Waimea Ocean Film Festival Experience
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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
The Rise of Controversial Content in Film
The Climb of Controversial Film Content by Ashley Haygood Submitted to the Department of Communication Studies in partial fulfillment of the requirements for the degree of Masters of Arts in Communication at Liberty University May 2007 Film Content ii Abstract This study looks at the change in controversial content in films during the 20th century. Original films made prior to 1968 and their remakes produced after were compared in the content areas of profanity, nudity, sexual content, alcohol and drug use, and violence. The advent of television, post-war effects and a proposed “Hollywood elite” are discussed as possible causes for the increase in controversial content. Commentary from industry professionals on the change in content is presented, along with an overview of American culture and the history of the film industry. Key words: film content, controversial content, film history, Hollywood, film industry, film remakes i. Film Content iii Acknowledgements I would like to thank my family for their unwavering support during the last three years. Without their help and encouragement, I would not have made it through this program. I would also like to thank the professors of the Communications Department from whom I have learned skills and information that I will take with me into a life-long career in communications. Lastly, I would like to thank my wonderful Thesis committee, especially Dr. Kelly who has shown me great patience during this process. I have only grown as a scholar from this experience. ii. Film Content iv Table of Contents ii. Abstract iii. Acknowledgements I. Introduction ……………………………………………………………………1 II. Review of the Literature……………………………………………………….8 a. -
MARCUS ALEXANDER Stereographer/Stereo Producer/Stereo Supervisor
MARCUS ALEXANDER Stereographer/Stereo Producer/Stereo Supervisor PROJECTS DIRECTOR STUDIO & PRODUCERS “WARCRAFT” DUNCAN JONES ATLAS ENTERTAINMENT Stereo Consultant LEGENDARY PICTURES Alex Gartner, Jon Jashni, Charles Roven, Thomas Tull “GODZILLA” GARETH EDWARDS WARNER BROS. PICTURES Stereo Consultant LEGENDARY PICTURES Jon Jashni, Mary Parent, Brian Rogers, Thomas Tull LEGENDARY PICTURES LOGO EMILY CASTEL LEGENDARY PICTURES Stereo Consultant TRAILER PARK Jake Rice “THE SEVENTH SON” SERGEI BODROV LEGENDARY PICTURES Stereographic Supervisor Basil Iwanyk, Thomas Tull, Lionel Wigram “WRATH OF THE TITANS” JONATHAN LIEBESMAN WARNER BROS. PICTURES Post Stereographer/Stereo Producer Basil Iwanyk, Polly Johnsen Film nominated for I3DS Callum McDougall (Best Post Supervision 2D to 3D) “STAR WARS: EPISODE I – GEORGE LUCAS TWENTIETH CENTURY FOX THE PHANTOM MENACE 3D” LUCASFILM Stereo Producer (Prime Focus) Rick McCallum + Stereography Support - UC “THE CHRONICLES OF NARNIA:THE MICHAEL APTED TWENTIETH CENTURY FOX VOYAGE OF THE DAWN TREADER” WALDEN MEDIA Stereoscopic Support Andrew Adamson, Mark Johnson, (Prime Focus) Philip Steuer “DEAD CRAZY” FRANK SCANTORI THE FILM THEATRE COMPANY Cinematographer “YELLING TO THE SKY” VICTORIA MAHONEY ELEPHANT EYE FILMS Digital Intermediate Producer (Deluxe NYC) “LAST NIGHT” MASSY TADJEDIN GAUMONT/NICK WECHSLER PRODS. D. I. Manager (Deluxe New York) "SHANGHAI" MIKAEL HAFSTROM PHOENIX PICTURES Digital Intermediate Manager (Deluxe NYC) “LETTERS TO JULIETTE” GARY WINICK SUMMIT ENTERTAINMENT Digital Intermediate Manager (Deluxe NYC) "THE BOUNTY HUNTER" ANDY TENNANT COLUMBIA PICTURES D. I. Manager (UC) (Deluxe New York) Marcus Alexander -Continued- "REMEMBER ME" ALLEN COULTER SUMMIT ENTERTAINMENT D. I. Manager (Deluxe New York) "GREENBERG" NOAH BAUMBACH FOCUS FEATURES Digital Intermediate Producer (EFILM) "THE LAST SURVIVOR" (Documentary) MICHAEL KLEIMAN RIGHTEOUS PICTURES D.I. -
Completeandleft Felix ,Adler ,Educator ,Ethical Culture Ferrán ,Adrià ,Chef ,El Bulli FA,F
MEN WOMEN 1. FA Frankie Avalon=Singer, actor=18,169=39 Fiona Apple=Singer-songwriter, musician=49,834=26 Fred Astaire=Dancer, actor=30,877=25 Faune A.+Chambers=American actress=7,433=137 Ferman Akgül=Musician=2,512=194 Farrah Abraham=American, Reality TV=15,972=77 Flex Alexander=Actor, dancer, Freema Agyeman=English actress=35,934=36 comedian=2,401=201 Filiz Ahmet=Turkish, Actress=68,355=18 Freddy Adu=Footballer=10,606=74 Filiz Akin=Turkish, Actress=2,064=265 Frank Agnello=American, TV Faria Alam=Football Association secretary=11,226=108 Personality=3,111=165 Flávia Alessandra=Brazilian, Actress=16,503=74 Faiz Ahmad=Afghan communist leader=3,510=150 Fauzia Ali=British, Homemaker=17,028=72 Fu'ad Aït+Aattou=French actor=8,799=87 Filiz Alpgezmen=Writer=2,276=251 Frank Aletter=Actor=1,210=289 Frances Anderson=American, Actress=1,818=279 Francis Alexander+Shields= =1,653=246 Fernanda Andrade=Brazilian, Actress=5,654=166 Fernando Alonso=Spanish Formula One Fernanda Andrande= =1,680=292 driver.=63,949=10 France Anglade=French, Actress=2,977=227 Federico Amador=Argentinean, Actor=14,526=48 Francesca Annis=Actress=28,385=45 Fabrizio Ambroso= =2,936=175 Fanny Ardant=French actress=87,411=13 Franco Amurri=Italian, Writer=2,144=209 Firoozeh Athari=Iranian=1,617=298 Fedor Andreev=Figure skater=3,368=159 ………… Facundo Arana=Argentinean, Actor=59,952=11 Frickin' A Francesco Arca=Italian, Model=2,917=177 Fred Armisen=Actor=11,503=68 Frank ,Abagnale ,Criminal ,Catch Me If You Can François Arnaud=French Canadian actor=9,058=86 Ferhat ,Abbas ,Head of State ,President of Algeria, 1962-63 Fábio Assunção=Brazilian actor=6,802=99 Floyd ,Abrams ,Attorney ,First Amendment lawyer COMPLETEandLEFT Felix ,Adler ,Educator ,Ethical Culture Ferrán ,Adrià ,Chef ,El Bulli FA,F. -
View Annual Report
2016 ANNUAL REPORT CONTENT MESSAGES FROM THE SUPERVISORY BOARD AND THE MANAGEMENT BOARD 02 1 4 Profile of the Group and its Businesses | Financial Report | Statutory Auditors’ Report Financial Communication, Tax Policy on the Consolidated Financial Statements | and Regulatory Environment | Risk Factors 05 Consolidated Financial Statements | 1. Profi le of the Group and its Businesses 07 Statutory Auditors’ Report on 2. Financial Communication, Tax policy and Regulatory Environment 43 the Financial Statements | Statutory 3. Risk Factors 47 Financial Statements 183 Selected key consolidated fi nancial data 184 I - 2016 Financial Report 185 II - Appendix to the Financial Report: Unaudited supplementary fi nancial data 208 2 III - Consolidated Financial Statements for the year ended December 31, 2016 210 Societal, Social and IV - 2016 Statutory Financial Statements 300 Environmental Information 51 1. Corporate Social Responsibility (CSR) Policy 52 2. Key Messages 58 3. Societal, Social and Environmental Indicators 64 4. Verifi cation of Non-Financial Data 101 5 Recent Events | Forecasts | Statutory Auditors’ Report on EBITA forecasts 343 1. Recent Events 344 2. Forecasts 344 3 3. Statutory Auditors’ Report on EBITA forecasts 345 Information about the Company | Corporate Governance | Reports 107 1. General Information about the Company 108 2. Additional Information about the Company 109 3. Corporate Governance 125 6 4. Report by the Chairman of Vivendi’s Supervisory Board Responsibility for Auditing the Financial Statements 347 on Corporate Governance, Internal Audits and Risk 1. Responsibility for Auditing the Financial Statements 348 Management – Fiscal year 2016 172 5. Statutory Auditors’ Report, Prepared in Accordance with Article L.225-235 of the French Commercial Code, on the Report Prepared by the Chairman of the Supervisory Board of Vivendi SA 181 ANNUAL REPORT 2016 ANNUAL REPORT 2016 The Annual Report in English is a translation of the French “Document de référence” provided for information purposes. -
Ciné Récré Des Films Pour Les Enfants Dans Les Cinémas De Nice
CINÉ RÉCRÉ DES FILMS POUR LES ENFANTS DANS LES CINÉMAS DE NICE 9 - 10 - 16 - 17 NOVEMBRE 2019 CINÉMATHÈQUE - MERCURY - RIALTO - VARIÉTÉS PATHÉ LINGOSTIÈRE - PATHÉ MASSÉNA - PATHÉ GARE DU SUD LES AVANT-PREMIÈRES Le Cristal magique Dès 3 ans Sortie le 11 décembre 2019 de Nina Wels et Regina Welker / 2019/ Animation / Allemagne /1h21 Bantour, le roi des ours, a volé le cristal magique qui permet de faire revenir l’eau dans la forêt. Amy la petite hérissonne et son ami Tom l’écureuil décident de partir à sa recherche… Samedi 16 novembre à 13h40/ Dimanche 17 novembre à 15h40 RIALTO La Famille Addams Dès 6 ans Sortie le 4 décembre 2019 de Conrad Vernon et Greg Tiernan / 2019 / Animation / USA /1h27 Les nouvelles aventures étranges, drôles et mobides de la Famille Addams. Dimanche 17 novembre à 16h45 PATHÉ LINGOSTIÈRE / PATHÉ MASSÉNA / PATHÉ GARE DU SUD Mission Yéti Dès 3 ans Sortie le 29 janvier 2020 de Pierre Gréco et Nancy Florence Savard / 2017 / Animation / Canada / 1h20 Nelly, détective privée, et Simon, assistant de recherche, partent à l’aventure au cœur de l’Himalaya à la rencontre du Yéti. Samedi 9 novembre à 13h40 / Dimanche 10 novembre à 15h40 Samedi 16 novembre à 15h40 / Dimanche 17 novembre à 13h40 VARIÉTÉS SamSam Dès 3 ans Sortie le 5 février 2020 de Tanguy de Kermel / 2019/ Animation / France, Belgique. SamSam, le plus petit des grands héros, part à la recherche son premier super pouvoir… Avec l’aide de Méga, la nouvelle élève mystérieuse de son école, il se lance dans une aventure pleine de monstres cosmiques. -
Friends Newsletter
FRIENDS OF THE OVIATT LIBRARY Summer 2009 OOviattviatt FrFriieennddss Oviatt Exhibit Marks CSUN’s 50-year Celebration ifty years ago it was farmland. Today it is a also found some unexpected historical gems that top-tier regional university with a multi- collectively highlight the institution’s triumphs and ethnic student population and thrills, trials and tumults, as it matured F global reach. In celebration of over the past half-century. Here I’ll focus its remarkable metamorphosis from on items that most caught my attention. agriculture to academe, CSUN on My first surprise was a photo of leg- September 22 kicked off a yearlong endary anthropologist, Margaret Mead. observance of its 50th anniversary with Although a member of the University’s the first-ever Founders Day celebration. faculty for more than 45 years, I was As part of the festivities, returning alum- unaware that in 1957 this remarkable, ni, former faculty and staff heard much-in-demand woman had expound- Professor Emeritus John Broesamle, ed on “Changing ideas of discipline” in author of the institution’s history, a temporary classroom on the Suddenly a Giant, expound on near-barren campus of a fledgling the campus’s coming-of-age, and San Fernando Valley State afterwards joined in dedicating College, the institution’s original the James and Mary Cleary Walk, name. But, I discovered she was named in honor of the institu- just one among many luminaries tion’s longest serving president to grace the young institution’s and his wife. At day’s end the halls of learning. I also found returnees were treated to a visual photographic affirmation of visits rerun of the campus’s bygone by: Pulitzer prize-winning poet times at the launch of the Oviatt Gwendolyn Brooks, who in 1972 Library’s exhibition, “Fifty and Images from the Fifty and Fabulous Exhibition enchanted a class with a poetry Fabulous,” in the Tseng Family recitation; actor Jon Voight, who Gallery. -
American Jewish Philanthropy and the Shaping of Holocaust Survivor Narratives in Postwar America (1945 – 1953)
UNIVERSITY OF CALIFORNIA Los Angeles “In a world still trembling”: American Jewish philanthropy and the shaping of Holocaust survivor narratives in postwar America (1945 – 1953) A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Rachel Beth Deblinger 2014 © Copyright by Rachel Beth Deblinger 2014 ABSTRACT OF THE DISSERTATION “In a world still trembling”: American Jewish philanthropy and the shaping of Holocaust survivor narratives in postwar America (1945 – 1953) by Rachel Beth Deblinger Doctor of Philosophy in History University of California, Los Angeles, 2014 Professor David N. Myers, Chair The insistence that American Jews did not respond to the Holocaust has long defined the postwar period as one of silence and inaction. In fact, American Jewish communal organizations waged a robust response to the Holocaust that addressed the immediate needs of survivors in the aftermath of the war and collected, translated, and transmitted stories about the Holocaust and its survivors to American Jews. Fundraising materials that employed narratives about Jewish persecution under Nazism reached nearly every Jewish home in America and philanthropic programs aimed at aiding survivors in the postwar period engaged Jews across the politically, culturally, and socially diverse American Jewish landscape. This study examines the fundraising pamphlets, letters, posters, short films, campaign appeals, radio programs, pen-pal letters, and advertisements that make up the material record of this communal response to the Holocaust and, ii in so doing, examines how American Jews came to know stories about Holocaust survivors in the early postwar period. This kind of cultural history expands our understanding of how the Holocaust became part of an American Jewish discourse in the aftermath of the war by revealing that philanthropic efforts produced multiple survivor representations while defining American Jews as saviors of Jewish lives and a Jewish future. -
The Cove Press Notes
ROADSIDE ATTRACTIONS www.savejapandolphins.org A Jim Clark Film An Oceanic Preservation Society Production The Cove Directed by: Louie Psihoyos Produced by: Paula DuPré Pesmen, Fisher Stevens Written by: Mark Monroe Executive Producer: Jim Clark 91 minutes * Rated PG 13 for Disturbing Content For more information please contact: Roadside Attractions 42West (NY) 42 West (LA) Veronica Bufalini Tom Piechura Kathy Oberman Meghann Burns Sara Groves Rebecca Rosen 323-882-8490 212-277-7552 646-254-6037 [email protected] [email protected] [email protected] [email protected] [email protected] [email protected] www.roadsideattractionspublicity.com The Cove “We need to get in there and film what happens . we need to know the truth.” -- Ric O’Barry, THE COVE In a sleepy lagoon off the coast of Japan lies a shocking secret that a few desperate men will stop at nothing to keep hidden from the world. At last, the truth of THE COVE comes to the fore in an act of covert filmmaking that turns a documentary into a gripping action-adventure thriller . and a heart-pounding call for help from the world’s oceans. THE COVE begins in Taiji, Japan, where former dolphin trainer Ric O’Barry has come to set things right after a long search for redemption. In the 1960s, it was O’Barry who captured and trained the 5 dolphins who played the title character in the international television sensation “Flipper.” But his close relationship with those dolphins – the very dolphins who sparked a global fascination with trained sea mammals that continues to this day -- led O’Barry to a radical change of heart. -
Open Pbaxter Thesis Final110308.Pdf
The Pennsylvania State University The Graduate School College of Communications A COMPARATIVE STUDY OF THE U.S. AND KOREAN FILM INDUSTRIES: HISTORY, STRUCTURE, AND FINANCE A Thesis in Media Studies by Patrick D. Baxter © 2008 Patrick D. Baxter Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts December 2008 This thesis of Patrick D. Baxter was reviewed and approved* by the following: Krishna Jayakar Associate Professor of the Department of Telecommunications Thesis Adviser Amit Schejter Assistant Professor of the Department of Telecommunications C. Michael Elavsky Assistant Professor of the Department of Film-Video and Media Studies John S. Nichols Professor of the Department of Film-Video and Media Studies Associate Dean for Graduate Studies and Research *Signatures are on file in the Graduate School iii ABSTRACT This project is a comparative case-study of the U.S. and Korean (South Korea) film industries along historical, structural, and financial dimensions. The genesis of this thesis came through an overall fascination with the film industry globally as nations compete and cooperate with each other, as well as contend with the dominance of the U.S. film industry. It uses the industrial organization model focusing primarily on "market structure." Further, it applies A.J. Scott’s bipartite (major, independent) and tripartite (major, subsidiary, independent) models of the U.S. film industry. The analysis is mainly descriptive being informed by historical development. To elaborate on market structure, samples of studio/mainstream and independent films were collected in both the U.S. and Korean film industries. The samples were analyzed along production company affiliation, distribution affiliation, sources of funding, and other elements. -
DAVID WITZ PRODUCER/UPM DGA FEATURES SHAZAM New Line Cinema Prod: Peter Safran, Geoff Johns, Dir: David Sandberg (Co-Producer/UPM) Jeffrey Chernov DUNKIRK Warner Bros
DAVID WITZ PRODUCER/UPM DGA FEATURES SHAZAM New Line Cinema Prod: Peter Safran, Geoff Johns, Dir: David Sandberg (Co-Producer/UPM) Jeffrey Chernov DUNKIRK Warner Bros. Pictures Prod: Emma Thomas, Jake Myers Dir: Christopher Nolan (UPM) *Nominated for the 2018 Academy Award for Best Picture *Nominated for the 2018 DGA Award for Outstanding Directorial Achievement in Feature Film *Nominated for the 2018 PGA Award for Best Picture *Nominated for the 2018 Golden Globe Awards for Best Drama and Best Director of Motion Picture BAYWATCH Paramount Pictures Prod: Beau Flynn, Ivan Reitman Dir: Seth Gordon (Co-Producer/UPM Reshoot) GHOSTBUSTERS Sony Pictures Prod: Ivan Reitman, Michelle Imperato-Stabile Dir: Paul Feig (UPM) PIXELS Sony Pictures/1492 Pictures Prod: Barry Bernardi, Christopher Columbus Dir: Christopher Columbus (Assoc. Producer) Adam Sandler GONE GIRL 20th Century Fox Prod: Cean Chaffin, Joshua Donen, Arnon Milchan Dir: David Fincher (UPM) WHAT TO EXPECT Lionsgate Prod: Mike Medavoy, Mark Bakshi Dir: Kirk Jones WHEN YOU’RE EXPECTING Douglas McKay (UPM) MONEYBALL Columbia Pictures Prod: Michael De Luca, Scott Rudin Dir: Bennett Miller (UPM) DUE DATE Warner Bros. Pictures Prod: Scott Budnick, Daniel Goldberg Dir: Todd Phillips (Co-Producer/UPM) STAR TREK Paramount Pictures Prod: Roberto Orci, Alex Kurtzman Dir: J.J. Abrams (Co-Producer/UPM) Jeffrey Chernov TIN TIN DreamWorks Prod: Kathleen Kennedy, Peter Jackson Dir: Steven Spielberg (Line Producer/UPM – Test Shoot) SPIDERWICK CHRONICLES Paramount Pictures Prod: Kathleen Kennedy, Larry Franco Dir: Mark Waters (UPM) THE HEARTBREAK KID DreamWorks Prod: Bradley Thomas, Mark Charpentier Dir: Bobby Farrelly (Co-Producer/UPM – Reshoots) Peter Farrelly MISSION IMPOSSIBLE 3 Paramount Pictures Prod: Paula Wagner, Tom Cruise Dir: J.J. -
Beyond the Pink: (Post) Youth Iconography in Cinema
Beyond the Pink: (Post) Youth Iconography in Cinema Christina Lee Bachelor of Arts with First Class Honours in Communication Studies This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2005 Declaration I declare that this dissertation is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. ______________________ Christina LEE Hsiao Ping i Publications and Conference Presentations Refereed Publications Christina Lee. “Party people in the house(s): The hobos of history” in Liverpool of the South Seas: Perth and Its Popular Music. Tara Brabazon (ed.) Crawley: University of Western Australia Press, 2005. pp. 43-52. This chapter was written in association with the research on rave culture, as featured in Chapter Six. Christina Lee. “Let me entertain you” in TTS Australia: Critical Reader. Bec Dean (ed.) Northbridge: PICA, 2005. pp. 17-18. This piece was written in association with the research on nationalism and xenophobia, as featured in Chapter Seven. Christina Lee. “Lock and load(up): The action body in The Matrix”, Continuum: Journal of Media and Cultural Studies, forthcoming 2005. This journal article was written in association with the research on simulacra and masculinity, as featured in Chapter Two and Chapter Seven. Conference Presentations “Lock and Load(up): The Action Body in The Matrix”. Alchemies: Community Exchanges. 7th Annual Humanities Graduate Research Conference. Curtin University of Technology: Bentley, Australia. 6-7 November, 2003. This conference presentation was derived from research on the simulacra and the action hardbody as presented in Chapter Two and Chapter Seven.