Guide to the Motion Picture Stills Collection 1920-1934

Total Page:16

File Type:pdf, Size:1020Kb

Guide to the Motion Picture Stills Collection 1920-1934 University of Chicago Library Guide to the Motion Picture Stills Collection 1920-1934 © 2006 University of Chicago Library Table of Contents Descriptive Summary 3 Information on Use 3 Access 3 Citation 3 Scope Note 3 Related Resources 5 Subject Headings 5 INVENTORY 6 Series I: Actors and Actresses 6 Series II: Motion Picture Stills 171 Series III: Scrapbooks 285 Subseries 1: Scrapbooks; Individual Actors and Actresses 285 Subseries 2: Miscellaneous Scrapbooks 296 Series IV: Vitaphone Stills 297 Series V: Large Film Stills and Marquee Cards 300 Series VI: Coming Attractions, Glass Lantern Slides 302 Series VII: Duplicate Film Stills 302 Series VIII: Index Cards 302 Descriptive Summary Identifier ICU.SPCL.MOTIONPICTURE Title Motion Picture Stills. Collection Date 1920-1934 Size 87.5 linear feet (139 boxes) Repository Special Collections Research Center University of Chicago Library 1100 East 57th Street Chicago, Illinois 60637 U.S.A. Abstract Contains approximately 30,000 black and white photographs of movie stills, production shots, and portrait photographs of actors. Includes 8" x 10" photographs, 187 scrapbooks devoted to individual film stars, marquee cards, and glass lantern slides announcing coming attractions from Pathe and other movie studios. Information on Use Access No restrictions. Citation When quoting material from this collection, the preferred citation is: Motion Picture Stills. Collection, [Box #, Folder #], Special Collections Research Center, University of Chicago Library Scope Note The Motion Picture Stills Collection features a group of approximately 30,000 black and white photographs of movie stills, production shots, and portrait photographs of actors. The first half of this collection consists of these 8" x 10" photographs. The second half of this collection includes over 180 scrapbooks devoted to individual film stars, a group of marquee cards, and a set of glass lantern slides announcing the "Coming Attractions" from Pathe and other movie studios. These materials are all dated between 1920 and the mid-1930s. The collection is divided into seven series. SERIES I: ACTORS AND ACTRESSES This series includes portrait photography for publicity, as well as film stills highlighting approximately 2800 individuals. The majority are professional actors, but they also include 3 performers such as dancers and singers, as well as European aristocracy, American debutants, and other members of formal society. These items date primarily from 1924 to 1934. Each performer is represented by a separate file. These files contain newspaper and magazine clippings, black and white publicity shots, portrait photographs, and movie stills featuring the actor or actress. An asterisk (*) at the end of the name indicates that the file contains at least one original film still or studio publicity photograph; some files consist exclusively of clippings. Most major film stars, such as Tallulah Bankhead, Gary Cooper, or Mary Pickford, are represented in this collection, as are many more minor studio actors. Folders are organized alphabetically according to the individuals last name; in the case of groups, the folder is alphabetized under the leaders last name (Tal Henry and his North Carolina Orchestra is filed under "Henry.") Formal titles such as "Princess," "Duke," etc., follow the name in parentheses. In the case of teams (for example, "Gamby and Doug," "Lang and Healy"), the list should be checked under the last names of each actor. See Index Card Boxes A-D for additional biographical information on each actor. SERIES II: MOTION PICTURE STILLS This series consists of 8" x 10" black and white photographs taken from the sets of approximately 1700 films made between 1924 and1934. Most films are represented by multiple stills, which are organized alphabetically according to film title. Information written by the original collector on each folder indicates the director, cast, crew, and studio responsible for the film; in some instances, this notation also includes running time and date of release. Most major studios are represented in this group, including Columbia, Metro- Goldwyn-Mayer (M.G.M.), R.K.O., and Warner Brothers. See Index Card boxes E-F for additional production information concerning each film. SERIES III: SCRAPBOOKS This series features 187 scrapbooks, each of which contains black and white portrait photographs and film stills, along with magazine and newspaper articles tipped or pasted in. Most major actresses of the period between 1920-1930 are represented, many by multiple scrapbooks; Clara Bow has three; Betty Compson has four; Corinne Griffith has five; Marion Davies has six; Dorothy Mackail has eight. Only one male actor, Chester Morris, is represented in this group. This series is divided into two categories- Subseries 1: Scrapbooks; Individual Actors and Actresses Scrapbooks dedicated to individual actors. These are arranged alphabetically by last name. Subseries 2: Scrapbooks; Film Stills 4 Scrapbooks containing miscellaneous actors and various film stills. Due to the mixed content, these are unsorted. Two movies-"Gentlemen Prefer Blondes," and "The Sign of the Cross"-each have a separate scrapbook, and are located at the end of this series. SERIES IV: VITAPHONE STILLS This section contains 8" x 10" black and white photograph stills from 48 motion pictures produced by the Vitaphone Company, from the mid-1920s-mid 1930s. Each film is represented by multiple stills. See Index Card box D for additional production information concerning individual films . SERIES V: LARGE FILM STILLS AND MARQUEE CARDS small number of film stills and portrait photographs are 11" x 14" or larger. These include movie stills from American movies as well as stills from three French movies. One item is an oversize scrapbook, "The Desert Song." group of over 100 11" x 14" marquee cards in color, representing 55 films, are included in this group. SERIES VI: "COMING ATTRACTIONS" GLASS LANTERN SLIDES A set of approximately 160 glass lantern slides announcing "coming attractions," arranged alphabetically by title. About half of these are comedies produced at Pathe; the rest represent coming attractions from other studios. Some slides are duplicates. SERIES VII: DUPLICATE FILM STILLS SERIES VIII: INDEX CARDS A set of index card files accompany the collection. The divisions in the card files correspond to the current divisions of the collection, although the correspondence is not exact. These card files appear to have been prepared by the original collector and sometimes include extensive biographical and career information on individual actors. These boxes have been alphabetically identified as boxes "A" through "F," in order to distinguish them from the regular boxed collection. The index card files are located at the end of the main collection. They are available for consultation upon request. Related Resources The following related resources are located in the Department of Special Collections: http://www.lib.uchicago.edu/e/spcl/select.html Subject Headings 5 • Actresses • Actors • Motion picture actors and actresses-United States • Photographic prints • Scrapbooks INVENTORY Series I: Actors and Actresses Box 1 Folder 1 Aaronsons, Irwing, (and the Commanders)* Box 1 Folder 2 Abbet, Ursula (Lady) and daughter Juliet Box 1 Folder 3 Abbott, Al* Box 1 Folder 4 Abdy (Lady) Box 1 Folder 5 Ackerman, Jean Box 1 Folder 6 Adair, Alice Box 1 Folder 7 Adair, Janet* Box 1 Folder 8 Adair, Kathryn Box 1 Folder 9 Adams, Claire Box 1 Folder 10 Adamson, Victor (Mrs.) Box 1 Folder 11 Adoree, Renee* Box 1 Folder 12 Agar, Amy (Lady) Box 1 6 Folder 13 Agnew, Robert Box 1 Folder 14 Agniel, Marguerite Box 1 Folder 15 Aherne, Will and Gladys* Box 1 Folder 16 Alba, Maria Box 1 Folder 17 Albertson, Frank* Box 1 Folder 18 Albright, "Oklahoma Bob"* Box 1 Folder 19 Alcaniz, Luana* Box 1 Folder 20 Alcorne, Olive Ann Box 1 Folder 21 Alcorta, Noëmide Box 1 Folder 22 Alda, Frances* Box 1 Folder 23 Alden, Joan Box 1 Folder 24 Alden, Mary Box 1 Folder 25 Alexander, Katherine Box 1 Folder 26 Alison, Agnes Box 1 Folder 27 Alison, May Box 1 Folder 28 7 Allan, Elizabeth* Box 1 Folder 29 Allard, Bee Box 1 Folder 30 Allen, Adrienne Box 1 Folder 31 Allen, Betty Box 1 Folder 32 Allen, Diana Box 1 Folder 33 Allen, Edith Box 1 Folder 34 Allen, Fred* Box 1 Folder 35 Allen, Martha Bryan Box 1 Folder 36 Allen, Monica Box 1 Folder 37 Allen, Sarah Box 1 Folder 38 Allen, Winifred Box 1 Folder 39 Aloma Box 1 Folder 40 Alvarado, Don* Box 1 Folder 41 Amato, Pasquale* Box 1 Folder 42 Ames, Adrienne* Box 1 Folder 43 Ames, Robert* 8 Box 1 Folder 44 Anderson, Judith* Box 1 Folder 45 Anderson, Mignon Box 1 Folder 46 Anderson, Sally Box 1 Folder 47 Anderson, Violet Box 1 Folder 48 Andre, Gwili* Box 1 Folder 49 Andrus, Marguerite Box 1 Folder 50 Angel, Heather* Box 1 Folder 51 Angus, Mary and Marguerite Box 1 Folder 52 Aoki, Tsuru Box 1 Folder 53 Apollon, Dave, (and his Russian Stars)* Box 1 Folder 54 Ardath, Fred* Box 1 Folder 55 Ardell, Kathleen Box 1 Folder 56 Ardine* Box 1 Folder 57 La Argentinita Box 1 Folder 58 Arlen, Betty Box 1 9 Folder 59 Arlen, Richard Box 1 Folder 60 Arliss, George Box 1 Folder 61 Armstrong, Robert* Box 1 Folder 62 Armida Box 1 Folder 63 Arenette, Lucille Box 1 Folder 64 Arnaud, Yvonne Box 1 Folder 65 Arnheim, Gus* Box 1 Folder 66 Arnold, Dorothy Box 1 Folder 67 Arnold, Erik Box 1 Folder 68 Arnold, Lucille Box 1 Folder 69 Arnst, Bobbe* Box 1 Folder 70 Arthur, George Box 1 Folder 71 Arthur, Jean* Box 1 Folder 72 Arthur, Johnny* Box 1 Folder 73 Arthur, Mary Box 1 Folder
Recommended publications
  • Who's Who at Metro-Goldwyn-Mayer (1939)
    W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H.
    [Show full text]
  • Silence Restored: Three Re-Released Films by F.W. Murnau
    Access Provided by University of Oregon at 09/14/12 12:50AM GMT Review Essay Silence Restored: Three Re-Released Films by F. W. Murnau By Ken Calhoon The Last Laugh (Der letzte Mann). F. W. Murnau, dir. Starring Emil Jannings, with an original musical score modernism / modernity volume nineteen, number by Giuseppe Becce, expanded and re-orchestrated. two, pp 373–381. Eureka!, 2008 (1924). 1 DVD + 36-page booklet. £19.99. © 2012 the johns hopkins Sunrise. F. W. Murnau, dir. Starring Janet Gaynor and university press George O’Brien. Original Movietone score and alter- nate Olympic Chamber Orchestra Score. Eureka!, 2011 (1927). Dual format (Blue Ray and DVD) + 20- page booklet. £12.99. City Girl. F. W. Murnau, dir. Starring Charles Farrell and Mary Duncan, with a new musical score by Chris- topher Caliendo. Eureka!, 2011 (1930). Dual format + 28-page booklet. £14.99. The most recently reconstructed version of F. W. Murnau’s The Last Man (1924), released in English originally as The Last Laugh, commences with a cautionary epigraph: “Today you are the first [der Erste], revered by everyone, a minister of state, a millionaire, perhaps even a prince [ein Fürst]. Who knows what you’ll be tomorrow?” Ab- sent from other available variants of the film, these words provide the coordinates of a plot that steers between “first” and “last” while parsing the ambiguity of the latter (“least”? “ultimate”?), which the divergence in titles amplifies. Restored to the film’s opening frames, these lines key the narrative in terms of a lexical tension—one that later reappears in a newspaper notice, which the camera makes legible to the viewer, and which echoes the Biblical assurance that “the last shall be first.”1 This ancient promise is invoked in conjunction with the comedic reversal of fortune heralded by the English title.
    [Show full text]
  • The Only Defense Is Excess: Translating and Surpassing Hollywood’S Conventions to Establish a Relevant Mexican Cinema”*
    ANAGRAMAS - UNIVERSIDAD DE MEDELLIN “The Only Defense is Excess: Translating and Surpassing Hollywood’s Conventions to Establish a Relevant Mexican Cinema”* Paula Barreiro Posada** Recibido: 27 de enero de 2011 Aprobado: 4 de marzo de 2011 Abstract Mexico is one of the countries which has adapted American cinematographic genres with success and productivity. This country has seen in Hollywood an effective structure for approaching the audience. With the purpose of approaching national and international audiences, Meximo has not only adopted some of Hollywood cinematographic genres, but it has also combined them with Mexican genres such as “Cabaretera” in order to reflect its social context and national identity. The Melodrama and the Film Noir were two of the Hollywood genres which exercised a stronger influence on the Golden Age of Mexican Cinema. Influence of these genres is specifically evident in style and narrative of the film Aventurera (1949). This film shows the links between Hollywood and Mexican cinema, displaying how some Hollywood conventions were translated and reformed in order to create its own Mexican Cinema. Most countries intending to create their own cinema have to face Hollywood influence. This industry has always been seen as a leading industry in technology, innovation, and economic capacity, and as the Nemesis of local cinema. This case study on Aventurera shows that Mexican cinema reached progress until exceeding conventions of cinematographic genres taken from Hollywood, creating stories which went beyond the local interest. Key words: cinematographic genres, melodrama, film noir, Mexican cinema, cabaretera. * La presente investigación fue desarrollada como tesis de grado para la maestría en Media Arts que completé en el 2010 en la Universidad de Arizona, Estados Unidos.
    [Show full text]
  • Raymond Burr
    Norma Shearer Biography Norma Shearer was born on August 10, 1902, in Montreal's upper-middle class Westmount area, where she studied piano, took dance lessons, and learned horseback riding as a child. This fortune was short lived, since her father lost his construction company during the post-World War I Depression, and the Shearers were forced to leave their mansion. Norma's mother, Edith, took her and her sister, Athole, to New York City, hoping to get them into acting. They stayed in an unheated boarding house, and Edith found work as a sales clerk. When the odd part did come along, it was small. Athole was discouraged, but Norma was motivated to work harder. A stream of failed auditions paid off when she landed a role in 1920's The Stealers. Arriving in Los Angeles in 1923, she was hired by Irving G. Thalberg, a boyish 24-year- old who was production supervisor at tiny Louis B. Mayer Productions. Thalberg was already renowned for his intuitive grasp of public taste. He had spotted Shearer in her modest New York appearances and urged Mayer to sign her. When Mayer merged with two other studios to become Metro-Goldwyn-Mayer, both Shearer and Thalberg were catapulted into superstardom. In five years, Shearer, fueled by a larger-than-life ambition, would be a Top Ten Hollywood star, ultimately becoming the glamorous and gracious “First Lady of M-G-M.” Shearer’s private life reflected the poise and elegance of her onscreen persona. Smitten with Thalberg at their first meeting, she married him in 1927.
    [Show full text]
  • Catalogo Giornate Del Cinema Muto 2011
    Clara Bow in Mantrap, Victor Fleming, 1926. (Library of Congress) Merna Kennedy, Charles Chaplin in The Circus, 1928. (Roy Export S.A.S) Sommario / Contents 3 Presentazione / Introduction 31 Shostakovich & FEKS 6 Premio Jean Mitry / The Jean Mitry Award 94 Cinema italiano: rarità e ritrovamenti Italy: Retrospect and Discovery 7 In ricordo di Jonathan Dennis The Jonathan Dennis Memorial Lecture 71 Cinema georgiano / Georgian Cinema 9 The 2011 Pordenone Masterclasses 83 Kertész prima di Curtiz / Kertész before Curtiz 0 1 Collegium 2011 99 National Film Preservation Foundation Tesori western / Treasures of the West 12 La collezione Davide Turconi The Davide Turconi Collection 109 La corsa al Polo / The Race to the Pole 7 1 Eventi musicali / Musical Events 119 Il canone rivisitato / The Canon Revisited Novyi Vavilon A colpi di note / Striking a New Note 513 Cinema delle origini / Early Cinema SpilimBrass play Chaplin Le voyage dans la lune; The Soldier’s Courtship El Dorado The Corrick Collection; Thanhouser Shinel 155 Pionieri del cinema d’animazione giapponese An Audience with Jean Darling The Birth of Anime: Pioneers of Japanese Animation The Circus The Wind 165 Disney’s Laugh-O-grams 179 Riscoperte e restauri / Rediscoveries and Restorations The White Shadow; The Divine Woman The Canadian; Diepte; The Indian Woman’s Pluck The Little Minister; Das Rätsel von Bangalor Rosalie fait du sabotage; Spreewaldmädel Tonaufnahmen Berglund Italianamerican: Santa Lucia Luntana, Movie Actor I pericoli del cinema / Perils of the Pictures 195 Ritratti / Portraits 201 Muti del XXI secolo / 21st Century Silents 620 Indice dei titoli / Film Title Index Introduzioni e note di / Introductions and programme notes by Peter Bagrov Otto Kylmälä Aldo Bernardini Leslie Anne Lewis Ivo Blom Antonello Mazzucco Lenny Borger Patrick McCarthy Neil Brand Annette Melville Geoff Brown Russell Merritt Kevin Brownlow Maud Nelissen Günter A.
    [Show full text]
  • Online Versions of the Handouts Have Color Images & Hot Urls September
    Online versions of the Handouts have color images & hot urls September 6, 2016 (XXXIII:2) http://csac.buffalo.edu/goldenrodhandouts.html Sam Wood, A NIGHT AT THE OPERA (1935, 96 min) DIRECTED BY Sam Wood and Edmund Goulding (uncredited) WRITING BY George S. Kaufman (screenplay), Morrie Ryskind (screenplay), James Kevin McGuinness (from a story by), Buster Keaton (uncredited), Al Boasberg (additional dialogue), Bert Kalmar (draft, uncredited), George Oppenheimer (uncredited), Robert Pirosh (draft, uncredited), Harry Ruby (draft uncredited), George Seaton (draft uncredited) and Carey Wilson (uncredited) PRODUCED BY Irving Thalberg MUSIC Herbert Stothart CINEMATOGRAPHY Merritt B. Gerstad FILM EDITING William LeVanway ART DIRECTION Cedric Gibbons STUNTS Chuck Hamilton WHISTLE DOUBLE Enrico Ricardi CAST Groucho Marx…Otis B. Driftwood Chico Marx…Fiorello Marx Brothers, A Night at the Opera (1935) and A Day at the Harpo Marx…Tomasso Races (1937) that his career picked up again. Looking at the Kitty Carlisle…Rosa finished product, it is hard to reconcile the statement from Allan Jones…Ricardo Groucho Marx who found the director "rigid and humorless". Walter Woolf King…Lassparri Wood was vociferously right-wing in his personal views and this Sig Ruman… Gottlieb would not have sat well with the famous comedian. Wood Margaret Dumont…Mrs. Claypool directed 11 actors in Oscar-nominated performances: Robert Edward Keane…Captain Donat, Greer Garson, Martha Scott, Ginger Rogers, Charles Robert Emmett O'Connor…Henderson Coburn, Gary Cooper, Teresa Wright, Katina Paxinou, Akim Tamiroff, Ingrid Bergman and Flora Robson. Donat, Paxinou and SAM WOOD (b. July 10, 1883 in Philadelphia, Pennsylvania—d. Rogers all won Oscars. Late in his life, he served as the President September 22, 1949, age 66, in Hollywood, Los Angeles, of the Motion Picture Alliance for the Preservation of American California), after a two-year apprenticeship under Cecil B.
    [Show full text]
  • Papéis Normativos E Práticas Sociais
    Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs.
    [Show full text]
  • CALIFORNIA's NORTH COAST: a Literary Watershed: Charting the Publications of the Region's Small Presses and Regional Authors
    CALIFORNIA'S NORTH COAST: A Literary Watershed: Charting the Publications of the Region's Small Presses and Regional Authors. A Geographically Arranged Bibliography focused on the Regional Small Presses and Local Authors of the North Coast of California. First Edition, 2010. John Sherlock Rare Books and Special Collections Librarian University of California, Davis. 1 Table of Contents I. NORTH COAST PRESSES. pp. 3 - 90 DEL NORTE COUNTY. CITIES: Crescent City. HUMBOLDT COUNTY. CITIES: Arcata, Bayside, Blue Lake, Carlotta, Cutten, Eureka, Fortuna, Garberville Hoopa, Hydesville, Korbel, McKinleyville, Miranda, Myers Flat., Orick, Petrolia, Redway, Trinidad, Whitethorn. TRINITY COUNTY CITIES: Junction City, Weaverville LAKE COUNTY CITIES: Clearlake, Clearlake Park, Cobb, Kelseyville, Lakeport, Lower Lake, Middleton, Upper Lake, Wilbur Springs MENDOCINO COUNTY CITIES: Albion, Boonville, Calpella, Caspar, Comptche, Covelo, Elk, Fort Bragg, Gualala, Little River, Mendocino, Navarro, Philo, Point Arena, Talmage, Ukiah, Westport, Willits SONOMA COUNTY. CITIES: Bodega Bay, Boyes Hot Springs, Cazadero, Cloverdale, Cotati, Forestville Geyserville, Glen Ellen, Graton, Guerneville, Healdsburg, Kenwood, Korbel, Monte Rio, Penngrove, Petaluma, Rohnert Part, Santa Rosa, Sebastopol, Sonoma Vineburg NAPA COUNTY CITIES: Angwin, Calistoga, Deer Park, Rutherford, St. Helena, Yountville MARIN COUNTY. CITIES: Belvedere, Bolinas, Corte Madera, Fairfax, Greenbrae, Inverness, Kentfield, Larkspur, Marin City, Mill Valley, Novato, Point Reyes, Point Reyes Station, Ross, San Anselmo, San Geronimo, San Quentin, San Rafael, Sausalito, Stinson Beach, Tiburon, Tomales, Woodacre II. NORTH COAST AUTHORS. pp. 91 - 120 -- Alphabetically Arranged 2 I. NORTH COAST PRESSES DEL NORTE COUNTY. CRESCENT CITY. ARTS-IN-CORRECTIONS PROGRAM (Crescent City). The Brief Pelican: Anthology of Prison Writing, 1993. 1992 Pelikanesis: Creative Writing Anthology, 1994. 1994 Virtual Pelican: anthology of writing by inmates from Pelican Bay State Prison.
    [Show full text]
  • A Study of the Work of Vladimir Nabokov in the Context of Contemporary American Fiction and Film
    A Study of the Work of Vladimir Nabokov in the Context of Contemporary American Fiction and Film Barbara Elisabeth Wyllie School of Slavonic and East European Studies, University College London For the degree of PhD 2 0 0 0 ProQuest Number: 10015007 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10015007 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT Twentieth-century American culture has been dominated by a preoccupation with image. The supremacy of image has been promoted and refined by cinema which has sustained its place as America’s foremost cultural and artistic medium. Vision as a perceptual mode is also a compelling and dynamic aspect central to Nabokov’s creative imagination. Film was a fascination from childhood, but Nabokov’s interest in the medium extended beyond his experiences as an extra and his attempts to write for screen in Berlin in the 1920s and ’30s, or the declared cinematic novel of 1938, Laughter in the Dark and his screenplay for Stanley Kubrick’s 1962 film version of Lolita.
    [Show full text]
  • The Complete Stories
    The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York.
    [Show full text]
  • Feature Films
    Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243
    [Show full text]
  • PRICES REALIZED DETAIL - Hollywood 65 Auction 65, Auction Date: 10/17/2014
    26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Hollywood 65 Auction 65, Auction Date: 10/17/2014 LOT ITEM PRICE PREMIUM 1 AUTO RACING AND CLASSIC AUTOS IN FILM (14) VINTAGE PHOTOGRAPHS. $350 2 SEX IN CINEMA (55) VINTAGE PHOTOGRAPHS. $4,500 3 LILLIAN GISH VINTAGE PORTRAIT PHOTOGRAPH BY HARTSOOK STUDIO. $200 4 COLLECTION OF (19) PORTRAIT PHOTOGRAPHS OF LUCILLE BALL, TALLULAH $325 BANKHEAD, THEDA BARA, JOAN CRAWFORD, AND OTHERS. 5 ANNA MAY WONG SIGNED PORTRAIT PHOTOGRAPH BY CECIL BEATON. $4,000 6 MABEL NORMAND (7) SILENT-ERA VINTAGE PHOTOGRAPHS. $200 7 EARLY CHILD-STARS (11) VINTAGE PHOTOGRAPHS INCLUDING OUR GANG AND $225 JACKIE COOGAN. 9 BARBARA LA MARR (3) VINTAGE PHOTOS INCLUDING ONE ON HER DEATHBED. $325 10 ALLA NAZIMOVA (4) VINTAGE PORTRAIT PHOTOGRAPHS. $300 11 SILENT-FILM LEADING LADIES (13) VINTAGE PHOTOGRAPHS. $200 13 SILENT-FILM LEADING MEN (10) VINTAGE PHOTOGRAPHS. $200 14 PRE-CODE BLONDES (24) VINTAGE PHOTOGRAPHS. $325 15 CHARLIE CHAPLIN AND PAULETTE GODDARD (2) VINTAGE PHOTOGRAPHS. $350 16 COLLECTION OF (12) OVERSIZE PORTRAIT PHOTOGRAPHS OF RENÉE ADORÉE, $400 MARCELINE DAY, AND OTHERS. 17 COLLECTION OF (17) OVERSIZE PORTRAIT PHOTOGRAPHS OF EVELYN BRENT, $1,200 NANCY CARROLL, LILI DAMITA, MARLENE DIETRICH, MIRIAM HOPKINS, MARY PICKFORD, GINGER ROGERS, GLORIA SWANSON, FAY WRAY AND OTHERS. 18 MYRNA LOY (14) VINTAGE PHOTOGRAPHS INCLUDING SEVERAL RARE $375 PRE-CODE IMAGES. Page 1 of 85 26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Hollywood 65 Auction 65, Auction Date: 10/17/2014 LOT ITEM PRICE PREMIUM 19 PREMIUM SELECTION OF LEADING MEN (32) VINTAGE PHOTOGRAPHS.
    [Show full text]