Grosvenor Prints CATALOGUE for the ABA FAIR 2008
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Glossary Glossary
Glossary Glossary Albedo A measure of an object’s reflectivity. A pure white reflecting surface has an albedo of 1.0 (100%). A pitch-black, nonreflecting surface has an albedo of 0.0. The Moon is a fairly dark object with a combined albedo of 0.07 (reflecting 7% of the sunlight that falls upon it). The albedo range of the lunar maria is between 0.05 and 0.08. The brighter highlands have an albedo range from 0.09 to 0.15. Anorthosite Rocks rich in the mineral feldspar, making up much of the Moon’s bright highland regions. Aperture The diameter of a telescope’s objective lens or primary mirror. Apogee The point in the Moon’s orbit where it is furthest from the Earth. At apogee, the Moon can reach a maximum distance of 406,700 km from the Earth. Apollo The manned lunar program of the United States. Between July 1969 and December 1972, six Apollo missions landed on the Moon, allowing a total of 12 astronauts to explore its surface. Asteroid A minor planet. A large solid body of rock in orbit around the Sun. Banded crater A crater that displays dusky linear tracts on its inner walls and/or floor. 250 Basalt A dark, fine-grained volcanic rock, low in silicon, with a low viscosity. Basaltic material fills many of the Moon’s major basins, especially on the near side. Glossary Basin A very large circular impact structure (usually comprising multiple concentric rings) that usually displays some degree of flooding with lava. The largest and most conspicuous lava- flooded basins on the Moon are found on the near side, and most are filled to their outer edges with mare basalts. -
International Art
International Art Collectors’ List No. 168, 2013 Josef Lebovic Gallery 103a Anzac Parade (cnr Duke Street) Kensington (Sydney) NSW Ph: (02) 9663 4848; Fax: (02) 9663 4447 Email: [email protected] Web: joseflebovicgallery.com 1. Cecil Aldin (Brit., 1870-1935). Miss Camp JOSEF LEBOVIC GALLERY bell’s “April Lady” & “Dame Marigold” Babies, Established 1977 Mr Frank Harrison’s “Champion Angelo” & 103a Anzac Parade, Kensington (Sydney) NSW Mr Duerdin Dutton’s “Starboard” [St Bernard Dogs], 1893. Ink and wash with white highlight, Post: PO Box 93, Kensington NSW 2033, Australia captioned left and right, signed and dated lower Tel: (02) 9663 4848 • Fax: (02) 9663 4447 • Intl: (+61-2) left, publishing annotations in pencil in various hands with two stamps verso, 44.1 x 29.7cm. Email: [email protected] • Web: joseflebovicgallery.com Foxing, slight stains, soiling over all. $2,900 Open: Wed to Fri 1-6pm, Sat 12-5pm, or by appointment • ABN 15 800 737 094 Stamps read “Horace Cox, Brear’s Buildings, E. C. The Member of • Association of International Photography Art Dealers Inc. Queen” and “C. Robertson & Co. Artist’s Colourmen. 99 Long Acre and 154 Piccadilly, London.” International Fine Print Dealers Assoc. • Australian Art & Antique Dealers Assoc. COLLECTORS’ LIST No. 168, 2013 International Art On exhibition from Sat., 9 November 2013 to Sat., 1 February 2014. All items will be illustrated on our website from 16 November. Prices are in Australian dollars and include GST. Exch. rates as at time of printing: AUD $1.00 = USD $0.96¢; UK £0.59p © Licence by VISCOPY AUSTRALIA 2013 LRN 5523 Compiled by Josef & Jeanne Lebovic, Lenka Miklos, Mariela Brozky, Takeaki Totsuka 2. -
TRANSIENT LUNAR PHENOMENA: REGULARITY and REALITY Arlin P
The Astrophysical Journal, 697:1–15, 2009 May 20 doi:10.1088/0004-637X/697/1/1 C 2009. The American Astronomical Society. All rights reserved. Printed in the U.S.A. TRANSIENT LUNAR PHENOMENA: REGULARITY AND REALITY Arlin P. S. Crotts Department of Astronomy, Columbia University, Columbia Astrophysics Laboratory, 550 West 120th Street, New York, NY 10027, USA Received 2007 June 27; accepted 2009 February 20; published 2009 April 30 ABSTRACT Transient lunar phenomena (TLPs) have been reported for centuries, but their nature is largely unsettled, and even their existence as a coherent phenomenon is controversial. Nonetheless, TLP data show regularities in the observations; a key question is whether this structure is imposed by processes tied to the lunar surface, or by terrestrial atmospheric or human observer effects. I interrogate an extensive catalog of TLPs to gauge how human factors determine the distribution of TLP reports. The sample is grouped according to variables which should produce differing results if determining factors involve humans, and not reflecting phenomena tied to the lunar surface. Features dependent on human factors can then be excluded. Regardless of how the sample is split, the results are similar: ∼50% of reports originate from near Aristarchus, ∼16% from Plato, ∼6% from recent, major impacts (Copernicus, Kepler, Tycho, and Aristarchus), plus several at Grimaldi. Mare Crisium produces a robust signal in some cases (however, Crisium is too large for a “feature” as defined). TLP count consistency for these features indicates that ∼80% of these may be real. Some commonly reported sites disappear from the robust averages, including Alphonsus, Ross D, and Gassendi. -
Pick of the Churches
Pick of the Churches The East of England is famous for its superb collection of churches. They are one of the nation's great treasures. Introduction There are hundreds of churches in the region. Every village has one, some villages have two, and sometimes a lonely church in a field is the only indication that a village existed there at all. Many of these churches have foundations going right back to the dawn of Christianity, during the four centuries of Roman occupation from AD43. Each would claim to be the best - and indeed, all have one or many splendid and redeeming features, from ornate gilt encrusted screens to an ancient font. The history of England is accurately reflected in our churches - if only as a tantalising glimpse of the really creative years between the 1100's to the 1400's. From these years, come the four great features which are particularly associated with the region. - Round Towers - unique and distinctive, they evolved in the 11th C. due to the lack and supply of large local building stone. - Hammerbeam Roofs - wide, brave and ornate, and sometimes strewn with angels. Just lay on the floor and look up! - Flint Flushwork - beautiful patterns made by splitting flints to expose a hard, shiny surface, and then setting them in the wall. Often it is used to decorate towers, porches and parapets. - Seven Sacrament Fonts - ancient and splendid, with each panel illustrating in turn Baptism, Confirmation, Mass, Penance, Extreme Unction, Ordination and Matrimony. Bedfordshire Ampthill - tomb of Richard Nicholls (first governor of Long Island USA), including cannonball which killed him. -
Ian Marr Rare Books: Catalogue 18
CATALOGUE 18 VARIA Item 59 IAN MARR RARE BOOKS IAN MARR RARE BOOKS 23 Pound Street Liskeard Cornwall PL14 3JR England Enquiries or orders may be made by telephone, which will be answered by Ian or Anne Marr: 01579 345310 or, if calling from abroad: 0044 1579 345310 or, mobile: 0773 833 9709 PLEASE NOTE OUR NEW EMAIL ADDRESS: [email protected] Prices are net, postage extra, usual terms apply. Payment may be by cheque, direct transfer, or Paypal. Institutional libraries may have terms to suit their budgetary calendars. We will gladly supply more detailed descriptions, further images, etc. Books may be returned for any reason whatsoever, within the usual time frame, but in that event please let us know as soon as possible. If visiting, please contact us first to make arrangements. The ancient Cornish town of Liskeard is about 20 minutes, by car or railway, west of Plymouth; or 4 ½ hours from London. We are always interested to hear of books, manuscripts, ephemera, etc., which may be for sale, wherever they may be, and we are very happy to travel. Over the years, we have also conducted many cataloguing projects, and valuations for probate, insurance, or family division. 1. [ARMY MUSICIANS] [Changing the Guard at St. James's Palace, 1792] [London, 1792] £275 hand-col’d engraving, 15.2 x 20.6 inches [S], proof before letters, unframed (one or two short marginal repairs and short tear just entering image; paper slightly toned, especially on the verso), paper watermarked “W. King,” numbered “58” within the plate, top right The National Army Museum, which also has this image of the Coldstream Guards, comments on the presence of the three African or Caribbean Musicians in ceremonial dress and “splendid turbans,” and that many such musicians were recruited into the British Army in the 18th century, and that they also had an important role on the battlefield, by communicating orders via their instruments. -
Rare Long-Let Freehold Investment Opportunity INVESTMENT SUMMARY
26 DEAN STREET LONDON W1 Rare Long-Let Freehold Investment Opportunity INVESTMENT SUMMARY • Freehold. • Prominently positioned restaurant and ancillary building fronting Dean Street, one of Soho’s premier addresses. • Soho is renowned for being London’s most vibrant and dynamic sub-market in the West End due to its unrivalled amenity provisions and evolutionary nature. • Restaurant and ancillary accommodation totalling 2,325 sq ft (216.1 sq m) arranged over basement, ground and three uppers floors. • Single let to Leoni’s Quo Vadis Limited until 25 December 2034 (14.1 years to expiry). • Home to Quo Vadis, a historic Soho private members club and restaurant, founded almost a 100 years ago. • Restaurant t/a Barrafina’s flagship London restaurant, which has retained its Michelin star since awarded in 2013. • Total passing rent £77,100 per annum, which reflects an average rent of £33.16 per sq ft. • Next open market rent review December 2020. • No VAT applicable. Offers are invited in excess of £2,325,000 (Two Million Three Hundred and Twenty-Five Thousand Pounds), subject to contract. Pricing at this level reflects a net initial yield of 3.12% (after allowing for purchaser’s costs of 6.35%) and a capital value of £1,000 per sq ft. Canary Wharf The Shard The City London Eye South Bank Covent Garden Charing Cross Holborn Trafalgar Square Leicester Square Tottenham Court Road 26 DEAN Leicester Square STREET Soho Square Gardens Tottenham Court Road Western Ticket Hall Oxford Street London West End LOCATION & SITUATION Soho has long cemented its reputation as the excellent. -
James Reed Collection - Ephemera Reed Collection
Fairfield University DigitalCommons@Fairfield The Artist Collects: Highlights from the James The Artist Collects: Highlights from the James Reed Collection - Ephemera Reed Collection Spring 2019 The Artist Collects: Highlights from the James Reed Collection Wall Labels Fairfield University Art Museum Follow this and additional works at: https://digitalcommons.fairfield.edu/reed-ephemera Recommended Citation Fairfield University Art Museum, "The Artist Collects: Highlights from the James Reed Collection Wall Labels" (2019). The Artist Collects: Highlights from the James Reed Collection - Ephemera. 1. https://digitalcommons.fairfield.edu/reed-ephemera/1 This item has been accepted for inclusion in DigitalCommons@Fairfield by an authorized administrator of DigitalCommons@Fairfield. It is brought to you by DigitalCommons@Fairfield with permission from the rights- holder(s) and is protected by copyright and/or related rights. You are free to use this item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses, you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. William Alfred Delamotte (British, 1775-1863) Landscape with Men and Dogs Resting Under a Tree, from the portfolio Specimens of Polyautography (London, 1803), 1802 Pen and ink lithograph Promised gift from James Reed This landscape was one of the first artists’ lithographs ever published. In a clever bid to market the new process, the director of Senefelder’s London press, Philip André, sent free stones and instructions to a number of prominent English artists. -
The Dunes at Wimereux, Normandy Oil on Board
Edmund Blampied (1886 - 1966) The Dunes at Wimereux, Normandy Oil on board. Signed and dated Blampied 1934. and inscribed Wimereux at the lower centre. 204 x 291 mm. (8 x 11 1/2 in.) This appealing picture may be included among a series of a landscapes painted on small wooden panels by Blampied, several of which - including views of Wimereux, Knokke in Belgium, Zefeld in Austria, St. Brelade in Jersey and elsewhere – were included in the Cleveland exhibition in 1941. Blampied visited the small port of Wimereux (or Vimereaux), near Boulogne in the Pas-de-Calais, several times in the 1930’s, often staying with his friend, the writer and journalist Cecil Hunt. The present work belonged to Sir Bruce Ingram (1877-1963), one-time editor of the Illustrated London News (to which Blampied contributed) and one of the most enthusiastic collectors of the artist’s work. In 1967 a selection of fifty-one drawings and watercolours by Blampied from Ingram’s collection was exhibited at the St. Helier Galleries in Jersey. Provenance: The Ruskin Gallery, Stratford-on-Avon Sir Bruce Ingram, O.B.E., M.C., Chesham Michael Ingram, Driffield Manor, Driffield, Gloucestershire. Artist description: Born at Ville Brée in the parish of St. Martin on the island of Jersey, Edmund Blampied began his formal artistic training in 1903, when he was admitted as a student at the Lambeth School of Art in London. He eventually obtained a scholarship to continue his studies, while at the same time working for a number of London newspapers as an illustrator. By December 1911 Blampied had begun working independently as an illustrator for magazines and books. -
Grosvenor Prints 19 Shelton Street Covent Garden London WC2H 9JN
Grosvenor Prints 19 Shelton Street Covent Garden London WC2H 9JN Tel: 020 7836 1979 Fax: 020 7379 6695 E-mail: [email protected] www.grosvenorprints.com Dealers in Antique Prints & Books Prints from the Collection of the Hon. Christopher Lennox-Boyd Arts 3801 [Little Fatima.] [Painted by Frederick, Lord Leighton.] Gerald 2566 Robinson Crusoe Reading the Bible to Robinson. London Published December 15th 1898 by his Man Friday. "During the long timer Arthur Lucas the Proprietor, 31 New Bond Street, W. Mezzotint, proof signed by the engraver, ltd to 275. that Friday had now been with me, and 310 x 490mm. £420 that he began to speak to me, and 'Little Fatima' has an added interest because of its understand me. I was not wanting to lay a Orientalism. Leighton first showed an Oriental subject, foundation of religious knowledge in his a `Reminiscence of Algiers' at the Society of British mind _ He listened with great attention." Artists in 1858. Ten years later, in 1868, he made a Painted by Alexr. Fraser. Engraved by Charles G. journey to Egypt and in the autumn of 1873 he worked Lewis. London, Published Octr. 15, 1836 by Henry in Damascus where he made many studies and where Graves & Co., Printsellers to the King, 6 Pall Mall. he probably gained the inspiration for the present work. vignette of a shipwreck in margin below image. Gerald Philip Robinson (printmaker; 1858 - Mixed-method, mezzotint with remarques showing the 1942)Mostly declared pirnts PSA. wreck of his ship. 640 x 515mm. Tears in bottom Printsellers:Vol.II: margins affecting the plate mark. -
Download Report 2010-12
RESEARCH REPORt 2010—2012 MAX-PLANCK-INSTITUT FÜR WISSENSCHAFTSGESCHICHTE Max Planck Institute for the History of Science Cover: Aurora borealis paintings by William Crowder, National Geographic (1947). The International Geophysical Year (1957–8) transformed research on the aurora, one of nature’s most elusive and intensely beautiful phenomena. Aurorae became the center of interest for the big science of powerful rockets, complex satellites and large group efforts to understand the magnetic and charged particle environment of the earth. The auroral visoplot displayed here provided guidance for recording observations in a standardized form, translating the sublime aesthetics of pictorial depictions of aurorae into the mechanical aesthetics of numbers and symbols. Most of the portait photographs were taken by Skúli Sigurdsson RESEARCH REPORT 2010—2012 MAX-PLANCK-INSTITUT FÜR WISSENSCHAFTSGESCHICHTE Max Planck Institute for the History of Science Introduction The Max Planck Institute for the History of Science (MPIWG) is made up of three Departments, each administered by a Director, and several Independent Research Groups, each led for five years by an outstanding junior scholar. Since its foundation in 1994 the MPIWG has investigated fundamental questions of the history of knowl- edge from the Neolithic to the present. The focus has been on the history of the natu- ral sciences, but recent projects have also integrated the history of technology and the history of the human sciences into a more panoramic view of the history of knowl- edge. Of central interest is the emergence of basic categories of scientific thinking and practice as well as their transformation over time: examples include experiment, ob- servation, normalcy, space, evidence, biodiversity or force. -
The National Gallery of Canada: a Hundred Years of Exhibitions: List and Index
Document generated on 09/28/2021 7:08 p.m. RACAR : Revue d'art canadienne Canadian Art Review The National Gallery of Canada: A Hundred Years of Exhibitions List and Index Garry Mainprize Volume 11, Number 1-2, 1984 URI: https://id.erudit.org/iderudit/1074332ar DOI: https://doi.org/10.7202/1074332ar See table of contents Publisher(s) UAAC-AAUC (University Art Association of Canada | Association d'art des universités du Canada) ISSN 0315-9906 (print) 1918-4778 (digital) Explore this journal Cite this article Mainprize, G. (1984). The National Gallery of Canada: A Hundred Years of Exhibitions: List and Index. RACAR : Revue d'art canadienne / Canadian Art Review, 11(1-2), 3–78. https://doi.org/10.7202/1074332ar Tous droits réservés © UAAC-AAUC (University Art Association of Canada | This document is protected by copyright law. Use of the services of Érudit Association d'art des universités du Canada), 1984 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ The National Gallery of Canada: A Hundred Years of Exhibitions — List and Index — GARRY MAINPRIZE Ottawa The National Gallerv of Canada can date its February 1916, the Gallery was forced to vacate foundation to the opening of the first exhibition of the muséum to make room for the parliamentary the Canadian Academy of Arts at the Clarendon legislators. -
A Design Strategy for Chinatown
A Design Strategy for Chinatown 080916 The Prince’s Foundation for the Built Environment would like to thank all of the local stakeholders who attended the The Prince’s Foundation for the Built workshop for their time and expertise, Environment is an educational charity which which is crucial to the development exists to improve the quality of people’s lives by of the proposals contained in this teaching and practising timeless and ecological document. We would also like to thank ways of planning, designing and building. the following consultants who provided technical support to the Foundation We believe that if we can understand and apply during the workshop: Space Syntax, time-tested principles, building once more in WSP and The Feng Shui Agency. a sustainable way, we will reap improvements in public health, in livelier and safer streets and in a more affordable lifestyle for families The Prince’s Foundation for the Built Environment and individuals. The Prince’s Foundation for 19–22 Charlotte Road London EC2A 3SG, the Built Environment believes that building United Kingdom E [email protected] in a sustainable way will reap benefits for T +44 (0) 20 7613 8500 F +44 (0) 20 7613 8599 communities and result in neighbourhoods www.princes-foundation.org that accrue higher value over time. President: HRH The Prince of Wales. Registered Charity No. 1069969. A Company Limited by Guarantee No. 3579567. Registered in England at the listed address. VAT No. 839 8984 44. © The Prince’s Foundation for the Built Environment, 2008 Chinatown