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Astral Weeks? – It’S Not Just Me, …
ASTRAL WEEKS? – IT’S NOT JUST ME, … THE RECORDING Van: “The entire LP was recorded in two eight-hour sessions, plus two overdub sessions. That was the whole album.” (Yorke p.51). Astral Weeks was recorded in just two sessions (48 hours) at Century Sound Studios, on West 52nd Street in New York (25 September & 15 October 1968), using NY session (jazz) musicians: Richard Davis (bass), Connie Kay (drums) from the Modern Jazz Quartet, Warren Smith Jr. (percussionist/vibraphone), John Payne (flute/soprano saxophone), and Jay Berliner (guitar), chosen by Lew Merenstein (Producer) in consultation with Richard Davis (bassist). “Merenstein received a call from Warner Bros: ‘We’ve signed Van Morrison, go up to Boston, see what he’s got’. … Morrison played Merenstein his song Astral Weeks: ‘Thirty seconds into it my whole being was vibrating … I had to be the producer to do it. Not that producer, not that producer, regardless of their accomplishments. It had to be Richard (Davis), not that bass player, I don’t want to sound existential, but there was Van, and that was it; there was no band, there were no arrangements, the direction was him singing and playing – that was where I followed. That’s why it came out like it did. To this day, it gives me pain to hear it; pain is the wrong word – I’m so moved by it.” (Marcus p.52-8). Lew Merenstein (Producer): “The musical energy of Astral Weeks came from the great players. That was the jazz background that I had, and that I brought in to it. -
Venturing in the Slipstream
VENTURING IN THE SLIPSTREAM THE PLACES OF VAN MORRISON’S SONGWRITING Geoff Munns BA, MLitt, MEd (hons), PhD (University of New England) A thesis submitted for the degree of Doctor of Philosophy of Western Sydney University, October 2019. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................. Geoff Munns ii Abstract This thesis explores the use of place in Van Morrison’s songwriting. The central argument is that he employs place in many of his songs at lyrical and musical levels, and that this use of place as a poetic and aural device both defines and distinguishes his work. This argument is widely supported by Van Morrison scholars and critics. The main research question is: What are the ways that Van Morrison employs the concept of place to explore the wider themes of his writing across his career from 1965 onwards? This question was reached from a critical analysis of Van Morrison’s songs and recordings. A position was taken up in the study that the songwriter’s lyrics might be closely read and appreciated as song texts, and this reading could offer important insights into the scope of his life and work as a songwriter. The analysis is best described as an analytical and interpretive approach, involving a simultaneous reading and listening to each song and examining them as speech acts. -
Phil's Picks - Greatest Albums of All Times
Phil's Picks - Greatest Albums of All Times Forever Changes, Love Village Green Preservation Society, The Kinks Da Capo, Love Rockers motion picture soundtrack Four Sale, Love On the Beach, Neil Young Catch the Wind, Donovan Neil Young, Neil Young Revolver, Beatles After the Gold Rush, Neil Young Rubber Soul, Beatles Covers Record, Cat Power Magical Mystery Tour, Beatles You Are Free, Cat Power Terry Reid, Terry Reid Doolittle, Pixies Laughing Stock, Talk Talk Roman Candle, Elliot Smith Last Laugh, The Brigade The Notorious Byrd Brothers, The Byrds Rosemary Lane, Bert Jansch Fifth Dimension, The Byrds Moonshine, Bert Jansch Songs, Leonard Cohen Nicola/Birthday Blues, Bert Jansch Desire, Bob Dylan Happy Sad, Tim Buckley I Just Can’t Stop It, The English Beat Dream Letter, Tim Buckley Axis: Bold as Love, Jimi Hendrix Five Leaves Left, Nick Drake Tea for the Tillerman, Cat Stevens Bryter Layter, Nick Drake Talking Heads ’77, Talking Heads Pink Moon, Nick Drake Who’s Next? The Who Astral Weeks, Van Morrison English Settlement, XTC Veedon Fleece, Van Morrison Birds of My Neighborhood, Innocence Mission Vaersgo, Kim Larsen We Walked in Song, Innocence Mission The Doors, The Doors Renaissance, The Association Strange Days, The Doors One Nation Underground, Pearls Before Swine The Boy with the Arab Strap, Belle and Sebastian I Retur, Turid . -
Popular Music Stuart Bailie a Troubles Archive Essay
popular music A Troubles Archive Essay Stuart Bailie Cover Image: Victor Sloan - Market Street, Derry From the collection of the Arts Council of Northern Ireland About the Author Stuart Bailie was on the staff of the NME (New Musical Express) from 1988 to 1996, rising to Assistant Editor in his last three years there. Since then, he has worked as a freelance journalist for Mojo, Uncut, Q, The Times, The Sunday Times and Hot Press. He has written sleevenotes for U2 and wrote the authorised story of Thin Lizzy, The Ballad Of The Thin Man in 1997. He has been presenting a BBC Radio Ulster show each Friday evening since 1999. He has been Associate Producer of several BBC TV music programmes, including the story of Ulster rock and pop: ‘So Hard To Beat’ in 2007. He has also been the scriptwriter / researcher for a series of BBC Radio 2 documentaries on U2, Thin Lizzy and Elvis Costello. Stuart is now CEO of Oh Yeah, a dedicated music centre in Belfast. Popular Music In September 1968 Van Morrison was in NewYork, recording a series of songs about life back in Belfast. This was his Astral Weeks album, one of his most important works. It was also a vivid snapshot of Northern Ireland just before the climate changed dramatically with the outbreak of the Troubles. In Morrison’s sentimental picture, there were youthful voices, parties and high-spirits; flamboyant figures such as Madame George cruised the streets of Belfast as the post-war generation challenged social conventions. The hippy ideals were already receding in America, but Belfast had experienced a belated Summer of Love and a blossoming social life. -
Listening to Van Morrison Free
FREE LISTENING TO VAN MORRISON PDF Greil Marcus | 208 pages | 17 Jun 2010 | FABER & FABER | 9780571254446 | English | London, United Kingdom Van Morrison’s 50 Greatest Songs | Born To Listen Connect your Spotify account to your Last. Connect to Spotify. A new version of Last. View all tracks. View all albums. Scrobbling is when Last. Learn more. Add event View all events. Add image more photos. Don't want to see ads? Upgrade Now. Javascript is required to view shouts on this page. Go directly to shout page. View all similar artists. View all trending tracks. Loading player…. Scrobble from Spotify? Connect to Spotify Dismiss. Search Search. He's a singer, songwriter, author, poet, and multi-instrumentalist, who has been a professional musician since He plays a variety of instruments, including the guitar, harmonica, keyboards, drums, and saxophone. Featuring his characteristic growl - a unique mix of folk, blues, Irish, Listening to Van Morrison, and Celtic influences - Morrison is widely considered one of the most unusual and influential vocalists i… read more. He's a Listening to Van Morrison, songwriter, author, poet, and multi- instrumentalist, who has been a professional musician s… read more. He plays a variety of instruments, including the guitar, harm… read more. Related Tags classic rock singer-songwriter folk blues rock Add tags View all tags. Similar To The Band. Buy Loading. More Love this track. Albums Listening to Van Morrison by: Most popular Most popular By release date. Play album Buy Loading. Similar Artists Play all. Trending Tracks 1. Exploring the local sounds and scenes at Noise Pop Fest. -
Van Morrison from Wikipedia, the Free Encyclopedia
Van Morrison From Wikipedia, the free encyclopedia Background information Birth name George Ivan Morrison Also known as Van the Man, The Belfast Cowboy Born 31 August 1945 (age 69) Origin Belfast, Northern Ireland Genres Rock, blues, rhythm and blues, folk, blue-eyed soul, Celtic, rock and roll, jazz, pop, soft rock, country, skiffle, gospel Occupation(s) Singer-songwriter, musician Instruments Vocals, guitar, harmonica, saxophones, keyboards, drums, tambourine, ukulele Years active 1958–present Labels Decca, Bang, Warner Bros., London, Mercury, Exile/Polydor, Verve, Point Blank, Virgin, Universal, Blue Note, Lost Highway, Listen to the Lion/EMI, Manhattan, RCA (2014-present) George Ivan "Van" Morrison, OBE (born 31 August 1945) is a Northern Irish singer-songwriter and musician. Some of his recordings, such as the studio albums Astral Weeks and Moondance and the live album It's Too Late to Stop Now, are critically acclaimed. He has received six Grammy Awards, the Brit Award for Outstanding Contribution to Music, been inducted into both the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. Known as "Van the Man" to his fans, Morrison started his professional career when, as a teenager in the late 1950s, he played a variety of instruments including guitar, harmonica, keyboards and saxophone for various Irish showbands covering the popular hits of the day. He rose to prominence in the mid-1960s as the lead singer of the Northern Irish R&B band Them, with whom he recorded the garage band classic "Gloria". His solo career began under the pop-hit oriented guidance of Bert Berns with the release of the hit single "Brown Eyed Girl" in 1967. -
Ð'ð°Ð½ Мð¾ñ€Ð¸ÑÑšð½ Ðлбуð¼
Ван МориÑÑ ŠÐ½ ÐÐ »Ð±ÑƒÐ¼ ÑÐ ¿Ð¸ÑÑ ŠÐº (Ð ´Ð¸ÑÐ ºÐ¾Ð³Ñ€Ð°Ñ„иÑÑ ‚а & график) Tell Me Something: The Songs of Mose https://bg.listvote.com/lists/music/albums/tell-me-something%3A-the-songs-of-mose- Allison allison-7697460/songs Hymns to the Silence https://bg.listvote.com/lists/music/albums/hymns-to-the-silence-5230892/songs Beautiful Vision https://bg.listvote.com/lists/music/albums/beautiful-vision-4877837/songs Avalon Sunset https://bg.listvote.com/lists/music/albums/avalon-sunset-4827611/songs The Healing Game https://bg.listvote.com/lists/music/albums/the-healing-game-5797943/songs https://bg.listvote.com/lists/music/albums/inarticulate-speech-of-the-heart- Inarticulate Speech of the Heart 2081478/songs A Sense of Wonder https://bg.listvote.com/lists/music/albums/a-sense-of-wonder-3492798/songs Too Long in Exile https://bg.listvote.com/lists/music/albums/too-long-in-exile-7823875/songs https://bg.listvote.com/lists/music/albums/what%27s-wrong-with-this-picture%3F- What's Wrong with This Picture? 7990853/songs Down the Road https://bg.listvote.com/lists/music/albums/down-the-road-1106273/songs https://bg.listvote.com/lists/music/albums/no-guru%2C-no-method%2C-no-teacher- No Guru, No Method, No Teacher 5223938/songs You Win Again https://bg.listvote.com/lists/music/albums/you-win-again-9097215/songs Born to Sing: No Plan B https://bg.listvote.com/lists/music/albums/born-to-sing%3A-no-plan-b-3492599/songs Enlightenment https://bg.listvote.com/lists/music/albums/enlightenment-5228626/songs https://bg.listvote.com/lists/music/albums/poetic-champions-compose- -
Astral Weeks Chelsea Fernando ‘17.5 David Rome Prize
Astral Weeks Chelsea Fernando ‘17.5 David Rome Prize 1 In 1688 the Swiss physician Johannes Hofer invented the term nostalgia from the Greek nostos, or “homecoming,” and algos, or “pain.” The word was used in his dissertation to describe “the sad mood originating from the desire for return to one's native land,” a condition also known as mal du Suisse after frequent reports of Swiss mercenaries in the lowlands of France and Italy succumbing to a melancholic longing for Alpine landscapes. Napoleon believed that the sentiments suffered by his soldiers upon hearing the Swiss milking song “Khue-Reyen” would lead them to desert or to commit suicide, and so declared its playing punishable by death. 2 Whether it was intentionally or by accident I’m not quite sure (the memory is cloudy now), but it was certainly my father who introduced me to Astral Weeks. It is either that he presented the CD to me with his own two hands on our front porch just as he was returning home, or that I found it independently while exploring his unpacked belongings after I’d followed him inside the house. At present I have a feeling that it was the latter—I most likely found the record amongst a slew of others that he’d brought home that day (maybe including Elvis Costello, Wilson Pickett, or Joan Armatrading) and gravitated to it simply because of its soothing cover art: a thick black border, deep purple lettering, fine silhouettes of small leaves overlapping the hazy image of a man with long auburn hair and a pale blue shirt. -
Page 1 of 3 U2: Achtung Baby
U2: Achtung Baby - PopMatters Music Review Page 1 of 3 Features | Columns | Blogs | News | Music | Film | TV | DVDs | Books | Comics | Multimedia | Events | PopComix | Front about contributors submissions book imprint advertising contests PopShop Media Center Listen Up! CALL FOR PAPERS: PopMatters seeks feature essays about any aspect of popular culture, pr U2 Achtung Baby [DVD] F [A Classic Album Under Review] : (Sexy Intellectual) : US release date: 20 February 2007 D UK release date: 20 February 2007 by Will Layman C Email Print Comments (0) O a Rockumentaries—O how we wonder if you will be as S silly as This is Spinal Tap! And so it is that this now- B venerable genre has been taken over by the over- S earnest rock critics, the squads of proto-Greil Marcuses S for whom the rock business is more akin to the Modern E Language Association Convention than it is to, well, . M . fun. P M Achtung Baby, A Classic Album Under Review is one of : these new-generation rockumentaries—a single- : minded and vaguely dorky rock-critics’-view of a single : adored album. What makes it considerably more : interesting than, say, the same treatment given to : Astral Weeks or Are You Experienced?, though, is the : fact that Achtung Baby is not an obvious topic for : adulation. A pivotal, transitional record in the career of a major band, AB actually spurs a more interesting E : discussion than is typical. Still, when a talking-head rock critic discusses the album’s title by batting about F “the play of these two sets of associations”, you know : you are dealing a film where the thoughts of some serious English majors are going to outweigh actual POPSHOP D : rocking in screen time. -
Van Morrison Astral Weeks
Classic Album VA N MORRISON ASTRAL WEEKS ASTRAL WEEKS ASTRAL WEEKS 64 65 After the feisty garage rock of Them and pop success of Brown Eyed Girl, Van Morrison’s quantum leap with his second studio album Astral Weeks CLASSIC ALBUM would leave critics and fans grasping CLASSIC ALBUM at its meaning for the next half-century. Steve Harnell charts the sound of an artist in the grip of radical creative upheaval Getty phrasing, stretching vowels and consonants to breaking point, After leaving the tough R&B-influenced garage rock of allied with an obsession with repeating words until they Them behind in 1966, Morrison struck out on his own and The songs almost lose their meaning, is groundbreakingly audacious. signed a solo deal with Bert Berns, the writer and producer Astral Weeks is an album that deals in many dualities – of the band’s hit Here Comes The Night. Berns persuaded Side One In The Beginning loneliness and companionship, heaven and earth, pain and Van to travel to New York, putting pen to paper for his new overwhelming joy, a nostalgia for childhood and a yearning label Bang Records. Shortly afterwards, during a two-day to see into the future. It’s often been interpreted as a mystical recording session, Morrison laid down eight songs, intended 1 ASTRAL WEEKS song cycle, beginning with the theme of birth (the opening for release as four singles. Instead, Berns cobbled the tracks Morrison first had the idea for the album’s title track back in title track) and concluding with death (the bleak Slim Slow together and put them out as Van’s debut solo album, Blowin’ Belfast in 1966 after seeing drawings about astral projection Slider), although Van’s impressionistic lyrics are at times Your Mind!, without the singer-songwriter’s knowledge. -
My Tongue Gets TTT’: Words, Sense, and Vocal Presence in Van Morrison's It's Too Late to Stop Now
`My tongue gets t-t-t-': words, sense, and vocal presence in Van Morrison©s It©s too late to stop now Article (Accepted Version) Elliott, Richard (2016) ‘My tongue gets t-t-t-’: words, sense, and vocal presence in Van Morrison's It's too late to stop now. Twentieth-Century Music, 13 (1). pp. 53-76. ISSN 1478-5722 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/60071/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. -
NME Dylan/Folk Rock Issue 2003
NICK DRAKE TIM BUCKLEY BOB DYLANBOB DYLAN INTERVIEWS, REVIEWS & RARE PHOTOS AND THE VOLUME 2 ISSUE 5 UK £ 5.99 & NASH STILLS CROSBY, FOLK ROCK BOOM 1964-1974 NEIL YOUNG JONI MITCHELL THE BYRDS CAROLE KING CAROLE MORRISON VAN STEVENS CAT DONOVAN TAYLOR JAMES DVD - EREDV519 Features the classic tracks 99.9F ˚, Marlene On The Wall, When Heroes Go Down, Left Of Center, Luka, Solitude Standing, Tom's Diner and many more. 2004 Includes bonus tracks from her concert DISTRIBUTED BY at the Montreux Festival in 2000. AVAILABLE AT eagle vision A DIVISION OF EAGLE ROCK ENTERTAINMENT LIMITED www.eagle-rock.com “FESTIVAL!” MURRAY LERNER’S CLASSIC FILM, originally released in 1967, is now on DVD for the first time. Filmed across four Newport Folk Festivals in the early sixties it combines live footage and interviews with the artists and with members of the audience. FEATURED ARTISTS INCLUDE BOB DYLAN • JOAN BAEZ • DONOVAN, PETER,PAUL & MARY • JOHNNY CASH, JUDY COLLINS and many more. EREDV499 DISTRIBUTED BY AVAILABLE FROM eagle vision A DIVISION OF EAGLE ROCK ENTERTAINMENT LTD www.eagle-rock.com Britain catches Dylanmania, Donovan versus Dylan, The Byrds fly in, Ramblin’ Jack Elliott reminisces, the great Protest Song debate, Barry McGuire heralds the ‘Eve Of Destruction’, Sonny & Cher conquer the charts, Simon & PAGES 6-39 Garfunkel forge sound out of silence Byrds banned in drug scandal, Dylan press deceptions and gig fracas, Simon & Garfunkel go “intellectual”, The Mamas And The Papas entertain The Beatles, Cat Stevens in “youth’s a drag” shocker,