAYS » » DESERT RECATTA * » f Metro-Goldwyn-Mayer. Metro-Goldwyn-Mayer. This is a demonstration of the old and new Desert Regatta features outboard motor technique in various events included in the races on the Salton Sea, in which ten exist- Olympic games. Young athletes will find the ing world’s records are broken. Recom- film of special interest. Recommended for mended for the family. the family.

AUDIO REVIEW No. 9 » » FLY FROLIC » » Pathe. Aesop Fable. R.K.O.-Pathe. An interesting review showing the Alex- entertaining animated cartoon in which ander Caverns in Pennsylvania; a remark- An the spider in the case becomes a Dr. able bass soloist; a curious Australian ani- Jekyll and Mr. Hyde. flies finally rescue his mal, and the clever Benda masks made by The victim. Quite amusing for all. Mr. Benda and his wife.

THE CAT’S CANARY » » Aesop Fable. R.K.O.-Pathe. FLYING LEATHER » » Grantland Rice Sportlight. R.K.O.-Pathe. This is an ingenious and entertaining fable in which the cat temporarily swallows the In the “manly art of self-defense” the dis- canary. To the consternation of all the fence tance between pre-school and collegiate box- prowlers, whenever the cat opens her mouth ing is effectively bridged by “Flying Leather.” a warble is emitted. Recommended for the Recommended for the family. family.

CROSBY, COLOMBO AND VALLEE » » FREDDY, THE FRESHMAN » » Pacific Title and Art Studio. Pacific Title and Art Studio.

Animated cartoon introducing the popular Animated cartoon in which animals go radio crooners into an Indian Camp. Of fair through college “stunts.” A fair production, interest. entertaining for children.

MOTION PICTURE REVIEWS

THE WOMEN’S UNIVERSITY CLUB LOS ANGELES, CALIFORNIA

MAY 1932 THE WOMEN’S UNIVERSITY CLUB Los Angeles Branch American Association of University Women 943 SOUTH HOOVER STREET Telephone DRexel 2177 COPYRIGHT NINETEEN THIRTY-TWO WOMENS UNIVERSITY CLUB

WEBBCRAFT PRINTERS, 1951 ARLINGTON AVE LOS ANGELES Motion Picture Reviews Three

MOTION • PICTURE • REVIEWS

Published, monthly by THE WOMEN’S UNIVERSITY CLUB LOS ANGELES BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN

Mrs. Gerard A. Murray Mrs. Madison J. Keeney Mrs. Bruce A. Findlay Preview Chairman Business Manager Asst. Business Manager

Mrs. John Vruwink - Co-Chairmen - Mrs. Palmer Cook EDITORS

Mrs. J. Allen Davis Mrs. John Vruwink Mrs. Walter Van Dyke Mrs. Palmer Cook Mrs. Arthur Jones Mrs. F. H. Partridce Address all communications to The Women’s University Club, 943 South Hoover St., Los Angeles, Calif. 10c Per Copy - - $1.00 Per Year

Vol.lll MAY, 1932 No. 5

FEATURE FILMS

AVALANCHE » » tistic bumptious husband (Ben Lyon), and guides him to success by sound advice. As Leni Riesenstahl, Zepp Rist. Direction by a whole it is limited entertainment. Dr. Arnold Fanck. British International Adolescents, 12 to 16 Children, 8 to 12 Film. Not recommended No Gorgeous snow panoramas in the environs of Mount Blanc, as well as an intimate par- » » ticipation in skiing, weather reporting, and BEHIND STONE WALLS observing the moon through a huge telescope, Robert Elliott, Eddie Nugent, Priscilla Dean, supply enough thrills to make the simple Ann Christy. Direction by Frank Strayer. story at times subservient in interest. There Produced by Frank Strayer. is a minimum of dialogue with no loss of dramatic opportunity, even though the tempo The only incident in this picture which is very deliberate. This most interesting reflects a wholesome attitude towards any production is German made, presented in human relationship is a son’s Quixotic en- the English version, and is well synchronized. deavor to assume his mother’s guilt. Other- The sheer icy beauty of Mount Blanc is ap- wise the plot dwells on infidelity, murder, parent to any age or nationality. blackmail and disloyalty, and these are not Adolescents, 12 to 16 Children, 8 to 12 particularly well presented. Excellent Excellent Adolescents, 12 to 16 Children, 8 to 12 No No

THE BIC TIMER * » Ben Lyon, Constance Cummings, Thelma THE CROWD ROARS »

Todd, Tony Dugan. Direction by Eddie James Cagney, Joan Blondell, Eric Linden, Burzell. Columbia. Ann Dvorak. Direction by Howard Hawks.

Those who enjoy boxing might like this Warner Bros. First National. picture, which tells the events in the life of Only the most phlegmatic and hardened a would-be champion. A charming girl movie fan could sit through this picture with- (Constance Cummings) manages her ego- out suffering. It is an endurance test for any Four Motion Picture Reviews

audience. From beginning to end, the spec- HELL HOUSE » » tators are in a state of harrowing suspense Junior Durkin. Pat O’Brien. Direction and with the certainty that something frightful story by Howard Higgin. Tech Art Studio. is about to happen, and skillful director Howard Hawks has neglected no oppor- A review of this picture was published in tunity of fulfilling every dreaded expecta- November, 1931, under the title “Juvenile tion. James Cagney has an unsympathetic Court.” part as a ruthless, conceited racing driver and the somewhat unpleasant plot is secondary in importance to the violent tragedy IT’S TOUCH TO BE FAMOUS » » and horrors depicted. In the most devestat- Douglas Fairbanks, Jr.. Mary Brian. ing scene we have realism ad nauseum when Walter Catlett, David Landau. Direction by Alfred a car with its occupant catches fire and E. Creen. Warner Brothers-First careens around the course to the accompani- National.

ment of a deafening roar from the grand- The treatment of this photoplay is not so stands and the agonized shrieks of the vic- light as the wording of the title suggests, tim. What may be entertainment for some for the story presents a very real problem. audiences will be punishment for many. Fame that comes to a naval commander Adolescents, 12 to 16 Children, 8 to 12 when heroism is suddenly thrust upon him, Sophisticated and nerve racking Certainly not upsets his private life and almost wrecks his marriage. Douglas Fairbanks, Jr., as the naval commander, is DESTRY RIDES AGAIN » » an engagingly modest young man whose struggles to evade news- Tom Mix, Stanley Fields, Earle Fox, Claudia paper reporters and a hero-worshipping Dell. Direction by Ben Stoloff. Universal. populace, will enlist the sympathy of his his horse are never failing Tom Mix and audiences. Though the theme may be of children adults drawing cards for and who more interest to adults than to juniors, the thrill to the swift action of breezy western picture offers first class entertainment for melodrama. Plot and dialogue are secondary the family. the wicked when honest Destry triumphs over Adolescents, 12 to 16 Children, 8 to 12 sheriff and gallops to romance on Tony’s Good Mature beautiful back. Adolescents, 12 to 16 Children, 8 to 12 Good Excellent THE MAN FROM NEW MEXICO * » Tom Tyler, Caryl Lincoln, Jack Richardson, GRAND HOTEL » » Robert Walker. Direction by J. P. Mc- Greta Carbo, John Barrymore, Joan Craw- Gowan. Monogram. ford, Wallace Beery, Lionel Barrymore. Children Lewis Stone, Jean Hersholt. By Vicki enjoy direct action and uncom- Baum. Directed by Edmund Coulding. plicated motives. A beautiful heroine, a M.C.M. brave hero and a wicked villain, plus skillful riding and hard fighting, where right tri- There are any number of reasons why umphs, make good entertainment for junior audiences will go to this picture, but to our matinees. “The Man From New Mexico” is mind the greatest factor in its sucess is made according to the formula above is neither the much advertised cast nor Vicki and unimportant to all but the younger members Baum’s failure-proof play. The direction’s of the family. the thing. Swift, clear-cut, decisive, logical, Adolescents, 12 to 16 the direction blends the various plots, scat- Children, 8 to 12 tered scenes and diverse personalities into a Yes Yes completely satisfying unit. There is nothing superfluous, nothing out of balance. Whether or not each individual favorite comes up to THE MOUTHPIECE » » expectations the picture is eminently worth Warren William, Sidney Fox, Aline Mc- while. Wallace Beery perhaps is more com- Mahon, William Janney. Direction by James pletely in character and less his usual screen Flood and Elliott Nugent. Warner Brothers. self than any other member of the cast though Joan Crawford gives an almost flawless per- Here is another of those films showing the formance. The play is tragic, very realistic, machinations of lawyers, who for one reason almost totally unconventional, yet somehow or another, are affiliated with the under- not sordid. It is entertainment of the highest world. This time Warren William as an grade for sophisticated adult audiences. assistant district attorney, mistakenly sends Adolescents, 12 to 16 Children, 8 to 12 an innocent man to the electric chair. When Entirely unsuitable No interest he discovers what he has done, he alligns Motion Picture Reviews Five himself with gangland against the courts, RADIO PATROL » » and indulges in most of the vices which are Robert Armstrong, Lila Lee, Russell Hopton, susceptible of being suggested on the screen. June Clyde. Direction by Edward L. Cane. The performance of Warren William is so Universal. Seen in preview. good that the picture will probably draw Were it not for a brutal murder scene that audiences in spite of the hackneyed material disqualifies this picture from recommendation which it assembles. to any audience, “Radio Patrol” might be Adolescents, 12 to 16 Children, 8 to 12 good entertainment. It presents “Rookie No No School” and the problem of the police in maintaining a large enough force to keep crime in check. A love story of supreme sacrifice is the thread of narrative running » » NIGHT COURT through a series of exciting events which are Walter Huston, Lewis Stone, Phillips culminated in the heroic death of an officer. in the role of Pat, gives such a Holmes, Anita Page. Noel Francis. From Mr. Hopton, gripping portrayal that it is worthy of ap- the play by Mark Hellinger and Charles preciative comment. It is to be hoped that Beahan. Direction by W. S. Van Dyke. the extreme horror will be eliminated before M.C.M. the final release. Adolescents, 12 to 16 Children, 8 to 12 An involved and unpleasant plot makes Too ghastly Nightmare this picture seem exhaustingly long. It shows, provoking without mercy to the audience, the lengths to which an unscrupulous man will go to cover up his own wrong doing, and delves into THE ROADHOUSE MURDER » » the corruption of judges in a gang-ridden Dorothy Jordan, Eric Linden, Purnell Pratt, city (all, we suspect, with the purpose of Roscoe Ates. Direction by J. W. Ruben. turning out a bigger and better thriller). R.K.O. The subject, however, is interesting and A new angle on the murder-mystery plot is holds one’s attention in spite of its heaviness; shown in this play, wherein the “cub” re- the good cast give excellent performances in porter gains notoriety by impersonating a their respective roles. criminal. While the scheme leads him into Adolescents, 12 to 16 Children, 8 to 12 desperate straits with the proffered lesson No No that publicity at such a price is to be avoided, nevertheless, the picture as a whole leaves an unhealthy taste of youth’s zest for thrills, regardless of consequences. The play is full PROBATION » » of action and suspense from the start, and at the end becomes harrowing. John Darro, Sally Blane, Eddie Phillips, Adolescents, 12 to 16 Children, 8 to 12 Mattie Kemp, Farrel MacDonald, Clara J. Unsuitable No Kimball Young. Direction by Richard Thorpe. Distributed through Pacific Coast SCANDAL FOR SALE » » Exchange. Charles Bickford, Pat O'Brien, Rose Hobart,

This silly production is the result of com- Claudia Dell, J. Farrel MacDonald. Direction bining two inharmonious types of entertain- by Russel Mack. Universal Pictures Corp. ment. From the title and opening scenes one How every motive of love and friendship expects a social problem drama, showing becomes subservient to the task of pandering modern youth running afoul of the Juvenile to the public’s desire for thrills and sensa- Court. Suddenly an unsophisticated love tion, is shown in this play of yellow journal- story develops, in which the romance of a ism. While it is realistic and intense, and poor young man and a rich girl is steered by some parts are noteworthy (the scenes of a benevolent uncle towards an improbable the end of the trans-Atlantic flight are power- happy ending. Bad taste and excessive ful and beautifully photographed), it would drinking in certain portions of the picture be more effective if it did not run the whole might advantageously have been left out. gamut of human emotions. There is too much The good cast is to be congratulated for crime, too much scandal ; it lacks the novelty preserving a modicum of charm and enter- and conviction of some of the earlier pic- tainment value. tures of the press. Adolescents, 12 to 16 Children, 8 to 12 Adolescents, 12 to 16 Children, 8 to 12 * Not recommended No Too sensational Decidedly not Six Motion Picture Reviews

SCARFACE » » boy, Chubby, is the center of the humor, as well as of the tragedy in Paul Muni, Boris Karloff, Kareen Morley. this film, which Direction by Howard Hawks; Co-director is set against a gangster background and pictures the Harry Rosson. Produced by Howard Hughes. degradation of a gentleman and his eventual redemption. The director de- In “Scarface,” which is the unvarnished serves credit for the restraint with which he hiography of gangster Tony Carmonte, one has selected and used his material. may become intimately acquainted with an Adolescents, 12 to 16 Children, 8 to 12 arch criminal, who is composite of all that No No has hitherto been divulged concerning real characters of the underworld. The picture is vivid, realistic, artistically and dramatic- SKY BRIDE » » ally excellent, and one does not feel that it Richard Arlen, stretches plausibility unless in the concen- Tom Douglas, Jack Oakie, Louise Hale, Robert Direction tration of so many atrocities in one film. Coogan. by Stephen Roberts. Paramount-Publix. However, it is a display of wholesale murder, of extreme brutality, and of horrifying dis- The adventures of three barnstorming regard for law. Though the theoretical pur- aviators tense your muscles and pull your pose of the film is to rouse the public to a heartstrings in this thrilling production. combative attitude towards corruption, it Daring stunts and skillful maneuvers, shot falls short of its avowed intent because the through with pathos, are lightened by comic conflict is almost entirely between rival dialogue. Around this clean story, radiating gangsters, and the indirect threat to the public good fellowship and loyalty, Stephen Roberts is secondary to our interest in the drama. has directed one of the most expert produc- Moreover Tony, magnificently enacted by tions of its kind. Paul Muni, is a colorful and interesting char- Adolescents, 12 to 16 Children, 8 to 12 acter whose psychology and personal for- Thrilling Too emotional tunes become the focus of our attention. We question the wisdom of showing such material indiscriminately to all types of audiences. SO BIG » » Such films may actually do more harm than Barbara Stanwyck, Dickie Moore, Bette good they most certainly cannot be recom- ; Davis. Direction by William A. Wellman. mended to immature audiences. From the book by Edna Ferber. Warner Adolescents, 12 to Children, 8 to 12 16 Brothers. Emphatically no Impossible Because of the period of years which it covers, the theme of “So Big" is developed SHOP-WORN » » in episodes. The resulting breaks in continuity may be overlooked, for the play itself Barbara Stanwyck, Regis Toomey, Zasu is beautifully executed, definite in its pur- Pitts, Albert Conti. Direction by Harry pose, and marked by a simplicity of treat- Cohn. Columbia. ment which is thoroughly wholesome. In the With a title probably chosen to lure certain delineation of the principal character, the types of audiences, “Shop-Worn” is a trashy joy of doing, the satisfaction of achievement picture featuring a melodramatic heroine and the glory of self-earned success, prove who suffers all the well-known ills of cruel greater compensations than the monetary re- fortune, and later becomes the happy fiancee ward for the effort, an idealism which is of her first love. It is somewhat relieved by eventually transmitted to her son. The pic- Zasu Pitts in a comedy role. ture can be recommended for the family. Adolescents, 12 to 16 Children, 8 to 12 Adolescents, 12 to 16 Children, 8 to 12 No No Interesting Mature

SINS PAYDAY » » STATE’S ATTORNEY » »

Dorothy Rivier, Forrest Stanley, Mickey Mc- John Barrymore, Helen Twelvetrees, Jill Guire. Direction by George Seitz. Mayfair Esmond, William Boyd, Mary Duncan. Pictures-AII Star Exchange. Direction by George Archainbaud. R.K.O.

Having saved a murderer from the death John Barrymore, cast as a defense attorney penalty, the defending lawyer eventually for the underworld, and subsequently state’s comes to the realization that he must share attorney, plays the lead in another picture the responsibility for the criminal’s subse- with the criminal background. The sophisti- quent crime. Mickey McGuire, as the small cated plot is unfolded rapidly and displays Motion Picture Reviews Seven

» * all the known modern vices and crimes, with THIS IS THE NIGHT the exception of kidnapping. Justice is shown Lily Damita, Charlie Ruggles, Roland Young, be ineffective against a political machine to Thelma Todd. From a play by Avery Hop- and selfiish interests. The presentation is wood. Direction by Frank Tuttle. Para- sincere, the acting real, the direction notable, the dialogue crammed full of “wise cracks,” mount-Pubiix. matter is unwholesome and but the subject This lyric comedy is a sophisticated little distasteful. piece, bright and clever, with piquant music Adolescents, 12 to 16 Children, 8 to 12 and charming backgrounds of Paris and No Absolutely not Venice. The cast has been chosen to accentu- ate the comedy, and the direction is unusually adept. Claire persuades her lover Gerald to take her to Venice, but her husband returns at the inopportune moment of departure, and STRANCE CASE OF CLARA DEANE » it becomes necessary to secure a bogus wife for Gerald before the holiday begins. The Wynne Cibson, Pat O’Brien, Dudley Digges, dialogue and situations are adroitly handled Frances Dee, George Barbier, Russel Gleason, but risque, even for seasoned audiences. Cora Sue Collins. Direction by Louis Gasnier Adolescents, 12 to 16 Children, 8 to 12 No and Max Mercin. From the play by Arthur No M. Brilant. Paramount-Pubiix.

A mother’s supreme sacrifice for her child WHEN A FELLER NEEDS A FRIEND » » is the disheartening finis to this depressing Cooper, Chic Sale, Ralph Graves. drama. Cora Sue Collins, as the child, gives Jackie an outstanding natural performance. The From the novel “Limpy" by William John- cast is well chosen and the situations well ston. Direction by Harry Pollard. M.G.M. developed. Gripping realities and emotional In this comedy drama of child life we see stress carry the plot to its tragic conclusion. a little lame boy gain confidence in himself The audience is impressed with the severe through sympathetic understanding of an old punishment meted out to transgressors, but uncle. Children should feel more kindly meanwhile, all the sympathy is directed to- toward the handicapped after seeing this ward the unfortunate Clara Deane. “Strange picture and there is a lesson in it for grown- Case of Clara Deane” offers heart throt* ups as well. Chic Sale is excellent and tears, and hovering menace in lieu of en- Jackie Cooper plays with a sure touch on tertainment. the heartstrings of the audience. Perhaps at Adolescents, 12 to 16 Children, 8 to 12 some points the pathos is exaggerated but Too depressing No interest on the whole it is a picture that can be recommended for the whole family. Adolescents, 12 to 16 Children, 8 to 12 Good Yes

TARZAN » » Johnny Weissmuller, Neil Hamilton. C. THE WOMAN IN ROOM 13 * »

Aubrey Smith, Maureen O’Sullivan. Direc- Elissa Landi, Ralph Bellamy, Neil Hamilton,

tion by W. S. Van Dyke. M.G.M. Myrna Loy, Gilbert Roland. Direction by The film follows the characters of the Henry King. Fox. original book closely. From the kidnapping The plot of this melodrama depends for its of Jane Parker to the struggle with the suspense upon the device of withholding pygmies, many of the incidents in Tarzan’s until the bitter end, the obvious word of fictional career are shown. At times the melo- explanation. A man and woman who are is blood-curdling, but drama from the stand- ideally happily married, are made to suffer point of photography and direction the pic- misunderstandings and jealousies, are ture has beauty and merit. fascination The dragged through a murder trial, and brought life scenic beauty, of the jungle and coupled to the brink of separation, in order to satisfy here with Johnny Weismuller’s vigorous in- the vengeful hate of the woman’s former terpretation of Tarzan, develops a tale full husband. Elissa Landi is charming and Ralph of thrilling adventure. Bellamy, as the villain, truly venomous. Adolescents, 12 to 16 Children, 8 to 12 Adolescents, 12 to 16 Children, 8 to 12 Interesting Very exciting Unsuitable No Eight Motion Picture Reviews

THE WORLD AND THE FLESH » » YOUNG AMERICA » » George Bancroft, Miriam Hopkins, Allan Spencer Tracy, Doris Kenyon, Beryl Mercer, Mobray, George Stone, Mitchell Lewis. Ralph Bellamy. From the play by Fred Direction by John Cromwell. Paramount- Ballard. Direction by Frank Borzage. Fox. Publix.

Handicapped by a meaningless title, “The Into “Young America” is woven the ap- World and the Flesh” proves to be an event- pealing story of a waif, whose native im- ful, swift moving story, dealing with the pulses are fine, but invariably lead to his escape of a band of White Russians, and own undoing and keep him constantly in their capture by the Red sailors (on the the shadow of the Juvenile Court. The film Black Sea). It is unrelieved drama, the at- is balanced, vivid and excellently directed. mosphere tense with a sense of impending The youthful actors are unusually skillful. disaster, and always the sinister shadow of The cast is well chosen and the picture, psy- Sovietism looming over all. The parts are chologically and socially, will interest the well taken, but the interest centers in locale entire family. It is for the individual mother and events, rather than in character devel- to decide whether or not the emotional strain opment. Recommended only for adults who may be too strong for her own child. enjoy adventures in Russian realism. Adolescents, 12 to 16 Children, 8 to 12 Adolescents, 12 to 16 Children, 8 to 12 Good Emotional No No

SHORT SUBJECTS

AUDIO REVIEW No. 10 » » EMPIRE OF THE SUN » » Pathe. Vagabond Adventure. Produced by Van Beuren Corp. R.K.O.-Pathe. Audio Review No. 10 is an enchanting picture of deep sea life, showing examples The insular charm of the Orient during of many unfamiliar types. A clear explana- the cherry blossom festival opens this tion accompanies the photographs. Interest- travelogue, and is followed by pictures of ing to the entire family. Oriental school life and exhibitions of sports. Interesting for the entire family.

BEAUTIFUL AND DUMB » » R.K.O.-Pathe. GAUNT » » This film stars Mary Nolan and Lew Cody Talking Picture Epics. in a short comedy, in which a gentleman A depressing and ironical production con- burglar thinks he is outwitting his hostess, cerning theft, imprisonment, suicide. Best and his hostess knows she is outwitting him. avoided in these days of so-called “depres- Entertaining for all but the very young. sion,” whether financial or mental.

THE CAT’S CANARY * » IDYLL SEVILLE * » Aesop Fable. R.K.O.-Pathe. OF “ From a series called Kendal I -De Va I ly This is an ingenious and entertaining fable Operalogues.” Educational Pictures Corp. in which the cat temporarily swallows the canary. To the consternation of all the fence A condensed adaptation of the popular prowlers, whenever the cats opens her mouth opera “Carmen,” well sung, and colorful in a warble is emitted. Recommended for the action and settings. It will be enjoyed by all family. audiences. Motion Picture Reviews Nine

LAND OF CHEWING GUM » » MY LADIES ESCAPADE * » Produced Kendall-DeVally. Educational Produced by Emma Lindsey Squier. Talking by Pictures Corp. Picture Epics. An epitomized version of “Martha,” a In Yucatan we are shown the plantations twenty minute operalogue, handled with of sapodilla from the sap of which is derived skill and charm in spite of poor photography. chewing gum. The whole process is depicted, Good voices and splendidly conducted music from the tapping of the trees to the shipping stamp the film as an artistic and educational of the finished product. The film winds up event. Recommended for the family. with a betrothal in the old hacienda built by Cortez. All worth seeing. OLD SONGS FOR NEW » » Paramount. LAND OF THE FEATHERED SERPENT Musical reminiscenses in colored photog- Produced by Emma Lindsey Squier. Talking raphy are orchestrated by George Stoll’s Picture Epics. band. The whole is costumed to the period. The lost civilization of the Mayan people Recommended to all. in Yucatan is the subject of this excellent travelogue. Workers who still speak Mayan » » are shown rebuilding the Pyramid of the PICTORIAL No. 8 Feathered Serpent. Entertaining and instruc- Paramount. tive for all. Pictorial No. 8 consists of three features. The first two are of historical and geograph- ical interest, and the closing episode demon- strates an extraordinary development of cer- » » LASCA tain technical skill. Recommended for the Hobart Bosworth. Direction by Ben Holmes. family. Production by Ben Holmes and Leigh Jason.

Hobart Bosworth gives a masterful rendi- SCREEN SOUVENIRS » » tion of the poem “Lasca,” by Frank Desprez. Paramount. The graphic illustrations are not so impressive as the reciting voice. It is a pleasing Opening with several valuable historical novelty for the family. records, these old films further represent the thrillers and comics of early movie days, when “Tillie the Working Girl” made Mack Sennett famous. Retrospectively highly en- MAGIC ART » » tertaining. Recommended for the family. Aesop Fable. Produced by Van Beuren Corp. R.K.O.-Pathe. SECOND PARADISE » » This is an interesting cartoon in which Vagabond Series. R.K.O.-Pathe. two artists draw and their oddly assorted figures come to life, dancing and making This picture of the exotic island of Ceylon music. Good for the entire family. takes us into a bewitching tropical world. Dark skinned, Aryan featured Singhalese move in an Eastern pattern across the film, as their customs and culture are caught by MAD DOC » » the camera. Recommended for the family.

A Silly Symphony. Walt Disney. Columbia. Mickey’s dog accidentally swallows a cake SECRETARY PREFERRED » » of soap and is thought to be mad, causing R.K.O.-Pathe. much confusion and hilarity. Excellent fun An emerald necklace valued at ten thou- for all. sand dollars is the pivot of this sophisticated sketch from a Liberty Magazine “short, short story.” Two crooks are cleverly MICKEY CUTS UP » » outwitted in their plot by a “gold digging” secre- Walt Disney. Columbia. tary. “Sister, your racket has mine beat a One of Mickey’s funniest exploits. Mickey mile,” is the concluding line. wielding a lawnmower in the springtime is Adolescents, 12 to 16 Children, 8 to 12 irresistible. No No T eti Motion Picture Reviews

A SLIP AT THE SWITCH » » turesque and tuneful, and is heartily recom- Chic Sale. R.K.O. mended to all audiences.

Novel and amusing comedy in melodramatic style, in which Chic Sale’s characterization “makes” the picture. WHIPPET RACINC » » Metro-Goldwyn-Mayer.

An illustration of training whippets from STOCKHOLM * » puppyhood to adult racing champions consti- Produced and photographed by John W. tutes the interest of this film. Recommended Boyle, A. S. and Ray Fermstrom. R. C. A. C., for the family. Recording. Produced in Multicolor. The first of “The World Wanderings” series.

The life in city street and surrounding WHISPERING BILL » » territory is pictured in this fine multicolored Chic Sale. Direction by Ben Holmes. Pro- cinema, taken of the handsome “Venice of the North.” It was used as a compliment to duction by Ben Holmes and Leigh Jason. in the prologue to “Mati Hari.” Greta Garbo This photographed poem is characterized interesting for the Beautiful and intensely by Chic Sale, who gives a creditable per- entire family. formance. “Whispering Bill” was written by Irving Bacheller. Interesting for the family. TAKE YOUR PICK * » Crantland Rice Sportlight. R.K.O. -Pathe. WAR IN CHINA » » A picture of young America at play during that season of the year when Lake Placid Descriptive narrative prepared by H. V. lures the winter sportsman to icy summits Kaltenborn. John S. Young, radio an- while Miami draws lovers of aquatic activi- nouncer. Educational Pictures Corp. (filmed ties south to tropical shores. Recommended with the official permission of Chinese for the family. Ceneral Yuan Kai-Shek).

A news reel type of picture, showing the VENDETTA » * devastation and havoc of the Japanese siege Direction by Howard Higgins. Produced by of Shanghai and neighboring towns. The Kendall-DeVally. Educational Pictures Kaltenborn narrative is a sympathetic de- Corp. scription of the suffering and terror of “Vendetta,” based on the opera “Cavalleria Chinese civilians. An interesting current Rusticana,” is a delightful operalogue, pic- topic for all audiences.

MOTION PICTURE REVIEWS

THE WOMEN’S UNIVERSITY CLUB LOS ANGELES, CALIFORNIA

JUNE 1932 THE WOMEN'S UNIVERSITY CLUB Los Angeles Branch American Association of University Women 943 SOUTH HOOVER STREET Telephone DRexel 2177 COPYRIGHT NINETEEN THIRTY-TWO WOMEN S UNIVERSITY CLUB

WE3BCRAFT PRINTERS, 1851 ARLINGTON AVE., LOS ANGELES Motion Picture Reviews Three

MOTION * PICTURE * REVIEWS

Published monthly by THE WOMEN’S UNIVERSITY CLUB LOS ANGELES BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN

Mrs. Gerard A. Murray Mrs. Madison J. Keeney Mrs. Bruce A. Findlay Preview Chairman Business Manager Asst. Business Manager

Mrs. John Vruwink - Co-Chairmen - Mrs. Palmer Cook EDITORS

Mrs. J. Allen Davis Mrs. John Vruwink Mrs. Walter Van Dyke Mrs. Palmer Cook Mrs. Arthur Jones Mrs. F. H. Partridge

Address all communications to The Women’s University Club, 943 South Hoover St., Los Angeles, Calif. 10c Per Copy - - $1.00 Per Year

Vol. Ill JUNE, 1932 No. 6

EDITORIAL

A unity of purpose and cooperation be- method of operation and the purpose of the tween organizations having the same objec- Council is reprinted here, because it may be tive is always essential for success in any of service to other groups wishing to work on undertaking, and the work of Better Films this subject.

Committees is no exception to this rule. In It was prepared by fact, in no work are a definite plan and unified Mrs. John Vruwink (President) opinions more necessary, because the appeal Women’s University Club, Los Angeles for children’s matinees and family night pro- Branch A.A.U.W. grams must come from the community, and Mrs. William Burk (Vice-President) the exhibiting end of the motion picture General Federation of Women’s Clubs industry must be assured that the public will Mrs. Leo Hodges be whole-heartedly behind such an experi- California Congress of Parents and ment. Southern California, because of its loca- Teachers tion near the source of motion picture supply, The California Motion Picture Council and the great interest this creates, has had its The California Motion Picture Council is Better Films Committees over a period of an impartial group of representative organ- many years. Junior matinees have existed izations especially interested in child welfare, for ten years, with varying degrees of suc- working together for better motion picture cess. In August, 1930, at the Women’s programs for children and adolescents, and University Club, the California Motion Pic- cooperating in educational programs to stim- ture Council was organized, drawing together ulate a realization of the necessity for selec- more closely all the groups which had_beeiu tive entertainment for youthful audiences. working along the same line?. ^It includes Method of Operation the National Previewing groups, the Boy I. It is a clearing house for available infor- Scouts, Girl Scouts, Campfire Girls, Girl Re- mation on current releases. serves, Y.M.C.A., Librarians , and a number Reports of this Council are the con- of groups interested in civic work and child census of opinion of the groups preview- welfare. The following outline of the ing through the courtesy of the Associa- Four Motion Picture Reviews

tion of Motion Picture Producers and Dis- Treasurer is dependent upon the tributors, at the Academy of Motion organization procedure. The Executive Committee Picture Arts and Sciences in Hollywood. requires great care in selection. It should The previewing committee, meeting every represent all the organizations most two weeks for consultation in compiling actively interested in the work, should the lists, represent the following organi- be composed of persons with time to give the zations: to project, tact to handle the problems, and personality to “put the University Club, Los Angeles Women's project over.” Branch A.A.U.W. General Federation of Women’s Clubs (c) Meetings National Daughters of the American 1. Meetings of the Executive Com- Revolution mittee should be held frequentlv International Federation of Catholic and regularly to handle the prob- Alumnae lems which constantly arise, to California Congress of Parents and plan or supervise the programs, Teachers and to plan for stimulating inter- National Society of New England est and cooperation. Women 2. Meetings of the official representa- National Council of Jewish Women tives forming the Council United Church Brotherhood should be held periodically to keep the The reports are accepted and used by cooperating groups informed and the members of the council not having the interested. Failure of these mem- facilities or privilege of previewing daily. bers to attend the meetings will bi-monthly reports are available to The indicate a lack of interest and the community councils upon receipt of Executive Council will be justified stamped, addressed envelopes sent to Mrs. in requesting a successor to replace David Ray, Preview Chairman, 1235 the delinquent representative. South First Street, Arcadia, Calif. 3. Open meetings should also be held As these reports are the only lists of less frequently, with speakers se- films which are the united judgment of all lected to arouse public interest in of the previewing groups, it is suggested the project. These are a very suc- be accepted used by com- that they and cessful method of publicity. munities sponsoring junior matinees and 4. Meetings with theatre managers family night programs. It will eliminate are, of course, a required pro- discussion, satisfy the theatre managers, cedure. and present an united opinion on pictures. Assurance is given that the greatest care (d) Programs is taken in the compilation of the recom- The purpose of the “Junior Matinee” mended lists. is not to attract children to the movies. for II. It is a clearing house work done by It is to safeguard them and to edu- other community councils and fosters the cate parents in selective entertain- formation of similar groups, aiding them ment. A standard for these programs in any way possible. which has proved practical through III. Suggestions for organizations and pro- years of experiment, is as follows:

cedure of community councils. 1. Length of program should not ex- (a) Membership of Community Councils ceed two hours. (The obvious rea- Membership should consist of repre- son for this relates to children’s sentatives of all local organizations, physical, nervous and emotional

i.e., civic, educational, patriotic, re- endurance.) ligious, welfare organizations, li- 2. Type of program: braries, etc. (Men’s groups as well (a) One feature length as women’s should be included.) film approved by the These representatives should be offi- National Pre- cially appointed by the organizations viewing Committee of the they represent. California Motion Picture Council. (No film is appropri- (b) Officers ate for the child under eight Officers should include President, Vice- or nine years. Parents of President, Secretary, Press Chairman, younger children must realize Chaperone Chairman. The office of this.) Motion Picture Reviews Five

(b) Approved short subject. Com- (f) Chaperones edies, cartoons, newsreels and Tactful mothers should be in regular educational shorts. attendance. Their duties depend up- (c) Serials are discouraged be- on the attitude and wishes of the cause they are too emotional management of the theatre. and exciting. (g) Contact with the Theatre Managers (d) Singing on the part of youth- Theatre managers are usually more ful audiences is to he en- than willing to cooperate in any con- couraged. structive movement which represents (e) If additional entertainment is the wishes of the community. An given by children on the stage, united group is necessary. A tactful it is recommended that group “go between” who is intelligently fa- performances are to be pre- miliar with theatre problems should ferred to those of talented be selected for the contact. individuals. An avoidance of censorship in discussion or practice is necessary in (e) Publicity order to obviate an impression of in- 1. Through each organization repre- tolerance and to secure cooperation. sented. A constructive method of cooperation 2. Through bulletin boards of li- in this respect is bringing the atten- braries, Y. M. C. A., Y. W. C. A., tion of the public to the finer films clubs, etc. and to encourage attendance for these 3. Through published channels. pictures. (a) Recommended lists of films. “Family night” programs for Friday or (b) News stories of the activities Saturday nights make possible a wider range of the Council and the mati- of film selection and are to be encouraged nees. because they meet an even greater need in 4. Trained speakers to go before reaching adolescents. In many communities service clubs, women’s clubs, P. T. they are in greater demand than junior A. groups, etc. matinees.

FEATURE FILMS

AS YOU DESIRE ME » » story is well told, with an excellent cast, and the pictorial surroundings are lovely. Greta Garbo. Melvyn Douglas, Eric Von Adolescents, 12 to 16 Children, 8 to 12 Stroheim, Owen Moore. From the play by Not harmful for older adolescents No Lugi Pirandello. Direction by George Fitz- 'W maurice. M.-G.-M. THE DOOMED BATTALION » » Admirers of Miss Garbo will not be dis- Louis Trenker, Tala Birell, Victor Varconi, appointed, believe, in this production, her- we Henry Armetta. Direction by Cyril Gard- alded as her last. While it is not the best ner. Universal. plot she has had, it does give her an opportunity of delineating decided changes in char- The futility of war is depicted in a acter, from the hard, bitter mistress, through new setting, the Italian stronghold of “The a period of doubt and retrospection, to a Doomed Battalion.” Two close friends, one charming, happy woman who personifies Italian the other Austrian, who have spent youth. In this last character she is utterly long hours together climbing their beloved delightful, a happy return to the lovely, lyric Alps, are forced through the world conflict beauty who charmed Sweden in “Gosta to become enemies. Loyal and courageous, Berling.” In plot, it tells a story of amnesia, they give themselves to the countries which of the culmination of a ten-year search for claim them. We see these men reunited after- a woman who is a victim of the horrors of wards, and again climbing the battle-scarred war, and we are left almost certain that the mountains, all this in glorious photography. husband’s search has been successful. The Handled simply and sincerely and with great Six Motion Picture Reviews

dramatic force, this picture has a strong ap- FORCOTTEN COMMANDMENTS » » peal. It is a new treatment of the war theme. Gene Raymond, Marguerite Churchill, Irv- To heighten its reality, a particularly well ing Pichel, Sari Maritza. Direction by Louis chosen cast of foreign types has been as- Gasnier and William Schorr. Paramount- sembled. Adolescents, 12 to 16 Children, 8 to 12 Publix.

Good Depressing “Forgotten Commandments" is evidently intended as a preachment on the unsoundness of Russian communistic theories. It shows in modern Russian setting, that the idea of loy- » THE FAMOUS FERGUSON CASE » alty to the state, rather than to the family Joan Blondell, Grant Mitchell. Vivienne Os- is not tenable because basic human loyalties do not permit a practical application. The borne. Tom Brown. Direction by Lloyd scientist and communist becomes merely a Bacon. Warner Bros. jealous lover when his personal rights are infringed. The producers had an opportunity This drama is another rap at the methods to present an interesting objective picture of yellow journalism, this time shown in con- on social doctrines, but the trast with the more enlightened and ethical method of presentation confuses it is procedure of good newspaper reporting. the issue and only another plain spoken drama on the subject of extra- When a nationally known financier is mur- marital relationships. The interpolated scenes dered in a small town, city reporters flock from Cecil De Mille’s “Ten Commandments" to the scene. One faction, determined to get attract attention as a revival, but add noth- a story at any cost, manufactures scandal ing to the story, and suffer by and tragedy, while the others hunt for real comparison with modern technique. clues and the local reporter solves the mys- Adolescents, 12 to 16 Children, 8 to 12 tery. The underlying idea is interesting, and No Objectionable No the theme is well presented for adult audi- — ences. In spite of humorous touches and the w youth and wholesomeness of the hero, the CHOST VALLEY » » ugly problems involved make a rather grim Tom Keene, Merna Kennedy, Mitchell Har- picture. ris, Kate Campbell. Direction by Fred Allen. Adolescents, 12 to 16 Children, 8 to 12 R.K.O. Not advised No If the family has a leaning toward Western melodrama made according to the usual FAST COMPANIONS » » formula (hard riding, straight shooting and much fighting), by all means go to see “Ghost Devine, James Gleason, Brown, Andy Tom Valley" and take the children! Maureen O’Sullivan, Mickey Rooney. Direc- Adolescents, 12 to 16 Children, 8 to 12 tion by Kurt Neumann. Universal Pictures Good Good Corp. » » Racing, fair and foul, is the background HUDDLE for this comedy. A professional jockey em- Ramon Novarro, Madge Evans, Una Mer- ploying dishonest methods for his own and kel, Ralph Graves. Direction by Sam Wood. his partner’s aggrandizement, is suddenly in- M.C.M. spired to right about face and to set an Although Hollywood cannot refrain from example to a misguided waif who crosses putting its own touch upon certain phases of his path. While the child changes his entire collegiate life, “Huddle” has a charm and point of view, the questionable antics of the dignity which many college pictures lack. It lovable little gamin may be remembered by is the story of a steel foreman’s son who children long after his reform is forgotten. wins a scholarship at Yale, and the authentic (Note for parents with impressionable chil- background of “Old Eli” adds greatly to dren.) Unhackneyed, with a certain degree of the interest. The boy, who is egotistical charm, this simple drama has elements both and crude when he enters the University, of pathos and of humor. It is the type of learns in his four years the value of tradi- theme which elicits innumerable chuckles. tion, of good sportsmanship, and of scholar- The direction is adequate and the actors real ship. It is a football story with an unex- and satisfying. pected twist of realism in its denouement. The to 16 Children, 8 to 12 Adolescents, 12 most colorful and delightful scenes center Entertaining Yes around the Italian hero’s home life in which Motion Picture Reviews Seven

Henry Armetta, as the father, gaves an out- romantic flights, and pioneer characters, all standing performance. It is good entertain- given in sincere “Western” style. ment for all ages. Adolescents, 12 to 16 Children, 8 to 12 Adolescents, 12 to 16 Children, 8 to 12 Good Good Entertaining Good

MERRILY WE GO TO HELL » » LETTY LYNTON » » Sylvia Sidney-Fredric March. From the Joan Crawford, Robert Montgomery, Nils story, “I, Jerry, Take Thee Joan,” by Cleo Asther, Lewis Stone, May Robson. Direc- Lucas. Direction by Dorothy Arzner. Para-

tion by Clarence Brown. From a novel by mount-Publix.

Mrs. Belloc-Lowndes. M.G.M. The appeal of this picture will be limited. It is a story of the demoralizing effect of Lctty is an exceedingly unconventional liquor young woman, but she regrets her past indis- and no doubt depicts with realism certain phases of life can be duplicated in cretions when she falls in love with a nice which any modern city, but will feel that the young man. In attempting to extricate her- many point could with less in- self from an entanglement with an unscrupu- have been made lous South American, she encounters serious sistance on unsavory and vulgar details. Syl- via Sydney and Fredric March are excellent difficulties and is saved from a murder charge in their respective roles as the wife only by the timely lies of her mother and her young and the reporter-playwright, while the direc- fiance. With little variation “Letty Lynton” torship is “Dishonored Lady,” in which Catharine gives more power and distinction to Cornell starred on the stage. In spite of the production than it deserves. disgraceful ethics and a plot that reads like Adolescents, 12 to 16 Children, 8 to 12 arrant trash, this picture is skilfully directed Very unwholesome No and deftly photographed, well acted and han- •w dled in its entirety. One regrets that the subject matter is not more worthy of its THE MIDNIGHT LADY » » superior treatment. Sarah Padden, John Darrow, Claudia Dell, Adolescents, 12 to 16 Children, 8 to 12 Lina Basquette. Direction by Richard Thorpe. Most unsuitable No Universal. (Seen in preview.) •v Murder, martyred motherhood, racing MAN ABOUT TOWN » » youth, selfish grandmother, unhappy family life, artist roue, are all elements that make Warner Baxter, Karen Morley, Conway up this sordid melodrama. Interest is sus- Tearle. Direction by John Francis Dillon. tained by complications rather than by direct Fox. story. All of the unplesant situations possible are into a mediocre plot with Official Washington is the background for embodied an inconsistent melodrama in which good a few high lights of heavy dramatic charac- actors partly redeem the poorly constructed ter portrayal. tale. The reaction to the situations pre- Adolescents, 12 to 16 Children, 8 to 12 sented is that if the heroine must commit No No •w a murder it is well to have a fiance in the government service who will unflinchingly MIDNIGHT PATROL * » forsake duty life and for his loved one. Regis Toomey, Betty Bronson. From a story Adolescents, 12 to 16 Children, 8 to 12 by Arthur Hoerl. Direction by Cristy Ca- No Unsuitable banne. Monogrom-C. C. Burr.

The police may feel their rights infringed MARKED MEN » » upon, as it is a cub reporter who again un- Tom Mix, Lucille Powers, Willard Robert- ravels the mystery in this picture. While it is built upon a sordid situation, the principal son. Direction by Edward Laemmle. Uni- characters are young and clean-minded, and versal. (Seen in preview.) it is not objectionable in tone. It is, however, This is a typical Tom Mix Western played chaotic melodrama with lack of dramatic before interesting scenery and has the usual emphasis and will not be remembered long quota of heroism, rapid riding and mass after the final curtain. gun play. The story concerns an outlaw Adolescents, 12 to 16 Children, 8 to 12 gang and their capture. There are thrills, Doubtful Not suitable Eight Motion Picture Reviews

» » MISLEADING LADY est. It is entertaining, even though full of Claudet Colbert, Edmund Lowe, Stuart Er- emotional appeal. win, Robert Strong. Direction by Stuart Adolescents, 12 to 16 Children, 8 to 12

Walker, Paramount-Publix. Fair Of interest—if not too tragic An excellent cast do their best for a stupid, uneven story which is neither farce, drama nor comedy. A bored rich girl tries to convince a producer that her allure is sufficient to warrant a leading role in his new play. PASSPORT TO PARADISE » » She proceeds to demonstrate this aforemen- Jack Mulhall, Blanche Mahaffey. Direction tioned quality in the usual banal situations such as: abduction by a strong silent ex- by George Senter. Weeks Production. (Seen plorer— a lonely mountain cabin, and—finally in preview.) truc love. Apparently the producer is satis- An amusing story woven about a whimsical fied by this artistic display. Not so the long- provision of a will fails to convince due to suffering audience. The recommendation is the fairy tale complications, including a prin- to stay home from this one! cess regaining her throne by revolution and Adolescents, 12 to 16 Children, 8 to 12 losing it again via the same method, and a Certainly not No stow-away promoted to a ship’s officer en w voyage. The dramatic value is undeveloped and the production wholesomely treated, but NIGHT WORLD » » there is nothing outstanding to recommend. Lew Ayres, Boris Karloff, Hedda Hopper, Adolescents, 12 to 16 Children, 8 to 12 Mae Clark, Bert Roach. Direction by Hobart Not harmful Not harmful Henley. Universal.

Behind the scenes in a night club, the audience is allowed to witness bits of drama in the lives of the proprietor, his wife, the danc- THE RICH ARE ALWAYS WITH US » » ing master, one of the girls, a chance cus- Ruth Chatterton, George Brent, Adrienne tomer and the inevitable gangster. The story Dore, Bette Davis. Direction Alfred E. is a heterogeneous collection of coincidences and does not unfold smoothly. The atmos- Green. phere is unpleasant with an over-emphasis “You are the most beautifully civilized of tawdriness, in spite of the unsullied inno- person I know,’’ says Julian (George Brent) cence of the juvenile leads. to Caroline (Ruth Chatterton), as they lunch Adolescents, 12 to 16 Children, 8 to 12 together in a fashionable restaurant. If being No Certainly not civilized means maintaining one’s equilibrium under stress, this is a true estimate, for Caro- -v line becomes disillusioned about her husband’s fidelity, concedes him a divorce and NO GREATER LOVE » » repels a too ardent suitor with admirable Alexander Carr, Betty Jane Graham, Dickie savior faire and undiminished sweetness. Moore, Beryl Mercer, Alec B. Francis. Direc- The picture continues for seventy-one min- tion by Lew Seiler. Foy Productions, Ltd. utes because she cannot overcome her ma- (Released by Columbia.) ternal solicitude for her ex-husband or forget her duty as a former wife long enough to This tear-stained melodrama stretches cred- acknowledge her love for Julian. Though ulity and good judgment in drawing a com- advertised under its inappropriate title as parison between institutional and life. home a light and sparkling comedy, this production In the tenement world a bereft and crippled is almost heavily tragic at times and the child is cared for by a kindly whose Jew theme is certainly not cheerful. Only the leads to invest his love and devotion him extremely good performance of Miss Chatter- entire capital in her medical care. Hack- ton and Mr. Brent gives the production any neyed in plot, and badly overdrawn, it will claim to distinction. The cast is spotty, the still its in the old have human appeal man’s plot vague, the direction wavering, the sophis- beautiful portrayal of great self-sacrifice to tication exaggerated. On the whole the pic- his small charge, the child’s reciprocal and ture is not convincing. warmth of feeling and appreciation. Bits of Adolescents, 12 to 16 Children, 8 to 12 humor relieve the tragic scenes, and a re- Demoralizing No markably fine cast will induce further inter- Motion Picture Reviews Nine

THE RIDER OF DEATH VALLEY » » THE STRANGE LOVE OF MOLLY LOUVAIN Tom Mix, Lois Wilson. Direction by Albert Anne Dvorak, Lee Tracy. From “Tinsel

Rogell. Universal Pictures Corp. Girl,” by Maurine Watkins. Direction by

The struggle for possession of a gold mine, Michael Curtiz. Warner Bros. with clearly defined heroism and wicked- "The Strange Love of Molly Louvain” with plot. ness, forms the basis of the The cast its sordid details might be the case history is much better than one ordinarily finds in of some unfortunate girl delinquent. Deserted a Western, and all give a good performance by her mother, betrayed by a lover, kept by including the beautiful intelligent horse, a gangster and rescued by a newspaper re- Photography of the desert country Tony. porter, Molly is amusing but pathetic, brave, with shadows passing overhead is outstand- tough and sentimental. Lee Tracy does ex- ing. As a whole it is a good family picture, ceedingly well as a type of breezy “wise although there are rather tense for moments guy" whose quick wit is entertaining, but the youngest and most impressionable mem- not original. After the overdose offered in bers. the past few months, police headquarters, Adolescents, 12 to 16 Children, 8 to 12 gangster parties and newspaper offices are Good Good although growing decidedly less interesting. We see very exciting nothing in this picture to weigh against the staleness of its material. The implied happy ending is incongruous. Adolescents, 12 to 16 Children, 8 to 12 RESERVED FOR LADIES » » Pernicious Certainly not Leslie Howard, Benita Hume, George Gold- sr

smith. Story by Ernest Vadja. Directed in THE TENDERFOOT » » Paramount’s English studio by Alexander Joe E. Brown, Ginger Rogers, Lew Cody. Korda. Paramount-Publix. Direction by Ray Enright. Warner Bros.-

First National. Leslie Howard is cast as a headwaiter of a fashionable London hotel, and is the darl- In this picture Joe E. Brown plays the role ing of the ladies and the friend of their of a garrulous country boy from Texas, escorts. Complications ensue when he falls punctuating his remarks with many “Whoo- in love. The charm with which this English pees!” He arrives in the city and is imme- production is endowed is a decided attrac- diately swindled by some theatrical producers. tion. Settings, casting, diction are very fine, Later he gets the better of them by a ludricous and Mr. Korda’s skillful direction in deftly coup d’etat and earns for himself the reputa- handling the more sophisticated portions is tion of a great satirist. Without a doubt to be commended. It is a delightful comedy: children will love this. It is full of action witty, satirical, amusing. and good clean comedy, and it will not dis- Adolescents, 12 to 16 Children, 8 to 12 appoint the “fans” who should know by now Not harmful No interest what to expect. Adolescents, 12 to 16 Children, 8 to 12 Very entertaining Good fun ~v SOCIETY CIRL » » TWO SECONDS » » Peggy Shannon, Walter Byron, James Dunn, Edward G. Robinson, Vivienne Osborne. Spencer Tracy. Direction by Sidney San- Adapted from stage play by Elliott Lester. field. Fox. Direction by Mervyn LeRoy. Warner Bros. Hollywood’s idea of a “Society Girl” is, This is unrelieved tragedy, the grim and to put it mildly, astonishing! Peggy Shannon, ugly events which caused a simple, kindly as a society' girl spoiled, and bored with a man to murder the woman who wrecked his life of gaiety, recuperates with a young prize- life. In two seconds, as the current is turned fighter (much to his detriment). But neither on in the electric chair, he relives his experi- bad grammar on his part nor easy morals on ences. Two shocking scenes harrow the hers, succeed in hindering the course of true spectator almost to the breaking point. One love. The actors are well cast, and some will where his follow riveter falls from the steel enjoy the training and fight scenes, but the construction to his death ; the other where tone of the whole is unwholesome and the Robinson screams his denunciation of punish- story absurd. ment for murder, when he believes that liv- Adolescents, 12 to 16 Children, 8 to 12 ing on the wages of a kept woman was the No No interest greater crime. As a study in psychology it Ten Motion Picture Reviews holds possible interest, and Mr. Robinson WESTWARD PASSAGE » » gives an excellent characterization of the be- Ann Harding, Laurence Olivier, Irving Pichel. wildered victim who goes to pieces under the From the novel by Margaret Ayer Barnes. strain. But it is sordid and ugly and not always convincing in details. It is not enter- Direction by Robert Nelson. R.K.O. tainment in any sense. “Westward Passage” as a novel was a Adolescents, 12 to 16 Children, 8 to 12 lightly diverting story of a selfish woman Absolutely not Absolutely not v who desired to have her cake and eat it, too. It was confused in ethics but at least pre- WEEK-END MARRIAGE » » sented a consistent characterization of a Loretta Young, Norman Foster. Direction woman who left her first husband because by Thornton Freeland. Warner Bros. (Seen his artistic temperament and lack of funds in preview.) made living too difficult, who marries a sincerely devoted and wealthy American of This picture gets off to a fast start, prom- German descent, and then, attracted again by ising a degree of excellence which unfortu- the man she left, now a successful novelist, nately it fails to realize. Apparently it is tries to return to him but cannot adapt her- an attempt to show that a wife can’t keep self to the mode of life necessary to his suc- both her office job and her husband, especially cess. The picture, while following this same if she earns more money than her spouse. general outline, is more confused morally, Man needs to be looked after and fussed and the theme seems trivial and illogical. over; if his wife leaves him to his own The casting of Miss Harding as “Olivia” is devices he will drink too much and some unfortunate because she appears too “real” other woman will usurp her perogatives. a person to descend to the depths of dis- Loretta Young as a charming and successful loyalty and selfishness she is called upon to young business woman discovers that she has portray. The dialogue is at times wordy, at been less successful as a wife, and rather others sophisticatedly witty. The direction unexpectedly gives up her career. Whatever is good, except that it lacks finesse. While one’s “idee fixe” on the thesis of the plot, a the cast insures interest, the production is pretty heroine, romance and comedy combine somewhat dull and incredible. to make this film sufficiently entertaining. Adolescents, 12 to 16 Children, 7 to 12 Adolescents, 12 to 16 Children, 8 to 12 Unsuitable Hardly suitable No interest No Motion Picture Reviews Eleven

SHORT SUBJECTS

ALL AROUND TOWN » » CAMERARING ON THE PACIFIC » » Educational Pictures, Inc. Talking Picture Epics. Principal Distribut- This Hodge Podge number contains mis- ing Corporation. Comments by Catherine cellaneous views of life in New York. It is Hilliker. fairly interesting because of its variations Guadalupe Island off the coast of Peru, and has educational elements, but it is not refuge for birds, sea lions, etc. Offensive outstanding because the subject matter has comments mar film. been used too often before.v » » BARNYARD OLYMPICS » » FLOWERS AND TREES Silly Symphony. Walter Disney. United Mickey Mouse. Walter Disney. Columbia. Artists. Mickey Mouse goes Olympic. Especially Against a background of good music, flow- good fun for all. w ers awake and the trees indulge in romantics. A good short for any program, especially » » BEES AND BEARS children’s matinees. Silly Symphony. Walter Disney. United •w Artists. HAPPY POLO » » A particularly charming and diverting car- Aesop Fable. Van Buren Corp.-R.K.O. toon, from both musical and pictorial viewpoint. Recommended for all. A delightful, impossible animated cartoon 'W in which a mouse hero plays polo on a jointed wooden toy horse and rescues a mouse » » BOULDER DAM heroine pursued by a villainous cat. Per- Talking Picture Epics. Accompanying de- fect for children. Lovely nonsense for any- scription by Pat Dowling. one. •w Excellent. Shows the progress made, gives a good idea of the problems involved and ISLAND OF PERILS » » what is expected to be accomplished. Produced by Sol Lesser. Directed by Cap- v tain Sten De Nordenskiold. » » CAMERARINC IN CANADA “Island of Perils” is a most unusual and Talking Picture Epics. Principal Distribut- interesting travelogue giving us intimate ing Corporation. Comments by Catherine glimpses of the life and customs of the Hilliker. Islands of Faroe. Wilderness of Canada twenty-four hours from New York, fisherman’s and hunter’s de- JUST DOGS » » light. Excellent subject, but again inane and Silly Symphony. Walter Disney. United silly comments. w Artists. CAMERARINC IN BORNEO » » In this animated cartoon dogs of all shapes Talking Picture Epics. Principal Distribut- and sizes are released from the pound by ing Corporation. Comments by Catherine an enterprising bull pup. Amusing for chil- but to Hilliker. dren, not up the Disney standard.

Native and natural life shown in pictorial beauty, but marred by inane commentary. PATHEAUDIOREVIEWNo.il » » w Produced and Released by R.K.O.-Pathe. » » CAMERARING IN IGUASSU Three subjects are included in this review. Talking Picture Epics. Principal Distribut- The first is exquisite photography of the ing Corporation. Comments by Catherine cathedral Notre Dame de Chartres. The Hilliker. second shows an American presenting rouge, Breath-taking beauty of this river and jun- powder and lingerie to Eskimo women in gles in Brazil, caught by wonderful photog- Labrador in return for raw fish and blub- raphy. The facetious comments could easily ber. In the third the Hill Billies give several be dispensed with. cowboy songs with unexpected charm. Twelve Motion Picture Reviews

THE PROWLERS » » SPRING ANTICS » » Educational Pictures, Inc. Aesop Fable. Van Buren Corp.-R.K.O.

Native life in central Africa is the subject With the departure of winter, spring is with special emphasis upon the hunters’ dan- proclaimed by the ground hog whom we see gers from predatory animals. Exceptional leading an orchestra. The animals have camera shots give an excellent idea of the checked their fur coats, and there is con- habits of various beasts. Interesting and in- sternation when a belated snowfall interrupts structive for all. w the festivities. Entertaining for all ages. •v SPEEDWAY > » TRAIL OF THE SWORDFISH » » Educational Pictures, Inc. Educational Pictures, Inc. Several speed kings of the automobile race battle with a swordfish is track demonstrate their skill. There are A long, losing Interesting effects, de- close-ups of two or three terrific accidents shown. sound good scription and excellent photography. which make it undesirable for sensitive children, and the newsreel type of presentation detracts from its interest. Its chief appeal » » will be to “fans” of automobile racing. WRESTLING SWORDFISH •w Educational Pictures, Inc. SEEN IN SYRIA » » This Mack Sennett film depicts various types of deep sea fish in Southern waters Talking Picture Epics. Principal Distribut- and winds up with the struggle involved in ing Corporation. Comments by Catherine landing a large shark. The second-rate mono- Hilliker. logue may be overlooked, since the picture is beautifully taken. Interesting for everyone, From Beirnt, with its American University, especially for junior boys. to Damascus; beautifully photographed and accompanied by pleasantly informative commentary. Motion Picture Reviews Thirteen

INDEX JANUARY TO JUNE, 1932

FEATURE FILMS Her Majesty Love January High Pressure February A Hotel Continental March Husband’s Holiday January After Tomorrow - - - April Alias the Doctor - - - - March I Amateur Daddy - Impatient Maiden March Are You Listening - April Intimate - — — February Arsene Lupin - Fehrnarv It's Tough to Be Famous May As You Desire Me - February Avalanche - May -

B Ladies of the Big House January Ladies of the Jury January Beast of the City, The - February Lady With a Past, The February Beau Hunks ------January Law and Order February Beauty and the Boss ----- April Law of the Sea February Behind Stone Walls ----- May Lena Rivers - - - April Behind the Mask ----- April Letty-Lynton June Big Timer, The ------May Local Bad Man, The February Broken Lullaby, retitled from Man I Killed - February Lost Squadron March Broken Wing ------April Lovers Courageous February' Business and Pleasure - February But the Flesh Is Weak ----- April M

C Maker of Men March Man About Town June Cain - - - - - April Man From New Mexico, The May Careless Lady - April Man I Killed, The February Carnival Boat March Man Wanted - - - April Charlie Chan’s Chance February Man Who Played God, The February Cheaters at Play February Manhattan Parade January City Sentinels - January Marked Men - June Cock of the Air January Mata-Hari - January Cohens and Kellys in Hollywood April Men in Her Life January - - - - Corsair January Men of Chance January - - - County Fair April Menace, The - April Crowd Roars, The May Merrily We Go to Hell June Michael and Mary March D Midnight Lady June Midnight-Patrol Dancers in the Dark April June Dance Team January Miracle Man, The April Destry Rides Again May Misleading Lady June Devil’s Lottery April Mouthpiece, The May Disorderly Conduct February N Docks of San Francisco, The April Dr. Jekyl and Mr. Hyde January Neck and Neck February Doomed Battalion June Nice Women March Night Court May E Night World June No Greater Love June Emma January No One Man February Expert, The February O F One Hour With You March Famous Ferguson Case - - - - June Fast Companions ----- June P Final Edition, The ----- April Panama Flo Fireman Save My Child - March January Forbidden ------March Partners January Passionate Plumber, Forgotten Commandments - June The March Passport to Paradise Freaks - - March June Peach o’ Reno January C Play Girl April Police Court March Galloping Through ----- January Polly of the Circus February Gay Caballero ----- February Prestige February Ghost Valley ------June Private Lives January Girl Crazy ------April Probation April Girl of the Rio ------January Grand Hotel ------May R Greeks Had a Word for Them, The - - April Racing Youth - January H Rad io Patrol - - - May Rainbow Trail, The January Hatchet Man, The ----- February Reserved for Ladies June Heart of New York ----- April Rich Are Always With Us, The June Hell Divers ------January Rider of Death Valley, The June Hell House ------May Roadhouse Murder, The May Fourteen Motion Picture Reviews

s Ahoy ------_ January All Around the Town _ _ June Saddle Buster, - The March Anybody’s Goat - - - February Scandal for Sale - May Athletic Days - - - April Scarf ace - May - - Secret Witness, The - - February Beautiful and Dumb May Shanghai Express - February Crosby, Colombo and Valee - - April Sherlock Fatal Holmes’ Hour January Fancy Curves - - - January She Wanted a Millionaire March Freddy, the Freshman - - April Shop-Worn - May Grantland Rice Sportlights Silent Witness, The February Bob White - - - . Sin’s Payday - May March Canine - Sky Bride - - - - May Champions January - - February Sky Devils - May Ducks and Drakes Flying Leather - - April So Big - May Slim Figuring - Society Girl - June March Take Your Pick - - May Sooky ------January Uncrowned Champions - - February Soul of the Slums, The - January State’s Attorney - May Helpmates - _ March Steady Company - April Hurry Call - - March Stepping Sisters - January Idyll of Seville - - - May Strange Affair. A - January Strange Case of Clara Deane May Keep Laughing - - - February Strange Love of Molly Louvain June Strangers in Love, retitled from Intimate February Lasca - May Symphony of Six Million April Mickey Mouse Cartoons T Barnyard Olympics - - June Duck Hunt - - - February Tarzan - May Grocery Boy - - March Taxi - February Mickey Cuts Up - - May Tenderfoot - June Mickey’s Orphans - - January Texas Pioneers - March Mother’s Holiday - - March - This Is the Night - May My Ladies Escape - May This Reckless Age January Old Songs For New - - May Tomorrow and Tomorrow February Pathe Audio Review No. 2 _ _ June Torchy Turns the Trick January Pathe Audio Review No. 8 _ - March Trial of Vivienne Ware, The April Pathe Audio Review No. 9 - - April Two Kinds of Women January Pathe Audio Review No. 10 - - May Two Seconds - - - June Pictorial No. 8 - - May U Play Ball With Ruth - - January Screen Souvenirs - - _ May LT nder Eighteen January Secretary Preferred - - May Unexpected Father January Self-condemned - - - - - January Union Depot February Silly Symphony Cartoons Bees and Bears _ - Tune V Flowers and Trees - June Just Dogs - - - June Vanishing Men - April Mad Dog - - - May Vanity Fair - - - - - April Ugly Duckling _ - January W Slip at the Switch, A - - May Speedway - - - June Wayward - - - - - March Tony Wong’s Scrap Book - - February Week-end Marriage - June Torchy Too Toots - - February Westward Passage - June Trail of the Swordfish - - June Wet Parade, The - April When a Feller Needs a Friend May Travelogues Wiser Sex, The - April Boston Common _ _ February Woman Commands, A April Boulder Dam _ _ June Woman From Monte Carlo, The January Cameraring in Iguassu _ - June Woman in Room 13, The May Cameraring in Borneo - _ Tune Working Girls - - - January Cameraring in Canada _ _ June World and the Flesh, The May Cameraring in the Pacific - - June X City of Faith - - - February Desert Regatta - - April X Marks the Spot - January Door of Asia - - - _ March Y Empire of the Sun - - May Found in Morocco - - February Young America - May Gaunt - - - May Young Bride - April Happy Hunting Ground - - - February Z Island of Perils - _ June Land of Chewing Gum - - May Zane Grey’s South Sea Adventures February Land of the Feathered Serpent - May Land of Ghandi - - February SHORT SUBJECTS Living God of the Mongols _ - March Mexico Today - February Aesop’s Fables Prowlers - - - June - Cat’s Canary - - - - April, May Second Paradise - May Fly Frolic - April Seen in Syria - - - - - June Happy Polo - - - - June Stocklolm - - - Mav Last Dance - February Vendetta - - - May Magic Art - May War in China - - May Romeo Monk - - - March Whippet Racing - - May Spring Antics - June Whispering Bill - - May Toy Town - February Wrestling Swordfish - - June

MOTION PICTURE REVIEWS

THE WOMEN’S UNIVERSITY CLUB LOS ANGELES, CALIFORNIA

JULY 1932 THE WOMEN’S UNIVERSITY CLUB Los Angeles Branch American Association of University Women 943 SOUTH HOOVER STREET Telephone DRexel 2177 COPYRIGHT NINETEEN THIRTY. TWO WOMEN S UNIVERSITY CLUB

WE8BCRAFT PRINTERS. 1051 ARI INiirnN AVF. . OS ANfjtl F 5 Motion Picture Reviews Three

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Mrs. Gerard A. Murray Mrs. Madison J. Keeney Mrs. Bruce A. Findlay Preview Chairman Business Manager Asst. Business Manager Mrs. John Vruwink - Co-Chairmen - Mrs. Palmer Cook EDITORS

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Vol. Ill JULY, 1932 No. 7

EDITORIAL

The object of this bulletin is to assist our article by Lois Smyth, from the Los Angeles friends, young and old, to select the motion School Journal, with permission of Miss picture best suited to their tastes. That many Helen Moore, under whose supervision the of our youthful friends have accepted our survey was made. We believe that it shows suggestions in the spirit intended is gratify- that selective attendance (not censorship as ing, and we were very much interested in the young writer puts it), is advisable, espe- the following survey by students to find out cially among the younger male students who just what high school and grammar school admit that war and gangsters have the pupils really liked. We reprint the following greatest general appeal.

STUDENT SURVEY OF MOVIE PREFERENCES

By Lois Smyth, A12, Abraham Lincoln High School

A movie survey which was made this enough to make unnecessary the more strict semester of 1400 students, who ranged from motion picture censorship which women’s the seventh to the twelfth grades, has proved clubs are advocating all over the country. to be one of the most interesting projects Ideas formulated into actions. Sheets of ever undertaken by the Daily Railsplitter of paper were mimeographed and passed to Lincoln High School at Los Angeles. the home-room teachers. The sheets were en- For more than a year previous to the sur- titled, “What kind of movies do you prefer?” vey, the Railsplitter had printed resumes of and asked for the following information of the movie reviews which are published each individual student: initials, (to assure monthly in pamphlet form by the Los an authentic vote), sex, grade, and choice of Angeles Women’s University Club and the movies (name of movie, star, or type of pic- D. A. R. It was agreed that the critics who ture). No definite answers were required wrote the reviews recommended for ado- of the boys and girls, as the idea of the lescents movies that were very much worth survey was to obtain statements from them while. However, interest was aroused in which would best express their true opinion what the students themselves preferred, of their motion picture entertainment. whether their choice of movies was good Some of the results proved to be so inter- Four Motion Picture Reviews esting that it was decided to extend part of twenty-four votes and Comedy came in sec- the investigation to a few of the nearby ond with fourteen. schools. And so, with the kind co- grammar In totaling the girls, thirty-eight went two operation of their principals and teachers, times or more a week, sixty-four went once 8th grade pupils of three schools the 7th and a week, thirteen once every two weeks, questioned as to how often they were thirty-three seldom, and six never attended the and kind they liked attended movies what picture shows. They preferred Romance the best, we were greatly interested when above all else, giving it fifty-one votes, in widely different each school handed Comedy thirty-five, Western twenty-eight. results. Gangster fourteen, Tragedy eleven, and Grammar School Results War seven. The total of the boys shows The one in which most of the students that forty-seven saw a picture at least twice have American-born parents, had the fol- a week, sixty-five once a week, four once in lowing conclusions: One boy never went to two weeks, twenty-two but seldom, and two the movies, eight went seldom, eight went never went. Forty-three chose War pictures, once in two weeks, twenty-six went once a thirty-seven Gangsters, thirty-five Western, week, and fifteen went from two to six times thirty-one Comedy, seven Tragedy, and six a week. Of these boys, twenty preferred War Romance . pictures, eighteen Comedy, seventeen Wes- Perhaps the most serious result found in tern, one Gangster, and not even one vote the above figures, is the preference for was cast for romance. Gangster films found among the boys. Not In the same school, three girls never went only are these films found to be largely to the show, eleven but seldom, eight once worthless, but an evil, in that they give a in two weeks, twenty-five once a week, and glamorous and romantic touch to the sordid ten went at least two times a week. Of them, life of the gangsters. In fact, they become eighteen liked Comedy pictures the best, fif- quite a problem when they appeal to poor teen Western, eight Love films, five Gang- youngsters of an impressionable age. For ster and four War. instance, one little boy said he preferred gangster pictures, and when asked how often The teacher who was in charge of the he went to a movie, made the plaintive reply, survey stated: “The girls who do prefer “Whenever I get 35 cents, and that isn’t romance I know to be older than the rest. very often.” Not only are they old enough to be in high school, but most of them have nothing else High School Results to think about.’’ As for the girls in high school, they also In another of the schools, nearly all the liked to see a Romance movie, giving it one students have foreign-born parents. Three hundred forty-seven votes, while fifty-eight of these girls said they never went to pic- were cast for Mystery, fifty-two for Comedy, tures, six went seldom, three once in two fifty-one for Tragedy, forty-two for Western, weeks, eighteen once a week, and thirteen twenty-three for College, sixteen for Sports, twice a week or more. They preferred Ro- fourteen for War, and twelve for Modern. mance to all others, giving it nineteen votes There were also numerous other types that and its nearest competitor but nine. Of the were barely more than mentioned. boys, one never attended movies, six went In a fight for popularity with the boys, but seldom, four once in two weeks, thirteen Comedy finally won over War, with but one once a week and twelve twice a week or extra vote to its credit, while Aviation came more. They seemed to prefer Gangster and third, Mystery fourth, Western fifth, Gang- Western films, giving them fourteen and ster sixth, Sports seventh, Adventure eighth, twelve votes respectively, while comedy, and Romance ninth. Many other types were which was third highest, received only six also voted upon, but received less than fif- votes. teen votes. The children of American-born parents are “Spirit about evenly divided in the third school with of Notre Dame” was the most those of foreign-born parentage. Eight of popular picture with both the boys and the these boys seldom went to the movies, two girls. The latter chose “Daddy Longlegs” as went once in two weeks, twenty-six went a close second, and the boys made “Dirigible” once a week, and twenty twice a week at and “Four Horsemen” their second and third favorites. least. When twenty-three of them did go they hoped to see a War picture, while A rather singular fact was disclosed when twelve preferred Gangsters, making it sec- it was discovered that the girls preferred ond in popularity. Sixteen of the girls atten- women stars and the boys preferred men. ded a motion picture only seldom, two went Janet Gaynor won first place in the girls’ once in two weeks, twenty-six once a week, estimation with seventy-five votes, while Joan and fifteen went two or more times a week. Crawford received fifty-eight, Nancy Carrol Here, Romance also claimed first place with thirty-two, Norma Shearer twenty-eight, Motion Picture Reviews Five

Greta Garbo twenty-three, Constance Ben- E. Brown. The rest are popular according nett twenty-one, Clara Bow eleven, Marie to the following order: Laurel and Hardy, Dressier eight, Barbara Stanwyck eight, and Lewis Ayres, Jack Holt, Edward Robinson, Polly Moran six. The girls also cast thirty- Wallace Beery, Harry Carey, and Tom Mix. nine ballots for Robert Montgomery, thirty- Very few of the boys chose a woman star as two for Clark Gable, twenty-seven for their favorite, Norma Shearer and Janet Charles Farrell, nineteen for Lewis Ayres, Gaynor tied for first place with just six votes eighteen for Buddy Rogers, sixteen for Gary with Cooper, and fifteen for Will Rogers. apiece, Joan Crawford came next four third The boys did not mention the stars as often votes, and Sylvia Sidney came with as the girls, but those who did preferred Joe only two votes.

FEATURE FILMS

AMERICAN MADNESS » » to become really free. The comedy is remin- Walter Huston, Kay Johnson, Pat O’Brien, iscent of Chaplin in his lightest moments. Constance Cummings, Cavin Cordon. Di- It is a sparkling production at which one rection by Frank Capra. Columbia. smiles continuously but seldom laughs aloud. Adolescents, 12 to 16 Children, 8 to 12 At the risk of seeming effusive we wish to Entertaining No interest recommend this picture in superlatives. The theme is timely, the acting excellent (Mr. Huston again presenting a gratifying per- ATTORNEY FOR THE DEFENSE » » formance), the direction resourceful, and it Edmund Lowe, Evelyn Brent, Constance is great entertainment. It is propaganda Cummings. Direction by Irving Cummings. against mob hysteria and builds toward con- Columbia. dence and a belief in “better times,” but it Unless one has a zest for the vicissitudes is so skillful and refreshing in its method of district attorneys this picture will seem that one is aware only of its entertaining rather superfluous. It contains nothing qualities. The plot tends to prove that char- new in the progression the plot in acter, integrity and honesty are better col- either of or its portrayal. lateral when properly evaluated than the technique of material assets, and that this idealism can be Adolescents, 12 to 16 Children, 8 to 12 effectively combined with good business. The Not recommended No. action is gripping and dramatic and emotionally stirring. It is necessary to have seen the picture to appreciate that the title can BACHELOR’S AFFAIRS » » be appropriate. It conveys little hint of the Adolph Menjou, Joan Marsh, Minna Gom- subject matter. bel, Irene Purcell. Direction by Alfred Adolescents, 12 to 16 Children, 8 to 12 Merker. Fox. Good Mature The dire results of elderly bachelors taking unto themselves sprightly young wives is the subject of this flippant and amusing A NOUS LA LIBERTE » » story. Adolph Menjou as the polished, quick- A French production. Films, Sonores Tobis. witted older man is shown in a situation Direction by Rene Clair. Distributed in which gets beyond him although he is hum- U. S. by Harold Antin. orously conscious of his quandary. The excellent acting of the cast turns what might have This French picture satirizes modern busi- been extreme farce into a light and sophisti- ness and society. While it is very nearly bur- cated comedy which will probably entertain lesque and almost slapstick comedy, it has a adult audiences by its realistic absurdities. lyric quality that makes it unique in this coun- Adolescents, 12 to 16 Children, 8 to 12 try. The principal characters are first en- Passable. Negative value. Too mature countered in a ridiculous prison. One makes his escape and goes into the business of manufacturing phonographs, employing in » » his factory the exact regime of the prison BEYOND THE ROCKIES workshops. Having become enslaved by his Tom Keene, Rochelle Hudson. Direction by Fred Allen. factory and his accumulating fortune he is R.K.O. finally rescued by his pal and shakes off the Again the “clever sheriff brings a danger- fetters of his business and social obligations ous character to justice.” Tom Keene is the Six Motion Picture Reviews personable hero of this western melodrama doubtedly appeal to the family, including the of early days of stage coaches and cattle children. rustling, and an unusual and entertaining Adolescents, 12 to 16 Children, 8 to 12 effect is the singing of the cowboys on the Great interest Good moral training and range. It has an old plot, nicely handled, not too exciting which will probably entertain the younger members of the family more than their elders. » » Adolescents, 12 to 16 Children, 8 to 12 CONCRESS DANCES Passable Probably entertaining Lillian Harvey, Henry Carat, Conrad Veidt, Lil Dagover, Reginald Purdell. An Erich Pommer Production, Ufa. Direction by Eric BRING ’EM BACK ALIVE » » Charell. Distributed by United Artists. Direction by Clyde Elliott. Photography by The charm and vivacity of this delightful Nick Cavaliere. R.K.O. musical comedy should prove irresistable to Frank Buck, adventurer and trapper of all audiences. Czar Alexander’s gay romance with a little flower girl is etched against the wild animals, is the author of a book pub- gorgeous and colorful background of the lished a year or so ago on bringing speci- Vienna of 1814 the mens back alive for American geological and lovely elusive music of Viennese dance and song enhances the gardens. R. K. O. sent Mr. Buck back to romantic gaiety and sparkle of the exquisite Sumatra and to the Malay jungles to visu- production. Do not overlook so outstanding alize this book. The result is a remarkable an example of perfect workmanship. experience. It has no story, but is a well developed presentation of thrilling adven- Adolescents, 12 to 16 Children, 8 to 12 tures so cleverly timed and photographed Charming Possibly too mature that one is unaware of the camera. There are engrossing fights between wld animals, reminiscent of U. F. A.’s masterpiece of the THE DARK HORSE » » mongoose and the cobra, and throughout the Warren William, Bette Davis, Guy Kibbee, entire picture, a naturalness and evident Vivienne Osborn. Direction by Alfred E. authenticity which is very convincing and Greene. Warner Bros.-First National. entertaining. Delightful humor is supplied by the captives themselves. Mr. Buck’s clear “The Dark Horse” is a political caricature conversational explanations are a very pleas- which is most amusing in its novetly and in ing accompaniment to this unusually interest- its bits of absurd burlesque. After a dead- ing film. lock at a convention, a silly, stupid old man Adolescents, 12 to 16 Children, 8 to 12 is nominated for governor and is actually Excellent Good, unless child is elected after some ridiculous campaign inci- easily excited dents. The humor is crude at times, but the •sr satire is keen and one feels that even the rather broad vulgarity is put in with the pur- » » BROWN AT CULVER pose of poking fun at similar elements in Tom Brown, H. B. Warner, Slim Summer- real politics. Any man who has had a hand ville, Richard Cromwell. Direction by Wil- in a political campaign will find this a highly liam Wyler. Universal. entertaining picture.

The outlook of this picture is fresh, clean, Adolescents, 12 to 16 Children. 8 to 12 full of vigorous boyhood. It has a plot with- No value No out a girl, without a final football game, without a greulling race. It is unique! A home- less, disillusioned boy is given a scholarship DOWN TO EARTH » » at Culver Military Academy by the Ameri- Will Rogers, Irene Rich, Dorothy Jordan. can Legion in memory of his father’s bravery Direction by David Butler. Fox Film Corp. and death in the war. The development of elaborately produced depression story his character amid the surroundsing provides An devoted almost entirely to Will Rogers’ witti- the story. Some may object to so militaristic cisms. Too exaggerated to be subtle, not an atmosphere at a time when we are exaggerated enough to be burlesque ,too seri- stressing international peace, but such a ous to be satire, and not sincere enough to school also teaches self discipline, regularity, ring true ,it however gives Mr. Rogers an recognition of law and authority, and the opportunity to comment on the times, and his final scene emphasizes an ideal inscribed admirers will feel repaid. on the Indiana war memorial—“vindicating Adolescents, 12 to 16 Children, 8 to 12 the principles of peace and justice.” It is Harmless No interest a consistent, entertaining story which will un- Motion Picture Reviews Seven

IS MY FACE RED » ticularly elevating in detail and is quite Ricardo Cortez, Helen Twelvetrees, Robert mediocre entertainment. Adolescents, 12 to 16 Children, 8 to 12 Armstrong, Jill Esmond. Direction by Wil- No liam Seiter. R.K.O. No sr The story pictures frankly and possibly with a measure of truth, a phase of news- MAN FROM YESTERDAY » » paper reporting which seems to have caught Clive Brook, Allan Mowbray, Claudette Col- the popular fancy for the moment: that of bert. Direction by Berthold Viertel. Para- the muck-raking columnist who airs the mount-Publix. daily scandals of people in the public eye. It is not elevating but the sophisticated audi- The “Man from Yesterday” is a vivid and ence will probably find it amusing in its absorbing drama of war and its after effects risque and cruel humor. There is no middle upon the lives of those it touches. It is an- decent level. It portrays easy spending other argument against war. Not new in gangsters, and the equally lax easy spending theme, for it is another Enoch Arden story, fast “society” group, both the prey of the it is yet so intelligently directed and so con- unmoral, conceited and selfish reporter out sistent in development that it holds the for “news at any cost.” Smooth direction interest. It is serious drama, well cast, and and an expert cast hold interest in spite of well directed. the ugliness it recounts. Adolescents, 12 to 16 Children, 8 to 12 Adolescents, 12 to 16 Children, 8 to 12 No—depressing and mature No No No v •w MAKE ME A STAR » » » » LADY AND CENT Stuart Erwin, Joan Blondell, Zasu Pitts, Ben George Bancroft, Wynne Gibson. Direction Turpin. Adapted from the novel, “Merton by Stephen Roberts. Paramount-Publix. of the Movies,” by Harry Leon Wilson. Direction by William Beaudine. Paramount- Here is an hour of real enjoyment, Publix. strangely enough spent in the company of a In “Make Me a Star” we find the old racy night club hostess and a hard-boiled favorite “Merton of the Movies” come to It is story the heart, not prizefighter. a of life in the person of Stuart Erwin who gives of conventional ethics. But how these two an excellent performance as the simple trust- people are transformed and learn to accept ing boy who has glorified Hollywood and the of the loving, standards home productive cannot realize the hard boiled reality of it. community into which they are thrown is a The story of his unexpected success is very vivid and stimulating experience although amusing and the Hollywood background some of the sordidness of the opening scenes brings an authenticity and added interest to might have been shortened. Their transition the setting. It is an excellent family picture. in character is made quite naturally and Adolescents, 12 to 16 Children, 8 to 12 without sentimentality through love of their Good If it interests protege, and both remain “in character” v throughout, although their appreciation of PINKERTON » » the values in life is changed materially. It is MISS a comedy drama—different and entertaining. Joan Blondell, George Brent, Blanche Frede- rick From a story by Mary Roberts Rine- Adolescents, 12 to 16 Children, 8 to 12 hardt. Direction by Lloyd Bacon. Warner Passable No Bros. -First National.

As the name reveals “Miss Pinkerton” is a detective story. It is too confused to be LOVE IS A RACKET » » a really good murder mystery, but it is light and entertaining and the treatment is novel. Douglas Fairbanks, Jr., Frances Dee, Ann Miss Pinkerton is a trained nurse who Dvorak. Direction by William A. Wellman. though a novice in detecting crime turns Warner Bros. -First National. out to be the best sleuth of all.

Fairbanks Jr.’s personal charm alone gives Adolescents, 12 to 16 Children, 8 to 12 this trite story what claim it may have to Passable, probably entertaining No distinction. As a young newspaper reporter v who becomes involved in a murder to save MY PAL THE KING » » the reputation of the actress with whom he Tom Mix, Mickey Rooney. Direction by is infatuated, and who is then thrown over Curtiss Newman. Universal. Seen in for another man, he decides in his disillu- Studio preview. sionment, that “Love is a racket” and that he is through with women. It is not par- Tom Mix makes another contribution to Eight Motion Picture Reviews

good entertainment for children. In this fan- THE OLD DARK HOUSE » » ciful story are all the sentiments and deeds Boris Karloff, Mervyn Douglas. Direction that appeal to romantic and hero worshipping by James Whale. Universal. See in Studio boys and girls. Into a legendary kingdom preview. ruled by a child monarch comes the brave Mystery thrills, shivers and scenic effects and kindly proprietor of a rodeo show. By combined with masterful acting and direc- chance he and the young king become pals. tion make this film a prize achievement of The wicked prime minister and his scheming its kind. It is a melodramatic episode rather cabinet are overthrown and the throne re- than a story and flashes like a nightmare stored to the hands of the boy king. Combin- across the screen. Several wayfarers gather ing the vigorous thrills of a “western” with at the old house to seek shelter from a storm the glamour of fairy tales, this picture will and during the night many sinister happen- be a treat to all children and most adults. ings take place. When the morning comes Adolescents, 12 to 16 Children, 8 to 12 all go on their way. There is no consecutive Delightful Excellent plot and no character development, but the •v director succeeded in making an impressive and absorbing, though harrowing, entertain- MYSTERY RANCH » » ment. Charles Middleton, Ceorge O’Brien, Cecilia Adolescents, 12 to 16 Children, 8 to 12 Parker. Direction by David Howard. Fox. Too emotional No. Terrifying “Mystery Ranch” is a typical “western” v shot through with violence and masked in moral tones and stilted accents. The up- OPERA BALL » »

right and virtuous triumph in the end, but (Opern Redoute. ) Laine Haid, Ceorg Alex- there are a good many slinking villains, and ander, Ivan Petrovich. Direction by Max violent deaths in this hair-raising and excit- Neufeld. Produced by Greenbaum-Emelka. ing melodrama. It is the story of a daring This German comedy has a decidedly con- young ranger who rescues our sweet heroine tinental flavor. Concerning an intrigue be- from the wicked designs of an old and tween the wife of a diplomatic attache in powerful rancher. The film shows the excel- Vienna and the attache’s best friend, it in- lent scenic photography usual to this type of cinema, and while the old and new west are volves a masque ball, mistaken identities and hopelessly confused, we forgive the anach- the successful deception of the would-be lover the lady’s is ronisms in the swift moving action. by maid. The tempo slower than that of Adolescents, 12 to 16 Children, 8 to 12 our own pictures and the tone the whole, Probably entertaining Harrowing for the excit- of while extremely sophisticated, able child escapes actual offense by emphasizing the comedy of each situation. It is supplemented by music by Otto Atrausky, a well-known NEW MORALS FOR OLD » » contemporary German composer. Many adults Margaret Perry, Robert Young, Lewis Stone, will find it amusing. Laura Hope Crews. From the play “After Adolescents, 12 to 16 Children, 8 to 12 All,” by John Van Druten. Direction by Not recommended No interest Charles Brabin. M.C.M.

The play purports to show that the incom- REBECCA OF SUNNYBROOK FARM » » patibility of parents and children is respon- Marion Nixon, Louise Closser Hale, Mae sible for many present day evils. However, Marsh, Ralph Bellamy, Alan Hale. Direc- the situation is so tingled with individual tion by Alfred Santell. Fox. weaknesses that it can scarcely be called an entirely typical problem of society at To those who retain a definite memory of large. It is an interesting picture in many the charming “Rebecca” created by Kate ways, well cast and very well directed, with Douglas Wiggin, the film version will be many human touches, not the least amusing somewhat disappointing, for the film being the fact that both rebelling children, “Rebecca” grows up too soon and misses without realizing it, become the same con- many of the amusing predicaments into servative type of adults their parents were. which the story book heroine was led by The character types are extremely well her naivete and good intentions. It is, how- drawn but it is recommended only for those ever, a wholesome story of a loveable gen- experienced enough to realize that such a erous girl and contains many elements which salubrious ending does not usually follow in will be pleasant entertainment for young the track of broken conventions. audiences. Adolescents, 12 to 16 Children, 8 to 12 Adolescents, 12 to 16 Children, 8 to 12 Not recommended No Yes Yes Motion Picture Reviews Nine

RED HEADED WOMAN » » STRANGE INTERLUDE » » Shearer, Clark Cable, Alexander jean Harlow, Chester Morris, Lewis Stone, Norma Kirkland, Ralph Morgan, Robert Young, Leila Hyams, Una Merkel. Based on the Robson. Direction by Robert Z. Leon- novel by Katherine Brush. Direction by Jack May Conway. M.C.M. ard. From the play by Eugene O’Neil. M.C.M. “Strange Interlude” will appeal only to Here we have the unvarnished and un- mature audiences. The problem concerned lovely picture of a ruthless gold digger with is one on which there will be diverging opin- no morals and the one idea of gathering ions, but it is handled with restraint and unto herself the loot of her unscrupulous taste. To escape the morbid reaction due methods. The beautiful, greedy, nasty-tem- to losing her fiance who is killed in the war, pered young woman stays in character marries kindly she throughout; no glossing over has been per- Nina a young man whom considers the epitome of normalcy, only to mitted, with the result that the character is that the taint alive and leaves a very definite and ugly discover he bears hereditary of impression. Though the picture calls a spade insanity. For some seemingly sound psychological reasons she is deliberately unfaithful a spade it does so with finesse, and the treatment will probably not offend those to whom to give him the son he so pitifully desires. the subject matter is palatable. The resulting effects of this act constitute the Adolescents, 12 to 16 Children, 8 to 12 action over a period of a lifetime. It is a dar- Unsuitable No ing subject—a psychological drama which is handled deftly and dramatically. As in the stage production, the thoughts of the characters are given with their actual dialogue and THE ROAR OF THE DRAGON » » the synchronization has been made so skill- Dix, Diggs, Henry C. Cordon, Richard Dudley fully that there is no confusion for the audi- Cwili Andre, Zasu Pitts, Edward Everett ence and there is no feeling of slowing up the Horton, Arline Judge. Direction by Wesley action. The cast is admirable, Miss Shearer Ruggles. R.K.O.-Pathe. giving one of her finest performances espe- Recounting the harrowing adventures of cially in the earlier scenes. Only at the end a band of American tourists in China who is there a slight feeling that the cynical, bitter are attacked by Manchurian bandits, this film psychology of the play has been tempered is so replete with ghastly and sordid details with sentiment. that the audience sits taught wondering what Adolescents, 12 to 16 Children, 8 to 12 each new horror will be. The cruelties, the Unsuitable Too mature needless shooting and killing of innocent victims, the incessant drinking and the spectacle » » of terrified children make the picture an STRANGERS OF THE EVENING ordeal for any but the most hardened and Zasu Pitts, Eugene Palette, Harold Wald- sensation loving audiences. The apparently ridge, Lucien Littlefield. Direction by Bruce authentic and realistic background and the Humberstone. Tiffany. good acting only add to the devastating effect. A story called “The Illustrious Corpse” Adolescents, 12 to 16 Children, 8 to 12 has been adapted to the screen in a most Certainly not Impossible ingenious and amusing fashion. It involves undertakers, a questionable doctor, even grave robbers; yet the treatment is so skillful that it is never gruesome. It is rather SINNERS IN THE SUN » » a fantastic sort of mystery tale with Zasu Carole Lombard, Chester Morris. Direction Pitts and Lucien Littlefield entering into one by Alexander Hall. Paramount-Publix. ludicrous complication after another, and the plot keeps one guessing to the final scene. To fill waiting theatre programs another Adolescents, 12 to 16 Children, 8 to 12 “filler” has been ground out. We again Entertaining Not sufficient interest spend an evening with a luxury loving girl who models clothes while she tries to instill •sr ambition for money into her “boy friend.” * » When he leaves her and marries wealth, she THE STREET OF WOMEN accepts the luxuries offered as the mistress Alan Dinehart, Kay Francis. Direction by -First National. of a wealthy married man. The final de- Archie Mayo. Warner Bros. nouement of course brings both “parasites” A triangle plot in which the sympathy of to a realization of happiness secured in a the audience is thrown entirely toward the more conventional mode of life. The title “other woman” who is the inspiration for seems obscure. the man’s success in building skyscrapers. Adolescents, 12 to 16 Children, 8 to 12 The title would seem to indicate that behind Absolutely worth/ess No all such construction is a woman’s idealism. Ten Motion Picture Reviews

Complications in the plot arise when the that it can scarcely be recommended as man’s daughter and the woman’s brother entertaining for any audience. fall in love and find the situation unbearable. Adolescents, 12 to 16 Children, 8 to 12 It is interesting of its type, due to good No—very sordid No casting and taste in direction. XT' Adolescents, 12 to 16 Children, 8 to 12 Unsuitable No UNASHAMED » » v Helen Twelvetrees, Robert Young, Lewis Stone, Jean Hersholt, Robert Warwick Di- A SUCCESSFUL CALAMITY » » riction by H. Beaumont. M.C.M. George Arliss, Mary Astor. Direction by Within the last few months we have had John Adolphi. From a play by Clare Kum- an epidemic of court room pictures, and mer. Warner Bros. -First National. “Unashamed" is one of them. It is interesting A charming simple story in which a and splendidly acted but not outstanding particularly wealthy man succeeds in placing the right nor yet convincing. A girl’s reputation or her brother's life is emphasis on home ties, and incidentally the ques- brings out the splendid and loyal character- tion before the court. The brother has murdered her lover. So we all the ingredi- istics of his family and servants. It is have ents for the pleasant, kindly entertainment; a comedy modern social drama which so with underlying sentiment. many adultst find thrilling, but which is thoroughly unsuitable for adolescents. Adolescents, 12 to 16 Children, 8 to 12 Adolescents, 12 to 16 Children, 8 to 12 Excellent If it interests; little action No No

TWENTY-SIX MARTYRS OF JAPAN » » WASHINGTON MASQUERADE » » A Japanese picture. Lionel Barrymore, Burton Churchill, Karen Morley. Direction by Brabion. M.C.M. This interesting historical drama of religious martyrdom shows episodes of the A rather time-worn plot of the man in pub- introduction of Christianity into Japan in lic life who betrays his own honor and the 1590. It is a work of art photographically confidence of his friends for the love a and a faithful portrayal, not only of historical woman is made absorbingly interesting by the incidents, but of oriental households and court very fine acting of Lionel Barrymore. To ceremonials which would be impossible to bring the plot up to the minute the setting duplicate elsewhere. Director Hirayama is Washington, and to the tempting voice of brought the film to this country for the Eng- the siren is added the corruptive influence of lish narration and sub-titles which accom- policital lobbyists. The lavish settings, scenes pany it, and they are so well done that few in the Senate and Press Gallery, a reception will regret the fact that it is not a talking at the White House and a most gorgeously film. Though somewhat slow moving and appointed dinner party lend color and per- with some over-emphasis on the propaganda sonality to the production. There is a possi- motive, it is acted throughout with sympathy bility that parts of the dialogue might be and understanding and presents a moving construed as special propaganda for certain and inspiring picture of the beauty and glory political interests, but granting that the un- of dying for an ideal. derlying motive of the producers was to make Adolescents, 12 to 16 Children, 8 to 12 a good picture, they have been exceptionally Excellent Too harrowing at the end successful. Adolescents, 12 to 16 Children, 8 to 12 Mature No » » THUNDER BELOW •w Tallulah Bankhead, Charles Bickford, Paul Lukas. Adapted from the novel by Thomas WEEK ENDS ONLY » » Rourke. Direction by Richard Wallace. Joan Bennett, John Halliday, Ben Lyon. Paramount-Publix. Direction by Allan Crossland. Fox.

In a beautiful Central American setting of A light, ultra modern treatment of an un- quaint Spanish town, jungle, and rocky ocean conventional and improbable situation in shore line, an unpleasant and sordid story which our lovely heroine, faced by poverty, of a married woman’s love for another man becomes a hostess in a speakeasy, and to is worked out to its tragic frustration. The increase her earning, accepts a similar posi- woman is weak, self-centered, cruel, and tion as hostess for a bachelor at his gay and few will feel that her philosophy of life is indecorous week-end parties. Questionable desirable of imitation. The whole effect is situations are glossed over by smart repartee so depressing, unmoral, and unconvincing and comedy is stressed. The appeal of the Motion Picture Reviews Eleven picture will be limited to worldly adults who ization of the over wrought director who are not offended by so-called easy “sophisti- cannot stand the nervous strain. It is spark- cation,” and who are thrilled by well-dressed ling and satirical but not so cruel as “Once ladies. in a Lifetime,” and while Hollywood laughs Adolescents, 12 to 16 Children, 8 to 12 at itself, it does so in a kindly way and with Quite unsuitable No understanding. Miss Bennett is very human and appealing and the supporting cast is excellent. » » WHAT PRICE HOLLYWOOD Adolescents, 12 to 16 Children, 8 to 12 Constance Bennett. Lowell Sherman. Greg- Not recommended Unsuitable ory Ratoff, Neil Hamilton. Direction by sr George Cukor. Story by Adela Rogers St. John. Paramount-Publix. WINNER TAKE ALL » » This is a very clever study of Hollywood James Cagney, Marion Nixon. Direction by showing that in spite of its absurdities, gen- Roy del Ruth. Warner Bros. -First National. erosity and ambition underlie much of the James Cagney with a cauliflower ear plays sham. It is the story of a waitress in the well-known Brown Derby restaurant who the part of a light-weight contender in the prize ring. is admirably suited to the gets her chance and becomes a star. Her He part, the cockey smart-alec who falls for efforts at self-improvement, her marriage and blonds and likes a big time. Obviously the motherhood, at war with the loose relation- picture has no intellectual appeal. It is amus- ships around her, and the unfortunate scan- ing in its wise-cracking way, swift moving dal which wrecks her professional life are and well directed but does not merit par- smoothly and tellingly presented, and one ticular commendation. has a greater understanding of the glamour Adolescents, 12 to 16 Children, 8 to 12 and difficulties of this artificial existence. Passable Lowell Sherman gives a good character- No

SHORT SUBJECTS

DREAM WORLD » » THE GOLF CHUMP » » Ed Kennedy, Florence Lake, Dot Farley. "Romantic Journeys” series. Educational Direction by Harry Sweet. R.K.O.-Pathe. Pictures, Inc. A banal, tedious comedy concerning the A multi color review glorifying Southern efforts of a family to play eighteen holes of California: San Juan Capistrano, the rare golf on an exclusive golf course, after they old mission; Palm Springs, mecca of winter have contrived to gain admittance on a bogus visitors; Big Pines under a blanket of snow guest card. with its winter sports; Wilmington Har- •w bor, its commerce and water sports; and THE MAD KING » » Gay’s Lion Farm with its apparently friendly Cartoon. Educational Pictures, Inc. beasts. Excellent photography, fair color, adequate accompanying talk. Clever animated cartoon in musical v comedy style. The cruel cat is king and the down trodden mice start a successful revo- THE ENGINEER’S DAUGHTER » » lution. Unique and highly entertaining for all audiences. May Robson, Montague Love and members •w of the Masquers Club. Direction by Rob- » » ert Hill. Paramount-Publix. MAGIC CARPET SERIES Delightfully clever burlesque on the old Recommended for the family. Fox. time melodrama—a great addition to any ( 1 ) With the Foreign Legion program. A composite day with these romantic ad- •w venturers. Very entertaining. (2) Over the Yukon Trail FORCOTTEN ISLAND » » Exquisite scenes of the Yukon Trail, and Educational Pictures, Inc. contrasting pictures of gold mining by hy- Two adventurers brave the legend that drolic methods with that of the lonely pros- death and destruction follow those who ex- pector panning his mite. plore the bleak and desolate island of San 0 3 The World at Prayer Nicholas off the Southern coast of California. A Very interesting delineation of the dif- Their dramatic experiences are cleveriy fab- ferent types of religious services throughout ricated in this interesting film. the world among different races and sects.

MOTION PICTURE REVIEWS

THE WOMEN’S UNIVERSITY CLUB LOS ANGELES, CALIFORNIA

AUGUST 1932 THE WOMEN’S UNIVERSITY CLUB Los Angeles Branch American Association of University Women 943 SOUTH HOOVER STREET Telephone DRexel 2177 COPYRIGHT NINETEEN THIRTY. TWO WOMENS UNIVERSITY CLUB

WEBBCRAPT PRINTERS. 1391 ARLINGTON AVE., LOS ANGELES —

Motion Picture Reviews Three

MOTION • PICTURE • REVIEWS

Published monthly by THE WOMEN’S UNIVERSITY CLUB LOS ANGELES BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN

Mrs. Gerard A. Murray Mrs. Madison J. Keeney Mrs. Bruce A. Findlay Preview Chairman Business Manager Asst. Business Manager Mrs. John Vruwink - Co-Chairmen - Mrs. Palmer Cook EDITORS

Mrs. J. Allen Davis Mrs. John Vruwink Mrs. Walter Van Dyke Mrs. Palmer Cook Mrs. Arthur Jones Mrs. F. H. Partridge

Address all communications to The Women’s University Club, 943 South Hoover St., Los Angeles, Calif.

1 Oe Per Copy - - $1.00 Per Year

Vol. Ill AUGUST, 1932 No. 8

EDITORIAL

Parents will be much interested in a series Yale, Chicago, Iowa, Ohio State, New York, of three articles, the first of which appears and Pennsylvania State directed the re- in the current September issue of McCalls’ search and now the first findings are being Magazine. The articles will outline the re- barred to the public. While the complete sults of a four-year study of the effect of scientific reports and evaluations will not be motion pictures on the sleep, health and con- available until later. These preliminary ar- duct of children. ticles will hold much of interest and value to Everyone has had theories about the effect parents and others interested in this subject, of motion pictures on children’s habits and and so urge our readers to familiarize them- practically everyone has expressed these selves with them — McCalls’ Magazine — theories in no uncertain terms. But there has September issue. “To The Movies—But Not been no proof to substantiate theories. There to sleep.” Henry James Forman. has never been an accumulation of authentic data, the result of scientific research. We wish to recommend that theatre goers In 1929, the Payne Fund authorized an watch for the appearance of “American Mad- appropriation for such a study and interested ness,” reviewed in July issue. It is one of the finest psychologists, socialogists, physi- the most entertaining and novel of the new cians, and educators. The universities of releases.

FEATURE FILMS

THE ACE OF CONSENT » » tional institutions will be somewhat shocked at the conduct of the students and those who Richard Cromwell, Dorothy Wilson, Eric have not will see a distorted version of Linden, Arline Judge, John Halliday, Aileen college life. Pringle. Direction by Gregory Lacava. Radio. It seems very unfair to college and college This play is built upon a melodramatic students to depict unconventional love affairs structure which is carefully disguised with as the sole preoccupation of undergraduates. an abundance of supposedly collegiate hu- This is a pointless picture, and in spite of mor. Those who have attended co-educa- a charming cast, it is decidedly inferior en- Four Motion Picture Reviews

those it will tertainment even for whom not naked bodies of these “little people” are the title is in annoy. Obviously very poor extraordinarily grotesque and hideous in the taste. extreme. 16 Children, to Adolescents, 12 to 8 12 Adolescents, 12 to 16 Children, 8 to 12 Absolutely not recommended No Cood Fair

» » BACK STREET THE CROONER » » Irene Dunne, John Boles, George Meeker, David Manners, Ann Dvorak, Ken Murray. Zasu Pitts, June Clyde. Direction by John Direction Lloyd Bacon. First National. M. Stahl. Universal. At last one may become acquainted This dramatization of Fanny Hurst’s novel with that new and popular variety of singer called will have a limited appeal for it is a sad a “Crooner.” His advent, rise and and disillusioning story. Beginning in the fall are the subject matter of this picture early 90’s and covering more than twenty- which, if it has no great moments, has at least, five years, it depicts the bitter disappoint- few dull ones. A variety of ment of a woman who holds only the “back entertainment is offered, including David Manners’ street” in the life of a married man. Irene pleasant singing voice, Ken Dunne plays her part well, changing gradu- Murray’s wise cracks, the charm and commonsense ally from the beautiful, flippant young girl to supplied by Ann Dvorak, and touches of the lonely, saddened woman. The wife never melodrama and tragedy to complete the whole. appears in the picture to divide sympathy The interest is well sustained throughout the with her, and the audience is left with a and acting is good. feeling of compassion for this “other woman” Adolescents, 12 to 16 Children, 8 to 12 as she faces the emptiness of a wasted life. Entertaining Probably little interest Adolescents, 12 to 16 Children, 8 to 12 'V Unsuitable theme No •w DOWNSTAIRS » » John Gilbert, Paul Lukas, Virginia Bruce. » » BIRD OF PARADISE Direction by Monta Bell. M.G.M. Theatre Preview. Dolores Del Rio, Joel Mc- John Gilbert in his own story has made Crea, John Halliday, Bert Roach, Skeets for himself a thoroughly reprehensible part, Gallagher. Direction by King Vidor. Radio. that of a disgraceful rogue. If he had had The lure of the South Seas with the rites more ability to create the illusion of whim- of “Tabu,” tom-toms, tropical flora, active sey—a dual personality both lovable and volcanoes, and clear ocean water, all have a cruel, he would have had greater appeal, part in the enchantment of the island in the but as it is he commands no sympathy. How- South Seas where an American youth elects ever the plot is novel and different and will to stay. Dolores Del Rio as Lcana, a native have passing interest for a general adult girl, completes the background for the primi- audience. It is the story of a lying black- mailer, tive love theme. The story and background a chauffeur, who upsets the menage downstairs both have charm, and though the plot offers and upstairs alike by his immoral and cruel a few impossibilities, the imagination of the acts. Finally dislodged from one household he is last seen seeking audience may accept these without much dis- employ- ment at another impressive count of entertainment value. The beauty of establishment where we feel sure he will the underwater swimming deserves honor- continue his evil and predatory behavior. able mention. Adolescents, 12 to 16 Children, 8 to 12 Adolescents, 12 to 16 Children, 8 to 12 No No Doubtful No

» » CONCORILLA » » DR. X Lionel Atwill, Produced by Mr. and Mrs. Martin Johnson. Fay Wray, Lee Tracy, Pres- Fox. ton Foster. Direction by Michael Curtis. First National. Mr. and Mrs. Martin Johnson have brought to the screen a series of authentic It seems incredible that there should be sound pictures of wild life in the African enough demand for pictures of this sort to jungle. The intimate glimpses of birds and encourage producers to make them. This one beasts afford a liberal education in natural is an extreme example of the horror variety. history and will interest and delight most By a combination of insane notions and audiences. Possibly to one who is sensitive pseudo science, murders are committed and to physical ugliness the scenes among the mysteries solved. There seems to be such an pygmies will not be so pleasing, for the obvious effort to out-do open horror pictures Motion Picture Reviews Five that the result fortunately is probably too share of the entertainment. Reviewers agree artificial to produce dire results in the that it is a cure for the blues and good hot audience. weather entertainment for the entire family. Adolescents, 12 to 16 Children, 8 to 12 Adolescents, 12 to 16 Children, 8 to 12 Not advised Certainly not Good Good •v V HORSE FEATHERS » » THE FIRST YEAR » » The Four Marx Brothers. Direction by Nor- Janet Caynor, Charles Farrell. Adapted from man McCloud. Paramount-Publix. the play by Frank Cravin. Direction by William Howard. Fox. The inanities of the Marx brothers have amused and delighted many audiences in the A friendly little story of the trials en- past, but in this picture their penchant for countered by a young couple in their first coarse vulgarity and blatant puns seems to year of married life is told in charming have obscured their genius as comedians. It fashion. The sophisticated theatre-goer may is a pity when actors of ability relinquish miss the inimitable comedy of Frank Cravin wit in favor of dirt. in the character “Tommy” now played by Adolescents, 12 to 16 Children, 8 to 12 Charles Farrell, but on the whole the pro- Unsuitable No duction is excellent and the story with its gay thread of humor running through even its most serious moments, is refreshing and IGLOO » » out of the ordinary in its simplicity of ap- Esquimo cast. Photographed by Roy H. peal. Klafki. Direction by Ewing Scott. Universal. Adolescents, 12 to 16 Children, 8 to 12 This is a film showing the stark drama Good No interest of Esquimaux life; walrus hunts, terrific storms, continuous bitter cold, actual starva- FOR GLORY AND A GIRL » » tion. Though a love story joins the various episodes, the plot is not an important factor. Reviewed in June issue under title “Hud- The skillful management of the native cast, dle.” According to “Unbiased Opinions,” the photographic and scenic effects, and the published by Fox West Coast Theatres. Re- stoicism of the tribe in its struggle against leased under title “For Glory and a Girl” in the elements make an intensely interesting Southern California only. and dramatic picture with a great deal of grim realism. GUILTY AS HELL » » Adolescents, 12 to 16 Children, 8 to 12 Adrienne Ames, Victor McLaglen, Edmund Interesting Too emotional Lowe. From play by Daniel Rubin. Direc- tion by Erie Kenton. Paramount-Publix. JEWELL ROBBERY » » A murder drama in which an innocent William Powell, Kay Francis. Directed by man barely escapes execution for another’s William Dieterle. Warner Bros. crime. It is novel in treatment in that the A light comedy, gay, flippant with more audience sees the murder and then follows than a touch of sophistication, “Jewel Rob- efforts the of the police to find the guilty bery” is a clever adaptation to the screen person. their Lowe and McLaglen resume of a Viennese play. It seems to have re- vulgar banter, this time in the guise of retained the combination of frivolity and satire porter and policeman, but even their ad- one associates with smart comedies of for- mirers will find it difficult to overlook the eign theatres. A beautiful reckless coquette, bad taste in direction and a light and coarse the much indulged wife of a very rich man, attitude toward life and death which is very is greatly bored with life until she encoun- offensive. On the whole it is pretty dull. ters the most expert thief in Vienna. The Adolescents, 12 to 16 Children, 8 to 12 plot is extravagant, the settings beautiful, No No the lines double-edged, and Kay Francis most alluring. William Powell will probably acquire new piles of fan mail. HOLD ’EM JAIL » » Adolescents, 12 to 16 Children, 8 to 12 Bert Wheeler, Robert Woolsey, Edna May Too sophisticated No Oliver, Roscoe Aates. Direction by Norman Taurog. R.K.O. » » A rollicking slapstick comedy in the THE JUNGLE MYSTERY Wheeler and Woolsey manner. The back- Tom Tyler, Noah Beery, Jr., Cecilia Parker, Gherharty. Direction ground for the funsters is a prison with Edna Carmelita by Ray May Oliver as the Warden’s sister. A foot- Taylor. Universal. Serial in twelve chap- ball game in burlesque provides a large ters (six previewed). Six Motion Picture Reviews

An exciting series of adventures in Africa MADAME RACKETEER » » in which a hidden hoard of ivory and a lost Alison Skipworth, Richard Bennet, J. Far- son (brother of the heroine) are the inspira- rell MacDonald, Evelyn Knapp, Gertrude tion for the action. In some respects the Messinger. Direction by Alexander Hall plot is better than many serials, for the and Harry Wagstaff Gribble. Paramount- modern gangster with his low intrigues is Publix. absent. Here the setting is the jungle and Adults will find the adventures war-like natives and wild animals provide of the “Countess,” a lovable old lady racketeer, de- the thrills. It is obviously an imitation of liciously comic. Alison Skipworth’s artistry Tarzan, but its producers do not seem to in characterization is a delight, and the realize that the appeal of “Tarzan” lay story has a nice sense of humor, admirable in its greater simplicity and in a closer ad- continuity, and particularly “chuckly” dia- herence, if not to reality, at least to proba- logue. It is the story of a parole interlude bility. These are lacking in “The Jungle in the life of a much-jailed confidence woman Mystery” and the whole is overcharged with and is amusing and entertaining. While the exaggerated thrills. It is not recommended production does not put the stamp of ap- for junior matinees because of the many proval on the woman, we cannot estimate younger children who are in attendance. how accurately children might judge her Adolescents, 12 to 16 Children, 8 to 12 code of ethics and we therefore question Passable Too emotional the suitability of the story for their entertainment. Adolescents, 12 to 16 Children, 8 to 12 » » LATIN LOVE Doubtful No Sari Maritza, William Freshman. Direction •w by Sinclair Hill. Golden Arrow Production. » » (Seen in theatre preview.) THE MAN CALLED BACK Conrad Nagel, Doris Kenyon, John Halliday. hackneyed, story of the loves of a A Direction by Robert Florey. Tiffany. little Italian cabaret singer. It is a vehicle to show the charm of the star, but unfortu- The story starting amid South Sea scenes reveals the nately it is too poor a story, and is too un- regeneration of a doctor through pleasant and tiresome in detail to hold audi- the interest of a wealthy, unprincipled Lon- ence attention. doner and his young, beautiful wife. There Adolescents, 12 to 16 Children, 8 to 12 are sufficient variations on the triangle theme No No to keep one fairly well entertained, but it should not be seen in a hypercritical mood, as there are too many weak spots in plot THE LAST OF THE MOHICANS » » development, dialogue and direction to make it an outstanding play. Harry Carey, Hobart Bosworth, Junior Cogh- Adolescents, 12 to 16 Children, 8 to 12 lan, Edwina Booth, Lucile Brown, Walter Better not No Millar, Bob Kortman, Walter McGrail. Serial in twelve chapters, adapted from novel by James Fenimore Cooper. Direction MILLION DOLLAR LEGS » » by Reaves Easen and Ford Beebe. W. C. Fields, Hugh Herbert, Jack Oakie, Susan Fleming, Andy Clyde, Lyda Roberti. “The Last of the Mohicans” is an exciting Direction by Eddie Cline. Paramount. story of Indian warfare in Colonial days when France with her Indian allies was This up-to-the-minute burlesque has a struggling to hold her colonies against the novel plot and a lot of good clean humor. English. Excellent explanatory remarks pre- The mythical kingdom of Klopstokia is in ceed each chapter and help to keep the his- need of money and in order to raise the tory of the period before the audience so necessary funds, the government officials and that the personal plot has added significance. some of the citizens organize themselves into The action is necessarily thrilling and ex- an Olympic team. The story amusingly citing, with massacres, hairbreadth escapes, illustrates the triumph of brawn over brain warlike fighting, but the direction is in such and burlesques almost everything in recent good taste that there are no gruesome touches motion pictures. and the general effect is restrained without Adolescents, 12 to 16 Children, 8 to 12 loss of dramatic interest. It is real “story Entertaining Good book” adventure, a serial of distinction, which the average junior matinee audience » » of nine and over will undoubtedly acclaim THE PURCHASE PRICE as “keen” entertainment. Barbara Stanwyck, George Brent. Direction by Warner Bros. Adolescents, 12 to 16 Children, 8 to 12 Warren Wellman. Very good Very good This adaptation of Arthur Stringer’s Motion Picture Reviews Seven

“Mud Lark,” opening in a night club and duction more elaborate and tedious. Artis- ending in the drabness of a dirty farmhouse, tic settings and a certain amount of good is the story of a city girl who learns to love acting become ineffective when used to em- an inarticulate farmer. The soiled realism bellish a production which is grim and and repulsive brutality are overemphasized, sordid to the core. and the dramatic possibilities have been Adolescents, 12 to 16 Children, 8 to 12 sacrificed to sordid details. The film version Decidedly not No seems to have missed most of the real values xr in an excellent story. STRANGER IN TOWN » » Adolescents, 12 to 16 Children, 8 to 12 Chic Sale, Ann Dvorak, David Manners, No No Noah Beery, Raymond Hatton. Direction by Erie C. Kenton. From the play “Com- SKYSCRAPER SOULS » » petition.” Warren William, Maureen O’Sullivan, Ver- Chic Sale on the screen is usually a cro- ree Teasdale, Anita Page, Wallace Ford, chety downright old man with a way of Norman Foster. Direction by Edgar Selwyn. getting the better of his enemies and worm- From the story by Faith Baldwin. M.G.M. ing his way into the affections of his friends. In In Those who lost money in the descent of “Stranger Town” he appears again as the stock market should avoid this picture, as the same old codger, this time the proprietor of a grocery store in a one-horse town. it evokes many painful recollections. The Threatened by competition in the of main figure is a New York banker who form combines moral laxity with financial dis- a chain store grocery, he handles the situa- honesty on a huge scale. To show the extent tion with his usual humor and acumen. In spite of a of his power there is an attempt to carry somewhat attenuated scenario the four concurrent plots in the manner of picture is pleasantly diverting. “Grand Hotel,” without accomplishing any Adolescents, 12 to 16 Children, 8 to 12 end, however, except that of making the pro- Good Passable SHORT SUBJECTS

HOLD THAT LION » » NURI » * (Three reels) Floyd Pyle, hunter. Photo- Supervised by Elmer Clifton. Made in Frank. Narration writ- graphed by W. Earle conjunction with a group, headed by ten by Harry Chandler. A Principal Ad- Lola Krentzberg of Amsterdam, Holland. Picture. Distributed Principal venture by Released by Beverly Hills Production Ex- Distributing Corp. change. A graphic, beautifully photographed por- Like a model short story, this projection trayel of a lion hunt in the magnificent rough with a wealth of detail and delightful in- mountain country of Arizona. The picture formation, will leave upon an audience a excels technically. The beauty of scenery, vivid impression of life among the teeming the accompanying sounds, and the action all multitudes of India. The life of a typical combine to make an unusually interesting Indian family is shown through the eyes of whole. The narrative spoken by Wilfred their old burden-bearing elephant Nuri, and Lucas is also well chosen. The chase is ex- his wise comments on the doings of his mas- citing, and of course these lion hunts are ters are amusing and interesting. It is an necessary because the beasts are so destruc- excellent production for all audiences. tive, yet one’s sympathy goes out somewhat to the hunted wild thing which after all was only living after the tradition of its kind. ROMANCE SENTIMENTALE » » Adolescents, 12 to 16 Children, 8 to 12 A French picture by Serge Eisenstein. Excellent Very exciting xr A series of unique and beautiful photo- MAN EATER » » graphic studies is accompanied by music in appropriate moods to illustrate the Supervised by Elmer Clifton. Released by theme of Serge Eisenstein’s the Beverly Hills Productions Exchanges. “Romance Sentimentale.” The blending of sound and visual beauty is The man-eating shark is the menace that skillfully achieved and actually produces the titles this short, which shows men diving impression of the various emotions. for pearls and treasure. A tragedy mars the Adolescents, 12 to 16 film for sensitive children. Its most interest- Children, 8 to 12 Good ing features are scenes of wharf life in Confusing and hard foreign ports. on the eyes t MOTION PICTURE REVIEWS

THE WOMEN'S UNIVERSITY CLUB LOS ANGELES, CALIFORNIA

SEPTEMBER 1932 THE WOMEN’S UNIVERSITY CLUB Los Angeles Branch American Association of University Women 943 SOUTH HOOVER STREET Telephone DRexel 2177 COPYRIGHT NINETEEN THIRTY-TWO WOMEN S UNIVERSITY CLUB

WEBBCRAFT PRINTERS, B5I ARLINGTON AVE , I OS ANGELES .

Motion Picture Reviews Three

MOTION • PICTURE • REVIEWS

Published, monthly by THE WOMEN’S UNIVERSITY CLUB LOS ANGELES BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN

Mrs. Gerard A. Murray Mrs. Madison J. Keeney Mrs. Bruce A. Findlay Preview Chairman Business Manager Asst. Business Manager

Mrs. John Vruwink - Co-Chairmen - Mrs. Palmer Cook EDITORS

Vol. Ill SEPTEMBER, 1932 No. 9

BASIS FOR EVALUATING FILMS FOR CHILDREN'S ENTERTAINMENT

In deciding what children may or may not of dangers never suspected, and mo- see in movies we find a very definite prob- tives which they never knew existed. lem because normal, healthy children vary They realize that society may be in- greatly, and what they get out of a movie securely organized and that there is will depend upon: a division of authority. This is socially children. (1) Physical differences (nervous system disastrous in the training of especially) (2) They need to have curiosity satisfied. (2) Mental and emotional development. Movies may do this if they portray true conditions. Most movies do not, (3)(1) Cultural background. and may stimulate morbid curiosity. (4) Moral background. (3) There is a need for motor activity. But there are several specific rules which Movies too frequently indulged in limit must be insisted upon. Children should not this. be forced to see pictures which emphasize: (4) There is a need for mental activity, and (1) Cruelty pictures too mature or unhealthy in (2) The criminal side of life. theme may stimulate and precipitate emotional stages too early in develop- (3) So called fast society untrue to the fun- ment. damental core of life. Fear of noise and lack of support in infants And these specifications are necessary be- are said to be the only inherent fear reactions. cause we believe that there are several fun- Others are the result of environment and damental needs of childhood which must be experience. Highly organized nervous sys- considered. Psychologists tell us that these tems are frequently shocked, and children fundamental needs are: may be severly handicapped by visual ex- A feeling of security. periences. This is purely physical for infants. Ethical Standards in Detail But as children grow older it is dangerous and cruel to condition them by I. Theme pictures which tend to give them a (1) Is the theme suitable? Is it within a feeling of insecurity, to inform them child’s understanding? Does it connect Four Motion Picture Reviews (3) in any way with a child’s own experience Breaking social conventions or understanding? If not, when atten- such as chance acquaintance tion lags single incidents out of the con- between girls and men, visits text may give wrong impressions, and to men’s rooms unchaperoned, the child may lose the meaning of the etc., for they give children dis- whole. Nervousness may result from torted ideas of life. forced attention. A child may become (c) Theme should not make light of the sophisticated from frequent attendance church or church dignitaries, re- at too mature pictures. ligion, social workers. (2) Does it teach a positive morality? “Good endings” do not offset the impres- (d) Theme should not make light of the sions of crime which a picture leaves law or police. (6) which emphasizes criminal characters (e) Theme should encourage respect for and criminal activities. the Government. (3) Are the emotions aroused wholesome (f) Theme should not foster race prej- ones? Under stress of intense emotion udice. as hate, fear, joy, grief, admiration, love, experiences may leave an indelible im- Picture should not show excessive cruelty print on a child's mind and character. to persons or animals.

(4) Are the characters of the story the kind II. Production of persons you would wish a child to Is the production of a standard of excel- know ? (1) lence which will create discrimination (5) Are the incidents wholesome, probable, and appreciation? Or are the thrills and true to life? Ugly scenes may not do action too exaggerated to be reasonable more harm than an insincere and light or humanly possible? portrayal of life. Certain standards should be upheld. (2) Are the titles grammatical, profane, vulgar ? (a) Theme should not make light of If synchronized, is dialogue social institutions such as marriage. (3) in good taste ? (1) Farces about ugly family relations and divorce are unsuit- (4) Is the humor in good taste? Is the fun able. in the form of pranks, practical jokes, and cruel, thoughtless mischief which (2) Jealousy between husband and wife. are made so funny that a child might think them worthy of imitation? (3) Infidelity or suspicion of infidelity. III. Is the final impression left an inspiring (4) Unpleasant family relations one, leading children to strive for some- such as irreverent children, the thing fine? Does it arouse constructive, mother-in-law “problem," etc. wholesome curiosity and intelligent interest? Does it entertain with clean ro- (b) Theme should not make light of morality. mantic adventure? Or by wholesome narrative about pleasant persons and in- (1) Sex irregularities. cidents? Does it at least amuse, leaving (2) Breaking the 18th Amendment. a happy remembrance of good fun? Motion Picture Reviews Five

FEATURE FILMS

BIC CITY BLUES » » announcing the approaching arrival of

Eric Linden, Joan Blondell, Walter Catlett. babies, whether ‘ffdessed events” or other- Direction by Mervyn LeRoy. Warner Bros. wise. His cruelty in publishing the gossip which ruins one girl’s life is only an incident In this film we are shown an elaboration in his career, although the crisis it precipi- story of what happens to an inno- of the old tates proves highly embarrassing and even country boy when the “big city slickers” cent dangerous to him personally. The production get him. The part of the boy is well acted by is swift moving, risque, amusing, and like Eric Linden, and Blondell as a gold Joan the play will appeal to many adult audiences. digger who has a change of heart, provides Adolescents, 12 to 16 Children, 8 to 12 the sentimental interest. An irrepressible Not suitable No confidence man is the comedy relief which helps to lighten the depressing effect of the sordid background and a murder. The picture offers nothing particularly new in enter- BLONDE VENUS » » tainment. Marlene Dietrich, Herbert Marshall, Cary Adolescents, 12 to 16 Children, 8 to 12 Grant, Dickie Moore. Direction by Joseph Very unsuitable No von Sternberg. Paramount-Publix.

The central idea of this picture is not easily BILL OF DIVORCEMENT » » determined. The director has used intense

John Barrymore, Billie Burke, Katherine local color and atmospheric details which give Hepburn. Direction by George Cukor. From the production a certain vividness, but the play by Clemence Dane. R.K.O. lost threads of the story, abruptly disconnec- ted scenes, and sudden transitions so destroy It is a pleasure to be able to recommend this its continuity both in plot and in emotional production in superlatives. It is a serious effect that in viewing it one must continually drama, almost Ibsenesque in its sombre theme shift one's sympathies and readjust one’s con- of insanity it affects the various as members ception of the characters. Marlene Dietrich of a family. In the opinion of our reviewers herself contributes the chief entertainment it is a splendid example of the possibility value, but her role is not a convincing one. that good stage drama may become equally She plays the part of a woman who is fond powerful on the screen. It achieves the in- enough of her husband to sacrifice herself to timacy of the stage, due in part to the excel- aid him when he is ill but in so doing be- lence of the seasoned cast. Mr. Barrymore comes infatuated with another man. Her con- gives a most effective performance as the sequent tragic decline is dramatically presen- husband—the best of his screen career; Kath- ted, but the lack of logic in it all counteracts erine Hepburn’s sincerity as his daughter is its effectiveness, and the mother’s selfishness deeply moving, and Miss Burke is also very in subjecting her child to such a sordid and satisfying in a role which possibly is less precarious living alienates the sympathy of sympathetic. Special credit is due also to the the audience. One is disappointed that a taste and care with which the details of set- talented director and a fine cast should not ting and direction are carried out, making a have accomplished something better. production which critical audiences will not Adolescents, 12 to 16 Children, 8 to 12 wish to miss. Unsuitable No Adolescents, 12 to 16 Children, 8 to 12 If mature enough, be- No, too mature cause of merit BROADWAY TO CHEYENE » » production Rex Bell, Marceline Day, Huntley Gordon. Directin by Harry Fraser. Monogram. (Seen at a theatre preview and subject to BLESSED EVENT » » changes.) Lee Tracy, Mary Brian. Adapted from the Gangsters of Broadway go West, closely play by Manuel Seff and Forest Wilson. followed by our hero, a detective on vacation. Direction by Roy Del Ruth. Warner Bros. Coincidence and melodrama are administered A picture of this type cannot be said to in a heavy dose. The same machine gun that be particularly elevating entertainment. It killed the beer baron of Broadway is used on follows the columnist cycle and portrays a the cattle of Cheyenne. Yes, the villian suf- ruthless, breezy individual whose specialty is fers, and the hero has his happy reward in )

Six Motion Picture Reviews

the person of Marceline Day. If the plot which touches melodrama in its climax, but it were not so hypothetical, the scenery and is gaily lightened by humorous incidents and smoothness of the direction might offset the by the appealing personality of Jackie ridiculous. A picture full of “bangs!” Cooper. To those who are willing to concede Adolescents, 12 to 16 Children, 8 to 12 that a woman is justified in divorcing her Too juvenile Too distorted husband because of his too great devotion to the study of archaeology the story will be very appealing. In any case it is an interest- » » CHANDU, THE MAGICIAN ing study of a child’s reaction to an unhappy Edmund Lowe, Bela Lugosi, Irene Ware. situation which is finally relieved by his Direction by Marcel Varnel, Wm. Cameron joyous acceptance of two “fine fathers.” Adolescents, 12 to 16 Children, 8 to Menzies. Fox. 12 Questionable Not necessary Adults may find that “Chandu” is more •w effective on the radio, but these exciting and fantasic adventures as portrayed on the EXPOSURE * » screen have at least the advantage of pic- Lila Lee, Walter Bensen, Lee Moran, Tully turesque scenic background to add credence Marshall, Bryant Washburn. Direction by to the story. It is not a significant picture Norman Hansen. Tower Productions. but a highly romantic tale of magic and (Seen at a theatre preview and subject to mystery which is not intended to be taken change. seriously. It will appeal particularly to newspaper reporter of a New youth radio fans, and older children will A famous York tabloid awakens in a California rail- undoubtedl}' appreciate and accept its un- road depot as the finale of a prolonged visit reality. Chqndu, the Magician, rescues his this introduction the brother-in-law and family from Raksor, to a speakeasy. After story unfolds with newspaper competition, the evil influence of the East, using hypno- varied love interest, and an abundance of tism and astounding magic as his tools. plot is not Sound and photography are combined ingen- newspaper characters. The smooth, the climaxes are mild. As a whole iously to create weird effects. Many will find this picture recommends loyalty and temper- this tale pleasantly entertaining. ance but borders on melodrama enough to Adolescents, 12 to 16 Children, 8 to 12 be unconvincing. Probably very entertaining If not too exciting Adolescents, 12 to 16 Children, 8 to 12 Not recommended No interest DEVIL AND THE DEEP » » Cary Cooper, Tallulah Bankhead, Charles HAT CHECK GIRL » » Laughton, Cary Grant. Direction by Marion Sally Eilers, Ginger Rogers, Monroe Owsley, Cering. Paramount-Publix. Ben Lyon. Direction by Sidney Lanfield. The magnificent performance of Charles Fox. Laughton, who is to us a new actor on the A stale plot poorly presented in a series of American screen, makes this morbid picture tawdry incidents makes this production a worth seeing. As the insanely jealous hus- waste of time and very objectionable. The band of a beautiful and susceptible wife, his plot presents the trials and tribulations of acting is so superb that the inconsistencies a hat check girl who is surrounded by every of the plot are not so obvious. The action possible bad influence and an amazing group takes place at a submarine base on the coast of unpleasant people, bootleggers, night club of Africa, and the naval scenes mitigate habituees and rich men about town. It exem- somewhat the sordid trend of the story. It plifies the acme of bad taste in motion is, however, one which sophisticated audi- pictures. ences will enjoy only for the acting of Mr. Adolescents, 12 to 16 Children, 8 to 12 Laughton. Impossible Impossible Adolescents, 12 to 16 Children, 8 to 12 No No -v 'W HELL’S HIGHWAY » » DIVORCE IN THE FAMILY » » Richard Dix, Rochell Hudson. Direction by Brown. R.K.O. Jackie Cooper, Conrad Nagel, Lewis Stone, Rowland Lois Wilson, Maurice Murphy. Direction by “Hell’s Highway” is a convict picture, fol- Charles Reisner. M.C.M. lowing “The Big House” and others of that Divorce in the family brings tragedy to a character, but more tragic and gruesome. little boy who loves both parents and who is Here the propaganda is directed against the called upon to adjust himself to the new hus- horrors of working in prison road camps. It band. It is a rather pathetic little story is vividly presented with swift and gripping Motion Picture Reviews Seven action in the final scenes. Inasmuch as polated songs adds gaiety and sparkle, and Richard Dix takes the leading part it will gives the whole a rythmic balance. The pic- probably be seen by a large number of chil- ture is perfectly cast, even to the most humble dren, which is unfortunate, as it is over- lackey, but the distinctive quality of the pro- stimulating and will arouse morbid curiosity. duction is due to the superb direction of Mr. The treatment is starkly realistic, and one is Rouben Mamoulian, who has managed to given the impression that such conditions are combine Shakesperian touches with Gilbert general, whereas in some states excellent and Sullivan nonsense while concocting some- roads have been built by convict laborers thing entirely original. who are permitted to do such work only as Adolescents, 12 to 16 Children, 8 to 12 a reward for good behavior, who take great Good Harmless but mature pride in their skill and require very few purpose of this film is to pro- guards. If the MI5TER ROBINSON CRUSOE » » test conditions recently reported to be found Douglas Fairbanks, William Farnum, Earle in a southern prison camp, it may possibly Browne. Direction by Edward Sutherland. have its place, but it is depressing and un- United Artists. pleasant—decidedly not entertaining, and it is questionable whether a picture of this type Douglas Fairbanks again appears in a ever accomplishes any social reform. charmingly intelligent and wholesome piece Adolescents, 12 to 16 Children, 8 to 12 of entertainment, the adventures of a modern No Absolutely not Robinson Crusoe, done with a light touch and a fine appreciation of humorous possibilities. It is not only amusing, but it trans- ports the onlooker to a land of romance far LIFE BEGINS » » removed from everyday problems. It is a Loretta Young, Eric Linden. From play welcome tonic after a weary array of mor- by Mary McDougall Axelson. Direction by bid tales. James Flood and Elliott Nugent. Warner Adolescents, 12 to 16 Children, 8 to 12 Bros. First National. Excellent v Excellent “Life Begins” has the advantage of perfect casting, emotional scenes which avoid maw- THE MOST DANGEROUS GAME » » kish sentimentalism, excellent dialogue, sus- Joel McCrea, Leslie Banks, Fay Wray, Bob tained action and a novel setting—although Armstrong. Direction by Edward Schoed- many will challenge the use of a maternity sack and Irving Pichel. R.K.O. ward of a city hospital as setting for a motion The picture is horrible in detail. It pur- picture. Into this ward come cases of many ports to point the moral expressed in the line: types, and each baby’s birth brings its quota “We call a beast fighting for his life savage, of joy or sorrow. But the fault of the picture and a man hunting him for sport, civilized,” lies in the producers’ ignorance or willful dis- A shipwrecked sportsman realizes the force regard of hospital methods and obstetrical of the sentiment when he encounters a mad- care, in the vicious disregard of truthful real- man whose passion is hunting men and pre- ism. To create “drama” they needlessly sac- serving their heads in his trophy room. rifice a young mother, callously give false Hardly recommended for entertainment! impressions, implant unnecessary fear and Adolescents, 12 to 16 Children, 8 to 12 suspicion in prospective mothers. In this Very objectionable No day of enlightened medical procedure it is unfortunate that a producer should so un- THE NIGHT OF JUNE I 3TH » » fairly place a handicap upon hospitalization and physicians. Clive Brook, Frances Dee, Charlie Rugles. Direction by Stephen Roberts. Paramount- Adolescents, 12 to 16 Children, 8 to 12 No No Publix. •vr Again we have an innocent man on trial for murder, but the treatment of the story is LOVE ME TONIGHT » » so unusual that it is excellent entertainment. Maurice Chevalier, Charles Ruggles, Jean- It is a story of life on a street and of the nette McDonald, C. Aubrey Smith, Myrna manner in which more or less innocently, all Loy, Charles Butterworth. Direction by of the neighbors are involved in the tragedy. Rouben Mamoulian. Paramount-Publix. When called as witnesses, each for personal reasons conceals facts Here is real entertainment, witty, gay, some which would frivolous, pictorially perfect and enormously clear the suspect, and the interest centers in satisfying. Froth, spice and sentiment are the character studies portrayed. It is logical combined in a whimsical fairy story about the and realistic and unusually interesting. romance of an ultra modern princess and a Adolescents, 12 to 16 Children, 8 to 12 poor tailor. An accompaniment of inter- If mature enough No interest Eight Motion Picture Reviews

“OKAY AMERICA” » » THE PAINTED WOMAN » » O’Sullivan, Louis Cal- Lew Ayres, Maureen Peggy Shannon, Bill Boyd, Irving Pichel, hern, Walter Catlett, Allan Dinehart, Nance Spencer Tracy. Direction by John Blyth- O’Neil. Direction by Tay Carnett. Univer- stone. Fox. sal Pictures Corp. While this is not the most desirable type of Ever since the Lindbergh tragedy we have picture, it offers both adventure and thrills cringed at the very suggestion of kidnapping. without introducing the grotesque and super- In this drama we find a solution such as natural that have such a large share in many everybody longed for in that case. It shows current melodramas. It is the story of a our desperate situation in the country, with young girl who is caught in the snares of an the increasing power of the gangster ele- unfortunate mode of life in a South Sea ment, and yet it gives assurance that there island cabaret, and pictures her almost hope- are men in our nation who are strong enough less efforts to escape her fate. Peggy Shan- and brave enough to save us from the enemy non in the leading role does a good piece of within. Action is precipitated by a young work, and Spencer Tracy as usual is both columnist (the Walter Winchell idea). The humorous and likable. To most audiences story is swift moving, the direction is un- the intricate plot will seem consistent. Skill- usually good, and the strongly patriotic note ful direction and good acting are responsible makes it far more constructive than the usual for offsetting the blight of a very bad title crime picture. and an old and sordid theme. Adolescents, 12 to 16 Children, 8 to 12 Adolescents, 12 to 16 Children, 8 to 12 Doubtful subject Too mature Unsuitable No and exciting

A PARISIAN ROMANCE » » ONCE IN A LIFETIME » » Lew Cody, Chester Franklin, Gilbert Row- Jack Oakie, Sidney Fox, Aline MacMahon, land, Marion Shilling. Direction by Chester Russell Hopton, Louise Fazenda, Gregory Franklin. (Seen at theatre preview and Ratoff, Zasu Pitts. Direction by Russell subject to change.) Mack. Universal.

Hollywood motion picture people with their A light sophisticated comedy for adults foibles and their blunders, are the targets of who are not offended by the theme of a girl deserting but faithful this unsparingly satirical burlesque. It ad- temporarily her poor heres closely to the original play and will lover for the attention of a rich and profligate amuse varied audiences whether or not they French baron, with the consequent suggestive- are familiar with the motion picture industry. ness of his gay life. The cast is good and the settings attractive, streets, Though the play is almost entirely devoted including Paris to an expose of Hollywood’s weaknesses, the French countryside, studios and “baronial’’ apartments. Its general tone is of fun is sufficiently exaggerated not to seem comedy, it lapses into for a few illnatured. Its humor is of the modern wise although melodrama cracking variety and the vulgarities are held scenes. Not an important contribution to the down to the minimum. screen but amusing to some audiences. Children, 8 to 12 Adolescents, 12 to 16 Children, 8 to 12 Adolescents, 12 to 16 Entertaining Very little interest No No 'w PASSPORT TO HELL » » ONE WAY PASACE » » Alexander Kirkland, Warner Oland, Paul William Powell, Kay Francis. Direction by Lukas. Direcfion by Harry Hervey. Fox Tay Carnett. Warner Bros. Film Corp.

A man and a woman exchange glances in The East African Coast with the physical a Hong Kong bar and each is instantly in- discomfort of life in the jungle, the uncon- fatuated with the other. When chance brings ventional social status of the characters and them together on an ocean liner they fall ro- lax moral background, provides the setting mantically in love. Though the audience is for an “eternal triangle.” Melodramatic in- allowed to share in the knowledge that the trigue of a sophisticated nature, in which lovers are fated to die, she from illness, he questionable sex situations are deftly handled to pay the penalty for a crime, the picture by inference is presented by Miss Landi as is neither sordid nor tragic. It is purely a a well born English girl, Alexander Kirkland romantic episode illumined by the glamorous as the jealous husband, and Paul Lukas as charm of Kay Francis’ personality. the “other man.” Warner Oland is excellent Adolescents, 12 to 16 Children, 8 to 12 as a German militaristic disciplinarian. Too sophisticated No Divorce scandal, stolen war plans, suicide Motion Picture Reviews Nine and espionage are some of the dramatic ele- “70,000 Witnesses” is a mystery melodrama ments. It is a story well told in smooth, rapid, and as such is entertaining, but it would be interest-holding action. It is sophisticated a mistake to confuse it with the usual foot- melodrama but avoids actual vulgarity in ball picture, because the sport is only a back- its presentation. It is not a child’s picture and might give

Adolescents, 12 to 16 Children, 8 to 12 children a distorted and disillusioning im- No No pression of amateur games. But for the de- v votee of mystery tales interest is kept at high peak, and the audience is baffled till the end. » RAIN The murderer’s method might be questioned

Joan Crawford, Walter Huston. From play medically but that is after all not too im- by Somerset Maugham. Direction by Lewis portant. It seems plausible during the action.

Milestone. M.C.M. Adolescents, 12 to 16 Children, 8 to 12 Doubtful No Any actress who essays to follow in Jeanne •sr Eagle’s footsteps in “Rain” labors under a tremendous handicap. It is impossible for SPEAK EASILY » » anyone who saw the original to avoid com- Buster Keaton, James Durante, Ruth Sel- parisons, which is perhaps unfair to the pic- wyn, Thelma Todd, Hedda Hopper. Direc- ture. However, in the earlier scenes others tion by Edward Sedgwick. M.C.M. in the cast besides Miss Crawford seemed to be playing roles and to become unaffected The audience will find this comedy disap- and real only as the climax neared. In the pointing. It is monotonous, not very funny emotional scenes of repentance Miss Craw- and rather vulgar. Buster Keaton is less ford achieves her most sincere effect. Mr. amusing than he should be, and though the

Huston is admirable as the minister or “re other members of the cast and the director former” (as censorship demands that he be seem to have struggled hard, we cannot designated). The play was distasteful to recommend their efforts. some. The picture will no doubt arouse equal Adolescents, 12 to 16 Children, 8 to 12 No No antagonism and controversy. It is the story sr of a wretched prostitute caught by circumstances in the power of a ruthless reformer. TWO AGAINST THE WORLD » » In the emotional stress of her position she is Constance Bennett, Neil Hamilton. Direc- moved to repentance and sacrifice only to tion by Archie Mayo. Warner Bros. loose faith in mankind again through a tragic This production is occurrence. Mr. Milestone’s direction is ex- a skilful combination cellent, but the play achieved more dramatic of situations apparently gleaned from recent films a results without the greater latitude in scene and sensational trial lately reported in and action which the screen affords. Even the newspapers. It is full of glamour and has all the the steady downpour of rain fails to seem trimmings of the sophisticated modern social drama. plot as depressing as it did on the stage. However The concerns a young lawyer who, it is a sincere effort to reproduce a dramatic while taking up the cudgels against success and as such deserves attention and capitalism, falls in love with the spoiled commendation. daughter of a very rich man. There is a murder Adolescents, 12 to 16 Children, 8 to 12 committed by a brother to protect No No his sister's reputation, and inevitably we see sr the court room interior and the beautiful heroine on the witness stand. But in spite of » » 70,000 WITNESSES this lack of originality the quality of the acting and direction is good enough to Phillips Holmes, Johnny Mack Brown, J. make the Farrell MacDonald, Dorothy Jordan. From picture fairly interesting.

novel by Cortland Fitzsimmons. Direction Adolescents, 12 to 16 Children, 8 to 12 by Ralph Murphy. Paramount-Publix. Not recommended No Ten Motion Picture Reviews

WHITE ZOMBIE » » tions of Murder, a madman who by means of drugs induces a state of mental coma in Johnny Harron, Madge Bellamy, Robert his victims. These “unburied dead” obey his Frazer. Direction by Victor Halperin. Pro- orders, and under this spell comes a young bride who becomes the “White Zombie.” Her duced by Halperin Brothers. rescue constitutes the action. Into this nightmare Joseph Cawthorn brings the only breath While the weird superstitions of the natives of reality: The rest of the cast find the story of Haiti offer real basis for a story of the powers of the witch doctors, this tale is only too great a handicap. The picture is unwhole- fantastic and unbelievable, like the creation some and tiresome. of a crazed brain. To many, its horrors are Adolescents, 12 to 16 Children, piled on so thickly that they are only ludic- 8 to 12 rous. The plot concerns the evil machina- No Perfectly terrifying

SHORT SUBJECTS

PATHE AUDIO REVIEW No. 12 » » WALPURCIS NIGHT » »

R.K.O.-Pathe. Ettore Compana. Producers, Kendall-De Vally Operalogue Company, Ltd. Direction Diversified subjects in review beautiful — by Howard Higgin. Educational. Alaskan scenes; night life at Ciro’s London, little (of interest) ; interesting shots of curi- Inspired by Goethe’s “Faust” but having ous creatures of the sea; picturesque scenes more resemblance to a Hollywood modern- of an ancient towered city in northern Italy istic ballet, this short musical subject is a compared with modern New York. distinct disappointment. Only the beauty of Compana’s voice compensates. Not recommended for any audience, particularly SATAN’S PLAYGROUND » » children. •w Produced and directed by George Allen. Released by the Beverly Hills Production WHAT PRICE GLORIA » » Exchange. First in a “Baby Burlesque" series. Educa- This short subject is to be especially rec- tional Pictures, Inc. ommended. It is delightfully entertaining, This sort of picture is inexcusable. It beautifully photographed, with fascinating is a stupidly vulgar take-off on the most subject matter. Produced by a noted natura- sophisticated type of war play, and features list it shows the interesting flora, fauna, in- baby actors. The association of children with sects, and reptiles found in Death Valley, cheap innuendoes is extremely revolting. California, and is a picture which cannot Adolescents, to 16 Children, 8 to 12 fail to arouse enthusiastic approval from 12 Impossible Impossible all audiences (of all ages). t MOTION PICTURE REVIEWS

THE WOMEN’S UNIVERSITY CLUB LOS ANGELES, CALIFORNIA

OCTOBER 1932 THE WOMEN’S UNIVERSITY CLUB Los Angeles Branch American Association of University Women 943 SOUTH HOOVER STREET Telephone DRexel 2177 COPYRIGHT NINETEEN THIRTY. TWO WOMENS UNIVERSITY CLUB

WEBBCRAFT PRINTERS. I85t ARLINGTON AVE LOS ANOEl.ES Motion Picture Reviews Three

MOTION • PICTURE • REVIEWS

Published monthly by THE WOMEN’S UNIVERSITY CLUB LOS ANGELES BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN

Mrs. Chester Ommaney, Preview Chairman Mrs. Madison J. Keeney, Bus. Manager Mrs. George Bauer, Assistant Mrs. Bruce A. Findlay, Asst. Business Manager Mrs. John Vruwink - Co-Chairmen - Mrs. Palmer Cook EDITORS

Mrs. J. Allen Davis Mrs. Palmer Cook Mrs. Arthur Jones Mrs. F. II. Partridge Mrs. John Vruwink Mrs. Walter Van Dyke Mrs. Margaret Argo Address all communications to The Women's University Club, 943 South Hoover St., Los Angeles, Calif. 10c Per Copy - - $1.00 Per Year

Vol. Ill OCTOBER, 1932 No. 10

FEATURE FILMS

AIR MAIL » » THE BIG BROADCAST » » Ralph Bellamy, Slim Summerville, Pat Stuart Erwin, Leila Hyams, Sharon Lynn. Di- O’Brien, Russell Hopton, Leslie Fenton, Lil- rection by Frank Tuttle. Paramount-Publix. lian Bond, Gloria Stuart. Direction by John Anyone who is conversant with the per- Ford. Universal. (Seen at theatre preview sonalities of radio stars will find this picture and subject to change.) particularly entertaining, for it affords an op- Tremendously exciting, showing the terrific portunity to come face to face with a dozen dangers of the air mail service and the dar- favorites performing in a most amusing coming chances with the elements taken by the edy of life behind the microphone. To that pilots to keep to the mail schedule, this picture rare person to whom the cast are strangers it has too many thrills for the nervously in- offers a wholesome story, hilarious fun, and clined. The interest is entirely centered on pleasing music. the dramatic flying, frightful accidents and Adolescents, 12 to 16 Children, 8 to 12 heroic rescues of brave pilots. The direction Good Good is splendid for this type of story and the men TT in the cast are admirable. Adolescents, 12 to 16 Children, 8 to 12 BLONDIE OF THE FOLLIES » * Very exciting Too terrifying Marion Davies, Robert Montgomery, Billie v Dove. M-G-M. ALL AMERICAN » » Two little working girls achieve the “Follies,” Fifth Richard Arlen, John Darrow, James Gleason. apartments on Ave., and “patrons.” insure Direction by Russell Mack. Universal. To sympathy with our heroine her patron seems to be away duck A pertinent comment on the American cus- shooting most of the time, thus giving greater tom of idolizing athletes, this cleverly paints assurance of her morals. But her friend’s the football picture of a star who progresses Prince Charming falls in love with Blondie into the business world with his “All Ameri- and green-eyed jealousy drives the jilted girl can” halo as his chief qualification for suc- to revenge. Then we find our injured hero- cess. He has a bad time but his makes own ine again in her mother’s simple flat to our adjustment and protects his younger brother bewilderment, and the bitterness of the from a similar awakening. It has a sound family, be it said, who loved “daughter’s plot and good comedy, and for lovers of social position.” At last Prince Charming football, vastly entertaining shots of the game offers her a wedding ring with her next including famous coaches and players from apartment. It’s pretty bad from any point many teams of the country. of view—ethical or artistic. Adolescents, 12 to 16 Children, 8 to 12 Adolescents, 12 to 16 Children, 8 to 12 Good Too mature No No Four Motion Picture Reviews

BREACH OF PROMISE » » help of a young engineer, holds on to his Chester Morris, Mae Clark, Mary Doran, property and successfully revenges himself on Theodore Von Eltz. Direction by Paul Stein. the thieves in spite of the perfidy of his son. Educational Pictures, Inc. His ward supplies the romantic interest. Ade- quate direction and acting and interesting des- There is nothing to recommend this dreary ert and mountain scenery make this simple melodrama to anyone of any age. A young story of pioneer days entertaining for those girl, to escape her sordid surroundings, sues who enjoy the type. an innocent man and wins a $50,000 breach Adolescents, 12 to 16 Children, 8 to 12 of promise suit. Of course she repents and Good Yes confesses, but the whole depressing attempt is not worth the effort of production! Adolescents, 12 to 16 Children, 8 to 12 HOUSE OF DEATH » Unwholesome No N. P. Kemelev, N. A. Podcorny, N. M. Vi- toiv. Direction by V. F. Fedorer. Produced EMIL UND DIE DETEKTIVE in Russia by Mejrobpom film. Presented by (EMIL AND THE DETECTIVE) » » Amkino. (Russian dialogue but English titles superimposed.) Fritz Rasp, Kathe Haack. Direction by Ger- hard Lamprecht. U. F. A. (All German dia- The film dramatizes the spiritual struggles logue.) of Dostogevski—his life's history and his final

This is Germany’s first contribution to juv- acceptance as a prophet in his own country. enile audiences, and it will appeal equally It is tremendously interesting in treatment, to American children because of its plot and stressing mood and atmosphere—rather than the fact that the action is clearly understand- action, building effects photographically and able in spite of the German dialogue. An by means of music. Undoubtedly propoganda imaginative boy, who loves to play detective, for the Soviet, it is too depressing in theme is entrusted with a sum of money for his and treatment to appeal generally to an grandmother. En route he is robbed, and he American public. enlists the aid of a gang of Berlin children Adolescents, 12 to 16 Children, 8 to 12 to track down the thief, who proves to be a No No long sought criminal. The clever photography, naturalness of the children, and un- » » usually interesting background combine to THE KING MURDER make a very entertaining picture which chil- Conway Tearle, Natalie Moorhead, Marceline dren will enthusiastically approve. Day. Direction by Richard Thorpe. Chester- Adolescents, 12 to 16 Children, 8 to 12 field Production. (Seen in preview and sub- Cood Good ject to change.) -v A murder mystery in which the plot is con- THE COLDEN WEST » » cerned with the mystery rather than the de- George O’Brien, Janet Chandler. Adapted tails of the killing. No scenes of violence are from Zane Grey's novel. Direction by David shown and yet the mystery loses none of its Howard. Fox. interest. The revelation of the murderer comes as a clever surprise and is not obvious Adequate comment in the technique of this at anv time. To Conway Tearle goes the picture is handicapped by the fact that, glory of the solution as well as the laurels for through an error, one reel missing at was the a good performance. Mr. Tearle is well sup- preview. It is a Western, opening in the ro- ported and for those who enjoy this type of mantic South, where a feud between two story the suspense will be sufficiently enter- families prevents the marriage of the young taining. people. Next find their descendants we simi- Adolescents, 12 to 16 Children, 8 to 12 larly attracted and their romance meets all Interesting Too mature the stirring obstacles consistent with the advance of a railroad through hostile frontier country. It has perhaps greater interest for KLONDIKE » » children than for adults. Lyle Talbot, Thelma Todd, Captain Frank Adolescents, 12 to 16 Children, 8 to 12 Hawks, H. B. Walthall. Direction by Phil Fair Fair Rosen. Monogram. xr A doctor fails in a difficult operation, and in HERITAGE OF THE DESERT » » order to escape disgrace flies to Alaska, where J. Farrell McDonald, David Landau, Sally he finds the opportunity to rebuild his life. Blane. From the novel by Zane Grey. Direc- This problem play, melodramatic in tone, tion by Henry Hathaway. Paramount-Publix. seems to be lacking in sincerity, possibly be- A stereotyped and unsophisticated Western cause Lyle Talbot, who takes the principal tale of an old homesteader who, with the part, does not coincide with our preconceived Motion Picture Reviews Five

ideas of surgeon. As a whole the acting is actually capable of humor and understand- disappointing, except for the modest role of ing. Captain Hawks, which is ably performed by Adolescents, 12 to 16 Children, 8 to 12 the flier himself. At times the movement is Good Very good deliberate, and again it is jerky; the produc- v tion in its entirety does not merit any en- GARDEN » » thusiasm. MADISON SQUARE William Collier, Jack Oakie, Warren Hymer, Adolescents, 12 to 16 Children, 8 to 12 Thomas Meighan. Direction by Harry Joe No Unsuitable v Brown. Paramount-Publix. No doubt this picture will appeal particu- THE LAST MILE » » larly to those who are interested in prize Preston S. Foster, Howard Phillips, George fights and in the men who have been head- Stone, Noel Madison. Direction by Sam liners in the sport world of Madison Square Bishoff. World Wide Production. Garden. It is a clean picture, the story of a Except for a few explanatory shots, the square sportsman confronting the crookedness scene of “The Last Mile” is the death house of racketeering in the management of fights of a prison. It is the development of an inci- and pugilists. William Collier as Doc JVil- dent and has no plot other than the slim liams gives a sympathetic portrayal of the thread of events leading to the conviction on honest, good hearted and loyal manager who circumstantial evidence of an innocent young won’t be bought to betray his “boys.” The man. It is a powerful drama of fear and hate sets of Madison Square Garden, the really and futility, with its strongest note the smold- exciting fight and the introduction on the ering hate of Killer Mears for the death house screen of many well known managers and guard. The introduction of the outside scenes fighters give realism to the production. somewhat weakens the picture in comparison Adolescents, 12 to 16 Children, 8 to 12 with the stage production, but nevertheless it No interest is very fine and beautifully acted, although almost unbearably tragic and depressing. MAGIC NIGHT » » Adolescents, 12 to 16 Children, 8 to 12 Jack Buchanan, Anna Neogle. Herbert Wil- No Absolutely not cox Production. British Dominion Pictures. United Artists. » » LIEBE 1ST LIE8E (LOVE IS LOVE) A sentimental little story telling of a ro- Kalthe M. Nagy, Haus Albers. Direction by mance between an Austrian officer in the Paul Martin. Supervision by Eric Pommer. World War and a pretty little flower girl U. F. A. (All German dialogue.) in Vienna. It is musical and lightly entertaining. This German dialogue operetta is very en- Adolescents, to tertaining even to an English speaking audi- 12 16 Children, 8 to 12 ence, for the direction and pantomime make Harmless No interest the action and humor perfectly clear. It is an amusing comedy, Continental in treatment MOVIE CRAZY » » and full of absurdities. It tells the story of an impecunious youth who, through methods Harold Lloyd, Constance Cummings, Louise Closser Hale. Direction by Clyde Bruck- acceptable only in farce, wins the wealthy man. Artists. lady of his choice. United Adolescents, 12 to 16 Children, 8 to 12 Don’t miss this delicious comedy—original, Passable Mature clean in every detail, different, and in spite •w of all its slap stick, holding a real interest in a sincere little love story. The background LITTLE ORPHAN ANNIE » » of a movie studio is very intriguing and Mitzie Green, Buster Phelps, Robson. May entertaining. We feel certain in recommend- Based on comic strip by Harold Gray. Direc- ing this for fans of any age. tion by John Robertson. R-K-O. Adolescents, 12 to 16 Children, 8 to 12 An amusing little tale sprinkled with Good Good pathos, of two attractive youngsters who •w win one’s sympathy, and of a crochety but PACK UP YOUR TROUBLES » » lovable old lady who finally befriends them Laurel and Hardy, Paulette Goddard, Donald both. Children will adore the story and especially the michievious (though harmless) Diloway. Direction by Ray McCarey and George Marshall. M-G-M. adventures of the small orphans. An interesting commentary may be added that for The whole family will enjoy the antics of once social workers are shown in a favor- Laurel and Hardy as reluctant World War able light on the screen—as kindly persons recruits and then as anxious foster parents Six Motion Picture Reviews

of their dead comrade’s child. It's an enter- given the comedy part which she plays with taining farcical comedy, yet the unexpected consistent ease. Clark Gable is sufficiently bits of pathos give it depth and a charm that convincing in the personification of carnal is altogether delightful. man, and Mary Astor contributes the kind Adolescents, 12 to 16 Children, 8 to 12 of beauty that can survive even tropical Excellent Good storms. yr Adolescents, 12 to 16 Children, 8 to 12 Very unsuitable No PAYMENT DEFERRED » » Charles Laughton, Dorothy Peterson, Maureen O'Sullivan, Veree Teasdale, Neil SIX HOURS TO LIVE » » Hamilton. From play by Jeffrey Dell, Warner Baxter, Miriam Jordan, John Boles, adapted by Ernest Vajda. Direction Lothar Ceorge Marion, Sr. Adapted story Mendes. M-G-M. from the “Auf Wiedersehen” by Cordon Morris. Di- This is an amazing picture of the disin- rection by William Dieterle. Fox. tegrating effect of fear and of final retri- In making this picture the producers have bution being visited upon a murderer after attempted something so unusual and so diffi- a respite of years. It is grim tragedy, an cult that complete success is hardly possible. approach to the classical form which has for Its very title compels one to thoughtful con- its purpose “purging the mind with pity and sideration of the meaning intended. An in- fear.” It is a beautiful production, smooth spirational treatment of a fanciful idea, it in direction, excellent in dialogue, and dis- portrays the interval between apparent death tinguished by perfect casting. and the final passing of a man who is resusci- Adolescents, 12 to 16 Children, 8 to 12 tated and six live. It is No No given hours to in- yr tensely interesting, but fails to be universally convincing both because the plot relies upon THE PHANTOM PRESIDENT » » the use of an improbable pseudo scientific in- George M. Cohan, Claudette Colbert, Jimmy vention, and because the emotional appeal is Durante. Direction by Norman Taurog. dependent upon the individual spectator’s in- Paramount-Publix. terpretation of the abstract theories presented. Adolescents, 12 to 16 Children, 8 to 12 Jimmy Durante and George M. Cohan (the Mature No latter in a double characterization) make a nonsensical trio who rollick their way through this most exhilirating satire on SMILIN’ THROUGH » » modern American politics. Musical comedy Norma Shearer, Frederic March, Leslie How- effects adroitly used, witty jibes at the weak- ard, O. P. Heggie. From play by Jane Cowl nesses in our democracy and an ingenious and Jane Murfin. Direction by Sidney plot make this picture one to be highly Franklin. M-C-M. recommended as excellent diversion for all audiences. The greatest charm of this sentimental ro- Adolescents, 12 to 16 Children, 8 to 12 mance on the screen is the very evident sin- Excellent Entertaining cerity of the production. Exquisite settings, satisfying casting and the spiritual appeal of the charming love story combine to create RED DUST » » something rare and beautiful. Jean Harlow, Clark Cable, Mary Astor, Adolescents, 12 to 16 Children, 8 to 12 Tully Marshall. Direction by Victor Flem- Excellent Probably little interest ing. M-G-M. v This is a picture which seems temporarily THIRTEEN WOMEN » » interesting but which is rather cheap in re- Ricardo Cortez, Irene Dunne, Myrna Loy, trospect. Into the wildnerness of a rubber Kay Johnson, Florence Eldridge. plantation where the only white men are Direction by C. Archainbaud. R-K-O. the planter, his foreman and engineers, come two women of opposite types, a prostitute This is the tragic story of a half-caste and the ultra civilized wife of the new en- girl. Her sworn revenge on the twelve gineer. The atmosphere, already over- school girls who barred her from their charged by monotony, grows increasingly society, and its subsequent working out make electric and the veneer of civilization wears an unusual theme extremely well handled very thin indeed. Crude vulgarities in by director and actors. Tragedy comes to dialogue, scenes, and action are possibly in each one of the twelve girls through means keeping with the milieu, but many suggestive of hypnosis and suggestion used by the half- details are both unnecessary and inartistic. caste against them. It is gripping entertain- To Jean Harlow, cast as the prostitute, is ment for adults interested in the psychologi- Motion Picture Reviews Seven

» » cal significance of suggestion. It is not to be TROUBLE IN PARADISE recommended for the nervous or easily de- Herbert Marshall, Miriam Hopkins, Kay pressed. Francis, Charles Ruggles, Edward Everett Children, 8 to 12 Adolescents, 12 to 16 Horton, Audrey Smith. Direction by Ernest No By no means Lubitsch. Paramount Publix. "V An international thief loses his heart and » » THOSE WE LOVE his money to a charming and clever pick- Mary Astor, Kenneth McKenna, Lilyan Tash- pocket. He becomes temporarily interested man. World Wide Production. Direction by in a lovely lady, but she finally accepts her Robert Florey. Educational. defeat gracefully. Without the arresting its presentation the story The age old problem of a husband who technique of would light feels himself neglected and succumbs to the be nothing, but the unique use of and shade, musics, photographic tricks, and pan- temptress, is presented by a capable cast. It tomime embellish the production, and comedy is simply told and might deserve passing commendation except for the questionable taste overbalances the sophistication until we have of discussing the infidelity before a very a fresh, amusing and rather glamorous farce young son, in spite of the ultimate reconcilia- suitable for adult appreciation. tion. Adolescents, 12 to 16 Children, 8 to 12 Adolescents, 12 to 16 Children, 8 to 12 No No No No

WAR CORRESPONDENT » » TIGER SHARK » » Jack Holt, Ralph Craves, Lila Lee. Direction Edward C. Robinson, Zita Johann, Richard by Columbia. Arlen. Author: Houston Branch. Direction by Howard Hawks. Warner Bros. Jack Holt as a soldier of fortune joins the National Army of China. Graves is there as “Tiger Shark” tells the human, tragic story an American war correspondent. Neither is of the romance of “Mike,” a picturesque Por- shown in an admirable light, so that one is tuguese fisherman, uncouth, lovable and kind not much interested in their rivalry over a until crazed by the loss of the woman he girl of questionable character. Violence and loves. Robinson is remarkable in his por- excitement, and some excellent photography trayal, and Zita Johann’s unique loveliness of stirring aerial warfare, add little to a trite and personality rpake a strong appeal. The and unpleasant story. story is brutal, not only in the bitter theme, Adolescents, 12 to 16 Children, 8 to 12 but in the scenes of mutilation and death in Hardly No the attacks of sharks. But the theme is original and the background of tuna fishing has tremendous interest. It is probably best de- scribed as a man’s picture, virile, thrilling, WILD GIRL » » unsentimental, and the treatment makes it passable for older young people. Joan Bennett, Charles Farrell. From the story "Salomy Bret Harte. Direc- Adolescents, 12 to 16 Children, 8 to 12 Jane” by Depends on children Too exciting tion by Raoul Walsh. Fox. •v A picture to be viewed as pure fiction, and as such it can be thoroughly enjoyed. It de- TOO BUSY TO WORK » » picts life in the stage coach days, when justice Will Rogers, Marion Nixon, Frederic Bur- was meted out to bandits and murderers in ton, Dick Powell. From a story by Ben short order. There are beautiful scenes among Ames Williams. Direction by John Bly- the Big stone. Fox. Trees as a background for swift action; it is skillfully directed throughout and The best all-round picture that Will the dialogue adds humor and interest. Those Rogers has made. The story, sentimental but acustomed to Joan Bennett in more civilized pleasant, is a delight, and “Jubilo’s” kindly, surroundings may doubt her complete transi- witty philosophy warms the heart. He is a tion to frontier simplicity, but her drifting tramp, a returned war veteran who delicate beauty and charm tries to locate a family which has long since are inescapable. Eugene Pallette is passed out of his life. The sincere presen- outstanding, and the minor parts tation of the character, the deliciously funny are unusually well taken. Too vivid portrayal situations and natural and amusing dialogue of hangings and killings makes it unsuitable combine to provide excellent entertainment. for children. Adolescents, 12 to 16 Children, 8 to 12 Adolescents, 12 to 16 Children, 8 to 12 Good Good, but little action Probably good Better not Eight Motion Picture Reviews

SHORT SUBJECTS

FLOWERS AND TREES » » Minnie from an Arabian Sheik will delight A Silly Symphony in color. Produced by the family. Walter Disney. United Artists. v » » An exquisite symphony of color, sound and WINGS OVER THE ANDES rhythmic action. A fairy tale of trees and Three reels. Directed and photographed by flowers. Delightful for any audience. members of the Shippee-Johnson Expedition.

A splendid travelogue taking one by air- MICKEY IN ARABIA » » plane into a remote country and among un- A Mickey Mouse Cartoon. Produced by Wal- known people; an adventure no one will care ter Disney. Columbia. to miss. Educational and fascinating enter- Mickey in an Oriental setting rescuing tainment.

Principal Distributing Corporation

CHICAGO » » SAN FRANCISCO » » series. One One of “Great American Cities” One of “Great American Cities” series. One reel. reel. A flight over the city, showing the sky line, Entertaining views of Civic Center, China- the loop, University of Chicago, stock yards, town, Golden Gate, University of California, new Fair site and other points of interest. etc. Interesting but not comprehensive. Interesting. w

» » DANGERS OF THE ARCTIC WALPI » » Three and one-half reels photographed by A short subject of India. One reel. Earl Rossman. A very interesting selection of scenes por- Ceremonial dances and song of the Hopi traying Eskimo life. Educational as well as Indians on the Painted Desert. Color adds entertaining. beauty to this excellent subject. )

I MOTION PICTURE REVIEWS

THE WOMEN S UNIVERSITY CLUB LOS ANGELES, CALIFORNIA

NOVEMBER 1932 THE WOMEN’S UNIVERSITY CLUB Los Angeles Branch American Association of University Women 943 SOUTH HOOVER STREET Telephone DRexel 2177 COPYRIGHT NINETEEN THIRTY-TWO WOMENS UNIVERSITY CLUB

WEBBCRAFT PRINTERS, 1881 ARLINGTON AVE., LOS ANGELES ;

Motion Picture Reviews Three

FEATURE FILMS 4

CABIN IN THE COTTON » » one of selfishness and triviality, with a de- Richard Barthelmess, Bette Davis, Dorothy pressing background of the collapse of the stock market. find Jordan. Direction by Michael Curtis. First We no grounds upon which to commend this production. National. Adolescents, 1 2 to 1 6 Children, 8 to 12 Distinguished by beautiful photography, Unsuitable No and the luxurious setting of the fertile south- •W ern cotton country, the problem of poor white » » tenants and overbearing ignorant planters, is EVENINGS FOR SALE unfolded slowly and without inspiration. It Herbert Marshall, Mary Boland, Sari Marit- does not pretend to champion either side, and za. From story by I. A. R. Wylie. Direction is depressing in its presentation of the story by Stuart Walker. Paramount Publix. dreary conditions. Barthelmess is not in his best role as the school boy, the planter’s pro- The theme presents a phase of life in which tege, divided in his loyalty between his people the breaking of home ties creates a release from standard conventions. and his benefactor. Bette Davis is excellent, A wealthy Amer- and Dorothy Jordan convincing. To appre- ican widow goes to Vienna in search of love’s ciate the theme some understanding of the “swan song”—a last grasp at romance—and the guilelessness of the problem is needed, which limits its interest to lady and her final recognition of latent values are It adults who will find it fair entertainment. amusing. is sophisticated farce deftly treated, Adolescents, 12 to 16 Children, 8 to 12 and the result is Too mature and sad No fresh, light and pleasant entertainment, but not particularly exceptional. Adolescents, 12 to 16 Children, 8 to 12 THE CRASH » » Objectionable Too mature Ruth Chatterton, Ceorge Brent. Direction •w by William Dieterle. Taken from the play, HE LEARNED ABOUT WOMEN » » “Children of Pleasure,” by Larry Baretto. Stuart Erwin, Alison Skipworth, Susan Flem- Warner Bros. ing. Directed by Lloyd Corrigan. Para- mount Publix. Like several recent pictures in which Miss Chatterton has starred, “The Crash” is thor- This is an uncommonly diverting and gay oughly disappointing. The plot is illogical little comedy, well conceived, well directed the shallow heroine flits from one man to an- and well acted. The story revolves around a other and back again with perfect composure young man who inherits an enormous fortune, and smug self-satisfaction the ; atmosphere is and upon advice of counsel, steps out from 2

Four Motion Picture Reviews his previous bookish existence to learn about cast. It is particularly unique and interesting life and love. The course of his education because of this variation in technique and furnishes good fun, refreshingly natural dia- the theme, in recognizing the frail ideals of logue and much laughter for all the rest of mankind, is rather biting satire but thoroughly human. It is in us. The direction, cast and story are delight- uneven production as might be expected in so great a range in ful—only the title is unwarranted. 1 treatment. If all the sketches reached the Adolescents, 1 2 to 1 6 Children, 8 to Yes Yes perfection of two or three, it would have been a remarkable production. There are stories as clever as the best of O. Henry or HOT SATURDAY » * De Maupassant ironical, witty, perfect, with outstanding photography, acting and direc- Cary Grant. Nancy Carroll. Direction by tion. We recommend especially “The Ex- William Seiter. Paramount. plosion,” “The Forger” and “The China Shop.” is Almost as silly as its name, “Hot Saturday” The motivation of the plot splendidly conceived by Norman Taurog, and is the story of a small town girl who is ma- also the opening sequences of “The Old ligned by ill natured gossips, cast out by her family and her fiance, and rescued by a play Ladies’ Home.” The curtain is certainly a sop to “Pollyanna,” but the is vastly boy. She totters through blinding rainstorms whole and limps on high heels through the woods, entertaining and should have appeal for many audiences. even faints at the feet of her childhood sweet- Adolescent, 12 to 16 Children, 8 to 12 heart, but still she is misunderstood. Even if one admires Nancy Carroll’s soft prettiness Probably Good Too Mature and Cary Grant’s suave conceit, the picture is hard to accept. Adolescents, 12 to 16 Children, 8 to 12

Not recommended No I AM A FUGITIVE FROM » » •w THE CHAIN GANG Paul Muni. Direction by Mervyn Le Roy.

IF I HAD A MILLION Based on the book, “I am a Fugitive from a Based on story by Robert D. Andrews. Georgia Chain Cang,” purporting to be an Written for screen by: Claude Binyon, authentic biography. Warner Bros. Whitney Bolton, Malcolm Stuart Boyland, John Bright, Sidney Buchman, Lester Cole, Very definitely bitter propaganda against Isabel Dawn, Boyce DeGaw, Walter De- glaring injustices in the treatment of chain Leon, Oliver H. P. Garrett, Harvey Gates, gangs, this is a picture to make one’s blood Crover Jones, Ernst Lubitsch, Lawton run cold. Paul Muni gives an extraordinary Mackall, Joseph L. Mankiewicz, William performance in his tragic role and has excel- Slavens McNutt, Seton I. Miller, Tiffany lent support in the cast. The photography and Thayer. direction also are remarkably good, but the THE DIRECTORS: Ernest Lubitsch, Nor- insistence on the crusading intent of the pro- man Taurog, Stephen Roberts, Norman duction makes the whole an impassioned plea McLeod, James Cruze, William A. Seiter, for reform rather than entertainment. H. Bruce Humberstone. Adolescents, 12 to 16 Children, 8 to 12 CAST: Gallagher, Gary Cooper; Violet, No No Wynne Gibson; Eddie Jackson, George Raft; the Clerk, Chas. Laughton; John Clidden, Richard Bennett; Mulligan, Jack Oakie; Mary Wallace, Frances Dee; Henry THE KID FROM SPAIN » » Peabody, Charlie Ruggles; Emily, Alison Eddie Cantor, Lyda Roberti. Direction by Skipworth; Rollo, W. C. Fields; Mrs. Pea- Leo McCarey. Samuel Coldwyn Production. body, Mary Boland; O’Brien, Roscoe United Artists. Karns; Mrs. Walker, May Robson; John Wallace, Gene Raymond; Zeb, Lucien Admirers of “The Follies” will not be Littlefield. disappointed in this elaborate extravaganza: stunning girls, sophisticated costumes, catchy “If I Had a Million” is unusual in theme tunes, gorgeously rhythmic ensembles, and and treatment. It tells the story of a multi- a bull fight which is “immense.” Eddie millionaire who presents $1,000,000 to eight Cantor carries the show with his naughty different individuals unknown personally to but absurd humor. Too bad he is not on the him, and shows the reaction of each to the scene all the time. unexpected fortune. The episodes are by Adolescents, 12 to 16 Children, 8 to 12 different writers: they are presented by dif- Cood Passable ferent directors and each has its own star Motion Picture Reviews Five

MASK OF FU MANCHU » » is based on a belief in the magic power of three per- Boris Karloff, Lewis Stone, Karen Morley, a monkey’s paw which will grant sons three wishes each, although each will Myrna Loy. Direction by Charles Brabin. regret the wishes he made. The threat of M-C-M. this prophecy is fulfilled by gruesome trag-

Undoubtedly there is a contest going on edy, but the producer has weakened the among Hollywood producers as to who can whole by striving only for effects without make the most horrible and revolting pic- regard for story— or consistency. The result ture. So far the award goes to M.G.M. for is hodgepodge “neither fish nor fowl, nor “The Mask of Fu Manchu.” This picture is good red herring.” not only unpardonable ghastly but, by em- Adolescents, 12 to 16 Children, 8 to 12 phasizing cruelty and cunning, it gives an Absolutely not Absolutely not ignorant and offensive portrayal of Chinese life and character. THE PHANTOM OF CRESTWOOD » » Adolescents, 12 to 16 Children, 8 to 12 Karen Morley, H. B. Warner, Robert Mc- No No Wade. Direction by J. Walter Ruben. R-K-O.

This is a mystery tale which sets a stan- » » MEN ARE SUCH FOOLS dard above the average. It has a surpris- Vivienne Osborne, Leo Carrillo, Earle Foxe. ing list of good actors for one picture, and Direction by William Nigh. R-K-O. they move through a story which keeps one in high nerve tension. The old California Little excuse can be offered for this por- ranch setting, wild storms, mysterious music, trayal of a distasteful subject. An ungrate- and shadowy photographic work furnish an ful and immoral woman accepts the help of appropriate atmosphere. It will interest be- a man and is the cause of his imprisonment, cause of its well developed characters, har- once for beating her paramour and finally rowing suspense, and logical if somewhat for killing him. There is little to be said obvious solution. for the production either ethically or artistic- Adolescents, 12 to 16 Children, 8 to 12 ally. A very slight exaggeration would have Questionable ethics, very exciting No placed it definitely in the class of burlesque. Adolescents, 12 to 16 Children, 8 to 12 No No PROSPERITY » » yr Marie Dresslar, Polly Moran. Direction by MEN OF AMERICA » » Sam Wood. M-C-M. Chic Sale, William Boyd, Dorothy Wilson, Boisterous slapstick, but clean and whole- Ralph Ince. Direction by Ralph Ince. R-K-O. some nevertheless, this comedy may be Gangs are moving West! This time they recommended to all ages. The scene is any pick their locale in a peaceful little Califor- American small town today, turned hys- nia Valley. Machine guns sputter and a terical by the thoughtless act of a malicious full quota of murders is committed before person. Miss Dresslar, acting, president of this crowd of big city racketeers is brought the bank, carrying on the high principles of to justice by the town’s leading citizen, Chic her late husband, stems the theatrical run. Sale, and his vigilantes. It is possibly an It is kindly, human, thoroughly amusing, and attempt to reveal the rugged American encourages a laugh at the expense of “de- spirit to be found in a melting pot of Chi- pression.” nese, Indians and Americans. When the Adolescents, 12 to 16 Children, 8 to 12 peaceful life of Paradise Valley is threatened Good Good by gangster methods, its inhabitants rise and V crush the menace. But over emphasis of i * brutality spoils the picture for our taste. RACKETY RAX » : Adolescents, 12 to 16 Children, 8 to 12 Victor McLaglen, Greta Nissen, NelJ O'Day, Not recommended Absolutely not Arthur Pierson. Direction by, Alfred •w Werker. Fox. I » » THE MONKEY S PAW Victor McLaglen, a gangster, seeing his C. Aubrey Smith, Ivan Simpson, Louise Car- first football game and impressed by 'the ter. Adapted from the one-act play by W. gate receipts, decides to start a racket in the game. He buys a bankrupt college, W. Jacobs. Direction by Wesley Ruggles. puts his boys on the field and the fun begins. The R-K-O. humor is broad, and some of it is vulgar. An unusual and rather remarkable theme It reduces the gangster hero to absurdity'. has been ruined by its treatment. The story For those who like their9 burlesqued it ii Six Motion Picture Reviews

amusing. However, most people are suffi- logue is also part of the attraction. The ciently tired of gangster pictures to wish story tells of the final capture of that arch that some research be done and the results criminal, Moriarity, and will delight lovers presented on another phase of life as lived of detective tales. in these United States. Adolescents, 12 to 16 Children, 8 to 12 Adolescents, 12 to 16 Children, 8 to 12 Good Unsuitable No No •V ~w SILVER DOLLAR * » » » SCARLET DAWN Edward G. Robinson, Helen McMahon, Bebe Douglas Fairbanks, Jr., Nancy Carroll. Daniels. Direction by Alfred Greene. War- Adapted from novel Mary McCall. by Direc- ner Bros. tion by William Dieterle. Warner Bros. Starting at the time of the founding of Too bizarre photographic shots and overly Denver, Colorado, this story of pioneer days pictorial settings show a belabored effort to sketches the dramatic part played by the catch a fitting Russian atmosphere for a discovery of silver in the life of a fictitious story of an officer in the Czar’s guards and character, Yates Martin. Probably the model a peasant servant girl caught in the whirl for Yates Martin is Senator Tabor of Colo- of revolutions. The sincerity of the cast is rado since the incidents in the story conform apparent and the love story makes an appeal closely to known incidents in the life of to the heart in spite of the fact that the plot the senator, and on this account the picture is melodramatic and fantastic and the whole will have special interest for persons who uneven in its presentation. are acquainted with this period of political Adolescents, 12 to 16 Children, 8 to 12 and economic history. Standing on its own Overemphasis on sordid phases No merits as a screen drama, “Silver Dollar” is interesting, virile and particularly vivid in atmospheric details, but falls short in drama- SECRETS OF THE FRENCH POLICE » » tic value because Edward G. Robinson is in his role and because, Frank Morgan, Murray Kinnell, Gregory not quite convincing in an effort to explain the economic signifi- Ratoff, Gwili Andre. Direction by Edward cance of the deflation of silver, there is too Sutherland. Story by Ashton Wolfe. From much dialogue. An overemphasis on the series of articles appearing in the American vulgar extravagances of the newly rich one-sided pic- Weekly. R-K-O. politicians makes a somewhat ture of pioneer life. A vivid and grotesque picture involving a Adolescents, 12 to 16 Children, 8 to 12 to plot hypnotise a young Parisian flower girl Mature Very little interest she so that can impersonate the Grand •w Duchess Anastasia. The scene is the castle of the evil General Maloff, who has con- SPORT PARADE » » trived a strange method of murdering his Joel McCrea, William Cargan, Walter Cat- is enemies. This another of the horror lett, Marian Marsh. Direction by Dudley thrillers, and while it is developed in a Murphy. R-K-O. rather ingenious manner with the fascinating Gwili Andre as the heroine, it is not The only distinctive part in this picture is a film which can be recommended except to the uproarious satire on radio broadcasting those with a taste for the morbid in enter- done to a turn by Robert Benchley. Other- tainment. wise the plot is a rehash of the much worn

Adolescents, 12 to 16 Children, 8 to 12 theme of athletes - going professional and No Impossible then mixing in shady deals. It is reminiscent 'W of “All American” but is too confused in motives and action to be worth while. The SHERLOCK HOLMES » » cast is good. Clive Brook, Miriam Jordan, Ernest Torrence, Adolescents, 12 to 16 Children, 8 to 12 Better not No Reginald Owen. Direction by William K. sr Howard. Fox. » » To satisfy the vast following of Sherlock 20,000 YEARS IN SINC SING Tracy, Walter Hymer, Bette Davis. Holmes is an achievement. Clive Brook de- Spencer serves great credit for appearing so defin- Direction by Michael Curtiz. First National.

itely in character, and Mr. Howard, for Seen in theatre preview and subject to building sustained suspense throughout change. while adding the thrill of keen satire in this modernized version. Delightful dia- A dapper and very tough criminal is —

Motion Picture Reviews Seven brought to Sing Sing. His expectations of whose duty it is to supply information to a favored existence due to his political con- the police but who must work alone and, like nections are rudely broken when the warden a spy, without recognition from either fac- informs him that any favors he receives will tion. George Raft plays this part to per- have to be earned. His somewhat uneven fection, and skillfully makes the most of the career as a prisoner shows a development many dramatic moments of the plot. His in character which transcends the swanking quiet restraint gives significance to each bravado of his former self, and eventually slight gesture and carefully spoken line. leads him to make a brave and thoroughly Though we may deplore the predominance noble sacrifice. Spencer Tracy imparts to of screen plays dealing with criminals, this this characterization a gamin-like quality can be recommended to adults at least for which amuses almost as much his burlesque its dramatic suspense and quality of acting. of a prisoner in “The Big House.” With him Adolescents, 12 to 16 Children, 8 to 12 again is Warren Hymer, though in a less Not advised No conspicuous part. The theme is fast moving, v coherent and logically developed. SAID » » Adolescents, 12 to 16 Children, 8 to 12 YOU A MOUTHFUL Interesting Too mature Joe E. Brown, Ginger Rogers. Direction by v Lloyd Bacon. Warner Bros. UNDER COVER MAN » » The good natured Mr. Brown gulps and wallows his through George Raft, Nancy Carroll, Lew Cody. Di- way surf and seaweed to win a twenty-mile swimming race and a rection by James Flood. Paramount. Seen fiancee. This is absurd nonsense, too long in theatre preview and subject to change. drawn out perhaps, but delightfully cheerful. Adolescents, This is not a steoreotyped gangster picture. 12 to 16 Children, 8 to 12 The interest centers in an “under cover man” Yes Yes

FOREIGN FILMS

CITTA ENDECKT IHR HERZ » » ally and dramatically produced with fascin- (“CITTA DISCOVERS HER HEART”) ating Parisian and Florentine background to enhance the interest. The interpolated Eng- Citta Alpar, Gustav Froehlich. Direction by lish dialogue is execrable and takes from Carl Froehlich. Froehlich Film, Germany. the entertainment value. Adolescents, 12 to 16 Children, 8 to 12 A refreshing and charming operetta which If it entertains Harmless is recommended for lovers of light musical themes. It is a typical romance of this type love at first sight—misunderstanding—a final happy ending. The melodies are tuneful, ZWEI HERZEN UND EIN SCHLAC » » the cast adequate, and while an understand- (“TWO HEARTS THAT BEAT AS ONE”) ing of the German language aids greatly in following the action, it is not absolutely Lilian Harvey, Wolf Albach-Retty. Direc- essential to enjoyment of the film. tion by Wilhelm Thiele. U-F-A. Adolescents, 12 to 16 Children, 8 to 12 The story of this German Operetta con- Good objection No cerns a young married woman who is in- •w duced by her worldly aunt to seek adventure on the stage. The beauty and personality of THE THEFT OF MONA LISA » » the principals, the charming singing and dancing Willy Forst, Trude Von Molo. Direction by have real entertainment value but the dialogue in a foreign language may seem Ciza Von Bolvary. A Tobis Super Film Pro- lengthy to the average American audience. duction. Adolescents, 12 to 16 Children, 8 to 12 The plot is based on the true story of the Too sophisticated No theft of the famous painting and is artistic- Eight Motion Picture Reviews SHORT SUBJECTS

COCK EYED ANIMAL WORLD » » accompanying descriptive narrative of life Four reels. Carveth Wells Production. on a South Sea island. Contains much action, under water of Principal Distributing Corporation. (Running swimming and handling frail canoes in the heavy surf of a coral reef. time 34 minutes.) Recommended for the family. A trip from Sydney, Australia, along the sr and West coasts, with adventures into South PIANO TOONERS » » the interior. Very interesting and unusual A “Tom and Jerry Cartoon.” R-K-O- pictures of flora, fauna, natives, and the principle industries. Excellent entertainment. Pathe. 'W A bit of vulgarity mars this otherwise HOLLYWOOD, CITY OF CELLULOID » » original and amusing cartoon on unique methods of fixing piano keys. Adults. Two reels. Principal Distributing Corpora- v tion. » » Not very interesting sightseeing tour show- PARIS VAGABOND ADVENTURE ing Hollywood and the homes of movie stars. R-K-O-Pathe. Views of the French capital, evidently not IMPORTANCE OF SPOKEN ENGLISH » » recent, but interesting. The interpolated comments might be improved upon! Family. Electrical Research Products. -sr Excellent lesson in correct speaking. VENICE VAMP » » ISLES OF DESIRE » A “Tom and Jerry Cartoon." R-K-O- Three reels. Principal Distributing Corpora- Pathe. tion. Syncopated nonsense. Clever and very Beautifully photographed travelogue with funny traversy on grand opera. Family. Principal Distributing Corporations ing narrative dealing with the every day VIRGIN OF BALI » » life and customs of the natives of Bali. Very Three reels. Principal Distributing Corpora- well presented with lovely photography and sustained interest in the fortunes of one par- tion. ticular family. More interesting for adults A delightful travelogue with accompany- than for children. Walter Disney Productions—United Artists BUGS IN LOVE » » load of musical instruments up an African A Silly Symphony cartoon in color. river infested with crocodiles and “hippos.” Entertaining family picture. A most delectable Silly Symphony. The •w scene is in a dump-pile, where the bugs are * » making music on all sorts of discarded junk. THE WHOOPEE PARTY Very good family entertainment. Mickey Mouse Cartoon. •w Minnie plays the piano, while Mickey runs whole orchestra, and all the animal TRADER MICKEY » » the guests as well as the furniture, kitchen A Mickey Mouse Cartoon. utensils, and materials for the banquet, dance Mickey Mouse and his faithful hound merrily. Amusing for the whole family, emulate Trader Horn and convey a boat- though not one of the best cartoons. Four Zane Grey Travelogues—One Reel Each ON THE BLUE PACIFIC » » ISLAND OF LOVE »

The natural beauties of animal and veget- Life on Tahiti—a paradise of beauty. able life on an island off the coast of Mexico Family. are presented in delightful fashion. Excellent for all. PRIMITIVE » » A fascinating picture of a modern (Maori) Robinson Crusoe who emigrates to another SOUTHERN SEAS » » island with his wife and babies and starts A detailed and exceptional portrayal of a new home, having to produce every neces- life on the lonely islands of New Zealand. sity for the venture. Interesting to all —and Family. especially delightful for children. MOTION PICTURE REVIEWS

THE WOMEN'S UNIVERSITY CLUB LOS ANGELES, CALIFORNIA

DECEMBER 1932 THE WOMEN’S UNIVERSITY CLUB Los Angeles Branch American Association of University Women 943 SOUTH HOOVER STREET Telephone DRexel 2177 COPYRIGHT NINETEEN THIRTY-TWO WOMEN’S UNIVERSITY CLUB

l WEBBCRAFT PRINTERS . I3SI ARI INGTON AVE OS ANGEI ES Motion Picture Reviews Three

MOTION • PICTURE * REVIEWS

Published monthly by THE WOMEN’S UNIVERSITY CLUB LOS ANGELES BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN

Mrs. J. Allen Davis Mrs. Palmer Cook Mrs. Arthur Jones Mrs. F. H. Partridge Mrs. John Vruwink Mrs. Walter Van Dyke Mrs. Margaret Argo Address all communications to The Women’s University Club, 943 South Hoover St., Los Angeles, Calif. 10c Per Copy - - $1.00 Per Year

Vol. Ill DECEMBER, 1932 No. 12

FEATURE FILMS

* » CALL HER SAVAGE and because it attempts to prove the folly Clara Bow. Monroe Owsley, Gilbert Row. of economic despair. It is too long a pic- land. Direction by John Francis Dillon. Fox. ture, introducing so many episodes and crises that the dramatic effect is weakened. The is the Clara Bow heroine of what might cast inevitably leads to comparison with be called an old-fashioned melodrama. Given “Cimarron” but it fails to have the epic a mixture of White and Indian blood boiling significance of that film probably because in her veins she flames her way through one feels that this is more of a glorified situation to an experienced every known news reel than a human narrative. How- director: wild parties, marriage to a crazed ever, it is very sincere and Ann Harding’s playboy, poverty, death of her child, street personal charm (especially as the pioneer walking, finally rest in the arms of Mother woman) and Edna May Oliver’s flair for Nature and a faithful half-caste sweetheart. comedy make one remember the play in spite It is an unimportant, cheap portrayal, and of the distracting elements. a pathetic exploitation of Clara Bow’s very Adolescents, 12 to 16 Chldren, 8 to 12 apparent and much publicized charms. Mature Too brutally realistic in Adolescents, to Children, 12 16 8 to 12 several scenes. No No v THE CONQUERORS » » CYNARA » » Richard Dix, Anne Harding, Edna May Oli- Ronald Colman, Kay Francis, Phyllis Barry. ver, Cuy Kibbee. Direction by William Based on the stage play of the same name. Wellman. Story by Howard Estabrook. Direction by King Vidor. A Samuel Gold- R.K.O. wyn production. United Artists.

A cross section of an epoch, following par- “I have been faithful to thee Cynara in ticularly the changes which have occurred in my fashion.” This quotation is the motivat- the economic structure of our nation from ing stimulus for the problem of whether a 1873 to the present time. Three major de- woman can forgive a man who has been pressions are portrayed with their effects unfaithful to her but who nevertheless loves on various members of one family through her devotedly. The play is sincere, charm- three generations. It is chiefly interesting ing and sympathetic in its interpretation. because of the historical period covered and Without being clinical, Mr. Vidor has suc- the effort which has been made toward ceeded in presenting us with a graphic psy- authenticity in costumes and setting. It is chological study of three people whose in- stimulating because of the problems involved, stincts lead them into conflict with tradition Four Motion Picture Reviews

and social standards. Technically it is an MAEDCHEN IN UNIFORM » » harmonious welding of all the elements of Emilia Unda, Dorothea Weick, Hedwig the modern talking picture. The characteri- Schlichter, Herta Thiele, Ellen Schwannecke. zations are so well done as to warrant a Directed by Leontine Sagan. Artistic super- recommendation for acting merit to each member of the cast. Mr. Colman’s is especi- vision by Carl Frielich. Dialogue in Cer- ally noteworthy for its restraint and delicate man. English titles. shading. The picture has unusual interest This is a penetrating study of adolescent for an adult audience. psychology, direct and simple in presentation, Adolescents, 12 to 16 Children, 8 to 12 exquisitely natural in casting. Perhaps un- No No familiarity with the actresses creates a v greater illusion of reality for us in America, but we do not believe that we have ever seen » » FAITHLESS a picture in which personality is more sub- Tallulah Bankhead, Robert Montgomery. servient to the characters portrayed. Here Direction by Seymour. M.C.M. is perfection of art without exaggeration in acting, setting or story. It is suggested that A luxury-loving, selfish girl, losing her it depicts the decline of Prussian disciplinary ladder, touching money, descends the social educational methods. This we cannot know, every rung of humiliation and degradation. but it is an amazing picture of girls in board- wretched vehicle effectively conceals The ing school, of one particularly sensitive in- personal charms of the stars. any dividual, and of a just but understanding Adolescents, 12 to 16 Children, 8 to 12 woman. Whether the school be German or No No English, French or American, adolescent v problems seem much the same, and “Maed- chen in Uniform” brings us closer to them. FLESH » » Adolescents, 12 to 16 Children, 8 to 12 Wallace Beery, Karen Morley. Direction by Good but emotional Too mature John Ford. M.C.M. •w A simple hearted, kindly German waiter ME AND MY CAL » » who is also a wrestler in a beer garden be- Spencer Tracy, Joan Bennett. From the comes champion, and is brought to America story by Barry Conners and Philip Klein. where he is exploited by unscrupulous men and women. The director has created Direction by Raoul Walsh. Fox. very interesting and Continental atmosphere In spite of the good cast there is nothing in the earlier scenes in Germany, the people praiseworthy about this picture. It is a con- gives a sin- seem human, and Wallace Beery glomeration of gangsters, low comedy and cere and lovable portrayal of the credulous vulgar drinking scenes with a confused and amusing athlete. But under the high scenario. It tells the morbid story of a girl, pressure of life in America the plot acquires once enamoured of a gangster, who is black- a more melodramatic cast, professional sport mailed and terrorized by him when he is is again in a disreputable light, shown and released from prison. the resulting tragedy leaves us sad and dis- Adolescents, 12 to 16 Children, 8 to 12 illusioned. The picture is, however, better No No than its misleading title leads us to expect. ~w Adolescents, 12 to 16 Children, 8 to 12 Not recommended No THE PASSION PLAY » » w Filmed by Passion Players, Freiburg, Baden. (Silent film.) Release, the Passion Play » » THE HALF NAKED TRUTH Committee, 1576 West Washington Blvd., Lee Tracy, Lupe Velez, Eugene Pallette. Los Angeles, Calif. Direction by Gregory La Cava. R.K.O. Views of the Holy Land and a dramatiza- A trouper in a cheap carnival becomes a tion of the Passion Play as presented by the Follies’ star through the original and absurd German peasant players of Freiburg. It is publicity of her manager who then super- done with sincerity and reverence. Interest- sedes her by publicizing another girl in even ing and educational for the family. more outrageous “stunts.” Lee Tracy as the •w manager is noisy, reckless, daring, unmoral, PENQUIN POOL MURDER » * rather funny. It is very light entertainment, Edna May Oliver, Robert Armstrong, James not very elevating, but gives perhaps a well Gleason. From novel by Stuart Palmer. deserved dig at modern publicity methods. Adolescents, 12 to 16 Children, 8 to 12 Direction by Ceorge Archinbaud. R.K.O. Not recommended No The Aquarium in New York is the scene )

Motion Picture Reviews Five

of a mysterious murder which is solved by STRANGE JUSTICE » » persistence old school teacher, the of an maid Reginald Denny, Richard Bennett, Marian Edna May Oliver. The story is one of the Marsh, Norman Foster, Irving Pichel. Direc- best of its kind, original in idea, full of surprises, laughter, novel situations and tion by Victor Schertringer. R.K.O. thrills, and the speed with which things An exceedingly melodramatic story of an at times of happen reminds one “Seven Keys embezzling bank president who is black- to Baldpate.” James Gleason as a “dyed mailed by his villainous vice-president into in the wool” detective is the foil for Miss framing an innocent boy for his own faked Oliver’s dry humor. murder. Whatever interest the picture can Adolescents, 12 to 16 Children, 8 to 12 claim is due to good acting and the nerve Amusing Too mature wracking suspense of watching an innocent 'W victim almost brought to execution by a chain RENEGADES OF THE WEST * » of circumstantial evidence. Adolescents, 12 to 16 Children, 8 to 12 Tom Keene, Betty Fellows. Direction by No No Albert Shelby Levino. R.K.O.

Tom Keene, with his very likeable personality, is an ideal cowboy and deserves a better opportunity than he receives in this TESS OF THE STORM COUNTRY > » stereotyped melodrama of the Wild West. Janet Gaynor, Charles Farrell, Claude Cill- There is a good deal of fighting but it is too improbable to be really objectionable, ingwater. From story by Grace Miller and the lines are obvious. But it is hum- White. Direction by Alfred Santell. Fox. orous and full of action which will appeal The story is the romance of a sea captain’s to children. daughter living in a squatter settlement, and Adolescents, 12 to 16 Children, 8 to 12 the son of a rich and tyrannical land-owner. Fair Exciting It is old fashioned, pleasantly sentimental yr melodrama with a measure of pathos, and ROCKABYE » * a dash of comedy supplied by a very divert- Constance Bennett, Paul Lucas, Joel Mc- ing monkey. The Gaynor-Farrell whole- Crea, Jobyna Howland. Direction by George someness is maintained in this little tale of the “rough and stony path of true love” with Cukor. R.K.O. its happy ending. A lachrymose and sentimental tale of an Adolescents, 12 to 16 Children, 8 to 12 actress whose reputation (past and present) Good A little mature prevents the satisfaction of her maternal in- stincts by adopting a baby. The story is curiously hectic, resorting to slapstick of the pie vintage and a continuously custard THREE ON A MATCH » » drunken woman as comedy relief. One is quite unimpressed by the heroine’s “noble Joan Blondell, Bette Davis, Ann Dvorak, gesture” of renunciation in the face of defeat. Warren William. Direction by Mervyn Le

Adolescents, 12 to 16 Children, 8 to 12 Roy. First National. By no means No •w Pare Lorenz in “Vanity Fair” magazine suggests calling certain pictures “toughies.” » » A STRANGE ADVENTURE “Toughies” he says are lively and dramatic Regis Toomey, June Clyde, Jason Robards. and deal with contemporary life in “no minc- Direction by Phil Whitman. Allied Pro- ing manner,” but they contain no good writ- ing and have little value artistically. “Three ductions. (Seen in Preview, subject to on a Match” seems to belong in this category. change. It is a story of three young women who have A murder mystery with all the accompany- been little girl chums at school. Meeting ing “scares,” the only innovation being that accidentally they lunch together and light the audience is very much present at the their three cigarettes on one match. Hence murder yet does not see how it happens until the rather obscure title. The plot thereafter it is later diagramed and shown from an- is developed by following the fortunes of the other angle by the camera. There is the three through various vicissitudes and the atmosphere of a mystery thriller, but the plot utter degradation and final suicide of one. is melodramatic and far fetched and serves The acting and direction are better than the to provide only a quota of spinal chills. story. Adolescents, 12 to 16 Children, 8 to 12 Adolescents, 12 to 16 Children, 8 to 12 Doubtful No No No Six Motion Picture Reviews

» » TRAILING THE KILLER secondary to the sincere effort of the play to Caesar the wolf dog, Francis McDonald, show the menace of gigantic boss manipula- dog owner. Direction by Herman C. Ray- tion of government, and the crime of indifference on the part of the voting make. World-Wide-Zeidman. Educational public. It is entertaining and thought provoking. (It Pictures, Inc. is not a dramatization of the book with same A simple story of herding and trapping title.) with a wolf-dog as the hero. Caesar is Adolescents, 12 to 16 Children, 8 to 12 falsely accused of killing sheep and accom- Interesting Mature plishes his own vindication. He is an admirable actor and with his mate and puppies will undoubtedly win his audiences (especially the juniors). WILD HORSE MESA » » Adolescents, 12 to 16 Children, 8 to 12 Randolph Scott, Sally Blane, Lucile La Interesting Good Verne, Fred Kohler. From story by Zane v Grey. Direction by Henry Hathaway. Para- mount Publix. WASHINGTON MERRY GO ROUND » » Lee Tracy, Constance Cummings. Direction Western melodrama with a new twist to the plot, superb scenery and a competent by James Cruze. Columbia. cast to recommend it. The action is swift, A glimpse of national politics for the un- retribution certain and the lovers are left initiated in which Lee Tracy is a newly to “live happy ever after.” elected congressman who exposes and cleans Adolescents, 12 to 16 Children, 8 to 12 up a powerful political ring. The thread Entertaining Good of romance running through the story is FOREiCN FILMS

LIEBESWALZER » » MAGIC NIGHT » » (LOVE WALTZ) Jack Buchanan, Anna Neagle. Direction by

Lilian Harvey, Willy Fritsch, Ceorg Alex- Herbert Wilcox. British and Dominion Film ander. Direction by Wilhelm Thiele. U.F.A. Corp., Ltd. English dialogue. United Artist

The plot of this German musical comedy release. is pleasantly entertaining; the cast, delight- A light, romantic operetta with Viennese ful; and the music, tuneful. The heroine is characters and setting, tells the story of a princess who falls in love with the wrong lovers parted by the sudden doom of the person, in this case a rich young American, Great War, and of their reunion years later. and the audience has the opportunity to ob- British direction, and Cockney humor lessen serve royalty in the light-hearted pursuit of the illusion of Vienna of the period and while diversion. the musical score is alluring, the whole is Adolescents, 12 to 16 Children, 8 to 12 disappointing. Harmless No interest Adolescents, 12 to 16 Children, 8 to 12 Passable; not recommended No

ZWEI HERTZEN AUF DRE! LUISE, KOENIGEN VON PREUSSEN » » » » (LOUISE, QUEEN OF PRUSSIA) VIERTAL TAKT (TWO HEARTS IN WALTZ TIME) Henny Porten. From novel “Luise” by Wal- Walter Janneson, Willy Forst, Oscar Katl- ter von Mold. Directed by Carl Froelich. weiss, Irene Eisenger, Gretl Theimer. Direc-

Associated Cinemas. (Titles in English.) tion by Geza von Bolvary. Lichtspiel Pro- ductions (in Cerman). A beautifully produced historical film giving episodes in the life of Queen Louise of Delightfully romantic comedy based on Prussia during the Napoleonic era. It car- the idea that musicians must be inspired to ries a plea for the futility of war. achieve their best. It combines beautiful Adolescents, 12 to 16 Children, 8 to 12 music, delicious humor, and an interesting and unusual plot. It is well worth seeing. rather tedious Cood Good but Adolescents, 12 to 16 Children, 8 to 12 because of German dialogue Good Good Motion Picture Reviews Seven SHORT SUBJECTS

FLAME OF THE PACIFIC » * SANTA’S WORKSHOP » » Three reels. Producer and Director, Elmer Silly Symphony in color. Walt Disney Pro-

Clifton. Beverly Hills Exchanges. duction. United Artists. A fantasy of the South Seas, based on the “Santa’s Workshop” deserves to be placed legend of appeasing the wrath of the spirit in the category with “Peter Pan”—something of Pelee through human sacrifice. Good that every child should see at Christmas. photography and interesting details of native It is the personification of the jolliest Santa life and customs. Family. Claus any child ever imagined, and a record of rollicking Brownies who hammer and chisel at as fascinating a bundle of toys as ever were loaded into a reindeer sleigh. HOW TO FLY » » Supervisor, Jack Nelson. Air Epics, Inc. w

An interesting lesson in flying, demon- TERRORS OF THE AMAZON » » strating the plane and its use. Family. Three reels. Producer and Director, Elmer

JClifton. Beverly Hills Exchanges. Well chosen episodes depicting native KING NEPTUNE » » family life on the Amazon—its pleasures and Interesting educational. Family. Silly Symphony in color. Walt Disney. dangers. and •w United Artists.

Neptune sends all the creatures of the sea TRAPPING KENTUCKY to rescue a mermaid captured by pirates. MOONSHINERS » » Beautiful color effects, and good music com- Two reels. Supervisor, Jack Nelson. Borden bine to create an exquisite cartoon. Family. Picture Co.

An interesting picture of the sparsely set- tled hills of Kentucky, the Cannel coal mines, KLONDIKE KID » » and a raid of “revenuers” on a hidden still. Mickey Mouse Cartoon. Walt Disney. Family.

United Artists. yr * » Mickey rescues Minnie from a bandit in TOUCHDOWN the Klondike gold rush. It has more plot Mickey Mouse Cartoon. Walt Disney. than usual, but is not in as good taste as we United Artists. expect from these cartoons. Adults. Burlesque on football. Entertaining for all. w

MICKEY’S REVIEW » » A HOLIDAY SUGGESTION Mickey Mouse Cartoon. Walt Disney. “Mr. Robinson Crusoe” has at last reached United Artists. Southern California. What better vacation treat could a family desire than to be trans- Mickey leads the orchestra; Minnie dances with a chorus of strange animals. Ingenious ported by Douglas Fairbanks into this land and amusing for all. of gay and fanciful romance? Eight Motion Picture Reviews

INDEX JULY TO DECEMBER, 1932

FEATURE FILMS ) A Jewell Robbery - _ August Jungle Mystery, The “ • August Age of Consent, The _ . August K Air Mail - . _ October All American _ _ October Kid From Spain, The November American Madness - . _ July King Murder, The . _ October A Nous La Liberte . _ _ July Klondike - - - October Attorney for the Defense " - July L B Lady and Gent - July Bachelor’s Affairs July Last Mile, The - . _ October Back Street . _ - August Last of the Mohicans, The _ . August Beyond the Rockies . . - July Latin Love - - . August Big Broadcast, The . _ October Life Begins - - - September Big City Blues - - - September Little Orphan Annie _ October Bill of Divorcement . . . September Love Is a Racket - . July Bird of Paradise - - August Love Me Tonight - - September Blessed Event - . - September Blonde Venus - - - September M Blondie of the Follies . - October Breach of Promise _ _ _ October Madame Racketeer _ August Bring ’em Back Alive - - July Madison Square Garden _ October Broadway to Cheyenne - - - September Make Me a Star - _ _ July Brown at Culver July Man Called Back, The - _ August Man from Yesterday - _ July C Mask of Fu Manchu _ _ November Me and My Gal - _ December in _ _ November Cabin the Cotton Men Are Such Fools _ November Call Her Savage . - - December Men of America - _ - November - - September Chandu, the Magician Million Dollar Legs _ August Congorilla - - August Miss Pinkerton - . _ July - - - Congress Dances July Mister Robinson Crusoe - _ September Conquerors . - December The Monkey’s Paw, The . _ November Crash, - - - November The Most Dangerous Game, The - _ September Crooner, . - . August The Movie Crazy - - - . - October Cynara - December My Pal the King - - July D Mystery Ranch - - - - July N Dark Horse, The _ _ _ July Devil and the Deep - - - September New Morals for Old _ . July Divorce in the Family - - September Night of June 13th, The - - September Downstairs _ - - August Down to Earth - July 0 Dr. X " August Okay America - _ September E Old Dark House, The - - July Once in a Lifetime - _ September for November Evenings Sale One Way Passage _ - September Exposure - September p F Pack Up Your Troubles October Faithless - December Painted Woman, The - - September - - - December False Justice Parisian Romance, A - - September - - First Year, The August Passion Play, The - - December - _ _ December Flesh Passport to Hell - - - September For Glory and a Girl (Reviewed as “Huddle”) June Payment Deferred - - October C Penquin Pool Murder _ _ December Phantom of Crestwood _ . November _ _ Golden West, The _ _ _ October Phantom President, The October - - ' - - - Guilty as Hell August Prosperity November Purchase Price, The ” August H R Half Naked Truth _ _ _ December Hat Check Girl . - - September Rackety Rax - November He Learned About Women _ _ - November Rain - - - September Hell’s Highway - - - September Rebecca of Sunnybrock Farm - - July Heritage of the Desert - - October Red Dust - - - October Hold ’em Jail - - August Red Headed Woman _ _ July Horse Feathers - - August Renegades of the West - - December Hot Saturday " " November Roar of the Dragon, The - - July Rockabye - * “ December i s I Am a Fugitive From the Chain Gang November If I Had a Million . - _ November Scarlet Dawn - November Igloo - - . August Secrets of the French Police - . November Is My Face Red - - - July 70,000 Witnesses - - - September Motion Picture Reviews Nine

Strange Adventure _ - December Sport Parade - - - November SHORT SUBJECTS Sherlock Holmes - - - November Dollar - - - November Silver Engineer’s Daughter, The - - July Sinners in the Sun - - July Golf - - Six Hours to Live - - - October Chump, The July Skyscraper Souls - - - August How to Fly - - - December - - - October Smilin’ Through Importance of Spoken English - - November Speak Easily - - - - - September - - - - - Strange Interlude - - July Mad King, The July Strange Justice - - - December Magic Carpet Series - - July Stranger in Town - - August ( 1 ) With the Foreign Legion Strangers of the Evening - - July Over the Yukon Trail Street of Women, The - - July (2) Successful Calamity, A July (3) The World at Prayer T Trapping Kentucky Moonshiners - - December Mickey Mouse Cartoons Tess of the Storm Country December - - Thirteen Women - - - October Klondike Kid December Those We Love - _ - October Mickey in Arabia - - October - - Three on a Match December Mickey’s Review - - December Thunder Below - -July - - Tiger Shark - - - - - October Touchdown Mickey December Too Busy to Work - - October Trader Mickey - - November - - December Trailing the Killer Whoopee Party, The - - November Trouble in Paradise - - October Twenty-six Martyrs of Japan - - July Pathe Audio Review No. 12 - September 20,000 Years in Sing Sing - - November Tooners - - - November Two Against the World " September Piano u Romance Sentimentale - - August Silly Symphony Cartoons Unashamed - - - July - - November Under Cover Man - - November Bugs in Love - - V Flowers and Trees October King Neptune - - December Venice Vamp - - - _ _ November Santa’s Workshop - - December What Price Gloria - - September Travelogues w Chicago ------October - War Correspondent October Cock Eyed Animal World - November Washington Masquerade - - July Dangers of the Arctic - - October Washington Merry Go Round - - December Dream World - - July Week Ends Only - - - July - - December What Price Hollywood - - July Flame of the Pacific White Zombie - - - - - September Forgotten Island - - - July - . - Wild Girl October Hold that Lion - - August Wild Horse Mesa _ - December Hollywood, City of Celluloid - - -November Winner Take All - - - - July Island of Love - - November Y Isles of Desire - - November You Said a Mouthful ... November Man Eater - - - August Nuri ------August FOREIGN FILMS On the Blue Pacific - - November - - Emil und die Deketive - - October Paris Vagabond Adventure November - - - (Emil and the Detective) Primitive November San Francisco - - October Gitta-Endeckt Ihr Herz - - November Satan’s Playground - - September (Gitta Discovers Her Heart) Southern Seas - - November House of Death - - - October Terrors of the Amazon - - December Liebeswalzer (Love Waltz) - - December Virgin of Bali - - November 1st Liebe (Love Is Love) - - Liebe October Walpi - - - October Luise, Koeniger on Preussen - December Wings Over the Andes - - October (Louise, Queen of Prussia) Walpurgis Night - - September Maedchen in Uniform - - December Magic Night - October and December Opera Ball - - - July Theft of Mona Lisa, The - - November Zwei Hertzen in Viertal Takt - - December (Two Hearts in Waltz Time)

Zwei Herzen und Ein Schlag - November (Two Hearts That Beat As One)

Scanned from the collection of Margaret Herrick Library Academy of Motion Picture Arts and Sciences

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