Van Morrison
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Rough Draft of Essay Due: Nov 8 Second Draft Due: Dec 13 Third Draft Due: Jan 17
Week 6 Notes – 25 Oct 2017 A. Freewriting: 5 mins Think about what you’ve heard, tasted, smelled, seen, and touched today before this class. Write down as many of these images as you can, the best way you can, in the English words you know. Don’t worry about making proper sentences or following standard grammar. Imagine you are trying to make someone else feel exactly the way you felt, and write the words that you think will do that. B. Share models - grps of 3. Describe the essay you brought to share. Why do you like it? Do you plan on “stealing” any formal elements from it for your own essay? Which ones? C. Peer review of proposals - groups of 3 - Read your classmate’s proposal. - Write your name. Underneath, write: 1. one question you’d like to ask them about their essay 2. one suggestion/idea you have which might help them as they continue writing Discuss in groups. Schedule for your essay project: Rough draft of essay due: Nov 8 Second draft due: Dec 13 Third draft due: Jan 17 HW for next week (31 Oct 2017): Listening/Reading: This week I’d like to focus on a different genre of essay: a music review. I’d like you to read Lester Bangs’ review of the Van Morrison album Astral Weeks. It’s one of the most famous album reviews ever written, probably because it’s very passionate, subjective, and personal—qualities we don’t usually associate with art criticism. Before you read the review, you should listen to the Van Morrison album, which many people consider to be one of the greatest rock/pop albums of all time. -
Am Sonntagmorgen Im Deutschlandfunk
Am Sonntagmorgen im Deutschlandfunk Pfarrer Stephan Krebs aus Darmstadt Grob oder großartig? Van Morrison über Gott und das Leben 30.08.2020 Er sattelt sein Pferd und reitet aus. „When rough God goes riding“ – das ist der Titel eines Songs von Van Morrison. Der Sänger aus Nordirland wird morgen 75 Jahre alt. Ein passender Anlass, sich mit ihm zu beschäftigen. Zumal er sich in seinen Songs immer wieder auf die Suche nach Gott begibt. „When rough God goes riding“ – wenn der raue Gott ausreitet. Bei diesem Satz entsteht in mir ein Bild: Ein Herrscher hoch zu Ross, vor dem sich alle fürchten. Erst recht, wenn er schlecht gelaunt ist. Wehe denen, die sein mürrischer Blick dann trifft! Gott als düsterer Herrscher, der rücksichtslos über Lebenswege hinwegtrampelt, Menschen, die seine Launen zu fürchten haben. Eine bittere und überwunden geglaubte Vorstellung. Doch sie könnte gerade jetzt vielen bekannt vorkommen, im Gewand der Schicksalsmacht Corona. Aller- dings kennt das Schicksal noch viele andere Wege, Menschen aus der Bahn zu werfen. Das alles hat auch mit Gott zu tun, sofern man in Gott die allbestimmende Kraft des Lebens sieht. Dann zeigt sich in der harten Hand des Schicksals die dunkle Seite Gottes, die Kehrseite seiner Liebe. Sie lehrt die Menschen das Fürchten und das Bescheidensein. Davon ist der Song von Van Morri- son geprägt. Der Sänger hat dabei aber noch etwas anderes im Blick: Ein Gedicht aus seiner Heimat in Nordirland. Geschrieben hast es William Butler Yeats, der irische Nationaldichter, vor 100 Jahren. Darin schlägt Yeats einen großen Bogen vom Schrecken des Ersten Weltkrieges über die bösen Vorahnungen auf den Nationalsozialismus bis hin zum Elend seines armen und geknech- teten Landes. -
Astral Weeks? – It’S Not Just Me, …
ASTRAL WEEKS? – IT’S NOT JUST ME, … THE RECORDING Van: “The entire LP was recorded in two eight-hour sessions, plus two overdub sessions. That was the whole album.” (Yorke p.51). Astral Weeks was recorded in just two sessions (48 hours) at Century Sound Studios, on West 52nd Street in New York (25 September & 15 October 1968), using NY session (jazz) musicians: Richard Davis (bass), Connie Kay (drums) from the Modern Jazz Quartet, Warren Smith Jr. (percussionist/vibraphone), John Payne (flute/soprano saxophone), and Jay Berliner (guitar), chosen by Lew Merenstein (Producer) in consultation with Richard Davis (bassist). “Merenstein received a call from Warner Bros: ‘We’ve signed Van Morrison, go up to Boston, see what he’s got’. … Morrison played Merenstein his song Astral Weeks: ‘Thirty seconds into it my whole being was vibrating … I had to be the producer to do it. Not that producer, not that producer, regardless of their accomplishments. It had to be Richard (Davis), not that bass player, I don’t want to sound existential, but there was Van, and that was it; there was no band, there were no arrangements, the direction was him singing and playing – that was where I followed. That’s why it came out like it did. To this day, it gives me pain to hear it; pain is the wrong word – I’m so moved by it.” (Marcus p.52-8). Lew Merenstein (Producer): “The musical energy of Astral Weeks came from the great players. That was the jazz background that I had, and that I brought in to it. -
Venturing in the Slipstream
VENTURING IN THE SLIPSTREAM THE PLACES OF VAN MORRISON’S SONGWRITING Geoff Munns BA, MLitt, MEd (hons), PhD (University of New England) A thesis submitted for the degree of Doctor of Philosophy of Western Sydney University, October 2019. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................. Geoff Munns ii Abstract This thesis explores the use of place in Van Morrison’s songwriting. The central argument is that he employs place in many of his songs at lyrical and musical levels, and that this use of place as a poetic and aural device both defines and distinguishes his work. This argument is widely supported by Van Morrison scholars and critics. The main research question is: What are the ways that Van Morrison employs the concept of place to explore the wider themes of his writing across his career from 1965 onwards? This question was reached from a critical analysis of Van Morrison’s songs and recordings. A position was taken up in the study that the songwriter’s lyrics might be closely read and appreciated as song texts, and this reading could offer important insights into the scope of his life and work as a songwriter. The analysis is best described as an analytical and interpretive approach, involving a simultaneous reading and listening to each song and examining them as speech acts. -
Georgie Fame
Georgie Fame Born on 26th June 1943 in the industrial town of Leigh, Lancashire, his interest in music grew from family entertainment “sessions” at home and musical evenings in the church hall across the street, where his father played in an amateur dance band. Although he took piano lessons for a short time at the age of seven, it wasn’t until the advent of rock’n’roll on radio during the mid-fifties that young Georgie began to take the family piano seriously. Fats Domino, Jerry Lee Lewis and Little Richard were among his catalysts. Upon leaving school, shortly after his fifteenth birthday, he followed the family tradition and took a job as an apprentice cotton weaver in one of the many local mills. Leisure time, however, was spent playing piano in various pubs and with a local group, “The Dominoes”. In July 1959, at a summer holiday camp, Georgie was spotted by Rory Blackwell, the resident rock’n’roll bandleader, who offered the young singer/pianist a full time job. Goodbye, weaving shed. Rory and the Blackjacks departed for London, their hometown, when the summer season ended prematurely and Georgie went with them. The promised glamorous work did not materialise and the band broke up, but the determined young man from Leigh eventually took up a solo residency at The Essex Arms pub in London’s Dockland, where the kindly landlord provided a room to sleep in. In October of that year, the Marty Wilde Show was performing at the Lewisham Gaumont and Rory Blackwell arranged for Georgie to audition “live” for impressario Larry Parnes. -
Phil's Picks - Greatest Albums of All Times
Phil's Picks - Greatest Albums of All Times Forever Changes, Love Village Green Preservation Society, The Kinks Da Capo, Love Rockers motion picture soundtrack Four Sale, Love On the Beach, Neil Young Catch the Wind, Donovan Neil Young, Neil Young Revolver, Beatles After the Gold Rush, Neil Young Rubber Soul, Beatles Covers Record, Cat Power Magical Mystery Tour, Beatles You Are Free, Cat Power Terry Reid, Terry Reid Doolittle, Pixies Laughing Stock, Talk Talk Roman Candle, Elliot Smith Last Laugh, The Brigade The Notorious Byrd Brothers, The Byrds Rosemary Lane, Bert Jansch Fifth Dimension, The Byrds Moonshine, Bert Jansch Songs, Leonard Cohen Nicola/Birthday Blues, Bert Jansch Desire, Bob Dylan Happy Sad, Tim Buckley I Just Can’t Stop It, The English Beat Dream Letter, Tim Buckley Axis: Bold as Love, Jimi Hendrix Five Leaves Left, Nick Drake Tea for the Tillerman, Cat Stevens Bryter Layter, Nick Drake Talking Heads ’77, Talking Heads Pink Moon, Nick Drake Who’s Next? The Who Astral Weeks, Van Morrison English Settlement, XTC Veedon Fleece, Van Morrison Birds of My Neighborhood, Innocence Mission Vaersgo, Kim Larsen We Walked in Song, Innocence Mission The Doors, The Doors Renaissance, The Association Strange Days, The Doors One Nation Underground, Pearls Before Swine The Boy with the Arab Strap, Belle and Sebastian I Retur, Turid . -
Popular Music Stuart Bailie a Troubles Archive Essay
popular music A Troubles Archive Essay Stuart Bailie Cover Image: Victor Sloan - Market Street, Derry From the collection of the Arts Council of Northern Ireland About the Author Stuart Bailie was on the staff of the NME (New Musical Express) from 1988 to 1996, rising to Assistant Editor in his last three years there. Since then, he has worked as a freelance journalist for Mojo, Uncut, Q, The Times, The Sunday Times and Hot Press. He has written sleevenotes for U2 and wrote the authorised story of Thin Lizzy, The Ballad Of The Thin Man in 1997. He has been presenting a BBC Radio Ulster show each Friday evening since 1999. He has been Associate Producer of several BBC TV music programmes, including the story of Ulster rock and pop: ‘So Hard To Beat’ in 2007. He has also been the scriptwriter / researcher for a series of BBC Radio 2 documentaries on U2, Thin Lizzy and Elvis Costello. Stuart is now CEO of Oh Yeah, a dedicated music centre in Belfast. Popular Music In September 1968 Van Morrison was in NewYork, recording a series of songs about life back in Belfast. This was his Astral Weeks album, one of his most important works. It was also a vivid snapshot of Northern Ireland just before the climate changed dramatically with the outbreak of the Troubles. In Morrison’s sentimental picture, there were youthful voices, parties and high-spirits; flamboyant figures such as Madame George cruised the streets of Belfast as the post-war generation challenged social conventions. The hippy ideals were already receding in America, but Belfast had experienced a belated Summer of Love and a blossoming social life. -
Album Title ) 01
2005/08/27 ( ALBUM TITLE ) 01. Real Real Gone / Van Morrison Enlightenment 02. Shakin'All Over/Gloria / Van Morrison & John Lee Hooker A Night In San Francisco 03. Outskirts of Town/Don't You Rock Me Daddio / The Skiffle Sessions Van Morrison, Lonnie Donegan, Chris Barber 04. Your Mind Is On Vacation / Van Morrison with Georgie Fame & Friends How Long Has This Been Going On 05. Early In The Morning / Van Morrison with Georgie Fame & Friends How Long Has This Been Going On 06. Into The Mystic / Van Morrison It's Too Late To Stop Now 07. I've Been Working / Van Morrison It's Too Late To Stop Now 08. Rave On John Donne/Rave On Part 2 / Van Morrison Live At The Grand Opera House Belfast 09. Sweet Thing / Van Morrison Astral Weeks 10. Redwood Tree / Van Morrison Saint Dominic's Preview 11. When Will I Ever Learn To Live In God / Van Morrison Avalon Sunset 12. Shenandoah / Chieftains withVan Morrison The Wide World Over 13. Some Peace of Mind / Van Morrison Hymns To The Silence 14. Keep Mediocrity At Bay / Van Morrison Magic Time 15. The Lion This Time / Van Morrison Magic Time 2005/08/20 ( ALBUM TITLE ) 01. Ponte Duro / Fania Allstars Fania All Stars Live At The Cheetah 02. Cold Turkey / John Lennon/Yoko Ono Sometime In New York City 03. Compared To What / Les McCann & Eddie Harris Swiss Movement 04. Rebel Music (3 O'Clock Road Block) / Bob Marley & The Wailers Live At The Quiet Knight Club June 10th,1975 05. Boys From The County Hell / Pogues The Ultimate Collection Aretha Franklin & King Curtis Live At 06. -
Dave Hartl's 2013 Top Ten (Or So) Most Influential Albums
Dave Hartl’s 2013 Top Ten (or so) Most Influential Albums (This year, these are in no particular order, so I made them alphabetical by artist) 1.) Miles Davis Quintet: Live in Europe 1969: The Bootleg Series Vol 2 Columbia Legacy keeps raiding its vaults for unreleased gems by established artists, and this one is one of the best. Europe always appreciated the American art form of jazz much more than America did itself, so when Miles brought his unbelievable quintet (Wayne Shorter, Chick Corea, Dave Holland, and Jack DeJohnette) to Europe, the TV stations made sure to chronicle the event. And a damn good thing they did because this band was dubbed the “Lost Band” since Miles never did get them together in a studio to record and the American venues never really bothered. This is free playing based around little motifs that Miles would cue and some of it really gets out there. Chick Corea in particular, playing a lidless Fender Rhodes so he can access the mechanics and his mind still not befuddled by Scientology bullshit, never again played this openly. The set includes 3 CDs of music and a DVD that is unbelievable. Be glad European sensibilities are sharper than ours or this music would have been lost forever. 2.) George Duke – Dream Weaver A sense of loss permeates this release, the great George Duke’s final statement before his passing last year. Making it all the more tragic is the presence on a 15-minute jam of guitarist Jef Lee Johnson, one of the most underappreciated talents of the last 50 years. -
Van Morrison Moondance
Moondance Van Morrison Well, it's a marvelous night for a moondance With the stars up above in your eyes A fantabulous night to make romance 'Neath the cover of October skies And all the leaves on the trees are fallin' To the sound of the breezes that blow An' I'm trying to please to the callin' Of your heart strings that play soft and low And all the nights magic seems to whisper and hush And all the soft moonlight seems to shine in your blush Can I just have one more moondance with you, my love? Can I just make some more romance with you, my love? Well, I wanna make love to you tonight I can't wait 'til the morning has come And I know now the time is just right And straight in to my arms you will run And when you come, my heart will be waiting To make sure that you're never alone There and then, all my dreams will come true, dear There and then, I will make you my own And every time I touch you, you just tremble inside And I know how much you want me that you can't hide Can I just have one more moondance with you, my love? Can I just make some more romance with you, my love? Well, it's a marvelous night for a moondance With the stars up above in your eyes A fantabulous night to make romance 'Neath the cover of October skies And all the leaves on the trees are falling To the sound of the breezes that blow And I'm trying to please to the calling Of your heart strings that play soft and low And all the nights magic seems to whisper and hush And all the soft moonlight seems to shine in your blush Can I just have one more moondance with you, my love? Can I just make some more romance with you, my love? One more moon dance with you In the moon light, on a magic night All the moon light, on a magic night Can I just have one more moondance with you, my love? Tištěno z pisnicky-akordy.cz Sponzor: www.srovnavac.cz - vyberte si pojištění online! Powered by TCPDF (www.tcpdf.org). -
Van Morrison Avalon Sunset Mp3, Flac, Wma
Van Morrison Avalon Sunset mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: Avalon Sunset Country: Portugal Released: 1989 MP3 version RAR size: 1306 mb FLAC version RAR size: 1349 mb WMA version RAR size: 1572 mb Rating: 4.9 Votes: 510 Other Formats: MIDI DMF APE WMA DXD AAC MP4 Tracklist A1 Whenever God Shines His Light A2 Contacting My Angel A3 I'd Love To Write Another Song A4 Have I Told You Lately A5 Coney Island A6 I'm Tired Joey Boy B1 When Will I Ever Learn To Live In God B2 Orangefield B3 Daring Night B4 These Are The Days Notes Fabricado em Portugal - Promocional stamp Back cover Other versions Category Artist Title (Format) Label Category Country Year Van Avalon Sunset (LP, 839 262-1 Polydor 839 262-1 UK 1989 Morrison Album) Van Avalon Sunset 839 262-5 Polydor 839 262-5 UK & Europe Unknown Morrison (DCC, Album) Avalon Sunset Van Polydor, 5305449 (CD, Album, RE, 5305449 Australia 2008 Morrison Exile RM) 839 262-1, 839 262-1, Van Avalon Sunset (LP, Mercury, 422 839 422 839 US 1989 Morrison Album, Promo) Mercury 262-1 262-1 Van Avalon Sunset PGP RTB, 520829 520829 Yugoslavia 1990 Morrison (Cass, Album) Polydor Related Music albums to Avalon Sunset by Van Morrison Sterling Trio / Campbell And Burr - Avalon ("Down The Sunset Trail To Avalon") / Underneath The China Moon Van Morrison - Keep It Simple Van Morrison - Lover Come Back Van Morrison - Have I Told You Lately Van Morrison - Coney Island / Have I Told You Lately Van Morrison - Montreux Jazz Festival 2014 Van Morrison - Gloria Van Morrison - Whenever God Shines His Light Van Morrison - The Best Of Van Morrison Headlines - Avalon / Avalon Van Morrison - Pay The Devil Van Morrison - Enlightenment. -
Listening to Van Morrison Free
FREE LISTENING TO VAN MORRISON PDF Greil Marcus | 208 pages | 17 Jun 2010 | FABER & FABER | 9780571254446 | English | London, United Kingdom Van Morrison’s 50 Greatest Songs | Born To Listen Connect your Spotify account to your Last. Connect to Spotify. A new version of Last. View all tracks. View all albums. Scrobbling is when Last. Learn more. Add event View all events. Add image more photos. Don't want to see ads? Upgrade Now. Javascript is required to view shouts on this page. Go directly to shout page. View all similar artists. View all trending tracks. Loading player…. Scrobble from Spotify? Connect to Spotify Dismiss. Search Search. He's a singer, songwriter, author, poet, and multi-instrumentalist, who has been a professional musician since He plays a variety of instruments, including the guitar, harmonica, keyboards, drums, and saxophone. Featuring his characteristic growl - a unique mix of folk, blues, Irish, Listening to Van Morrison, and Celtic influences - Morrison is widely considered one of the most unusual and influential vocalists i… read more. He's a Listening to Van Morrison, songwriter, author, poet, and multi- instrumentalist, who has been a professional musician s… read more. He plays a variety of instruments, including the guitar, harm… read more. Related Tags classic rock singer-songwriter folk blues rock Add tags View all tags. Similar To The Band. Buy Loading. More Love this track. Albums Listening to Van Morrison by: Most popular Most popular By release date. Play album Buy Loading. Similar Artists Play all. Trending Tracks 1. Exploring the local sounds and scenes at Noise Pop Fest.