The Newgate Calendar
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Shearer West Phd Thesis Vol 1
THE THEATRICAL PORTRAIT IN EIGHTEENTH CENTURY LONDON (VOL. I) Shearer West A Thesis Submitted for the Degree of PhD at the University of St. Andrews 1986 Full metadata for this item is available in Research@StAndrews:FullText at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/2982 This item is protected by original copyright THE THEATRICAL PORTRAIT IN EIGHTEENTH CENTURY LONDON Ph.D. Thesis St. Andrews University Shearer West VOLUME 1 TEXT In submitting this thesis to the University of St. Andrews I understand that I am giving permission for it to be made available for use in accordance with the regulations of the University Library for the time being in force, subject to any copyright vested in the work not being affected thereby. I also understand that the title and abstract will be published, and that a copy of the I work may be made and supplied to any bona fide library or research worker. ABSTRACT A theatrical portrait is an image of an actor or actors in character. This genre was widespread in eighteenth century London and was practised by a large number of painters and engravers of all levels of ability. The sources of the genre lay in a number of diverse styles of art, including the court portraits of Lely and Kneller and the fetes galantes of Watteau and Mercier. Three types of media for theatrical portraits were particularly prevalent in London, between ca745 and 1800 : painting, print and book illustration. -
John the Painter
THE Pennsylvania Magazine OF HISTORY AND BIOGRAPHY VOLUME LXIII JANUARY, 1939 NUMBER ONE John the Painter HIS is the tale of an aberrated Scotsman who stepped momen- tarily into the spotlight of history during the American Revo- Tlution, and, for a brief, fantastic space, sent shivers rippling along the spines of Lord North's cabinet, and spread consternation throughout the length and breadth of merry England. He was born plain James Aitken, an unprepossessing infant in the brood of an indigent Edinburgh blacksmith. Dangling from a gibbet in Ports- mouth town, he departed this life, in 1777, famous or infamous, as John the Painter. Twice James Aitken's crimes flared red on the British horizon—an incendiary whose distorted mind interpreted the torch of liberty as literal rather than allegoric -y who set himself, single-handed, to destroy the might of the king's navy. Boasting him- self an agent of the American Congress, this insignificant little Scottish zealot, ere his destructive path ended, had burned to the ground his majesty's rope house in the Portsmouth navy yard, and had started two alarming, if not serious, fires in busy Bristol. Harken, then, to the tale of James Aitken, alias James Hill, other- wise James Hinde, commonly called, as the old court record set forth, John the Painter. Silas Deane's French servant probably eyed with repugnance the shabby little man, who, for the third time, was insisting upon an 2 WILLIAM BELL CLARK January audience with his employer. Twice before the devoted servant, who regarded any Englishman as inimical to his patron's welfare, had dismissed him summarily. -
Prime Bloomsbury Freehold Development Opportunity LONDON
BLOOMSBURY LONDON WC2 LONDON WC2 Prime Bloomsbury Freehold Development Opportunity BLOOMSBURY LONDON WC2 INVESTMENT SUMMARY • Prime Bloomsbury location between Shaftesbury Avenue and High Holborn, immediately to the north of Covent Garden. • Attractive period building arranged over lower ground, ground and three upper floors totalling 10,442 sq ft (970.0 sq m) Gross Internal Area. • The property benefits from detailed planning permission, subject to a Section 106 agreement, for change of use and erection of a roof extension to six residential apartments (C3 use) comprising 6,339 sq ft (589.0 sq m) Net Saleable Area and four B1/A1 units totalling 2,745 sq ft (255.0 sq m) Gross Internal Area, providing a total Gross Internal Area of 12,080 sq ft (1,122.2 sq m). • The property will be sold with vacant possession. • The building would be suitable for owner occupiers, developers or investors seeking to undertake an office refurbishment and extension, subject to planning. • Freehold. • The vendor is seeking offers in excess of £8,750,000 (Eight Million, Seven Hundred and Fifty Thousand Pounds) subject to contract and exclusive of VAT, which equates to £838 per sq ft on the existing Gross Internal Area and £724 per sq ft on the consented Gross Internal Area. BLOOMSBURY LONDON WC2 LOCATION The thriving Bloomsbury sub-market sits between Soho to the west, Covent Garden to the south and Fitzrovia to the north. The local area is internationally known for its unrivalled amenities with the restaurants and bars of Soho and theatres and retail provision of Covent Garden a short walk away. -
Catalogue of the Earl Marshal's Papers at Arundel
CONTENTS CONTENTS v FOREWORD by Sir Anthony Wagner, K.C.V.O., Garter King of Arms vii PREFACE ix LIST OF REFERENCES xi NUMERICAL KEY xiii COURT OF CHIVALRY Dated Cases 1 Undated Cases 26 Extracts from, or copies of, records relating to the Court; miscellaneous records concerning the Court or its officers 40 EARL MARSHAL Office and Jurisdiction 41 Precedence 48 Deputies 50 Dispute between Thomas, 8th Duke of Norfolk and Henry, Earl of Berkshire, 1719-1725/6 52 Secretaries and Clerks 54 COLLEGE OF ARMS General Administration 55 Commissions, appointments, promotions, suspensions, and deaths of Officers of Arms; applications for appointments as Officers of Arms; lists of Officers; miscellanea relating to Officers of Arms 62 Office of Garter King of Arms 69 Officers of Arms Extraordinary 74 Behaviour of Officers of Arms 75 Insignia and dress 81 Fees 83 Irregularities contrary to the rules of honour and arms 88 ACCESSIONS AND CORONATIONS Coronation of King James II 90 Coronation of King George III 90 Coronation of King George IV 90 Coronation of Queen Victoria 90 Coronation of King Edward VII and Queen Alexandra 90 Accession and Coronation of King George V and Queen Mary 96 Royal Accession and Coronation Oaths 97 Court of Claims 99 FUNERALS General 102 King George II 102 Augusta, Dowager Princess of Wales 102 King George III 102 King William IV 102 William Ewart Gladstone 103 Queen Victoria 103 King Edward VII 104 CEREMONIAL Precedence 106 Court Ceremonial; regulations; appointments; foreign titles and decorations 107 Opening of Parliament -
DATES of TRIALS Until October 1775, and Again from December 1816
DATES OF TRIALS Until October 1775, and again from December 1816, the printed Proceedings provide both the start and the end dates of each sessions. Until the 1750s, both the Gentleman’s and (especially) the London Magazine scrupulously noted the end dates of sessions, dates of subsequent Recorder’s Reports, and days of execution. From December 1775 to October 1816, I have derived the end dates of each sessions from newspaper accounts of the trials. Trials at the Old Bailey usually began on a Wednesday. And, of course, no trials were held on Sundays. ***** NAMES & ALIASES I have silently corrected obvious misspellings in the Proceedings (as will be apparent to users who hyper-link through to the trial account at the OBPO), particularly where those misspellings are confirmed in supporting documents. I have also regularized spellings where there may be inconsistencies at different appearances points in the OBPO. In instances where I have made a more radical change in the convict’s name, I have provided a documentary reference to justify the more marked discrepancy between the name used here and that which appears in the Proceedings. ***** AGE The printed Proceedings almost invariably provide the age of each Old Bailey convict from December 1790 onwards. From 1791 onwards, the Home Office’s “Criminal Registers” for London and Middlesex (HO 26) do so as well. However, no volumes in this series exist for 1799 and 1800, and those for 1828-33 inclusive (HO 26/35-39) omit the ages of the convicts. I have not comprehensively compared the ages reported in HO 26 with those given in the Proceedings, and it is not impossible that there are discrepancies between the two. -
Grosvenor Prints CATALOGUE for the ABA FAIR 2008
Grosvenor Prints 19 Shelton Street Covent Garden London WC2H 9JN Tel: 020 7836 1979 Fax: 020 7379 6695 E-mail: [email protected] www.grosvenorprints.com Dealers in Antique Prints & Books CATALOGUE FOR THE ABA FAIR 2008 Arts 1 – 5 Books & Ephemera 6 – 119 Decorative 120 – 155 Dogs 156 – 161 Historical, Social & Political 162 – 166 London 167 – 209 Modern Etchings 210 – 226 Natural History 227 – 233 Naval & Military 234 – 269 Portraits 270 – 448 Satire 449 – 602 Science, Trades & Industry 603 – 640 Sports & Pastimes 641 – 660 Foreign Topography 661 – 814 UK Topography 805 - 846 Registered in England No. 1305630 Registered Office: 2, Castle Business Village, Station Road, Hampton, Middlesex. TW12 2BX. Rainbrook Ltd. Directors: N.C. Talbot. T.D.M. Rayment. C.E. Ellis. E&OE VAT No. 217 6907 49 GROSVENOR PRINTS Catalogue of new stock released in conjunction with the ABA Fair 2008. In shop from noon 3rd June, 2008 and at Olympia opening 5th June. Established by Nigel Talbot in 1976, we have built up the United Kingdom’s largest stock of prints from the 17th to early 20th centuries. Well known for our topographical views, portraits, sporting and decorative subjects, we pride ourselves on being able to cater for almost every taste, no matter how obscure. We hope you enjoy this catalogue put together for this years’ Antiquarian Book Fair. Our largest ever catalogue contains over 800 items, many rare, interesting and unique images. We have also been lucky to purchase a very large stock of theatrical prints from the Estate of Alec Clunes, a well known actor, dealer and collector from the 1950’s and 60’s. -
The Rockingham Street Anomaly - Southwark a Geoarchaeological Evaluation
THE ROCKINGHAM STREET ANOMALY - SOUTHWARK A GEOARCHAEOLOGICAL EVALUATION Preliminary report April 2019 Michael Hacker, Prof. Rob Scaife, Peter Collins. CONTENTS 1. Introduction 2. Anomalous buried hollows 3. The Rockingham Street Anomaly 4. Archaeological and historical background 5. The 2017 soil sample 6. Pollen analysis 7. Soil analysis 8. Discussion 9. Conclusion 10. Acknowledgments 11. Bibliography 12. Maps ILLUSTRATIONS Fig. 1 Artwork by Gail Dickerson Fig. 2 Rockingham Street Anomaly geology Fig. 3 Section through the Rockingham Street Anomaly Fig. 4 Location of Rockingham Street Anomaly Fig. 5 Rocque’s map of 1746 Fig. 6 Fairburn’s map of 1802 Fig. 7 Prehistoric seed and insect remains Table 1 Pollen count data Page 1 1. INTRODUCTION Hidden beneath the surface of the Central London Thames floodplain lie numerous, deep, crater- like pits known as 'anomalous buried hollows’ (or sometimes drift filled or scour filled hollows). They penetrate deep into the London Clay and sometimes beyond. Most of these hollows are filled with sands and gravels. They are believed to have formed under sub-arctic, peri-glacial conditions. One of these hollows, The Rockingham Street Anomaly, is situated in the London Borough of Southwark, close to Elephant and Castle. It is nearly 300m wide and over 19m deep. The Rockingham Street Anomaly is exceptional in that unlike most of the other hollows, a substantial part of the fill comprises a deep accumulation of peat. The peat was first identified during the construction of a sewer in the early 20th century and the general shape of the hollow and presence of peat have been confirmed by subsequent boreholes in the area. -
Accommodation Guide 2013–2014
ACCOMMODATION GUIDE 2013–2014 www.arts.ac.uk/housing Contents The Costume 15 Store Furzedown Student Halls 17 Village Welcome from the Vice Chancellor and 3 Accommodation team Glassyard 19 Building Woodland 23 Court What you need to know 5 Brooke Hall Manna 25 Ash 27 House Bernard Coming to live in Myers 7 the UK from overseas 29 House Camberwell 31Campus Will Wyatt 33 Court Don Gratton Cordwainers The Social Programme 35 House 37 Court How to Apply, 9 11Step by Step Private rental Designer 39 advice and 41 Credits 13 Tenancy rates and Map UNIVERSITY OF THE ARTS LONDON www.arts.ac.uk/housing . T: +44 (0)20 7514 6240 3 4 If you’ve accepted your place at University of the Arts London, you need to begin thinking about where you are going to live when you arrive. If you are already studying with us, don’t forget that all students in every year of study are welcome in our halls of residence. On behalf of University of the Arts At the Accommodation Services office we are here to London, I would like to welcome provide you with a clean, safe home in London. you to our halls of residence. Halls of residence are places to relax, study, create and make friends. They are a place of your own where you Nigel Carrington never need to feel alone because you are always part of Vice-Chancellor our community. For 2013/14 we have 12 halls of residence across London which provide a home for around 3,000 students. -
Perceptions of the Murderess in London and Paris, 1674-1789
Perceptions of the Murderess in London and Paris, 1674-1789 Anna Clare Jenkin A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of History August, 2015 Thesis Summary This project is a comparative study of print about women accused of murder in eighteenth-century London and Paris. While gender played an important role in determining how such women were perceived, in that female killers stimulated forms of social introspection that male murderers did not, this thesis demonstrates that a wider variety of factors affected the kinds of women who stimulated concern among the London and Parisian populace. Most importantly, only eleven women accused of murder stimulated high levels of print reaction in the period, implying that aspects beyond their gender were behind such reactions. Through focus on the print material and judicial records of these eleven high-profile murderesses, including ballads, pamphlets, images, novels, legal tracts and printed correspondence, this thesis will expose a number of contemporary concerns present in eighteenth-century London and Paris. In both cities, perceptions of the crime of female- perpetrated murder reflected emerging concerns about the impact of urbanisation on social structures and women’s roles, alongside shifting European-wide ideas of gender difference. Murderous women’s occupations as midwives, servants, aristocrats and household managers were used to explore broader concerns about emerging sites of female independence. Discussion of cases that involved adultery, male sociability and court intrigue were used to reveal the perceived corrupting effects of urban society. -
Conservation Plan Old Sessions House 22 Clerkenwell Green London Ec1r Ona
CONSERVATION PLAN OLD SESSIONS HOUSE 22 CLERKENWELL GREEN LONDON EC1R ONA EXECUTIVE SUMMARY 1. The Old Sessions House is one of the finest and most important historic buildings in Clerkenwell. Constructed in the late eighteenth century as the Middlesex Sessions House for the magistrates’ courts, it is a high-status building intended to dominate Clerkenwell Green and its surroundings. In 1860 onwards it was re-modelled and extended to present grander elevations to the newly laid out Farringdon and Clerkenwell Roads. Following the relocation of the magistrates courts in 1920 the premises became the headquarters of Avery Scales, and in the 1970s the building was acquired as a Masonic Lodge who occupied the premises until 2013. The new owners, Ted and Oliver Grebelius are therefore only the fourth proprietors in a 235 year history. 2. This Conservation Plan evaluates the historic and architectural significance of the building and its surviving fabric. It sets out the risks and opportunities in the context of the building’s condition, status and current conservation policy. It makes proposals for the repair and enhancement of the building, including a strategy of phased work. It suggests how improvements can be made to the setting of the building within the surrounding environment of Clerkenwell Green and Farringdon Lane. INTRODUCTION 3. This Conservation Plan for the Old Sessions House, Clerkenwell Green, has been commissioned by Oliver and Ted Grebelius, who acquired the building in late 2013. The Plan aims to inform and direct an appropriate way forward to re-use this important historic building and its immediate environs. -
Colonial Frontier Massacres in Australia 1788-1930: Sources
Colonial Frontier Massacres in Australia 1788-1930: Sources © Ryan, Lyndall; Pascoe, William; Debenham, Jennifer; Gilbert, Stephanie; Richards, Jonathan; Smith, Robyn; Owen, Chris; Anders, Robert J; Brown, Mark; Price, Daniel; Newley, Jack; Usher, Kaine, 2019. The information and data on this site may only be re-used in accordance with the Terms Of Use. This research was funded by the Australian Government through the Australian Research Council, PROJECT ID: DP140100399. http://hdl.handle.net/1959.13/1340762 Colonial Frontier Massacres in Australia 1788-1930: Sources 0 Abbreviations 1 Unpublished Archival Sources 2 Battye Library, Perth, Western Australia 2 State Records of NSW (SRNSW) 2 Mitchell Library - State Library of New South Wales (MLSLNSW) 3 National Library of Australia (NLA) 3 Northern Territory Archives Service (NTAS) 4 Oxley Memorial Library, State Library Of Queensland 4 National Archives, London (PRO) 4 Queensland State Archives (QSA) 4 State Libary Of Victoria (SLV) - La Trobe Library, Melbourne 5 State Records Of Western Australia (SROWA) 5 Tasmanian Archives And Heritage Office (TAHO), Hobart 7 Colonial Secretary’s Office (CSO) 1/321, 16 June, 1829; 1/316, 24 August, 1831. 7 Victorian Public Records Series (VPRS), Melbourne 7 Manuscripts, Theses and Typescripts 8 Newspapers 9 Films and Artworks 12 Printed and Electronic Sources 13 Colonial Frontier Massacres In Australia, 1788-1930: Sources 1 Abbreviations AJCP Australian Joint Copying Project ANU Australian National University AOT Archives of Office of Tasmania -
Prisons and Punishments in Late Medieval London
Prisons and Punishments in Late Medieval London Christine Winter Thesis submitted for the Degree of Doctor of Philosophy in the University of London Royal Holloway, University of London, 2012 2 Declaration I, Christine Winter, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 3 Abstract In the history of crime and punishment the prisons of medieval London have generally been overlooked. This may have been because none of the prison records have survived for this period, yet there is enough information in civic and royal documents, and through archaeological evidence, to allow a reassessment of London’s prisons in the later middle ages. This thesis begins with an analysis of the purpose of imprisonment, which was not merely custodial and was undoubtedly punitive in the medieval period. Having established that incarceration was employed for a variety of purposes the physicality of prison buildings and the conditions in which prisoners were kept are considered. This research suggests that the periodic complaints that London’s medieval prisons, particularly Newgate, were ‘foul’ with ‘noxious air’ were the result of external, rather than internal, factors. Using both civic and royal sources the management of prisons and the abuses inflicted by some keepers have been analysed. This has revealed that there were very few differences in the way civic and royal prisons were administered; however, there were distinct advantages to being either the keeper or a prisoner of the Fleet prison. Because incarceration was not the only penalty available in the enforcement of law and order, this thesis also considers the offences that constituted a misdemeanour and the various punishments employed by the authorities.