Astral Weeks? – It’S Not Just Me, …
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The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
UNITED STATES DISTRICT COURT NORTHERN DISTRICT of INDIANA SOUTH BEND DIVISION in Re FEDEX GROUND PACKAGE SYSTEM, INC., EMPLOYMEN
USDC IN/ND case 3:05-md-00527-RLM-MGG document 3279 filed 03/22/19 page 1 of 354 UNITED STATES DISTRICT COURT NORTHERN DISTRICT OF INDIANA SOUTH BEND DIVISION ) Case No. 3:05-MD-527 RLM In re FEDEX GROUND PACKAGE ) (MDL 1700) SYSTEM, INC., EMPLOYMENT ) PRACTICES LITIGATION ) ) ) THIS DOCUMENT RELATES TO: ) ) Carlene Craig, et. al. v. FedEx Case No. 3:05-cv-530 RLM ) Ground Package Systems, Inc., ) ) PROPOSED FINAL APPROVAL ORDER This matter came before the Court for hearing on March 11, 2019, to consider final approval of the proposed ERISA Class Action Settlement reached by and between Plaintiffs Leo Rittenhouse, Jeff Bramlage, Lawrence Liable, Kent Whistler, Mike Moore, Keith Berry, Matthew Cook, Heidi Law, Sylvia O’Brien, Neal Bergkamp, and Dominic Lupo1 (collectively, “the Named Plaintiffs”), on behalf of themselves and the Certified Class, and Defendant FedEx Ground Package System, Inc. (“FXG”) (collectively, “the Parties”), the terms of which Settlement are set forth in the Class Action Settlement Agreement (the “Settlement Agreement”) attached as Exhibit A to the Joint Declaration of Co-Lead Counsel in support of Preliminary Approval of the Kansas Class Action 1 Carlene Craig withdrew as a Named Plaintiff on November 29, 2006. See MDL Doc. No. 409. Named Plaintiffs Ronald Perry and Alan Pacheco are not movants for final approval and filed an objection [MDL Doc. Nos. 3251/3261]. USDC IN/ND case 3:05-md-00527-RLM-MGG document 3279 filed 03/22/19 page 2 of 354 Settlement [MDL Doc. No. 3154-1]. Also before the Court is ERISA Plaintiffs’ Unopposed Motion for Attorney’s Fees and for Payment of Service Awards to the Named Plaintiffs, filed with the Court on October 19, 2018 [MDL Doc. -
Windward Passenger
MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE BURRELL WINDWARD PASSENGER PHEEROAN NICKI DOM HASAAN akLAFF PARROTT SALVADOR IBN ALI Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2018—ISSUE 193 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : PHEEROAN aklaff 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : nicki parrott 7 by jim motavalli General Inquiries: [email protected] ON The Cover : dave burrell 8 by john sharpe Advertising: [email protected] Encore : dom salvador by laurel gross Calendar: 10 [email protected] VOXNews: Lest We Forget : HASAAN IBN ALI 10 by eric wendell [email protected] LAbel Spotlight : space time by ken dryden US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIVAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD ReviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 43 Suzanne Lorge, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 44 Andrew Vélez, Scott Yanow Contributing Writers Kevin Canfield, Marco Cangiano, Pierre Crépon George Grella, Laurel Gross, Jim Motavalli, Greg Packham, Eric Wendell Contributing Photographers In jazz parlance, the “rhythm section” is shorthand for piano, bass and drums. -
Van Morrison and Pastoralism.Pdf
LJMU Research Online Smyth, G ‘Gardens All Wet With Rain’: Pastoralism in the Music of Van Morrison http://researchonline.ljmu.ac.uk/id/eprint/10338/ Article Citation (please note it is advisable to refer to the publisher’s version if you intend to cite from this work) Smyth, G (2019) ‘Gardens All Wet With Rain’: Pastoralism in the Music of Van Morrison. Irish University Review, 49 (1). pp. 171-187. ISSN 0021-1427 LJMU has developed LJMU Research Online for users to access the research output of the University more effectively. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LJMU Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. The version presented here may differ from the published version or from the version of the record. Please see the repository URL above for details on accessing the published version and note that access may require a subscription. For more information please contact [email protected] http://researchonline.ljmu.ac.uk/ ‘Gardens All Wet With Rain’: Pastoralism in the Music of Van Morrison Gerry Smyth Liverpool John Moores University Gesang, wie du ihn lehrst, ist nicht Begehr, nicht Werbung um ein endlich noch Erreichtes; Gesang ist Dasein. (True singing, as you teach it, does not concern desire, nor pursuing anything that can be attained; Singing is Being). -
Rough Draft of Essay Due: Nov 8 Second Draft Due: Dec 13 Third Draft Due: Jan 17
Week 6 Notes – 25 Oct 2017 A. Freewriting: 5 mins Think about what you’ve heard, tasted, smelled, seen, and touched today before this class. Write down as many of these images as you can, the best way you can, in the English words you know. Don’t worry about making proper sentences or following standard grammar. Imagine you are trying to make someone else feel exactly the way you felt, and write the words that you think will do that. B. Share models - grps of 3. Describe the essay you brought to share. Why do you like it? Do you plan on “stealing” any formal elements from it for your own essay? Which ones? C. Peer review of proposals - groups of 3 - Read your classmate’s proposal. - Write your name. Underneath, write: 1. one question you’d like to ask them about their essay 2. one suggestion/idea you have which might help them as they continue writing Discuss in groups. Schedule for your essay project: Rough draft of essay due: Nov 8 Second draft due: Dec 13 Third draft due: Jan 17 HW for next week (31 Oct 2017): Listening/Reading: This week I’d like to focus on a different genre of essay: a music review. I’d like you to read Lester Bangs’ review of the Van Morrison album Astral Weeks. It’s one of the most famous album reviews ever written, probably because it’s very passionate, subjective, and personal—qualities we don’t usually associate with art criticism. Before you read the review, you should listen to the Van Morrison album, which many people consider to be one of the greatest rock/pop albums of all time. -
Milt Hinton Institute Convenes at Oberlin & Milt Hinton Day Scheduled for June 16
Milt Hinton Institute convenes at Oberlin & Milt Hinton Day scheduled for June 16 by Mike Telin For seven decades, bassist Milt Hinton played with the most influential artists in American music. While doing so, Hinton chronicled his experiences through the lens of his everpresent camera. This week the Oberlin Conservatory will celebrate its ties to the late performer with the Milt Hinton Institute for Studio Bass, a biennial summer program for developing musicians that takes place on the Oberlin campus from June 12 to 19. Designed for bass students ages 1321 of all ability levels, the Institute consists of a week of master classes, performances, bass ensembles, studio sessions, lectures, and workshops. It focuses on a comprehensive range of genres: classical, early music, jazz, slap, Latin, and electric. Directed by Oberlin’s Professor of Jazz Studies and Double Bass Peter Dominguez, the Institute will feature the nation’s finest teachers and performers across a variety of styles. This year’s faculty will include John Clayton Jr., Max Dimoff, Scott Dixon, Diana Gannett, Robert Hurst III, Mimi Jones, John Kennedy, Audrey Melzer, Tracy Rowell, Donovan Stokes, Inez Wyrick, and Derek Zadinsky. At the heart of the program is Milt Hinton Day, a daylong celebration of the life and legacy of Hinton through film, music, and more. Free and open to the public, Milt Hinton Day takes place on Thursday, June 16, in multiple venues on campus. See our concert listings page for a complete list of Milt Hinton Day activities. The Institute is part of an ongoing relationship between Oberlin and the Hinton estate which assures that the legacy of “The Dean of Jazz bassists” will be kept alive well into the future. -
Moondance Van Morrison Brass Band Sheet Music
Moondance Van Morrison Brass Band Sheet Music Download moondance van morrison brass band sheet music pdf now available in our library. We give you 6 pages partial preview of moondance van morrison brass band sheet music that you can try for free. This music notes has been read 3961 times and last read at 2021-09-27 02:37:56. In order to continue read the entire sheet music of moondance van morrison brass band you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: B Flat Trumpet, Cornet, Euphonium, Flugelhorn, Glockenspiel, Trombone, Tuba Ensemble: Brass Band Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music Moondance By Van Morrison Michael Buble Saxophone Quartet Aatt Moondance By Van Morrison Michael Buble Saxophone Quartet Aatt sheet music has been read 3312 times. Moondance by van morrison michael buble saxophone quartet aatt arrangement is for Early Intermediate level. The music notes has 4 preview and last read at 2021-09-27 01:23:15. [ Read More ] Moondance By Van Morrison Michael Buble Saxophone Quartet Aatb Moondance By Van Morrison Michael Buble Saxophone Quartet Aatb sheet music has been read 2806 times. Moondance by van morrison michael buble saxophone quartet aatb arrangement is for Intermediate level. The music notes has 4 preview and last read at 2021-09-26 15:29:17. [ Read More ] Moondance By Van Morrison Michael Buble Saxophone Quartet Satb Moondance By Van Morrison Michael Buble Saxophone Quartet Satb sheet music has been read 9307 times. Moondance by van morrison michael buble saxophone quartet satb arrangement is for Early Intermediate level. -
Here I Am Baby Al Green Let's Stay Together Al Green Don
HERE I AM BABY AL GREEN LET’S STAY TOGETHER AL GREEN DON’T STOP BELIEVING JOURNEY ANY WAY YOU WANT IT JOURNEY GIVE IT TO ME BABY RICK JAMES SUPERFREAK RICK JAMES HOME MICHAEL BUBLE EVERYTHING MICHAEL BUBLE WORKING FOR THE WEEKEND LOVERBOY SHAKE YOUR BODY DOWN MICHAEL JACKSON BILLIE JEAN MICHAEL JACKSON BEAT IT MICHAEL JACKSON IT’S YOUR THING ISLEY BROTHERS SHOUT ISLEY BROTHERS BEAUTIFUL GIRL SEAN KINGSTON ALL NIGHT LONG LIONEL RICHIE LISTEN TO THE MUSIC DOOBIE BROTHERS LONG TRAIN RUNNING DOOBIE BROTHERS ISN’T SHE LOVELY STEVIE WONDER I WISH STEVIE WONDER FOR ONCE IN MY LIFE STEVIE WONDER SUPERSTITIOUS STEVIE WONDER SIR DUKE STEVIE WONDER REGGAE WOMAN STEVIE WONDER SIGNED SEALED DELIVERED STEVIE WONDER ANOTHER STAR STEVIE WONDER WHAT’S GOING ON MARVIN GAYE LET'S GET IT ON MARVIN GAYE FISHING IN THE DARK NITTY GRITTY DIRT BAND SATISFACTION ROLLING STONES HONKY TONK WOMAN ROLLING STONES AMERICAN BAND GRAND FUNK RAILROAD SOME KIND OF WONDERFUL GRAND FUNK RAILROAD DAYS LIKE THIS VAN MORRISON INTO THE MYSTIC VAN MORRISON CRAZY LOVE VAN MORRISON MOONDANCE VAN MORRISON TUPELO HONEY VAN MORRISON BROWN EYED GIRL VAN MORRISON THE WAY YOU LOOK TONIGHT FRANK SINATRA LOVELY DAY BILL WITHERS USE ME BILL WITHERS JUST THE TWO OF US BILL WITHERS SWEET CAROLINE NEIL DIAMOND BE YOUNG BE FOOLISH BE HAPPY THE TAMS YOU AND ME ROBERT BRADLEY AIN’T TOO PROUD TO BEG THE TEMPTATIONS MY GIRL THE TEMPTATIONS JUST MY IMAGINATION THE TEMPTATIONS HOW SWEET IT IS JAMES TAYLOR HEAVEN LOS LONELY BOYS YOU ARE SO BEAUTIFUL JOE COCKER AT LAST ETTA JAMES COULD YOU BE LOVED -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
Label: Artwork Location: Title: Review Locati
Bob Dylan Title: 04271992 Start Date: 04/27/1992 Location: Paramount Theater, Seattle, WA Label: Artwork Location: Review Location: Recording Source: Disc Number: 1 73:28 1 Rainy Day Women #12 & 35 01:24 2 I Don't Believe You 04:40 3 Union Sundown 04:23 4 Just Like A Woman 05:24 5 Tangled Up In Blue 08:23 6 She Belongs To Me 05:01 7 Everything's Broken 04:02 8 Love Minus Zero/No Limit 02:39 9 Little Moses 03:47 10 A Hard Rain's A-Gonna Fall 06:48 11 It;s All Over Now, Baby Blue 06:32 12 Cats In The Well 04:36 13 Idiot Wind 09:12 14 The Times They Are A-Changin' 06:37 Disc Number: 2 65:22 1 Highway 61 06:35 2 Absolutely Sweet Marie 05:38 3 All Along The Watchtower 04:20 cut 4 Blowin' In The Wind 03:25 start of 4/28 filler 5 Sally Sue Brown 02:56 6 Stuck Inside Of Mobile 06:35 7 Simple Twist Of Fate 07:40 8 Watching The River Flow 03:45 9 Female Rambling Sailor 03:04 10 Gates Of Eden 04:51 11 Shooting Star 05:24 12 Like A Rolling Stone 05:33 13 Ballad Of A Thin Man 05:36 Bob Dylan Title: 07011978 Start Date: 07/01/1978 Location: Zeppelindfeld, Nurnberg, West Germany Label: Artwork Location: http://www.angelfire.com/yt/tyamabe/nurnberg/ Review Location: Recording Source: Disc Number: 1 70:28 1 She's Love Crazy 02:30 2 Baby Stop Crying 05:39 3 Mr, Tambourine Man 04:28 4 Shelter From The Storm 04:51 5 It's All Over Now, Baby Blue 04:24 6 Tangled Up In Blue 07:07 7 Ballad Of A Thin Man 04:35 8 Maggie's Farm 04:47 9 I Don't Belive You 04:26 10 Like A Rolling Stone 06:39 11 I Shall Be Released 04:13 12 Going, Going, Gone 04:23 13 A Change Is -
Venturing in the Slipstream
VENTURING IN THE SLIPSTREAM THE PLACES OF VAN MORRISON’S SONGWRITING Geoff Munns BA, MLitt, MEd (hons), PhD (University of New England) A thesis submitted for the degree of Doctor of Philosophy of Western Sydney University, October 2019. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................. Geoff Munns ii Abstract This thesis explores the use of place in Van Morrison’s songwriting. The central argument is that he employs place in many of his songs at lyrical and musical levels, and that this use of place as a poetic and aural device both defines and distinguishes his work. This argument is widely supported by Van Morrison scholars and critics. The main research question is: What are the ways that Van Morrison employs the concept of place to explore the wider themes of his writing across his career from 1965 onwards? This question was reached from a critical analysis of Van Morrison’s songs and recordings. A position was taken up in the study that the songwriter’s lyrics might be closely read and appreciated as song texts, and this reading could offer important insights into the scope of his life and work as a songwriter. The analysis is best described as an analytical and interpretive approach, involving a simultaneous reading and listening to each song and examining them as speech acts. -
In Which Yet Another Pompous Blowhard Purports to Possess the True Meaning of Punk Rock
11 In Which Yet Another Pompous Blowhard Purports to Possess the True Meaning of Punk Rock Lester Bangs All the shit they play on the radio today-it lacks the true meaning of rock, which is sex, subversion, and style. Rock 'n' roll is pagan and primitive and very jungle, and that's how it should be. The moment it stops being those things, it's dead. -Sex Pistols manager Malcolm McClaren (Kohut and Kohut 1994, 18) The kids want misery and death. They want threatening noises because that shakes you out of your apathy. -John Lydon of the Sex Pistols (Kohut and Kohut 1994, 101) Lester Bangs is the most celebrated critic in the history of rock. A wild man and visionary armed with a pugnacious attitude and original writing style, which he claimed was based on the sound and language of rock and roll itself (Bangs 1987, ix), he was an early champion of punk rock. According to Bangs, punk means rock "in its most basic, primitive form," and it has thus been around from the beginnings of rock 'n' roll. Here he expounds upon what he sees as the true meaning of not only punk, but of rock itself, delivering a manifesto for both: the essence is passion. Rock must be first and foremost "a raw wail from the bottom of the guts." Punk rock was hardly invented by the Ramones in Qyeens, NY, in 1974-5, any more than it was by the Sex Pistols in London a year or so later. You have to go back to the New York Dolls.