Mad Professor! FOLLOW Use Your Iphone, Ipad, Or Ipod Touch in Our RESPECT Feature, We Welcome Reggae Artists Niceness, @Iriemag to Follow IRIE on Apple News

Total Page:16

File Type:pdf, Size:1020Kb

Mad Professor! FOLLOW Use Your Iphone, Ipad, Or Ipod Touch in Our RESPECT Feature, We Welcome Reggae Artists Niceness, @Iriemag to Follow IRIE on Apple News JAN 2021 #08.01 M A G A Z I N E featuring ROOTS. MAD CHRONICLE PROFESSOR ROCK. RESPECT. BLACK ARTISTS FUND EVAFLOW RELEASES. NICENESS RAS ATTITUDE NICK SEFAKIS REMIX. DAVID CAIROL JUNIOR KELLY DUBMATIX NGA HAN & THE HI-FLYERS WAR, PEACE & DUB IRIEMAG.COM MERCH. The ‘I’fficial IRIE Hoodie Available at https://www.iriemag.com/apparel/ ISSUE #08.01 / JANUARY 2021 “ Whatever affects one directly, affects all indirectly. I can never be what I ought to be until you are what you ought to be. This is the interrelated structure of reality.” - Martin Luther King, Jr. Nicholas ‘Nico’ Da Silva aka ZOOLOOK Founder/Editor in Chief, IRIE IRIEMAG.COM IRIE. EDITOR’S NOTE WELCOME JANUARY 2021 Yes, I! Our January 2021 edition of IRIE™ is here celebrating Volume 8 + Number 1 40 years of Dub with the one and only, Mad Professor! FOLLOW Use your iPhone, iPad, or iPod touch In our RESPECT feature, we welcome reggae artists Niceness, @IrieMag to follow IRIE on Apple News. Evaflow, David Carol, Nick Sefakis, Nga Han & The Hi-Flyers, EDITOR + ART DIRECTOR + PUBLISHER and Junior Kelly. Nicholas Da Silva Our ROOTS feature previews Dread & Alive: Duppy Conqueror, [email protected] the one-shot comic book series from ZOOLOOK, which is now ADVERTISING + MARKETING + IRIE PR available for pre-order, while our ROCK feature introduces Michelle Monreal Black Artists Fund (BAF), whose goal is to close the gap that [email protected] Black artists face in beginning and sustaining their art careers. CUSTOMER SERVICE Our RELEASES feature presents Ras Attitude and his latest IRIE™ Magazine single, ‘Warrior Status’, while our REMIX feature presents an P.O. Box 640806 IRIE collaboration with Dubmatix... ‘War, Peace and Dub’... the San Francisco, CA 94164 REMIX Contest! +1 415 729 4709 [email protected] As always, we thank you for supporting Reggae music! IRIE PR IRIE iriemag.com/irie-pr PUBLISHER SUBMISSIONS www.zoolook.com ON THE COVER: PHOTOGRAPHY BY: iriemag.com/submissions MAD PROFESSOR Richard Aldred SUBSCRIPTIONS IRIEMAG.COM 40 YEARS OF DUB @richardaldred iriemag.com/subscribe TABLE OF CONTENTS ROOTS. ROCK. REGGAE. Dread & Alive Black Artists Fund Mad Professor Duppy Conqueror Amplifying Black Artists 40 Years of Dub RESPECT. RELEASES. REMIX. Kindah IRIE on Spotify - January 2021 Dubmatix Niceness Ras Attitude - Warrior Status War, Peace & Dub IRIEMAG.COM JAM ROOTS. DREAD & ALIVE DUPPY CONQUEROR ROOTS. DREAD & ALIVE DUPPY CONQUEROR On February 6, 2021, ZOOLOOK will officially release the long-awaited Dread & Alive: Duppy Conqueror, a one-shot comic book issue to the masses. Originally written as a short story, the one-shot comic book FOLLOW chronicles Philip’s life as a Duppy Conqueror. ZOOLOOK A direct descendant of the Jamaican Maroons, Philip’s lineage traces back to the Ashanti people of the Gold Coast of Africa, present-day Ghana. Featured Single The Cultural Anthropologist is a local legend in the rural areas on Jamaica’s island. When darkness falls, he is often called upon to perform a Duppy Conqueror’s duties and cast out evil spirits. The locals refer to him as ‘fo-yeyed’ (four-eyed). Like his son, Drew, Philip McIntosh was gifted with second sight. When he came into the world, he was born with a caul over his face. Many people believe that a child born this way possesses the extraordinary power to see into the spirit world. Such a child not only can see spirits but can also converse with them. Trod January 6, 2019 Philip’s gift (and curse) earned him the name Duppy Conqueror. For Philip, benevolent and malevolent WEBSITE spirits, including the spirits of the dead, continuously inhabited his world. dreadandalive.com Philip’s use of Myal focused on the connection between humans and the spirit world. But like the Obeah Man, he also operated in the same sphere of spiritual and herbal knowledge. IRIEMAG.COM SYNOPSIS Seven-year-old Drew McIntosh is awaken by a late-night call to his famous father, local legend and Duppy Conqueror, Philip McIntosh. A young girl named Brandy is being FOLLOW held captive by a malicious duppy and ZOOLOOK Philip McIntosh is the only one who can save her. Release Date: February 6, 2021 Imprint: ComiXstand Format: Full Color, 32 pages; One Shot (includes mp3 and 18 x 12 Foldout Poster) Genre: Supernatural Horror ISBN: 978-0-9830637-8-0 Cover Price: $10.00 IRIE invites you to pre-order your copy of Dread & Alive: Duppy Conqueror from our MERCH store today. WEBSITE dreadandalive.com IRIEMAG.COM USA ROCK. BLACK ARTISTS FUND AMPLIFYING BLACK ARTISTS IRIEMAG.COM ROCK. BLACK ARTISTS FUND AMPLIFYING BLACK ARTISTS The Black Artists Fund was started by Sacramento Black creatives to address inequity in arts funding. Through micro and small grant-giving, Black Artists Fund’s goal is to close the gap that Black artists face DONATE in beginning and sustaining their art careers. Black Artists Fund With funding, Black artists can expound on their creative practice with new ideas, larger-scale works, innovative experimentation, community projects, and overall, an increased capacity to produce culturally relevant work. Donations are collected from patrons of the arts, organizations, philanthropists, collectors, and anyone else that understands the value in establishing and sustaining an environment for Black creative production. Black Artists Fund was launched by Faith McKinnie, a local independent art collector and curator on June 11, 2020 with an initial goal of $10,000. Within a few days, the fund exceeded its goal and has received over $25,000 in donations from over 250 individuals. As the founding director of Black Artists Fund, Faith’s work is rooted in the prioritization and centering of artists from the margins. As a community engagement coordinator at Crocker Art Museum, an art consultant, independent curator, and patron, she believes in the transformative power of diverse, WEBSITE equitable, accessible, and inclusive art. blackartistsfund.org On December 4, 2020, Black Artists Fund awarded $22,000 to 26 Black artists in its second round of funding. See the full list of Winter 2020 Grantees: https://www.blackartistsfund.org/winter2020grantees IRIEMAG.COM LIST OF GRANTS Sower $2,000+ aims to support Sacramento-based Black artists whose work exhibits exceptional power and potential and help further their artistic practice, including developing new ideas, starting a new project, and/or completing an existing project. Cultivation $750-$1,000 aims to support Sacramento-based Black artists who demonstrate exceptional FOLLOW creative ability and potential with marketing/publicity costs, supplies/materials needed for the execution Black Artists Fund of a project and direct administrative expenses. Branch $500 aims to support Black artists based outside Sacramento who demonstrate exceptional creative ability and potential with marketing/publicity costs, supplies/materials needed for the execution of a project and direct administrative expenses. Seed (up to $500) aims to support Sacramento-based Black artists at an early stage of their career development and continue their important work. Germination $100 aims to support Sacramento-based Black youth artists under the age of 18 develop new work or complete an existing art project. IRIE Magazine supports Black Artists Fund and encourages fine, applied, and creative artists using all mediums to apply. IRIE also invites you to support Black Artists Fund with a donation by visiting their GoFundMe page at: https://www.gofundme.com/f/blackartistsfund WEBSITE blackartistsfund.org FOLLOW BLACK ARTISTS FUND IRIEMAG.COM MERCH. ‘I’fficial Dread & Alive Logo Tee Available at https://www.iriemag.com/dread-and-alive/ GBR REGGAE. MAD PROFESSOR 40 YEARS OF DUB IRIEMAG.COM REGGAE. MAD PROFESSOR 40 YEARS OF DUB Photography by: Richard Aldred So, just how sane is the Mad Professor? On the content of his character and the results of his recordings, he is one of the sanest record producers. To understand the sanity of Mad Professor, we have to go back to FOLLOW his early childhood. Mad Professor Neil Joseph Stephen Fraser (1955) was born in Guyana, a small country in the northern part of South America. As a child, there wasn’t’ much technology around. The only thing in his house with technology Featured Album was a light bulb and a radio. One day Neil asked his mother, “how does the light bulb work?” She said she didn’t know and that he should go to the library and get a book, which he did. Neil went to the library and got a book. He then asked her what is the man doing inside the radio? She said there’s no man inside the radio. Neil replied, yes, there is. Sometimes he talks, and sometimes he sings. She said, “Look, there’s no man in the radio.” So one day, when she went to work, Neil took a screwdriver and went to the back of the radio and opened it up and said, “Oh, she was right. There’s no man in the radio.” Instead, there were resistors, capacitors and 40 Years of Dub dials, and all sorts of things. When she returned home, the back was still off the radio, so she told him to go October 15, 2020 to the library and learn about the radio. So Neil went to the library and got a book, and he taught himself WEBSITE electronics and built a radio before the age of 11. ariwa.com Neil would earn his nickname, Mad Professor, from his friends at school, amazed by the experiments he carried out as a youth. You could say that his curiosity as a child set him on a path to Dub Madness! IRIEMAG.COM Having built a radio and telephone system at the age of 10 years, it was no surprise that his interest and subsequent career in electronics, along with a love of Motown, Philadelphia International, Treasure Isle, and music of all types, propelled him onward.
Recommended publications
  • The Dub Issue 15 August2017
    AIRWAVES DUB GREEN FUTURES FESTIVAL RADIO + TuneIn Radio Thurs - 9-late - Cornerstone feat.Baps www.greenfuturesfestivals.org.uk/www.kingstongreenradi o.org.uk DESTINY RADIO 105.1FM www.destinyradio.uk FIRST WEDNESDAY of each month – 8-10pm – RIDDIM SHOW feat. Leo B. Strictly roots. Sat – 10-1am – Cornerstone feat.Baps Sun – 4-6pm – Sir Sambo Sound feat. King Lloyd, DJ Elvis and Jeni Dami Sun – 10-1am – DestaNation feat. Ras Hugo and Jah Sticks. Strictly roots. Wed – 10-midnight – Sir Sambo Sound NATURAL VIBEZ RADIO.COM Daddy Mark sessions Mon – 10-midnight Sun – 9-midday. Strictly roots. LOVERS ROCK RADIO.COM Mon - 10-midnight – Angela Grant aka Empress Vibez. Roots Reggae as well as lo Editorial Dub Dear Reader First comments, especially of gratitude, must go to Danny B of Soundworks and Nick Lokko of DAT Sound. First salute must go to them. When you read inside, you'll see why. May their days overflow with blessings. This will be the first issue available only online. But for those that want hard copies, contact Parchment Printers: £1 a copy! We've done well to have issued fourteen in hard copy, when you think that Fire! (of the Harlem Renaissance), Legitime Defense and Pan African were one issue publications - and Revue du Monde Noir was issued six times. We're lucky to have what they didn't have – the online link. So I salute again the support we have from Sista Mariana at Rastaites and Marco Fregnan of Reggaediscography. Another salute also to Ali Zion, for taking The Dub to Aylesbury (five venues) - and here, there and everywhere she goes.
    [Show full text]
  • Neue Ware Mail-Order Katalog Einzelhandel 07-05 #1
    IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNGEN: EINZELHANDEL NEUHEITEN-KATALOG NR. 172 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10"&12"/7") D-48159 MÜNSTER KONTO NR. 31360-469, BLZ 440 100 46 (VOM 25.06.2005 BIS 12.07.2005) GERMANY POSTBANK NL DORTMUND TEL. 0251-45106 KONTO NR. 35 60 55, BLZ 400 501 50 SCHUTZGEBÜHR: 0,50 EUR (+ PORTO) FAX. 0251-42675 SPARKASSE MÜNSTERLAND OST EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ CD CD CD CD CD CD CD CD CD CD CD CD IRIE RECORDS GMBH NEW RELEASE-CATALOGUE 07/2005 #1 SEITE 2 *** CDs *** ASWAD............................. COOL SUMMER REGGAE............ JJ............. (GBR) (--/02). 12.99EUR AUTOMAT alias MODIFIE............. ECOUTE PROLONGEE (6 TR.EP-CD). SOUND AROUND... (FRA) (04/04). 13.99EUR EPCD ANTHONY B (feat. RAS SHILOH/JAH CURE)............................ BLACK STAR (+ 2 BONUS)........ GREENSLEEVES/MA (GBR) (05/05). 16.99EUR DENNIS BOVELL..................... DUB DEM SILLY (VOL.1)......... ARAWAK INTERNAT
    [Show full text]
  • Read Or Download
    afrique.q 7/15/02 12:36 PM Page 2 The tree of life that is reggae music in all its forms is deeply spreading its roots back into Afri- ca, idealized, championed and longed for in so many reggae anthems. African dancehall artists may very well represent the most exciting (and least- r e c o g n i z e d ) m o vement happening in dancehall today. Africa is so huge, culturally rich and diverse that it is difficult to generalize about the musical happenings. Yet a recent musical sampling of the continent shows that dancehall is begin- ning to emerge as a powerful African musical form in its own right. FromFrom thethe MotherlandMotherland....Danc....Danc By Lisa Poliak daara-j Coming primarily out of West Africa, artists such as Gambia’s Rebellion D’Recaller, Dancehall Masters and Senegal’s Daara-J, Pee GAMBIA Froiss and V.I.B. are creating their own sounds growing from a fertile musical and cultural Gambia is Africa’s cross-pollination that blends elements of hip- dancehall hot spot. hop, reggae and African rhythms such as Out of Gambia, Rebel- Senegalese mbalax, for instance. Most of lion D’Recaller and these artists have not yet spread their wings Dancehall Masters are on the international scene, especially in the creating music that is U.S., but all have the musical and lyrical skills less rap-influenced to explode globally. Chanting down Babylon, than what is coming these African artists are inspired by their out of Senegal. In Jamaican predecessors while making music Gambia, they’re basi- that is uniquely their own, praising Jah, Allah cally heavier on the and historical spiritual leaders.
    [Show full text]
  • Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work.
    [Show full text]
  • The Aura of Dubplate Specials in Finnish Reggae Sound System Culture
    “Chase Sound Boys Out of Earth”: The Aura of Dubplate Specials in Finnish Reggae Sound System Culture Feature Article Kim Ramstedt Åbo Akademi University (Finland) Abstract This study seeks to expand our understanding of how dubplate specials are produced, circulated, and culturally valued in the international reggae sound system culture of the dub diaspora by analysing the production and performance of “Chase the Devil” (2005), a dubplate special commissioned by the Finnish MPV sound system from Jamaican reggae singer Max Romeo. A dubplate special is a unique recording where, typically, a reggae artist re-records the vocals to one of his or her popular songs with new lyrics that praise the sound system that commissioned the recording. Scholars have previously theorized dubplates using Walter Benjamin’s concept of aura, thereby drawing attention to the exclusivity and uniqueness of these traditionally analog recordings. However, since the advent of digital technologies in both recording and sound system performance, what Benjamin calls the “cult value” of producing and performing dubplates has become increasingly complex and multi-layered, as digital dubplates now remediate prior aesthetic forms of the analog. By turning to ethnographic accounts from the sound system’s DJ selectors, I investigate how digital dubplates are still culturally valued for their aura, even as the very concept of aura falls into question when applied to the recording and performance of digital dubplates. Keywords: aura, dubplate special, DJ, performance, reggae, recording, authenticity Kim Ramstedt is a PhD candidate in musicology at Åbo Akademi University in Finland. In his dissertation project, Ramstedt is studying DJs as cultural intermediaries and the localization of musical cultures through DJ practices.
    [Show full text]
  • The Dub June 2018
    1 Spanners & Field Frequency Sound System, Reading Dub Club 12.5.18 2 Editorial Dub Front cover – Indigenous Resistance: Ethiopia Dub Journey II Dear Reader, Welcome to issue 25 for the month of Levi. This is our 3rd anniversary issue, Natty Mark founding the magazine in June 2016, launching it at the 1st Mikey Dread Festival near Witney (an event that is also 3 years old this year). This summer sees a major upsurge in events involving members of The Dub family – Natty HiFi, Jah Lambs & Lions, Makepeace Promotions, Zion Roots, Swindon Dub Club, Field Frequency Sound System, High Grade and more – hence the launch of the new Dub Diary Newsletter at sessions. The aim is to spread the word about forthcoming gigs and sessions across the region, pulling different promoters’ efforts together. Give thanks to the photographers who have allowed us to use their pictures of events this month. We welcome some new writers this month too – thanks you for stepping up Benjamin Ital and Eric Denham (whose West Indian Music Appreciation Society newsletter ran from 1966 to 1974 and then from 2014 onwards). Steve Mosco presents a major interview with U Brown from when they recorded an album together a few years ago. There is also an interview with Protoje, a conversation with Jah9 from April’s Reggae Innovations Conference, a feature on the Indigenous Resistance collective, and a feature on Augustus Pablo. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors.
    [Show full text]
  • The Dub Issue 28 September 2018
    1 2 Editorial Dub Cover photo – Natty HiFi (Garvin Dan & Leo B) at Elder Stubbs Festival 2018) Dear Reader, Welcome to issue 28 for the month of Zebulon. Festivals big and small this month – Leo B returned to Boomtown to record their 10th anniversary and interviewed the legendary Susan Cadogan. Meanwhile the Natty HiFi crew returned to the Elder Stubbs Festival, held at Rymers Lane Allotments in Oxford for the tenth year in a row and Dan-I reached Notting Hill Carnival once again. Tune in for reports from the One Love Festival next month. We finally interview one of our own writers this month, giving Steve Mosco his due respect as founder of the Jah Warrior sound and label, as well as the pioneering online reggaemusicstore. I also get to review my teenage heroes Fishbone who came on a brief tour to the UK, now busy supporting the revitalized Toots and the Maytals (who play in Oxford on Saturday 13th October at the O2) and George Clinton’s Parliament/Funkadelic on some of their US dates. We have a new column by the founder of The Dub, Natty Mark Samuels, who brings us African Herbsman, which this month gives us advice from the motherland about herbs for the treatment of asthma. We also have our regular Cornerstone and From The Roots Up columns. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free every month at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors.
    [Show full text]
  • The A-Z of Brent's Black Music History
    THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business.
    [Show full text]
  • Global Pop Und Weltmusik Veröffentlicht
    44 Bikutsi: Kameruner Popmusik abseits der Weltmusik Die Autorinnen und Autoren Daniel Bax ist Journalist, Autor und Redakteur bei der taz, die tageszeitung in Berlin. Er hat Künstler wie Cesaria Evora, Tarkan, Khaled, Manu Chao, David Byrne oder Goran Bregović interviewt und viele Beiträge zu Global Pop und Weltmusik veröffentlicht. Außerdem hat er Booklet-Texte für die Compilation Bucovina Club von Shantel (Essay Recordings, 2002) sowie zu den Samplern Beyond Istanbul (Trikont, 2006) von DJ Ipek und Many Lessons. Hiphop & Islam in Westafrica (Piranha, 2008) verfasst. Dr. Susanne Binas-Preisendörfer ist Professorin für Musik und Medien am Institut für Musik der Carl-von-Ossietzy-Universität Oldenburg. Zu Ihren Publikationen zählen Klänge im Zeitalter ihrer medialen Verfügbarkeit. Popmusik auf globalen Märkten und in lokalen Kontexten. Bielefeld 2010 und Mozart, Sting und Marsimoto – Zur Bedeutung klanglicher Repräsentationen des ›Orients‹ in ›westlicher‹ Musik. In: Dies. / Unseld, Melanie (Hg.): Transkulturali tät und Musikvermittlung. Herausforderungen und Möglichkeiten in Forschung, Kul- turpolitik und musikpädagogischer Praxis. Frankfurt a. M. u. a. 2012, 21–41. Dr. Anja Brunner ist Universitätsassistentin für Kulturelle Anthropologie der Musik am Institut für Musikwissenschaft und am Center for Global Studies an der Universität Bern. Zu ihren Publikationen zählen Xylophone Music on Electric Guitars: Beti Popular Music in the 1970s, in: Gerd Crupa (Hg.), Ethnomusicology and Popular Music Studies. Aachen 2013, 147–166 sowie mit Andreas Gebesmair und Regina Sperlich: Balkanboom! Eine Geschichte der Balkanmusik in Österreich. Frankfurt a. M. u. a. 2014. Dr. habil. Markus Coester ist Musikethnologe an der Universität Bayreuth mit den Forschungs- und Lehrschwerpunkten Afrika und Karibik. Er beschäftigt sich auch mit der Erhaltung und Digitalisierung von Musik- archiven, in den letzten Jahren vor allem in Ghana, und ist im Kultur- und Veranstaltungsmanagement im Bereich der afrikanischen Musik aktiv.
    [Show full text]
  • Pablo Moses INTERVIEW
    MAGAZINE #3 - December 2010 Rootz Underground Live in Kingston Horace Andy & Scientist Tippy Lloyd Brown Don Chandler Glen Washington Duane Stephenson Pablo Moses INTERVIEW * Israel Vibration * Sadiki * Cornadoor * Clinark * Alpheus * * Trojan * Buju Banton * Gappy Ranks * Special Delivery * J Boog * * Lloyd Brown * Frenchie * Pow Pow * Konshens * United Reggae Mag #3 - December 2010 Want to read United Reggae as a paper magazine? In addition to the latest United Reggae news, views andNow videos you online can... each month you can now enjoy a free pdf version packed with most of United Reggae content from the last month.. SUMMARY 1/ NEWS •Lloyd Brown - Special Delivery - Own Mission Records - Calabash J Boog - Konshens - Trojan - Alpheus - Racer Riddim - Everlasting Riddim London International Ska Festival - Jamaican-roots.com - Buju Banton, Gappy Ranks, Irie Ites, Sadiki, Tiger Records 3 - 9 2/ INTERVIEWS •Interview: Tippy 11 •Interview: Pablo Moses 15 •Interview: Duane Stephenson 19 •Interview: Don Chandler 23 •Interview: Glen Washington 26 3/ REVIEWS •Voodoo Woman by Laurel Aitken 29 •Johnny Osbourne - Reggae Legend 30 •Cornerstone by Lloyd Brown 31 •Clinark - Tribute to Michael Jackson, A Legend and a Warrior •Without Restrictions by Cornadoor 32 •Keith Richards’ sublime Wingless Angels 33 •Reggae Knights by Israel Vibration 35 •Re-Birth by The Tamlins 36 •Jahdan Blakkamoore - Babylon Nightmare 37 4/ ARTICLES •Is reggae dying a slow death? 38 •Reggae Grammy is a Joke 39 •Meet Jah Turban 5/ PHOTOS •Summer Of Rootz 43 •Horace Andy and Scientist in Paris 49 •Red Strip Bold 2010 50 •Half Way Tree Live 52 All the articles in this magazine were previously published online on http://unitedreggae.com.This magazine is free for download at http://unitedreggae.com/magazine/.
    [Show full text]
  • Carlton Barrett
    ! 2/,!.$ 4$ + 6 02/3%2)%3 f $25-+)4 7 6!,5%$!4 x]Ó -* Ê " /",½-Ê--1 t 4HE7ORLDS$RUM-AGAZINE !UGUST , -Ê Ê," -/ 9 ,""6 - "*Ê/ Ê /-]Ê /Ê/ Ê-"1 -] Ê , Ê "1/Ê/ Ê - "Ê Ê ,1 i>ÌÕÀ} " Ê, 9½-#!2,4/."!22%44 / Ê-// -½,,/9$+.)"" 7 Ê /-½'),3(!2/.% - " ½-Ê0(),,)0h&)3(v&)3(%2 "Ê "1 /½-!$2)!.9/5.' *ÕÃ -ODERN$RUMMERCOM -9Ê 1 , - /Ê 6- 9Ê `ÊÕV ÊÀit Volume 36, Number 8 • Cover photo by Adrian Boot © Fifty-Six Hope Road Music, Ltd CONTENTS 30 CARLTON BARRETT 54 WILLIE STEWART The songs of Bob Marley and the Wailers spoke a passionate mes- He spent decades turning global audiences on to the sage of political and social justice in a world of grinding inequality. magic of Third World’s reggae rhythms. These days his But it took a powerful engine to deliver the message, to help peo- focus is decidedly more grassroots. But his passion is as ple to believe and find hope. That engine was the beat of the infectious as ever. drummer known to his many admirers as “Field Marshal.” 56 STEVE NISBETT 36 JAMAICAN DRUMMING He barely knew what to do with a reggae groove when he THE EVOLUTION OF A STYLE started his climb to the top of the pops with Steel Pulse. He must have been a fast learner, though, because it wouldn’t Jamaican drumming expert and 2012 MD Pro Panelist Gil be long before the man known as Grizzly would become one Sharone schools us on the history and techniques of the of British reggae’s most identifiable figures.
    [Show full text]
  • Junior Kelly – “Urban Poet”
    Junior Kelly – “Urban Poet” Label: Irievibrations Records Produced by: Irievibrations Records Distribution by: Groove Attack Digital Download Release: 09-­10-­2015 Junior Kelly, who is among Jamaica’s finest Conscious Voices, Songwriter extraordinaire and Reggae Music’s most prolific exponent, is set to release his 10th studio album for Austrian based label Irie Vibrations. It is scheduled for release on October 9, 2015. Junior Kelly feels confident that this album will be a game changer similar to his mega hit “Love so Nice”, and hopes that it will shine a light on Reggae Music and provide Reggae fans with much needed salvation, substance and food for thought, to uplift them in these difficult times. The album is a Masterpiece that Junior Kelly describes as “Pop Culture”, where Roots & Culture meets Pop, which is an eclectic mix culminating with incredible live riddims, exciting musicianship and vocal artistry at its best. Junior Kelly claims it as his best work to date and is extremely happy with the outcome, as it is the first time he was able to have such artistic freedom. He states “it was an absolute pleasure working with Irie Vibrations as they listened to me and gave me full autonomy to express myself.” The album has 16 beautiful tracks which encompass more than just Reggae, a little dancehall, RnB, Soul, Jazz and shows the artiste’s growth and maturity, from the Reggae infused “High Hopes”, “Power to the People”, “Nuh Dig It Up” to the smooth RnB tracks “Sneak Peek”, “Stay With Me” and “In Love” to the soul searching “No one is Higher” and “Everybody Needs Somebody” to the Jazzy “Hooked on Mary”, this album will leave you on a musical high! It was Junior Kelly’s game changing roots reggae mega hit single “Love So Nice” that established him as a star throughout Jamaica in the year 2000.
    [Show full text]