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Pancha Rathas, the Five Stone Temples of the Mahabalipuram Site: Opportunity to Revive Its Lost Garden Heritage Through Ecotourism
Licensed under a Creative Commons Cadernos de Arquitetura e Urbanismo | Paranoá 28 Attribution International License. Pancha rathas, the five stone temples of the Mahabalipuram site: opportunity to revive its lost garden heritage through ecotourism Pancha rathas, os cinco templos de pedra do sítio de Mahabalipuram: oportunidade de reviver sua herança de jardins perdidos por meio do ecoturismo Pancha rathas, los cinco templos de piedra del sitio Mahabalipuram: oportunidad de revivir su herencia de jardines perdidos a través del ecoturismo AHMED, Sayed 1 1 Anhalt University of Applied Sciences, Dessau, Germany. [email protected] ORCID ID: 0000-0003-1384-7668 Recebido em 18/04/2020 Aceito em 31/07/2020 2020, © Copyright by Authors. DOI: http://doi.org/10.18830/issn.1679-0944.n28.2020.07 Licensed under a Creative Commons Cadernos de Arquitetura e Urbanismo | Paranoá 28 Attribution International License. Abstract Heritage and landscape development may take place within the heritage assemble procedure. The study presents a case of Stone heritage, characterized by an important intangible Vedic chanting heritage which again linked to the seashore forest and Pallava temple architecture. The purpose is to search diverse physiognomies of what opportunity exists in natural context and its playing role with the built heritage and eco-tourism. The methodology includes an extensive literature review of previous texts and collecting key factors out of those literary and pictorial data for historical evidence proved analysis. The results developed from a scientific approach over such case where ethnology, ancient technology and architectural style might have lost its authenticity and integrity for robust deforestation of associated garden heritage over different courses of time just because of the absence of boundary and buffer zone concept. -
Pallav Architecture
PALLAV ARCHITECTURE The great Pallavas of Kanchi rose to power in the latter of the sixth century. Their coming marks an important epoch in the history of south Indian architecture. Politically and Geographically they dominated the southern region continuously until the ninth century A.D. Mahendravarman I (C. 580 – 630 A.D) inherited from his father SimhaVisnu a vast empire extending from the river pennaras far as the Kaveri. The First rock-cut architecture of Mahendra Varman I was the Laksitayatana Trimurti cave temple at Mandagapattu, hewn out of granite. The inscription in this cave states: “This brick less, timber less, metal less and mortar less abode of laksita was caused to be made by king Vicitracitta for Brahma, Isvara and Vishnu. King Mahendra caused nine temples, similar to the Laksitayatana cave temple Mandagapattu, to be excavated, they are:- The Pancha Pandava cave at Pallavaram the Rudravalisvaram or cave temple no. 2 at Mamandur. The Kalmandapam at Kuranganilmuttam the vasantesvara or the larger cave temple at vallam. The Mahendra Visnugriha at Mahendravadi the Visnu cave temple at Mamandur the Lalitankura Pallavesuaragriha (upper cave) at Tiruchirapalli. The Satrumalles Varalaya at Dalvanur and the Avinabhajana Pallavesvara Griha at Siyamangalam. These cave temples imitated the interiors of structural buildings made out of more perishable material like wood. The mandapa is divided into the Mukha and ardha mandapa. Under the patronage of the successors of Mahendravraman I, namely Nararsimhavarman II Rajasimha a series of cave temples were excavated. Since they followMahendra’s style rather closely, they are designated as belonging to the post-mahendra style. -
Daily Current Affair Capsule 19Th February 2021
Daily Current Affair Capsule 19th February 2021 Which of the following state has निम्नलिखित में से किस राज्य ने हर दिन launched a scheme to providing छात्राओं को 200 मिली दूध देने की 200ml of milk every to girl योजना शुरू की है? students day? A. महाराष्ट्र A. Maharashtra B. राजस्थान B. Rajasthan C. उतार प्रदेश C. Uttar Pradesh D. D. Sikkim सिक्किम ● Facebook has blocked Australian users from sharing or viewing news content on the platform, causing alarm over public access to key information. ● Several government health, emergency and other pages were also blocked. Later the tech giant asserted it was a mistake. ● Those outside of Australia are also unable to read or access any Australian news publications on the platform. ● फेसबुक ने ऑस्ट्रेलियाई उपयोगकर्ताओं को मंच पर समाचार सामग्री साझा करने या देखने से रोक दिया है, जिससे महत्वपूर्ण जानकारी के लिए सार्वजनिक पहुंच पर अलार्म हो गया है। ● कई सरकारी स्वास्थ्य, आपातकाल और अन्य पृष्ठों को भी अवरुद्ध कर दिया गया था। बाद में टेक दिग्गज ने कहा कि यह एक गलती थी। ● ऑस्ट्रेलिया के बाहर के लोग भी मंच पर किसी भी ऑस्ट्रेलियाई समाचार प्रकाशन को पढ़ने या उस तक पहुंचने में असमर्थ थे। 3 4 Which of the following state निम्नलिखित में से किस राज्य सरकार government has launched fiber- 20 optic network to provide free ने लाख परिवारों को मुफ्त इंटरनेट internet to 20 lakh families? प्रदान करने के लिए फाइबर-ऑप्टिक A. -
Vimana: a Crisis of Translation
Syracuse University SURFACE School of Architecture Dissertations and Architecture Senior Theses Theses Spring 2019 Vimana: A Crisis of Translation Apoorva Rao Syracuse University Follow this and additional works at: https://surface.syr.edu/architecture_theses Part of the Architecture Commons Recommended Citation Rao, Apoorva, "Vimana: A Crisis of Translation" (2019). Architecture Senior Theses. 436. https://surface.syr.edu/architecture_theses/436 This Thesis, Senior is brought to you for free and open access by the School of Architecture Dissertations and Theses at SURFACE. It has been accepted for inclusion in Architecture Senior Theses by an authorized administrator of SURFACE. For more information, please contact [email protected]. 1 01 A Crisis of Translation VIMANA 3 Apoorva Rao Advisor: Richard Rosa Syracuse University School of Architecture Advisory Group: Richard Rosa, Elizabeth Kamell, Timothy Stenson ACKNOWLEDGMENTS 00 A Sincere thanks to Eli Warshauer C. Ravindran from Vastulab Syracuse University Ellie Derwenskus Dr. Choodamani Nandagopal, School of Architecture Amreeta Verma and Neha Tummalapalli Rajendra Uncle and Family for the Ralph T. Walker Sukhmann Aneja Travel Prize which Fatima Mohammad for the references regarding allowed me to travel Ramya Swaminathan hindu temple architecture, to India to do extended Karisma Dev answering questions, research on South Ife(Debbie) and taking me to sites in Indian temples. Arezo Hakemy Karnataka and Tamil Nadu. Prof. Romita Ray Kapoor, for model and drawing Prof. Lawrence Chua, help, taking photos of Prof. Richard Rosa models and help with verbal presentation for reading references, refinement. continued support, and design help. additional SuperJury pinup , Dora Lo Ethan Benoit Christopher Autera 7 CONTENTS 01 MANIFESTO 02 PROLOGUE 03 HINDU TEMPLES 04 DESIGN 05 APPENDIX A. -
A Study of Natural Light in Hindu Temples in the Southern Region of Tamilnadu, India (7' Century AD to 17' Century AD)
THE HOLY LIGHT: A STUDY OF NATURAL LIGHT IN HINDU TEMPLES IN THE SOUTHERN REGION OF TAMILNADU, INDIA (7 CENTURY AD TO 17 CENTURY AD) A Thesis by ANURADHA MUKHERJI Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE August 2001 Major Subject: Architecture THE HOLY LIGHT: A STUDY OF NATURAL LIGHT IN HINDU TEMPLES IN THE SOUTHERN REGION OF TAMILNADU, INDIA (7 CENTURY AD TO 17 CENTURY AD) A Thesis by ANURADHA MUKHERJI Submitted to Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Approved as to style and content by: Anat Geva David G. Woodcock (Chair of Committee) (Member) Sylv' Grider (Member) Thomas L. McKittrick (Head of Department) August 2001 Major Subject: Architecture ABSTRACT Thc Holy Light: A Study of Natural Light in Hindu Temples in the Southern Region of Tamilnadu, India (7' Century AD to 17' Century AD). (August 2001) Anuradha Mukherji, Dip. Arch. , Center for Environmental Planning and Technology, India Chair of Advisory Committee: Dr. Anat Geva This thesis discusses the phenomenon of natural light that becomes the holy light in sacred architecture. In pursuing this investigation the study addressed three major objectives. First, to understand the significance of religion in the treatment of light in sacred monmnents around the world. Second, to understand the methods used to achieve the desired light quality in the ancient south Indian Hindu temples. Third, to add to the existing body of knowledge in the field of study of ancient south Indian Hindu temples. -
Famous Temples in India
Famous Temples in India Famous Temples of India No. Famous Temple Location Nearest River/Lake 1. Badrinath Temple Badrinath, Uttarakhand Alaknanda River 2. Kedarnath Temple Kedarnath, Uttarakhand Mandakini River 3. Kashi Vishwanath Varanasi, Uttar Pradesh Ganga River Temple 4. Golden Temple Amritsar, Punjab Ravi River 5. Amarnath Temple Pahalgam, Jammu & Amaravati River Kashmir 6. Vaishno Devi Temple Jammu & Kashmir Devika River 7. Akshardham Temple New Delhi Yamuna River 8. Konark Sun Temple Konark, Odisha Chandrabhaga River 9. Brihadeeswara Temple Thanjavur, Tamil Nadu Kollidam River 10. Lingaraj Temple Bhubaneshwar, Odisha - 11. Somnath Temple Saurashtra, Gujarat - 12. Jagannath Temple Puri, Odisha Chilika Lake 13. Kamakhya Temple Guwahati, Assam Brahmaputra River 14. Shani Shingnapur Ahmednagar, Maharashtra - Temple 15. Shirdi Sai Baba Temple Shirdi, Maharashtra - 16. Dilwara Temples Mount Abu, Rajasthan Banas River 17. Khajuraho Temples Khajuraho, Madhya - Pradesh 18. Tirupati Balaji Temple Tirumala, Andhra Pradesh Pushkarini River (Tirumala Venkateshwara) 19. Virupaksha Temple Hampi, Karnataka Tungabhadra River (Pampapathi temple) 20. Siddhivinayak Temple- Mumbai, Maharashtra Bhima River (Dedicated to Lord Ganesha) 21. Meenakshi Temple Madurai, Tamil Nadu Vaigai River 22. Vitthala Temple Hampi, Karnataka Tungabhadra River 23. Ramanathaswamy Rameswaram, Tamil Nadu Rameswaram Temple 24. Airavateswara Temple Darasuram, Tamil Nadu Kollidam River 25. Sanchi Stupa Raisen, Madhya Pradesh - 26. Yamunotri Temple Uttarkashi, Uttarakhand Yamunotri River 27. Bahai Temple New Delhi - 28. Padmanabhaswamy Thiruvananthapuram, - Temple Kerala 29. Dakshineswar Kali Kolkata, West Bengal Hooghly River Temple 30. Kandariya Mahadeva Madhya Pradesh - Temple 31. Gomateshwara Hassan district, Karnataka - Bahubali Temple 32. Nataraja Temple Chidambaram, Tamil Nadu - 33. Sabarimala Temple Pathanamthitta, Kerala Pamba River 34. Mahakaleshwar Temple Ujjain, Madhya Pradesh Shipra River 35. -
Indian Famous Festivals and Fairs
Indian famous festivals and fairs Festival and fairs name Indian States Durga Puja Nandikar National Theatre Festival Gangasagar Mela West Bengal Bengali Nava Barsha Kenduli Mela Bishnupur Festival Rakhadumni - Rakhi Kullu Dussehra Himanchal Sati Pradha Mela Pradesh Dharamshala International Film Festival Dham Sindhu Darshan Festival Ladakh International Film Festival Jammu and Kashmiri Hindu festivals Kashmir Galdan Namchot Dosmoche Accession Day Vat Purnima Pola Maharastra Gudi Padwa Anant Chaturdashi Malhar (festival) Ganesh Chaturthi Sharad Purnima Gangaur Teej Rajasthan Urs festival Ajmer Pushkar Fair Elephant Festival Lathmar Holi Uttar Lucknow Mahotsav Pradesh Ram Barat Bundeli Utsav Ram Barat Barsana Holi Holi Diwali Nirjala Ekadashi Bastar Lokotsav Bastar Dussehra Chhattisgarh Dadaria Rajim Kumbh Nara Narayan Mela Gaur Maria Dance Madai Festival Chhattisgarh Rajyotsav Yaosang Manipur Sangai festival Sajibu Nongma Panba Maramfest Lai Haraoba Gaan-Ngai Pawl Kut Mizoram Mim Kut Chapchar Kut Vaisakhi Mela Maghi Jor Mela Punjab Lohri Amritsar Heritage Festival Kila Raipur Sports Festival Chhath Jivitputrika Bihar Rajgir Mahotsav Sama Chakeva Jivitputrika Patliputra Natya Mahotsav Patna Sahib Mahotsav Bihar Diwas Ugadi Vaikuntha Ekadashi Andhra Kusarlapudi Pradesh Alagu Sevai Deepothsavam Gangamma Jatara Godavari Maha Pushkaram Sirimanothsavam Gowri Habba Torgya Arunachal Nyokum Pradesh Pham Kho Sowai BASCON Festival Mopin Murung Si-Donyi Festival Ali Ai Ligang Porag Assam Rongker Gaan-Ngai Bohag Bihu Bohuwa dance Bihu Ali Ai Ligang -
Rock CUT ARCHITECTURE)
1 TM Newspaper Analysis Programe WORKSHEeT -10 (UPSC PTcumMAINS-2020) (Rock CUT ARCHITECTURE) Rock Cut Architecture NEWSPAPER ANALYSIS PROGRAMME – WORK-SHEET Part - 10 Copyright © Aspire IAS All rights are reserved. No part of this document may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission of Aspire lAS. 2 TM Newspaper Analysis Programe WORKSHEeT -10 (UPSC PTcumMAINS-2020) (Rock CUT ARCHITECTURE) Rock cut architecture of Bihar. Some of these caves, most of which The Rock-cut structures present the most trace back to the 3rd century BC during the rule of spectacular piece of ancient Indian art specimen. the Maurya Empire (322–185 BCE), bear Most of the rock-cut structures were closely Ashokan inscriptions. These caves from the time associated with various religions and religious of the great Indian emperor Ashoka and his activities. In the beginning, remarkable Buddhist grandson, Dasharatha speak volume of the policy and Jain rock-cut structures were built in areas of religious tolerance undertaken by the two such as Bihar in the east and Maharashtra in the emperors who were otherwise Buddhists. west. Numerous caves were excavated by the Different Jain sects also thrived under their rule. Buddhist monks for prayer and residence purposes. The best example of this is Chaityas The Barabar Caves, BIHAR (prayer halls) and viharas (monasteries). Inside The Barabar Caves are the oldest examples of these rock-cut structures, windows and balconies Buddhist rock-cut architecture. and gates were carved as huge arch shaped openings. -
Culture and Tourism: a Study of Sikkim
CULTURE AND TOURISM: A STUDY OF SIKKIM Submitted by Prabesika Pradhan 11SU4297 Dissertation submitted in partial fulfillment of the requirements for the degree of Master of Philosophy in the department of political science Department of political science School of Social Sciences Sikkim University Sikkim 2016 08th February 2016 DECLARATION I, Prabesika Pradhan hereby declare that the subject matter of this dissertation is the record of work done by me, that the contents of this dissertation did not form basis for the award of any previous degree to me or to the best of my knowledge to anybody else, and that the dissertation has not been submitted by me for any research degree in any other university/institute. This is being submitted in partial fulfillment of the requirements for the degree of Master of Philosophy in the Department of political science, School of Social Sciences, Sikkim University. Name: Prabesika Pradhan Regd. No: 11SU4297 We recommend that this dissertation be placed before the examiners for evaluation. Dr. Durga Prasad Chhetri Dr. Amit Kr. Gupta Head of the Department Supervisor CERTIFICATE This is to certify that the dissertation entitled “CULTURE AND TOURISM: A STUDY OF SIKKIM” submitted to Sikkim University in partial fulfillment of the requirements for the degree of Master of Philosophy in Political Science is the result of bona fide research work carried out by Miss PRABESIKA PRADHAN under my guidance and supervision. No part of the dissertation has been submitted for any other degree, diploma, associate - ship and fellowship. All the assistance and help received during the course of the investigation have been duly acknowledged by her. -
Rock Art (Part-2)
Rock Art (Part-2) drishtiias.com/printpdf/rock-art-part-2 Rock Art (Part-I) Rock-Cut Architecture About: The rock-cut architecture is a type of Rock Art in which a structure is created by carving it out of solid natural rock. Cave temples and monasteries are found in many parts of India, but the largest and most famous artificial caves were excavated from Western Deccan region. It was constructed during the regime of the Satavahana rulers and their successors. Timeline: This architecture had three definite phases; The earliest dating from the 2nd century BC to 2nd century AD The second from the 5th to 7th century The last from the 7th to 10th century Significance: Rock-cut architecture occupies a very important place in the history of Indian Architecture as they present the most spectacular piece of ancient Indian art specimen. Most of the rock-cut structures were closely associated with various religions and religious activities. Numerous caves were excavated by the Buddhist monks for prayer and residence purposes. The rock-cut architecture differs from traditional buildings in many ways. It is more similar to sculpture than architecture, as structures were produced by cutting out solid rocks. The architectures are classified into Rock-Cut Caves and Rock-Cut Temple Architecture. 1/7 Rock-Cut Caves Mauryan period: The earliest rock-cut caves in India are attributed to the Mauryan period, mainly to Ashoka (273-232 BC) and his grandson Dasharath. Caves in this period were generally used as viharas, i.e. living quarters, by the Jain and Buddhist monks. -
Brouchure 3.Cdr
Growth Aligned to Sustainable Development Conceputual Framework of KNCCI Board of Directors Mr. P. Viswanathan Mr. G. Ramakrishna Reddy Mr. M. Anandkumar Mr. J. Sethuraman Mr. P. Madhusudhanan Mr. S. Vijayakumar Mr. T. Kurinchiselvan Mr. Ganesan Hari Narayanan (Japan) (Japan) Mr. Kiyohito Okida (Japan) P. VISWANATHAN Chairman Former Member of Parliament, Message from Chairman Former Director - State Bank of India (Local Board) Dear KNCCI stakeholders It's always a pleasure to engage with KNCCI members. Since our inception, with your support we have come this long way. is year we are realigning ourselves with the concept of sustainable development which has become a necessity for all of us irrespective of the sectors we come from. Public Advocacy at the highest level of governance in the country the concept of sustainable development has become entrenched in every decision each undertaken. As our family has grown and needs of socio-economic scenario have changed we have come up with a ve-year plan with specic sectors to focus upon each year besides as always any specic need from other sectors to be addressed upon on priority. Sports and culture are always interwoven. With the upcoming Tokyo 2021 Olympics and suggestion to have a cultural exchange programme from our Japanese friends, we will be conducting two initiatives this year leading to the Tokyo games. We are sure your participation in both is bound to have long-lasting value creation as desired. Yours sincerely, Draupadi Ratha, Mahabalipuram, Tamil Nadu Japanese shrine in Kiyomizu temple, Kyoto, Japan 1 KNCCI Concept Paper KNCCI was established as a non-prot organization on 22 January 2014 with a purpose of enabling the growth of industries from small scale to large ones in Tamil Nadu. -
2 Art and Architecture of Tamil Nadu
Unit -2 Art and Architecture of Tamil Nadu Learning Objectives To understand the evolution of temple architecture in South India To gain knowledge about the cultural heritage of Tamils To know the contribution of Pallavas, Cholas, Vijayanagara and Nayak rulers to the development of temple art in Tamil Nadu Introduction Dravidian architecture is of indigenous origin. It advanced over time by a process of evolution. The earliest examples of the Tamil Dravidian architectural tradition were the 7th century rock-cut shrines at Mahabalipuram. The absence of monuments in South India prior to the 7th century is attributed by scholars to temples ought to have been built in wood, which were eventually Rock-cut Cave Temple, destroyed by forces of nature. In Tamil Nadu, the Mandagapattu evolution of temple architecture took place in five temples were initially built by carving a rock to the stages: (1) The Pallava Epoch (A.D. 600 to 850); (2) required design and then rocks were cut to build Early Chola Epoch (A.D. 850 to 1100); (3) Later temples. The Pallava king Mahendravarman was Chola Epoch (A.D. 1100 to 1350); (4) Vijayanagara/ a pioneer in rock-cut architecture. Mandagapattu Nayak Epoch (A.D. 1350 to 1600); and (5) Modern temple was the first rock-cut temple built by him. Epoch (After A.D. 1600). The rock-cut cave structure has two pillars in Pallava Epoch the front that hold it. All the cave temples have The Pallava epoch witnessed a transition simple sanctum cut on the rear side of the wall from rock-cut to free-standing temples.