Reading List Must Be Submitted to the Graduate Study Committee at Least Two Months Before the Written Examination
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Behind the “Powderworks”: Hannah Josephson and the Tin Flute
192CanLitSpring2007-6 3/22/07 3:29 PM Page 111 Agnes Whitfield Behind the “Powderworks”: Hannah Josephson and The Tin Flute Some time in the fall of 1946, when she was working on the English translation of Bonheur d’occasion for the New York publisher Reynal and Hitchcock, the version which would also be published in Toronto by McClelland & Stewart, the American translator Hannah Josephson com- mitted an unfortunate mistake. She was almost halfway through the book. The young heroine, Florentine, her thoughts full of Jean Lévesque, has just heard Emmanuel Létourneau’s declaration of love and wiped his kiss off her lips. Eugène, her brother, has enrolled in the army; her father, Azarius, is out of work. Her little brother Daniel’s illness is quickly worsening. Fore- shadowing the increasingly dramatic tensions of the novel, the start of the next chapter is marked by the fierce squalls of the close of winter: La fin de l’hiver s’entourait de nuages et de soudaines rafales. Tôt cet après-midi, des nuées basses s’étaient amassées sur le versant sud de la montagne et les vents avaient chargé le bas quartier. Vers huit heures du soir, la poudrerie se déchaîna. Les volets disjoints battaient; on entendait parfois comme une déchirure de zinc au toit des maisons; les arbres noirs se tordaient avec des craquements secs au coeur de leur tronc noueux; les vents crépitaient sous des poignées de grenade. Et la neige continuait à tourbil- lonner . (Roy 1945 197, my emphasis) Guided by European French usage, or simply unaware that “poudrerie” is the Quebec word for snowstorm, Josephson translated the portentous phrase, “la poudrerie se déchaîna” by “the powderworks exploded”: Canadian Literature / Spring 192CanLitSpring2007-6 3/22/07 3:29 PM Page 112 Hannah Josephson The winter was coming to an end in overcast skies and sudden squalls. -
The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian -
“This Is About Me”: a Consideration of Spirituality and Desire in Avison's Poems
164 “This is about me”: A Consideration of Spirituality and Desire in Avison’s Poems by Elizabeth Davey When we reflect on the poetic legacy of Margaret Avison, we think of a giant or, as noted in one obituary, a “‘titan’ in modern Canadian poetry” (Kubacki) incongruously embodied in this shy, diminutive woman. Critics have long admired her often-dense poetry, attracted to her “ironically allu- sive manner” and her “spiritualized syntax” (Merrett 95, Starnino 139). David Jeffrey commends her for her “testimony to a philosophical and spiritual progress” (59). “Margaret Avison has probed and celebrated how we apprehend and envision the natural world,” Robert Merrett notes, “in the process acutely yet tactfully embodying the metaphysical issues that stem from our sensations and imaginations” (95). In the mining of her rich poems, admirers have taken cues from her careful selection of subjects in lyrics of complexity and ambiguity. We expect demanding intellectual and spiritual exercise from engaging in the process. I have wondered, though, at her and our reticence to explore one particular subject, perhaps because of assumptions we make about her status as an unmarried woman and her proclivity to eschew conversation about her private life. Little—but not nothing—is said in Avison’s poems about intimacy and sexuality, reinforc- ing our silence. If we put on different lenses of inquiry, we discover several clues that validate the poet’s experience and occasional expression of desire. To begin, it would be inaccurate to assume that because Avison never married, she did not know passion or experience sexual desire. -
Open Wide a Wilderness Canadian Nature Poems
Open Wide a Wilderness Canadian Nature Poems Edited by NANCY HOLMES Introduction by DON MCKAY Wilfrid Laurier University Press IfwuTH Contents xv PREFACE xvii ACKNOWLEDGEMENTS I INTRODUCTION: "GREAT FLINT SINGING" BY DON MCKAY THE POEMS 35 Thomas Cary from Abram's Plain 38 Adam Allan A Description of the Great Falls, of the River Saint lohn, in the Province of New Brunswick 40 Ann Cuthbert Knight from A Year in Canada 41 Adam Hood Burwell from Talbot Road 44 Standish O'Grady from The Emigrant 46 Adam Kidd from The Huron Chief 48 William Kirby from The U.E., "Niagara" 50 Alexander McLachlan The Hall of Shadows 53 Charles Sangster from The St. Lawrence and theSaguenay 55 George Martin The lewelled Trees 57 Charles Mair The Last Bison 63. Isabella V.Crawford The Lily Bed 65 Isabella V. Crawford from Malcolm's Katie 67 Ethelwyn Wetherald Unheard Niagaras 68 Ethelwyn Wetherald The Horned Larks in Winter 69 Susan Frances Harrison Rhapsodie (II) [Seranus] 70 Susan Frances Harrison A Canadian Anthology [Seranus] 73 Wilfred Campbell Indian Summer 74 Wilfred Campbell How One Winter Came in the Lake Region 75 Charles G. D. Roberts The Clearing 76 Charles G. D. Roberts from'Ave!" 80 Charles G. D. Roberts The Skater 81 Bliss Carman A Vagabond Song 82 Bliss Carman Vestigia 83 Pauline Johnson The Flight of the Crows (Tekahionwake) 85 Pauline Johnson The Camper (Tekahionwake) 86 Archibald Lampman Freedom 88 Archibald Lampman In November 90 Archibald Lampman To the Ottawa River 91 Archibald Lampman On the Companionship with Nature 92 Frederick G. -
DOCUMENT RESUME BD 055 010 SO 001 939 Project Canada West
DOCUMENT RESUME BD 055 010 SO 001 939 TITLE Project Canada West. Urbanization as Seen Through Canadian Writings. INSTITUTION Western Curriculum Project on Canada Studies, Edmonton (Alberta). PUB DATE Jun 71 NOTE 105p. EDRS PRICE 1F-$0.65 HC-$6.58 DESCRIPTORS Curriculum Development; *Environmental Education; Interdisciplinary Approach; Literature; *Literature Programs; Projects; Self Concept; Senior High Schools; Social Problems; *Social Studies; Urban Culture; Urban Environment; *Urbanization; *Urban Studies IDENTIFIERS Canada; *Project Canada West ABSTRACT Facing the reality that students have become very aware of their environment and the problems we face merely to survive, and being aware of the alienation of a person as urbanization increases, the project staff decided to develop a curriculum to examine the urban environment through the works of Canadian writers, poets, novelists, etc. IR this way, tenth, eleventh, and twelfth grade students could confront some of the major concerns; become involved personally, though vicariously, in the lives and situations of individuals; and, learn about himself, his place, his role in urban society, and his Canadian literary heritage. The content selection and coMpilation of the writings was from a national point of view related to all parts of Canadian urbanization. The materials accumulated or referred to them during six months are included here in various categories taking into consideration the physical and human elements of each work:1) Faces of the City: descriptions, rejection of and attraction to the city; 2) Faces in the City: dwellers life styles, reactions, age, ef'-nic groups, city natives; 3) Poverty; 4) Handicapped; 5)So-. Tres; and, 6) Pollution. The material discussed is very co allow for survey studies city or local studies, or intensive area studies of urban regions; and, may be used as supplementary material or as primary content. -
CHAPTER FIVE the Handmaid's Tale: Offred's Political Journey
CHAPTER FIVE The Handmaid's Tale: Offred's Political Journey "Nothing happens unless first a dream.' Carl Sandburg I. The Exploited Female: Isolation, Alienation and Fragmentation of Body and Self landscape, mirrors, fragmented consciousness, curtains, body fragments, names, gardens and flowers II. Dystopias and Utopias: Sterility versus Fertility and the Tension Between Nature and Civilisation nature, gardens, ceremonies and rituals, colours, death III. The Pyramid Structure: Gender Roles, Sexuality and Power Struggles clothing, domestic chores, dolls, birds, language, and machines IV. Discovering the Female Space: A Room of One's Own Rooms, insides-outsides, games, blood, wall, maze, sponge and enclosures V. A Politics of Survival: Restructuring and Restoring Human Relationships for Personal Identity Windows and doors, roads, inner cycles and rhythms, fire, seasons, babies, trees, moon, sunlight, water, human relationships 275 Margaret Atwood's sixth novel, The Handmaid's Tale (1986) is the most political of her novels, and as has been pointed out by several critics, it follows the tradition of George Orwell's 1984, Aldous Huxley's Brave New World and Jonathan Swift's A Modest Proposal. The novel is told in a framed perspective: a woman forced to stay in the "Republic of Gilead'" was keeping a taped journal from which a transcript has been made and published in a time after the Republic of Gilead has passed away. The afterword sets up the framework of a historical society discussing this manuscript and commenting on the Gileadean period in history. The protagonist is an ordinary woman—raised by a single mother (a feminist activist who saw warning signs of anti-woman trends in society), married to a divorced man, and mother of one child, a daughter. -
The Language of the Incontinent Body in Margaret Laurence's the Stone
Technologies of Identity: The Language of the Incontinent Body in Margaret Laurence’s The Stone Angel DONNA PALMATEER PENNEE N AN ESSAY ENTITLED “Identity, Genealogy, History” Nikolas Rose explains the Foucauldian sense of “technology” that is signalled I in this paper: Technology, here, refers to any assembly structured by a practical rationality governed by a more or less conscious goal. Human tech- nologies are hybrid assemblages of knowledges, instruments, persons, systems of judgement, buildings and spaces, underpinned at the pro- grammatic level by certain presuppositions about, and objectives for, human beings.… Perhaps the insistence upon an analytic of human technologies is one of the most distinctive features of the approach, … an analysis which does not start from the view that the technologizing of human conduct is malign, but rather examines the ways in which human beings have been simultaneously capacitated and governed by their organization within a technological field. (132; emphasis added) Rose’s terms help to clarify something of what is meant by the “produc- tivity” of “power,” and, while “not start[ing] from the view that the technologizing of human conduct is malign” can permit a more complex view of the historical field than is usually available through cause-effect lenses, I want nevertheless to address the malignancy of technologies of the self. This hurtfulness of history is represented in the literal and figu- rative workings of the incontinent body in Margaret Laurence’s The Stone Angel, a novel that displays the armature of a self simultaneously capaci- tated and governed by the force fields of negative difference. -
ECLECTIC DETACHMENT Aspects of Identity in Canadian Poetry
ECLECTIC DETACHMENT Aspects of Identity in Canadian Poetry A. J. M. Smith I,N THE CLOSING PARAGRAPHS of the Introduction to The Oxford Book of Canadian Verse I made an effort to suggest in a phrase that I hoped might be memorable a peculiar advantage that Canadian poets, when they were successful or admirable, seemed to possess and make use of. This, of course, is a risky thing to do, for what one gains in brevity and point may very well be lost in inconclusiveness or in possibilities of misunderstanding. A thesis needs to be demonstrated as well as stated. In this particular case I think the thesis is implicit in the poems assembled in the last third of the book — and here and there in earlier places too. Nevertheless, I would like to develop more fully a point of view that exigencies of space confined me previously merely to stating. The statement itself is derived from a consideration of the characteristics of Canadian poetry in the last decade. The cosmopolitan flavor of much of the poetry of the fifties in Canada derives from the infusion into the modern world of the archetypal patterns of myth and psychology rather than (as in the past) from Christianity or nationalism. After mentioning the names of James Reaney, Anne Wilkinson, Jay Macpherson, and Margaret Avison—those of the Jewish poets Eli Mandel, Irving Layton, and Leonard Cohen might have been added—I went on to say : The themes that engage these writers are not local or even national; they are cos- mopolitan and, indeed, universal. -
The Canadian Writer & the Iowa Experience
THE CANADIAN WRITER & THE IOWA EXPERIENCE Anthony Bukoski Τ PURPOSE OF THIS PAPER IS TWO-FOLD: to try to piece together from interviewlHsE and correspondence I have had with a number of Canadian authors — twenty-seven to be exact — a sort of general history, a chronological overview of their involvement in the Iowa Writers' Workshop, and to try to assess the significance of that involvement not only to the writers them- selves but to Canadian literature in general. I intend hedging a bit by including some writers who became Canadians only after leaving Iowa.1 Could so many writers have studied at the same institution in the United States without its having left some mark? What attitudes about teaching creative writing or the commitment to the writer's life and craft did they form? Given the method of Workshop investigation, the fragile egos of most young writers, and the fact that the Workshop is in another country, not all of them profited from the experi- ence of studying at Iowa. Speaking of her experiences there in the late 1950's, for instance, Carol Johnson, who teaches at the University of Victoria, noted, "Writ- ers on the whole seem notorious for their unhappiness. Legends of particularly unhappy types prevailed [though not necessarily Canadians]. Since writers are apparently predisposed to neurosis, it would be safe to assume that most of them would be unhappy anywhere."2 Those who were satisfied found the programme valuable, the atmosphere con- ducive to work — though perhaps neither so attractive nor congenial as the main character finds Iowa in W. -
Proquest Dissertations
C'SP-Q. 000825 COf.l UNIVERSITY D'OTTAWA ~ ECOLE DES GRADUES THE IMPACT OF A CENTURY OF IRISH CATHOLIC IMMIGRATION IN NOVA SCOTIA (1750 - 1850) by Sister Mary Liguori (S.C.H.) Thesis presented to the Faculty of Arts of the University of Ottawa as partial fulfillment of the requirements for the degree of Doctor of Halifax, Nova Scotia, 1961 UNIVERSITY OF OTTAWA « SCHOOL OF GRADUATE STUDIES UMI Number: DC53625 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform DC53625 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 UNIVERSITE D'OTTAWA ~ ECOLE DES CRADUES ACKNOWLEDGEMENTS The author of this dissertation is greatly indebted to Professor Guy Fregault, Ph. D., now Deputy Minister of Cultural Affairs for the Province of Quebec, under whose guidance as former Director of the Institute of History at the University of Ottawa, this thesis was written. For his thorough and prompt reading of the manuscript, his sincere criticism, and his kindly encouragement, heartfelt thanks is due. -
Hugh Maclennan
HUGH MACLENNAN Interviewed by Ronald Sutherland R.S. How long have you been here in Quebec, Hugh? H.M. I came to Quebec the fall of 1935 to teach for Lower Canada College and live in at $25.00 a week. I came late in the term, because they simply had to get somebody else, I suppose. And I've been permanently based in Montreal ever since then. R.S. Did you come directly from the Maritimes? H.M. Directly from Halifax. I did not have a job. I got my Doctor's degree at Princeton during the depths of the depression, and it was difficult to get any kind of job at that time. I was in Roman History and a Rhodes Scholar. Terry Mc- Dermott, who ended up as Ambassador and Commissioner at various places, was the secretary of the committee that gave me a Rhodes' Scholarship, because I was defeated in Nova Scotia. But there was a special one loose at the time, and I was actually a Rhodes Scholar for Canada at large. R.S. Where were you going to university? Dalhousie? H.M. I went to Dalhousie. I did Honours Classics there. R.S. When did you leave Dalhousie? H.M. I graduated in 1928 and went to Oxford the next fall, then Princeton. I would sooner have gotten a job then, but there just weren't any jobs in 1932. Only about five per cent of Rhodes Scholars got any jobs at all. R.S. Did you want to go back to the Maritimes, or did the economic conditions force you to leave? H.M. -
Cahiers-Papers 50-1
Notes Bibliographical Errata Regarding the Cumulative List of Winners of the Governor General’s Literary Awards / Liste cumulative des lauréates et des lauréats des Prix littéraires du Gouverneur général, 2011 Andrew David Irvine* Several years ago a friend recommended I read E. Bennett Metcalfe’s 1985 biography of Roderick Haig-Brown, A Man of Some Importance. Chancellor of the University of Victoria from 1970 to 1973, Haig- Brown (1908-76) was an early British Columbia environmentalist, a sometime logger, trapper and fisherman, and a long-serving magistrate of the juvenile court of Campbell River. According to his biographer, he also received the first Governor General’s Medal for Juvenile Literature for his 1948 book, Saltwater Summer.1 Even so, Haig-Brown’s name and book appear nowhere on the official list of award-winners maintained by the Canada Council for the Arts: the Cumulative List of Winners of the Governor General’s Literary Awards / Liste cumulative des lauréates et des lauréats des Prix littéraires du Gouverneur général.2 Explaining the omission is not straightforward. The most plausible explanation is that Haig-Brown was likely the first (and to date the only) author to receive a Governor General’s Citation for his work,3 rather than the then-traditional medal. In the minds of some, it * Andrew Irvine holds the position of Professor of Philosophy at the University of British Columbia, Vancouver. 1 E. Bennett Metcalfe, A Man of Some Importance: The Life of Roderick Langmere Haig-Brown (Vancouver: James W. Wood, 1985), 202. 2 Canada Council for the Arts, Cumulative List of Winners of the Governor General’s Literary Awards / Liste cumulative des lauréates et des lauréats des Prix littéraires du Gouverneur général, 2011, accessed 5 April 2012, http://987321654.canadacouncil.