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Vanessa Thorpe, 'Steve Mcqueen Paves Way for Artists to Break The
Vanessa Thorpe, ‘Steve McQueen paves way for artists to break the boundaries’, The Observer, March 8, 2014 The Oscar-winning director of 12 Years a Slave has pushed back the boundaries of film because of the fearlessness that comes with a background in art Steve McQueen with his Oscar after winning best picture award for 12 Years a Slave. Photograph: Xinhua/Landov /Barcroft Media When the director Steve McQueen was an art student learning basic film-making skills at Goldsmiths College, London, he joked he was already aiming for the time when his name would eclipse that of his glamorous namesake, star of The Great Escape and Bullitt. "One day," he told his collaborator, Professor Will Brooker, "when people talk about Steve McQueen, I am going to be the first person they think of." Now, with an Oscar for his film 12 Years a Slave, the transition from Turner prizewinning artist to celebrated director has been made in style. It is a path to cinematography also taken by the British artist Sam Taylor-Wood, nominated for a Turner prize in 1998 and now editing her high-profile film of the erotic bestseller Fifty Shades of Grey. Next month will see a further reminder of the link between the film industry and the rarefied contemporary art world, a link that has existed since the Lumière brothers first projected images on to a screen. Julian Schnabel, the American artist and film-maker, is to stage his first art exhibition in Britain for 15 years. "The connection between visual artists and film might seem obvious, and Schnabel is successful in both, but it is amazing how many good artists there are who have not made good films," said Tim Marlow, who was appointed head of exhibitions at the Royal Academy of Arts last week. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
CALENDAR January 23
BOWDOIN COLLEGE / ROMANCE LANGUAGES AND Cinema Studies CINE 2116 / SPAN 3116: Spanish Cinema: Taboo and Tradition Spring 2019 / MW 10:05 Elena Cueto Asín. Sills Hall 210 – 725‐3312 – email: [email protected] Office hours: Monday 2:45‐4, or by appointment. This course introduces students to film produced in Spain, from the silent era to the present, focusing on the ways in which cinema can be a vehicle for promoting social and cultural values, as well as for exposing social, religious, sexual, or historical taboos in the form of counterculture, protest, or as a means for society to process change or cope with issues from the past. Looks at the role of film genre, authorship, and narrative in creating languages for perpetuating or contesting tradition, and how these apply to the specific Spanish context. GRADE Class Participation 40% Essays 60% MATERIALS Film available on reserve at the LMC or/and on‐line. Readings on‐line and posted on blackboard CALENDAR January 23. Introduction January 28 ¡Átame! - Tie Me Up! Tie Me Down! (Pedro Almodóvar 1989) Harmony Wu “The Perverse Pleasures of Almodovar’s Átame” Journal of Spanish Cultural Studies 5 (3) 2004: 261-271. Reviews and controversy: New York Times: February 11, April 22 and 23, June 24, May 4, May 24, July 20 of 1989 January 30 Silent Cinema: The Unconventional and the Conventional El perro andaluz- Un Chien Andalou (Luis Buñuel 1927) Jordan Cox “Suffering as a Form of Pleasure: An Exploration of Black Humor in Un Chien Andalou” Film Matters 5(3) 2014: 14-18 February 4 and 6 La aldea maldita- The Cursed Village (Florian Rey 1929) Tatjana Pavlović 100 years of Spanish cinema [electronic resource] Malden, MA: Wiley-Blackwell, 2009: 15-20 Sánchez Vidal, Agustin. -
Avance Largometrajes 2014Feature Films Preview
AVANCE / RESUMEN - CATÁLOGO CINE ESPAÑOL 2018 LARGOMETRAJES SPANISH CINEMA 2018 FEATURE FILMS PREVIEW / SUMMARY Largometrajes con participación española en la producción 2018 2018 Spanish Feature Films (Total: 263 - Ficción/Fiction 127 - Documental/Documentary 134 - Animación/Animation 2) ■ Ficción / Fiction…………………………………………Página/Page 2 ■ Documentales / Documentaries……………...Página/Page 28 ■ Animación / Animation……………………………..Página/Page 55 http://www.culturaydeporte.gob.es/cultura/areas/cine/mc/catalogodecine/inicio.html Publicación digital del Instituto de Cine y Artes Audiovisuales que recoge información sobre las películas cinematográficas con participación española en la producción, y cuyo criterio de selección se basa en haber sido calificadas por primera vez durante el año correspondiente. El contenido que se ofrece es meramente informativo y carece de efectos vinculantes para la Administración. El copyright de las imágenes pertenece a sus respectivos autores y/o productoras - distribuidoras. Digital publication of the Institute for Cinema and Audiovisual Arts (Instituto de Cine y Artes Audiovisuales), designed to promote Spanish films and mainly offering information on films with Spanish participation in production; the selection criteria are based on having been certified for the first time during the corresponding year. The content offered herein is merely informative and not legally binding as far as the Administration is concerned. © Ministerio de Cultura y Deporte 1 | 55 LARGOMETRAJES 2018 SPANISH FEATURE FILMS - FICCIÓN / FICTION #SEGUIDORES - #FOLLOWERS Dirección/Director: Iván Fernández de Córdoba Productoras/Prod. Companies: NAUTILUS FILMS & PROJECTS, S.L. Intérpretes/Cast: Sara Sálamo, Jaime Olías, Rodrigo Poisón, María Almudéver, Norma Ruiz y Aroa Ortigosa Drama 76’ No recomendada para menores de 12 años / Not recommended for audiences under 12 https://www.facebook.com/seguidoreslapelicula/ ; https://www.instagram.com/seguidoreslapelicula/ Tráiler: https://www.youtube.com/watch?v=RK5vUNlMJNc ¿QUÉ TE JUEGAS? - GET HER.. -
La Muerte De Mikel De Imanol Uribe (1984): País Vasco E Izquierda Abertzale En Los Años De La Transición
LA MUERTE DE MIKEL DE IMANOL URIBE (1984): PAÍS VASCO E IZQUIERDA ABERTZALE EN LOS AÑOS DE LA TRANSICIÓN Igor Barrenetxea Marañón Universidad del País Vasco El proceso de transición tiene en Euskadi algunos rasgos diferenciales. Ante todo, por el gran protagonismo alcanzado en los últimos años del franquismo por el nacionalismo violento, gracias a la presión creciente del terrorismo de ETA1 Introducción Todavía hemos de enfrentarnos cada día a la ingrata tarea de leer en la prensa los últimos sucesos sobre las acciones de ETA y las manifestaciones de la izquierda abertzale. Han transcurrido cincuenta años desde que naciera ETA y seguimos con el problema enquistado de sus acciones terroristas. Por eso, se necesita un esfuerzo para seguir comprendiendo mejor el presente y el pasado de una organización que, sin duda, ha marcado la historia de Euskadi en estas últimas décadas y de su grupo social de apoyo, la izquierda abertzale, que le ha permitido su continuidad en el tiempo. Aunque, habría que matizar, que una parte de la izquierda abertzale, se ha acabado por desmarcar de la violencia, naciendo así Aralar (2000). El cine es, sin duda, un revelador de esta historia, que tiende a ser minusvalorado en su contraanálisis de la sociedad2, y que supone acercarnos a otra fuente de estudio como es la imagen. En este sentido, este artículo pretende analizar a través de La muerte de Mikel los aspectos que nos facilitan una mejor comprensión de esta historia, desde la visión del nacionalismo radical, en sus mitos y rituales, que arranca en los primeros años de la Transición hasta el momento de la escritura de este artículo, ya que para la izquierda “la transición [vasca] no se ha dado”3. -
Series Tv Series Tv Dvd Tv 791 Dvd Tv
SERIES TV DVD TV 791 SEVERO OCHOA: LLaa conquista de un Nobel / director Sergio Cabrera; guión Ulises Bermejo, Enrique Clavo, Sergio Cabrera. Valladolid: Divisa Ediciones, 2006 1 disco (Series clásicas TVE) Nacionalidad: española DVD TV Int.Int.érpretesérpretesérpretes:: Imanol Arias, Ana Duato, Daniel Guzmán, MaiteMaite 791 Pastor, Ximo Solano, Joan GaGadea,dea, Cristina Perales, Juan GeaGea.... SEV TODOS LOS PÚBLICOS. REALIZADA EN 2001 Series de televisión CCCERVANTESCERVANTES / dirigido por Alfonso Ungría; guión de Daniel Sueiro. Valladolid: Divisa Home Video, 2006 3 DVDs. Nacionalidad: española Contiene: DVD1 Capítulos 1-3. DVD 2. Capítulos 4-6. DVD 3. Capítulos 7-9 DVD Intérpretes: Julián Mateos, Carlos Lucena, Carmen Maura, TV Francisco Rabal, Agustín González, etc. 791 CER TODOS LOS PÚBLICOS. REALIZADA PARA RTVE EN 1980 Series de televisión LLLALA BARRACA / dirigida por León Klimovsky Valladolid: Divisa Home Vídeo, D. L. 2003 3 discos .Nacionalidad: española. Intérpretes: Álvaro de Luna, Marisa de Leza, Victoria Abril, Juan DVD Carlos Naya, Eduardo Fajardo, Terele Pávez, Gabriel Llopart, TV 791 Fernando Hilbec, Adrián Ortega, MiMiguelguel Ayones BAR Todos los públicos. Basada en la novela de Vicente Blasco Ibáñez Realizada en 1979 Series de televisión LA FORJA DE UN REBELDE / dirigida por Mario Camus Intérpretes: Antonio Valero, Jorge Juan G. Contreras, Manuel Alexandre, MarMargaritagarita Calahorra, Eduardo Calvo, ÁngelÁngel de Andrés López, Ángel de Andrés, Rafael Alonso, Luis Barboo, Francisco DVD Catalá, Juan AnAntoniotonio Correa, María Barranco TV 791 Todos los públicos. Realizada en 1988 FOR Nacionalidad: española 3 discos (DVD vídeo). TVE 50 años Series de televisión MIGUEL HERNÁNDEZ: viento del pueblo / director José Ramón Larraz; guión Rafael Moreno Alba. -
Misoginia Y Feminismo En El Cine De Berlanga
Real Academia de Bellas Artes de San Fernando MISOGINIA Y FEMINISMO EN EL CINE DE BERLANGA Discurso de la académica electa EXCMA. SRA. D.a JOSEFINA MOLINA REIG Leído en el Acto de su Recepción Pública el día 26 de marzo de 2017 y contestación del EXCMO. SR. D. MANUEL GUTIÉRREZ ARAGÓN MADRID MMXVII [ 2 ] MISOGINIA Y FEMINISMO EN EL CINE DE BERLANGA [ 4 ] Real Academia de Bellas Artes de San Fernando MISOGINIA Y FEMINISMO EN EL CINE DE BERLANGA Discurso de la académica electa EXCMA. SRA. D.a JOSEFINA MOLINA REIG Leído en el Acto de su Recepción Pública el día 26 de marzo de 2017 y contestación del EXCMO. SR. D. MANUEL GUTIÉRREZ ARAGÓN MADRID MMXVII [ 6 ] Pintura y concreciones en población mediana, todavía. José Luis Cuerda, 2005. Discurso de la EXCMA. SRA. D.a JOSEFINA MOLINA REIG [ 8 ] Excelentísimo señor Director, señoras y señores académicos, amigas y amigos: o puedo comenzar este discurso sin agradecer a los miembros de esta Academia, excelentísimos señores Pu- Nblio López Mondéjar, José María Cruz Novillo y Ma- nuel Gutiérrez Aragón, el haberme propuesto como académica [ 9 ] de número en la Sección de Nuevas Artes de la Imagen; y a este último, especialmente, por su generosidad al querer acompañar- me hoy aquí en el uso de la palabra. Ellos me dan la ocasión de expresar ante ustedes mi admiración por el cine del maestro Berlanga, nuestro contemporáneo, que es ya figura histórica e inolvidable de la cultura española. En cuanto a mí, hoy es la primera vez en mi vida que me en- frento a un reto semejante llamando a la puerta de una Acade- mia centenaria, a cuyos componentes quizá nada nuevo les pueda descubrir sobre un cineasta de culto, que fue el primer director de cine en ingresar en ella. -
Organiza Patrocina Colabora
ORGANIZA PATROCINA COLABORA 1 AGRADECIMIENTOS AGRADECIMIENTOS GUADALUPE GALVÁN HAMPA STUDIO ADRIANA KRASOVA (CENTRO CHECO) HARDI VOLMER (OÜ NUKUFILM) ADRIENNE MICHEL-LONG HASN-GÜNTHER LÖFFLER (EMBAJADA DE ALEMANIA) ADRZEJ KLIMOWSKI HAZEL GRIAN (LICORICE FILM) ALBERTINA CARRI HILA RON (THE SAM SPIEGEL FILM & TV SCHOOL ALSIRA GARCÍA-MAROTO ISRAEL) ANA GONZALEZ (SHADOW MACHINE FILMS) INÉS GARCÍA (TNT) ANDREA ANSAREO ISABEL GRANDE (INSTITUTO CERVANTES) ANNE MARIE HARMS (DRAMATISKA INSTITUTE) ISOBEL PALOS (PARTIZAN) ANTONIO HENS XUAN ACOSTA JAN ERIK HOLST (NFI) BARBARA WOOD (TURSIMO DE IRLANDA) JASON TAMMEMAGI BARRY KELLY JAVIER BARCHÍN BEATRIZ CHAPAPRIETA (GRUPO CONSULTORES) JENNIFER KEEGAN BETTINA SCHWARZ (EUROPEAN FILMACADEMY) JEZ ALDIS BRENDAN MULDOWNEY JIM CULLEN BRIAN DURNIN JOÃO DE MELO (EMBAJADA DE PORTUGAL) CIARAN FOY JOHN CALLAGHAN CILEA MENESES JOHN HAYES CORKY QUARKENBUSH (SPACE BASS FILMS) JOHNNY O’REILLY CHAD MESERVE (LUDICROUS PRODUCTIONS) JORDAN GALLAND CHRISTIAN GUINOT (FESTIVAL DU COURT METRAGE DE JORGE SEGADO (NOTODOFILMFEST.COM) CLERMONT-FERRAND) JOSÉ ANTONIO HURTADO (IVAC) CHRISTOFFER OLOFFSON (UPPSALA INTERNATIONELLA JOSÉ MARIA DE CARVALHO (INSTITUTO CAMÕES) KORTFILMFESTIVAL) JUAN BOETA DAMON SYLVESTER KAREN WALL (REEL IRELAND) DARIO OLIVEIRO (CURTAS VILA DO CONDE) KEITH ALLAN & COURTNEY BRANCH DIANA RUMJAHN KEN WARDROP DON PORTOLESE KIERON J. WALSH EDITH PIEPERHOFF KIRSTI BAGGETHUN (EMBAJADA DE NORUEGA) EOIN RYAN LILIAN SALY (EMBAJADA DE FRANCIA) FADEL AKHAMLICH (EDITORIAL PEARSON) LORCAN FINNEGAN FILMOTECA DE CASTILLA -
Growing Together
ESADE Awards for new entrepreneurial projects Growing together 10 l º 126 ASSOCIATION N l JULY-AUGUST 2008 JULY-AUGUST OF THE ESADE ALUMNI A TWO-MONTH PUBLICATION A TWO-MONTH PUBLICATION Jaime Rosales Legal Area ESADE Brand Talks to Alex Rovira The changing professional Center Awards about the process of profile and new role The competition creating a work of cinema of the company lawyer takes root ES124_DealOp_Cano224x286_TZ_RZ.qxd 19.06.2008 15:30 Uhr Seite 1 Cano Catalunya Concessionari Oficial BMW www.bmw.es/ canocatalunya T'agrada conduir? Cata o lun n y a a C START N a u m n lo à e n c ci ar a, 22 – B Encara més a prop. Amb el millor servei. Cano Catalunya amplia les seves instal·lacions a Barcelona. A partir d'ara també podrà visitar la nostra exposició de vehicles BMW nous i vehicles del programa BMW Premium Selection al c. Numància, 22. A més a més, descobrirà tot un món de facilitats per al seu automòbil al nostre Servei Oficial BMW. Cano Catalunya · Numància, 22 · Barcelona · Tel.: 93 495 74 00 · www.bmw.es/canocatalunya summary A Publication of ESADE Alumni Av. Pedralbes, 60-62 08034 Barcelona Tel. 902 420 020 DEBATE 34 www.esadealumni.net Editorial 5 Crisis or economic slowdown? EXECUTIVE BOARD TALKING TO 28 Germán Castejón, President Networking Jaime Rosales talks to Álex Rovira Pedro Navarro, Vice-president about the industry and the process of Patricia Estany, Vice-president ESADE ALUMNI INTERNATIONAL 6 creating a work of cinema Juan Ramírez, Vice-president and Treasurer REGIONAL CLUBS 8 BUSINESS CASES 46 Antonio Delgado, -
Spanish Videos Use the Find Function to Search This List
Spanish Videos Use the Find function to search this list Velázquez: The Nobleman of Painting 60 minutes, English. A compelling study of the Spanish artist and his relationship with King Philip IV, a patron of the arts who served as Velazquez’ sponsor. LLC Library – Call Number: SP 070 CALL NO. SP 070 Aguirre, The Wrath of God Director: Werner Herzog with Klaus Kinski. 1972, 94 minutes, German with English subtitles. A band of Spanish conquistadors travels into the Amazon jungle searching for the legendary city of El Dorado, but their leader’s obsessions soon turn to madness. LLC Library CALL NO. Look in German All About My Mother Director: Pedro Almodovar with Cecilia Roth, Penélope Cruz, Marisa Perdes, Candela Peña, Antonia San Juan. 1999, 102 minutes, Spanish with English subtitles. Pedro Almodovar delivers his finest film yet, a poignant masterpiece of unconditional love, survival and redemption. Manuela is the perfect mother. A hard-working nurse, she’s built a comfortable life for herself and her teenage son, an aspiring writer. But when tragedy strikes and her beloved only child is killed in a car accident, her world crumbles. The heartbroken woman learns her son’s final wish was to know of his father – the man she abandoned when she was pregnant 18 years earlier. Returning to Barcelona in search on him, Manuela overcomes her grief and becomes caregiver to a colorful extended family; a pregnant nun, a transvestite prostitute and two troubled actresses. With riveting performances, unforgettable characters and creative plot twists, this touching screwball melodrama is ‘an absolute stunner. -
Modern Humanities Research Assn a CINEMA of CONTRADICTION
ORE Open Research Exeter TITLE A Cinema of Contradiction: Picazo's "La tía Tula" (1964) and the Nuevo Cine Español AUTHORS Faulkner, Sally JOURNAL The Modern Language Review DEPOSITED IN ORE 04 November 2008 This version available at http://hdl.handle.net/10036/40237 COPYRIGHT AND REUSE Open Research Exeter makes this work available in accordance with publisher policies. A NOTE ON VERSIONS The version presented here may differ from the published version. If citing, you are advised to consult the published version for pagination, volume/issue and date of publication A CINEMA OF CONTRADICTION: PICAZO’S LA TIA‹ TULA () AND THE NUEVO CINE ESPANOL~ Even a cursory consideration of the political and industrial contexts of the Nuevo Cine Espanol~ (NCE), a movement of oppositional directors whose work was ironically funded by Franco’s government, renders apparent its contradic- tions. Caught in a double bind, these film-makers attempted to reconcile the demands of the regime with their own political beliefs. But this was not simply a case of dissident auteur battling against repressive dictatorship, for in the 1960s the Francoist government itself was struggling to marry the mutually under- mining objectives of retaining the dictatorship and at the same time opening up Spain to gradual liberalization, a process termed the apertura.Inthisarticle I argue that the tensions, or contradictions, of both the historical context of the apertura and the industrial context of the government’s promotion of a Spanish art cinema were encoded in these NCE films, and focus on one key film of the movement, Miguel Picazo’s La t‹§a Tula of 1964. -
Of Gods and Men
A Sony Pictures Classics Release Armada Films and Why Not Productions present OF GODS AND MEN A film by Xavier Beauvois Starring Lambert Wilson and Michael Lonsdale France's official selection for the 83rd Academy Award for Best Foreign Language Film 2010 Official Selections: Toronto International Film Festival | Telluride Film Festival | New York Film Festival Nominee: 2010 European Film Award for Best Film Nominee: 2010 Carlo di Palma European Cinematographer, European Film Award Winner: Grand Prix; Ecumenical Jury Prize - 2010Cannes Film Festival Winner: Best Foreign Language Film, 2010 National Board of Review Winner: FIPRESCI Award for Best Foreign Language Film of the Year, 2011 Palm Springs International Film Festival www.ofgodsandmenmovie.com Release Date (NY/LA): 02/25/2011 | TRT: 120 min MPAA: Rated PG-13 | Language: French East Coast Publicist West Coast Publicist Distributor Sophie Gluck & Associates Block-Korenbrot Sony Pictures Classics Sophie Gluck Ziggy Kozlowski Carmelo Pirrone 124 West 79th St. Melody Korenbrot Lindsay Macik New York, NY 10024 110 S. Fairfax Ave., Ste 310 550 Madison Avenue Phone (212) 595-2432 Los Angeles, CA 90036 New York, NY 10022 [email protected] Phone (323) 634-7001 Phone (212) 833-8833 Fax (323) 634-7030 Fax (212) 833-8844 SYNOPSIS Eight French Christian monks live in harmony with their Muslim brothers in a monastery perched in the mountains of North Africa in the 1990s. When a crew of foreign workers is massacred by an Islamic fundamentalist group, fear sweeps though the region. The army offers them protection, but the monks refuse. Should they leave? Despite the growing menace in their midst, they slowly realize that they have no choice but to stay… come what may.