DOCSLIB.ORG

ウィークエンド サンシャイン Playlist Archive Dj：ピーター・バラカン

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ウィークエンド サンシャイン Playlist Archive Dj：ピーター・バラカン ウィークエンド サンシャイン PLAYLIST ARCHIVE DJ：ピーター・バラカン 2019 年 4 ⽉ 6 ⽇放送分 1. Walking The Long Miles Home / Richard Thompson // Mock Tudor 2. You're The Man, Pts. 1 & 2 / Marvin Gaye // Black Power: Music Of A Revolution 3. Groovy Potential / Prince // HitnRun Vol. 2 4. Hope For Us All / Nick Lowe // At My Age 5. Why Can’t We Live Together / Timmy Thomas // The Best Of The TK Years 1972-81 6. Bomb The World / Michael Franti & Spearhead // Everyone Deserves Music 7. Queremos Paz / Gotan Project // La Revancha Del Tango 8. I Wish I Knew （How It Would Feel To Be Free） / Derek Trucks Band // Songlines 9. A Song For You / Steinar Raknes // Chasing The Real Things 10. Born Under Punches / Angelique Kidjo // Remain in Light 11. Shenandoah / Charles Lloyd & The Marvels // I Long To See You 12. The Creator Has A Masterplan / Sarathy Korwar And Upaj Collective // My East Is Your West 13. Bye-Ya / Thelonious Monk // Monk 2019 年 4 ⽉ 13 ⽇放送 1. Wayward / Justin Adams // Desert Road 2. Imanin bas zihoun / Tamikrest // Chatma 3. Como / The Fuji-i // We Pray The Brooze 4. Soul Makossa / Manu Dibango // Rock Instrumental Classics Vol. 4: Soul 5. Let There Be More Light / Pink Floyd // Saucerful Of Secrets 6. Try A Little Tenderness / Otis Redding // The Monterey International Pop Festival: 06/16-17-18/1967 7. Niepojete I Ulotne / Anna Maria Jopek & Branford Marsalis // Ulotne 8. Czule Miejsce / Anna Maria Jopek & Branford Marsalis // Ulotne 9. Keepin' It To Myself / Jaye P. Morgan // Jaye P. Morgan 10. Can't Hide Love / Jaye P. Morgan // Jaye P. Morgan 11. Hey Girl / Alice Clark // Alice Clark 12. Revolution / Arrested Development // Malcolm X OST 13. Strawberry Letter 23 / Shuggie Otis // Inspiration Information 14. Cold Morning Light / Todd Rundgren // Singles 15. A Dream Goes On Forever / Todd Rundgren // Singles 16. Love Of The Common Man / Todd Rundgren // Singles 17. Bang The Drum All Day / Todd Rundgren // Singles 2019 年 4 ⽉ 20 ⽇放送分 1. Caravan / The Band feat. Van Morrison // The Last Waltz 2. Into the Mystic / Marc Cohn // Listening Booth: 1970 3. Piper at the Gates of Dawn / Van Morrison // The Healing Game (Deluxe Edition) 4. Look What the Good People Done / Van Morrison // The Healing Game (Deluxe Edition) 5. The Healing Game (Jazz Version) / Van Morrison // The Healing Game (Deluxe Edition) 6. Sometimes We Cry (Full Length Version) / Van Morrison // The Healing Game (Deluxe Edition) 7. Mule Skinner Blues / Van Morrison // The Healing Game (Deluxe Edition) 8. Mule Skinner Blues / Lonnie Donegan & Van Morrison // The Healing Game (Deluxe Edition) 9. Boppin’ The Blues / Carl Perkins & Van Morrison // The Healing Game (Deluxe Edition) 10. Fire In the Belly (Live at Montreux) / Van Morrison // The Healing Game (Deluxe Edition) 11. Tupelo Honey/Why Must I Always Explain (Live at Montreux)/ Van Morrison // The Healing Game (Deluxe Edition) 12. The Healing Game (Live at Montreux) / Van Morrison // The Healing Game (Deluxe Edition) 13. Moon Meets the Sun / Our Native Daughters // Songs Of Our Native Daughters 14. Mama's Cryin' Long / Our Native Daughters // Songs Of Our Native Daughters 15. You're Not Alone / Our Native Daughters // Songs Of Our Native Daughters 2019 年 4 ⽉ 27 ⽇放送分 1. Raag Medhavi / Ali Akbar Khan // Signature Series, Vol. 2: Three Ragas 2. Midnight In Harlem / Tedeschi Trucks Band // Everybody’s Talkin’ 3. Still Your Mind / Tedeschi Trucks Band // Signs 4. Going Going Gone / Doyle Bramhall II Feat. Tedeschi Trucks Band // Shades 5. Everything You Need / Doyle Bramhall II Feat. Eric Clapton // Shades 6.I Wish I Knew How It Would Feel to Be Free (feat. Susan Tedeschi & Derek Trucks) / Wynton Marsalis Septet // United We Swing: Best of the Jazz at Lincoln Center Galas 7. Milk Cow Blues (feat. Willie Nelson) / Wynton Marsalis Septet // United We Swing: Best of the Jazz at Lincoln Center Galas 8. My Baby Don't Tolerate (feat. Lyle Lovett) / Wynton Marsalis Septet // United We Swing: Best of the Jazz at Lincoln Center Galas 9. She Ain't Going Nowhere / Steve Earle & The Dukes // Guy 10. El Coyote / Steve Earle // single 11. That's All Right / Arthur "Big Boy" Crudup // The Blues: 1927-1946 12. Who'll Be The Next In Line / Sir Douglas Quintet // Border Wave 13. I've Just Got To Know / Boz Scaggs // Out Of The Blues .
Load more

Recommended publications
  • May • June 2013 Jazz Issue 348
    may • june 2013 jazz Issue 348 &blues report now in our 39th year May • June 2013 • Issue 348 Lineup Announced for the 56th Annual Editor & Founder Bill Wahl Monterey Jazz Festival, September 20-22 Headliners Include Diana Krall, Wayne Shorter, Bobby McFerrin, Bob James Layout & Design Bill Wahl & David Sanborn, George Benson, Dave Holland’s PRISM, Orquesta Buena Operations Jim Martin Vista Social Club, Joe Lovano & Dave Douglas: Sound Prints; Clayton- Hamilton Jazz Orchestra, Gregory Porter, and Many More Pilar Martin Contributors Michael Braxton, Mark Cole, Dewey Monterey, CA - Monterey Jazz Forward, Nancy Ann Lee, Peanuts, Festival has announced the star- Wanda Simpson, Mark Smith, Duane studded line up for its 56th annual Verh, Emily Wahl and Ron Wein- Monterey Jazz Festival to be held stock. September 20–22 at the Monterey Fairgrounds. Arena and Grounds Check out our constantly updated Package Tickets go on sale on to the website. Now you can search for general public on May 21. Single Day CD Reviews by artists, titles, record tickets will go on sale July 8. labels, keyword or JBR Writers. 15 2013’s GRAMMY Award-winning years of reviews are up and we’ll be lineup includes Arena headliners going all the way back to 1974. Diana Krall; Wayne Shorter Quartet; Bobby McFerrin; Bob James & Da- Comments...billwahl@ jazz-blues.com vid Sanborn featuring Steve Gadd Web www.jazz-blues.com & James Genus; Dave Holland’s Copyright © 2013 Jazz & Blues Report PRISM featuring Kevin Eubanks, Craig Taborn & Eric Harland; Joe No portion of this publication may be re- Lovano & Dave Douglas Quintet: Wayne Shorter produced without written permission from Sound Prints; George Benson; The the publisher.
    [Show full text]
  • Van Morrison and Pastoralism.Pdf
    LJMU Research Online Smyth, G ‘Gardens All Wet With Rain’: Pastoralism in the Music of Van Morrison http://researchonline.ljmu.ac.uk/id/eprint/10338/ Article Citation (please note it is advisable to refer to the publisher’s version if you intend to cite from this work) Smyth, G (2019) ‘Gardens All Wet With Rain’: Pastoralism in the Music of Van Morrison. Irish University Review, 49 (1). pp. 171-187. ISSN 0021-1427 LJMU has developed LJMU Research Online for users to access the research output of the University more effectively. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LJMU Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. The version presented here may differ from the published version or from the version of the record. Please see the repository URL above for details on accessing the published version and note that access may require a subscription. For more information please contact [email protected] http://researchonline.ljmu.ac.uk/ ‘Gardens All Wet With Rain’: Pastoralism in the Music of Van Morrison Gerry Smyth Liverpool John Moores University Gesang, wie du ihn lehrst, ist nicht Begehr, nicht Werbung um ein endlich noch Erreichtes; Gesang ist Dasein. (True singing, as you teach it, does not concern desire, nor pursuing anything that can be attained; Singing is Being).
    [Show full text]
  • Am Sonntagmorgen Im Deutschlandfunk
    Am Sonntagmorgen im Deutschlandfunk Pfarrer Stephan Krebs aus Darmstadt Grob oder großartig? Van Morrison über Gott und das Leben 30.08.2020 Er sattelt sein Pferd und reitet aus. „When rough God goes riding“ – das ist der Titel eines Songs von Van Morrison. Der Sänger aus Nordirland wird morgen 75 Jahre alt. Ein passender Anlass, sich mit ihm zu beschäftigen. Zumal er sich in seinen Songs immer wieder auf die Suche nach Gott begibt. „When rough God goes riding“ – wenn der raue Gott ausreitet. Bei diesem Satz entsteht in mir ein Bild: Ein Herrscher hoch zu Ross, vor dem sich alle fürchten. Erst recht, wenn er schlecht gelaunt ist. Wehe denen, die sein mürrischer Blick dann trifft! Gott als düsterer Herrscher, der rücksichtslos über Lebenswege hinwegtrampelt, Menschen, die seine Launen zu fürchten haben. Eine bittere und überwunden geglaubte Vorstellung. Doch sie könnte gerade jetzt vielen bekannt vorkommen, im Gewand der Schicksalsmacht Corona. Aller- dings kennt das Schicksal noch viele andere Wege, Menschen aus der Bahn zu werfen. Das alles hat auch mit Gott zu tun, sofern man in Gott die allbestimmende Kraft des Lebens sieht. Dann zeigt sich in der harten Hand des Schicksals die dunkle Seite Gottes, die Kehrseite seiner Liebe. Sie lehrt die Menschen das Fürchten und das Bescheidensein. Davon ist der Song von Van Morri- son geprägt. Der Sänger hat dabei aber noch etwas anderes im Blick: Ein Gedicht aus seiner Heimat in Nordirland. Geschrieben hast es William Butler Yeats, der irische Nationaldichter, vor 100 Jahren. Darin schlägt Yeats einen großen Bogen vom Schrecken des Ersten Weltkrieges über die bösen Vorahnungen auf den Nationalsozialismus bis hin zum Elend seines armen und geknech- teten Landes.
    [Show full text]
  • Agency in the Afrofuturist Ontologies of Erykah Badu and Janelle Monáe
    Open Cultural Studies 2018; 2: 330–340 Research Article Nathalie Aghoro* Agency in the Afrofuturist Ontologies of Erykah Badu and Janelle Monáe https://doi.org/10.1515/culture-2018-0030 Received May 21, 2018; accepted September 26, 2018 Abstract: This article discusses the visual, textual, and musical aesthetics of selected concept albums (Vinyl/CD) by Afrofuturist musicians Erykah Badu and Janelle Monaé. It explores how the artists design alternate projections of world/subject relations through the development of artistic personas with speculative background narratives and the fictional emplacement of their music within alternate cultural imaginaries. It seeks to establish that both Erykah Badu and Janelle Monáe use the concept album as a platform to constitute their Afrofuturist artistic personas as fluid black female agents who are continuously in the process of becoming, evolving, and changing. They reinscribe instances of othering and exclusion by associating these with science fiction tropes of extraterrestrial, alien lives to express topical sociocultural criticism and promote social change in the context of contemporary U.S. American politics and black diasporic experience. Keywords: conceptual art, Afrofuturism, gender performance, black music, artistic persona We come in peace, but we mean business. (Janelle Monáe) In her Time’s up speech at the Grammys in January 2018, singer, songwriter, and actress Janelle Monáe sends out an assertive message from women to the music industry and the world in general. She repurposes the ambivalent first encounter trope “we come in peace” by turning it into a manifest for a present-day feminist movement. Merging futuristic, utopian ideas with contemporary political concerns pervades Monáe’s public appearances as much as it runs like a thread through her music.
    [Show full text]
  • Price Record Store Day 2019 Releases Price Follow Us on Twitter
    Follow us on twitter @PiccadillyRecs for Follow us on twitter @PiccadillyRecs for Price ✓ Record Store Day 2019 Releases Price ✓ Price ✓ Record Store Day 2019 Releases Price ✓ updates on items selling out etc. updates on items selling out etc. 7" SINGLES 7" 14.99 Queen : Bohemian Rhapsody/I'm In Love With My Car 12" 22.99 John Grant : Remixes Are Also Magic 12" 9.99 Lonnie Liston Smith : Space Princess 7" 12.99 Anderson .Paak : Bubblin' 7" 13.99 Sharon Ridley : Where Did You Learn To Make Love The 12" Way You 11.99Do Hipnotic : Are You Lonely? 12" 10.99 Soul Mekanik : Go Upstairs/Echo Beach (feat. Isabelle Antena) 7" 16.99 Azymuth : Demos 1973-75: Castelo (Version 1)/Juntos Mais 7" Uma Vez9.99 Saint Etienne : Saturday Boy 12" 9.99 Honeyblood : The Third Degree/She's A Nightmare 12" 11.99 Spirit : Spirit - Original Mix/Zaf & Phil Asher Edit 7" 10.99 Bad Religion : My Sanity/Chaos From Within 7" 12.99 Shit Girlfriend : Dress Like Cher/Socks On The Beach 12" 13.99 Hot 8 Brass Band : Working Together E.P. 12" 9.99 Stalawa : In East Africa 7" 9.99 Erykah Badu & Jame Poyser : Tempted 7" 10.99 Smiles/Astronauts, etc : Just A Star 12" 9.99 Freddie Hubbard : Little Sunflower 12" 10.99 Joe Strummer : The Rockfield Studio Tracks 7" 6.99 Julien Baker : Red Door 7" 15.99 The Specials : 10 Commandments/You're Wondering Now 12" 15.99 iDKHOW : 1981 Extended Play EP 12" 19.99 Suicide : Dream Baby Dream 7" 6.99 Bang Bang Romeo : Cemetry/Creep 7" 10.99 Vivian Stanshall & Gargantuan Chums (John Entwistle & Keith12" Moon)14.99 : SuspicionIdles : Meat EP/Meta EP 10" 13.99 Supergrass : Pumping On Your Stereo/Mary 7" 12.99 Darrell Banks : Open The Door To Your Heart (Vocal & Instrumental) 7" 8.99 The Straight Arrows : Another Day In The City 10" 15.99 Japan : Life In Tokyo/Quiet Life 12" 17.99 Swervedriver : Reflections/Think I'm Gonna Feel Better 7" 8.99 Big Stick : Drag Racing 7" 10.99 Tindersticks : Willow (Feat.
    [Show full text]
  • Astral Weeks? – It’S Not Just Me, …
    ASTRAL WEEKS? – IT’S NOT JUST ME, … THE RECORDING Van: “The entire LP was recorded in two eight-hour sessions, plus two overdub sessions. That was the whole album.” (Yorke p.51). Astral Weeks was recorded in just two sessions (48 hours) at Century Sound Studios, on West 52nd Street in New York (25 September & 15 October 1968), using NY session (jazz) musicians: Richard Davis (bass), Connie Kay (drums) from the Modern Jazz Quartet, Warren Smith Jr. (percussionist/vibraphone), John Payne (flute/soprano saxophone), and Jay Berliner (guitar), chosen by Lew Merenstein (Producer) in consultation with Richard Davis (bassist). “Merenstein received a call from Warner Bros: ‘We’ve signed Van Morrison, go up to Boston, see what he’s got’. … Morrison played Merenstein his song Astral Weeks: ‘Thirty seconds into it my whole being was vibrating … I had to be the producer to do it. Not that producer, not that producer, regardless of their accomplishments. It had to be Richard (Davis), not that bass player, I don’t want to sound existential, but there was Van, and that was it; there was no band, there were no arrangements, the direction was him singing and playing – that was where I followed. That’s why it came out like it did. To this day, it gives me pain to hear it; pain is the wrong word – I’m so moved by it.” (Marcus p.52-8). Lew Merenstein (Producer): “The musical energy of Astral Weeks came from the great players. That was the jazz background that I had, and that I brought in to it.
    [Show full text]
  • Venturing in the Slipstream
    VENTURING IN THE SLIPSTREAM THE PLACES OF VAN MORRISON’S SONGWRITING Geoff Munns BA, MLitt, MEd (hons), PhD (University of New England) A thesis submitted for the degree of Doctor of Philosophy of Western Sydney University, October 2019. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................. Geoff Munns ii Abstract This thesis explores the use of place in Van Morrison’s songwriting. The central argument is that he employs place in many of his songs at lyrical and musical levels, and that this use of place as a poetic and aural device both defines and distinguishes his work. This argument is widely supported by Van Morrison scholars and critics. The main research question is: What are the ways that Van Morrison employs the concept of place to explore the wider themes of his writing across his career from 1965 onwards? This question was reached from a critical analysis of Van Morrison’s songs and recordings. A position was taken up in the study that the songwriter’s lyrics might be closely read and appreciated as song texts, and this reading could offer important insights into the scope of his life and work as a songwriter. The analysis is best described as an analytical and interpretive approach, involving a simultaneous reading and listening to each song and examining them as speech acts.
    [Show full text]
  • 2013 R&B Festival at Metrotech Kicks Off A
    2013 R&B Festival at MetroTech kicks off a summer of free live funk, dub, Afrobeat, brass band, West African, blues, and soul Thursdays (except Avery*Sunshine on Wednesday, July 3) Jun 6—Aug 8, 12—2pm MetroTech Commons June 6: Mint Condition June 13: Bobby Rush June 20: Kaleta & ZoZo Afrobeat June 27: Stooges Brass Band July 3: Avery*Sunshine July 11: Sly & Robbie featuring Bunny Rugs from Third World July 18: Fatoumata Diawara July 25: Bombino Aug 1: Sheila E. Aug 8: Shuggie Otis First New York Partners is the Presenting Sponsor of the 2013 R&B Festival at MetroTech. Brooklyn, NY/May 2, 2012—BAM announces the 2013 BAM R&B Festival at MetroTech. Now in its 19th year, the festival continues to feature R&B legends alongside vibrant and groundbreaking newcomers with 10 free outdoor concerts from June 6 through August 8. Event producer Danny Kapilian said, "With this year's 19th annual BAM R&B Festival, the total number of artists who have graced our stage reaches 202! (Booker T & the MG's remains the only act to perform twice). Classic stars making their MetroTech debuts in 2013 include the Twin City funk/pop legends Mint Condition (opening on June 6th), Chicago's timeless star Bobby Rush bandleader, percussionist, and Prince alumnus Sheila E and Mr. "Strawberry Letter 23" himself Shuggie Otis (closing on August 8th). New Orleans funk returns with the fabulous Stooges Brass Band, and contemporary soul diva Avery*Sunshine spreads her love and music on July 3rd (the season's only Wednesday afternoon concert, due to the holiday).
    [Show full text]
  • No Prima Donna, the Songs of Van Morrison Mp3, Flac, Wma
    Various No Prima Donna, The Songs Of Van Morrison mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Funk / Soul / Pop Album: No Prima Donna, The Songs Of Van Morrison Country: Netherlands Released: 1994 MP3 version RAR size: 1696 mb FLAC version RAR size: 1767 mb WMA version RAR size: 1298 mb Rating: 4.5 Votes: 686 Other Formats: AUD MP4 MMF MP2 MIDI AIFF VOX Tracklist Hide Credits You Make Me Feel So Free 1 –Sinéad O'Connor Backing Vocals – Brian Kennedy, Liam Bradley, Phil CoulterVocals 4:46 – Sinéad O'Connor Queen Of The Slipstream 2 –Brian Kennedy 4:33 Vocals – Brian Kennedy Coney Island 3 –Liam Neeson Bagpipes [Uilleann], Whistle – Declan MastersonVoice Actor 2:23 [Voice Over] – Liam Neeson Crazy Love 4 –Cassandra Wilson 3:11 Vocals – Cassandra Wilson Bright Side Of The Road Bass – Peter O'TooleDrums – Jerry FehilyElectric Guitar – Fiachna 5 –Hot House Flowers* 5:04 O'BraonainPiano, Vocals – Liam O'Maonlai*Saxophone, Organ [Hammond] – Leo Barnes –Brian Kennedy & Irish Heartbeat 6 4:56 Shana Morrison Vocals – Brian Kennedy, Shana Morrison Full Force Gale 7 –Elvis Costello 3:01 Backing Vocals – The Voice SquadVocals – Elvis Costello Tupelo Honey –Phil Coulter 8 Arranged By, Conductor – Phil CoulterCor Anglais – Derek 3:26 Orchestra* BellOrchestra – Irish Chamber Orchestra Madame George 9 –Marianne Faithfull 4:47 Backing Vocals – Shana MorrisonVocals – Marianne Faithfull Friday's Child 10 –Lisa Stansfield Backing Vocals – Aileen Pringle, Carol KeeganVocals – Lisa 3:47 Stansfield Companies, etc. Phonographic Copyright (p) – Exile
    [Show full text]
  • Phil's Picks - Greatest Albums of All Times
    Phil's Picks - Greatest Albums of All Times Forever Changes, Love Village Green Preservation Society, The Kinks Da Capo, Love Rockers motion picture soundtrack Four Sale, Love On the Beach, Neil Young Catch the Wind, Donovan Neil Young, Neil Young Revolver, Beatles After the Gold Rush, Neil Young Rubber Soul, Beatles Covers Record, Cat Power Magical Mystery Tour, Beatles You Are Free, Cat Power Terry Reid, Terry Reid Doolittle, Pixies Laughing Stock, Talk Talk Roman Candle, Elliot Smith Last Laugh, The Brigade The Notorious Byrd Brothers, The Byrds Rosemary Lane, Bert Jansch Fifth Dimension, The Byrds Moonshine, Bert Jansch Songs, Leonard Cohen Nicola/Birthday Blues, Bert Jansch Desire, Bob Dylan Happy Sad, Tim Buckley I Just Can’t Stop It, The English Beat Dream Letter, Tim Buckley Axis: Bold as Love, Jimi Hendrix Five Leaves Left, Nick Drake Tea for the Tillerman, Cat Stevens Bryter Layter, Nick Drake Talking Heads ’77, Talking Heads Pink Moon, Nick Drake Who’s Next? The Who Astral Weeks, Van Morrison English Settlement, XTC Veedon Fleece, Van Morrison Birds of My Neighborhood, Innocence Mission Vaersgo, Kim Larsen We Walked in Song, Innocence Mission The Doors, The Doors Renaissance, The Association Strange Days, The Doors One Nation Underground, Pearls Before Swine The Boy with the Arab Strap, Belle and Sebastian I Retur, Turid .
    [Show full text]
  • PHILLIPS End to BEGINNING
    MAY 2019—ISSUE 205 YOUR FREE guide TO tHe NYC JAZZ sCENE NYCJAZZRECORD.COM BARRE PHILLIPS END TO BEGINNING janis simon mulatu danny siegel nabatov astatke barker Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2019—ISSUE 205 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@nigHt 4 Laurence Donohue-Greene: interview : janis siegel 6 by jim motavalli [email protected] Andrey Henkin: artist Feature : simon nabatov 7 by john sharpe [email protected] General Inquiries: on The Cover : barre pHillips 8 by andrey henkin [email protected] Advertising: enCore : mulatu astatke 10 by mike cobb [email protected] Calendar: lest we Forget : danny barker 10 by john pietaro [email protected] VOXNews: LAbel spotligHt : pfMENTUM 11 by robert bush [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or obituaries 12 by andrey henkin money order to the address above or email [email protected] Cd reviews 14 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, misCellany 33 Marco Cangiano, Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, event Calendar Tom Greenland, George Grella, 34 Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Mike Cobb, Pierre Crépon, George Kanzler, Steven Loewy, Franz Matzner, If jazz is inherently, wonderfully, about uncertainty, about where that next note is going to Annie Murnighan, Eric Wendell come from and how it will interact with all that happening around it, the same can be said for a career in jazz.
    [Show full text]
  • 1 Marvin Gaye What's Going on 2 Otis Redding
    1 Marvin Gaye What's going on 2 Otis Redding (Sittin' on) The dock of the bay 3 Amy Winehouse Back to black 4 Marvin Gaye Let's get it on 5 Kyteman Sorry 6 Bill Withers Ain't no sunshine 7 Stevie Wonder Superstition 8 John Legend All of me 9 Aretha Franklin Respect 10 Miles Davis So what 11 Sam Cooke A change is gonna come 12 Curtis Mayfield Move on up 13 Al Green Let's stay together 14 James Brown It's a man's man's man's world 15 Michael Jackson Billie Jean 16 Gregory Porter Be good (lion's song) 17 Temptations Papa was a rollin' stone 18 Beyonce ft. Jay-Z Crazy in love 19 Dave Brubeck Take five 20 Earth Wind & Fire September 21 Erykah Badu Tyrone (live) 22 Gregory Porter 1960 what 23 Stevie Wonder As 24 Daft Punk ft. Pharrell & Nile RodgersGet lucky 25 Gladys Knight & The Pips Midnight train to Georgia 26 James Brown Sex machine 27 Michael Kiwanuka Home again 28 Michael Jackson Don't stop 'till you get enough 29 B.B. King The thrill is gone 30 Luther Vandross Never too much 31 Stevie Wonder Sir Duke 32 Michael Jackson Off the wall 33 Donny Hathaway A song for you 34 Bobby Womack Across 110th street 35 Earth Wind & Fire Fantasy 36 Bill Withers Grandma's hands 37 Roots ft. Cody Chesnutt The seed (2.0) 38 Billy Paul Me and mrs Jones 39 Marvin Gaye I heard it through the grapevine 40 Etta James At last 41 Chaka Khan I'm every woman 42 Bill Withers Lovely day 43 Giovanca How does it feel 44 Isaac Hayes Theme from Shaft 45 Alicia Keys Empire state of mind (part 2) 46 Chic Le freak 47 Dusty Springfield Son of a preacher man 48 Pharrell Happy
    [Show full text]