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Thomas E. Wolfe: Valuing the Life and Work of an Appalachian Regionalist Artist Within His Community
THOMAS E. WOLFE: VALUING THE LIFE AND WORK OF AN APPALACHIAN REGIONALIST ARTIST WITHIN HIS COMMUNITY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Susannah L. Van Horn, M.A. Graduate Program in Art Education The Ohio State University 2012 Dissertation Committee: Dr. James Sanders, Advisor Dr. Christine Ballengee Morris Dr. Sydney Walker Copyright by Susannah L. Van Horn, M.A. 2012 Abstract The purpose of my research is to offer insight into the life and work of Thomas E. Wolfe, who exhibits self-determination both as an artist and as an art educator in an Appalachian region of Southeastern Ohio. By presenting Wolfe’s life story, I make connections to the influences of culture, social experiences, regional identity, and family traditions that play to his development as an artist and art educator. My research questions focused on how he perceives himself, how others perceive his presence in the community, how his artwork is valued by his community and how his teaching practices helped develop a greater sense of community. Specifically, I was interested in which historical moments and events in his life that were important to him in recollecting his life story. In my narrative analysis of Wolfe’s life stories collected through oral history from Wolfe and 26 of his friends, family members, former students and community members, I considered selectivity, slippage, silence, intertextuality, and subjectivity to analyze his life story (Casey, 1993; Casey 1995-1996). Thomas Eugene Wolfe began making art as a child and evolved into an accomplished artist. -
A.C. Ohmoto-Frederick Dissertation
The Pennsylvania State University The Graduate School College of the Liberal Arts GLIMPSING LIMINALITY AND THE POETICS OF FAITH: ETHICS AND THE FANTASTIC SPIRIT A Dissertation in Comparative Literature by Ayumi Clara Ohmoto-Frederick © 2009 Ayumi Clara Ohmoto-Frederick Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2009 v The dissertation of Ayumi Clara Ohmoto-Frederick was reviewed and approved* by the following: Thomas O. Beebee Distinguished Professor of Comparative Literature and German Dissertation Advisor Chair of Committee Reiko Tachibana Associate Professor of Comparative Literature and Japanese Véronique M. Fóti Professor of Philosophy Monique Yaari Associate Professor of French Caroline D. Eckhardt Professor of Comparative Literature and English Head of the Department of Comparative Literature *Signatures are on file in the Graduate School iii Abstract This study expands the concept of reframing memory through reconciliation and revision by tracing the genealogy of a liminal supernatural entity (what I term the fantastic spirit and hereafter denote as FS) through works including Ovid’s Narcissus and Echo (AD 8), Dante Alighieri’s Vita Nuova (1292-1300), Yokomitsu Riichi’s Haru wa Basha ni notte (1915), Miyazawa Kenji’s Ginga tetsudo no yoru (1934), and James Joyce’s The Dead (1914). This comparative analysis differentiates, synthesizes, and advances upon conventional conceptions of the fantastic spirit narrative. What emerges is an understanding of how fantastic spirit narratives have developed and how their changes reflect conceptions of identity, alterity, and spirituality. Whether the afterlife is imagined as spatial relocation, transformation of consciousness, transformation of body, or hallucination, the role of the fantastic spirit is delineated by the degree to which it elicits a more profound relationship between the Self and Other. -
Naoki Sakai, Translation and Subjectivity
Translation and Subjectivity PUBLIC WORLDS Edited by Ben Lee and Dilip Gaonkar VOLUME 3 Naoki Sakai, Translation and Subjectivity-. On "Japan" and Cultural Nationalism VOLUME 2 Ackbar Abbas, Hontj Kont): Culture and the Politics of Disappearance VOLUME 1 Arjun Appadurai, Modernity at Large: Cultural Dimensions oj Globalization N A O K I S A K A I Translation and Subjectivity On "Japan" and Cultural Nationalism Foreword by Me a g h a n Morris PUBLIC WORLDS, VOLUME 3 UNIVERSITY OF MINNESOTA PRESS MINNEAPOLIS LONDON Copyright 1997 by the Regents of the University of Minnesota Chapter 1 first appeared in Japanese translation in Gendai Sbisd, no. 859 (January 1996): 250-78,- reprinted with acknowledgment of Iwanami Shoten and by permission of the author. Chapter 2 first appeared in Shakai Katjaku no Hobo, vol. 3 (Tokyo: Iwanami Shoten, 1993), pp. 1—37; reprinted with acknowledgment of Iwanami Shoten and by permission of the author. Chapter 3 first appeared in boundary 2, vol. 18, no. 3 (fall 1991): 157-90, and in Japanese translation in Sbisd, no. 797 (November 1990): 102-36; reprinted by permission of Duke University Press and with acknowledgment of Iwanami Shoten and the author. Chapter 4 first appeared in Discours social/Social Discourse, vol. 6, nos. 1-2 (1994): 89-114, and in Japanese translation in JokydK, vol. 3, no. 10 (December 1992): 82—117; reprinted with acknowledgment of Jokyo Publishers, Tokyo, and by permission of the author. Chapter 5 first appeared in South Atlantic Quarterly, vol. 87, no. 3 (summer 1988): 475-504, and in Japanese translation in Gendai Shisd, vol. -
Using Te Reo Māori and Ta Re Moriori in Taxonomy
VealeNew Zealand et al.: Te Journal reo Ma- oriof Ecologyin taxonomy (2019) 43(3): 3388 © 2019 New Zealand Ecological Society. 1 REVIEW Using te reo Māori and ta re Moriori in taxonomy Andrew J. Veale1,2* , Peter de Lange1 , Thomas R. Buckley2,3 , Mana Cracknell4, Holden Hohaia2, Katharina Parry5 , Kamera Raharaha-Nehemia6, Kiri Reihana2 , Dave Seldon2,3 , Katarina Tawiri2 and Leilani Walker7 1Unitec Institute of Technology, 139 Carrington Road, Mt Albert, Auckland 1025, New Zealand 2Manaaki Whenua - Landcare Research, 231 Morrin Road, St Johns, Auckland 1072, New Zealand 3School of Biological Sciences, University of Auckland, 3A Symonds St, Auckland CBD, Auckland 1010, New Zealand 4Rongomaiwhenua-Moriori, Kaiangaroa, Chatham Island, New Zealand 5Massey University, Private Bag 11222 Palmerston North, 4442, New Zealand 6Ngāti Kuri, Otaipango, Ngataki, Te Aupouri, Northland, New Zealand 7Auckland University of Technology, 55 Wellesley St E, Auckland CBS, Auckland 1010, New Zealand *Author for correspondence (Email: [email protected]) Published online: 28 November 2019 Auheke: Ko ngā ingoa Linnaean ka noho hei pou mō te pārongo e pā ana ki ngā momo koiora. He mea nui rawa kia mārama, kia ahurei hoki ngā ingoa pūnaha whakarōpū. Me pēnei kia taea ai te whakawhitiwhiti kōrero ā-pūtaiao nei. Nā tēnā kua āta whakatakotohia ētahi ture, tohu ārahi hoki hei whakahaere i ngā whakamārama pūnaha whakarōpū. Kua whakamanahia ēnei kia noho hei tikanga mō te ao pūnaha whakarōpū. Heoi, arā noa atu ngā hua o te tukanga waihanga ingoa Linnaean mō ngā momo koiora i tua atu i te tautohu noa i ngā momo koiora. Ko tētahi o aua hua ko te whakarau: (1) i te mātauranga o ngā iwi takatake, (2) i te kōrero rānei mai i te iwi o te rohe, (3) i ngā kōrero pūrākau rānei mō te wāhi whenua. -
Why Mammals Are Called Mammals: Gender Politics in Eighteenth-Century Natural History Author(S): Londa Schiebinger Source: the American Historical Review, Vol
Why Mammals are Called Mammals: Gender Politics in Eighteenth-Century Natural History Author(s): Londa Schiebinger Source: The American Historical Review, Vol. 98, No. 2 (Apr., 1993), pp. 382-411 Published by: American Historical Association Stable URL: http://www.jstor.org/stable/2166840 Accessed: 22/01/2010 10:27 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=aha. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. American Historical Association is collaborating with JSTOR to digitize, preserve and extend access to The American Historical Review. http://www.jstor.org Why Mammals Are Called Mammals: Gender Politics in Eighteenth-Century Natural History LONDA SCHIEBINGER IN 1758, IN THE TENTH EDITION OF HIS Systema naturae, Carolus Linnaeus introduced the term Mammaliainto zoological taxonomy. -
The Pennsylvania State University the Graduate School
The Pennsylvania State University The Graduate School College of Arts and Architecture PLANTAE, ANIMALIA, FUNGI: TRANSFORMATIONS OF NATURAL HISTORY IN CONTEMPORARY AMERICAN ART A Dissertation in Art History by Alissa Walls Mazow © 2009 Alissa Walls Mazow Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2009 The Dissertation of Alissa Walls Mazow was reviewed and approved* by the following: Sarah K. Rich Associate Professor of Art History Dissertation Adviser Chair of Committee Brian A. Curran Associate Professor of Art History Richard M. Doyle Professor of English, Science, Technology and Society, and Information Science and Technology Nancy Locke Associate Professor of Art History Craig Zabel Associate Professor of Art History Head of the Department of Art History *Signatures are on file in the Graduate School. ii Abstract This dissertation examines the ways that five contemporary artists—Mark Dion (b. 1961), Fred Tomaselli (b. 1956), Walton Ford (b. 1960), Roxy Paine (b. 1966) and Cy Twombly (b. 1928)—have adopted the visual traditions and theoretical formulations of historical natural history to explore longstanding relationships between “nature” and “culture” and begin new dialogues about emerging paradigms, wherein plants, animals and fungi engage in ecologically-conscious dialogues. Using motifs such as curiosity cabinets and systems of taxonomy, these artists demonstrate a growing interest in the paradigms of natural history. For these practitioners natural history operates within the realm of history, memory and mythology, inspiring them to make works that examine a scientific paradigm long thought to be obsolete. This study, which itself takes on the form of a curiosity cabinet, identifies three points of consonance among these artists. -
History of Taxonomy
History of Taxonomy The history of taxonomy dates back to the origin of human language. Western scientific taxonomy started in Greek some hundred years BC and are here divided into prelinnaean and postlinnaean. The most important works are cited and the progress of taxonomy (with the focus on botanical taxonomy) are described up to the era of the Swedish botanist Carl Linnaeus, who founded modern taxonomy. The development after Linnaeus is characterized by a taxonomy that increasingly have come to reflect the paradigm of evolution. The used characters have extended from morphological to molecular. Nomenclatural rules have developed strongly during the 19th and 20th century, and during the last decade traditional nomenclature has been challenged by advocates of the Phylocode. Mariette Manktelow Dept of Systematic Biology Evolutionary Biology Centre Uppsala University Norbyv. 18D SE-752 36 Uppsala E-mail: [email protected] 1. Pre-Linnaean taxonomy 1.1. Earliest taxonomy Taxonomy is as old as the language skill of mankind. It has always been essential to know the names of edible as well as poisonous plants in order to communicate acquired experiences to other members of the family and the tribe. Since my profession is that of a systematic botanist, I will focus my lecture on botanical taxonomy. A taxonomist should be aware of that apart from scientific taxonomy there is and has always been folk taxonomy, which is of great importance in, for example, ethnobiological studies. When we speak about ancient taxonomy we usually mean the history in the Western world, starting with Romans and Greek. However, the earliest traces are not from the West, but from the East. -
The Word Hawk by Bob Johnson
The Word Hawk by Bob Johnson His intellect was keen and penetrating was Carl (Carolus in Latin), which meant Let Us Now Laud but his greatest characteristic was his ability to that his sons would all bear the name reason methodically: Carlsson. Instead, Linnaeus’s father, Nils, Linnaeus Whatever he said or did was methodical and decided to name himself after a specimen systematical. linden tree (a linn in Old Swedish) that he —Johan Christian Fabricius, admired on his family’s land, making him student of Linnaeus, writing in 1805 Nils Linné. Thus, the newborn Carl, Nil’s son (Nilsson), became Carl Linné, which With the tercentenary observance of the was Latinized in his scholarly publications birth of Linnaeus,1 it seemed fitting to to Carolus Linnaeus. His name is now uni- dedicate a few column inches to him, versally recognized in taxonomies simply as the system of scientific nomenclature he Linnaeus and is represented by “L.” (note invented (or at least popularized), and a the period) after a genus or species to indi- bit about the Latin and greek words it cate that it was he who first described the employs. type species under discussion. Perhaps my interest in Linnaeus was also Although Linnaeus’s Systema Naturae was whetted after I learned of a recent tempest authoritative during the first 100 years or in a taxonomic teapot on Barbados. Some so after its promulgation, the codes for zoo- residents of that Lesser Antilles island logic and botanic nomenclature are today rose up in high dudgeon after Penn State maintained and regulated by two principal biologist S Blair Hedges “discovered” and scientific organizations—the International named the world’s smallest known snake, Commission on Zoological Nomenclature the 4-inch–long Leptotyphlops carlae, after (ICZN) and the International Code of his wife, Carla.2,3 Botanical Nomenclature (ICBN), respec- Some background: By tradition and tively. -
Linnaean Taxonomy and Globalized Law Ronald J
Michigan Law Review Volume 115 | Issue 6 2017 Linnaean Taxonomy and Globalized Law Ronald J. Krotoszynski Jr. University of Alabama School of Law Follow this and additional works at: http://repository.law.umich.edu/mlr Part of the Comparative and Foreign Law Commons, Constitutional Law Commons, Judges Commons, and the Supreme Court of the United States Commons Recommended Citation Ronald J. Krotoszynski Jr., Linnaean Taxonomy and Globalized Law, 115 Mich. L. Rev. 865 (2017). Available at: http://repository.law.umich.edu/mlr/vol115/iss6/6 This Review is brought to you for free and open access by the Michigan Law Review at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Law Review by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. LINNAEAN TAXONOMY AND GLOBALIZED LAW Ronald J. Krotoszynski, Jr.* The Court and the World: American Law and the New Global Realities. By Stephen Breyer. New York: Andrew A. Knopf. 2015. Pp. 8, 284. $27.95. Introduction In the mid–seventeen hundreds, Carl Linnaeus, the famed Swedish bot- anist, invented the system of binomial nomenclature to identify and classify all living organisms.1 Binomial nomenclature involves associating all living things, plants and animals alike, with a name that indicates the genus and species of the organism.2 Linnaeus believed, correctly, that in order to un- derstand the natural world, one first had to organize and classify living -
Beyond Philology
BEYOND PHILOLOGY AN INTERNATIONAL JOURNAL OF LINGUISTICS, LITERARY STUDIES AND ENGLISH LANGUAGE TEACHING 15/1 WYDAWNICTWO UNIWERSYTETU GDAŃSKIEGO GDAŃSK 2018 EDITOR-IN-CHIEF Danuta Stanulewicz SECTION EDITORS Olga Sokołowska (Linguistics) Ludmiła Gruszewska-Blaim (Literary Studies, Culture) Wojciech Kubiński (Translation) Magdalena Wawrzyniak-Śliwska (Language Acquisition, Academic Teaching, Education) Jadwiga Węgrodzka (Reviews, Reports, Interviews) ASSISTANT EDITORS Maria Fengler Marcin Fortuna Michał Golubiewski Ewelina Gutowska-Kozielska Karolina Janczukowicz Joanna Redzimska Małgorzata Smentek PROOFREADERS Martin Blaszk Sarah Flamminio Jean Ward Tadeusz Z. Wolański The Editors and Proofreaders are all affiliated with the Institute of English and American Studies, University of Gdańsk, Poland. COVER DESIGN Andrzej Taranek ISSN 1732-1220 eISSN 2451-1498 © Copyright by Uniwersytet Gdański Wydawnictwo Uniwersytetu Gdańskiego Contact address Institute of English and American Studies University of Gdańsk ul. Wita Stwosza 51 80-308 Gdańsk Poland Phone: (+48) 58 523 30 49, (+48) 58 523 30 50 Email: [email protected] ASSOCIATE EDITORIAL BOARD Marta Bogdanowicz (University of Gdańsk, Poland) Joanna Burzyńska-Sylwestrzak (Uczelnia Lingwistyczno-Techniczna, Świecie, Poland) Ewa Dąbrowska (Northumbria University, Newcastle, U.K.) Desmond Graham (University of Newcastle, U.K.) Zoltán Kövecses (Eötvös Loránd University, Budapest, Hungary) Ronald W. Langacker (University of California at San Diego, U.S.A.) Barbara Lewandowska-Tomaszczyk -
Annual Institutional Profile Report
Annual Institutional Profile Report Fall 2018 September, 2018 Annual Institutional Profile of Montclair State University, 2018 PREFACE Founded as the New Jersey State Normal School at Montclair in 1908, Montclair State University today is a preeminent center of research, education and scholarship. The University offers a broad array of undergraduate and graduate programs in the liberal arts and sciences, as well as in the professional fields of business, the arts and education. Substantial growth in research activity and doctoral-level education has earned Montclair State designation by the State of New Jersey as a public research university, and by the Carnegie Classification of Institutions of Higher Education as a national research doctoral university. Montclair State is currently in a period of significant growth and development with an enrollment of 21,000 students, new programs, new faculty and expanding physical facilities. Recent accomplishments include the opening of a new Center for Computing and Information Science, the founding of the new University College, the opening and expansion of the School of Nursing, and construction of state-of-the-art learning and research facilities for students in the Feliciano School of Business, College of Science and Mathematics, The Graduate School, School of Nursing, and School of Communication and Media. The University received the largest philanthropic gift in its history — $20 million to support the Feliciano School of Business — and met the Federal criteria for recognition as an Hispanic-Serving Institution. These activities are evidence of the University’s commitment to steadily adapting and evolving to serve the educational needs of New Jersey, grounded in a mission of academic excellence and service. -
Raoul Hausmann and Berlin Dada Studies in the Fine Arts: the Avant-Garde, No
NUNC COCNOSCO EX PARTE THOMAS J BATA LIBRARY TRENT UNIVERSITY Digitized by the Internet Archive in 2019 with funding from Kahle/Austin Foundation https://archive.org/details/raoulhausmannberOOOObens Raoul Hausmann and Berlin Dada Studies in the Fine Arts: The Avant-Garde, No. 55 Stephen C. Foster, Series Editor Associate Professor of Art History University of Iowa Other Titles in This Series No. 47 Artwords: Discourse on the 60s and 70s Jeanne Siegel No. 48 Dadaj Dimensions Stephen C. Foster, ed. No. 49 Arthur Dove: Nature as Symbol Sherrye Cohn No. 50 The New Generation and Artistic Modernism in the Ukraine Myroslava M. Mudrak No. 51 Gypsies and Other Bohemians: The Myth of the Artist in Nineteenth- Century France Marilyn R. Brown No. 52 Emil Nolde and German Expressionism: A Prophet in His Own Land William S. Bradley No. 53 The Skyscraper in American Art, 1890-1931 Merrill Schleier No. 54 Andy Warhol’s Art and Films Patrick S. Smith Raoul Hausmann and Berlin Dada by Timothy O. Benson T TA /f T Research U'lVlT Press Ann Arbor, Michigan \ u » V-*** \ C\ Xv»;s 7 ; Copyright © 1987, 1986 Timothy O. Benson All rights reserved Produced and distributed by UMI Research Press an imprint of University Microfilms, Inc. Ann Arbor, Michigan 48106 Library of Congress Cataloging in Publication Data Benson, Timothy O., 1950- Raoul Hausmann and Berlin Dada. (Studies in the fine arts. The Avant-garde ; no. 55) Revision of author’s thesis (Ph D.)— University of Iowa, 1985. Bibliography: p. Includes index. I. Hausmann, Raoul, 1886-1971—Aesthetics. 2. Hausmann, Raoul, 1886-1971—Political and social views.