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Les Peintures De Paysages De Johann Moritz Rugendas
Artl@s Bulletin Volume 5 Article 3 Issue 1 South-North-South 2016 Les peintures de paysages de Johann Moritz Rugendas : un exemple de transferts artistiques entre Europe et Amérique latine au XIXe siècle Lucile Magnin Université Blaise-Pascal, Clermont-Ferrand, [email protected] Follow this and additional works at: http://docs.lib.purdue.edu/artlas Part of the History of Art, Architecture, and Archaeology Commons, and the Latin American Languages and Societies Commons Recommended Citation Magnin, Lucile. "Les peintures de paysages de Johann Moritz Rugendas : un exemple de transferts artistiques entre Europe et Amérique latine au XIXe siècle." Artl@s Bulletin 5, no. 1 (2016): Article 3. This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. This is an Open Access journal. This means that it uses a funding model that does not charge readers or their institutions for access. Readers may freely read, download, copy, distribute, print, search, or link to the full texts of articles. This journal is covered under the CC BY-NC-ND license. South-North-South Les peintures de paysages de Johann Moritz Rugendas : un exemple de transferts artistiques entre Europe et Amérique latine au XIXe siècle Lucile Magnin * Université Blaise Pascal Clermont-Ferrand Abstract This article examines two series of landscapes paintings realized by the traveling painter Johann Moritz Rugendas in the 1830’s: a corpus of oil sketches painted during his trip in Mexico and another set of paintings created when he crossed the Andes between Santiago de Chile and Mendoza. -
Laurence Bergreen D D Rio De La Plata Rio De La Plata Cape of Good Hope,Cape of Good Hope, O O N N I I C C Mocha Is
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Grosvenor Prints CATALOGUE for the ABA FAIR 2008
Grosvenor Prints 19 Shelton Street Covent Garden London WC2H 9JN Tel: 020 7836 1979 Fax: 020 7379 6695 E-mail: [email protected] www.grosvenorprints.com Dealers in Antique Prints & Books CATALOGUE FOR THE ABA FAIR 2008 Arts 1 – 5 Books & Ephemera 6 – 119 Decorative 120 – 155 Dogs 156 – 161 Historical, Social & Political 162 – 166 London 167 – 209 Modern Etchings 210 – 226 Natural History 227 – 233 Naval & Military 234 – 269 Portraits 270 – 448 Satire 449 – 602 Science, Trades & Industry 603 – 640 Sports & Pastimes 641 – 660 Foreign Topography 661 – 814 UK Topography 805 - 846 Registered in England No. 1305630 Registered Office: 2, Castle Business Village, Station Road, Hampton, Middlesex. TW12 2BX. Rainbrook Ltd. Directors: N.C. Talbot. T.D.M. Rayment. C.E. Ellis. E&OE VAT No. 217 6907 49 GROSVENOR PRINTS Catalogue of new stock released in conjunction with the ABA Fair 2008. In shop from noon 3rd June, 2008 and at Olympia opening 5th June. Established by Nigel Talbot in 1976, we have built up the United Kingdom’s largest stock of prints from the 17th to early 20th centuries. Well known for our topographical views, portraits, sporting and decorative subjects, we pride ourselves on being able to cater for almost every taste, no matter how obscure. We hope you enjoy this catalogue put together for this years’ Antiquarian Book Fair. Our largest ever catalogue contains over 800 items, many rare, interesting and unique images. We have also been lucky to purchase a very large stock of theatrical prints from the Estate of Alec Clunes, a well known actor, dealer and collector from the 1950’s and 60’s. -
Download Our Battle of Medway Guide
Why did it start ? In the seventeenth century, intensive political and commercial rivalry between the English and the Dutch spilled over repeatedly into war. This was an age of empire. Both powers were determined to grow at the expense of the other and maintain access to the market for the foreign luxury goods that sold so well at home. Maritime security and control of the sea were absolutely paramount. The young Dutch nation had quickly developed with Europe’s most up-to-date fleet of merchant shipping. This enabled them to exploit their military presence in Asia and become a leading commercial power. In contrast, England’s capabilities in the early seventeenth century were in decline. Peace with Spain meant that the navy was run down and money saved. A shortage of available vessels meant that English traders used Dutch ships instead. In 1651 the English government put a stop to this practice and passed the first of a series of Navigation Acts, which stated that all goods bound for England had to be carried in English ships. The navy was encouraged to police the law by attacking and boarding all Dutch vessels. The first Anglo-Dutch War was the result. It lasted two years. An uneasy peace followed, broken by isolated clashes in West Africa and North America. In 1665, a second war began promisingly for the English, with victory at the Battle of Lowestoft. The following year, a controversial action known as ‘Holmes’s Bonfire’ raised the stakes considerably. A small English force under Rear Admiral Robert Holmes destroyed a large Dutch merchant fleet where it lay at anchor and then landed and burnt the town of West-Terschelling. -
Piracy, Illicit Trade, and the Construction of Commercial
Navigating the Atlantic World: Piracy, Illicit Trade, and the Construction of Commercial Networks, 1650-1791 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University by Jamie LeAnne Goodall, M.A. Graduate Program in History The Ohio State University 2016 Dissertation Committee: Margaret Newell, Advisor John Brooke David Staley Copyright by Jamie LeAnne Goodall 2016 Abstract This dissertation seeks to move pirates and their economic relationships from the social and legal margins of the Atlantic world to the center of it and integrate them into the broader history of early modern colonization and commerce. In doing so, I examine piracy and illicit activities such as smuggling and shipwrecking through a new lens. They act as a form of economic engagement that could not only be used by empires and colonies as tools of competitive international trade, but also as activities that served to fuel the developing Caribbean-Atlantic economy, in many ways allowing the plantation economy of several Caribbean-Atlantic islands to flourish. Ultimately, in places like Jamaica and Barbados, the success of the plantation economy would eventually displace the opportunistic market of piracy and related activities. Plantations rarely eradicated these economies of opportunity, though, as these islands still served as important commercial hubs: ports loaded, unloaded, and repaired ships, taverns attracted a variety of visitors, and shipwrecking became a regulated form of employment. In places like Tortuga and the Bahamas where agricultural production was not as successful, illicit activities managed to maintain a foothold much longer. -
Pick of the Churches
Pick of the Churches The East of England is famous for its superb collection of churches. They are one of the nation's great treasures. Introduction There are hundreds of churches in the region. Every village has one, some villages have two, and sometimes a lonely church in a field is the only indication that a village existed there at all. Many of these churches have foundations going right back to the dawn of Christianity, during the four centuries of Roman occupation from AD43. Each would claim to be the best - and indeed, all have one or many splendid and redeeming features, from ornate gilt encrusted screens to an ancient font. The history of England is accurately reflected in our churches - if only as a tantalising glimpse of the really creative years between the 1100's to the 1400's. From these years, come the four great features which are particularly associated with the region. - Round Towers - unique and distinctive, they evolved in the 11th C. due to the lack and supply of large local building stone. - Hammerbeam Roofs - wide, brave and ornate, and sometimes strewn with angels. Just lay on the floor and look up! - Flint Flushwork - beautiful patterns made by splitting flints to expose a hard, shiny surface, and then setting them in the wall. Often it is used to decorate towers, porches and parapets. - Seven Sacrament Fonts - ancient and splendid, with each panel illustrating in turn Baptism, Confirmation, Mass, Penance, Extreme Unction, Ordination and Matrimony. Bedfordshire Ampthill - tomb of Richard Nicholls (first governor of Long Island USA), including cannonball which killed him. -
Nooms, Called Zeeman, Reinier Also Known As Zeeman, Reinier Zeeman Seeman Nooms, Reinier Dutch, 1623 Or 1624 - 1664
National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS Dutch Paintings of the Seventeenth Century Nooms, called Zeeman, Reinier Also known as Zeeman, Reinier Zeeman Seeman Nooms, Reinier Dutch, 1623 or 1624 - 1664 BIOGRAPHY Reinier Nooms was a highly respected painter, draftsman, and internationally renowned graphic artist who specialized in maritime subjects during a period when the Dutch commercial empire spanned the globe. He was born in either 1623 or 1624, presumably in Amsterdam, to parents whose names are unknown.[1] Nooms probably received his artistic training in Amsterdam, but we do not know the name of his teacher. His earliest known work is a drawing dated 1643 made at the age of 19 or 20 that depicts the rear of Amsterdam’s Old City Hall (Hamburger Kunsthalle, Hamburg).[2] Nooms’s artistic speciality and the fact that he signed his paintings R. Zeeman or Reinier Zeeman (zeeman = sailor or seaman) make it virtually certain that he was both a professional sailor and an artist. Nooms drew on his intimate knowledge of ships to create images that are so accurate that settings, specific vessels, and the activities taking place in ports and aboard ships can be exactly identified. His paintings usually have a blue-gray tonality that he enlivened with a sensitive use of light and a restrained use of bright colors, including occasional touches of gold on his ships. White highlights animate his figures and activate the undulating surfaces of water. Nooms also preserved an overall clarity of form while subtly drawing the eye to a painting’s focal point. -
Performance Evaluation of the 19Th Century Clipper Ship Cutty Sark: a Comparative Study
Performance Evaluation of the 19th Century Clipper Ship Cutty Sark: A Comparative Study C. Tonry1, M. Patel1, C. Bailey1, W. Davies2, J. Harrap2, E. Kentley2, P. Mason2 1University of Greenwich, London, UK 2 Abstract The Cutty Sark, built in 1869 in Dumbarton, is the last intact composite tea clipper ship [1]. One of the last tea clippers built she took part in the tea races back from China. These races caught the public imagination of the day and were widely reported in newspapers [2]. They developed from a desire for 'fresh' tea and the first ship to return with the new season's tea could charge a higher price for the cargo. Clipper ships were built for speed rather than carrying capacity. The hull efficiency of the Cutty Sark and her contemporaries is currently unknown. However, with modern CFD techniques, virtual experiments can be performed to model the fluid flow past the hull and so based on the shear stress and the pressure over the surface of the hull to calculate the resistance. In order to compare the hull against other ships three other ships were selected. The Farquharson, an East Indiaman built in 1820 [3]; the Thermopylae, another composite clipper built in 1868 which famously raced the Cutty Sark in 1872 [1]; and finally the Erasmo a later Italian all-steel construction 4-masted barque built in 1903[4]. Fig. 1 shows images of these ships. As only one of these ships exists today, and she no longer sails, 3D geometries were constructed fromlines plans of the ships hulls. -
Hornblower's Ships
Names of Ships from the Hornblower Books. Introduction Hornblower’s biographer, C S Forester, wrote eleven books covering the most active and dramatic episodes of the life of his subject. In addition, he also wrote a Hornblower “Companion” and the so called three “lost” short stories. There were some years and activities in Hornblower’s life that were not written about before the biographer’s death and therefore not recorded. However, the books and stories that were published describe not only what Hornblower did and thought about his life and career but also mentioned in varying levels of detail the people and the ships that he encountered. Hornblower of course served on many ships but also fought with and against them, captured them, sank them or protected them besides just being aware of them. Of all the ships mentioned, a handful of them would have been highly significant for him. The Indefatigable was the ship on which Midshipman and then Acting Lieutenant Hornblower mostly learnt and developed his skills as a seaman and as a fighting man. This learning continued with his experiences on the Renown as a lieutenant. His first commands, apart from prizes taken, were on the Hotspur and the Atropos. Later as a full captain, he took the Lydia round the Horn to the Pacific coast of South America and his first and only captaincy of a ship of the line was on the Sutherland. He first flew his own flag on the Nonsuch and sailed to the Baltic on her. In later years his ships were smaller as befitted the nature of the tasks that fell to him. -
Cuban Rare Books in the Harold and Mary Jean Hanson Rare Books Collection
Cuban Rare Books in the Harold and Mary Jean Hanson Rare Books Collection This bibliography includes titles published in Cuba from early imprints to present. As we are constantly adding early and contemporary imprints, this list should not be taken as a comprehensive list. Please consult with George A. Smathers Libraries online catalog to be sure newly acquired books are included. It is our intent to update this list quarterly when new books and materials are purchased. The list is not in any order. You will need to use your browser's Find function to locate particular items. Eventually, these titles will receive full cataloging and a Library of Congress classification number. You need to check the online catalog for the correct call number. If you have any questions, please contact the Latin American Collection. Author: Asociación de Dependientes del Comercio de la Habana Title: Memoria de los trabajos llevados a cabo por la Directiva durante al año de 1893 a 1894 y 2o semestre del año de 1894: aprobada por la Directiva en sesión extraordinaria de 19 de enero de 1895 Asociación de Dependientes del Comercio de la Habana. Published: Habana: P. Fernández y Cía., 1895. Description: 46 p., [4] fold. leaves of plates : ill.; 23 cm. Notes The illustrations consist of tables recording statistical specifics of the association's activities. Location: UF SMATHERS, Special Coll Rare Books (Non-Circulating) -- HV160.H3A75 1895 Title: Barquitos del San Juan : la revista de los niños. Published: Matanzas, Cuba: Ediciones Vigía, [199-] Description: v.: ill. (some col.) ; 20-29 cm. Frequency: Irregular Alternate title: Revista de los niños Notes: Each no. -
Multi Touch Tactical Table MT3
Multi Touch Tactical Table MT3 NEXEYA DESIGNS, DEVELOPS, REALIZES AND MAINTAINS EMBEDDED SYSTEMS ON BOARD FRIGATES, SUBMARINES, PROJECTION AND PATROL VESSELS. NEXEYA created in 2012 the MT3 / VTS system (Virtual Trajectory System) for the French Navy, as part of a improvement of its Operational Centre tactical plotter systems. CONTEXT At the French Navy request, NEXEYA developed and installed on board ships, escort vessels and surveillance class frigates, a light and automated system, which allows to display in real time air and surface tracking and tactical situa- tion evolutions on ENC cartographic background (SITAC – LYNCEA). BENEFITS − Recover, display and improve locally the tactical situation assessment − Show the evolution of the tactical situation − Display of multiple large areas − Visualization of the future tactical situation − Navigation and decision help tools − Anti-collision and intrusion zone monitoring and warnings − Firing and safety pattern − Modern touchscreen HMI − Large panel of cartographic resources (multi-format, coastal, seabed,…) − Digital archiving for the delayed replay or feedbacks This tactical situation can displayed in different location within the ship using a remote display control system. ARCHITECTURE The system architecture is built on a digital plotter ensuring functions: − Receiving data from various local and external tactical situation broad- casted, − Complete the local tactical situation, − Real-time tactical situation display, − Tablet-type touchscreen HMI, − Deport display capability. If the -
Britain and the Dutch Revolt 1560–1700 Hugh Dunthorne Frontmatter More Information
Cambridge University Press 978-0-521-83747-7 - Britain and the Dutch Revolt 1560–1700 Hugh Dunthorne Frontmatter More information Britain and the Dutch Revolt 1560–1700 England’s response to the Revolt of the Netherlands (1568–1648) has been studied hitherto mainly in terms of government policy, yet the Dutch struggle with Habsburg Spain affected a much wider commu- nity than just the English political elite. It attracted attention across Britain and drew not just statesmen and diplomats but also soldiers, merchants, religious refugees, journalists, travellers and students into the confl ict. Hugh Dunthorne draws on pamphlet literature to reveal how British contemporaries viewed the progress of their near neigh- bours’ rebellion, and assesses the lasting impact which the Revolt and the rise of the Dutch Republic had on Britain’s domestic history. The book explores affi nities between the Dutch Revolt and the British civil wars of the seventeenth century – the fi rst major challenges to royal authority in modern times – showing how much Britain’s chang- ing commercial, religious and political culture owed to the country’s involvement with events across the North Sea. HUGH DUNTHORNE specializes in the history of the early modern period, the Dutch revolt and the Dutch republic and empire, the his- tory of war, and the Enlightenment. He was formerly Senior Lecturer in History at Swansea University, and his previous publications include The Enlightenment (1991) and The Historical Imagination in Nineteenth-Century Britain and the Low Countries