Wednesday 25Th May
Performance Studies international conference #17 Wednesday 25th May Technology, Memory, Experience 12.50–13.00 15.10–15.20 RESPONSE BY: Nicolás Salazar-Sutil RESPONSE BY: Iris van der Tuin Prelude Panel Nicolas Salazar-Sutil is a Chilean cultural theorist and performance Iris van der Tuin is Assistant Professor of Gender Studies at Utrecht 12.00–17.00 practitioner based in London. He has published mainly on the subject University. She studied Gender Studies and Philosophy of Science, and of technology and performativity, and the interface between symbolic publishes in the field of Feminist (Continental) Philosophy. Working languages (mathematics and computer languages), and performance. on the material turn in the humanities, she is interested in onto-epis- UTRECHT CITY THEATRE, BLAUWE ZAAL, He is also a performance practitioner, and he has developed a number temological questions pertaining to matter, time/generation, and sexual LUCASBOLWERK 24 I of cross-artistic works with his company Configur8. He is a member of difference. the board of directors of PSi. 15.20–16.00 Emerging as an interdisciplinary field of study from the 1950s and 13.00–13.40 Jon McKenzie becoming institutionalized from the 1980’s with, among others, the Alva Noë establishment of departments at NYU and Northwestern, Performance University of California, Berkeley Studies by now has a history that is constitutive of its current identity. Disastronautics, Inc: Toward a Performance Consultancy !is history was the subject of the prelude panel at PSi#15 in Zagreb For decades, Performance Studies scholars have drawn on various (2009), where prominent European and US !eatre and Performance Philosophical Scores methods and perspectives from the sciences – including anthropology, scholars reflected on the transformation of Performance Studies since Choreography is a philosophical practice, and philosophy a choreo- cognitive science, ethology, psychology, and sociology – using them its emergence as a US-based development, and often (but not always) graphic one.
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