Final Program

EMERGENCY! PREPARING for DISASTERS and CONFRONTING the UNEXPECTED in CONSERVATION

JOINT 44th ANNUAL MEETING & 42nd ANNUAL CONFERENCE May 13-17, 2016 Montreal, Canada | Palais des Congrès

CAC ACCR Canadian Association for American Institute for Conservation Conservation of Cultural Property of Historic and Artistic Works Conference Center Maps

Level 2 - Registration Desk, Exhibit Hall and General Sessions

Level 5 - Sessions, Lunch & Learns, Pre-meeting Sessions Registration Desk Registration Level 7 - Film, Sessions, AIC & CAC Business Meetings Level 7

Level 2

Level 5

Tour and Bus Departures Complimentary Wifi All Walking (and Bicycle) tours will depart from the AIC The Palais des Congrès worked with us to registration desk on Level 2. arrange complimentary Wifi access for all attendees. All Bus (and Boat) tours will depart from the Place Riopelle Network: AIC/CAC 2016 exit on the 1st Level directly below the AIC registration desk. Password: montreal2016

Buses for both the Opening Reception and Specialty Group Please be thoughtful to your fellow attendees receptions will depart from the convention center and from and limit usage during peak times. the Hyatt Regency. Buses for events on 5/18 will depart from the Hyatt Regency. Meeting Location: Events (unless otherwise noted) will take place at the Palais des Congrès (Montreal Convention Center). Table of Contents Welcome...... 2 Registration Desk: Registration will be located on the 2nd Level of the Palais des Congrès. On Tuesday, May 17, the Emergency!: desk will move to the 5th Level. Please note the registration About the Meeting & Award Recipients...... 3 desk is cashless. We accept checks, Visa, and MasterCard; all Highlights...... 4 - 5 payments are made in US dollars. Registration Desk Hours: Schedule: Day by Day...... 8-19 Thursday, May 12 3:00pm – 6:00pm Thursday, May 12...... 8 Friday, May 13 7:45am – 6:00pm Friday, May 13...... 8 Saturday, May 14...... 8-9 Saturday, May 14 7:45am – 7:00pm Sunday, May 15...... 9-12 Sunday, May 15 7:45am – 4:30pm Monday, May 16...... 12-16 Monday, May 16 7:45am – 5:30pm Tuesday, May 17...... 16-19 Tuesday, May 17 7:45am – 4:00pm Directory of Speakers ...... 20-23 CAC-ACCR Publication Sales...... 27 Bulletin Boards: Check the bulletin boards near the regis- tration area for program changes, messages, job listings, Schedule Charts...... 28-33 (center) and other community announcements. Maps...... Inside Front Cover & 36 Exhibit Hall...... 36 Speaker Ready Room: The Speaker Ready Room will be Conference Center Maps...... Inside Front Cover located in Room 512 F. Exhibitors...... 36- 44 Tours: Bus tours depart from Hall Place-Riopelle (1st Exhibit Hall Map...... 36 Level, Palais des Congrès). Walking tours will depart from Booth List...... 37 the Registration Desk (2nd Level). Exhibitors...... 37-44 Demonstrations...... 44 Refreshment Breaks: Refreshments will be served at the following breaks during the general and specialty sessions: Posters...... 45-50 2017 AIC & CAC Conference Information...... 55 Morning Breaks: Sunday & Monday, May 15-16, 10–10:30am in the AIC Exhibit Hall, Room 210 CD/GH. Special Thanks...... 1, 3, 55 Afternoon Breaks: Sunday & Monday, May 15-16, Conference Center Maps...... Inside Front Cover 3:30–4pm in the AIC Exhibit Hall in Room 210 CD/GH. Exhibitor Advertising: Enjoy a savory light lunch (available for purchase in the Affiliated...... 54 Goppion ...... 35 Exhibit Hall) while you converse with exhibitors. Agilent Technologies ...... 53 Health & Safety Committee...... 57 Member Business Meetings: Tuesday, May 17. AIC 7:30am– Bruker Corporation ...... 24 Hollinger Metal Edge ...... 25 9:45am, Room 710 A; CAC 8–9:45am, Room 710 B. Campbell Center, The ...... 7 Huntington T. Block Insurance ClickNetherfield...... 52 Agency, Inc...... 35 Special Thanks to Our Sponsors! Cooper Robertson...... 54 Image Permanence Institute...... 54 Dorfman Museum Kremer Pigments Inc...... 26 Tote Bag Sponsor TSG Reception Sponsor Figures, Inc...... back cover T and D US, LLC ...... 34 Tru Vue, Inc. Tru Vue, Inc. Fibron Insulations Inc...... 56 Talas ...... 59 OSG/ASG Reception Opening Reception Sponsor G.C. Laser Systems...... 59 Tru Vue, Inc...... 60 Sponsor Huntington T. Block Insurance R. Alden Marshall & Agency, Inc. with generous Gallery Systems...... Taylor & Francis...... 34 Associates, LLC in-kind support provided by the ...... inside back cover Universal Fiber Optics...... 58 Musée des beaux-arts Gaylord Archival ...... 57 CCN/IAMFA Meeting University Products, Inc...... 26 de Montréal Sponsor Getty Conservation Institute, The Zone Display Cases ...... 58 ...... 6 Tru Vue, Inc. EMG/RATS/PMG Reception Generous in-kind support Getty Publications ...... 51 ECPN Happy Hour Sponsor provided by the Canadian Tru Vue, Inc. Centre for Architecture 1 Welcome & Bienvenue to the Joint 44th AIC Annual American Institute for Conservation of Historic & Artistic Works and Meeting & 42nd CAC Annual Conference in Montreal! Canadian Association for Conservation

Welcome to Montreal! AIC is so The general session will present pleased to be hosting this meeting topics of vital relevance to our jointly with our Canadian neighbors, practice today. It will be followed the Canadian Association for Con- by interesting tracks on a variety of servation (CAC-ACCR). It is AIC’s preparedness and response topics, 44th Annual Meeting and CAC’s as well as specialty and interest 42nd Annual Conference, and we group sessions, many of which relate are focusing this time together on closely to the general meeting theme. emergency planning and addressing Remember to attend AIC’s and CAC’s the unexpected in conservation. member business meetings on the This year’s Opening Reception will last day of the conference, held be held at the Musée des beaux- Tuesday morning before sessions arts de Montréal. Join us for a night of spectacular food and begin. The closing sessions will honor awardees, Florence Flood drink, including Québécois specialties, as you reconnect with Responders, and the career of former Heritage Preservation friends across the museum. President, Larry Reger. Please join us to connect and celebrate. This meeting has become truly international – we welcome our We hope to see you here in Montreal. Enjoy the meeting! colleagues from around the world. We look forward to many —Pam Hatchfield, AIC President, and future collaborations with you. Cindy Colford, CAC President AIC Board of Directors 2016 Meeting Program Committees OBJECTS Pamela Hatchfield PRESIDENT General Session Sarah Barack Margaret Holben Ellis VICE PRESIDENT John D. Childs Carole Dignard Sanchita Balachandran SECRETARY Cindy Colford LeeAnn Gordon (OSG/ASG) Jennifer Hain Teper TREASURER Margaret Holben Ellis* Laura Lipcsei* Thomas J. Braun DIRECTOR, COMMITTEES & TASK FORCES Rebecca Fifield Tony Sigel Carolyn Riccardelli DIRECTOR, COMMUNICATIONS Gayle McIntyre Stephanie M. Lussier DIRECTOR, PROFESSIONAL EDUCATION Kim Norman PAINTINGS Deborah Trupin DIRECTOR, SPECIALTY GROUPS Steve Pine Debra Daly Hartin Claire Titus Jennifer Hickey* CAC Board of Directors Betty Walsh Kelly Keegan PHOTOGRAPHIC MATERIALS Specialty & Interest Sessions Cindy Colford PRESIDENT Rosaleen Hill ARCHITECTURE Alison Freake VICE-PRESIDENT Sylvie Pénichon Jennifer Correia Susannah Kendall SECRETARY Tram Vo* Leslie Friedman* Michael Harrington TREASURER Gina Garcia PRIVATE PRACTICE Simon Lambert EXECUTIVE COUNCILLOR Scott Haskins Jennifer Schork Meaghan Monaghan EXECUTIVE COUNCILLOR Susan Maltby Andrew Todd EXECUTIVE COUNCILLOR BOOK AND PAPER Victoria Binder RESEARCH & TECHNICAL STUDIES Laura Cunningham EASTERN REGIONAL COUNCILLOR Lynn Brostoff Angela Campbell* Lisa May WESTERN REGIONAL COUNCILLOR Charlie Costain Brenna Campbell Marie-Catherine Cyr STRATEGIC ALLIANCE LIAISON COUNCILLOR Karen Trentelman* Michelle Facini Amanda Gould SUSTAINABILITY AIC, FAIC, and CAC Staff Doris St. Jacques Tina Gessler Geneva Griswold COLLECTION CARE Eryl P. Wentworth AIC & FAIC - EXECUTIVE DIRECTOR Melissa Tedone* Kendra Gastright Danielle Allard CAC - ADMINISTRATION AND MEMBERS’ SERVICES Fiona Graham TEXTILES / ADMINISTRATION ET SERVICES AUX MEMBRES Gretchen Guidess Kathy Francis* Linda Budhinata AIC & FAIC - FINANCE MANAGER Karen Pavelka* Gail Niinimaa Brittany Dismuke AIC - MEMBERSHIP & COMMUNICATIONS ASSISTANT Kate Sahmel Melissa Ezelle FAIC - DEVELOPMENT ASSOCIATE EMERGENCY Katelin Lee AIC - MEETINGS ASSOCIATE Susan Duhl WOODEN ARTIFACTS Bonnie Naugle AIC - COMMUNICATIONS DIRECTOR Rosemary Fallon* Tad Fallon Eric Pourchot FAIC - INSTITUTIONAL ADVANCEMENT DIRECTOR Kim Norman Michael Harrington Christine Storti* Sarah Saetren FAIC - EDUCATION ASSOCIATE ELECTRONIC MEDIA Ruth Seyler AIC - MEMBERSHIP & MEETINGS DIRECTOR Marie-Catherine Cyr Jessica Unger FAIC - EMERGENCY PROGRAMS COORDINATOR Kate Lewis* Posters Rebecca Capua Ryan Winfield AIC - MEMBERSHIP COORDINATOR Lauren Sorensen Lisa Conte HEALTH AND SAFETY Allison Freake Anne Kingery-Schwartz Katherine Sanderson WIFI Password: montreal2016 Kerith Koss Schrager 2 *program chair May 13-17, 2016 Montreal, Canada EMERGENCY! Palais des Congrès Preparing for Disasters and Confronting the Unexpected in Conservation

In this meeting, colleagues will address Congratulations to AIC & CAC’s in a broad-based way the impact of past, present, and future disasters on the pro- 2016 Award Recipients! tection of cultural property. In addition, presentations will address confronting the Presented at the General Closing Session, Tuesday, May 17, at 4pm unexpected in conservation—whether it occurs during the treatment of an artifact AIC AWARDS President’s Award or during a natural disaster. Sheldon & Caroline Keck Award James M. Reilly Dr. Mary F. Striegel The scope includes immediate reactions, Dr. Robert Waller such as the application of crowd-map- Special Recognition for Allied ping technology to aid response efforts, Professionals as well as longer term developments Rutherford John Gettens Merit Dr. Bruce Kaiser stemming from disasters. In addition to Award Dr. Michael J. Ware situations caused by natural disasters, Richard L. Kerschner Preparing for Disasters can include Ross Merrill Award for accidents, terrorist activities, and climate Conservation Advocacy Award Outstanding Commitment to change. Confronting the Unexpected John R. Watson the Preservation and Care of can involve surprises encountered along Collections the way in any treatment and can be Honorary Membership expanded to include all stakeholders, Harvard University Dr. Eric Pourchot even future ones, who are affected by a disaster. Dr. H.F. (Gus) Shurvell CAA/AIC Joint Award Debra Hess Norris Please enjoy the many tours, sessions, Robert L. Feller Lifetime and learning experiences available at this Achievement Award CAC AWARDS joint meeting in Montreal! Dr. James Druzik Charles Mervyn Ruggles Award André Bergeron Publications Award Special thanks to the Samuel H. Arlen Heginbotham Emerging Conservation Award Kress Foundation for its support of Jodie Lee Utter Gyllian Porteous our annual meeting programs. 3 Highlights

General Sessions This year’s theme is Emergency! Preparing for Disasters and Confronting the Unexpected in Conservation. The general sessions feature talks on this theme; concurrent general sessions include: Confronting the Unexpected; Get Ready, Get Set - Emergency Preparedness; Go - Emergency Response; Lead by Example - Models to Follow; and Hearing from a Group - Two Panels on Collaborative Efforts Following Recent Disasters.

Pre-Conference Sessions Opening Session SATURDAY, MAY 14 • 10AM SUNDAY, MAY 15 • 8:30AM – NOON Choosing and Implementing an Automatic Fire Suppression Keynote by Dr. Anne-Imelda Radice plus four talks; Room 210 AB/EF* System for a Collecting Institution; Room 511 B/E SATURDAY, MAY 14 • 3PM Five Concurrent Sessions Government Funding for Conservation Research and MONDAY, MAY 16 • 2 – 5:30PM Treatment Panel; Room 511 B/E Track A: Confronting the Unexpected; Room 210 AB/EF* SATURDAY, MAY 14 • 4PM STASH Flash III; Room 511 A/D Track B: Get Ready, Get Set - Emergency Preparedness, Room 710 A SATURDAY, MAY 14 • 4:30PM Track C: Go - Emergency Response, Room 710 B NCPTT Reception; Room 511 B/E Track D: Hearing from a Group - Two Panels on Collaborative Efforts SATURDAY, MAY 14 • 5:45PM Following Recent Disasters, Room 516 AB Film Screening: Franco Zeffirelli’sFlorence: Days of Track E: Lead by Example - Models to Follow, Room 516 CD Destruction (1966); Room 710 A * SIMULTANEOUS TRANSLATION INTO FRENCH AVAILABLE

Opening Reception at Musée des beaux arts de Montréal Sunday, May 15 • 6:30 - 9:30 pm, Pre-Reception events 5:30 to 6:30 pm One ticket is included in all base conference registrations. Extra tickets for guests not registered for the meeting are $45/each This year’s Opening Reception will be held at the Musée des beaux-arts de Montréal. Join us for a night of spectacular food, including Québécois specialties, and drink as you reconnect with friends across the museum. Enjoy the galleries and explore the collections, including the special exhibition “Pompeii, A Roman City.” Bourgie Hall and Bourgie Pavilion will open at 5:30 pm. Come directly after the sessions and have a private viewing of one of the world's most extensive Inuit art collections before the reception starts. In addition, join Richard Gagnier, Head of Conservation Services, for a private viewing and discussion of the lengthy conservation process of the ensemble of Tiffany windows in the museum’s Bourgie Hall. This ensemble is one of only two commissions by Tiffany in Canada and one of their few surviving religious series in North America. The talks will be 30 minutes each (beginning at 5:30 and 6:30 pm); afterward, you can walk over to Bourgie Pavilion for the Opening Reception. Note: Bourgie Hall will not be open to Opening Reception guests after 7:00 pm, though Bourgie Pavilion will remain open. Buses start boarding at 5:30pm at the Palais des Congrès side entrance and Hyatt Regency Montreal front entrance. They will shuttle between the Hyatt, convention center, and museum throughout the night. If you prefer to beat the rush, take a bus at 5:30 pm. There will be a coat check at the Musée des beaux-arts de Montréal for your totebag. Sponsored by Huntington T. Block Insurance, with generous in-kind support provided by Musée des beaux-arts de Montréal

Florence Flood Responders, and the career of former Heritage Preservation Exhibit Hall President, Lawrence L. Reger. There will be light refreshments and a cash bar. Sunday and Monday, May 15-16 • 10 am - 5:30 pm (Lunch will be avail- Let’s end our meeting on a high note by celebrating not only a great conference able for purchase in the Exhibit Hall both days), Room 210 CD/GH but those who have given so much to the field. This session is included in your registration. This meeting features the largest North American gathering of suppliers in the conservation field. Mingle with exhibitors and discover new treatments and AIC & CAC Closing Dinner - A CAC business solutions. Posters on a range of conservation topics also will be on view in the Exhibit Hall, with an Author in Attendance session on Monday from Tradition 3:30 - 4 pm. Coffee, tea, and refreshments are available during session breaks Tuesday, May 17 • 6:30 - 9:30 pm, Vieux-Port Steakhouse, $75 on Sunday and Monday, at 10 am and 3:30 pm. Join us for an elegant 3-course dinner hosted in a 19th-century building There will be product demonstrations in the Exhibit Hall (see p. 44) from Noon - 2 right in the heart of Old Montreal, with stunning views of the river and city. pm on Monday, May 16. It’s a free event, with lunch available for purchase. Join Relax with your colleagues after a busy conference and take part in the silent us for demos and explanations of the latest conservation products and services! auction hosted by CAC, which will take place during the dinner. This dinner is a CAC tradition that is extra special this year as we welcome AIC members! AIC & CAC Awards Presentations & After dinner, enjoy an illuminated stroll through Old Montreal and perhaps a Closing Session nightcap or two! Tuesday, May 17 • 4 - 6:30 pm, Room 710 WIFI Password: montreal2016 Join us for a fun-filled session to honor our AIC and CAC award recipients,

4 Join the conversation by using #AICCAC to tag your social media posts! Highlights Don’t miss these business and committee meetings, receptions, and informative lunch sessions.

TOURS MAY 16 • MONDAY Tours on Thursday, Friday, and Saturday, see p. 10 5:30pm –6:30pm Reception: Canadian Association for Conservation Regional Meeting, Room 516 E *Buses depart from Hall Place-Riopelle (1st Level, Palais des Congrès). Plan to board 15 minutes early—buses leave exactly at the time noted. Walking tours will 5:30pm –9:30pm depart from the Registration Desk (2nd Level of the Palais des Congrès). Wooden Artifacts Dinner: Auberge du Vieux-Port, walking tour starts at 5:30pm, BUSINESS MEETINGS Dinner at 7pm SPECIALTY GROUPS 6:30pm –9:30pm Architecture + Objects Reception: Chateau Ramezay ASG: Monday, 12-2pm, Room 515 Sponsored by R. Alden Marshall & Associates LLC BPG: Monday, 7:15-8:30am, Room 210 AB/EF Book and Paper Reception: Bibliothèque et Archives nationales du Québec, with CIPP: Friday, 5-7pm, Room 511 B/E a pre-tour of the Archives at 6pm EMG: Monday, 8:30-9:30am, Room 513 D/F Electronic Media, Photographic Materials, & RATS Reception: Canadian Centre for Architecture OSG: Monday, 7:30-8:30am, Room 710 B Generous in-kind support provided by the Canadian Centre for Architecture PMG: Tuesday, 11:30am-Noon, Room 516 CD Paintings Reception: Musée d’art contemporain de Montréal PSG: Tuesday, 11am-Noon, Room 710 A Textiles Reception: McCord Museum, Sponsored by Tru Vue RATS: Tuesday, 11:30am-Noon, Room 511 B/E 8:30pm –9pm TSG: Monday, 7:30-8:30am, Room 511 A/D Reception: Buffalo/Cooperstown Pre-Reunion Party, Hyatt Imagination Room WAG: Tuesday, 3-4pm, Room 514 9pm –11pm Reception: North American Graduate Program Reunions, Hyatt Six Resto Lounge Archaeological Discussion Group: Monday, 1-2 pm, Room 516 E MAY 17 • TUESDAY NHR Business Meeting: Saturday, 4-5:30pm, Hyatt Symphonie 3 6:30pm –9:30pm Closing Dinner: Vieux-Port Steakhouse MEMBER BUSINESS MEETINGS AIC Member Meeting: Tuesday, 7:30-9:45am, Room 710 A LUNCH & LEARNS CAC Member Meeting: Tuesday, 8-9:45am, Room 710 B MAY 15 • SUNDAY Open to all members as noted. Continental breakfast served. Noon – 2pm OTHER Socratic Dialogue Luncheon, Room 516 E CAC Regional Meeting: Monday, 5:30-6:30pm, Room 516 E Collection Care Panel: Strategic Management of Collection Storage to Serve an CAPC Annual General Meeting: Monday, 1pm-2pm, Room 512 C Institution & Society, Room 511 C/F CCN Officer Breakfast (Invitation only): Sunday, 7- 8:30am, Room 512 H/D Mentorship and Networking Luncheon: Emerging Conservation Professionals H&S Breakfast: Sunday, 7- 8:30am, Room 512 G Network/Emerging Conservators Committee, Room 510 Publications Committee: Saturday, 6:30-7:30pm, Room 512 B MAY 16 • MONDAY JAIC Editors Luncheon (Invitation only): Sunday, Noon-2pm, Room 512 H/D Noon – 1pm Collection Care: Heritage Health Information, Room 510 (lunch not provided) Education and Training Committee Luncheon (Invitation only): Monday, Noon – 2pm Noon-2pm, Room 512 H/D Exhibit Hall Demos (lunch available for purchase) DINNERS & RECEPTIONS Luncheon Session: Practical Responses to Health & Safety Issues during an MAY 13 • FRIDAY Emergency, Room 511 C/F 5pm –7pm 1pm –2pm Reception/Business Meeting: CIPP, Room 511 B/E Archaeological Discussion Group Business Meeting, Room 516 E MAY 14 • SATURDAY MAY 17 • TUESDAY 7:15pm – 9:30pm Noon – 2pm Happy Hour: ECPN, Hyatt Saveur & Terrace Book and Paper Tips Session Luncheon, Room 510 9pm –11pm Objects Tips Session Luncheon, Room 710 B Reception: West Dean Reception, Hyatt Six Resto Bar & Lounge Paintings Tips Session Luncheon, Room 710 A MAY 15 • SUNDAY 6:30pm –9:30pm OTHER Opening Reception: Musée des beaux-Arts de Montreal, MAY 16 • MONDAY Sponsored by Huntington T. Block Insurance Agency, Inc. with generous 5:30pm – 7pm Wiki Workshop: Using Wikis to Collaborate, Share, and in-kind support provided by the Musée des beaux arts de Montréal. Advance Conservation Knowledge, Room 512 D/H 5 6 7 Schedule, Day by Day WIFI Password: montreal2016

THURSDAY, May 12 SATURDAY, May 14 TOUR TOURS*^

6:00pm – 9:00pm *Bus tours depart from Hall Place-Riopelle (1st Level, Palais des Congrès). Please Tour: Chinatown Tour and Progressive Dinner check the time on your ticket; buses board 15 minutes prior to noted ticket time. Please meet at the Registration Desk at 5:50pm ^Walking tours will depart from the Registration Desk (2nd Level). 9:00am – 1:00pm FRIDAY, May 13 Tour: Little Italy and the Market Walk with Tastings ^ 9:30am – 5:30pm TOURS*^ Tour: Saint Helen’s Island - Public Art, Stewart Museum, and River Cruise * *Bus tours depart from Hall Place-Riopelle (1st Level, Palais des Congrès). Please check the time on your ticket; buses board 15 minutes prior to noted ticket time. 10:00am – 1:30pm ^Walking tours will depart from the Registration Desk (2nd Level). Tour: Montreal in Pictures – the Notman Photographic Archives Storage at the McCord Museum * 1:00pm – 5:30pm Tour: First Nations Collections at McCord, Musée des beaux-Arts de 11:00am - 2:30pm Montreal* Tour: St. Lawrence River Architectural Cruise at Sunset * Tour: Musée des beaux-arts de Montreal (Contemporary Art Focus) * 1:00pm – 5:00pm Tour: Musée des beaux-arts de Montreal (Decorative Arts Focus) * Tour: St. Lawrence River Architectural Bike Ride ^

1:30pm – 5:00pm 1:30pm – 4:30pm Tour: Canadian Centre for Architecture Labs and Collections Tours * Tour: Mount Royal Afternoon Hike - A Frederick Law Olmsted Experience *

2:00pm – 5:00pm 2:00pm – 5:00pm Tour: Behind the Curtain: Costume/Textile Storage at the McCord Museum* Tour: Art Deco Walk ^ 2:00pm – 6:00pm Tour: Flavors and Aromas of Old Montreal * Tour: Public Art and Food Tasting Walk ^ 3:00pm – 6:00pm 2:30pm – 6:00pm Tour: Old Montreal Microbreweries * Tour: St. Armand Paper Mill * Tour: Old Montreal Walk ^

3:00pm – 6:00pm Tour: Old Montreal Walk ^ WORKSHOPS

5:00pm –8:00pm By Appointment Room 512 B Tour: Mount Royal Sunset Hike - A Frederick Law Olmsted Experience * Workshop: IMLS Grant Proposal Consult Appointments with Connie Bodner

Saturday Tour: St. Lawrence River Architectural Cruise at Sunset * 8:30am – 3:30pm Room 510 B Workshop: Gap-filling for Ceramics

& 6:00pm – 9:00pm Tour: Little Portugal Walk and Dinner ^ 9:00am – 12:30pm Room 510 D Workshop: Identification of East Asian Paper for Conservation PRE-MEETING SESSION 9:00am – 4:00pm Hyatt Regency, 9:00am – 5:00pm Room 510 A/C Ovation Room in the AM, Soprano in the PM Pre-Conference Session: IAMFA Meeting Workshop: Building Emergency Response & Salvage Decision Making Skills 8:30am – 4:30pm CCA, bus boards at 8:30am SEMINAR & RECEPTION Workshop: Gellan Gum Applications for Paper-based Objects

1:00pm – 5:00pm Room 511 C/F 10:00am – 1:00pm Room 510 C Seminar: Conservators in Private Practice Workshop: Ferrous Attractions, The Science Behind the Magic

5:00pm – 6:00pm Room 510 Foyer 10:00am – 5:00pm Room 510 A Reception: IAMFA Post-meeting Workshop: Digital Assessment Techniques for Video Works Sponsored by Tru Vue 1:30pm – 5:00pm Room 510 D 5:00pm –7:00pm Room 511 B/E Workshop: Identification of East Asian Paper for Conservation Reception: Conservators in Private Practice 2:00pm – 5:00pm Room 510 C Workshop: Ferrous Attractions, The Science Behind the Magic

Thursday, Friday, Friday, Thursday, 7:30pm –8:30pm Room 511 A/D Workshop: Respirator Fit Testing Lecture

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PRE-MEETING SESSIONS LUNCHEONS

10:00am – 12:00pm Room 511 B/E 12:00pm – 2:00pm Room 512 D/H Pre-Conference Session: Choosing and Implementing an Automatic Fire JAIC Editors Luncheon (Invitation only) Suppression System for a Collecting Institution 12:00pm – 2:00pm Room 516 E 3:00pm – 5:30pm Room 511 B/E Socratic Dialogue Luncheon: The Best Laid Disaster Plans of Mice and Pre-Conference Session: Government Funding for Conservation Research Men Often Go Awry - Now What? with W. (Bill) Wei and Treatment Panel - Presented by NCPTT 12:00pm – 2:00pm Room 511 C/F 4:00pm – 5:30pm Room 511 A/D Collection Care Network Luncheon: Strategic Management of Pre-Conference Session: STASH Flash III Collection Storage to Serve an Institution & Society

5:45pm –7:30pm Room 710 A 12:00pm – 2:00pm Room 510 Pre-Conference Session: Film: Zeffirelli’sFlorence: Days of Destruction ECPN and ECC Networking/Mentoring Luncheon and popcorn reception

MEETINGS & RECEPTIONS Specialty Sessions 7:15pm – 9:30pm Hyatt Saveur & Terrace Reception: Emerging Conservation Professionals Network Happy Hour ARCHITECTURE (JOINT WITH OBJECTS) Room 710 B 4:00pm – 5:30pm Hyatt Symphonie 3 Business Meeting: National Heritage Responders

4:30pm – 5:30pm Room 511 B/E BOOK AND PAPER Pre-Conference Session: NCPTT Reception Room 210 AB/EF*

6:30pm – 7:30pm Room 512 B 2:00pm – 2:30pm Business Meeting: Publications Committee The Rationale for Rebinding at the Pierpont Morgan Library in the Early Twentieth Century) A Case Study; Speaker: Saira Haqqi

2:30pm – 3:00pm SUNDAY, May 15 You wanted WHAT, WHEN? An Issue of Scale: Delivering high end treatments on a large collection of illuminated manuscripts; Speaker: 9:00am – 5:00pm Room 512 C Workshop: Respirator Fit Testing Appointments Debora D. Mayer 3:00pm – 3:30pm Speaker Ready Room Room 512 F All Over the Map: Bringing Buffalo’s Stars of Cartography to Light (One Lining at a Time); Speaker: Stephanie Porto Saturday General Sessions 3:30pm – 4:00pm OPENING SESSION Break in the Exhibit Hall Room 210 AB/EF* 4:00pm – 4:30pm Recent Conservation Treatments of Portrait Miniatures at Library and 8:30am – 9:30am Archives Canada; Speaker: Doris St-Jacques General Session Keynote Speaker: Dr. Anne-Imelda Radice 4:30pm – 5:00pm 9:30am – 10:00am Treatment of a Terrestrial Cary Globe; Speaker: Joanna P. McMann Emergency Management since the Florence Flood – The Crooked Timber of Progress; Speaker: Andrew Robb 5:00pm – 5:30pm Careful Consideration: Learning to Conserve a Kashmiri Birch-bark 10:00am – 10:30am & Manuscript; Speaker: Crystal Maitland Break in the Exhibit Hall 5:30pm – 6:15pm Sunday 10:30am – 11:00am BPG Wiki Session; Moderators: Evan Knight, Denise Stockman Visions of Disaster: Bringing the blur into focus; Speakers: Polly Christie, Sarah MacKinnon

11:00am – 11:30am When Disaster Mitigation is a Priority: Evidence from risk analysis of rare events; Speaker: Irene Karsten * SIMULTANEOUS TRANSLATION INTO FRENCH AVAILABLE 11:30am – 12:00pm Preserving Trauma: Treatment Challenges at the 9/11 Memorial Museum; Speaker: John D. Childs

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COLLECTION CARE EMERGENCY Room 516 AB Room 513 A/C

2:00pm – 2:30pm 2:00pm – 2:30pm Comprehensive Collection Risk Assessment at the Museum Victoria; National Strategy and Regional Reality: A systematic approach to Speakers: Maryanne McCubbin, Robert Waller disaster preparedness and recovery for cultural property; Speaker: Erika Hedhammar 2:30pm – 3:00pm Stuff Happens, So What? Condition changes and loss of value in archival 2:30pm – 3:00pm records; Speaker: Ala Rekrut Implementing Risk Management Strategies for the Manguinhos Historic Site: Protecting built heritage and collections; Speaker: Marcos José de 3:00pm – 3:30pm Araujo Pinheiro Preventive Conservation in Changing Times; Speakers: Luci Cipera, Carolyn Leckie 3:00pm – 3:30pm Risk Management in the Regional Museum of Anthropology Palacio 3:30pm – 4:00pm Cantón in Merida; Speakers: Laura Hernández Pena, Diana Ugalde Romo Break in the Exhibit Hall 3:30pm – 4:00pm 4:00pm – 4:30pm Break in the Exhibit Hall Spoiler alert! Planning around the pitfalls of construction projects; Speakers: Jeffrey Hirsch, Angela Matchica 4:30pm – 5:00pm OBJECTS (JOINT WITH ARCHITECTURE) Art and Noise: Is it a problem?; Speakers: Margaret Haupt, Andrea Room 710 B Sass-Kortsak 2:00pm – 2:30pm 5:00pm – 5:30pm A Methodology for Documenting Preservation Issues Affecting Cultural Conservation-Exhibition Design-HVAC: The design and implementation of Heritage in Syria and Iraq; Speaker: LeeAnn Barnes Gordon a plan for the management of RH and temperature control for traveling exhibitions in an historic building; Speaker: Tadeo Velandia 2:30pm – 3:00pm The Outdoor Sculpture Project at the Getty Conservation Institute; Speaker: Rachel Rivenc ELECTRONIC MEDIA Room 513 D/F 3:00pm – 3:30pm The Effect of an Unexpected Spring Thaw in Montreal: Natural Disaster 2:00pm – 2:30pm as ‘Fifth Business’; Speaker: Brittany Webster Conservation and Digital Preservation: (Where) Do the Two Roads Meet?; Speaker: David Stevenson 3:30pm – 4:00pm Break in the Exhibit Hall 2:30pm – 3:00pm Videotape Deterioration Mechanisms and Conservation Remedies: A 4:00pm – 4:30pm Primer; Speaker: Erik Piil The Rescue and Conservation of the Lost Shul Mural; Speaker: Richard Kerschner 3:00pm – 3:30pm How Sustainable is File-based Video Art? Exploring the Foundations 4:30pm – 5:00pm for Best Practice Development; Speakers: Sophie Bunz, Brian Castriota, Red Flames, Silver Linings; Speakers: Mimi Leveque, Eric Wolin Flaminia Fortunato 5:00pm – 5:30pm 3:30pm – 4:00pm Issues and Challenges in Conservation of Living Monastic Heritage in Break in the Exhibit Hall The Trans-Himalayan Region of Ladakh, India; Speakers: Satish C. Pandey

4:00pm – 4:30pm Recovering the Eyebeam Collection Following Superstorm Sandy: Conservation lessons for all revealed by a multimedia disaster; Speaker: Kara Van Malssen

4:30pm – 5:00pm Re-Constructions: Preserving the Video Installations of Buky Schwartz; Speaker: Eddy Colloton

5:00pm – 5:30pm Matters in Media Art III: Sustaining Digital Video Art; Speakers: Martina Haidvogl, Peter Oleksik Sunday

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PAINTINGS RESEARCH & TECHNICAL STUDIES (JOINT WITH PHOTOGRAPHIC MATERIALS) Room 710 A Room 516 CD

2:00pm – 2:30pm TEXTILES The Aftermath of Hurricane Sandy – Rescue and Treatment; Speakers: Carolyn Tomkiewicz, Caitlin Breare Room 511 A/D

2:30pm – 3:00pm 2:00pm – 2:30pm Preparing for the Worst: Re-developing and tailoring a rapid Dissociation Risks: The Conservation of Two Aboriginal Figurines and Their response bag and procedure to the specific needs and limitations of Textiles; Speakers: Nicole Charley, Jean Dendy the National Gallery; Speakers: Morwenna Blewett, Lynne Harrison 2:30pm – 3:00pm 3:00pm – 3:30pm Exploring Origins and Power: The technical analysis of two Yoruba A Disaster in the Making: Preserving Southeast Asian paintings at the masquerade costumes; Speaker: Rebecca Summerour Walters Art Museum; Speaker: Meaghan K. Monaghan 3:00pm – 3:30pm 3:30pm – 4:00pm Inherent Vice in the Woven Structure of Northwest Coast Spruce Root Break in the Exhibit Hall Hats; Speaker: Sara Serban

4:00pm – 4:30pm 3:30pm – 4:00pm The Painting Materials and Techniques of J.E.H. MacDonald: Oil Break in the Exhibit Hall Sketches from 1909-1922; Speakers: Alison Douglas, Kate Helwig 4:00pm – 4:30pm 4:30pm – 5:00pm The Creation of a Digitally Printed Reproduction Sleeve for an Eighteenth- The History, Technical Study, and Treatment of Francis Bacon’s Century Painted Silk Dress; Speakers: Alexandra Barlow, Miriam Murphy Painting 1946 ; Speaker: Ellen Davis 4:30pm – 5:00pm 5:00pm – 5:30pm Digital Mapping in Textile Conservation – New Documentation Methods The Mellow Pad in Layers, Colors, and Time: Investigating the with MetigoMap 4.0; Speaker: Christine Supianek-Chassay materials and technique of Stuart Davis; Speaker: Jessica Ford 5:00pm – 5:30pm The Dark Side of the Force: Magnets, Velcro and Unintended PHOTOGRAPHIC MATERIALS (JOINT WITH RATS) Consequences; Speakers: John Childs, Maureen Merrigan Room 516 CD WOODEN ARTIFACTS 2:00pm – 2:30pm Photography, Continuity and Change: Impact on the Conservation Room 514 Speaker: Bertrand Lavedrine Field; 2:00pm – 2:30pm 2:30pm – 3:00pm Embers in the Ashes: Challenges Encountered During the Restoration of Analysis of Historical Tintype Plates: Materials, Methods, and Fire-damaged Woodwork in a Historic House Museum; Speaker: Amanda Manufacturers; Speaker: Corina Rogge Salmon

3:00pm – 3:30pm 2:30pm – 3:00pm Investigation and Optimization of Electrochemical Treatment for Choices and Triage: The impact of early decisions on future treatment Daguerreotypes; Speaker: Elyse Canosa options; Speaker: Steve Pine

3:30pm – 4:00pm 3:00pm – 3:30pm Break in the Exhibit Hall A Ghost of the Civil War: A Man, a Flag, and a Frame; Speakers: Camille Myers Breeze, Melissa H. Carr 4:00pm – 4:30pm Characterizing RC Papers and Testing Adhesives Suitable for Their 3:30pm – 4:00pm Hinging; Speaker: Chris McGlinchey Break in the Exhibit Hall

4:30pm – 5:00pm 4:00pm – 4:30pm Identification of Chromogenic Colour Photographic Prints Brand by Aspects of the Manufacture of Chinese Kuan Cai Lacquer Screens; Sunday Spectral and Statistical Analysis; Speaker: Christine Andraud Speaker: Christina Hagelskamp

5:00pm – 5:30pm 4:30pm – 5:00pm Surface Roughness, Appearance, and Identification of AGFA-Gevaert Colonial Spanish American Lacquered Objects at the Hispanic Society of Photograph Samples; Speaker: W. (Bill) Wei America; Speaker: Monica Katz 5:00pm – 5:30pm Ghostly Evidence: Interventions in a 20th century Installation of Asian Lacquer Panels; Speaker: Melissa H. Carr

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OPENING RECEPTION Electronic Media, Photographic Materials, & RATS Reception: Canadian Centre for Architecture 6:30pm – 9:30pm Paintings Specialty Group Reception: Musée d’art contemporain de Opening Reception at the Musée des beaux-Arts de Montréal Montréal Sponsored by Huntington T. Block Insurance and in-kind support Textiles Specialty Group Reception: McCord Museum provided by the Musée des beaux-arts de Montréal. Sponsored by Tru Vue Note: Buses will shuttle from the Hyatt Regency, Conference Center, and the Museum throughout the night, beginning at 5:30pm. 9:00pm – 11:00pm Hyatt Six Resto Lounge North American Graduate Program Reunions 5:30pm – 6:30pm; 6:30pm –7:30pm Tour: Discussion at Bourgie Hall (See page 4 for more information). Bourgie Pavillion (museum wing) will be open at 5:30pm. Specialty Sessions Specialty Group receptions take place Monday night. See reception information above and on page 5. MONDAY, May 16 ARCHITECTURE EVENTS NOT LISTED IN A SESSION Room 515

10:00am – 5:30pm Room 210 CD/GH 8:30am – 9:00am Exhibit Hall Open Weather-Related Events and Historic House Museums: A Ten Year 12:00pm – 1:00pm Room 510 Review of Emergency Preparedness and Mitigation at Historic New (Collection Care) Heritage Health Information Session England; Speaker: Benjamin Haavik

1:00pm – 2:00pm Room 516 E 9:00am – 9:30am Archaeological Discussion Group: Business Meeting Involvement of Microbes in Cultural Heritage Protection at Angkor Thom, Cambodia; Speaker: Ji-Dong Gu 1:00pm – 2:00pm Room 512 C CAPC Meeting 9:30am – 10:00am Use of Façade & Art Documentation Surveys for Historic Cultural 5:30pm – 6:30pm Room 516 E Architecture and Art for Future Possible Restorations in Case of Canadian Association for Conservation Regional Meeting Disaster; Speakers: Battle Brown, Robert Alden Marshall

5:30pm – 7:00pm Room 512 D/H 10:00am – 10:30am Wiki Workshop: Using Wikis to Collaborate, Share, and Advance Break in the Exhibit Hall Conservation Knowledge 10:30am – 11:00am 9:00pm – 11:00pm Hyatt Six Resto Emergency Documentation and Condition Mapping of Decorated Historic North American Graduate Program Reunions Surfaces at the Caid Residence, The Kasbah of Taourirt (Ouarzazate, Morocco); Speaker: Mario Santana Quintero LUNCHEONS 11:00am – 11:30am 12:00pm – 2:00pm Room 515 Bracing Copan’s Subterranean Tunnels Against Hurricanes And Other Architectural Specialty Group Business Meeting & Luncheon Risks; Speaker: Laura Lacombe

12:00pm – 2:00pm Room 210 CD/GH 11:30am – 12:00pm Exhibit Hall Demos - Lunch Available for Purchase Protecting Stained Glass Windows From Vibrations Caused By Construction Operations; Speakers: Dean Koga, Michael Schuller 12:00pm – 2:00pm Room 511 C/F Practical Responses to Health & Safety Issues during an Emergency; 12:00pm - 2:00pm Room 515 Speakers: Barbara Lawson, Vicki Lee, Pierre Barbarie, Julie Sobelman Business Meeting: Architecture Specialty Group Monday

RECEPTIONS BOOK AND PAPER & Room 210 AB/EF 5:30pm – 9:30pm Wooden Artifacts Group Dinner: Auberge du Vieux-Port (Walking tour at 7:15am – 8:30am 5:30pm, dinner at 7pm) Business Meeting: Book & Paper Group

6:30pm –9:30pm 8:30am – 9:00am Architecture & Objects Groups Reception: Chateau Ramezay A Technical Exploration of a 19th century Qajar Artists’ Album; Speaker: Sponsored by R. Alden Marshall & Associates LLC Penley Knipe Book and Paper Group Reception: Bibliothèque et Archives nationales du

Sunday Sunday Québec

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9:00am – 9:30am 10:00am – 10:30am Watercolor Pencils: Composition and Conservation Concerns; Speakers: Break in the Exhibit Hall Lauren Buttle, Natasa Krsmanovic 10:30am – 11:00am 9:30am – 10:00am The World Goes “Pop”: Planning for Emergencies at TATE; Speakers: Louise Paper Tapestry: Wallpaper Preservation; Speaker: Joanna P. McMann Lawson, Deborah Potter

10:00am – 10:30am 11:00am – 11:30am Break in the Exhibit Hall Vermont Prepares!; Speaker: Eva Grizzard

10:30am – 11:00am 11:30am – 12:00pm A Low-Oxygen Capable Storage and Display Case for the Proclamation of IMALERT: Establishing the Iowa Museums, Archives, and Libraries the Constitution Act & Design of a Counterbalance Supporting Mount for Emergency Response Team; Speakers: Nancy Kraft, Elizabeth Stone the Books of Remembrance; Speakers: Eric Hagan, Michael Smith

11:00am – 11:30am OBJECTS (JOINT WITH WOODEN ARTIFACTS) Push Pins, Staples, Daylight, Glazing and Barrier Free: Are conservation Room 710 B standards becoming too relaxed?; Speaker: Joan Weir 7:30am – 8:30am 11:30am – 12:00pm Business Meeting: Objects Specialty Group The Coptic Binding Collection at the Morgan Library & Museum: History, 8:30am – 9:00am Conservation and Access; Speakers: Georgia Southworth, Francisco H. The Treatment and Installation of a Monumental Cedar Sculpture by Ursula Trujillo von Rydingsvard; Speaker: Emily Hamilton

ELECTRONIC MEDIA 9:00am – 9:30am The Study of Boxwood Prayer Beads and Miniature Altars from the Room 513 D/F Thomson Collection at the Art Gallery of Ontario and the Metropolitan 8:30am – 9:30am Museum of Art; Speaker: Lisa Ellis Business Meeting: Electronic Media Group 9:30am – 10:00am 9:30am – 10:00am Decoys X-rayed: What Volume rad tomography and computed tomography Putting the Time Base back in Time Based Media Conservation; Speakers: contribute to technical study; Speaker: Nancie Ravenel Kelly Haydon, Benjamin Turkus 10:00am – 10:30am 10:00am – 10:30am Break in the Exhibit Hall Break in the Exhibit Hall 10:30am – 11:00am 10:30am – 11:00am The Aftermath of Mends: Removing Historic Fabric Tape from Tlingit Slow Dissolve: Re-presenting synchronised slide-based artworks in the Basketry; Speakers: Caitlin Mahony, Teri Rofkar 21st Century; Speaker: Fergus O’Connor 11:00am – 11:30am 11:00am – 11:30am Encountering the Unexpected in Southeast Asian Lacquer: Treating the Doris When Functionality is Everything: A case study in recovering flood Duke Collection at the Walters Art Museum; Speaker: Stephanie Hulman damaged electronic parts from a musical instrument collection; 11:30am – 12:00pm Speaker: Hayley Robb A New Understanding of the Aging Characteristics of Asian Lacquer; 11:30am – 12:00pm Speaker: Marianne Webb Pinball for Posterity: Adapting the preservation principles of libraries to preserve arcade and pinball collections at The International Center for PAINTINGS the History of Electronic Games; Speaker: Carrie McNeal Room 710 A EMERGENCY 8:30am – 9:00am

Room 513 A/C The Autopoiesis of Acrylic Paint and Monochrome Painting in Montreal; Monday Speaker: Jessica Veevers 8:30am – 9:00am Lighting a Fire: Initiating an Emergency Management Program; Speaker: 9:00am – 9:30am Rebecca Fifield Bocour Paints and Barnett Newman Paintings: Context and correlations; Speaker: Corina Rogge 9:00am – 9:30am Disaster Plan in Greece; Speaker: Maria Lyratzi 9:30am – 10:00am An Investigation into the Materials and Techniques in Francis Picabia’s ‘La 9:30am – 10:00am Terre est Ronde,’ 1951; Speaker: Emily Prehoda Renovating the Disaster Preparedness Plan of the Renovated Rijksmuseum in Amsterdam; Speaker: Idelette Van Leeuwen 10:00am – 10:30am Break in the Exhibit Hall

13 Schedule, Day by Day

10:30am – 11:00am 11:00am – 11:30am The Life of Modern Painted Walls: Ethics, emergencies, and the future; Imaging of Analog Materials and Machine-Dependent Formats; Speaker: Speakers: Rustin Levenson, Veronica Romero-Gianoli, Oliver Watkiss Fenella France

11:00am – 11:30am 11:30am – 11:45am Reconciling the Past through the Conservation of the Fresco Mural Visible-Induced Luminescence Imaging: Past, Current and Future Painting Haitian Massacre, 1937 by Dominican artists José Ramírez Applications in Conservation Research; Speakers: Dawn Kriss, Anna Conde and Roberto Flores; Speakers: Hilda Abreu Utermohlen, Viviana Serotta Dominguez 11:45am – 12:00pm 11:30am – 12:00pm Using Portable XRF Analyzers for X-ray Radiography; Speaker: Ashley The Resurrection of The Angel; Speaker: Laurence Gagné Jehle

PHOTOGRAPHIC MATERIALS SUSTAINABILITY Room 516 CD Room 516 AB

8:30am – 9:00am 8:30am – 9:00am Facts and Fictions of Pink Prints; Speaker: Jennifer McGlinchey Sexton Preserving Cultural Heritage Through the Development of Digital Technologies and Community Engagement; Speaker: Sarah E. Braun 9:00am – 9:30am Understanding Temperature and Moisture Equilibration: A Path towards 9:00am – 9:30am Sustainable Strategies for Museum, Library and Archives Collections; Climate Change: A new threat to our Paper Material Heritage; Speaker: Speaker: Jean-Louis Bigourdan Vikram S. Rathore

9:30am – 10:00am 9:30am – 10:00am Photochromatic Images of Edmond Becquerel: Where do the colours An Unexpected Challenge – Can Shared Risk Make Good Bedfellows?; come from? Tracks in the understanding of the origin of their colours; Speakers: John Castle, Lois Olcott Price Speaker: Marie-Angelique Languille 10:00am – 10:30am 10:00am – 10:30am Break in the Exhibit Hall Break in the Exhibit Hall 10:30am – 11:00am 11:00am – 11:30am Sustainable Preservation on a Small Island – Interdisciplinary Separation Anxieties: Approaches to Freeing Photographs that are Stuck Approaches to Passive and Mechanized Environments; Speakers: Ronald to Glazing or to Each Other; Speakers: Barbara Lemmen, Emma Lowe Harvey, Jeremy Linden, Jennifer Pye

11:30am – 12:00pm 11:00am – 11:30am When Inkjet Prints Get Wet: First Contact to Weeklong Submersions; Achieving Competing Goals: Implementing Energy Efficient Cold Storage; Speaker: Daniel Burge Speakers: Tom Braun, Jeremy Linden

11:30am – 12:00pm RESEARCH & TECHNICAL STUDIES Sustainable Energy Reductions without Relaxed Environmental Criteria Room 511 B/E for a Hypothetical Museum in Montreal; Speaker: William Lull

8:30am – 9:00am Looking Closer, Seeing More: Recent developments in the technical TEXTILES documentation of paintings; Speaker: Ron Spronk Room 511 A/D

9:00am – 9:30am 7:30am – 8:30am Combining RTI with Image Analysis for Quantitative Tarnish and Business Meeting: Textiles Specialty Group Corrosion Studies; Speaker: Chandra Reedy 8:30am – 9:00am 9:30am – 10:00am A Material Disaster: Preservation of the Muppets; Speaker: Sunae Evans Towards Quantitative Reflectance Transformation Imaging; Speaker: Marc Walton 9:00am – 9:30am A Biological Disaster to Costume; Speaker: Cathleen Zaret 10:00am – 10:30am Break in the Exhibit Hall 9:30am – 10:00am A Textile Conservator’s Contribution to Disaster Preparedness at the 10:30am – 11:00am MFA, Boston; Speaker: Claudia P. Iannuccilli Infrared Imaging of Art Objects: Is It as Easy as It Sounds?; Speaker: Thomas Tague 10:00am – 10:30am Break in the Exhibit Hall Monday

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10:30am – 11:00am 3:00pm – 3:30pm Vial Things: Preserving the Unexpected in the Occult Jewelry of Simon Cologne Historical Archive Collapse: A critical history of emergency Costin; Speaker: Sarah Scaturro situation and ongoing disaster recovery process; Speaker: Marion Verborg, Nadine Thiel 11:00am – 11:30am Assessing Collection Emergency Training and Response: The Risks of 3:30pm – 4:00pm Adrenaline; Speakers: Lois Olcott Price, Dr. Joelle D. J. Wickens Break in the Exhibit Hall

4:00pm – 4:30pm WOODEN ARTIFACTS (JOINT WITH OBJECTS) Beyond Response: Christchurch Art Gallery’s Recovery from the Room 710 B Canterbury Earthquakes; Speaker: Gina Irish

4:30pm – 5:00pm General Sessions The Royal Palace and Square of Patan, Nepal and the Earthquake 2015: Immediate actions and midterm planning; Speaker: Martina Haselberger FIVE CONCURRENT TRACKS Track A: Confronting the Unexpected Room 210 AB/EF 5:00pm – 5:30pm Cultural Heritage During Armed Conflict and Planning for the Future in Track B: Get Ready, Get Set: Emergency Preparedness Room 710 A Syria and Iraq: The ASOR Cultural Heritage Initiatives; Speaker: Allison Track C: Go - Emergency Response Room 710 B Cuneo Track D: Hearing from a Group - Two Panels on Collaborative Efforts Following Recent Disasters Room 516 AB Track C: Go - Emergency Response Track E: Lead by Example, Models to Follow Room 516 CD Room 710 B Track A: Confronting the Unexpected 2:00pm – 2:30pm Room 210 AB/EF Nobody Expects the Spanish Inquisition: Developing protocols for protecting Israeli museum collections from armed conflict; Speaker: 2:00pm – 2:30pm Rachael Perkins Arenstein The Uses of Oral History in Documenting Disasters: A Case Study of the 2:30pm – 3:00pm Speakers: Rebecca Anne Rushfield, Joyce Hill Stoner Florence Flood; The Emergency Response Team at the Centre de conservation du Québec; 2:30pm – 3:00pm Speaker: Eloïse Paquette Race, Diversity and Politics in Conservation: Our 21st Century Crisis; 3:00pm – 3:30pm Speaker: Sanchita Balachandran Living with Water: The Whitney Museum of American Art’s Transformative 3:00pm – 3:30pm Flood Mitigation Approach; Speaker: Scott Newman Preservation of the Detroit Institute of Arts (DIA) Collection: Protecting 3:30pm – 4:00pm Art at Risk; Speaker: Barbara Heller Break in the Exhibit Hall 3:30pm – 4:00pm 4:00pm – 4:30pm Break in the Exhibit Hall Collections Emergency Planning for London; Speaker: Sharon Robinson 4:00pm – 4:30pm 4:30pm – 5:00pm Speaker: Robert Get SMART! Setting clear expectations for preservation; Ready for Reaction: Harvard’s Library Collections Emergency Team; Waller Speaker: Priscilla Anderson 4:30pm – 5:00pm 5:00pm – 5:30pm

Conserving Culture First: The 2013 Fire at the U’mista Cultural Centre; Building a Foundation for Cultural Recovery, Resilience and Future Speakers: Beth Boyce, Heidi Swierenga Conservation Efforts in Haiti after the 2010 Earthquake; Speakers: 5:00pm – 5:30pm Stephanie Hornbeck, Olsen Jean Julien The Challenges of Conservation of Artifacts from Major Disasters: Titanic,

Challenger, Columbia and the World Trade Center; Speaker: Elizabeth Beesley Monday Track D: Hearing from a Group - Two Panels on Collaborative Efforts Following Recent Disasters Track B: Get Ready, Get Set - Emergency Preparedness Room 710 A Room 516 AB

2:00pm – 2:30pm 2:00pm – 3:30pm Through Hell or High Water: Disaster Recovery Three Years after Saving and Preserving Family and Local History from Natural Disasters: Alberta’s Floods; Speakers: Emily Turgeon-Brunet, Amanda Oliver Addressing Challenges from the Recent Earthquakes in Japan; Speakers: Masashi Amano, Ph.D., Kazuko Hioki, Tomoko Yasuda Ishimaru, Daishi 2:30pm – 3:00pm Yoshihara, Ph.D. Clandon Park: Rising from the ashes; Speaker: Christine Leback Sitwell

* SIMULTANEOUS TRANSLATION INTO FRENCH AVAILABLE 15 Schedule, Day by Day

3:30pm – 4:00pm Specialty Sessions Break in the Exhibit Hall ARCHITECTURE 4:00pm – 5:30pm To Protect and Preserve: Collaborative Efforts to Build and Sustain Room 515 Cultural Heritage Emergency Networks; Speakers: Alexandra Ellem, Lori 10:00am – 10:30am Foley, Malia Van Heukelem, Fiona Macalister, Julie Page Flash, Flame, and Finishes: Investigating Fire Damaged Architectural Finishes; Speakers: Stephanie M. Hoagland, Helen M. Thomas-Haney Track E: Lead by Example - Models to Follow Room 516 CD 10:30am – 11:00am And Now What?: Technical and ethical decision-making process 2:00pm – 2:30pm regarding a Parisian 17th-century painted ceiling in the aftermath of Our Place in Line: Response Protocol for Conservators Following Major a catastrophic fire; Speaker: Dominique Martos-Levif Disasters; Speaker: David Goist 11:00am – 11:30am 2:30pm – 3:00pm Surviving Multiple Disasters: Conserving New York’s Telephone PRICE: Preparedness and Response in Collection Emergencies; Building Murals; Speaker: Avigail Charnov Speaker: Sarah Stauderman 11:30am – 12:00pm 3:00pm – 3:30pm Post-Disaster Data Collection: Testing New Tools in Port-au-Prince, Damage and Destruction of Cultural Heritage in Poland: Lessons from Haiti; Speaker: William Raynolds the Past, Initiatives for the Future; Speaker: Julio M. del Hoyo-Melendez 2:00pm – 2:30pm 3:30pm – 4:00pm Monitoring Cultural Heritage in Conflict Using Remotely Sensed Break in the Exhibit Hall Imagery: Syria; Speaker: Susan Wolfinbarger

4:00pm – 4:45pm 2:30pm – 2:35pm Alliance for Response New York City - Collaborations to Protect and (Architecture Student Session) Introduction; Moderator: Jennifer Preserve Cultural Heritage; Speakers: Cindy Albertson, Elizabeth Nunan Schork

4:45pm – 5:30pm 2:35pm – 2:50pm Emergency Care for the Nation’s Records; Speaker: Doris Hamburg (Architecture Student Session) Preservation for a Digital Future: Using Laser Scanning to Protect Pompion Hill Chapel, Huger, South Carolina; Speaker: Jane Ashburn TUESDAY, May 17 2:50pm – 3:05pm (Architecture Student Session) An Investigation of the Painted BUSINESS MEETINGS Finishes of Mission San José de Tumacácori’s Façade: At the Interface 7:30am – 9:45am Room 710 A of Materials Analysis, Conservation, and Cultural Confluence; Speaker: AIC Member Business Meeting Jocelyn Chan

8:00am – 9:45am Room 710 B 3:05pm – 3:20pm CAC Business Meeting (Architecture Student Session) Zion Chapel of Ease Cemetery: Continential breakfast will be available at both meetings. Present Communication of Past Devastation; Speaker: Anna Lindamood

LUNCHEONS 3:20pm – 3:35pm (Architecture Student Session) Performance Assessment and 12:00pm – 2:00pm Room 510 Book and Paper Tips Session Luncheon (including two talks below) Evaluation of Hydrophobic and Ultraviolet Protective Treatments for Historic Log Structures; Speaker: Courtney Magill

Tuesday 12:00pm – 12:30pm Room 510 A Preliminary Investigation Into the Use of Diethylenetriaminepenta- 3:35pm – 3:50pm

& acetic Acid (DTPA) and Ethylenediaminetetraacetic Acid (EDTA) to Treat (Architecture Student Session) Color Me Interested: Identification of Foxing of Paper Objects; Speaker: Brook Prestowitz Pigments in Early Trade Catalogues; Speaker: Corey Manchenton pm pm 12:30pm – 1:00pm Room 510 3:50 – 4:00 TEK-Wiping out the Competition: The ideal reusable absorbent (Architecture Student Session) Q & A; Moderator: Jennifer Schork material; Speaker: Kaslyne O’Connor BOOK AND PAPER 12:00pm – 2:00pm Room 710 B Objects Tips Session Luncheon Room 520 10:00am – 10:30am 12:00pm – 2:00pm Room 710 A A Protocol to Conserve Glazed Paper After a Water Damage; Speaker: Monday Monday Paintings Tips Session Luncheon Céline Allain

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10:30am – 11:00am 2:00pm – 2:30pm Post-flood Development of Mass Treatments at the National Library of Susan Kare and Her Macintosh Icons: A Co-Acquisition; Speakers: Ben Florence: The Roots of Library Conservation; Speaker: Sheila Waters Fino-Radin, Martina Haidvogl, Mark Hellar

11:00am – 11:30am 2:30pm – 3:00pm Targeted Cleaning of Works on Paper: Rigid Polysaccharide Gels Unauthorized Archives and Unreleased Software: Preserving a and Conductivity-Adjusted Aqueous Solutions; Speakers: Amy Hughes, Cancelled Project; Speaker: James Hodges Michelle Sullivan 3:00pm – 4:00pm 11:30am – 12:00pm Electronic Media Discussion Panel Soft Matter: Gel development for conservation treatment; Speaker: Mylène Leroux EMERGENCY 12:00pm – 12:30pm Room 510 Room 513 A/C (BPG Tips Session) A Preliminary Investigation Into the Use of Diethy- lenetriaminepentaacetic Acid (DTPA) and Ethylenediaminetetraacetic 10:00am – 10:30am Acid (EDTA) to Treat Foxing of Paper Objects; Speaker: Brook Prestowitz Rock Art Before Natural Disasters; Speaker: Beatriz Haspo 10:30am – 11:00am 12:30pm – 1:00pm Room 510 (BPG Tips Session) TEK-Wiping out the Competition: The ideal reusable The Museum Flood Funding Program: The Alberta Museums absorbent material; Speaker: Kaslyne O’Connor Association’s Response to the 2013 Alberta Floods; Speakers: Claire Neily, Owen Thompson 2:00pm – 4:00pm Room 520 Archives Conservation Discussion Group 2016: “Innovative Approaches 11:00am – 11:30am to Disaster Response: Real-Life Tips and Tricks”; Moderators: Andrea Lesson Learnt in an Emergency: Sorting channels for efficient Knowlton, Dawn Mankowski; Speakers: Masashi Amano, Ph.D., Whitney actions; Speaker: Céline Allain Baker, Debra Cuoco, Yasmeen Khan, Marta O’Neill, Dan Paterson, Olivia 11:30am – 12:00pm Primanis, Andrew Robb, Daishi Yoshihara, Ph.D. Documenting Disasters: Post-Disaster Memory-Making and the 2:00pm – 4:00pm Room 510 Emergence of New Cultural Heritage; Speaker: Valerie Marlowe Art on Paper Discussion Group 2016: “Paper is Part of the Picture: 2:00pm – 2:30pm Connoisseurship and Conservation Practice”; Moderators: Rachel Scaling–up First Aid for Cultural Heritage during a Complex Freeman, Cyntia Karnes, Stephanie Lussier Emergency: Lessons from Nepal; Speaker: Aparna Tandon

2:30pm – 3:00pm COLLECTION CARE Emergency Preservation during Armed Conflict: Protecting the Room 516 AB Ma’arra Museum in Syria; Speaker: Dr. Brian Daniels

10:00am – 10:30am 3:00pm – 3:30pm Saving Collections in an Uncertain World: Context, collaboration and The Iraqi Institute: Conservation’s role in disaster preparedness, training; Speakers: Claire Fry, Fiona Macalister, Christine Murray recovery and long-term redevelopment; Speaker: Jessica Johnson

10:30am – 11:00am 3:30pm – 4:00pm Making it up as We Go Along: How we got it right by doing everything Emergency Committee Panel Discussion; Moderators: Susan Duhl, wrong; Speakers: Amy Bowman, Rebecca Elder Rosemary Fallon, Kim Norman, Steve Pine 11:00am – 11:30am Speakers: Dr. Brian Daniels, Jessica Johnson, Aparna Tandon Building an Emergency Response Plan for Archaeological Sites; Speaker: Caroline Roberts OBJECTS Room 710 B (through lunch); Room 516 AB (from 2pm) 11:30am – 12:00pm When Emergency Preparedness (Or Even An Emergency) Is Foreign 10:00am – 10:30am Territory; Speakers: Jacinta Johnson, Kari Rayner Reverse Engineering Ancient Greek Ceramics: An Interdisciplinary Collaboration; Speaker: Sanchita Balachandran Tuesday ELECTRONIC MEDIA 10:30am – 11:00am Room 513 D/F Looking at Guilloche Work in Conservation; Speakers: Brittany Nicole 10:00am – 11:00am Cox, David Lindow Emulation as a Conservation Strategy for Software-Based Art; Speakers: 11:00am – 11:15am Dragan Espenschied, Ben Fino-Radin, Mark Hellar When in Rome, do as the Romans do? The Conservation of an Italian 11:00am – 12:00pm Marble and Micromosaic Tabletop; Speaker: Elizabeth La Duc Best Practices for Conservation of Media Art from an Artist’s Perspective; Speaker: Rafael Lozano-Hemmer

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11:15am – 11:30am PHOTOGRAPHIC MATERIALS An Unexpected Surface: Research and treatment of a 19th century Room 516 CD mounted oyster shell by Froment-Meurice; Speaker: Emily Brown 10:00am – 10:30am 11:30am – 11:45am Salvaging Memories: The Recovery of Fire-Damaged Photographs and Acne Gel for Green Ear Syndrome? A study on copper corrosion stain Lessons Learned in Conservation and Kindness; Speaker: Debra Hess Norris removal from poly(vinyl chloride); Speaker: Dawn MP Wallace 10:30am – 11:00am 11:45am – 12:00pm Separation Anxiety: Kiss Your Acetate Goodbye!; Speakers: Nicole The Use of Gums and Resins in Archaeology and Microchemical Tests for Christie, Cindy Colford their Identification; Speaker: Christina Bisulca, Nancy Odegaard 11:00am – 11:30am 2:00pm – 2:30pm Room 516 AB Problems with Image: A Conservator’s Role in the Attribution of Conservation of Joan Miró’s bronze sculptures at the Museum of Modern Photographs; Speaker: Adrienne Lundgren Art; Speaker: Megan Randall 11:30am – 12:00pm 2:30pm – 3:00pm Room 516 AB Business Meeting: Photographic Materials Group Conservation and Investigation of Ancient Bodies at Abydos - Challenging work in post-revolutionary Egypt; Speakers: Mohamed Ahmed Ibrahim, 2:00pm – 2:30pm Lucy-Anne Skinner Methods for Cleaning Brass Mats from Cased Photographs; Speakers: Ariane Lalande, Christophe Vischi 3:00pm – 3:30pm Room 516 AB Using Heat and Cold in the Treatment of a Lakota Winter Count; Speakers: 2:30pm – 3:00pm Madeleine Neiman, Nancy Odegaard Enhanced: Nineteenth Century Hand-coloured Photographic Portraits; Speaker: Anne MacKay 3:30pm – 4:00pm Room 516 AB Facing the Past for Action in the Future: Cultural survival in Native 3:00pm – 3:30pm America; Speaker: Kelly McHugh Research into an Alternative Method for Mounting Photographs onto Aluminium Supports; Speaker: Clara von Waldthausen

PAINTINGS 3:30pm – 4:00pm Room 710 A (through lunch); Room 511 A/D (from 2pm) Restoration of an Experimental Film: Research of an adhesive compatible with color film materials; Speaker: Constance Duval 10:00am – 10:30am A Study of Painted Animation Cels, Their Materials and Deterioration Processes; Speaker: Katharina Hoeyng RESEARCH & TECHNICAL STUDIES Room 511 B/E 10:30am – 11:00am Using Web-Based Projects to Promote Conservation and Engage Diverse 10:00am – 10:30am Audiences; Speakers: Brian Baade, Kristin deGhetaldi Ensuring Maximum Impact for Conservation Science; Speaker: Marie- Claude Corbeil 11:00am – 12:00pm Business Meeting: Paintings Specialty Group 10:30am – 11:00am Colorimetric Sensor Arrays for Monitoring Pollutant Exposure of 2:00pm – 2:30pm Room 511 A/D Artwork; Speaker: Kenneth Suslick Carlo Crivelli’s ‘St. George Slaying the Dragon’ at the Isabella Stewart Gardner Museum: Technique and Restoration; Speaker: Gianfranco 11:00am – 11:30am Pocobene Investigation of Fogging Glass Display Cases at the Royal Ontario Museum; Speakers: Helen Coxon, Jennifer Poulin 2:30pm – 3:00pm Room 511 A/D Exploring Pieter de Hooch’s Mid-Career Period: A Study of Growth in 11:30am – 12:00pm Creativity; Speaker: Dina Anchin Business Meeting: Research & Technical Studies

3:00pm – 3:30pm Room 511 A/D 2:00pm – 2:30pm Experimental Study on Merits of Virtual Cleaning of Paintings with Aged Out of the Rain: Uncovering artistic process in Gustave Caillebotte’s Varnish; Speaker: Giorgio Trumpy ‘Paris Street, Rainy Day’; Speaker: Kelly Keegan

3:30pm – 4:00pm Room 511 A/D 2:30pm – 3:00pm The Identification Of Natural Indian Yellow and Other Historic Late 19th Characterizing the Age of Ancient Egyptian Manuscripts through micro- Century Pigments from the Toulouse-Lautrec Estate in France; Speakers: Raman Spectroscopy; Speaker: Sarah Goler Rebecca Ploeger, Aaron N. Shugar 3:00pm – 3:30pm Reproducibility in Quantitative XRF Analysis of Copper Alloys: Problems and Ways Forward; Speaker: Arlen Heginbotham Tuesday

18 Join the conversation by using #AICCAC to tag your social media posts! Schedule, Day by Day

3:30pm – 4:00pm 11:30am – 12:00pm Binders and Pigments used in Traditional Aboriginal Bark Paintings; Branch Surprises: Anatomy, identification and conservation concerns; Speaker: Narayan Khandekar Speaker: Kasey Lee

2:00pm – 2:30pm TEXTILES In Situ Chelation of Waterborne Stains from Historic Unfinished Room 511 A/D Architectural Woodwork; Speaker: Melissa McGrew

10:00am – 10:30am 2:30pm – 3:00pm Foxy Underpants: Or, the use of chelators, enzymes, and surfactants to Going Grey: Mitigating the Weathering of Wood in the Architecture of remove foxing stains from linen underpants; Speaker: Laura Mina Louis Kahn; Speaker: Andrew Fearon Tuesday

10:30am – 11:00am 3:00pm – 3:30pm Gelling in Theory and Practice: An Examination of Agarose Gels in Textile Business Meeting: Wooden Artifacts Group Conservation; Speaker: Emma Schmitt General Session 11:00am – 11:30am Tips and Tricks to Remove the Mud from Textile Collections After a CLOSING SESSION Flood; Speaker: Gail Niinimaa 4:00pm – 6:30pm Room 710 11:30am – 12:00pm Closing Reception and AIC Awards Presentations Emergencies, Liquid Stains, Dirt, & Textile Cleaning Techniques: A Textile 6:30pm – 9:30pm Vieux-Port Steakhouse & Specialty Group Discussion Closing Dinner and Auction, buses begin shuttling at 6:30pm and dinner will begin at 7pm; address: 39 Rue Saint Paul Est, Montréal, QC H2Y 1G2 Wednesday WOODEN ARTIFACTS Room 514 10:00am – 10:30am WEDNESDAY, May 18 The ABCs of a Monumental Frame: Analysis, Bronze Paint & Chelators; Speakers: Allison Jackson, Adeline Lutts, Carola Schueller TOURS

10:30am – 11:00am 8:00am Hyatt Regency Montreal Bus Lobby Loss Compensation on Furniture: Traditional vs Modern Methods and Tour: Bus boards for Quebec City Tour Materials; Speaker: Behrooz Salimnejad 9:00am – 1:00pm Hyatt Regency Montreal Bus Lobby 11:00am – 11:30am Tour: Katajjaniq (throat singing) – a preservation exploration in words, To Fly or Not to Fly, That is the Question: Conservation of a John Doggett artifacts, and song Frame at Pilgrim Hall Museum; Speaker: William B. Adair

Opening Reception: Explore the museum at your leisure! Board a bus at 5:30pm

The Musée des Beaux-Arts Montréal will be open, now including the museum wing Bourgie Pavilion, for exploration beginning at 5:30pm on Sunday evening. Leave right after the last session and check your tote bags at the museum! Two tours about the conservation of the museum's Tiffany windows will commence at 5:30pm and 6:30pm.

You will have access to almost all areas of the museum, so take advantage of the early opening to see all you can, while enjoying delicious food and drinks. Bourgie Hall will not be open to Opening Reception guests after 7:00 pm, though Bourgie Pavilion will remain open.

Buses will circulate between the Hyatt Regency, the Palais des Congrès, and the Musée throughout the evening. See page 4 for a full description of the night.

Join the conversation by using #AICCAC to tag your social media posts! 19 Sophie Chessum, National Trust, Curator/ communication. laboratoire de recherche des Directory of Speakers Consultancy Manager, Wisley, Surrey, UK monuments historiques, Research Engineer, John D. Childs, Childs Conservation Consulting, champs sur marne, Seine-et-Marne, France Hilda Abreu-Utermohlen, Hilab, Executive Sofia Lo Bianco, Art Gallery of New South Wales, LCC, Principal Viviana Dominguez, Art Conservators Lab Miami Director, Santo Domingo, Dominican Republic Frames Conservator, Ashfield, Sydney, Australia Davison Chiwara, Midlands State University, Florida, Chief Conservator, Miami, FL William B. Adair, Gold Leaf Studios, Inc., Lead Jean-Louis Bigourdan, Image Permanence Lecturer, Gweru, Midlands, Zimbabwe Alison Douglas, McMichael Canadian Art Conservator, Washington, DC Institute, Rochester Institute of Technology, Jessica Chloros, Isabella Stewart Gardner Collection, Conservator, Kleinburg, ON, Canada Ioanna Adamopoulou, Ministry of Culture, Senior Research Scientist, Rochester, NY Museum, Associate Objects Conservator, Boston, Michael Doutre, Queen’s University, Research Archaeologist-Museologist, Piraeus, Greece Christina Bisulca, Arizona State Museum, MA Technologist, Kingston, ON, Canada Cindy Albertson, Albertson & Nunan, Inc., Research Specialist, Tucson, AZ Nicole Christie, Peterborough Museum & Daniel Doyle, Parks Canada, Conservator, Conservator, New York, NY Morwenna Blewett, National Gallery, Paintings Archives, Conservator, Peterborough, ON, Ottawa, ON, Canada Canada Céline Allain, National Library of France, BnF, Conservator, UK Israël Dubé-Marquis, Canadian Centre for Emergency response coordinator, Paris, France Barbara Drake Boehm, Metropolitan Museum Polly Christie, Glasgow School of Art, Recovery Architecture, Head of Building Services, of Art, The Paul and Jill Ruddock Senior Curator, Project Lead, Archives & Collections, Glasgow, Montreal, Quebec Peter Alyea, Library of Congress, Sound Scotland, UK Engineer, Washington, DC Department of Medieval Art and The Cloisters Elizabeth La Duc, Straus Center for Conserva- Elsa Bourguignon, Ministère de la culture et de Luci Cipera, Canadian Museum of Nature, tion, Harvard Art Museums, Objects Conserva- Masashi Amano, Ph.D., International Research Conservator, Gatineau, Quebec, Canada tion Fellow, Cambridge, MA Institute of Disaster Science, Tohoku University, la communication, laboratoire de recherche des Assistant Professor, Aoba-ku, Miyagi, Japan monuments historiques, Engineer, champs sur Eddy Colloton, Moving Image Archiving and Michael Duffy, The Museum of Modern Art, marne, Seine-et-Marne, France Preservation, MA Student, NYU, New York Conservator Dina Anchin, National Gallery of Art, Associate Painting Conservator, Landover, Maryland Amy Bowman, Dolph Brisco Center for American Meg Craft, The Walters Art Museum, Head of Dominique Duguay, Canadian Conservation History, Photographs Archivist, Austin, TX Objects Conservation, Baltimore, MD Institute, Conservation Scientist, Ottawa, Canada Priscilla Anderson, Harvard University, Senior Preservation Librarian, Weissman Preservation Beth Boyce, Museum at Campbell River, Curator Carla Maria Teixeira Coelho, Casa de Oswaldo Susan Duhl, CIPP-Conservator/Collections Center, Cambridge, MA and Education Manager, Campbell River, BC, Cruz / Fundação Oswaldo Cruz, Architect / Consultant/AIC CERT Working Group/AIC Canada Researcher, Rio de Janeiro, Brazil Emergency Committee, Conservator/Collections Christine Andraud, Centre de Recherche sur la Consultant, Bala Cynwyd, PA Conservation / MNHN, Professor, Paris, France Sarah E. Braun, Sustainable Heritage Cindy Colford, Peterborough Museum & Consultant, Paris, France Archives, Conservator, Peterborough, ON, Teresa Duncan, Georgetown University, Jason Anema, Canadian Conservation Institute, Canada Ph.D. Candidate, Department of Chemistry, Conservation Scientist, Ottawa, ON, Canada Thomas J. Braun, Minnesota Historical Society, Senior Objects Conservator & Conservation Unit Marie-Claude Corbeil, Canadian Conservation Washington, District of Columbia Julie Sobelman, CIH, CSP, LEED AP, Consulting Manager, Saint Paul, MN Institute, Manager, Conservation Science Constance Duval, Photography conservator, Industrial Hygienist, Vienna, VA Caitlin Breare, Museum of Fine Arts, Boston, Division, Gloucester, ON, Canada Paris, France Rachael Perkins Arenstein, Bible Lands Assistant Conservator, Paintings, Boston, MA Oliver Cossairt, Northwestern University, Rebecca Elder, Cultural Heritage Preservation, Museum Jerusalem, Conservator, Scarsdale, NY Angela Breeden, Peabody Essex Museum, Move Professor, Evanston, IL Principal, Austin, TX Nick Artim, Heritage Protection Group, Principal Coordinator, Salem, MA Brittany Nicole Cox, Memoria Technica, Alexandra Ellem, University of Melbourne, Jane Ashburn, Warren Lasch Conservation Camille Myers Breeze, Museum Textile Services, Horological Conservator, Seattle, WA Conservator of Paintings & Lecturer, Northcote, Center with the Clemson University Restoration Director, Andover, MA Helen Coxon, Royal Ontario Museum, Senior VIC, Australia Institute, Intern, North Charleston, SC Battle Brown, Manassas Consulting, LLC, Conservator, Preventive Conservation, Toronto, Lisa Ellis, Art Gallery of Ontario, Conservator Erica Avrami, Columbia University Graduate Founder/Owner, Pittsburgh, PA ON, Canada of Sculpture and Decorative Arts, Toronto, ON, School of Architecture, Planning, and Preserva- Canada Emily Brown, Penn Museum, Project Allison Cuneo, Project Manager, ASOR tion, James Marston Fitch Assistant Professor of Deena Engel, New York University, Clinical Historic Preservation, New York, NY Conservator, Wilmington, DE Debra Cuoco, Weissman Preservation Center, Harvard University, Paper Conservator, Professor, New York, NY Brian Baade, University of Delaware, Assistant Lisa Bruno, Brooklyn Museum, Chief Conservator, Brooklyn, NY Cambridge, MA Bradford Epley, The Menil Collection, Chief Professor, Painting Conservator, and Researcher Conservator, Houston, Texas of Historical Painting Materials and Techniques, Sophie Bunz, Berne University of the Arts, MA Lee Ann Daffner, The Museum of Modern Art, Newark, DE Student, Berne, Switzerland Andrew W. Mellon Foundation Conservator of Dragan Espenschied, Rhizome, Digital Photographs, New York, NY Conservator Roger Bagnall, Institute for the Study of the Daniel Burge, Rochester Institute of Technology, Ancient World (ISAW) at New York University, Senior Research Scientist, Rochester, NY Renée Dancause, Canadian Conservation Suzanna Etyemez, The Getty Conservation Professor of Ancient History and Leon Levy Institute, Conservator, Textiles, Ottawa, ON, Institute, Intern, Los Angeles, CA Lauren Buttle, Queen’s University, Art Conserva- Canada Director of the Institute for the Study of the tion Program, Paper Conservator, Mount Hope, Sunae Park Evans, National Museum of Ancient World, New York, NY ON, Canada Pete Dandridge, Metropolitan Museum of Art, American History, SI, Sr. Costume Conservator, Conservator and Administrator, New York, NY Alexandria, VA Whitney Baker, University of Kansas Libraries, Angela Cacciola, Barnard College, Columbia Head of Conservation Services Nano Initiative, Columbia University, Researcher, Dr. Brian Daniels, Penn Cultural Heritage Center, William L. Fash, Jr., Harvard University, Charles Sanchita Balachandran, Johns Hopkins New York, NY University of Pennsylvania Museum, Director of P. Bowditch Professor of Central American and Archaeological Museum, Curator/Conservator, Research and Programs, Washington, DC Mexican Archaeology and Ethnology, Cambridge, Sean Campbell, Fleming College, Student, North MA Baltimore, MD Bay, ON, Canada Ellen Davis, The Museum of Modern Art, Mary W. Ballard, Smithsonian Museum Con- Conservation Fellow, New York, NY Andrew Fearon, Materials Conservation, Chief Claudia Cancino, Getty Conservation Institute, Architectural Conservator, Philadelphia, PA servation Institute, Senior Textiles Conservator, Senior Project Specialist, Los Angeles, CA MJ Davis, WASHI, Paper Conservator and Preven- Suitland, MD tive Conservation Specialist, West Burke, VT Ruben Dario Romani Ferreyra, Musas Cuianas, Elyse Canosa, University of Arizona, Graduate Heritage School, Museologist, Luján de Cuyo, Alexandra Barlow, Metropolitan Museum of Art, Student, Tucson, AZ Edouard de Saint-Ours, Centre de Recherche sur Assistant Conservator, New York, NY la Conservation / CNRS, Student, Paris, France Argentina Melissa H. Carr, Masterwork Conservation, George Field, Royal British Columbia Museum, Kevin Barni, Center for Historic Architecture Arlington, MA Catherine Defeyt, Getty Conservation Institute, & Design, University of Delaware, Research Graduate Intern, Los Angeles, CA Objects Conservator, Victoria, British Columbia, Assistant John W. Castle, Winterthur Museum, Garden & Canada Library, Director of Facility Services, Winterthur, Kristin deGhetaldi, University of Delaware, PhD Greg Bearman, ANE Imaging Program in Preservation Studies, Newark, DE Rebecca Fifield, Rebecca Fifield Preservation DE Services, Preservation Consultant, Fishkill, NY Maria Bedynski, Library and Archives Canada, Brian Castriota, University of Glasgow, Marie Sandra Deike, Art Gallery of Ontario, Manager, Senior Paper Conservator, Gatineau, QC, Canada Health & Safety, Toronto, ON, Canada Ben Fino-Radin, Museum of Modern Art, Skłodowska-Curie ITN Research Fellow & Ph.D. Associate Media Conservator, New York City, NY Elizabeth Beesley, Conservation Solutions, Inc., Candidate, Glasgow, UK John K. Delaney, The National Gallery of Art, Conservator & Project Manager, Clinton, MD Senior Imaging Scientist, Landover, MD Mary-Lou Florian, The Royal British Columbia Nicole Charley, Centre De Conservation Du Museum, Conservation Scientist, Honorary Irit Lev Beyth, Israel Museum Jerusalem, Head Quebec, Textile Conservator, Quebec, Canada Jean Dendy, Centre de conservation du Québec, Member of AIC, Victoria, BC, Canada of Chemistry Conservation Lab, Hod Hasharon, Avigail Charnov, EverGreene Architectural Arts, Conservator of Ethnographic Materials, Quebec, Israel Canada Lori Foley, FEMA | Smithsonian Institution, Manager of Conservation Services, New York, NY Administrator, Heritage Emergency National Task Justine Posluszny Bello, Conservation Solutions, Forget Chaterera, National University of Lucile Dessennes, Bibliotheque nationale de Force, Lincoln, MA Inc., Vice President of Operations & Senior Science and Technology, Lecturer, Bulawayo, France, Paper conservator, Paris, France Conservator, Clinton, MD Jessica Ford, Brooklyn Museum, Mellon Fellow, Matabeleland, Zimbabwe Vincent Detalle, Ministère de la culture et de la Brooklyn, NY 20 Élisabeth Forest, Centre de conservation du Conservator, Book Conservation Section Québec, Paintings Conservator, Quebec City, Lynne Harrison, National Gallery, Paintings Quebec, Canada Directory of Speakers Conservator, London, UK Flaminia Fortunato, Berne University of the Doris Hamburg, National Archives and Records Stephanie Hulman, The Walters Art Museum, Dawn Kriss, Brooklyn Museum, Project Arts, MA Student at Berne University of the Arts, Administration, Director of Preservation Assistant Objects Conservator, Baltimore, MD Conservator, Brooklyn, NY Berne, Switzerland Programs, College Park, MD Matthew Hyleck, Baltimore Clayworks, Potter Gabriela Krist, Institute of Conservation; The University of Glasgow, Sarah Foskett, Emily Hamilton, San Francisco Museum of and Education Coordinator University of Applied Arts Vienna, Head of University Teacher, Glasgow City, UK Modern Art, Associate Objects Conservator, San Claudia P. Iannuccilli, Museum of Fine Arts, Institute, Vienna, Austria Fenella France, Library of Congress, Chief, Francisco, CA Boston, Textile and Costume Conservator, Natasa Krsmanovic, Queen’s University, Preservation Research and Testing Division, Saira Haqqi, NYU Institute of Fine Arts, Boston, MA Contract Conservator, Master of Art Conservation Washington, DC Conservation Center, Graduate Student, New Mohamed Ahmed Ibrahim, The Egyptian ‘15, Smiths Falls, ON, Canada Ann Frellsen, Emory University Libraries, York, NY Museum, Conservator, Cairo, Egypt Laura Lacombe, Harvard University, Archaeo- Collections Conservator, Atlanta, GA Lynne Harrison, National Gallery, Paintings Gina Irish, Christchurch Art Gallery, Registrar, logical Site Conservator, North Reading, MA Karen French, The Walters Art Museum, Senior Conservator, London, UK New Zealand Maria LaGasse, University of Illinois at Urbana- Conservator of Paintings, Baltimore, MD Ronald Harvey, Tuckerbrook Conservation LLC, Tomoko Yasuda Ishimaru, Tokyo Restoration & Champaign, Graduate Research Assistant, Jean-Marc Frigerio, Institut des Nanosciences Conservator, Lincolnville, ME Conservation Center (TRCC), Paper Conservator, Urbana, IL de Paris / UPMC, Professor, Paris, France Martina Haselberger, Institute of Conservation, Ome city, Tokyo, Japan Ariane Lalande, Centre De Conservation Du Claire Fry, English Heritage, Senior Collections University of Applied Arts Vienna, Project Allison Jackson, Frames & Gilding Conservator, Quebec, Artifact Conservator, Quebec, QC, Conservator, UK Coordinator, Vienna, Austria Somerville, MA Canada Alexander Gabov, Conservation of Sculptures, Laura Hashimoto, Queen’s University, Contract Nancy Jacobi, The Japanese Paper Place, Julia Langenbacher, Getty Conservation Institute, Monuments and Objects, Conservator/owner, Conservator, Mississauga, ON, Canada Toronto, ON, Canada Research Lab Assistant, Los Angeles, CA ON, Canada Margaret Haupt, Art Gallery of Ontario, Head Ashley Jehle, Yale University Art Gallery, Marie-Angélique Languille, Centre de Recherche Laurence Gagné, Conservation of Sculptures, of Conservation, Special Adviser on Collections Postgraduate Fellow in Objects Conservation, sur la Conservation / CNRS, Conservation Monuments and Objects, Conservator, Kingston, Care, Toronto, ON, Canada New Haven, CT Scientist, Paris, France ON, Canada Kelly Haydon, Bay Area Video Coalition, Jacinta Johnson, Winterthur/University of Bertrand Lavedrine, Centre de Recherche sur la Pablo Garcia, The School of the Art Institute of Preservationist, San Francisco, CA Delaware Program in Art Conservation, Graduate Conservation des Collections / MNHN, Professor, Chicago, Assistant Professor of Contemporary Erika Hedhammar, Swedish National Heritage Fellow, Cleveland Heights, OH Paris, France Practices, Chicago, IL Board, Advisor, Visby, Sweden Jessica Johnson, Smithsonian’s Museum Barbara Lawson, Redpath Museum, Curator of Giovana Jaspersen García, INAH, Arlen Heginbotham, J. Paul Getty Museum, Conservation Institute, Head of Conservation, World Cultures Conservator-Restorer of the Regional Museum of Conservator, Los Angeles, CA Suitland, MD Louise Lawson, Tate, Conservation Manager Anthropology Palacio Cantón in Merida, Mérida, (Sculpture and Time Based Media), London, UK Yucatán, Mexico Mark Hellar, Hellar Studios LLC, Owner, San Olsen Jean Julien, Phenixience, Consultation and Francisco, CA Development Firm, Director, Port-au-Prince, Haiti Tom Learner, Getty Conservation Institute, Head Ministry of Culture, Georgia Georgiou, of Science, Los Angeles, CA Arheologist-Museologist, Athens, Greece Barbara Heller, Detroit Institute of Arts, Director Jessica Kaisaris, Octoly, Head of Global and Conservator, Special Projects, Detroit, MI Business Development, Paris, France Carolyn Leckie, Canadian Museum of Nature, Goist Art Conservation, Conservator David Goist, Conservator, Gatineau, QC, Canada of Paintings and Painted Surfaces, Asheville, NC Kate Helwig, Canadian Conservation Institute, Elisheva Kamaisky, Israel Antiquities Authority, Senior Conservation Scientist, Ottawa, ON, Head, Pottery Conservation Unit, Tsur Hadassah, Vicki Lee, Maryland State Archives, Director of Columbia Nano Initiative at Sarah Goler, Canada Israel Conservation, Chesapeake Beach, MD Columbia University, Postdoctoral Fellow, New York, NY Laura Hernandez, Conservator-Restorer of Irene Karsten, Canadian Conservation Institute, John Leeke, Historic HomeWorks, Portland, ME the Regional Museum of Anthropology Palacio Preservation Development Advisor, Ottawa, ON, Idelette Van Leeuwen, Rijksmuseum, Head of LeeAnn Barnes Gordon, American Schools of Cantón in Merida, INAH, Mérida, Mexico Canada Oriental Research, Project Manager for Conserva- paper conservation, Amsterdam, Netherlands Malia Van Heukelem, University of Hawaii at tion and Heritage Preservation, Boston, MA Yoko Katayama, Tokyo University of Agriculture Christine Leger, Centre Canadien d’Architecture, Manoa Library, Preservation Specialist, Kaneohe, and Technology, Professor, Fuchu, Tokyo, Japan Librarian Maureen R. Graves, Grady Memorial Hospital, HI Quality Manager Imaging Services, Dallas, GA Monica Katz, Hispanic Society of America, Barbara Lemmen, Conservation Center for Canadian Conservation Institute, Greg Hill, Conservator, New York, NY Art & Historic Artifacts, Senior Photograph Roger Griffith, Museum of Modern Art, Associate Senior Conservator, Archival and Photographic Kelly Keegan, Art Institute of Chicago, Assistant Conservator, Swarthmore, PA Conservator, New York, NY Materials, Ottawa, ON, Canada Paintings Conservator, Chicago, IL Mylène Leroux, Paris 1 Panthéon-Sorbonne, Carol Grissom, Smithsonian Museum Conserva- Rosaleen Hill, Queen’s University, Art tion Institute, Senior Objects Conservator, Richard Kerschner, Kerschner Museum Master 2 Student, Paris, France Conservation Program, Rosaleen Hill, Kingston, Conservation Services, Principal, Ferrisburgh, VT Suitland, MD ON, Canada Rustin Levenson, ArtCare Miami and New York, Eva Grizzard, Northeast Document Conservation Daria Keynan, Daria K. Conservation, Owner, President and Founder, Miami, FL Kazuko Hioki, University of Kentucky Libraries, New York, NY Center, Preservation Specialist, Andover, MA Conservation Librarian, Lexington, KY Mimi Leveque, Peabody Essex museum, Ji-Dong Gu, University of Hong Kong, Associate Yasmeen Khan, Library of Congress, Senior Conservator, Salem, MA Jeffrey Hirsch, EwingCole, Principal, Director of Conservator, Book Conservation Section Professor, Hong Kong Cultural Practice, Philadelphia, PA Anna Lindamood, Savannah College of Art and Narayan Khandekar, Harvard Art Museums, Design, M.A. Candidate, Historic Preservation, Sherry Guild, Canadian Conservation Institute, Jablonski Building Stephanie M. Hoagland, Director, Straus Center for Conservation and Savannah, GA Senior Conservator (retired), Ottawa, ON, Conservation, Inc., Principal, New York, NY Canada Technical Studies, Cambridge, MA Jeremy Linden, Image Permanence Institute, Rutgers University, PhD Student, James Hodges, Herant Khanjian, Getty Conservation Institute, Senior Preservation Environment Specialist, Anisha Gupta, Winterthur/UD & FAMSF, Graduate Toms River, NJ Intern, San Francisco, CA Scientist, Los Angeles, CA Rochester, NY Katharina Hoeyng, The Getty Conservation Daniel P. Kirby, Private Practice, Conservation David Lindow, David Lindow Clockmaker, Benjamin Haavik, Historic New England, Team Institute, Research Associate, Los Angeles, CA Leader Property Care, Boston, MA Scientist, Milton, MA Clockmaker, Lake Ariel, PA Athena Christa Holbrook, The Museum of Lauren Klein, Yale University Emma Lowe, University of Lincoln, Conservator, Alexis Hagadorn, Columbia University Libraries, Modern Art, Collection Specialist in Media and Student, Lincoln, UK Head of Conservation for the Columbia Performance Art, Brooklyn, NY Penley Knipe, Harvard Art Museums/Straus University Libraries, New York, NY Center for Conservation and Technical Studies, Rafael Lozano-Hemmer, Artist, Rafael Lozano- Caryatid Conservation Stephanie Hornbeck, Philip and Lynn Straus Conservator of Works of Hemmer Studio, Montreal, QC, Canada Eric Hagan, Canadian Conservation Institute, Services, Inc., Director of Conservation, Miami, FL Conservation Scientist, Ottawa, ON, Canada Art on Paper, Cambridge, MA Chloé Lucas, Institut National du Patrimoine, Julio M. del Hoyo-Melendez, The National Christina Hagelskamp, The Metropolitan Andrea Knowlton, UNC - Chapel Hill, Associate Student, Aubervilliers, Seine-Saint-Denis, France Museum in Krakow, Research Scientist, Krakow, Conservator for Special Collections, Chapel Museum of Art, Assistant Conservator, New Poland William Lull, Garrison/Lull Inc., President, York, NY Hill, NC Princeton Jct, NJ Xiang Huang, Northwestern University, Post Dean Koga, Building Conservation Associates, Martina Haidvogl, Associate Media Conservator, doctoral fellow Adrienne Lundgren, Library of Congress, Senior San Francisco Museum of Modern Art, San Inc., Director of Technical Services Photograph Conservator, Baltimore, MD Amy Hughes, The Metropolitan Museum of Art, Francisco, CA Nancy Kraft, University of Iowa Libraries, Head Adeline Lutts, Museum of Fine Arts, Boston, Andrew W. Mellon Fellow in Paper Conservation, of Preservation and Conservation, Iowa City, IA Alan Haley, Library of Congress, Senior New York, NY Conservation Engineer, Boston, MA 21 Lisa Nilsen, Swedish National Heritage Board, Gianfranco Pocobene, Isabella Stewart Directory of Speakers Advisor, Visby, Sweden Gardner Museum, John L. and Susan K. Chief Lilietta Nyasha Njovana, Student, Midlands Conservator, Boston, MA Maria Lyratzi, Pedagogical Institute, Patricia McGuiggan, Department of Materials State University, Harare, Zimbabwe Marilen Pool, Arizona State Museum, Project Conservator, Athens, Greece Science and Engineering, Johns Hopkins Debra Hess Norris, Winterthur/University of Conservator, Tucson, AZ Fiona Macalister, Independent Conservator University, Associate Research Professor, Delaware Program in Art Conservation, Chair of Stephanie Porto, Niagara Art Conservation, & ICOMOS-ICORP, Preventive Conservator & Baltimore, MD the Art Conservation Department and Professor Owner and Paper Conservator, Niagara Falls, Consultant, Bristol, Avon, UK Kelly McHugh, National Museum of the of Photograph Conservation, Newark, DE ON, Canada Anne MacKay, McCord Museum, Head, American Indian, Objects Conservator, Elizabeth Nunan, Alliance for Response New Karen Potje, Canadian Centre for Architecture, Conservation, Montreal, Quebec, Canada Washington, DC York City, Co-chair, Astoria, NY Head, Conservation/Preservation Department, Montreal, QC, Canada Sarah MacKinnon, Glasgow School of Art, Joanna P. McMann, Prince of Wales Northern Fergus O’Connor, Tate, Senior Conservation Project Manager: Mackintosh Restoration, Heritage Centre, Assistant Conservator, Technician (Time-based Media), London, UK Deborah Potter, Tate, Head of Conservation, Glasgow, UK Yellowknife, Northwest Territories, Canada Marta O’Neill, NARA-NPRC - Preservation London, UK Cesar Maguiña, Instituto Americano de Christine McNair, Canadian Conservation Insti- Program, Preservation Officer, Saint Louis, MO Jennifer Poulin, Canadian Conservation Investigacion y Conservacion, Presidente, tute, Conservator - Books / Textiles, Archaeology, Nancy Odegaard, Arizona State Museum - Institute, Senior Conservation Scientist, Ottawa, Chiclayo, Chiclayo, Peru Objects and Paper, Ottawa, ON, Canada University of Arizona, Conservator - Professor, ON, Canada Anne Maheux, Library and Archives Canada, Carrie McNeal, The Strong, Director of Tucson, AZ Emily Prehoda, Kuniej Berry Associates, LLC, Division Director of Museum Services, Cody, WY Conservation, Rochester, NY Peter Oleksik, Museum of Modern Art, Assistant Associate Paintings Conservator, Chicago, IL Caitlin Mahony, National Museum of the Vanessa (Evangelia) Melissourgaki, Fondazione Media Conservator, New York, NY Brook Prestowitz, Conservation Center for Art & American Indian, Mellon Fellow, Yardley, PA Benetton Studi Ricerche, Assistant Curator- Amanda Oliver, Assistant Archivist, Western Historic Artifacts, Samuel H. Kress Conservation Museologist, Athens, Greece Fellow, Wilmington, DE Crystal Maitland, Canadian Conservation University Archives, Edmonton, AB, Canada Institute, Paper Conservator, Ottawa, ON, Maureen Merrigan, National September 11 Kaslyne O’Connor, Art Institute of Chicago, Lois Olcott Price, Adjunct Senior Conservator, Canada Memorial and Museum, Assistant Conservator, Kress Fellow, Chicago, IL Winterthur Museum, Garden & Library, New York, NY Winterthur, DE Carole Maître, Berne University of the Arts, MA Julie Page, Western States & Territories Student, Berne, Switzerland Paul Messier, Yale University, Head of Lens Preservation Assistance Service, WESTPAS Olivia Primanis, Harry Ransom Center, The Media Lab, IPCH, Brighton, MA University of Texas at Austin John A. Malko, Emory University, Associate Co-Coordinator, La Jolla, CA Professor of Radiology and Adjunct Associate Stefan Michalski, Canadian Conservation Isabelle Pallot-Frossard, C2rmf (centre de Jennifer Pye, Monhegan Museum of Art and Professor of Physics, Atlanta, GA Institute, Senior Conservation Scientist, Ottawa, recherche et de restauration des musées de History, Chief Curator ON, Canada Kara Van Malssen, AVPreserve, Senior France), Director, Paris, France Mario Santana Quintero, Carleton Immersive Consultant, Brooklyn, NY Marija Milchin, Institute of Conservation, Satish C. Pandey, National Museum Institute, Media Studio, Carleton University, Assistant University of Applied Arts Vienna, university Assistant Professor of Art Conservation, New Professor, Ottawa, ON, Canada Corey Manchenton, CANY, Field Inspector, New assistant, Vienna, Austria York, NY Delhi, Delhi, India Mark Rabinowitz, Conservation Solutions, Inc., Laura Mina, The Metropolitan Museum of Art, Senior Conservator Executive Vice President, Dawn Mankowski, Special Collections Eloise Paquette, Centre De Conservation Du Associate Conservator, The Costume Institute, Quebec, Paintings Conservator, Quebec, QC, Newport, RI Conservator, Barbara Goldsmith Preservation & New York, NY Conservation Department, New York University Canada Dr. Anne-Imelda Radice, American Folk Art Library, NYC, NY Elizabeth Moffatt, Canadian Conservation Dr. Paul Pastorello, Conservation Professional, Museum, Director, New York, NY Institute, Conservation Scientist (retired), Restauratori Senza Frontiere Italia, Rome, Italy Megan Randall, Museum of Modern Art, Benjamin Markus, Getty Conservation Institute, Ottawa, ON, Canada Project Specialist, Los Angeles, CA Alice Boccia Paterakis, Kaman-Kalehöyük, Yas- Conservation Fellow, New York, NY Dana Moffett, National Museum of African Art, Valerie Marlowe, University of Delaware, sihöyük, and Büklükale Excavations, Japanese Vikram S. Rathore, Deputy Manager, Conserva- Smithsonian Institution, Senior Conservator, Institute of Anatolian Archaeology, Director of tion Center, Mehrangarh Museum, India Doctoral Candidate, Newark, DE Washington, DC Conservation, Kaman, Kirsehir, Turkey David Ratzan, Institute for the Study of the Robert Alden Marshall, R. Alden Marshall & Graciela Silvia Molina, Ministry of Culture of Associates LLC, Director, Senior Conservator, Stella Pateli, Archaeologist/Conservator/ Ancient World (ISAW), New York University, Head Nation Argentina/Instituto Nacional de Estudios Museologist, Athens, Greece Librarian, New York, NY New Cumberland, PA de Teatro, Conservator/Restorer, Ciudad Dominique Martos-Levif, Laboratoire de Autonoma de Buenos Aires, Buenos Aires, Dan Paterson, Library of Congress, Senior Nancie Ravenel, Shelburne Museum, Objects Recherche des Monuments Historique, Engineer, Argentina Conservator, Book Conservation Section Conservator, Shelburne, VT conservator scientist, Champs sur Marne, Meaghan K. Monaghan, The Walters Art David Peggie, National Gallery, Organic Analyst, Georgina Rayner, Harvard Art Museums, Andrew France Museum, Andrew W. Mellon Fellow of Paintings London, UK W. Mellon Postdoctoral Fellow in Conservation Janet Mason, Canadian Conservation Institute, Conservation, Baltimore, MD Susan Penacho, Project Manager of Geospatial Science, Cambridge, MA Conservator (retired), Ottawa, ON, Canada Caitlin Moore, Cornell University, Conservation Imaging Kari Rayner, The Hamilton Kerr Institute, Angela Matchica, EwingCole, Principal, Director Technician, Ithaca, NY Kenneth Percy, Carleton Immersive Media Cambridge University, Paintings Conservator, Cambridge, Cambridgeshire, UK of Lighting Design, Philadelphia, PA Charles J. Moore, Preservation Society of Studio, Carleton University, PhD Student, Debora D. Mayer, Weissman Preservation Newport County, Conservator, Portsmouth, RI Ottawa, ON, Canada William Raynolds, Columbia University Graduate Center, Harvard Library, Helen H. Glaser Senior Alan Phenix, The Getty Conservation Institute, School of Architecture, Planning, and Preserva- Carolyn Morgan, Bruce Peel Special Collections tion, Adjunct Assistant Professor, New York, NY Conservator, Cambridge, MA & Archives, Conservator, Edmonton, AB, Canada Scientist, Los Angeles, CA Joy Mazurek, The Getty Conservation Institute, Joanna Phillips, Guggenheim, Conservator of Chandra Reedy, University of Delaware, Miriam Murphy, Private Practice, Conservator, Professor, Newark, DE Assistant Scientist St. Louis, MO Time-Based Media, New York, NY Kristen McCormick, Walt Disney Animation Roberta Piantavigna, The Museum of Modern Martin Reinhardt, The Strong, Arcade Game Christine Murray, National Trust, Preventive Conservation Technician Research Library, Art Exhibitions and Conserva- Conservation Adviser – Skills & Projects, UK Art, Andrew W. Mellon Fellow in Conservation of tion Manager, Burbank, CA Photographs, New York, NY Ala Rekrut, Archives of Manitoba, Manager, Claire Neily, Alberta Museums Association, Preservation Services, Winnipeg, MB, Canada Maryanne McCubbin, Museum Victoria, Head, Flood Response Technician, Edmonton, Canada Erik Piil, The Kramlich Collection / New Art Trust, Strategic Collection Management, Melbourne, Associate Conservator, Brooklyn, NY Emily Ricketts, Conservation of Sculptures, Madeleine Neiman, University of Pennsylvania Victoria, Australia Steve Pine, Museum of Fine Arts, Houston, Senior Monuments and Objects, Conservator, Kingston, Museum of Archaeology and Anthropology, ON, Canada John McElhone, National Gallery of Canada, Project Conservator, Philadelphia, PA Conservator of Decorative Arts, Houston, TX Chief Conservator, Ottawa, ON, Canada Marcos José de Araujo Pinheiro, Oswaldo Cruz Rachel Rivenc, Getty Conservation Institute, Andrew Nelson, Sustainable Archaeology at Associate Scientist, Los Angeles, CA Chris McGlinchey, The Museum of Modern the University of Western Ontario, London, ON, Foundation/ Casa de Oswaldo Cruz, Vice-director Art, Sally and Michael Gordon Conservation Canada of Information and Cultural Heritage, Rio de Rebecca Rivry, consulting firm ECMH, Engineer, Scientist, New York, NY Janeiro, RJ, Brazil Chevilly-Larue, Val-de-Marne, France Richard Newman, Museum of Fine Arts, Boston, Melissa McGrew, Building Conservation Head of Scientific Research, Boston, MA Kassiani Plati, Peloponnesian Folklore Founda- Andrew Robb, Library of Congress, Head, Associates, Inc., Architectural Conservator, tion , V. Papantoniou, Historian-Museologist, Special Format Conservation Section and Newton Centre, MA Scott Newman, Cooper Robertson, Architect, Argos, Greece Coordinator, Preservation Emergency Response New York, NY Rebecca Ploeger, Buffalo State Program in Art Team, Washington, DC Gail Niinimaa, Niinimaa Enterprises, Textile Conservation, Assistant Professor, Conservation Hayley Robb, National Music Centre, Objects Conservator, Calgary, AB, Canada Science, Buffalo, NY Conservator, Calgary, AtB, Canada 22 Caroline Roberts, Kelsey Museum of - Conservation of Bio-archaeology, Mayfield, Archaeology, Conservator, Ann Arbor, MI East Sussex, UK Directory of Speakers Sharon Robinson, Museum of London, Collection Dave Smith, Arizona State Museum, Adjunct Care Manager, London, UK Conservation Scientist, Tucson, AZ Lauren Telepak, Harvard Library, Collections Marc Walton, Northwestern University / Art Hannelore Roemich, Institute of Fine Arts’ Michael Smith, Library and Archives Canada, Conservator, Cambridge, MA Institute of Chicago Center for Scientific Studies Conservation Center, New York University, Collection Manager, Textual and Cartographic, Helen M. Thomas-Haney, Jablonski Building in the Arts, Senior Scientist, Evanston, IL Chairman and Professor of Conservation Unpublished & Unbound, Gatineau, QC, Canada Conservation, Inc., Principal, New York, NY Sonam Wangchok, Himalayan Cultural Heritage Science, New York, NY Joanna Sobczyk, The National Museum in Owen Thompson, Alberta Museums Association, Foundation, Secretary, Leh Ladakh, India, Teri Rofkar, Tlingit Weaver, Sitka, AK Krakow/Laboratory of Analysis and Non- Flood Advisory Lead, Edmonton, Alberta, Canada Jammu and Kashmir, India Destructive Investigation of Heritage Objects, Corina Rogge, Museum of Fine Arts, Houston, John Ward, Canadian Conservation Institute, Conservation Scientist, Krakow, Malopolskie, Jonathan Thornton, Buffalo State Program in Art Andrew W. Mellon Research Scientist, Houston, Preservation Development Advisor, Ottawa, ON, Poland Conservation, Professor, Objects Conservation, TX Buffalo, NY Canada Georgia Southworth, Georgia Southworth Rubén Darío Romani, Mendoza, Argentina Sheila Waters, Calligraphic Designer, in Private Conservation, Independent Book Conservator, Carolyn Tomkiewicz, Private Practice, Paintings Practice, Fairfield, PA Veronica Romero-Gianoli, ArtCare NYC and Jackson Heights, NY Conservator, Brooklyn, NY Miami, A Rustin Levenson Company, Senior Oliver Watkiss, ArtCare NYC and Miami, A Spicer Art Conservation, LLC, Bill Tompkins, Smithsonian Institution, Director, Conservator, Miami, FL Gwen Spicer, Rustin Levenson Company, Senior Conservator, Delmar, NY National Collections Program, Washington, DC Bijan Rouhani, ASOR, Project Specialist in Risk Miami, FL Andrew Spitzer, Warren Lasch Conservation Francisco H. Trujillo, The Morgan Library and Management and Built Heritage Marianne Webb, Webb Conservation Services, Center with the Clemson University Restoration Museum, Associate Book Conservator, New Principal Conservator, Halfmoon Bay, BC, Rebecca Anne Rushfield, Consultant in Private Institute, North Charleston, SC York, NY Practice, Flushing, NY Canada Ron Spronk, Queen’s University, Art Conserva- Manfred Trummer, Austrian Museum of Applied Brittany Webster, Conservation of Sculptures, Behrooz Salimnejad, Philadelphia Museum of tion Program, Professor of Art History, Kingston, Arts / Contemporary Arts, Head of Conservation Monuments and Objects (CSMO) and B.Webster Art, The Elaine S. Harrington Senior Conservator ON, Canada Department, Vienna, Austria Restauration d’oeuvres d’art & design, Conser- of Furniture and Woodwork, Yardley, PA National Gallery of Art, Doris St-Jacques, Library and Archives Canada, Giorgio Trumpy, vator / Restauratrice, Montreal, QC, Canada Amanda Salmon, Canadian Conservation Senior Paper Conservator, Gatineau, QC, Canada Post-doctoral Fellow in Imaging Science, Institute, Assistant Conservator, Furniture and Washington, DC Corine Wegener, Smithsonian Institution, Nancy Stanfill, National Archives and Records Cultural Heritage Preservation Officer, Heritage Interiors, Ottawa, ON, Canada Archives Society of Administration, Preservation Program at St. Emily Turgeon-Brunet, Alexandria, VA Andrea Sass-Kortsak, University of Toronto, Louis, Preservation Technician, St. Louis, MO Alberta, Lead Conservator, Edmonton, AB, Associate Dean, Academic Affairs, Dalla Lana Canada W. (Bill) Wei, Rijksdienst voor het Cultureel Bethan Stanley, English Heritage Trust, Senior Erfgoed, Senior Conservation Scientist, School of Public Health, Toronto, ON, Canada Bay Area Video Coalition, Collections Conservator, Birmingham, UK Benjamin Turkus, Amsterdam, Netherlands Jeremy Saucier, The Strong, Assistant Director, Preservation Project Manager, San Francisco, CA Sarah Stauderman, Hirshhorn Museum and Joan Weir, Art Gallery of Ontario, Conservator / International Center for the History of Electronic Amy Elizabeth Uebel, Warren Lasch Games Sculpture Garden, Director of Collections, Works on Paper, Toronto, ON, Canada Washington, DC Conservation Center with the Clemson University Sarah Scaturro, The Costume Institute, Restoration Institute, Architectural Conservator, Sam Whittaker, The Getty Conservation Institute, Metropolitan Museum of Art, Head Conservator, Renee Stein, Michael C. Carlos Museum, Chief North Charleston, SC Intern, Los Angeles, CA Conservator, Atlanta, GA New York, NY Diana Ugalde, Museo Regional de Antropología Dr. Joelle D. J. Wickens, Conservator, Preventive Michael Schilling, The Getty Conservation David Stevenson, Canadian Centre for Palacio Cantón, Conservator, Mérida, YUC, Team Head and University of Delaware Affiliated Institute, Sr. Scientist, Los Angeles, CA Architecture, Conservator, Montreal, QC, Canada Mexico Assistant Professor, Winterthur, DE Bettina Schmidt-Czaia, Historical Archive of the Sanneke Stigter, University of Amsterdam, Shelly Uhlir, National Museum of the American Meghan Wilson, Library of Congress, Preserva- City of Cologne, Head of the Archive, Cologne, Lecturer and Researcher, Amsterdam, Noord Indian, Exhibits Specialist, Mountmaker, tion Specialist, Washington, DC Holland, Netherlands North Rhine-Westphalia, Germany Washington, DC Susan Wolfinbarger, Project Director of the Kathrin Schmidt, Institute of Conservation; Elizabeth Stone, University of Iowa Libraries, Vale Vafaei, University of Bologna Science Geospatial Technologies Project, American University of Applied Arts Vienna, University Project Conservator, Iowa City, IA for the Conservation-Restoration of Cultural Association for the Advancement of Science Assistant, Vienna, Austria Joyce Hill Stoner, Winterthur/University of Heritage Program, MSc. Student, Ravenna, Italy Eric Wolin, Peabody Essex Museum, Head of Emma Schmitt, The Denver Art Museum, Andrew Delaware Program in Art Conservation, Director, Bernard Vallée, Centre de conservation du Collection Management, Salem, MA Preservation Studies, Newark, DE W. Mellon Fellow in Textile Conservation, Denver, Québec, Wood and Furniture Conservator, Laurie Wong, Getty Conservation Institute, CO Alexandra Suda, Art Gallery of Ontario, Curator Quebec City, QC, Canada Project Specialist, Los Angeles, CA of Sculpture and Decorative Arts and Chair, Print Carola Schueller, Schueller Conservation Saskia Vanpeene, Centre de Recherche sur la Shengyin Xu, Minnesota Historical Society, & Drawing Council Services, Furniture and Wooden Objects Conservation / CNRS, Conservation scientist, Manager, Sustainability & Capital Projects, Conservator, Boston, MA Michelle Sullivan, J. Paul Getty Museum, Paris, France Saint Paul, MN Graduate Fellow, Department of Paper Conserva- Michael Schuller, Atkinson-Noland & Associ- Jessica Veevers, Concordia University, Doctoral Ying Xu, Center for Historic Architecture & tion, Los Angeles, CA ates, President, Boulder, CO Student - Art History, Montreal, QC, Canada Design, University of Delaware, Research Joseph Sembrat, Conservation Solutions, Rebecca Summerour, National Museum of Tadeo Velandia, Antiguo Colegio de San Assistant African Art, Smithsonian Institution, Smithso- Inc., Senior Executive Vice President & Senior Ildefonso / Perpetua restauración, Conservator, James T. Yardley, Columbia Nano Initiative, nian Scholarly Studies Fellow, Washington, DC Conservator, Clinton, Maryland México DF, Distrito Federal, Mexico Columbia University, Executive Director of the Sara Serban, Musée McCord, Objects Christine Supianek-Chassay, Textilrestaurierung Marion Verborg, Historical Archive of the City Columbia Nano Initiative, New York, NY Supianek-Chassay, Textile Conservator, Erfurt, Conservator, Montreal, QC, Canada of Cologne, Paper Conservator, Cologne, North Shuyi Yin, University of Pennsylvania Germany Anna Serotta, Brooklyn Museum, Project Objects Rhine-Westphalia, Germany Daishi Yoshihara, Ph.D., National Research University of Illinois Conservator, Brooklyn, NY Kenneth S. Suslick, Christophe Vischi, National Gallery of Canada, Institute for Cultural Properties, Tokyo, Associate at Urbana-Champaign, Schmidt Research Photograph Conservator, Ottawa, ON, Canada Fellow, Tokyo, Japan Jennifer McGlinchey Sexton, Paul Messier LLC, Professor of Chemistry, Urbana, IL Conservator, Brighton, MA Janet L. Wagner, Canadian Conservation Martina Leonor Zambianchi, Universidad Antiquities Conservation, J. Paul Marie Svoboda, Institute, Conservator, Textiles, Ottawa, ON, Católica Argentina, International Relations Mohamed M. Sherif, Ministry of Antiquities, Getty Museum, Associate Conservator, Pacific Canada Student, Autonoma de Buenos Aires, Buenos Heritage Conservation Expert, Egypt Palisades, CA Clara von Waldthausen, University of Aires, Argentina Aaron N. Shugar, Buffalo State Program in Joseph R. Swider, McCrone Associates, Inc., Amsterdam, Lecturer & Coordinator MA in Cathleen M. Zaret, National Museum of the Art Conservation, Andrew W. Mellon Associate Senior Research Scientist, Westmont, IL Professor of Conservation Science, Buffalo, NY Photograph Conservation, Amsterdam, North American Indian, Smithsonian Institution, Heidi Swierenga, UBC Museum of Anthropology, Holland, Netherlands Andrew W. Mellon Fellow in Textile Conservation, Constance S. Silver, Conservation of Cultural Senior Conservator, Vancouver, BC, Canada Washington, DC Property and Historic Preservation, Conservator, Dawn MP Wallace, National Museum of Brattleboro, VT Sharon Tager, Hod Hasharon Conservation American History, Objects Conservator, Eman H. Zidan, Egyptian Museum, Egypt, Object Studio, Conservator, Hod Hasharon, Israel Alexandria, VA Conservator, Giza, Egypt Christine Leback Sitwell, National Trust, Paintings Conservation Adviser, Swindon, Thomas J. Tague Jr., Bruker Corporation, Robert Waller, Protect Heritage Corp., President, Werner Zimmt, Arizona State Museum, Museum Wiltshire, UK Applications Manager, Billerica, MA Ottawa, ON, Canada Fellow, Tucson, AZ Lucy-Anne Skinner, NY-IFA archaeo- Aparna Tandon, ICCROM, Project Specialist Jessica Walthew, Metropolitan Museum of Art, Lynda Zycherman, Museum of Modern Art, logical project, Abydos, Principle Investigator & Coordinator Disaster Risk Management Fellow, Arts of Africa, Oceania and the Americas Sculpture Conservator, New York, NY Programme, Rome, Italy (Conservation), New York, NY 23 Bruker’s art conservation solutions: Handheld XRF FTIR Micro-XRF Perfectly suited to analyze artifacts, help to restore objects without destroying their original substance and determine the composition of materials.

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26 Publications for sale at the CAC registration table (limited stock) \ Publications en vente à la table des inscriptions de l’ACCR (inventaire limité) Payments by credit card or cash (Canadian dollars only) \ Paiements par carte de crédit ou en argent comptant (dollars canadiens seulement)

Publication Contents / Table des matières Price/ Number Prix Available/ (CAD) Nombre disponible CAC-ACCR - Early Twentieth-Century Artists’ Paints in Toronto: Archival and Material Evidence, Kate Helwig et al. $20 20 Journal, - Characterisation of Varnishes on 19th Century Canadian Furniture, Elizabeth Moffatt et al. Vol. 40, 2015 - Slugs as Potential Pests of Paper, Viktoria Korytnianska CAC-ACCR - Archival Preservation and the Preservation of Archival Value, Ala Rekrut $20 16 Journal, - The Treatment of Archaeological Papers Affected by Iron Corrosion Using Calcium Phytate, Amanda Gould Vol. 39, 2014 - The Effect of Ozone and Hydrogen Peroxide Bleaching on the Copper Number of Paper, Jennifer Robertson CAC-ACCR - Documenting the Rate of Carving Loss in the Totem Poles of Nan Sdins using Image Analysis – 1982 to 2009, Clifford $20 14 Journal, Cook et al. Vol. 38, 2013 - Evaluation of Selected Adhesive Tapes and Heat-set Tissues – a Final Update, Jane L. Down et al. - La mise en valeur d’un groupe de pilots de bois à l’aide d’un support en acier inoxydable, André Bergeron et al. - Iron Stain Removal from Archaeological Composite Artifacts made of Wood and Iron, Lyndsie Selwyn et al. CAC-ACCR - A comparison of Aqueous Versus Ethanol Modified Calcium Phytate Solutions for the Treatment of Iron Gall Ink $20 12 Journal, Inscribed Paper, Season Tse et al. Vol. 37, 2012 - Technical Note on Treatment Options for Iron Gall Ink on Paper with a Focus on Calcium Phytate, Sherry Guild et al. - The National Gallery of Canada and Nathan Stolow, Marion H. Barclay - Early Manufacture of Artists’ Materials in Canada: A History of Canadian Art Laboratory, Barbara Klempan CAC-ACCR - Recording the Weathering of Outdoor Stone Monuments Using Reflectance Transformation Imaging (RTI): The Case of $20 13 Journal, the Guild of All Arts (Scarborough, Ontario), Alexander Gabov and George Bevan Vol. 36, 2011 - A Portrait Miniature Project at Library and Archives Canada, Maria Trojan-Bedynski et al. - Creating Steel Mounts for the Exhibition of Totem Poles, James Hay - Une intervention cinq étoiles: la restauration d’un cadran solaire de la fin du XVIIe siècle, André Bergeron et al. CAC-ACCR - Review of Samples from the 1994 CCI Workshop “Varnishes: Authenticity and Permanence” after 15 Years of Natural $20 2 Journal, Ageing, Michael O’Malley Vol. 35, 2010 - Dealing with Radiation Hazards: The Luminous Dial Project at the Canada Science and Technology Museum, Sue Warren - Le Triomphe de la Vierge de William Berczy: une renaissance!, Sophie Roberge et Élizabeth Forest - Marcelle Ferron for Conservators : The Artist, her Materials and Techniques from 1953 to 1960, and the Treatment of an Untitled Oil Painting on Canvas and Plywood, Marie-Catherine Cyr and Wendy Baker - The Chemical Composition and Conservation of Late 19th and Early 20th Century Sequins, Chris Paulocik and R. Scott Williams CAC-ACCR - Social Contexts for Conservation: Time, Distance, and Voice in Museums and Galleries, Miriam Clavir $20 11 Journal, - Respect: Engendering Participatory Relationships in Conservation Education, Robyn Sloggett Vol. 34, 2009 - A Passage in the Life of a Palampore: Conservation, Shirley Ellis - A technical and Scientific Study of Two A.Y. Jackson Paintboxes, Barbara Klempan et al. - George Harbour: The First Resident Museum Conservator in Canada, Marion H. Barclay Workshop Fur Trade Legacy: The Preservation of Organic Materials $20 20 Preprints, Jasper, AB 2005 And for a little bit of humour… Et pour un peu d’humour… Recent Setbacks in Conservation, Vol. 3, No. 1, 1990 $10 12 Art and Archaeology Recent Setbacks, Vol 4, No. 1, 1993 $10 31 Recent Setbacks In Conservation, Special Scaffold Issue, Vol. 5, 1995 $10 43 Recent Setbacks in Conservation, Preventing Conservation, Technical Vol. 6 $10 31

207 Bank Street, Suite #419, Ottawa, Ontario, K2P 2N2, Canada Tel./Tél.: (613)231-3977; Fax/Téléc.: (613) 231-4406 E-mail/Courriel: [email protected]; Web site/Site internet: www.cac-accr.ca 27 SUNDAY, May 15 Session Listings This grid lists primarily paper presentations. See daily listings for non-session events. Room 210 AB/EF Room 511 A/D Room 513 A/C Room 513 D/F Room 514 Room 516 AB Room 516 CD Room 710 A Room 710 B 8:30am (General Session) General Session Keynote Speaker: 9:00am Dr. Anne-Imelda Radice 9:30am (General Session) Emergency Management since the Florence Flood – The Crooked Timber of Progress 10:00am Break in the Exhibit Hall (Room 210 CD/GH) Break in the Exhibit Hall (Room 210 CD/GH) 10:30am (General Session) Visions of Disaster: bringing the blur into focus 11:00am (General Session) When disaster mitigation is a priority: Evidence from risk analysis of rare events

11:30am (General Session) Preserving Trauma: Treatment Challenges at the 9/11 Memorial Museum 12:00pm (Room 510) Luncheon: ECPN/EEC (Room 511 C/F) Luncheon: (Room 516 E) Socratic Dialogue Networking Strategic Management of Collection Luncheon: The Best Laid Disaster Plans 12:30pm Storage to Serve an Institution & of Mice and Men Often Go Awry - Now 1:30pm Society [Collection Care] What? 2:00pm (Book and Paper) The Rationale (Textiles) Dissociation Risks: The (Emergency) National strategy and (Electronic Media) Conservation and (Wooden Artifacts) Embers (Collection Care) Comprehensive (Photographic Materials & Research (Paintings) The Aftermath of (Objects-Architecture) A for Rebinding at the Pierpont Conservation of Two Aboriginal regional reality: A systematic approach Digital Preservation: (Where) Do the Two in the Ashes: Challenges collection risk assessment at the and Technical Studies) Photography, Hurricane Sandy – Rescue Methodology for Document- Morgan Library in the Early Figurines and Their Textiles to disaster preparedness and recovery Roads Meet? Encountered During the Museum Victoria Continuity and Change: Impact on the and Treatment ing Preservation Issues Twentieth Century) A Case Study for cultural property Restoration of Fire-damaged Conservation Field Affecting Cultural Heritage Woodwork in a Historic House in Syria and Iraq Museum 2:30pm (Book and Paper) You wanted (Textiles) Exploring Origins and (Emergency) Implementing risk man- (Electronic Media) Videotape Deterioration (Wooden Artifacts) Choices (Collection Care) Stuff happens, so (Photographic Materials & Research (Paintings) Preparing for the (Objects-Architecture) The WHAT, WHEN? An Issue of Scale: Power: The technical analysis of agement strategies for the Manguinhos Mechanisms and Conservation Remedies: and Triage: The impact of what? Condition changes and loss and Technical Studies) Analysis of worst: re-developing and tai- Outdoor Sculpture Project Delivering high end treat- two Yoruba masquerade costumes historic site: protecting built heritage A Primer early decisions on future of value in archival records historical tintype plates: materials, loring a rapid response bag at the Getty Conservation ments on a large collection of and collections. treatment options. methods, and manufacturers and procedure to the specific Institute illuminated manuscripts needs and limitations of the National Gallery. 3:00pm Book and Paper) All Over the (Textiles) Inherent Vice in the ((Emergency) Risk management In (Electronic Media) How Sustainable is (Wooden Artifacts) A Ghost of (Collection Care) Preventive (Photographic Materials & Research (Paintings) A Disaster in the (Objects-Architecture) The Map: Bringing Buffalo’s Stars of Woven Structure of Northwest Coast the Regional Museum of Anthropology File-based Video Art? Exploring the Foun- the Civil War: A Man, a Flag, conservation in changing times and Technical Studies) Investigation Making: Preserving Southeast Effect of an Unexpected Cartography to Light (One Lining Spruce Root Hats Palacio Cantón in Merida dations for Best Practice Development and a Frame and optimization of electrochemical Asian paintings at the Spring Thaw in Montreal: at a Time) treatment for daguerreotypes Walters Art Museum Natural Disaster as ‘Fifth Business’ 3:30pm Break in the Exhibit Hall (Room 210 CD/GH) Break in the Exhibit Hall (Room 210 CD/GH) 4:00pm (Book and Paper) Recent (Textiles) The Creation of a Digitally (Electronic Media) Recovering the (Wooden Artifacts) Aspects of (Collection Care) Spoiler alert! (Photographic Materials & Research (Paintings) The Painting (Objects-Architecture) The Conservation Treatments of Printed Reproduction Sleeve for an Eyebeam Collection Following Superstorm the Manufacture of Chinese Planning around the pitfalls of and Technical Studies) Characterizing Materials and Techniques Rescue and Conservation of Portrait Miniatures at Library and Eighteenth-Century Painted Silk Sandy: Conservation lessons for all Kuan Cai Lacquer Screens construction projects RC Papers and Testing Adhesives of J.E.H. MacDonald: Oil the Lost Shul Mural Archives Canada Dress revealed by a multimedia disaster Suitable for Their Hinging Sketches from 1909-1922 4:30pm Book and Paper) Treatment of a (Textiles) Digital Mapping in Textile (Electronic Media) Re-Constructions: (Wooden Artifacts) Colonial (Collection Care) Art and noise: Is it (Photographic Materials & Research (Paintings) The History, (Objects-Architecture) Red Terrestrial Cary Globe Conservation – New Documentation Preserving the Video Installations of Buky Spanish American lacquered a problem? and Technical Studies) Identification Technical Study, and Flames, Silver Linings Methods with MetigoMap 4.0 Schwartz objects at the Hispanic Society of Chromogenic Colour Photographic Treatment of Francis Bacon's of America Prints Brand by Spectral and Statisti- Painting 1946 cal Analysis 5:00pm (Book and Paper) Careful Consid- (Textiles) The Dark Side of the (Electronic Media) Matters in Media Art III: (Wooden Artifacts) Ghostly (Collection Care) Conservation- (Photographic Materials & Research (Paintings) The Mellow Pad (Objects-Architecture) eration: Learning to Conserve a Force: Magnets, Velcro and Sustaining Digital Video Art Evidence: Interventions in a exhibition design-HVAC: The design and Technical Studies) Surface rough- in layers, colors, and time: Issues and challenges Kashmiri Birch-bark Manuscript Unintended Consequences 20th century Installation of and implementation of a plan ness, appearance, and identification of investigating the materials in conservation of living Asian Lacquer Panels for the management of RH and AGFA-Gevaert photograph samples and technique of Stuart Davis monastic heritage in the temperature control for traveling trans-Himalayan region of exhibitions in an historic building. Ladakh, India 5:30pm- (Book and Paper) Wiki Session 6:15pm

WIFI Password: montreal2016 28 SUNDAY, May 15 Session Listings This grid lists primarily paper presentations. See daily listings for non-session events. Room 210 AB/EF Room 511 A/D Room 513 A/C Room 513 D/F Room 514 Room 516 AB Room 516 CD Room 710 A Room 710 B 8:30am (General Session) General Session Keynote Speaker: 9:00am Dr. Anne-Imelda Radice 9:30am (General Session) Emergency Management since the Florence Flood – The Crooked Timber of Progress 10:00am Break in the Exhibit Hall (Room 210 CD/GH) Break in the Exhibit Hall (Room 210 CD/GH) 10:30am (General Session) Visions of Disaster: bringing the blur into focus 11:00am (General Session) When disaster mitigation is a priority: Evidence from risk analysis of rare events

11:30am (General Session) Preserving Trauma: Treatment Challenges at the 9/11 Memorial Museum 12:00pm (Room 510) Luncheon: ECPN/EEC (Room 511 C/F) Luncheon: (Room 516 E) Socratic Dialogue Networking Strategic Management of Collection Luncheon: The Best Laid Disaster Plans 12:30pm Storage to Serve an Institution & of Mice and Men Often Go Awry - Now 1:30pm Society [Collection Care] What? 2:00pm (Book and Paper) The Rationale (Textiles) Dissociation Risks: The (Emergency) National strategy and (Electronic Media) Conservation and (Wooden Artifacts) Embers (Collection Care) Comprehensive (Photographic Materials & Research (Paintings) The Aftermath of (Objects-Architecture) A for Rebinding at the Pierpont Conservation of Two Aboriginal regional reality: A systematic approach Digital Preservation: (Where) Do the Two in the Ashes: Challenges collection risk assessment at the and Technical Studies) Photography, Hurricane Sandy – Rescue Methodology for Document- Morgan Library in the Early Figurines and Their Textiles to disaster preparedness and recovery Roads Meet? Encountered During the Museum Victoria Continuity and Change: Impact on the and Treatment ing Preservation Issues Twentieth Century) A Case Study for cultural property Restoration of Fire-damaged Conservation Field Affecting Cultural Heritage Woodwork in a Historic House in Syria and Iraq Museum 2:30pm (Book and Paper) You wanted (Textiles) Exploring Origins and (Emergency) Implementing risk man- (Electronic Media) Videotape Deterioration (Wooden Artifacts) Choices (Collection Care) Stuff happens, so (Photographic Materials & Research (Paintings) Preparing for the (Objects-Architecture) The WHAT, WHEN? An Issue of Scale: Power: The technical analysis of agement strategies for the Manguinhos Mechanisms and Conservation Remedies: and Triage: The impact of what? Condition changes and loss and Technical Studies) Analysis of worst: re-developing and tai- Outdoor Sculpture Project Delivering high end treat- two Yoruba masquerade costumes historic site: protecting built heritage A Primer early decisions on future of value in archival records historical tintype plates: materials, loring a rapid response bag at the Getty Conservation ments on a large collection of and collections. treatment options. methods, and manufacturers and procedure to the specific Institute illuminated manuscripts needs and limitations of the National Gallery. 3:00pm Book and Paper) All Over the (Textiles) Inherent Vice in the ((Emergency) Risk management In (Electronic Media) How Sustainable is (Wooden Artifacts) A Ghost of (Collection Care) Preventive (Photographic Materials & Research (Paintings) A Disaster in the (Objects-Architecture) The Map: Bringing Buffalo’s Stars of Woven Structure of Northwest Coast the Regional Museum of Anthropology File-based Video Art? Exploring the Foun- the Civil War: A Man, a Flag, conservation in changing times and Technical Studies) Investigation Making: Preserving Southeast Effect of an Unexpected Cartography to Light (One Lining Spruce Root Hats Palacio Cantón in Merida dations for Best Practice Development and a Frame and optimization of electrochemical Asian paintings at the Spring Thaw in Montreal: at a Time) treatment for daguerreotypes Walters Art Museum Natural Disaster as ‘Fifth Business’ 3:30pm Break in the Exhibit Hall (Room 210 CD/GH) Break in the Exhibit Hall (Room 210 CD/GH) 4:00pm (Book and Paper) Recent (Textiles) The Creation of a Digitally (Electronic Media) Recovering the (Wooden Artifacts) Aspects of (Collection Care) Spoiler alert! (Photographic Materials & Research (Paintings) The Painting (Objects-Architecture) The Conservation Treatments of Printed Reproduction Sleeve for an Eyebeam Collection Following Superstorm the Manufacture of Chinese Planning around the pitfalls of and Technical Studies) Characterizing Materials and Techniques Rescue and Conservation of Portrait Miniatures at Library and Eighteenth-Century Painted Silk Sandy: Conservation lessons for all Kuan Cai Lacquer Screens construction projects RC Papers and Testing Adhesives of J.E.H. MacDonald: Oil the Lost Shul Mural Archives Canada Dress revealed by a multimedia disaster Suitable for Their Hinging Sketches from 1909-1922 4:30pm Book and Paper) Treatment of a (Textiles) Digital Mapping in Textile (Electronic Media) Re-Constructions: (Wooden Artifacts) Colonial (Collection Care) Art and noise: Is it (Photographic Materials & Research (Paintings) The History, (Objects-Architecture) Red Terrestrial Cary Globe Conservation – New Documentation Preserving the Video Installations of Buky Spanish American lacquered a problem? and Technical Studies) Identification Technical Study, and Flames, Silver Linings Methods with MetigoMap 4.0 Schwartz objects at the Hispanic Society of Chromogenic Colour Photographic Treatment of Francis Bacon's of America Prints Brand by Spectral and Statisti- Painting 1946 cal Analysis 5:00pm (Book and Paper) Careful Consid- (Textiles) The Dark Side of the (Electronic Media) Matters in Media Art III: (Wooden Artifacts) Ghostly (Collection Care) Conservation- (Photographic Materials & Research (Paintings) The Mellow Pad (Objects-Architecture) eration: Learning to Conserve a Force: Magnets, Velcro and Sustaining Digital Video Art Evidence: Interventions in a exhibition design-HVAC: The design and Technical Studies) Surface rough- in layers, colors, and time: Issues and challenges Kashmiri Birch-bark Manuscript Unintended Consequences 20th century Installation of and implementation of a plan ness, appearance, and identification of investigating the materials in conservation of living Asian Lacquer Panels for the management of RH and AGFA-Gevaert photograph samples and technique of Stuart Davis monastic heritage in the temperature control for traveling trans-Himalayan region of exhibitions in an historic building. Ladakh, India 5:30pm- (Book and Paper) Wiki Session 6:15pm

29 MONDAY, May 16 Session Listings This grid lists primarily paper presentations. See daily listings for non-session events. Room 210 AB/EF Room 511 A/D Room 511 B/E Room 513 A/C Room 513 D/F Room 515 Room 516 AB Room 516 CD Room 710 A Room 710 B 7:30am (Book and Paper) BPG Business (Textiles) TSG Business (Objects) OSG Business Meeting Meeting (7:15am start time) Meeting 8:30am (Book and Paper) A Technical (Textiles) A Material (Research & Technical Studies) (Emergency) Lighting (Electronic Media) EMG (Architecture) Weather-Related (Sustainability) Preserving (Photographic Materials) Facts (Paintings) The Autopoiesis of (Objects-Wooden Artifacts) The Exploration of a 19th century Disaster: Preservation of the Looking closer, seeing more: a Fire: Initiating an Business Meeting Events and Historic House cultural heritage through and Fictions of Pink Prints Acrylic Paint and Monochrome Treatment and Installation of a Qajar Artists’ Album Muppets Recent developments in techni- Emergency Management Museums; A Ten Year Review of development of digital Painting in Montreal Monumental Cedar Sculpture by cal documentation of paintings Program Emergency Preparedness [...] technologies [...] Ursula von Rydingsvard 9:00am (Book and Paper) Watercolor (Textiles) A Biological (Research & Technical Studies) (Emergency) Disaster (Architecture) Involvement of (Sustainability) Climate (Photographic Materials) (Paintings) Bocour paints and (Objects-Wooden Artifacts) The study Pencils: Composition and Disaster to Costume Combining RTI with Image Plan in Greece Microbes in Cultural Heritage change: A new threat to our Understanding Temperature and Barnett Newman paintings: of boxwood prayer beads & miniature Conservation Concerns Analysis for Quantitative Protection at Angkor Thom, Paper Material Heritage Moisture Equilibration: A Path context and correlations altars from the Thomson Collection Tarnish and Corrosion Studies Cambodia towards Sustainable [...] [...] 9:30am (Book and Paper) Paper Tapestry: (Textiles) A Textile (Research & Technical Studies) (Emergency) Renovating (Electronic Media) Putting (Architecture) Use of Façade & (Sustainability) An (Photographic Materials) (Paintings) An Investiga- (Objects-Wooden Artifacts) Decoys Wallpaper Preservation Conservator's Contribution Towards Quantitative Reflec- the disaster preparedness the Time Base back in Time Art Documentation Surveys for Unexpected Challenge – Can Photochromatic images of tion into the Materials and X-rayed: What Volume rad tomogra- to Disaster Preparedness at tance Transformation Imaging plan of the renovated Based Media Conservation Historic Cultural Architecture and Shared Risk Make Good Edmond Becquerel: where do the Techniques in Francis Picabia’s phy and computed tomographycon- the MFA, Boston Rijksmuseum [...] Art for Future Possible [...] Bedfellows? colours come from?[...] 'La Terre est Ronde,' 1951 tribute to technical study 10:00am Break in the Exhibit Hall (Room 210 CD/GH) Break in the Exhibit Hall (Room 210 CD/GH) 10:30am (Book and Paper) A low-oxygen (Textiles) Vial Things: (Research & Technical Studies) (Emergency) The World (Electronic Media) Slow (Architecture) Emergency docu- (Sustainability) Sustainable (Paintings) The life of modern (Objects-Wooden Artifacts) The capable storage and display Preserving the Unexpected Infrared Imaging of Art Objects: Goes “Pop”: Planning for Dissolve: Re-presenting mentation and condition mapping Preservation on a Small painted walls: ethics, emergen- Aftermath of Mends: Removing case for the Proclamation of the in the Occult Jewelry of Is It as Easy as It Sounds? Emergencies at TATE synchronised slide-based of Decorated historic surfaces at Island: Interdisciplinary cies, and the future Historic Fabric Tape from Tlingit Constitution Act [...] Simon Costin artworks in the 21st Century the Caid Residence [...] Approaches [...] Basketry 11:00am (Book and Paper) Push pins, (Textiles) Assessing Col- (Research & Technical Studies) (Emergency) Vermont (Electronic Media) When (Architecture) Bracing Copan’s (Sustainability) Achieving (Photographic Materials) (Paintings) Reconciling the (Objects-Wooden Artifacts) Encoun- staples, daylight, glazing and lection Emergency Training Imaging of Analog Materials Prepares! Functionality is Everything: A subterranean tunnels against Competing Goals: Imple- Separation Anxieties: Approaches Past through the Conservation tering the Unexpected in Southeast barrier free - are Conservation and Response: The Risks of and Machine-Dependent case study in recovering flood hurricanes and other risks menting Energy Efficient to Freeing Photographs That Are of the Fresco Mural Painting: Asian Lacquer: Treating the Doris standards becoming too relaxed? Adrenaline Formats damaged electronic parts [...] Cold Storage Stuck to Glazing or to Each Other “Haitian Massacre, 1937”, [...] Duke Collection at the Walters [...] 11:30am (Book and Paper) The Coptic (Research & Technical Studies) (Emergency) IMALERT: (Electronic Media) Pinball (Architecture) Protecting Stained (Sustainability) Sustainable (Photographic Materials) When (Paintings) The Resurrection of (Objects-Wooden Artifacts) A Binding Collection at the Morgan Visible-Induced Luminescence Establishing the Iowa for Posterity: Adapting the Glass Windows From Vibra- Energy Reductions without Inkjet Prints Get Wet: First The Angel New Understanding of the Aging Library & Museum: History, Imaging [...] Museums, Archives, and preservation principles of tions Caused By Construction Relaxed Environmental Contact to Weeklong Submer- Characteristics of Asian Lacquer Conservation & Access (11:45am) Using Portable XRF Libraries Emergency libraries to preserve arcade Operations Criteria for a Hypothetical sions Analyzers for X-ray Radiography Response Team and pinball collections [...] Museum in Montreal 12:00pm (Room 510) Heritage Health (Room 511 C/F) Luncheon: (Architecture) Business Meeting Information Practical Responses to Health and Luncheon 12:30pm & Safety Issues during an 1:30pm Emergency 2:00pm (General Session: Confronting (General Session: Hearing (General Session: Lead by (General Session: Emergency (General Session: Emergency the Unexpected) The Uses of from a group - Two Panels on Example - Models to Follow) Our Preparedness) Through Hell or Response) Nobody expects the Span- Oral History in Documenting Collaborative Efforts Follow- Place in Line: Response Protocol High Water: Disaster Recovery ish Inquisition: Developing protocols Disasters: [...] Florence Flood ing Recent Disasters) Saving for Conservators Following Three Years after Alberta’s for protecting Israeli museum and Preserving Family and Major Disasters Floods collections from armed conflict Local History from Natural 2:30pm (General Session: Confronting the (General Session: Lead by (General Session: Emergency (General Session: Emergency Disasters: Addressing Unexpected) Race, Diversity and Example - Models to Follow) Preparedness) Clandon Park - Response) The Emergency Response Politics in Conservation: Our 21st Challenges from the Recent PRICE: Preparedness and rising from the ashes Team at the Centre de conservation Century Crisis Earthquakes in Japan Response in Collection du Québec Emergencies 3:00pm (General Session: Confronting (General Session: Lead by (General Session: Get Ready, Get (General Session: Emergency the Unexpected) Preservation of Example - Models to Follow) Set - Emergency Preparedness) Response) Living with Water: The the Detroit Institute of Arts (DIA) Damage and Destruction of Cologne Historical Archive Whitney Museum of American Art’s Collection: Protecting Art at Risk Cultural Heritage in Poland [...] Collapse: A critical history of Transformative Flood Mitigation emergency situation [...] Approach 3:30pm Break in the Exhibit Hall (Room 210 CD/GH) Break in the Exhibit Hall (Room 210 CD/GH) 4:00pm (General Session: Confronting (General Session: Hearing (General Session: Lead by (General Session: Emergency (General Session: Emergency the Unexpected) Get SMART! from a group - Two Panels Example - Models to Follow) Preparedness) Beyond Response) Collections Emergency Setting clear expectations for on Collaborative Efforts Alliance for Response New York Response: Christchurch Art Planning for London preservation Following Recent Disasters) City - Collaborations to Protect Gallery's Recovery from [...] To Protect and Preserve: and Preserve Cultural Heritage Earthquakes Collaborative Efforts to Build (to 4:45pm) 4:30pm (General Session: Confronting the (General Session: Emergency (General Session: Emergency and Sustain Cultural Heri- Unexpected) Conserving Culture Preparedness) The Royal Palace Response) Ready for Reaction: First: The 2013 Fire at the tage Emergency Networks and Square of Patan, Nepal Harvard’s Library Collections U’mista Cultural Centre and the Earthquake 2015 [...] Emergency Team 5:00pm (General Session: Confronting (General Session: Lead by (General Session: Emergency (General Session: Emergency the Unexpected) The Challenges Example - Models to Follow) Preparedness) Cultural Response) Building a Foundation of Conservation of Artifacts from Emergency Care for the Nation’s Heritage During Armed Conflict for Cultural Recovery, Resilience Major Disasters: [...] Records (4:45-5:30pm) and Planning for the Future in and Future Conservation Efforts in Syria and Iraq [...] Haiti after the 2010 Earthquake 30 MONDAY, May 16 Session Listings This grid lists primarily paper presentations. See daily listings for non-session events. Room 210 AB/EF Room 511 A/D Room 511 B/E Room 513 A/C Room 513 D/F Room 515 Room 516 AB Room 516 CD Room 710 A Room 710 B 7:30am (Book and Paper) BPG Business (Textiles) TSG Business (Objects) OSG Business Meeting Meeting (7:15am start time) Meeting 8:30am (Book and Paper) A Technical (Textiles) A Material (Research & Technical Studies) (Emergency) Lighting (Electronic Media) EMG (Architecture) Weather-Related (Sustainability) Preserving (Photographic Materials) Facts (Paintings) The Autopoiesis of (Objects-Wooden Artifacts) The Exploration of a 19th century Disaster: Preservation of the Looking closer, seeing more: a Fire: Initiating an Business Meeting Events and Historic House cultural heritage through and Fictions of Pink Prints Acrylic Paint and Monochrome Treatment and Installation of a Qajar Artists’ Album Muppets Recent developments in techni- Emergency Management Museums; A Ten Year Review of development of digital Painting in Montreal Monumental Cedar Sculpture by cal documentation of paintings Program Emergency Preparedness [...] technologies [...] Ursula von Rydingsvard 9:00am (Book and Paper) Watercolor (Textiles) A Biological (Research & Technical Studies) (Emergency) Disaster (Architecture) Involvement of (Sustainability) Climate (Photographic Materials) (Paintings) Bocour paints and (Objects-Wooden Artifacts) The study Pencils: Composition and Disaster to Costume Combining RTI with Image Plan in Greece Microbes in Cultural Heritage change: A new threat to our Understanding Temperature and Barnett Newman paintings: of boxwood prayer beads & miniature Conservation Concerns Analysis for Quantitative Protection at Angkor Thom, Paper Material Heritage Moisture Equilibration: A Path context and correlations altars from the Thomson Collection Tarnish and Corrosion Studies Cambodia towards Sustainable [...] [...] 9:30am (Book and Paper) Paper Tapestry: (Textiles) A Textile (Research & Technical Studies) (Emergency) Renovating (Electronic Media) Putting (Architecture) Use of Façade & (Sustainability) An (Photographic Materials) (Paintings) An Investiga- (Objects-Wooden Artifacts) Decoys Wallpaper Preservation Conservator's Contribution Towards Quantitative Reflec- the disaster preparedness the Time Base back in Time Art Documentation Surveys for Unexpected Challenge – Can Photochromatic images of tion into the Materials and X-rayed: What Volume rad tomogra- to Disaster Preparedness at tance Transformation Imaging plan of the renovated Based Media Conservation Historic Cultural Architecture and Shared Risk Make Good Edmond Becquerel: where do the Techniques in Francis Picabia’s phy and computed tomographycon- the MFA, Boston Rijksmuseum [...] Art for Future Possible [...] Bedfellows? colours come from?[...] 'La Terre est Ronde,' 1951 tribute to technical study 10:00am Break in the Exhibit Hall (Room 210 CD/GH) Break in the Exhibit Hall (Room 210 CD/GH) 10:30am (Book and Paper) A low-oxygen (Textiles) Vial Things: (Research & Technical Studies) (Emergency) The World (Electronic Media) Slow (Architecture) Emergency docu- (Sustainability) Sustainable (Paintings) The life of modern (Objects-Wooden Artifacts) The capable storage and display Preserving the Unexpected Infrared Imaging of Art Objects: Goes “Pop”: Planning for Dissolve: Re-presenting mentation and condition mapping Preservation on a Small painted walls: ethics, emergen- Aftermath of Mends: Removing case for the Proclamation of the in the Occult Jewelry of Is It as Easy as It Sounds? Emergencies at TATE synchronised slide-based of Decorated historic surfaces at Island: Interdisciplinary cies, and the future Historic Fabric Tape from Tlingit Constitution Act [...] Simon Costin artworks in the 21st Century the Caid Residence [...] Approaches [...] Basketry 11:00am (Book and Paper) Push pins, (Textiles) Assessing Col- (Research & Technical Studies) (Emergency) Vermont (Electronic Media) When (Architecture) Bracing Copan’s (Sustainability) Achieving (Photographic Materials) (Paintings) Reconciling the (Objects-Wooden Artifacts) Encoun- staples, daylight, glazing and lection Emergency Training Imaging of Analog Materials Prepares! Functionality is Everything: A subterranean tunnels against Competing Goals: Imple- Separation Anxieties: Approaches Past through the Conservation tering the Unexpected in Southeast barrier free - are Conservation and Response: The Risks of and Machine-Dependent case study in recovering flood hurricanes and other risks menting Energy Efficient to Freeing Photographs That Are of the Fresco Mural Painting: Asian Lacquer: Treating the Doris standards becoming too relaxed? Adrenaline Formats damaged electronic parts [...] Cold Storage Stuck to Glazing or to Each Other “Haitian Massacre, 1937”, [...] Duke Collection at the Walters [...] 11:30am (Book and Paper) The Coptic (Research & Technical Studies) (Emergency) IMALERT: (Electronic Media) Pinball (Architecture) Protecting Stained (Sustainability) Sustainable (Photographic Materials) When (Paintings) The Resurrection of (Objects-Wooden Artifacts) A Binding Collection at the Morgan Visible-Induced Luminescence Establishing the Iowa for Posterity: Adapting the Glass Windows From Vibra- Energy Reductions without Inkjet Prints Get Wet: First The Angel New Understanding of the Aging Library & Museum: History, Imaging [...] Museums, Archives, and preservation principles of tions Caused By Construction Relaxed Environmental Contact to Weeklong Submer- Characteristics of Asian Lacquer Conservation & Access (11:45am) Using Portable XRF Libraries Emergency libraries to preserve arcade Operations Criteria for a Hypothetical sions Analyzers for X-ray Radiography Response Team and pinball collections [...] Museum in Montreal 12:00pm (Room 510) Heritage Health (Room 511 C/F) Luncheon: (Architecture) Business Meeting Information Practical Responses to Health and Luncheon 12:30pm & Safety Issues during an 1:30pm Emergency 2:00pm (General Session: Confronting (General Session: Hearing (General Session: Lead by (General Session: Emergency (General Session: Emergency the Unexpected) The Uses of from a group - Two Panels on Example - Models to Follow) Our Preparedness) Through Hell or Response) Nobody expects the Span- Oral History in Documenting Collaborative Efforts Follow- Place in Line: Response Protocol High Water: Disaster Recovery ish Inquisition: Developing protocols Disasters: [...] Florence Flood ing Recent Disasters) Saving for Conservators Following Three Years after Alberta’s for protecting Israeli museum and Preserving Family and Major Disasters Floods collections from armed conflict Local History from Natural 2:30pm (General Session: Confronting the (General Session: Lead by (General Session: Emergency (General Session: Emergency Disasters: Addressing Unexpected) Race, Diversity and Example - Models to Follow) Preparedness) Clandon Park - Response) The Emergency Response Politics in Conservation: Our 21st Challenges from the Recent PRICE: Preparedness and rising from the ashes Team at the Centre de conservation Century Crisis Earthquakes in Japan Response in Collection du Québec Emergencies 3:00pm (General Session: Confronting (General Session: Lead by (General Session: Get Ready, Get (General Session: Emergency the Unexpected) Preservation of Example - Models to Follow) Set - Emergency Preparedness) Response) Living with Water: The the Detroit Institute of Arts (DIA) Damage and Destruction of Cologne Historical Archive Whitney Museum of American Art’s Collection: Protecting Art at Risk Cultural Heritage in Poland [...] Collapse: A critical history of Transformative Flood Mitigation emergency situation [...] Approach 3:30pm Break in the Exhibit Hall (Room 210 CD/GH) Break in the Exhibit Hall (Room 210 CD/GH) 4:00pm (General Session: Confronting (General Session: Hearing (General Session: Lead by (General Session: Emergency (General Session: Emergency the Unexpected) Get SMART! from a group - Two Panels Example - Models to Follow) Preparedness) Beyond Response) Collections Emergency Setting clear expectations for on Collaborative Efforts Alliance for Response New York Response: Christchurch Art Planning for London preservation Following Recent Disasters) City - Collaborations to Protect Gallery's Recovery from [...] To Protect and Preserve: and Preserve Cultural Heritage Earthquakes Collaborative Efforts to Build (to 4:45pm) 4:30pm (General Session: Confronting the (General Session: Emergency (General Session: Emergency and Sustain Cultural Heri- Unexpected) Conserving Culture Preparedness) The Royal Palace Response) Ready for Reaction: First: The 2013 Fire at the tage Emergency Networks and Square of Patan, Nepal Harvard’s Library Collections U’mista Cultural Centre and the Earthquake 2015 [...] Emergency Team 5:00pm (General Session: Confronting (General Session: Lead by (General Session: Emergency (General Session: Emergency the Unexpected) The Challenges Example - Models to Follow) Preparedness) Cultural Response) Building a Foundation of Conservation of Artifacts from Emergency Care for the Nation’s Heritage During Armed Conflict for Cultural Recovery, Resilience Major Disasters: [...] Records (4:45-5:30pm) and Planning for the Future in and Future Conservation Efforts in Syria and Iraq [...] Haiti after the 2010 Earthquake 31 TUESDAY, May 17 Session Listings This grid lists primarily paper presentations only. See daily listings for non-session events. Room 510 Room 511 A/D Room 511 B/E Room 513 A/C Room 513 D/F Room 514 Room 515 Room 516 AB Room 516 CD Room 520 Room 710 A Room 710 B 7:30am (Business Meeting) AIC Members, 7:30 - 8:00am 9:45am (Business Meeting) CAC Members, 8 - 9:00am 9:45am 10:00am Book and Paper (Textiles) Foxy Underpants; or, (Research and Technical Studies) (Emergency) Rock Art Before (Electronic Media) Emula- (Wooden Artifacts) The (Architecture) Flash, (Collection Care) (Photographic (Book and Paper) A (Paintings) A (Objects) Reverse morning sessions the use of chelators, enzymes, Ensuring maximum impact for Natural Disasters tion as a Conservation ABCs of a Monumental Flame, and Finishes: Saving collections in Materials) Salvag- protocol to conserve study of painted Engineering Ancient are in Room 520 and surfactants to remove foxing conservation science Strategy for Software-Based Frame: Analysis, Bronze Investigating Fire an uncertain world: ing Memories: The glazed paper after a animation cels, Greek Ceramics: stains from linen underpants Art Paint & Chelators Damaged Architectural Context, collabora- Recovery of Fire- water damage their materials An Interdisciplinary Finishes tion and training Damaged Photographs and deterioration Collaboration and Lessons Learned processes in Conservation and Kindness 10:30am (Textiles) Gelling in Theory and (Research and Technical Studies) (Emergency) The Museum (Wooden Artifacts) (Architecture) And now (Collection Care) (Photographic (Book and Paper) Post- (Paintings) Using (Objects) Looking Practice: An Examination of Aga- Colorimetric Sensor Arrays for Flood Funding Program: the Loss Compensation on what?: Technical and Making it up as we Materials) Separation flood Development of Web-Based at Guilloche Work in rose Gels in Textile Conservation Monitoring Pollutant Exposure of Alberta Museums Association’s Furniture: Traditional ethical decision-mak- go along: How we Anxiety: Kiss Your Mass Treatments at Projects to Promote Conservation Artwork Response to the 2013 Alberta vs Modern Methods and ing process regarding a got it right by doing Acetate Goodbye! the National Library of Conservation and Floods Materials Parisian 17th c painted everything wrong Florence: The Roots of Engage Diverse ceiling in the aftermath Library Conservation Audiences of a catastrophic fire 11:00am (Textiles) Tips and tricks to remove (Research and Technical Studies) (Emergency) Lesson learnt in (Electronic Media) Best (Wooden Artifacts) (Architecture) Surviving (Collection Care) (Photographic Materi- (Book and Paper) (Paintings) (Objects) The the mud from textile collections Investigation of Fogging Glass an emergency: sorting chan- Practices for Conservation To Fly or Not to Fly, Multiple Disasters: Building an als) Problems with Targeted Cleaning of Paintings Specialty Conservation of an after a flood Display Cases at the Royal Ontario nels for efficient actions of Media Art from an Artist's That is the Question: Conserving New York’s emergency response Image: A Conservator's Works on Paper: Rigid Group Business Italian Marble and Museum Perspective Conservation of a Telephone Building plan for archaeologi- Role in the Attribution Polysaccharide Gels Meeting Micromosaic Tabletop John Doggett Frame at Murals cal sites of Photographs and Conductivity- (Objects) 19th century Pilgrim Hall Museum Adjusted Aqueous mounted oyster shell by Solutions Froment-Meurice 11:30am (Textiles) Emergencies, liquid (Research and Technical Studies) (Emergency) Documenting (Wooden Artifacts) (Architecture) (Collection Care) (Photographic Materi- (Book and Paper) Soft (Objects) A study on stains, dirt, & textile cleaning RATS Business Meeting Disasters: Post-Disaster Branch surprises- Post-Disaster Data When emergency als) Photographic matter; gel develop- copper corrosion stain techniques: a Textile Specialty Memory-Making and the anatomy, identification Collection: Testing New preparedness (or Materials Business ment for conservation removal from poly(vinyl Group Discussion Emergence of New Cultural and conservation Tools in Port-au-Prince, even an emergency) Meeting treatment chloride) Heritage concerns Haiti is foreign territory (Objects) The Use of Gums and Resins in Archaeology 12:00pm (Book and Paper) (Paintings) Tips (Objects) Tips Session Tips Session Session Luncheon Luncheon 1:00pm Luncheon 2:00pm (Book and Paper) Art (Paintings) Carlo Crivelli’s 'St. (Research and Technical Studies) (Emergency) Scaling-up First (Electronic Media) Susan (Wooden Artifacts) (Architecture) Monitor- (Objects) Conserva- (Photographic (Book and Paper) on Paper Discussion George Slaying the Dragon' at the Out of the rain: Uncovering artistic Aid for Cultural Heritage during Kare and Her Macintosh In Situ Chelation of ing Cultural Heritage in tion of Joan Miró’s Materials) Methods Archives Conservation Group 2016: “Paper Isabella Stewart Gardner Museum: process in Gustave Caillebotte’s a Complex Emergency: lessons Icons: A Co-Acquisition. Waterborne Stains from Conflict Using Remotely bronze sculptures for cleaning brass Discussion Group is Part of the Picture: Technique and Restoration 'Paris Street; Rainy Day' from Nepal Historic Unfinished Sensed Imagery: Syria at the Museum of mats from cased 2016: “Innovative Connoisseurship Architectural Woodwork Modern Art photographs Approaches to Disaster and Conservation Response: Real-Life 2:30pm (Paintings) Exploring Pieter de (Research and Technical Studies) (Emergency) Emergency (Electronic Media) (Wooden Artifacts) (Architecture Student (Objects) Conserva- (Photographic Practice' Tips and Tricks” Hooch's Mid-Career Period: A Characterizing the Age of Ancient Preservation during Armed Unauthorized Archives Going Grey: Mitigating Sessions) Introduction, tion and investigation Materials) Enhanced: Study of Growth in Creativity Egyptian Manuscripts through Conflict: Protecting the Ma’arra and Unreleased Software: the Weathering of Wood 5 papers, Q&A of ancient bodies at Nineteenth Century micro-Raman Spectroscopy Museum in Syria Preserving a Cancelled in the Architecture of Abydos - Challenging Hand-coloured Project Louis Kahn work in post- Photographic Portraits revolutionary Egypt 3:00pm (Paintings) Experimental study (Research and Technical Studies) (Emergency) The Iraqi Institute: (Electronic Media) (Wooden Artifacts) (Objects) Using (Photographic Materi- on merits of Virtual Cleaning of Reproducibility in Quantitative XRF conservation’s role in disaster Electronic Media Discussion Wooden Artifacts Group Heat and Cold in als) Research into An paintings with aged varnish Analysis of Copper Alloys: Problems preparedness, recovery and Panel Business Meeting the Treatment of a Alternative Method for and Ways Forward long-term redevelopment Lakota Winter Count Mounting Photographs onto Aluminium Supports 3:30pm (Paintings) The identification of (Research and Technical Studies) (Emergency) Emergency Com- (Objects) Facing the (Photographic natural Indian Yellow and other Binders and pigments used mittee Panel Discussion past for action in Materials) Restoration historic late 19th century pig- in traditional Aboriginal bark the future: Cultural of an experimental ments from the Toulouse-Lautrec paintings survival in Native film: research of an estate in France America adhesive compat- ible with color film materials 4:00pm (General Session) Closing Reception and AIC Awards Presentations, until 6:30pm 5:00pm (Closing Dinner) Vieux-Port Steakhouse

32 TUESDAY, May 17 Session Listings This grid lists primarily paper presentations only. See daily listings for non-session events. Room 510 Room 511 A/D Room 511 B/E Room 513 A/C Room 513 D/F Room 514 Room 515 Room 516 AB Room 516 CD Room 520 Room 710 A Room 710 B 7:30am (Business Meeting) AIC Members, 7:30 - 8:00am 9:45am (Business Meeting) CAC Members, 8 - 9:00am 9:45am 10:00am Book and Paper (Textiles) Foxy Underpants; or, (Research and Technical Studies) (Emergency) Rock Art Before (Electronic Media) Emula- (Wooden Artifacts) The (Architecture) Flash, (Collection Care) (Photographic (Book and Paper) A (Paintings) A (Objects) Reverse morning sessions the use of chelators, enzymes, Ensuring maximum impact for Natural Disasters tion as a Conservation ABCs of a Monumental Flame, and Finishes: Saving collections in Materials) Salvag- protocol to conserve study of painted Engineering Ancient are in Room 520 and surfactants to remove foxing conservation science Strategy for Software-Based Frame: Analysis, Bronze Investigating Fire an uncertain world: ing Memories: The glazed paper after a animation cels, Greek Ceramics: stains from linen underpants Art Paint & Chelators Damaged Architectural Context, collabora- Recovery of Fire- water damage their materials An Interdisciplinary Finishes tion and training Damaged Photographs and deterioration Collaboration and Lessons Learned processes in Conservation and Kindness 10:30am (Textiles) Gelling in Theory and (Research and Technical Studies) (Emergency) The Museum (Wooden Artifacts) (Architecture) And now (Collection Care) (Photographic (Book and Paper) Post- (Paintings) Using (Objects) Looking Practice: An Examination of Aga- Colorimetric Sensor Arrays for Flood Funding Program: the Loss Compensation on what?: Technical and Making it up as we Materials) Separation flood Development of Web-Based at Guilloche Work in rose Gels in Textile Conservation Monitoring Pollutant Exposure of Alberta Museums Association’s Furniture: Traditional ethical decision-mak- go along: How we Anxiety: Kiss Your Mass Treatments at Projects to Promote Conservation Artwork Response to the 2013 Alberta vs Modern Methods and ing process regarding a got it right by doing Acetate Goodbye! the National Library of Conservation and Floods Materials Parisian 17th c painted everything wrong Florence: The Roots of Engage Diverse ceiling in the aftermath Library Conservation Audiences of a catastrophic fire 11:00am (Textiles) Tips and tricks to remove (Research and Technical Studies) (Emergency) Lesson learnt in (Electronic Media) Best (Wooden Artifacts) (Architecture) Surviving (Collection Care) (Photographic Materi- (Book and Paper) (Paintings) (Objects) The the mud from textile collections Investigation of Fogging Glass an emergency: sorting chan- Practices for Conservation To Fly or Not to Fly, Multiple Disasters: Building an als) Problems with Targeted Cleaning of Paintings Specialty Conservation of an after a flood Display Cases at the Royal Ontario nels for efficient actions of Media Art from an Artist's That is the Question: Conserving New York’s emergency response Image: A Conservator's Works on Paper: Rigid Group Business Italian Marble and Museum Perspective Conservation of a Telephone Building plan for archaeologi- Role in the Attribution Polysaccharide Gels Meeting Micromosaic Tabletop John Doggett Frame at Murals cal sites of Photographs and Conductivity- (Objects) 19th century Pilgrim Hall Museum Adjusted Aqueous mounted oyster shell by Solutions Froment-Meurice 11:30am (Textiles) Emergencies, liquid (Research and Technical Studies) (Emergency) Documenting (Wooden Artifacts) (Architecture) (Collection Care) (Photographic Materi- (Book and Paper) Soft (Objects) A study on stains, dirt, & textile cleaning RATS Business Meeting Disasters: Post-Disaster Branch surprises- Post-Disaster Data When emergency als) Photographic matter; gel develop- copper corrosion stain techniques: a Textile Specialty Memory-Making and the anatomy, identification Collection: Testing New preparedness (or Materials Business ment for conservation removal from poly(vinyl Group Discussion Emergence of New Cultural and conservation Tools in Port-au-Prince, even an emergency) Meeting treatment chloride) Heritage concerns Haiti is foreign territory (Objects) The Use of Gums and Resins in Archaeology 12:00pm (Book and Paper) (Paintings) Tips (Objects) Tips Session Tips Session Session Luncheon Luncheon 1:00pm Luncheon 2:00pm (Book and Paper) Art (Paintings) Carlo Crivelli’s 'St. (Research and Technical Studies) (Emergency) Scaling-up First (Electronic Media) Susan (Wooden Artifacts) (Architecture) Monitor- (Objects) Conserva- (Photographic (Book and Paper) on Paper Discussion George Slaying the Dragon' at the Out of the rain: Uncovering artistic Aid for Cultural Heritage during Kare and Her Macintosh In Situ Chelation of ing Cultural Heritage in tion of Joan Miró’s Materials) Methods Archives Conservation Group 2016: “Paper Isabella Stewart Gardner Museum: process in Gustave Caillebotte’s a Complex Emergency: lessons Icons: A Co-Acquisition. Waterborne Stains from Conflict Using Remotely bronze sculptures for cleaning brass Discussion Group is Part of the Picture: Technique and Restoration 'Paris Street; Rainy Day' from Nepal Historic Unfinished Sensed Imagery: Syria at the Museum of mats from cased 2016: “Innovative Connoisseurship Architectural Woodwork Modern Art photographs Approaches to Disaster and Conservation Response: Real-Life 2:30pm (Paintings) Exploring Pieter de (Research and Technical Studies) (Emergency) Emergency (Electronic Media) (Wooden Artifacts) (Architecture Student (Objects) Conserva- (Photographic Practice' Tips and Tricks” Hooch's Mid-Career Period: A Characterizing the Age of Ancient Preservation during Armed Unauthorized Archives Going Grey: Mitigating Sessions) Introduction, tion and investigation Materials) Enhanced: Study of Growth in Creativity Egyptian Manuscripts through Conflict: Protecting the Ma’arra and Unreleased Software: the Weathering of Wood 5 papers, Q&A of ancient bodies at Nineteenth Century micro-Raman Spectroscopy Museum in Syria Preserving a Cancelled in the Architecture of Abydos - Challenging Hand-coloured Project Louis Kahn work in post- Photographic Portraits revolutionary Egypt 3:00pm (Paintings) Experimental study (Research and Technical Studies) (Emergency) The Iraqi Institute: (Electronic Media) (Wooden Artifacts) (Objects) Using (Photographic Materi- on merits of Virtual Cleaning of Reproducibility in Quantitative XRF conservation’s role in disaster Electronic Media Discussion Wooden Artifacts Group Heat and Cold in als) Research into An paintings with aged varnish Analysis of Copper Alloys: Problems preparedness, recovery and Panel Business Meeting the Treatment of a Alternative Method for and Ways Forward long-term redevelopment Lakota Winter Count Mounting Photographs onto Aluminium Supports 3:30pm (Paintings) The identification of (Research and Technical Studies) (Emergency) Emergency Com- (Objects) Facing the (Photographic natural Indian Yellow and other Binders and pigments used mittee Panel Discussion past for action in Materials) Restoration historic late 19th century pig- in traditional Aboriginal bark the future: Cultural of an experimental ments from the Toulouse-Lautrec paintings survival in Native film: research of an estate in France America adhesive compat- ible with color film materials 4:00pm (General Session) Closing Reception and AIC Awards Presentations, until 6:30pm 5:00pm (Closing Dinner) Vieux-Port Steakhouse

33 Routledge Conservation Journals

Discover world-leading conservation research from Routledge Conservation journals at www.tandfonline.com

34 35 Exhibitor Map

Posters Posters

AIC’s Exhibit Hall will be open Sunday, May 15 & Monday, May 16, Poster Author Q&A is from 10:00am–5:30pm. The Exhibit Hall is located on the Monday, May 16, at 2ND LEVEL in ROOM 210 CD/GH. 3:30-4pm.

Enjoy refreshments during session breaks on Sunday and Monday, Please be prepared to at 10:00am and 3:30pm, and lunch will be available for purchase ask authors questions both days from noon-2pm. about their work! Poster abstracts are also listed Don’t forget that you can visit the booths any time the Exhibit Hall is open! in the abstract book.

36 AIC’s Exhibit Hall in Room 210 CD/GH, Palais des Congrès Open Sunday, May 15 & Monday, May 16, 10:00am–5:30pm Exhibitor Profiles

Exhibitor Booth Exhibitor Booth Agilent Technologies, Inc...... 206 Image Permanence Institute...... 204 AIC Committee: Emergency...... 411 International Institute for Frame Study...... 121 AIC Committees: Health and Safety & Sustainability...... 408/410 The Japanese Paper Place...... 404 Allied Scientific Pro...... 309 Kremer Pigments Inc...... 413 Applied Surface Technologies...... 307 The Legacy Press...... 504 Archetype Books...... 417 Masterpak...... 419 Art Preservation Services...... 123/125 MuseuM Services Corporation...... 405 Bostick & Sullivan...... 406 National Center for Preservation Technology and Training ...... 208 Bruker Corporation ...... 516/518/520/522 Newco...... 211 Canadian Conservation Institute...... 423 Northeast Document Conservation Center...... 224 Carestream NDT...... 222 nSynergies, Inc...... 119 ClickNetherfield...... 304 Odorox...... 310 Crystalizations Systems, Inc...... 218 PACART...... 311 Custom Manufacturing, Inc...... 506 Pixelteq...... 212 Dorfman Museum Figures, Inc...... 219 RH Conservation Engineering...... 425 Fibron Insulations, Inc...... 217 Routledge: Taylor & Francis Group...... 306 Fleming College Cultural Heritage Conservation SIT Grupo Empresarial S.L...... 524 and Management Program...... 412 SmallCorp...... 207/209 Gallery Systems...... 216 Sollum Technologies...... 220 Gaylord Archival...... 407 T and D...... 318 G.C. Laser Systems...... 210 Talas...... 113 Getty Conservation Institute...... 319/418 Testo Inc...... 421 Getty Publications...... 416/317 Tru Vue, Inc...... 105/107 Goppion...... 111 Universal Fiber Optic Lighting LLC...... 213 Hiromi Paper, Inc...... 312 University Products...... 305 Hirox-USA, Inc...... 313 Upper Canada Stretchers...... 109 Hollinger Metal Edge, Inc...... 205 Zarbeco, LLC...... 117 Huntington T. Block Insurance Agency, Inc...... 512 Zone Display Cases...... 316

Agilent Technologies, Inc. health and safety issues of concern to the AIC membership by maintaining Booth #: 206 current information through research, by collaboration with health and 2850 Centerville Road safety professionals and with other health and safety organizations, and, Wilmington, DE 19808 USA periodically, by statistically valid surveys, the results of which facilitate Contact: Richard Beringer establishing priorities. Ph: 302-636-8108 AIC Committee: Emergency Email: [email protected] Website: http://www.agilent.com/chem Booth #: 411 Agilent leads the way in the non-destructive testing of samples, both in Contact: Co-Chairs, Kim Norman and Rosemary Fallon the lab and on-scene! A unique portfolio of mobile and in-lab FTIR products Emails: [email protected]; [email protected] allows you to analyze samples in a laboratory, or take the instrumentation to the Website: http://www.conservation-us.org/about-us/our-structure/ research site. In addition, Agilent provides unique solutions for surface coating committees analysis, including FTIR imaging, and our Cary 7000 Universal Measurement The charge of the committee to promote awareness and increase knowledge system, which allows for the analysis of solid samples from almost any angle. of the AIC membership in the areas of emergency preparedness, response Learn more at https://www.agilent.com/en-us/products/molecular-spectroscopy and recovery for cultural heritage by: contributing to the production of articles (published or web-based), brochures and handouts which provide pertinent AIC Committees: Health and Safety, Sustainability educational and technical information; organizing and developing lectures Booth #: 408/410 and workshops that provide for a foundation of understanding and the skill Website: www.conservation-us.org/healthandsafety sets/tools needed for this type of work; supporting the function and role of The Health & Safety Committee provides educational and technical the National Heritage Responders; working with other AIC Committees and information to the AIC membership to increase knowledge of safety hazards Specialty Groups to most completely and accurately disseminate information; and general health issues related to the conservation profession. It offers partnering with other collection-based institutions or organizations to develop information through lectures, workshops, displays, AIC’s publications, broad-reaching educational training tools. AIC’s website, and other electronic and print media. It also addresses

37 problem-solving activities in the field of preventive conservation. APS provides the following products and services: Exhibitor Profiles • RHapid Gel: A “high performance” silica gel, manufactured exclusively Allied Scientific Pro for APS, based on research regarding optimum properties for pre- serving collections. RHapid Gel has the highest RH buffering capacity Booth #: 309 within the normal range of use for museum applications compared to 815 Boulevard Carriere, Gatineau, QC J8Y 6T4 Canada other types of silica gels. Contact: Luc Pilloud • The Arten RH Meter: A mechanical thermohygrometer designed Ph: 819-743-7851 specifically for museum applications, the Arten Meter provides a dual Email: [email protected] method for monitoring RH to assure high confidence in the accuracy of Website: www.lightingpassport.com & www.alliedscientificpro.com the RH reading. A calibration kit is available for the Arten Meter. Lighting Passport smart spectrometer enables you to test the quality of any • Humidity control consultation services for both macro- and micro-climates. type of light falling onto a piece of art. The instrument is a small and portable • Consultation services and specialized lighting equipment for the device compatible with iPhone or Android devices. It provides the temperature, museum field. humidity, CCT, CRI, indicates if there is UV light or IR light that can damage the piece of art. You get the full light analysis at the tip of your finger. Bostick & Sullivan Booth #: 406 Applied Surface Technologies 1541 Center Dr, Santa Fe, NM 87507 USA Booth #: 307 Contact: Leigh Sullivan 15 Hawthorne Drive , New Providence, NJ 07974 USA Ph: 505-474-0890 Contact: Robert Sherman Email: [email protected] Ph: 585-475-7175 Fx: 585-475-7230 Website: https://www.bostick-sullivan.com/ Email: [email protected] Bostick & Sullivan is the leading supplier of chemistry, darkroom supplies, Website: http://www.co2clean.com/#!art-/di1v9 and live technical support for antique photography. We also teach workshops Applied Surface Technologies will demonstrate CO2 Snow Cleaning as at our Santa Fe, New Mexico offices. applied to cleaning and restoring art. We will demonstrate the CO2 Snow Cleaning units, with and without heated compressed air about the CO2 snow Bruker Corporation stream, for cleaning different materials and items. CO2 snow can remove Booth #: 516/518/520/522 soot, hydrocarbon oils, fingerprints, dust, particles of all sizes, polishing 5465 E. Cheryl Parkway, Madison, WI 53711 USA residues and more. Examples shown include fingerprints on a polymer Contact: Kodi Morton structure, polishing and wax residues, soot and more. Ph: 1 800-234-XRAY(9729) Fx: 1-608-276-3006 Archetype Publications Ltd. Email: [email protected] Web: www.bruker.com/applications/environmental/art-conservation.html Booth #: 417 Bruker is one of the world’s leading analytical instrumentation companies. c/o International Academic Projects, 1 Birdcage Walk We cover a broad spectrum of advanced solutions in all fields of research and London SW1H9JJ United Kingdom development. Bruker’s innovative methods and non-destructive analytical Contact: James Black techniques help to protect and preserve artifacts and historical monuments all Ph: 011 44 207 380 0800 Fx: 011 44 207 380 0500 over the world. Email: [email protected] Website: www.archetype.co.uk Canadian Conservation Institute (Institut canadien de Archetype Publications is a leading publisher of books related to the conservation) conservation of art and antiquities. Many Archetype titles are written or Booth #: 423 edited by current or recent conservators, conservation scientists and other 1030 Innes Road, Ottawa, Ontario K1B 4S7 Canada specialists. Archetype works with several well-known organizations (national Contact: Debbie Laplante museums, international organizations, universities) often publishing confer- Ph: 613-998-3721 Fx: 613-998-4721 ence pre-prints or post-prints in association with them. Archetype has a US Email: [email protected] distributor and fulfilment agent but distributes its own titles to Europe and the Website: http://canada.pch.gc.ca/eng/1454704828075 rest of the world from London. The Canadian Conservation Institute advances and promotes the conserva- Art Preservation Services tion of Canada’s heritage collections through its expertise in conservation science, treatment and preventive conservation. CCI works with heritage Booth #: 123/125 institutions and professionals to ensure these heritage collections are 44-02 23rd St., Ste # 102, Long Island City, NY 11101 preserved and accessible to Canadians now and in the future. Contact: Steven Weintraub L’Institut canadien de conservation fait progresser la conservation des col- Ph/Fx: 718-786-2400 lections patrimoniales du Canada et en fait la promotion grâce à son expertise Email: [email protected] en science de la conservation, en restauration et en conservation préventive. Website: www.apsnyc.com L’ICC travaille avec les établissements et les professionnels du patrimoine Art Preservation Services (APS) specializes in the environmental pour faire en sorte que ces collections patrimoniales soient préservées et preservation of collections in museums, archives, and historic buildings. accessibles aux Canadiens et aux Canadiennes, aujourd’hui et à l’avenir. With a particular focus on issues of illumination and humidity control, our areas of competence reflect decades of innovative research and practical

38 Carestream NDT Booth #: 222 Exhibitor Profiles 150 Verona Street, Rochester, NY 14608 USA Contact: Paul Biver Dorfman Museum Figures, Inc. Ph: 1-888-777-2072 Booth #: 219 Email: [email protected] 6224 Holabird Ave., Baltimore, MD 21224 Website: http://www.carestream.com/nondestructivetesting.html Contact: Chad Grob Carestream NDT is a worldwide provider of X-ray imaging systems used Ph: 800-634-4873 Fx: 410-284-3249 by Art Conservatories around the world. Products include digital computed Email: [email protected] radiography (CR) systems, digital radiography (DR) systems, imaging plates, Web: www.museumfigures.com cassettes, DICONDE archiving, conventional film & chemicals, automatic film Dorfman Museum Figures, Inc. is the leader in creating three-dimensional processing equipment and accessories. Our innovative solutions enable our Ethafoam™ Conservation Forms for archival display and storage of your artifact customers’ success and reveal critical information on priceless pieces of art garments. Choose between our full Economy ETHAFOAM™ Men Mannequins, and artifacts. Our award-winning products keep conservators at the forefront our Dress and Suit Forms, Storage Hat Mounts, Storage Hangers, Classic Forms of technological advancements in art imaging. and more. We are continually adding to our line of products so let us know if you ClickNetherfield need something that you don’t see on our website, www.museumfigures.com Booth #: 304 Fibron Insulations, Inc. The Glassworks, Grange Road, Houstoun Industrial Estate Booth #: 217 Livingston, Scotland, UK EH54 5DE 2018 Kingsway Building E, Sudbury, Ontario P3B 4J8 Ph: 44 (0) 1506 835200 Contact: Bradley Shaw Email: [email protected] Ph: 1-855-342-7661 Website: http://www.clicknetherfield.com & www.renewvitrine.com Email: [email protected] ClickNetherfield is a leading museum showcase manufacturer and designer Website: http://fibron.ca/ with more than 70 years of expertise of working across the globe. Working Manufacturers of Sponge Media™ cleaning and micro-abrasive products regularly with Kings, Queens and Presidents as well as world famous that offer dry, low dust, highly controllable surface cleaning and stripping museums, ClickNetherfield thrives upon the challenge of making designers’ solutions. Remove the toughest surface contaminants to any surface finish and architects’ visions come to life. Design is at core of ClickNetherfield’s needed; rejuvenate, without degradation, masonry substrates, such as business and we are fully committed to creating unique solutions for every granite, brick, slate and sandstone. Clean hard and soft metal alloys like cast project. We are demonstrating our new product RENEWVITRINE at this show. iron, carbon steel, copper, tin and bronze. Sponge-Jet delivers unparalleled RENEWVITRINE is our glass treatment kit that works to restore glass back to customer support with global distribution and technical services. an “as new” condition. Fleming College Cultural Heritage Conservation and Crystalization Systems, Inc. Management Program Booth #: 218 Booth #: 412 1401 Lincoln Ave., Holbrook, NY 11741 599 Brealey Dr., Peterborough, ON K9J 7B1 Contact: Patricia J. Ellenwood Contact: Gayle McIntyre Ph: 631-467-0090 Fx: 631-467-0061 Ph: 1-866-353-6464 Email: [email protected] Email: [email protected] Web: www.csistorage.com Website: https://flemingcollege.ca/school/haliburton-school-of-art-and- We design, manufacture and install safe, lightweight aerospace ALUMINUM design Collection Storage Systems that require no maintenance. Our industry-leading The Cultural Heritage Conservation and Management Program offered through Moving Painting and Rolled Textile Storage Systems are available in any Fleming College is the only post graduate college-level training in this field in size. Floor, Ceiling and Free-Standing supported installations. Aisles are Canada. It is recognized as the optimum synthesis of art and science; graduates always Track-Free. Our re-engineered Oversized Flat and Display/Storage are appreciated for their professional ethics, knowledge of sustainable collec- Series Cabinets are available in standard and custom sizes. We provide full tions care practices, and hands-on experience in the field. The program focuses budgeting and grant support. Visit our website www.CSIstorage.com. See our on the preservation of both tangible and intangible cultural heritage. new PerfectFit™ Moving Painting Storage “Kit” System. Custom Manufacturing, Inc. G.C. Laser Systems, Inc. Booth #: 506 Booth #: 210 900 S. Des Plaines Ave, Forest Park, IL 60130 USA 10034 East Lake Road, Hammondsport, NY 14840 USA Contact: Bartosz Dajnowski Contact: Carmen Kramer Ph: 844-532-1064 Fx: 773-353-8699 Ph: 607-569-2738 Fx: 646-349-1058 Email: [email protected] Email: [email protected] Website: www.GCLasers.com Website: http://www.archivalboxes.com/ G.C. Laser Systems Inc. designs and builds unique laser systems Custom Manufacturing, Inc. (CMI MicroClimates) supplies custom fitting & specifically for art and architecture conservation. Our compact and portable standard size archival quality boxes in several styles and archival materials. systems, such as the GC-1, offer unmatched precision and control over the level of cleaning. We also offer custom built laser cleaning solutions and laser cleaning training. 39 Website: www.getty.edu/publications Getty Publications produces award-winning titles that result from or Exhibitor Profiles complement the work of the J. Paul Getty Museum, the Getty Conservation Gallery Systems Institute, and the Getty Research Institute. This wide variety of books covers the fields of art, photography, archaeology, architecture, conservation, and the Booth #: 216 humanities for both the general public and specialists. 5 Hanover Square, Ste 1900, New York, NY 10004 Contact: Paul Thyssen, Director of Sales Goppion Ph: 646-733-2239 Fx: 646-733-2259 Booth #: 111 Email: [email protected] 205 Mount Auburn St., Watertown, MA 02472 Website: www.gallerysystems.com Contact: Ted Paschkis Gallery Systems provides tools that help conservators work and document Ph: 617-893-2547 faster, with timesaving features in an easy-to-navigate, web-based solution. Email: [email protected] Manage complex projects and exhibition requirements, cross-link to related Website: www.goppion.com activities and annotate high-resolution images with ease. For over 30 years, Goppion designs, develops, builds and installs state-of-the-art display Gallery Systems has developed specialized collection management software cases and museum installations. We work with curators, designers and and web solutions for the world’s museums, collectors, libraries, foundations, conservators to resolve all exhibition display-related issues with engineering and other fine cultural institutions. solutions. Our tradition of innovation is sustained by our collaborations with Gaylord Archival our clients, including some of the most highly regarded architects, designers and cultural institutions throughout the world. Booth #: 407/409 7282 William Barry Blvd., Syracuse, NY 13212 Hiromi Paper, Inc. Contact: Paul Randall Booth #: 312 Ph: 315-634-8115 Fx: 315-634-8923 2525 Michigan Ave., Bergamot Station Art Center, G-9 Email: [email protected] Santa Monica, CA 90404 Website: www.gaylord.com Contact: Yona Warmin Visit Gaylord Archival to see our new and innovative Frank Showcase Ph: (310) 998-0098 Fx: (310) 998-0028 System! It's the first patented, fully demountable acrylic showcase system Email: [email protected] in the world—it ships flat! Let us help you bring your exhibit to life with our Website: www.hiromipaper.com unparalleled selection of cases, as well as everything you need to prepare, Hiromi Paper, Inc. is devoted to the creation of a greater rapport between install, display and protect your collections. If you are looking for something Japanese papermakers, conservators, printers, artists, designers and specific, we offer unlimited options for customization. We also carry a bookmakers, while developing new directions and a deeper understanding comprehensive selection of preservation products and conservation materials, of Japanese papers or “WASHI.” We have very close working relationships many of which are handcrafted at our headquarters so we can respond quickly with many papermakers in Japan and are therefore in the unique position to your custom requirements. Our wide array of museum-quality cabinets, to offer custom made papers suitable for the individual project needs of our art storage systems and flat files address your long-term storage needs. To customers. maintain your storage environment, look to Gaylord Archival for environmental controls and monitoring devices that will suit any need or budget. Visit us at Hirox-USA, Inc booth #407/409 or learn more about our products at Gaylord.com. Booth #: 313 The Getty Conservation Institute 100 Commerce Way, Hackensack, NJ 07601 Ph: 201-342-2600 Fx: 201-342-7322 Booth #: 319/418 Email: [email protected] 1200 Getty Center Drive, Suite 700, Los Angeles, CA 90049 Web: www.hirox-usa.com Contact: Anna Zagorski HIROX invented the first digital microscope over 25 years ago paving the Ph: 310-440-7235 Fx: 310-440-7712 road for new innovative microscopy. HIROX’s high-quality optical, mechanical, Email: [email protected] and lighting designs have the capability of achieving an expansive magnifica- Website: www.getty.edu/conservation tion range from 0x-7000x. HIROX’s systems incorporate a variety of features, The Getty Conservation Institute works to advance conservation practice in including 2D/3D measurement, HDR, anti-halation, and 2D/3D tiling. the visual arts, broadly interpreted to include objects, collections, architecture, and sites. It serves the conservation community through scientific research, Hollinger Metal Edge education and training, model field projects, and the broad dissemination of Booth #: 205 the results of both its own work and the work of others in the field. In all its 9401 Northeast Dr., Fredericksburg, VA 22408 endeavors, the Conservation Institute focuses on the creation and dis- Contact: Abby Shaw semination of knowledge that will benefit the professionals and organizations Ph: 800-634-0491 Fx: 800-947-8814 responsible for the conservation of the world’s cultural heritage. Email: [email protected] Getty Publications Website: www.hollingermetaledge.com Hollinger Metal Edge, Inc. has been the leading supplier of archival storage Booth #: 416/317 products for Conservators, Museums, Government and Institutional Archives, 1200 Getty Center Drive, Suite 500, Los Angeles, CA 90049 Historical Societies, Libraries, Universities, Galleries and Private Collectors for Contact: Kimberley Westad over 65 years. Famous for The Hollinger Box – the metal edged gray document Ph: 310-440-7506 Fx: 310-440-7758 cases that fill the shelves of thousands of organizations, we offer a wide E-mail: [email protected] 40 variety of box styles made with various appropriate materials to store any col- lectible. We also supply conservation materials, inert polyester, polypropylene and Tyvek products, archival folders, buffered and unbuffered envelopes, Exhibitor Profiles Permalife bond papers, and buffered and unbuffered tissue paper. Hollinger Kremer Pigments Inc. Metal Edge manufactures custom orders on a daily basis and is committed to educational support for preservation workshops. Please contact us regarding Booth #: 413 your workshop, and we will provide free catalogs and samples as required. 247 West 29th St., New York, NY 10001 Contact: Dr. Georg Kremer (President) / Roger Carmona (Store Manager) Huntington T. Block Insurance Agency, Inc. Ph: 212.219-2394 or 1-800 995 5501 Fx: 212.219-2395 Booth #: 512 Email: [email protected] 1120 20th St NW, Ste. 600, Washington, DC 20036-3406 Website: www.kremerpigments.com Contact: Ever Song KREMER PIGMENTS has been discovering and redeveloping historical pig- Ph: 202-429-8506 Fx: 202-331-8409 ments and mediums since 1977. Our professional assortment consists of over Email: [email protected] 100 different mineral pigments made from precious and semiprecious stones, Website: www.huntingtontblock.com which we offer in various grinds and qualities, over 70 natural earth colors, The American Institute for Conservation of Historic and Artistic Works several hundred ground glass pigments, mineral and organic pigments. (AIC) and Huntington T. Block Insurance Agency, Inc. (HTB) have partnered to Binders, glues, balsams, natural resins, oils, etc round off our pallet. Our large provide AIC’s members with customized insurance programs. HTB’s specialized stock and fast mailing service guarantee a quick supply. fine art policy for conservators protects artwork while in your possession for The Legacy Press restoration and conservation. Each unique program provides broad coverage at affordable rates and is serviced by HTB’s knowledgeable and responsive Booth #: 504 team of risk professionals. 1513 Long Meadow Trl, Ann Arbor MI 48108–9633 USA Contact: Cathleen A. Baker Image Permanence Institute Email: [email protected] Booth #: 204 Website: http://www.thelegacypress.com/ 70 Lomb Memorial Dr., Rochester, NY 14623 The Legacy Press's award-winning books center around the Printing, Paper, Contact: Lauren Parish and Bookbinding Arts. Many of our titles are of especial interest to paper and Ph: 585-475-7175 Fx: 585-475-7230 book conservators because they provide fundamental information about the Email: [email protected] materials and technologies of works of art, archival collections, and books. Website: www.imagepermanenceinstitute.org Masterpak The Image Permanence Institute is a university-based, non-profit preserva- tion research lab devoted to sustainable practices for the preservation of Booth #: 419 images and cultural property. IPI provides education, consulting services, 145 East 57th Street, 5th Floor, New York, NY 10022 publications, and practical tools to libraries, archives, and museums Contact: Caroline Smith worldwide. Ph: 800-922-5522 Fx: 212-586-6961 Email: [email protected] International Institute for Frame Study Website: www.masterpak-usa.com Booth #: 121 Unique & archival materials for the protection of fine art, artifacts and Contact William Adair antiques in packing, shipping, storing and display. Best everyday prices. Ph: 202-276-1715 Fx: 202-833-2452 Hard-to-find materials for conservators, artists, museums, galleries, Email: [email protected] collectors, framers and art shippers. Products include: Archival Rolling and Website: http://instituteforframestudy.org Storage Tubes, Tissues, Softwrap® Tyvek® or Nomex® & Hardwrap® Tyvek® Founded in 1992 by the frame historian and conservator William Adair, The Liners by DuPont, Ethafoam® & Cellu-Cushion®, Volara® Foam, Dartek® International Institute for Frame Study is a non profit organization created to Cast Nylon Film, Marvelseal®, Poly Sheeting, Glassine Paper, Archival promote the academic and practical study of the picture frame. Corrugated Boards, Masterpak® Art Shipping Boxes, Oz Clips, PEM2® Data Loggers, software for humidity & temperature tracking, and much more. All The Japanese Paper Place products available in small or large quantities and ship within 24 hours. Booth #: 404 MuseuM Services Corporation 103 The East Mall, Unit 1, Toronto, ON M8Z 5X9 Canada Contact: Nancy Jacobi, Sigrid Blohm Booth #: 405 Ph: 416-538-9669 Fx: 416-538-0563 385 Bridgepoint Dr., South St. Paul, MN 55075 Email: [email protected] Contact: Linda Butler Web: www.japanesepaperplace.com Ph: 651-450-8954 Fx: 651-554-9217 The Japanese Paper Place stocks a wide range of sheets and rolls of conser- Email: [email protected] vation quality. Included are Kurotani, Hosokawa, Usumino and Sekishu papers Web: www.museumservicescorporation.com all from 100% Japanese kozo. Also dyed Matsuo kozo, Japanese tools, brushes MuseuM Services Corporation welcomes everyone to the 2016 AIC confer- and adhesives including funori. A wide range of Kashiki kozo and gampi rolls ence. Stop by our booth for samples, catalogs and a chance to look at some in varying weights and tones. Delivered with deep knowledge gained on our of our featured conservation equipment in person and hands-on. As always, visits to Japan and connections there over the past 37 years. we will be available to answer questions, advise and assist you with your conservation lab needs.

41 • CRONO, an optimized fast mapping system for areas up to 60X45 cm2, Exhibitor Profiles with spot sizes of 0.5, 1 and 2 mm. Odorox National Center for Preservation Technology & Training Booth #: 310 (NCPTT) 16525 Southpark Drive, Westfield, IN 46074 USA Booth #: 208 Contact: Tom McArdle 645 University Parkway, Natchitoches, LA 71457 Ph: 305-338-8506 Contact: Jason Church Email: [email protected] Ph: 318-356-7444 Fx: 318-356-9119 Website: http://www.odoroxhg.com Email: [email protected] Odorox hydroxyl generators are patented, scientifically confirmed, safety Website: www.ncptt.nps.gov tested, and field proven to eliminate odors that have been absorbed in porous The National Park Service’s National Center for Preservation Technology materials. Most importantly, they will not damage any sensitive materials and Training protects America’s historic legacy by equipping professionals in or leave behind any residue. Odorox primarily sells and rents the hydroxyl the field of historic preservation with progressive technology-based research generators to the disaster restoration industry throughout the world, and was and training. Since its founding in 1994, NCPTT has awarded over $7 million recently used to eliminate smoke odors from over one billion dollars worth of in grants for research that fulfills its mission of advancing the use of science artwork. The project was a complete success with no adverse effects. and technology in the fields of archaeology, architecture, landscape architec- ture and materials conservation. PACART Booth #: 311 Newco, Inc. Montreal, Toronto and Vancouver Booth #: 211 Contact: Pierre Béchard/Mark Starling 2811 W. Palmetto Street, Florence, SC 29501 USA Ph: (514) 334-5858 / (416) 754-0000 Contact: Chris Watters Email: [email protected]/[email protected] Ph: 1-800-545-9729 Fx: 843-664-0197 Website: www.pacart.ca Email: [email protected] PACART provides a variety of services dedicated to the safe, secure move- Website: http://newcoinc.net/ ment and placement of works of art, antiques and precious artifacts. Newco provides NDT products, including new and used x-ray equipment, UV lights/meters, video probes, and computed tomography systems, and the best Pixelteq prices – guaranteed – consulting, design, assembly, and installation services. Booth #: 212 Newco enjoys long-standing relationships with NDT’s leading equipment 8060 Bryan Dairy Rd., Largo, FL 33777 manufacturers to bring you what you need affordably. Ph: 727-545-0741 Fx: 727-545-7900 Email: [email protected] Northeast Document Conservation Center Website: www.pixelteq.com/solutions/art-antiquites/ Booth #: 224 PIXELTEQ provides OEM spectral imaging solutions for a variety of art 100 Brickstone Sq., Andover, MA 01810 and cultural heritage applications. Custom-selected spectral camera filters Contact: Julie Martin provide conservators a valuable tool for: non-invasive characterization, Ph: 978-470-1010 Fx: 978-475-6021 evaluating layers, revealing watermarks & hidden features, distinguishing Email: [email protected] inks & pigments, and authentication. Website: www.nedcc.org Founded in 1973, NEDCC is the first independent conservation laboratory RH Conservation Engineering in the nation to specialize exclusively in treating collections made of paper or Booth #: 425 parchment, such as photographs, books, maps, scrapbooks, manuscripts, and “Meakins Rise” 16 Meakins Road, Flinders, Victoria 3929, Australia works of art on paper including prints, drawings, and pastels. The Center offers Contact: Robin Hodgson conservation treatment, digital imaging, and audio preservation services, as well Ph: +61359891199 as training, consultations, and disaster advice for collections. NEDCC’s website Email: [email protected] is a trusted resource for information on the preservation of collections. Website: www.RHConservationEng.com Established in 1991 by conservator Robin HODGSON, RH Conservation nSynergies, Inc. Engineering is a research driven supplier of the most innovative, technically Booth #: 119 advanced and aesthetically pleasing equipment available, providing consistent Sarasota, FL USA quality results in the conservation of human artistic and cultural heritage. Many Contact: Nicholas C. Barbi of the materials and manufacturing techniques used in our equipment come Ph: 267-205-7229 from the aerospace, electronics, and advanced manufacturing industries. Email: [email protected] Website: www.nsynergies.com Routledge, Taylor & Francis Group nSynergies represents XGLab SRL in the US, Canada, and Mexico. Together, Booth #: 306 we offer: Taylor & Francis Group Limited, 2-4 Park Square, Milton Park, Abingdon, • ELIO, a 1mm spot size, non-contact XRF system with on-tripod mapping; Oxfordshire, OX14 4RN, UK • XRaman, a combination XRF/Raman system, capable of analyzing the Contact: George Cooper, Managing Editor same 1mm spot size with both spectroscopies; Phone: +442070174370 Email: [email protected] 42 Website: www.tandfonline.com Routledge is proud to publish the Journal of the American Institute for Conservation. Visit our stand at AIC & CAC to browse the latest research Exhibitor Profiles published in the journal and to find out how you can submit your own paper. monitoring and data collection over a GSM cellular network. Developed specifi- We look forward to meeting you! www.tandfonline.com/yjac. cally for Museum and Archive applications, TandD produces a 4 in 1 logger that SIT Grupo Empresarial S.L. records Temperature, Humidity, Illuminance, and Ultra Violet, and also maintains Booth #: 524 an internal running exposure total. New this year are Temperature and Humidity loggers with integrated Wi-Fi capability that can auto upload readings to T&D’s Av. Fuentemar 13, 28823, Madrid, Spain free Cloud based WebStorage Service, or that can be logged onto directly from Contact: Guillermo Andrade a Smartphone or Tablet using T&D’s free ThermoWeb App. T&D Corporation, the Ph: (34) 690 828470 world’s leading supplier of wireless data loggers, is headquartered in Matsumoto Email: [email protected] Japan, and has been engaged in the design, development and manufacture of Website: http://www.sitspain.com/en/ high reliability, high quality electronic measurement systems since 1986. We are a Spanish Co. that maintains leadership in Europe on art handling, logistic and preventive conservation services. During recent years, we were Talas selected by the European Commission to participate in several Conservation Booth #: 113 Research Projects that improved significantly our microclimatic systems for 330 Morgan Ave., Brooklyn, NY 11211 preservation of artworks during transport, storage or exhibition. Contacts: Jake or Aaron Salik SmallCorp Ph: (212) 219-0770 Fx: (212) 219-0735 Booth #: 207/209 Email: [email protected] Website: www.talasonline.com 19 Butternut St., Greenfield, MA 01301 Bookbinding, Conservation and Archival supplies. Visit our booth for copies Contact: Mike Dunphy of our most recent catalogs, samples, and featured new products. Ph: 413-772-0889 Fx: 413-773-7386 Email: [email protected] Testo, Inc. Website: www.smallcorp.com Booth #: 421 SMALLCORP manufactures products for the display, conservation and 40 White Lake Rd., Sparta, NJ 07871 USA storage of works of art, textiles and objects. Our frames and display cases Contact: Krys Krawczyk figure prominently in museum and corporate collections. SmallCorp customers Ph: 1-800-227-0729 include picture framers, galleries, art conservators and related institutions Email: [email protected] and professionals. Website: https://www.testo.com/ Sollum Technologies Testo offers the software-free Saveris 2 Testo Cloud solution to monitor Booth #: 220 exhibits and storage conditions of the artwork in your care. The Saveris 2 external cable humidity probe is used to monitor enclosed display cases. 3761 rue de Verdun, Montreal, QC H4G 1K7 Canada Temperature and humidity readings and alarms are accessible from any Contact: Francois Roy-Moison device with a browser, or from PDF reports. Reading intervals are fully Ph: 1-800-220-5455 adjustable from 1 minute to 24 hours, and alarm notifications can be sent by Email: [email protected] text message to your phone or emailed. Website: http://sollumtechnologies.com/ SOLLUM has developed an avant-gard and novel lighting solution in Tru Vue, Inc. response to the problems of accelerated aging of works of arts attributable Booth #: 105/107 to conventional lighting solutions.The lighting solutions developed by the 9400 West 55th St., McCook, IL 60525 USA engineering team offers a luminaire perfectly recreating the light generated Contact: Yadin Larochette – Museum and Conservation Liaison by the Sun... without the harmful rays. Art works are thus illuminated in Ph: 312-758-3737 their true self thanks to an unparalleled natural lighting solution. They are Email: [email protected] thus protected to permit an increased exposure time to light and visits of the Website: http://tru-vue.com/museums-collections/ artwork to restoration is reduced. Now with SOLLUM you can see true colors With over 45 years of proven protection and preservation, Tru Vue fine art with the Sunlight in all its perfection... without degradation. acrylic and glass solutions, including Optium® Acrylic Glazing and UltraVue® T and D US, LLC Laminated Glass, are trusted by conservation and fine art professionals to Booth #: 318 protect and display the most celebrated artworks in the world. We work closely with the museum community to develop products that meet superior aesthetic 534 N. Guadalupe St., #32886, Santa Fe, NM 87501 and conservation standards. Features include: Anti-Reflective | Anti-Static | Contact: Steve Knuth Abrasion Resistant | UV Protection | Color Neutral Ph: 518-669-9227 Email: [email protected] Universal Fiber Optic Lighting LLC Website: www.tandd.com Booth #: 213 T&D Corporation manufactures a complete line of wireless and stand-alone 6119A Clark Center Avenue, Sarasota, FL 34238 USA Data Loggers offering a variety of web based data collection, remote monitoring Contact: Patric Dietrich and notification features. Wireless data collection options include an innovative Ph: 941-343-8115 hand-held portable unit with graphical display, a network connected data Email: [email protected] collector with built in Ethernet or Wi-Fi interface and even an option for remote Website: http://www.fiberopticlighting.com/ 43 Conservation Institute (CCI). All our cases follow and even surpass strict conservation guidelines in their Exhibitor Profiles fabrication. Zone Display Cases is committed to constantly improving our approach and products for unsurpassed results: Airtight archival display cases Universal Fiber Optic Lighting LLC. is one of only three manufacturers that offer a very low air leakage rate, for an efficient climate control within the worldwide of glass fiber for lighting and one of the world’s few companies exhibit chamber. working with both glass and PMMA fiber. We manufacture an extensive range You will find our display cases in many Canadian and American Museum of display lighting, spot lights, light bars, light tubes and more, complemented Institution, Universities and more and more of the open reserves projects. by a range of LED illuminators as well as tungsten halogen and metal halide, Contact us for any special needs. We are solution-orientated people, and we all bases are covered. share your passion with conservation.Our mission is to Present, Protect, and University Products, Inc. Preserve our clientele valuable collections. Booth #: 305 517 Main St., Holyoke, MA 01040 Demonstration Topics Contact: John A. Dunphy Ph: 800-628-1912 Fx:800-532-9281 Monday, May 16, 12-2pm • Lunch available for purchase in the Exhibit Hall Email: [email protected] Applied Surface Technologies Website: www.universityproducts.com CO2 Snow Cleaning of art objects University Products is the leading international supplier of conservation We demonstrate CO2 Snow Cleaning to cleaning and restoring art. This tools and equipment, as well as archival storage products. The company precision cleaning process removes particles of all sizes and hydrocarbon distributes products directly to dozens of countries around the world as well as based residues. We will demonstrate the K1-10-Art-1 unit, which uses through our many partners throughout Europe, Asia, South America, Mexico, heated compressed air about the CO2 snow stream, for cleaning clean and Australia, just to name a few. different forms of art.

Upper Canada Stretchers ClickNetherfield Booth #: 109 RENEWVITRINE Our Operations Director Alistair Williams will be giving a product demonstra- 1855 17th Street East, Box 565, Owen Sound, Ontario, N4K 5P1 Canada tion of our new product RENEWVITRINE. He will be examining the issue of glass Contact: Ted Ratcliffe hazing that can form on inside surfaces of glass in museum showcases. He Ph: 1-800-561-4944 Fx: 519-371-2140 will be demonstrating how RENEWVITRINE can work to inhibit haze and prolong Email: [email protected] the useful life of a showcase. Website: www.ucsart.com Upper Canada Stretchers specializes in premium quality stretcher frames Pixelteq and custom fabrication for artists. Over our 14 years of business, we have Multispectral Imaging for Cultural Heritage worked with countless conservators earning a strong reputation for quality, PIXELTEQ will be demonstrating its flexible and portable multispectral service and our ability to do custom and very large sizes. imaging system. The system will be showing how one can take accurate color images using 8 parallel, narrow-band filters covering not only the visible Zarbeco, LLC band but also the near-infrared region to ‘see’ features otherwise missed Booth #: 117 with a regular color camera. The SpectroCam™ family of cameras covers from UV to SWIR (200nm – 1700nm). 1240 Sussex Turnpike, Suite 5, Randolph, NJ 07869 USA Contact: Meryl Zweig Bruker Corporation Ph: 973-933-2043 Fx: 973-933-2336 Bruker’s LUMOS FT-IR: Quick and Easy Infrared Microanalysis of Art Objects Email: [email protected] Bruker will demonstrate the LUMOS – a fully integrated FT-IR Microscopy for Website: www.zarbeco.com micro-analysis and chemical mapping using transmission, reflection and Zarbeco manufactures handheld digital microscopes and imaging software ATR modes. serving art conservators for over 15 years. See our new extended field MiScope More than Just Elements: Layer Thickness and Bruker XRF Megapixel 2 with 5x-140x magnification and up to 4 inch field of view with XRF is widely used for elemental analysis, but it can also be used to evaluate optional IR and UV LEDs and tripod mount. the layering in an object. We will discuss the principles and limitations of this approach along with an example of how a layered object can be identi- Zone Display Cases fied in the spectrum. Booth #: 316 Dorfman Museum Figures 660, rue de l’Argon, Quebec, QC G2N 2G5 Canada ADJUST your thinking: Working with a DORFMAN Conservation Form Contact: Pierre Giguere See how to work with a Classic adjustable Dorfman Conservation Form. We Ph: 418-841-4004 Fx: 418-841-2866 will take apart a chest block, adjust it, and put it back together. Email: [email protected] Website: www.zonedisplaycases.com SIT Grupo Empresarial S.L. Zone Display Cases is a Canadian-based company that designs, manu- Microclimated Frames factures and installs museum quality display cases all across North America A preventive conservation system improved in the European Conservation and Mexico. We offer custom-built and standard cases, all built through a Research Projects PROPAINT & MEMORI. A new generation of passive unique CAD/CAM process that guarantees an extreme precision and quality. microclimated containers for artworks with control of air quality and environmental parameters. Our first cases were designed and built over 10 years ago with the help of the Centre de Conservation du Québec (CCQ) and with the Canadian

44 Posters

There are more than 120 posters planned for this year’s meeting! Read the poster abstracts in the Abstract Book to familiarize yourself with the topics. Then meet the poster authors to discuss their research in the Exhibit Hall on Monday, May 16, during the 3:30pm break. Posters will be on view through the duration of the Exhibit Hall hours, Sunday and Monday, 10:00am - 5:30pm.

01. Testing a Model for Multi-Faceted Engagement and 11. Response to the Burning of the Scientific Library in Cairo, Maximized Efficiency for Collection Response Under Restricted Time Egypt Nancy Odegaard, Conservator Professor, Arizona State Museum - Cheryl Porter, Director, Montefiascone Project University of Arizona, Marilen Pool, Project Conservator, Arizona State Museum - University of Arizona, Christina Biscula / Gina Watkinson, 12. Salvage Course Integrated into the Training for Conservators Conservation Scientist / Laboratory Coordinator, Arizona State Museum at the University of Applied Arts HeArc Neuchâtel, Switzerland, - University of Arizona, Elizabeth Burr, 3rd Year Graduate Conservation Nathalie Ducatel, Coordinatrice de la formation continue / Continuing Intern (UCLA), Arizona State Museum - University of Arizona, Nicole Peters, Education Coordinator, Haute école de Conservation-restauration Arc, 3rd Year Conservation, Arizona State Museum - University of Arizona Eléonore Kissel, Responsable du pôle Conservation et Restauration, Musée du quai Branly, Karin von Lerber, Textile Conservator and Consultant in 02. Weathering the Unexpected: Lessons Learned in Keeping Preventive Conservation, Prevart GmbH Seminole Cultural Property Safe Marlene Gray, Conservator, Ah-Tah-Thi-Ki Seminole Museum 13. Preventive Conservation for Seismic Risk Randy Silverman, Head of Preservation, University of Utah Marriott Library 03. From Table-Top to Wading Pool: Designing Effective Emergency Training Exercises 14. Biohazard Abatement: National Cathedral Vandalism Dyani Feige, Director of Preservation Services, Conservation Center for Art William B. Adair, Lead Conservator, Gold Leaf Studios, Inc. & Historic Artifacts, Laura Hortz Stanton, Executive Director, Conservation Center for Art & Historic Artifacts 15. The Identification of Natural Indian Yellow and other Historic Late 19th Century Pigments from the Toulouse-Lautrec Estate in 04. Preserving Culture Heritage: High Value and Affordable Tools France Laila Hussein Moustafa, Assistant Prof. Middle East and North Africa Aaron N. Shugar, Andrew W. Mellon Associate Professor of Conservation Studies, University of Illinois Urbana Champaign Science, Buffalo State, SUNY, Rebecca Ploeger, Assistant Professor of Conservation Science, Buffalo State, SUNY 05. Collaborations for Safety: A Team Approach to Writing Emergency Procedures Plans, 16. Investigating the Story Beneath: The Examination and Karen Nourse Reed, Assistant Professor and Education Librarian, Middle Treatment of Charles Baugniet’s “Washington’s Birthday” Tennessee State University Erica Schuler, Samuel H. Kress Fellow in Paintings Conservation, Indianapolis Museum of Art 06. Updating our Emergency Plan at Aanischaaukamikw Cree Cultural Institute 17. Chromolithography 1870-1930: The identification of Fiona Hernandez, Conservator, Aanischaaukamikw Cree Cultural Institute, commercial colour lithography processes, ink modifications and Harold Bosum, Facilities Manager, Aanischaaukamikw Cree Cultural conservation treatment Institute Erin Walker, Assistant Paper Conservator, Tate 07. Elements of 9/11 in Focus 18. Technical Investigation and Reattribution of Tintoretto’s Apollo Fenella France, Chief, Preservation Research and Testing Division, Library and the Muses at the Indianapolis Museum of Art of Congress Fiona Beckett, Clowes Conservator of Paintings, Indianapolis Museum of Art 08. Fools Rush In: Creating a Disaster Salvage Lab 19. Determination of Binding Media in Easel Paintings: A Direct Elizabeth Stone, Assistant Conservator, University of Iowa Libraries, Caitlin Analysis Method Moore, Conservation Technician, Olin Library Cornell University Henry DePhillips, Professor of Chemistry Emeritus, Department of Chemistry, Trinity College, Jacqueline Busa, Student, Department of 09. Collaboration as Preparation: Keeping Interest and Chemistry, Trinity College Commitment to the Cycle of Disaster Preparedness Elizabeth DeBold, Curatorial Assistant, Folger Shakespeare Library, Renate 20. Solvent Sensitivity of Water-Mixable Oil Paints Mesmer, Eric Weinmann Head of Conservation, Folger Shakespeare Library, Kelsey Fox, Graduate Student, Queen’s University Department of Art History Heather Wolfe, Curator of Manuscripts, Folger Shakespeare Library and Art Conservation 10. Aden’s Ancient Cisterns: Historic Preservation, Water 21. Technical Analysis of Watercolor Pigments in Early American Management and Disaster Avoidance, Fraktur Edith A. Dunn, PhD, Conservator/Historic Preservation Specialist Kesha Talbert, Assistant Paper Conservator, Etherington Conservation Services

45 Poster Author Q&A in the Exhibit Hall on Monday, May Posters 16, during the 3:30pm break.

22. Rescue of a Decorative Element of High Symbolic Value in Preservation of Cultural Heritage at Yale University, Soyeon Choi, Head the Old Convento Santa Teresa de Jesús Paper Conservator, Yale Center for British Art, Chelsea Graham, Digital Lisette Alvarez, Restorer and Conservator of Fine Arts, Monuments Imaging Specialist, Institute for the Preservation of Cultural Heritage at Restoration Company, City Historian’s Office, Luis Alberto Hernández Yale University Armas, Assistant Professor, practice of restoration of polychrome, 33. The Adaptation of the Video Slider into a ‘Microscope Bridge’ Workshop School “Gaspar Melchor de Jovellanos,” Historian City Office as a Practical Alternative for Using a Stereomicroscope to Examine 23. Re-examination of “While Baby Sleeps” and Treat Oversize Flat Artifacts Makedonka Gulcev, Graduate Student, Art Conservation, Queen’s Seth Irwin, Paper Conservator, University of Hawaii Hamilton Library University, Alicia Boutilier, Curator of Canadian Historical Art, Agnes 34. Discoveries and Challenges - Using XRF for an Inorganic Etherington Art Centre, Queen’s University, Ron Spronk, Professor of Pesticide Contamination Survey at the Royal Saskatchewan Art History, Art History Department, Queen’s University, Alison Murray, Museum Associate Professor, Art Conservation, Queen’s University Timothy Greening, Conservation Assistant, Royal Saskatchewan Museum 24. What Happened? One Woman with Two Faces 35. A Presidential Frame Treatment: Monroe’s Lafayette Ting-fu Fan, Chief Conservator, San Jian Art & Conservation Co., Ltd., Elizabeth Robson, Furniture Lab Conservation Intern, The Colonial Yi-Chiung Lin, San Jian Art & Conservation Co., Ltd. Williamsburg Foundation 25. Graphics Atlas: New Process Identification Methodology 36. What’s the Worst That Can Happen? Accelerated Testing of Alice Carver-Kubik, Photographic Research Scientist, Image Permanence Conserved Waterlogged Wood Institute Karen Martindale, Conservator, Texas A&M University Conservation 26. Comparison of Commercial Light and UV Data Loggers Research Laboratory Anisha Gupta, Graduate Fellow, Winterthur/University of Delaware and 37. The Secret Language of Spray Paint Fine Arts Museums of San Francisco Valerie Marlowe, Doctoral Candidate, University of Delaware 27. Analysis of Rock Deterioration in Naqsh-e Rostam Reliefs by 38. 11th Hour Conservation: Salvaging the Historic Surf Club GIS (Geographic Information Systems) Bryon Roesselet, Architectural Conservator, EverGreene Architectural Arts Azadeh Ghobadi, PhD Candidate in Conservation of Cultural Heritage, Art University of Isfahan, Mohammad Amin Emami, Assistant Prof., Art 39. Conservation of the Archaeological Site of Kotzia Square in University of Isfahan, Jenoos Gashasy, Rs/GIS expert the Center of Athens Vasileios Lampropoulos, Professor, Department of Conservation of Microorganisms Influence the Mechanisms of the Rock 28. Antiquities and Works of Art, faculty of Graphic Arts and Artistic Studies of Erosion at Tang-e Chogan T.E.I. of Athens Azadeh Ghobadi, PhD Candidate in Conservation of Cultural Heritage, Art University of Isfahan, Mohammad Amin Emami, Assistant Prof., Art 40. Conservation of Zappeion Roman Baths in the Center of University of Isfahan Athens Vasileios Lampropoulos, Professor, Department of Conservation of ABC Chemical Cleaning Effectiveness on Cultural Materials 29. Antiquities and Works of Art, faculty of Graphic Arts and Artistic Studies of Clare Boczon, Research Assistant, William and Mary Applied Science, T.E.I. of Athens Emily Williams, Conservator of Archaeological Materials, Colonial Williamsburg Foundation, Michael Kelley, Professor, College of William and 41. The Sectional Mannequin: A Unique Approach for First Mary Applied Science Nations Clothing Caroline Bourgeois, Conservation 3-D Assistant, McCord Museum 30. Examining Paintings on Wood or Canvas using 3D x-ray Imaging with Digitome® 42. First Aid Strategies of Rare Ancient Egyptian Textiles in Daniel Boye, Professor of Physics, Davidson College, Rebecca Garner, BS Excavation in Physics candidate, Davidson College, Ryan Kozlowski, BS in Physics Harby E. Ahmed, Associate Professor of Historical Textiles Conservation, candidate, Davidson College Faculty of Archeology, Cairo University 31. Stability of Polyvinyl Butyral Polymers (BUTVARs) in 43. Sending Clam Shells across the Atlantic: Preparing the Ultraviolet Light Alexander McQueen Razor Clam Dress for Loan David Thomas, Researcher, The Freer Gallery of Art and the Arthur M. Cassandra Gero, Assistant Conservator, Metropolitan Museum of Art, Sackler Gallery, Blythe McCarthy, Andrew W. Mellon Senior Scientist, The Costume Institute Freer Gallery of Art and Arthur M. Sackler Gallery, Ellen Chase, Objects Conservator, The Freer Gallery of Art and Arthur M. Sackler Gallery 44. Feeling a Little Blue (Green): Effort to Reduce Staining on a Flood Damaged Zuni Textile 32. Capturing Watermark using Reflectance Transform Imaging Cathleen Zaret, Textile Conservator, Zaret Textile Conservation with 3D Modeling and Fast Fourier Transform Processing Kurt Heumiller, Senior Imaging Systems Specialist, Yale Center for British Art, Jens Stenger, Associate Conservation Scientist, Institute for the 46 Posters will be on view during Exhibit Hall hours, Sunday and Monday, 10:00am - 5:30pm. Posters

45. A Mount for Prevention is Worth a Pound of Care: Rehousing 58. Elemental Analysis of Alexander Phimister Proctor’s Bronze Festival Hats at the Textile Museum of Canada Sculptures Hillary Anderson, Conservator, Textile Museum of Canada, Genevieve Kulis, Perrine Le Saux, Conservation Assistant, Yale Center for British Art, Allison Conservation Assistant (contract), Textile Museum of Canada Rosenthal, Pre Program Conservation Intern, Buffalo Bill Center of the West, Vanessa F. Ocaña-Mayor, Conservation Project Volunteer, Centro Liquick Leather! No Need for a Professional! … Or Is There? 46. de Textiles Tradicionales del Cusco, Nicole Schmidt, Art Conservation Lauren Calcote, Von Clemm Fellow, Boston Athenaeum Technician Intern, Russell-Marti Conservation Services, Inc. Valuable Textile Techniques and Training 47. 59. Fire and Bone: A Technical Perspective on Charred Bone Nicole Giacomantonio, Student, Dalhousie University Pigments 48. Fabrics for Disaster Response: The Absorbency of Microfiber Riley Cruttenden, Program Assistant, Undergraduate Research Office, Ohio Fabrics – a Comparative Survey and Analysis State University Michele Pagan, Textile Conservator, Private Practice 60. What Lies Beneath: A study of the materials and techniques 49. Facing the Unknown-Conservation of an Anthropoid Clay of Persian lacquerwork Coffin from Tel Shadud, Israel Katherine Eremin, Claire Grech, Australian Conservation Science Fellow, Elisheva Kamaisky, Head, Pottery Conservation Unit, Israel Antiquities Harvard Art Museums, Katherine Eremin, Patricia Cornwell Conservation Authority Scientist, Harvard Art Museums, Narayan Khandekar, Director of the Straus Center for Conservation and Technical Studies, Director of the 50. Encountering Unexpected Challenges in Okinawan Lacquer Center for the Technical Study of Modern Art, and Head of the Analytical Conservation Laboratory, Harvard Art Museums, Mary McWilliams, Norma Jean Stephanie Spence, Anya Dani, Art Conservator, Okinawa Institute of Calderwood Curator for Islamic and Later Indian Art, Harvard Art Museums Science and Technology 61. Materials and Techniques of Painted Islamic Manuscripts 51. A Lucky Break: Treatment of a Kinetic Sculpture by Fletcher Katherine Eremin, Patricia Cornwell Conservation Scientist, Harvard Art Benton Museums, Penley Knipe, Philip and Lynn Straus Conservator of Works Amy Brost, Andrew W. Mellon Fellow, Conservation Center, Institute of Fine on Paper, Harvard Art Museums, Claire Grech, Australian Conservation Arts, New York University Science Fellow, Harvard Art Museums 52. The Falcon Mourned Over You: Considering the Intangible in 62. Medieval Wax Pendant Seals: Examination, Treatment, and Conserving Dissociated Ancient Objects the Creation of Digital Surrogates Amandina Anastassiades, Professor, Artifacts Conservation, Queen’s Annie Wilker, Senior Paper Conservator, Huntington Library, Art Collections, University, Daniel Doyle, Megan Doxsey-Whitfield, Anne-Marie Guérin, Lisa and Botanical Gardens Imamura 63. Calcium Hydroxide vs. Magnesium Bicarbonate: A 25 Year 53. Pacific Silvercloth: Recommendations for its Use as a Natural Aging Experiment Scavenger in Silver Collections Betsy Palmer Eldridge, Conservator, Private Practice Gyllian Porteous, Master of Art Conservation Student, Queen’s University, Lyndsie Selwyn, Senior Conservation Scientist, Canadian Conservation 64. Intervention Sheets: Defrosting of documents bound in Institute, Amandina Anastassiades, Assistant Professor, Artifacts, Queen’s leather University, Alison Murray, Associate Professor, Queen’s University Cécile Chauveau, Art technician, National library of France, Gisel Baritello, Art technician, National library of France, BnF 54. Silver Maintenance at George Washington’s Mount Vernon Karl Knauer, Collections Conservator, George Washington’s Mount Vernon, 65. Silica Gel to the Rescue: How to survive a winter without Julie Flynn, UCL humidification Adrienne Bell, Book Conservator, Folger Shakespeare Library 55. A Closer Look: In-depth Analysis of a Kokin-Bina Doll Megan Doxsey-Whitfield, Assistant Conservator, Queen’s University, 66. The Miscellany of Henry Oxinden: Or how dental floss, Anne-Marie Guerin, graduate student, Queen’s University Master of Art beading wire, and alligator forceps can be used to resew a book in Conservation situ Adrienne Bell, Book Conservator, Folger Shakespeare Library 56. Holy Ship! An inadvertent discovery of a shipwreck in Maryland waters 67. The Durability of Bamboo Paper: Ash content in paper cooked Nichole Doub, Head Conservator, Maryland Archaeological Conservation by different agents Laboratory CHUNG, Chia-Jung, DC Student, Tokyo University of the Arts, INABA, Masamitsu, Professor; Ph.D., Tokyo University of the Arts, CHEN, Gang, 57. Restoration from Severe Water Damage of a mid-20th Professor; Ph.D., Fudan University century Spinet Piano Patricia A. Stewart, Owner, Humpty Dumpty Restorations 68. Assaying Klucel-G Recipes and Techniques in the Surface Consolidation of Tanned Leathers Evan Knight, Associate Conservator, Boston Athenaeum 47 Poster Author Q&A in the Exhibit Hall on Monday, May Posters 16, during the 3:30pm break.

69. Revealing Hidden Text on Botanical Specimens from 1911 80. A Case for the Proclamation of the Constitution: Access and Genevieve Pierce Kyle, Paper and Book Conservator, Private Conservator - Preservation of Prestige Documents The Microspatula Michael Smith, Collection Manager, Textual and Cartographic, Library and Archives Canada 70. Curing the Cure: Treatment of a Manuscript Disinfected Post TB Exposure 81. The Use of a Laser Level in Creating Cushioning for the Kyla Ubbink, Professional Conservator/Owner, Ubbink Book and Paper Transport of Objects Conservation Denis Plourde, Adjoint, Restauration 2-D, Musée McCord 71. Joint Failure: Board Reattachment Decision Guide 82. Conservation Issues of a Mass Digitization Project Manise Marston, Book Conservator, Library and Archives Canada, Lynn Rachel Greenberg, Mass Digitization Project Objects Conservator, Cooper Curry, Head Book Conservator, Library and Archives Canada, Genevieve Hewitt Smithsonian Design Museum Samson, Senior Book Conservator, Library and Archives Canada 83. Let There Be (Less) Light! A Comparison of the Radiation- 72. Illustrated Wanderings of a Canadian Soldier during the First blocking Properties of Selected Window Films World War Saira Haqqi, Andrew W. Mellon Fellow in Library and Archives Manise Marston, Book Conservator, Library and Archives Canada, Lynn Conservation, Conservation Center, Institute of Fine Arts, NYU, Steven Curry, Head Book Conservator, Library and Archives Canada, Genevieve Weintraub, Institute Lecturer, Conservation Center, Institute of Fine Arts, Samson, Senior Book Conservator, Library and Archives Canada NYU 73. A Comparative Study of Cotton Blotting Paper, Evolon® and 84. Mixing It Up: An Investigation into Low-Tech Methods for Tek Wipe as Absorbent Supports for Paper Conservation Treatment Reconditioning Silica Gel Marina Ruiz Molina, Associate Conservator, The Metropolitan Museum of Steven Weintraub, Owner, Art Preservation Services, Rebecca Gridley, Lisa Art, Amy, Hughes, The Metropolitan Museum of Art and Bernard Selz Fellow, The Conservation Center at the Institute of Fine Arts, New York University 74. Further Research in the Conservation and Preservation of Letterpress Copybooks 85. How to Prioritize Your Collections Without Losing Your Mind: A Laura Dellapiana, Postgraduate Fellow in Conservation of Museum New Tool for Emergency Planning Collections, Smithsonian Institution Archives, Nora Lockshin, Senior Tara Kennedy, Preservation Services Librarian, Yale University Library Conservator, Smithsonian Institution Archives, Dawn V. Rogala, Paintings Conservator, Museum Conservation Institute - Smithsonian Institution 86. Development of Descriptive Terminology for Inkjet-printed Photographs and Fine Art 75. Silver Nanoparticle Sensors for Detecting Active Deterioration Daniel Burge, Senior Research Scientist, Image Permanence Institute In Iron Gall Ink Drawings and Documents Rui Chen, Senior Conservation Scientist, Aging Diagnostic Laboratory, 87. Preserving and Digitizing Andrew J. Russell’s Collodion Glass Institute for the Preservation of Cultural Heritage, Yale University, Plate Negatives Paul Whitmore, Director, Aging Diagnostic Laboratory, Institute for the Debra A. Peterson, Registrar and Digital Asset Manager, Private Practice Preservation of Cultural Heritage, Yale University, Marie-France Lemay, 88. Sheer Practicality: A multi-purpose conservation mount for Paper and Photographs Conservator, Center for Preservation and paper negatives Conservation, Yale University Library, Yale University Lénia Fernandes, Junior Photograph Conservator, Rijksmuseum Amsterdam 76. Pima Cotton Hinges 89. Light Sensitivity of Inuit Prints from Cape Dorset: Colour Susan Peckham, Senior Paper Conservator, Library of Congress monitoring and microfade testing 77. Borane Tert-Butylamine Complex: The Effect of Rinsing on Rebecca Latourell, Preventive Conservation Technician - Mixed Collections, Aging Properties of Treated Paper Objects Canadian Museum of History, Laura Hashimoto, Season Tse, Senior Vincent Dion, Graduate Student, Queen’s University, Alison Murray, Conservation Scientist (Chemist), Canadian Conservation Institute Associate Professor, Queen’s University, Rosaleen Hill, Assistant Professor, 90. eTerminology/ie eBook for Conservators of Photographic Queen’s University Materials 78. Storage of Architectural Materials – An Alternative for Rolled Tania Passafiume, Head Conservator of Photographic Materials, Library Drawings and Archives Canada, Tom Thompson, Multimedia Specialist, Online William Minter, Senior Book Conservator, Penn State University Content Division, Library and Archives Canada, Anne Cartier-Bresson, Conservatrice générale du Patrimoine Directrice, Atelier de Restauration et 79. Bone Folders for Book and Paper Conservation: An In-depth de Conservation des Photographies de la Ville de Paris Examination William Minter, Senior Book Conservator, Penn State University, Olivia 91. Study for Approaching Mold Problems on Photographic Kuzio, Student, Penn State University Materials Using Antifungal Agent and Enzyme Sheet Yoko Shiraiwa, Paper and photograph conservator in private practice, Takako Yamaguchi, Conservation Scientist, Tokyo Metropolitan Museum of Photography, Japan 48 Posters will be on view during Exhibit Hall hours, Sunday and Monday, 10:00am - 5:30pm. Posters

92. Buddhist Diaspora Preservation Training: Expect the 102. Baseline for the Conservation State of Inka's Mining Complex Unexpected of San José Del Abra: Identification of Risks and Measures Of Ann Shaftel, Project Director and Founder, Treasure Caretaker Training, Monitoring And Control Digital Monastery Project Daniela Bracchitta, Coordinator of the Investigation and interventions program of archaeological material, Laboratory of Archeology, National 93. Teaching Conservation in Iran Centre of Conservation and Restoration, Roxana Seguel Quintana, Head Behrooz Salimnejad, The Elaine S. Harrington Senior Conservator of Conservator at the Laboratory of Archaology, National Centre of Conservation Furniture and Woodwork, Philadelphia Museum of Art and Restoration, Diego Salazar Sutil, Archaeologist, University of Chile 94. Achieving Cultural Heritage Preservation Through 103. Copper Based Pigment Alteration from Diaguita Culture Professional Partnership Daniela Bracchitta, Conservator of cultural heritage, National Centre of Brandon Bristor, Student Learning Fellow, University of Delaware, Disaster Conservation and Restoration, Christine Perrier, Geologist and technician Research Center, Megan Hewitt, Summer Learning Fellow, University of in Conservation and Restoration, National Centre of Conservation and Delaware, Disaster Research Center Restoration 95. 50 Shades of Yellowback 104. Tutankhamun’s Shields: Archaeometric study and Allison Brewer, 2015 Ringle Summer Conservation Intern, University of conservation procedure Kansas Libraries Eslam Abd Elmaksoud Shaheen, Scientific conservator, Grand Egyptian 96. A Conservation Records Network (ACORN): Conservation Museum - Conservation Center, Nagm Eldeen Morshed Hamza, Scientific Documentation at the Weissman Preservation Center, Harvard conservator, Grand Egyptian Museum - Conservation Center, Mohamed University Yousre, Scientific conservator, Grand Egyptian Museum - Conservation Center, Ahmed Mostafa Elshekha, Scientific conservator, Grand Egyptian Debra Cuoco, Paper Conservator for Special Collections, Weissman Museum - Conservation Center, Eman Shalabe, Scientific conservator, Preservation Center, Harvard Library Grand Egyptian Museum - Conservation Center 97. Building Community: AIC Emerging Conservation Professionals Network Regional Liaisons 105. Identification of Gesso Scagliola in The Tomb of the Royal Family (Muhammad Ali) at El Imam El Shafi Area Alexa Beller Mohamed Atyia Mohamed Atyia Hawash, Assistant Lecturer, Faculty of 98. Reanimation of a Room-Filling Modern Art Installation: Archaeology, Cairo University, Egypt, Hala Afifi Mahmoud, Professor of Challenges in the conservation of Michael Buthe’s ‘Taufkapelle mit restoration and conservation, Faculty of Archaeology, Cairo University, Papa und Mama’ Egypt, Faculty of Archaeology, Cairo University, Egypt Sjoukje van der Laan, Conservator of Modern and Contemporary Art, The Conservation of King Tutankhamen’s War Cuirass University of Amsterdam, Katrien Blancheart, Researcher, S.M.A.K., 106. Safwat Mohamed Sayed Aly, Conservator at the Grand Egyptian museum, Marieke Verboven, Contemporary painting conservator, S.M.A.K. Hadeel Khalil Abd Mohsen Abd Al Rahman, conservator, The Grand 99. The Disastrous Copper: Comparing extraction and chelation Egyptian museum treatments to face the threat of copper-containing inks on paper The Effect of De-Pest of Plant Extracts According Paper Works Sara Zaccaron, Postdoctoral fellow, Conservation & Preservation 107. Raziyeh Taheri, Conservator, The Cultural Heritage Office of Semnan Department, The Sheridan Libraries, Johns Hopkins University, Patricia Province, Iran McGuiggan, Associate Research Professor and Principal Investigator Mellon Grant for HSC, Materials Science & Engineering Department, 108. Holographic Archives for Endangered Collections Whiting School of Engineering, Johns Hopkins University, Mark Pollei, John F. Asmus, Research Physicist, University of California, San Diego Senior Book Conservator and Acting Director for Conservation & Preservation, Conservation&Preservation Department, The Sheridan 109. Optimized Laser Cleaning for the Conservation of the Libraries, Johns Hopkins University, Alessandro Scola, Book Conservator, Ghiberti’s Doors at the North and East of the Baptistery in Florence, Conservation&Preservation Department, The Sheridan Libraries, Johns Italy Hopkins University, Ute Henniges, University Assistant, Div. Chemistry of Laura Bartoli, Conservation Technologies Specialists, El. En. S.p.A., Renewable Resources, Dept. of Chemistry, University of Natural Resources Alessandro Zanini, Conservation Technologies Department Manager, El.En. and Life Sciences S.p.A. 100. Sustainable Strategies for Mechanical System Operation in 110. Brown County Plan Collection Environments Louise Pfotenhauer, Collections Manager, Neville Public Museum of Brown Christopher Cameron, Sustainable Preservation Specialist, Image County Permanence Institute, Rochester Institute of Technology 111. Unexpected Allies: Conservation and Health & Safety 101. Emergency Preparedness for Academic Museums Colleagues Caroline Roberts, Suzanne L. Davis, Associate Curator and Head of Sherry Phillips, Conservator, Contemporary and Inuit Art Collections, Art Conservation, Kelsey Museum of Archaeology, University of Michigan, Mike Gallery of Ontario, Sandra Deike, Manager, Health & Safety, Art Gallery of Kennedy, Senior Emergency Management Specialist, Division of Public Ontario Safety and Security, University of Michigan 49 Poster Author Q&A in the Exhibit Hall on Monday, Posters May 16, during the 3:30pm break. Posters will be on view during Exhibit Hall hours, 112. Resilient Heritage: Protecting Your Historic Home From Sunday and Monday, 10:00am - 5:30pm. Natural Disasters Sarah Marie Jackson, Architectural Conservator, National Center for Preservation Technology and Training 113. Diagnostic Imaging Techniques for the Identification of 121. Scientific Study about Dismantling and Re-Assembly of Tortoiseshell Limestone Stella, Housed in the Grand Egyptian Museum Ahmed Abd El-Rady Hassan, Conservator, Grand Egyptian Museum, Eman Lesley Day, Third Year Graduate Student, UCLA/Getty Program in A. Elhanfe, Head of Stone and Mural Paintings Artifacts Lab, Conservation Archaeological and Ethnographic Conservation, Ellen Pearlstein, Associate Center, Grand Egyptian Museum, Ahmed A. Hussein, Conservator, Grand Professor, UCLA/Getty Program in Archaeological and Ethnographic Egyptian Museum, Mohamed Ragab, Conservator, Grand Egyptian Conservation Museum, Hussein Mohamed Kamal, Technical Director of Conservation 114. Natural Disasters and Cultural Heritage: The Italian case Center, Grand Egyptian Museum Marzia Loddo, Ph.D. student, Politecnico of Milan 122. Beyond the Visible: Combining Scientific Analysis and 115. Architectural Strategies for Collections Preservation During Conventional Methods for Documentation the Collection of and After a Natural Disaster Tutankhamen’s Loincloths Sami M. BaSuhail, AIA, President & CEO, Basuhail Architects PC Nagm El Deen Morshed Hamza, Scientific conservator, Grand Egyptian Museum - Conservation Center, Eslam Abd Elmaksoud Shaheen, Scientific 116. The Painting Materials and Techniques of Artist Feyhaman conservator, Grand Egyptian Museum - Conservation Center Duran Gulder Emre, Assistant Professor, Istanbul University Faculty of Letters, 123. Application of Handheld X-ray Fluorescence Analysis in the Department of Conservation and Restoration of Artifacts, Hazal Ozlem Arrows Collection for King Tutankhamun Ersan Erus, Chemist, Istanbul Metropolitan Municipality, Directorate for Nagm El Deen Morshed Ahmed Morshed Hamza, Scientific conservator, the Inspection of Conservation Implementations (Kudeb) Grand Egyptian Museum - Conservation Center, Eslam Shaheen, Scientific conservator, Grand Egyptian Museum - Conservation Center 117. Study of Drying Process and Recovery of Iron Gall Ink Manuscripts Affected by Flooding 124. Investigation into the Removal of Arsenic-Based Pesticides Janet Diaz Navarro, Directora Programa de Conservación Patrimonial on Feathers y Servicios Bibliotecarios, Fundación Antonio Nuñez Jimenez de la Jae R. Anderson, Student, University of Arizona Materials Science and Naturaleza y el Hombre Engineering, Nancy N. Odegaard, Head of Preservation Division, Professor, Arizona State Museum / University of Arizona, Werner Zimmt 118. What’s Next on Grand Egyptian Museum Conservation Center Israa Mohammed Ibrahim Saied, Conservator, Grand Egyptian Museum 125. When the Visitor Experience Goes Wrong: Unexpected Guest Conservation Center, Israa Mohammed Ibrahim Saied, Conservator, Grand at Marisol Escobar’s The Party Egyptian Museum, Shimaa Mahmoud Omar, Conservator, Grand Egyptian Suzanne Hargrove, Head of Conservation, The Toledo Museum of Art Museum, Nesrien Mohamed Atef, Conservator, Grand Egyptian Museum, Hussein Mohamed Kemal, Technical Director, Grand Egyptian Museum 126. Disaster Response and Environmental Standards: A Misunderstanding? 119. Comparative Study for Affirmative and Passive Influence of Andy Calver, Head of Care & Conservation, Imperial War Museums the Mechanical and Chemical Cleaning for Copper Mirrors Housed in the Grand Egyptian Museum 127. Keeping it Fresh: The preservation of Josh Kline’s Skittles Ellen Moody, Assistant Projects Conservator, MoMA, Lynda Zycherman, Israa Mohamed Ibrahim Saied, Conservator, Grand Egyptian Museum, Scupture Conservator, Chris McGlinchey, Sally and Michael Gordon Nesrien Mohamed Atef Kharboush, Conservator, Grand Egyptian Museum, Conservation Scientist Shimaa Mahmoud Omar, Conservator, Grand Egyptian Museum, Emam Abdulla Emam, Head of Inorganic Artifacts Lab, Grand Egyptian Museum, 128. From Factory to Museum: A review of the of chemical Hussein Mohamed Kamal, Technical Director of Conservation Center, corrosion models of float glass used for vitrines and the methods Grand Egyptian Museum used to protect them with consideration for the future challenges 120. June’s 1962 Algiers University Arson: A well planned crime presented by a changing climate Emma Moore, Scientist, ClickNetherfield Ltd., Alistair Williams, Operation Hachani Samir, Algiers University 2 Director, ClickNetherfield Ltd.

50 NEW Visit Us In FROM THE GETTY Booth #317!

Cave Temples of Dunhuang Cave Temples of Mogao Made in Los Angeles Buddhist Art on China’s Silk Road at Dunhuang Materials, Processes, and the Birth Edited by Neville Agnew, Marcia Reed, Art and History on the Silk Road of West Coast Minimalism and Tevvy Ball Second Edition Rachel Rivenc THE GETTY CONSERVATION INSTITUTE Roderick Whitfield, Susan Whitfield, THE GETTY CONSERVATION INSTITUTE Hardcover $59.95 and Neville Agnew Paper $49.00 THE GETTY CONSERVATION INSTITUTE Polychrome Sculpture Paper $29.95 Hans Hofmann Meaning, Form, Conservation The Artist’s Materials Johannes Taubert Color Science Dawn V. Rogala Edited with a new introduction and the Visual Arts THE GETTY CONSERVATION INSTITUTE by Michele D. Marincola A Guide for Conservators, Paper $40.00 THE GETTY CONSERVATION INSTITUTE Curators, and the Curious Hardcover $59.95 Roy S. Berns THE GETTY CONSERVATION INSTITUTE Paper $55.00

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Special Thanks Special Thanks to Our Sponsors

Tote Bag Sponsor EMG/RATS/PMG Reception Silver Booth Sponsors Tru Vue, Inc. Generous in-kind support provided by the Dorfman Museum Figures, Inc. Canadian Centre for Architecture Opening Reception Sponsor Gaylord Archival Huntington T. Block Insurance Agency, Inc. ECPN Happy Hour Sponsor G.C. Laser Systems Inc. with generous in-kind support provided by Tru Vue, Inc. Goppion the Musée des beaux-arts de Montréal Huntington T. Block Insurance Agency, Inc. Gold Booth Sponsors Image Permanence Institute CCN/ IAMFA Meeting Sponsor Agilent Technologies, Inc. Kremer Pigments, Inc. Tru Vue, Inc. Bruker Elemental PACART ClickNetherfield Talas TSG Reception Sponsor T and D US, LLC Tru Vue, Inc. Fibron Insulations, Inc. Gallery Systems Universal Fiber Optic Lighting, LLC OSG/ASG Reception Sponsor Hollinger Metal Edge, Inc. University Products, Inc. R. Alden Marshall & Associates, LLC Tru Vue, Inc. Zone Display Cases

43rd Annual CAC Conference and Workshop Meet us in the Windy City! Regina, Saskatchewan, Canada June 6-10, 2017 CHICAGO

The Albert Memorial Bridge, Regina, in Saskatchewan. Photo credit Conventions Regina. Let Saskatchewan’s “living skies” be the canopy to your 2017 CAC Conference and Workshop experience! Saskatchewan conservators are thrilled to be hosting the 43rd Annual Conference and Workshop of the Canadian Association for Conservation of Cultural Property, from June 2017 6-10th, 2017, in the province’s capital of Regina, located on Treaty Four land. Meetings will take place at the DoubleTree by Hilton, located in the AIC’s 45th Annual Meeting will be held vibrant heart of the city, with opportunity to visit cultural centers such as the MacKenzie Art Gallery, the R.C.M.P. Heritage Centre and the Royal May 29-June 1, 2017, in Chicago, Illinois. Saskatchewan Museum. Based upon the results of the 2017 Annual Meeting Although relatively young as a province, Saskatchewan’s human presence Theme Survey, we are delighted to announce that extends back at least 11 000 years. While famous for images of prairie and the theme for AIC's next meeting will be: farmland, the majority of Saskatchewan’s landscape is boreal forest, and boasts no-where-else-to-be-found features such as the Cypress Hills (the highest elevation between Banff, Alberta and Newfoundland and Labrador), Treatment 2017 the Athabasca Sand Dunes, and the healing salt waters of Little Manitou Lake. The province’s cultural mosaic is as rich and varied as the flora and Innovation in Conservation & Collection Care fauna. This is the first time Saskatchewan has hosted the CAC conference and workshop. We look forward to showing you the gentle colours of a www.conservation-us.org/meeting southern Saskatchewan spring, and encourage you to venture off the Trans- Canada Highway in your travels – there is so much to discover! 55 Save on AIC/FAIC Publications!

Meeting attendees receive a 20% discount on materials in the AIC store through 2016!

Visit the store online at store.conservation-us.org and use the code MONTREAL16 to apply the discount.

Our popular AIC Guide to Digital Documentation and Conservation Photography is now just US$20, and our emergency items are on sale through the end of May!

56 Come Visit the Health & Safety Booth!

Health & Safety experts to discuss your every need!

Exhibits are open Proper safety garb demonstration from “Sustainability for the Conservator: Sunday, May 15 and Monday, May 16 Mold Remediation,” at the H&S Session at the AIC 42nd Annual Meeting. • Concerned about chemicals or safety equipment in your studio? Come talk to us! • Need a Safety Specialist to help you with your lab design? We have the contacts! • Does your Local Conservation Guild want respirator instructions and fit-testing? We can help! • Worried that your gloves won’t protect against the solvents you use? See our Glove Selection Chart Plus...  Fact Sheets from OSHA & NIOSH  Email: [email protected] First Aid Brochures Web: www.conservation-us.org/healthandsafety  Personal Protective Equipment samples

57 58 59 Patricia Cain, Glasgow Overhang (2004), Mixed Media, 92 1/2" x 59" (235 x 150 cm), Kelvingrove Art Gallery & Museum, Glasgow, UK

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60 Collect. Manage. Share.