Samson and Moses As Moral Exemplars in Rastafari
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
I the Sacred Act of Reading: Spirituality, Performance, And
The Sacred Act of Reading: Spirituality, Performance, and Power in Afro-Diasporic Literature By Anne Margaret Castro Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in English August, 2016 Nashville, Tennessee Approved: Vera Kutzinski, Ph.D. Ifeoma Nwankwo, Ph.D. Hortense Spillers, Ph.D. Marzia Milazzo, Ph.D. Victor Anderson, Ph.D. i Copyright © 2016 by Anne Margaret Castro All Rights Reserved To Annette, who taught me the steps. iii ACKNOWLEDGEMENTS I am deeply grateful for the generous mentoring I have received throughout my graduate career from my committee chairs, Vera Kutzinski and Ifeoma Nwankwo. Your support and attention to this project’s development has meant the world to me. My scholarship has been enriched by the support and insight of my committee members: Hortense Spillers, Marzia Milazzo, and Victor Anderson. I would also like to express my thanks to Kathryn Schwarz and Katie Crawford, who always treated my work as valuable. This dissertation is a testament to the encouragement and feedback I received from my colleagues in the Vanderbilt English department. Thanks to Vera Kutzinski’s generosity of time and energy, I have had the pleasure of growing through sustained scholarly engagement with Tatiana McInnis, Lucy Mensah, RJ Boutelle, Marzia Milazzo and Aubrey Porterfield. I am thankful to Ifeoma Nwankwo’s work with the Drake Fellowship, which gave me the opportunity to conduct oral history interviews with Dr. Erna Brodber and Petal Samuel, in Woodside, Jamaica. My experiences in Jamaica deeply affected the way I approach my scholarship. -
Directory of Contemporary Worship Musicians
1 Directory of Contemporary Worship Musicians Copyright 2011 by David W. Cloud This edition February 4, 2012 ISBN 978-1-58318-131-7 This book is published for free distribution in eBook format. It is available in PDF, MOBI (for Kindle, etc.), and ePUB formats from the Way of Life web site. See the Free Book tab. Published by Way of Life Literature PO Box 610368, Port Huron, MI 48061 866-295-4143 (toll free) - [email protected] www.wayoflife.org Canada: Bethel Baptist Church 4212 Campbell St. N., London Ont. N6P 1A6 519-652-2619 (voice) - 519-652-0056 (fax) [email protected] Printed in Canada by Bethel Baptist Print Ministry 2 Table of Contents Powerful Publications for These Times ......................6 About Way of Life’s eBooks ....................................13 Introduction............................................................... 15 7eventh Time Down ...........................................18 Abandon .............................................................20 Assad, Audrey.................................................... 23 Baloche, Paul...................................................... 24 Beatles and CCM............................................... 26 Brown, Brenton ..................................................34 Caedmon’s Call ..................................................35 Calvary Chapel and Maranatha Music ...............40 Card, Michael .....................................................55 Carman ...............................................................60 Carouthers, Mark ...............................................66 -
Neue Ware Mail-Order Katalog Einzelhandel 07-05 #1
IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNGEN: EINZELHANDEL NEUHEITEN-KATALOG NR. 172 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10"&12"/7") D-48159 MÜNSTER KONTO NR. 31360-469, BLZ 440 100 46 (VOM 25.06.2005 BIS 12.07.2005) GERMANY POSTBANK NL DORTMUND TEL. 0251-45106 KONTO NR. 35 60 55, BLZ 400 501 50 SCHUTZGEBÜHR: 0,50 EUR (+ PORTO) FAX. 0251-42675 SPARKASSE MÜNSTERLAND OST EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ CD CD CD CD CD CD CD CD CD CD CD CD IRIE RECORDS GMBH NEW RELEASE-CATALOGUE 07/2005 #1 SEITE 2 *** CDs *** ASWAD............................. COOL SUMMER REGGAE............ JJ............. (GBR) (--/02). 12.99EUR AUTOMAT alias MODIFIE............. ECOUTE PROLONGEE (6 TR.EP-CD). SOUND AROUND... (FRA) (04/04). 13.99EUR EPCD ANTHONY B (feat. RAS SHILOH/JAH CURE)............................ BLACK STAR (+ 2 BONUS)........ GREENSLEEVES/MA (GBR) (05/05). 16.99EUR DENNIS BOVELL..................... DUB DEM SILLY (VOL.1)......... ARAWAK INTERNAT -
Read Or Download
afrique.q 7/15/02 12:36 PM Page 2 The tree of life that is reggae music in all its forms is deeply spreading its roots back into Afri- ca, idealized, championed and longed for in so many reggae anthems. African dancehall artists may very well represent the most exciting (and least- r e c o g n i z e d ) m o vement happening in dancehall today. Africa is so huge, culturally rich and diverse that it is difficult to generalize about the musical happenings. Yet a recent musical sampling of the continent shows that dancehall is begin- ning to emerge as a powerful African musical form in its own right. FromFrom thethe MotherlandMotherland....Danc....Danc By Lisa Poliak daara-j Coming primarily out of West Africa, artists such as Gambia’s Rebellion D’Recaller, Dancehall Masters and Senegal’s Daara-J, Pee GAMBIA Froiss and V.I.B. are creating their own sounds growing from a fertile musical and cultural Gambia is Africa’s cross-pollination that blends elements of hip- dancehall hot spot. hop, reggae and African rhythms such as Out of Gambia, Rebel- Senegalese mbalax, for instance. Most of lion D’Recaller and these artists have not yet spread their wings Dancehall Masters are on the international scene, especially in the creating music that is U.S., but all have the musical and lyrical skills less rap-influenced to explode globally. Chanting down Babylon, than what is coming these African artists are inspired by their out of Senegal. In Jamaican predecessors while making music Gambia, they’re basi- that is uniquely their own, praising Jah, Allah cally heavier on the and historical spiritual leaders. -
Freddie Mcgregor & Toyan / Roots Radics
Freddie McGregor Roots Man Skanking / Roots Man Dubbing mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Roots Man Skanking / Roots Man Dubbing Country: UK Released: 1982 MP3 version RAR size: 1560 mb FLAC version RAR size: 1940 mb WMA version RAR size: 1921 mb Rating: 4.6 Votes: 319 Other Formats: MIDI MPC AIFF DMF APE DXD MMF Tracklist Hide Credits Roots Man Skanking A –Freddie McGregor & Toyan Written-By – F. McGregor*, L. Thompson* Roots Man Dubbing B –Roots Radics* Written-By – L. Thompson* Companies, etc. Phonographic Copyright (p) – Greensleeves Records Ltd. Copyright (c) – Greensleeves Records Ltd. Published By – Greensleeves Publishing Ltd. Published By – Sparta-Florida Recorded At – Harry J's Recording Studio Recorded At – Channel One Recording Studio Mixed At – Channel One Recording Studio Credits Backing Band [Backed By] – Roots Radics* Mixed By – Scientist Plated By – PAG Producer – Linval Thompson Notes ℗ & © 1982 Greensleeves Records Ltd. Published by Greensleeves Publishing/Sparta Florida Recorded at Harry J and Channel One Mixed at Channel One Barcode and Other Identifiers Matrix / Runout (Runout, side A): GRED 84A1 PAG. Matrix / Runout (Runout, side B): GRED 84B PAG. Related Music albums to Roots Man Skanking / Roots Man Dubbing by Freddie McGregor Junjo - Wins The World Cup (The Final King Tubby's Session) Reggae King Tubby Meets Roots Radics - Dangerous Dub Reggae Freddie McGregor - Big Ship Reggae Al Campbell - All Kind Of People / Last Dance Reggae Freddie McGregor / Freddie & Brentford Rockers - Home Ward Bound / Home Ward Version Reggae Don Carlos - Day To Day Living Reggae Linval Thompson - Baby Father Reggae The Roots Radics - Radicfaction Reggae Hugh Mundell - Mundell Reggae Scientist vs. -
Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work. -
Biography a Five-Time Grammy-Winning Musician, Actor
Biography A five-time Grammy-winning musician, actor, artist, activist and humanitarian, Ziggy Marley has established his presence on the public stage for over a quarter-century. His newest release, Ziggy Marley In Concert, is a collection of live recordings from his 2012 Wild and Free World Tour. The album, which will release digitally on iTunes December 18th before its worldwide physical release on January 15th of 2013, continues to convey Marley’s overall message of love, freedom, hope and challenge. The album features live tracks from his Grammy-nominated and critically acclaimed 2011 release Wild and Free, including the funky and fun-loving “Forward To Love,” the upbeat groove-driven “Reggae in My Head,” and the rock-fueled reggae anthem “Wild and Free.” Live versions of the Bob Marley classics “War” and “Is This Love” also appear on the album as well as Ziggy’s hits “Tomorrow People” and “True To Myself.” In recent years, Marley has been involved in a slew of projects including an extensive world tour that spanned most of 2011 and 2012. Among those dates was a group of themed tribute shows, “Tuff Gong Worldwide and Ziggy Marley Salute the Legends of Reggae,” which played at various Southern California venues in 2012, including a sell-out show at the Hollywood Bowl. Additional projects include serving as executive producer of the celebrated documentary MARLEY(Shangri-La Entertainment), hosting his own monthly radio show, Legends of Reggae, on SiriusXM’s The Joint, and launching a GMO-free food line called Ziggy Marley Organics. In April of 2011, Marley released his first ever comic book, Marijuanaman (Image Comics), which was published on the symbolically potent date of 4/20. -
Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering
Verge 5 Blatter 1 Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering Emily Blatter The Rastafarian movement was born out of the Jamaican ghettos, where the descendents of slaves have continued to suffer from concentrated poverty, high unemployment, violent crime, and scarce opportunities for upward mobility. From its conception, the Rastafarian faith has provided hope to the disenfranchised, strengthening displaced Africans with the promise that Jah Rastafari is watching over them and that they will someday find relief in the promised land of Africa. In The Sacred Canopy , Peter Berger offers a sociological perspective on religion. Berger defines theodicy as an explanation for evil through religious legitimations and a way to maintain society by providing explanations for prevailing social inequalities. Berger explains that there exist both theodicies of happiness and theodicies of suffering. Certainly, the Rastafarian faith has provided a theodicy of suffering, providing followers with religious meaning in social inequality. Yet the Rastafarian faith challenges Berger’s notion of theodicy. Berger argues that theodicy is a form of society maintenance because it allows people to justify the existence of social evils rather than working to end them. The Rastafarian theodicy of suffering is unique in that it defies mainstream society; indeed, sociologist Charles Reavis Price labels the movement antisystemic, meaning that it confronts certain aspects of mainstream society and that it poses an alternative vision for society (9). The Rastas believe that the white man has constructed and legitimated a society that is oppressive to the black man. They call this society Babylon, and Rastas make every attempt to defy Babylon by refusing to live by the oppressors’ rules; hence, they wear their hair in dreads, smoke marijuana, and adhere to Marcus Garvey’s Ethiopianism. -
CHRISTAFARIANISM Or: "Don't Be a Rasta, Be Like a Rasta"
CHRISTAFARIANISM or "Don't Be A Rasta, Be Like A Rasta" CHRISTAFARIANISM or “Don’t Be A Rasta, Be Like A Rasta” An analysis of and alternative to the meditations of Christafari WRITTEN BY MESSIAN DREAD, THE NETHERLANDS, OCTOBER 2001 - OCTOBER 2004 Published by the Center for Research on Christianity This essay preceeded the book “The Mystery Of Christafarianism. Visit http://crc.dubroom.org/christafari.htm for more information and e-books about Christafarianism. The writer can be contacted by visiting http://www.dubroom.com 1 CHRISTAFARIANISM or "Don't Be A Rasta, Be Like A Rasta" 2 CHRISTAFARIANISM or "Don't Be A Rasta, Be Like A Rasta" CONTENTS 01. FOREWORD…………………………………………………………………………………….5 02. FOUNDATION ……………………………………………………………………………….7 03. ENTER XIANITY …………………………………………………………………………….9 04. ENTER CHRISTAFARI ………….………………………………………………………..13 05. ENTER CHRISTAFARIANISM…………………………………………………………...17 06. CHRISTAFARIANISM: BE LIKE A RASTA…………………………….……………..23 07. ENTER RASTAFARI ………………………………………………………………………..35 08. CHRISTAFARIANISM: DON’T BE A RASTA …………………………………………39 09. ENTER THE CHRISTAFARIANS ………………………………………………………41 10. HOW TO WITNESS TO A CHRISTAFARIAN ..……...……………………..……….49 11. AFTERWORD …………………….…………………………………………………………..53 12. AN UNUSUAL INDEX OF SUBJECTS, QUOTES AND THOUGHTS .…………..55 13. APPENDIX ………………………………….………………………………………………..59 3 CHRISTAFARIANISM or "Don't Be A Rasta, Be Like A Rasta" 4 CHRISTAFARIANISM or "Don't Be A Rasta, Be Like A Rasta" FOREWORD Most people would define the movement of Rastafari as a religious movement that worships Haile Selassie as God or Christ. Why? This definition is used as foundation in many Christian answers to Rastafari. In this essay I would like to share with you my meditation about the message of the well-known Christian Reggae band Christafari, one of these "answers". -
Dancehall Dossier.Cdr
DANCEHALL DOSSIER STOP M URDER MUSIC DANCEHALL DOSSIER Beenie Man Beenie Man - Han Up Deh Hang chi chi gal wid a long piece of rope Hang lesbians with a long piece of rope Beenie Man Damn I'm dreaming of a new Jamaica, come to execute all the gays I'm dreaming of a new Jamaica, come to execute all the gays Beenie Man Beenie Man - Batty Man Fi Dead Real Name: Anthony M Davis (aka ‘Weh U No Fi Do’) Date of Birth: 22 August 1973 (Queers Must Be killed) All batty man fi dead! Jamaican dancehall-reggae star Beenie All faggots must be killed! Man has personally denied he had ever From you fuck batty den a coppa and lead apologised for his “kill gays” music and, to If you fuck arse, then you get copper and lead [bullets] prove it, performed songs inciting the murder of lesbian and gay people. Nuh man nuh fi have a another man in a him bed. No man must have another man in his bed In two separate articles, The Jamaica Observer newspaper revealed Beenie Man's disavowal of his apology at the Red Beenie Man - Roll Deep Stripe Summer Sizzle concert at James Roll deep motherfucka, kill pussy-sucker Bond Beach, Jamaica, on Sunday 22 August 2004. Roll deep motherfucker, kill pussy-sucker Pussy-sucker:a lesbian, or anyone who performs cunnilingus. “Beenie Man, who was celebrating his Tek a Bazooka and kill batty-fucker birthday, took time to point out that he did not apologise for his gay-bashing lyrics, Take a bazooka and kill bum-fuckers [gay men] and went on to perform some of his anti- gay tunes before delving into his popular hits,” wrote the Jamaica Observer QUICK FACTS “He delivered an explosive set during which he performed some of the singles that have drawn the ire of the international Virgin Records issued an apology on behalf Beenie Man but within gay community,” said the Observer. -
To See the 2018 Pier Concert Preview Guide
2 TWILIGHTSANTAMONICA.ORG REASON 1 #1 in Transfers for 27 Years APPLY AT SMC.EDU SANTA MONICA COMMUNITY COLLEGE DISTRICT BOARD OF TRUSTEES Barry A. Snell, Chair; Dr. Margaret Quiñones-Perez, Vice Chair; Dr. Susan Aminoff; Dr. Nancy Greenstein; Dr. Louise Jaffe; Rob Rader; Dr. Andrew Walzer; Alexandria Boyd, Student Trustee; Dr. Kathryn E. Jeffery, Superintendent/President Santa Monica College | 1900 Pico Boulevard | Santa Monica, CA 90405 | smc.edu TWILIGHTSANTAMONICA.ORG 3 2018 TWILIGHT ON THE PIER SCHEDULE SEPT 05 LATIN WAVE ORQUESTA AKOKÁN Jarina De Marco Quitapenas Sister Mantos SEPT 12 AUSTRALIA ROCKS THE PIER BETTY WHO Touch Sensitive CXLOE TWILIGHT ON THE PIER Death Bells SEPT 19 WELCOMES THE WORLD ISLAND VIBES f you close your eyes, inhale the ocean Instagram feeds, and serves as a backdrop Because the event is limited to the land- JUDY MOWATT Ibreeze and listen, you’ll hear music in in Hollywood blockbusters. mark, police can better control crowds and Bokanté every moment on the Santa Monica Pier. By the end of last year, the concerts had for the first time check bags. Fans will still be There’s the percussion of rubber tires reached a turning point. City leaders grappled allowed to bring their own picnics and Twilight Steel Drums rolling over knotted wood slats, the plinking with an event that had become too popular for water bottles for the event. DJ Danny Holloway of plastic balls bouncing in the arcade and its own good. Police worried they couldn’t The themes include Latin Wave, Australia the song of seagulls signaling supper. -
The Dub June 2018
1 Spanners & Field Frequency Sound System, Reading Dub Club 12.5.18 2 Editorial Dub Front cover – Indigenous Resistance: Ethiopia Dub Journey II Dear Reader, Welcome to issue 25 for the month of Levi. This is our 3rd anniversary issue, Natty Mark founding the magazine in June 2016, launching it at the 1st Mikey Dread Festival near Witney (an event that is also 3 years old this year). This summer sees a major upsurge in events involving members of The Dub family – Natty HiFi, Jah Lambs & Lions, Makepeace Promotions, Zion Roots, Swindon Dub Club, Field Frequency Sound System, High Grade and more – hence the launch of the new Dub Diary Newsletter at sessions. The aim is to spread the word about forthcoming gigs and sessions across the region, pulling different promoters’ efforts together. Give thanks to the photographers who have allowed us to use their pictures of events this month. We welcome some new writers this month too – thanks you for stepping up Benjamin Ital and Eric Denham (whose West Indian Music Appreciation Society newsletter ran from 1966 to 1974 and then from 2014 onwards). Steve Mosco presents a major interview with U Brown from when they recorded an album together a few years ago. There is also an interview with Protoje, a conversation with Jah9 from April’s Reggae Innovations Conference, a feature on the Indigenous Resistance collective, and a feature on Augustus Pablo. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors.