Em Turnê Pelo Brasil, Mad Professor Toca Na Quintas Dancehall Notícias Postado Em: 20/09/2010 16:26

Total Page：16

File Type：pdf, Size：1020Kb

Em Turnê Pelo Brasil, Mad Professor Toca Na Quintas Dancehall Notícias Postado Em: 20/09/2010 16:26

Centro de Culturas Populares e Identitárias - Governo da Bahia - Em turnê pelo Brasil, Mad Professor toca na Quintas Dancehall Notícias Postado em: 20/09/2010 16:26 O produtor e DJ inglês conhecido por suas experimentações no Dub se apresenta no dia 23 de setembro em única apresentação, na edição especial do evento Quintas Dancehall, na Zauber Multicultura, juntamente com o MINISTEREOPUBLICO Sistema de Som e o MC Joe Fraser (UK). Em turnê pelo Brasil, Mad se apresenta também em São José [...] [caption id="attachment_4843" align="aligncenter" width="214" caption="Mad Professor - Foto: Divulgação"][/caption] O produtor e DJ inglês conhecido por suas experimentações no Dub se apresenta no dia 23 de setembro em única apresentação, na edição especial do evento Quintas Dancehall, na Zauber Multicultura, juntamente com o MINISTEREOPUBLICO Sistema de Som e o MC Joe Fraser (UK). Em turnê pelo Brasil, Mad se apresenta também em São José dos Campos e Estância (SP), Brasília, Rio de Janeiro, Salvador, Natal e depois Recife. É a segunda vez que Mad Professor participa de uma edição especial do projeto Quintas Dancehall, que é uma parceria entre a Zauber Multicultura e o MINISTEREOPUBLICO Sistema de Som (BA). A festa é o primeiro Baile de música jamaicana da cidade, que tem como objetivo popularizar a cultura dos bailes e dos "sistemas de som" em Salvador e por onde já passaram nomes de peso da cena como: BNegão (RJ), Digitaldubs (RJ), Buguinha Dub (PE), YellowP (SP), Dubterian (Germany), Ranking Joe (Jamaica), Arkaingelle (USA), Zion Train (UK) e Eek a Mouse (Kingston, Jamaica). O produtor nascido na Guiana já trabalhou com diversos nomes do reggae, dub e rocksteady como Lee Perry, U-Roy e Sly & Robbie. Ele já chegou a remixar em dub os trabalhos de bandas como Massive Attack, Beastie Boys e Jamiroquai. Em sua companhia vem Joe Fraser, revelação da cena reggaeira de Londres e afilhado do "professor". Seu último trabalho foi lançado ano passado, Audio Illusions of Dub. A festa promete ser uma grande noite dançante, ao som do que há de melhor no Reggae, Dub e Dancehal no mundo. Impossível ficar parado! Para Ouvir: www.myspace.com/madprofessordub www.myspace.com/ministereopublico "Quintas Dancehall" Edição Especial Quem: DJ Mad Professor (UK), MC Joe Fraser (UK) e ministereopublico (BA) Quando: Quinta-feira, dia 23 de setembro, às 21h Onde: Zauber Multicultura, Ladeira da Misericórdia, nº 11 -Praça da Sé (Pelourinho) Quanto: R$ 15 (mulher) e R$ 20 (homem) http://www.centrodeculturas.ba.gov.br 23/9/2021 14:31:14 - 1 Todos os cartões (bar/bilheteria) Informações: (71) 8184 4691 Serviço: http://www.centrodeculturas.ba.gov.br 23/9/2021 14:31:14 - 2.

Copy Link

Recommended publications

Global Pop Und Weltmusik Veröffentlicht
44 Bikutsi: Kameruner Popmusik abseits der Weltmusik Die Autorinnen und Autoren Daniel Bax ist Journalist, Autor und Redakteur bei der taz, die tageszeitung in Berlin. Er hat Künstler wie Cesaria Evora, Tarkan, Khaled, Manu Chao, David Byrne oder Goran Bregović interviewt und viele Beiträge zu Global Pop und Weltmusik veröffentlicht. Außerdem hat er Booklet-Texte für die Compilation Bucovina Club von Shantel (Essay Recordings, 2002) sowie zu den Samplern Beyond Istanbul (Trikont, 2006) von DJ Ipek und Many Lessons. Hiphop & Islam in Westafrica (Piranha, 2008) verfasst. Dr. Susanne Binas-Preisendörfer ist Professorin für Musik und Medien am Institut für Musik der Carl-von-Ossietzy-Universität Oldenburg. Zu Ihren Publikationen zählen Klänge im Zeitalter ihrer medialen Verfügbarkeit. Popmusik auf globalen Märkten und in lokalen Kontexten. Bielefeld 2010 und Mozart, Sting und Marsimoto – Zur Bedeutung klanglicher Repräsentationen des ›Orients‹ in ›westlicher‹ Musik. In: Dies. / Unseld, Melanie (Hg.): Transkulturali tät und Musikvermittlung. Herausforderungen und Möglichkeiten in Forschung, Kul- turpolitik und musikpädagogischer Praxis. Frankfurt a. M. u. a. 2012, 21–41. Dr. Anja Brunner ist Universitätsassistentin für Kulturelle Anthropologie der Musik am Institut für Musikwissenschaft und am Center for Global Studies an der Universität Bern. Zu ihren Publikationen zählen Xylophone Music on Electric Guitars: Beti Popular Music in the 1970s, in: Gerd Crupa (Hg.), Ethnomusicology and Popular Music Studies. Aachen 2013, 147–166 sowie mit Andreas Gebesmair und Regina Sperlich: Balkanboom! Eine Geschichte der Balkanmusik in Österreich. Frankfurt a. M. u. a. 2014. Dr. habil. Markus Coester ist Musikethnologe an der Universität Bayreuth mit den Forschungs- und Lehrschwerpunkten Afrika und Karibik. Er beschäftigt sich auch mit der Erhaltung und Digitalisierung von Musik- archiven, in den letzten Jahren vor allem in Ghana, und ist im Kultur- und Veranstaltungsmanagement im Bereich der afrikanischen Musik aktiv.
[Show full text]
A Dub Approach to Defining a Caribbean Literary Identity in the Contemporary Diaspora
ABSTRACT Title of Document: ON THE B-SIDE: A DUB APPROACH TO DEFINING A CARIBBEAN LITERARY IDENTITY IN THE CONTEMPORARY DIASPORA Isis N. Semaj, Doctor of Philosophy, 2013 Directed by: Professor Merle Collins, Department of English Drawing from Jamaica’s socio-politically distinct dub musical genre, “On the B: Side” argues that the literary aesthetics of Caribbean migration and history can be analyzed according to a model of dub. As I define it, the dub aesthetic is marked by erasures, repairs, re-invention, and re-creation. It is thematically and formally captured in migration and represented in the experience of dislocation and home(lessness), memory and the layering of time, political silences and cultural amplification, and the distinct social climate associated with the 21st century push toward celebrating diasporic communities and marking progress through globalization. Given these contemporary circumstances, the Caribbean subject at home locally and at home in the diaspora necessarily demonstrates an acute investment in memory recall and a strong motivation toward building cultural posterity. This dissertation, therefore, explicates how the more recent literature reaches back in new ways that facilitate the survival of a uniquely Caribbean literary identity into the future. This dissertation analyzes works by Ramabai Espinet, Edwidge Danticat, and Anthony Winkler to highlight the ways in which relocation and dislocation intersect for the Caribbean subject. Additionally, I examine works by Marion Patrick Jones and Diana McCaulay, who represent another category of unbelonging and homelessness in the Caribbean that is read in the middle class’s exclusion from national and regional discourse on authenticity. Interrogating the space of Caribbean fiction, the dissertation moves through the deconstruction and reinvention of migration to arrive at the diasporic intersections of erasure, rupture, and repair.
[Show full text]
Various Lovers Rock Mad Professor Stylee Mp3, Flac, Wma
Various Lovers Rock Mad Professor Stylee mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Lovers Rock Mad Professor Stylee Country: Japan Released: 2000 Style: Reggae, Lovers Rock, Dub, Roots Reggae MP3 version RAR size: 1108 mb FLAC version RAR size: 1227 mb WMA version RAR size: 1857 mb Rating: 4.7 Votes: 978 Other Formats: MIDI AAC MP4 VOC MPC AHX DMF Tracklist 1 –Jocelyn Brown Daydreaming 2 –Carroll Thompson I Go Weak 3 –U-Roy Everlasting Rap 4 –Sushi Come Into My Bedroom 5 –Black Magic Feeling Is Killing Me 6 –Mad Professor Feel The Dub 7 –John McLean And Now You're Gone 8 –Sister Audrey If I Love You 9 –Aisha Dancing Time 10 –Intense You Are The One 11 –Macka B & Kofi Dread A Who She Love 12 –Tomorrow's People Gonna Take A Miracle 13 –Mercedes Saving All My Love 14 –Kofi Didn't I 15 –Comforte Summer Time 16 –Venus Love Makes A Woman 17 –Ranking Joe & Kofi It's Over 18 –Mad Professor & The Robotiks Dub Over 19 –Mad Professor Lover Of Dub 20 –Mad Professor Still Dub Companies, etc. Licensed From – Ariwa Manufactured By – Overheat Music, Inc. Credits Producer, Arranged By, Compiled By – Mad Professor Related Music albums to Lovers Rock Mad Professor Stylee by Various Mad Professor & The Robotiks Featuring Shaloma - Ethiopia Mad Professor - Audio Illusions Of Dub! Mad Professor - Dub You Crazy With Love Professor Longhair - Mardi Gras In New Orleans Kofi - Wishing Well Mad Professor - Science And The Witch Doctor (Dub Me Crazy Part 9) Mad Professor & Sane Inmates / Sgt.
[Show full text]
394 GLOSSARY Acid Jazz Late 1980S and 1990S
GLOSSARY Acid Jazz Late 1980s and 1990s trend where “London fashion victims created their own early seventies-infatuated bohemia by copying jazz-funk records of the era note by note.”1 Associated with DJ Giles Peterson, acid jazz combined jazz and funk influence with electronica to produce a “danceable” version of jazz. Some of the most prominent British artists associated with acid jazz include are the band 4Hero, producer Ronny Jordan, and the James Taylor Quartet (the last of which at one point included Nitin Sawhney.) Ambient Music intended to create a particular atmosphere. Brian Eno, considered a pioneer of the genre, notes, “One of the most important differences between ambient music and nearly any other kind of pop music is that it doesn’t have a narrative structure at all, there are no words, and there isn’t an attempt to make a story of some kind.”2 Ambient music often substitutes distinct melodies and rhythmic patterns for a wash of sound. Some prominent British artists during the 1990s include The Orb, KLF, Mixmaster Morris and Aphex Twin. Bhangra Bhangra originated as a male folk dance in Punjab to accompany the harvest festival, Baisakhi. It is still performed as a folk dance and may be identified by its characteristic swinging rhythm played on the dhol and dholki, double-sided barrel drums. From the late 1970s onwards, Punjabi immigrants in Britain began to fuse with electronic dance styles including house music and later hip-hop.3 These styles produced a distinct genre of music that was recognized as one of the first prominent examples of British Asian youth culture.
[Show full text]
Mad Professor! FOLLOW Use Your Iphone, Ipad, Or Ipod Touch in Our RESPECT Feature, We Welcome Reggae Artists Niceness, @Iriemag to Follow IRIE on Apple News
JAN 2021 #08.01 M A G A Z I N E featuring ROOTS. MAD CHRONICLE PROFESSOR ROCK. RESPECT. BLACK ARTISTS FUND EVAFLOW RELEASES. NICENESS RAS ATTITUDE NICK SEFAKIS REMIX. DAVID CAIROL JUNIOR KELLY DUBMATIX NGA HAN & THE HI-FLYERS WAR, PEACE & DUB IRIEMAG.COM MERCH. The ‘I’fficial IRIE Hoodie Available at https://www.iriemag.com/apparel/ ISSUE #08.01 / JANUARY 2021 “ Whatever affects one directly, affects all indirectly. I can never be what I ought to be until you are what you ought to be. This is the interrelated structure of reality.” - Martin Luther King, Jr. Nicholas ‘Nico’ Da Silva aka ZOOLOOK Founder/Editor in Chief, IRIE IRIEMAG.COM IRIE. EDITOR’S NOTE WELCOME JANUARY 2021 Yes, I! Our January 2021 edition of IRIE™ is here celebrating Volume 8 + Number 1 40 years of Dub with the one and only, Mad Professor! FOLLOW Use your iPhone, iPad, or iPod touch In our RESPECT feature, we welcome reggae artists Niceness, @IrieMag to follow IRIE on Apple News. Evaflow, David Carol, Nick Sefakis, Nga Han & The Hi-Flyers, EDITOR + ART DIRECTOR + PUBLISHER and Junior Kelly. Nicholas Da Silva Our ROOTS feature previews Dread & Alive: Duppy Conqueror, [email protected] the one-shot comic book series from ZOOLOOK, which is now ADVERTISING + MARKETING + IRIE PR available for pre-order, while our ROCK feature introduces Michelle Monreal Black Artists Fund (BAF), whose goal is to close the gap that [email protected] Black artists face in beginning and sustaining their art careers. CUSTOMER SERVICE Our RELEASES feature presents Ras Attitude and his latest IRIE™ Magazine single, ‘Warrior Status’, while our REMIX feature presents an P.O.
[Show full text]
DUB O ZONE Du 29 Juin Au 6 Juillet 2015
DUB O ZONE du 29 Juin au 6 Juillet 2015 (dubs from Nature) PRÉSENTATION Avec pour objectif de favoriser les échanges et le rapprochement entre les peuples mais aussi des générations, « DUBOZONE » est une création musicale mélangeant les générations et les genres, le son traditionnel du Sanpula et le reggae dub, si affectionné à travers la planète. Si aujourd’hui, nous pouvons sans aucun doute parler de l'influence importante de la musique reggae en Guyane, et ce depuis maintenant plusieurs décennies, très peu d’expériences créatives de fusion avec nos « propres » genres musicaux ont été réalisé. Après une première expérience et un p début de travail effectué en 2014 (Voir DVD Joint au dossier) durant 5 jours de résidence à Awala-Yalimapo en compagnie du Groupe Palana Bonon ; les bases solides qui ont été posées doivent aujourd'hui être affinées et fixées par le biais d'un enregistrement professionnel, puis gravées sur cd de façon à diffuser nos musiques de Guyane à l'étranger, mais surtout d'assurer une transmission concrète et durable via les divers supports existant. PLANNING LUNDI 29 JUIN - 17H45- Arrivée des Invités à Cayenne (nuit à Cayenne) MARDI 29 JUIN- 07H30 - Départ de Cayenne pour Awala-Yalimapo (15h30, 1ers échanges) MERCREDI 1 JUILLET – 08H00 à 12H00 – Répétition/Création ,15h00 à 21h00 - Enregistrement JEUDI 2 JUILLET 08H00 à 12H00 – Répétition/Création ,15h00 à 21h00 - Enregistrement VENDREDI 3 JUILLET 08H00 à 12H00 – Répétition/Création 15h00 à 21h00 - Enregistrement - SAMEDI 4 JUILLET : 08H00 à 12H00 Enregistrement –
[Show full text]
Versions, Dubs and Riddims: Dub and the Transient Dynamics of Jamaican Music
Versions, Dubs and Riddims: Dub and the Transient Dynamics of Jamaican Music Feature Article Thomas Vendryes Ecole Normale Supérieure de Cachan (France) Abstract Dub emerged in Jamaica in the early 1970s, and, for a decade, it became a prolific and intensely innovative dimension of Jamaican popular music. Yet, during the mid- 1980s, while dub flourished at the international level, influencing popular music in general, the genre of dub declined in popularity in Jamaica. How could this musical innovation, so evidently associated with Jamaica, expand and develop internationally while at the same time decline in Jamaica itself? In this paper, I explore the modalities and evolution of Jamaican music production and consumption. Through a description of the Jamaican music industry context, with reference to individual artists’ paths and a summary of Jamaican dub production, I show that even as the Jamaican music milieu was highly favorable to the emergence of dub, dub proliferated as a genre only by developing ties to a diaspora of international audiences and practitioners. Keywords: production studies, Jamaican popular music, history of dub, audio-engineer, riddim, performance mixing Thomas Vendryes is Associate Professor at the Department of Social Sciences of the École Normale Supérieure de Cachan and researcher at the Centre d’Économie de la Sorbonne (France). His research focuses on socio-economic change in developing countries. Dancecult: Journal of Electronic Dance Music Culture 7(2): 5–24 ISSN 1947-5403 ©2015 Dancecult http://dj.dancecult.net http://dx.doi.org/10.12801/1947-5403.2015.07.02.01 6 Dancecult 7(2) “What will happen to dub in 1983?” —Scientist Encounters Pac-man LP (back cover) Dub is Eternal —The 420 DubKraft Anthology Introduction Emerging from the practice of versioning (i.e.
[Show full text]
Dancecult 7(2)
Reviews Remixology: Tracing the Dub Diaspora Paul Sullivan London: Reaktion Books, 2014. ISBN: 978-1-78023-199-0 RRP: $31.54 (CAD); $25.00 (USD); £15 (UK) <http://dx.doi.org/10.12801/1947-5403.2015.07.02.06> tobias c. van Veen Université de Montréal (Canada) Paul Sullivan opens his Remixology: Tracing the Dub Diaspora by writing that “dub is a genre and a process”, as he describes the intersection of Afrodiasporic and Rastafari soundsystem culture with bass-heavy music styles as “ethereal, mystical, conceptual, fluid, avant-garde, raw, unstable, provocative, postmodern, disruptive, heavyweight, political, enigmatic . .” (2014: 7). Dub resonates as an echo through all of these signs, though Remixology tends to provide a lightweight treatment of the complex of metaphors Sullivan commences with. Less an intensive cultural study, even less so indulging in the kind of rich poetic license one would expect from a music journalist such as David Toop, Sullivan’s make-do journalistic approach combines first-hand interviews with a repackaging of well-travelled tales to tell a rich narrative of dub’s musical and cultural development, focusing on its producers, soundsystem operators, selectors and DJs. Avoiding the usual rounds of critique that gives cultural studies its edge—there is very little here on gender/sexuality, power/violence, colonialism/race or nationalism/politics—and leaving unremarked the sometimes provocative and interesting statements that arise in interviews, Sullivan nonetheless provides a gentle-enough grand narrative of dub’s outward spread from Jamaica. In the process Sullivan lays the groundwork for naming the “dub diaspora” as a transnational network based upon postcolonial migrancy and the dissemination—through copying, remixing and versioning—of dub studio and performance practices.
[Show full text]
30 817 97473
Artist: The Orb featuring Lee Scratch Perry Title: THE ORBSERVER in the star house Label: Cooking Vinyl Date: 3 September 2012 Cat no: COOKCD555 Format: CD/Digital/ Vinyl/ Deluxe Box set From the moment The Orb’s multi-hued spacecraft careered off the launch-pad, this has been a collision begging to happen: a full collaboration with Lee Scratch Perry, one of reggae’s greatest pioneers and personalities. Recorded in Berlin over the last few months, THE ORBSERVER in the star house sparks with a rare magic as Dr. Alex Paterson and long-time Orb member Thomas Fehlmann construct a panorama of perfect, stripped-down backdrops for the Upsetter’s inimitable pronouncements, righteous declarations and sweet vocals. The Orb have long been known for their assimilation of deepest dub into their stratospheric sonic innovations, as evidenced on U.F. Orb’s Towers Of Dub, itself something of a Lee Perry tribute with its sound effects and distinctive underlying eccentricity. Starting in the late 60s with The Upsetters, Perry wrote the book on Jamaican mixing desk trickery, then constantly ripped it up to create new aural blueprints for the music, via his Black Ark productions of the following decade. He has since then charted a waywardly idiosyncratic path, which has ensured legions of followers absorbing his every move. As Lee states on the album, he was an instigator of the punky reggae crossover, working with the likes of The Clash and the Slits. With Alex’s punk roots, this was a union, which could work just as well on the street as in the stars.
[Show full text]
Conyers Is in Artists' Corner
$5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) _ lllnllnlnlllululnllulnlllnu.lllulll #BXNCCVR 3-DIGIT 908 #90807GEE374EM002#- BLBD 778 A06 B0136 001 033002 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOMEv ENTERTAINMENT'¿ r APRIL 7, 2001 CROONS To Reverse Decline, WMG TIM McGRAW New Capitol CEO Slater Aims Restructures, Downsizes AMERICANA TUNE ON CURB To Bolster Label's U.S. A &R BY ED CHRISTMAN BY DEBORAH EVANS PRICE bum, A Place in the Sun, bowed at BY MELINDA NEWMAN and MELINDA NEWMAN NASHVILLE -For an artist who No. l simultaneously on both charts. LOS ANGELES -When new Capitol Records The latest restructuring of Warner Music Group laughingly confesses that his first Needless to say, expectations are CEO/president Andy Slater officially assumes his (WMG) is designed to help the once mighty compa- album didn't even go "wood," never high for McGraw's Set This Circus post May 1 in Los Angeles, his first order of busi- ny reverse its market -share decline mind gold or plat- Down, due April 24 ness will be to steady the label's and improve profitability. inum, Tim McGraw from Curb Records. course for the future. On March 27, WMG closed three rebounded with a McGraw's "about "I think there's a perception that WEA sales offices and downsized the vengeance. the closest thing we Capitol drifted a bit during the [failed distributor by about 80 people. The The five albums that have to a star right EMI /Warner Music Group] merger following day, it began implementing followed each debuted, now, and we need period," says EMI Recorded Music layoffs on with and spent multiple stars," says WSM- president/CEO Ken Berry, to whom SLATER MOUNT the label side, further cuts at Warner Bros.
[Show full text]
«España Es El Centro Del Rock»
del 24 de febrero 46 música al 1 de marzo «España es el centro del rock» Muck & The Mires•Vitoria Dónde•Helldorado.•Cuándo•Esta noche (22.00 horas).•Entradas•12/15 euros. A la venta en taquilla y www.kulturalive.com Garajeros de Boston, nuestra perspectiva, España es el centro les comparan a menudo del mundo del rock de garaje. No es que diga que los USA, o para el caso Boston, en la línea del LP ‘With The Beatles’. con los Ramones por sus no tengan grandes bandas de garaje, es Sobre sus influencias, Evan enumera bolos con pocos parones solo que la cultura ahí parece que apoya estas, patentes en su música optimis- mucho más a la música y las artes. Por ta: «El primer rock and roll inglés, el y ninguna balada ejemplo, en América las bandas locales Merseybeat, el rock garajero americano rara vez tienen la oportunidad de telo- y los Ramones, aparte de cualquier gran near a las bandas en gira. La mayoría compositor desde Cole Porter hasta Óscar Cubillo de los recintos de conciertos están Buddy Holly». Muck & The Mires, cuarteto bostoniano dirigidos por grandes corporaciones que de efervescente garaje beat, están colocan en los carteles a otros artistas Matrimonio rock ahora mismo cumpliendo una larga gira que están promocionando. Es agradable Sobre los bolos hispánicos, Evan anti- española. No obstante, contactamos viajar a España, y conocer y tocar con cipa: «¡Estamos esperando con ganas con su líder, Evan Shore, justo cuando bandas locales, y poder ver una escena todos los shows de esta gira! Vamos preparaban el equipaje para volar aquí.
[Show full text]
Př. Číslo Autor Název 25 795 (Hed) Planet Earth the Best of 27 813
Př. číslo Nosič Autor Název Část Rok 25 795 CD (Hed) Planet Earth The best of 2006 27 813 CD 10,000 Maniacs Our time in Eden 1992 20 981 CD 10,000 Maniacs The wishing chair 1985 30 174 CD 100°C Brant rock 2008 23 819 CD 100°C Evergreen 2004 27 836 CD 10cc Bloody tourists 1978 29 213 CD 10cc Sheet music 2000 25 740 CD 12 Stones 12 Stones 2002 22 108 CD -123 min. Home 2002 34 048 CD -123 min. (viz Bína, Z.) Les 2019 24 338 CD -123 min. Mom 2005 21 160 CD -123 min. Shooba dooba 1999 21 515 CD -123 min. Try 2001 28 482 CD -123 min. Dream 2009 29 214 CD 2 13th Floor Elevators The Psychedelic sounds of The 13th Floor Elevators 2010 28 616 CD 16 Horsepower Folklore 2002 26 441 CD 2 Unlimited The Hits 2006 31 106 CD 30 Seconds to Mars Love lust faith and dreams 2013 31 107 CD 30 Seconds to Mars This is war 2009 34 131 CD 2 38 special Anthology 2001 32 670 CD 4 Non Blondes Bigger, better, faster, more! 1992 23 750 CD 4TET 1st 2004 25 313 CD 4TET 2nd 2005 26 813 CD 4TET 3rd 2008 32 436 CD 4TET 4th 2016 31 873 CD 5 Seconds of Summer 5 Seconds of Summer 2014 34 285 CD 5 Seconds of Summer Youngblood 2018 25 959 CD 50 Cent Curtis 2007 23 335 CD 50 Cent Get rich or die tryin' 2003 24 826 CD 50 Cent The Massacre 2005 29 454 CD 5th Dimension The age of aquarius 1969 29 451 CD 808 State 808:88:98-10 years of 808 State 1998 25 960 CD A bude hůř Basket 2001 33 131 CD Aaronovitch, Ben Měsíc nad Soho 2017 32 419 CD Aaronovitch, Ben Řeky Londýna 2016 34 027 CD Aaronovitch, Ben Šepot podzemí 2018 23 093 CD Aarssen, Cassandra Righteous! : the essential collection
[Show full text]