Cahiers-Papers 50-1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian -
Playing with Cultures
PLAYING WITH CULTURES The Role of Coyote in Sheila Watson's The Double Hook and Thomas King's Green Grass, Running Water by DOUGLAS GEORGE ARNOLD VINCENT A thesis submitted to the Department of English in conformity with the requirements for the degree of Master of Arts Queen's University Kingston, Ontario, Canada July, 1999 Copyright 0 Douglas George Arnold Vincent, 1999 National Library BiblioWque nationate du Canada Acquisitions and Acquisitions et Bibliographic Sennnnces services bibliographiques 395 Wellington Street 395. rue WellicQtOn OttawaON K1AON4 OttawaON KtAONQ Canada Canada The author has granted a non- L'auteur a accorde melicence non exclusive licence allowing the exclusive permettaut a la National Library of Canada to Bibliotheque nationale du Canada de reproduce, loan, distniute or sell reproduire, preter, distribuer ou copies of this thesis in microform, vendre des copies de cette these sous paper or electronic formats. la forme de microfiche/fXm, de reproduction sur papier ou sur format electronique. The author retains ownership of the L'auteur conserve la propriete du copyright in this thesis. Neither the droit &auteur qui protege cette these. thesis nor substantial extracts from it Ni la these ni des extraits substantiels may be printed or othewise de celleci ne doivent Stre imprimes reproduced without the author's ou autrement reproduits sans son permission. autorisation- Abstract In Canadian literature, the character of Coyote, with its origins in the oral traditions of Native cultureyhas been able to cross cultural boundaries between Native and Euro-American writers and act at a culturaI intersection where relations between the two traditions meet at the level ofmyth and story- The complex characteristics of Coyote allow authors like Sheila Watson and Thomas King to incorporate Coyote into their fictions and meet their narrative purposes without violating Coyote's Native origins. -
Writing Here1
WRITING HERE1 W.H. NEW n 2003, for the BC Federation of Writers, Susan Musgrave assembled a collection of new fiction and poetry from some fifty-two IBC writers, called The FED Anthology.2 Included in this anthology is a story by Carol Matthews called “Living in ascii,” which begins with a woman recording her husband’s annoyance at whatever he sees as stupidity (noisy traffic and inaccurate grammar, for instance, and the loss of his own words when his computer apparently swallows them). This woman then tells of going to a party, of the shifting (and sometimes divisive) relationships among all the women who were attending, and of the subjects they discussed. These included a rape trial, national survival, men, cliffs, courage, cormorant nests, and endangered species. After reflecting on the etymology of the word “egg” (and its connection with the word “edge”), she then declares her impatience with schisms and losses, and her wish to recover something whole. The story closes this way: “If I were to tell the true story, I would write it not in words but in symbols, [like an] ... ascii printout. It would be very short and very true. It would go like this: moon, woman, woman; man, bird, sun; heart, heart, heart, heart, heart; rock, scissors, paper. The title would be egg. That would be the whole story.”3 This egg is the prologue to my comments here. So is the list of disparate nouns – or only seemingly disparate, in that (by collecting them as she does) the narrator connects them into story. -
Malcolm Lowry: a Study of the Sea Metaphor in "Ultramarine" and "Under the Volcano"
University of Windsor Scholarship at UWindsor Electronic Theses and Dissertations Theses, Dissertations, and Major Papers 1-1-1967 Malcolm Lowry: A study of the sea metaphor in "Ultramarine" and "Under the Volcano". Bernadette Wild University of Windsor Follow this and additional works at: https://scholar.uwindsor.ca/etd Recommended Citation Wild, Bernadette, "Malcolm Lowry: A study of the sea metaphor in "Ultramarine" and "Under the Volcano"." (1967). Electronic Theses and Dissertations. 6505. https://scholar.uwindsor.ca/etd/6505 This online database contains the full-text of PhD dissertations and Masters’ theses of University of Windsor students from 1954 forward. These documents are made available for personal study and research purposes only, in accordance with the Canadian Copyright Act and the Creative Commons license—CC BY-NC-ND (Attribution, Non-Commercial, No Derivative Works). Under this license, works must always be attributed to the copyright holder (original author), cannot be used for any commercial purposes, and may not be altered. Any other use would require the permission of the copyright holder. Students may inquire about withdrawing their dissertation and/or thesis from this database. For additional inquiries, please contact the repository administrator via email ([email protected]) or by telephone at 519-253-3000ext. 3208. MALCOLM LOWRY: A STUDY OF THE SEA METAPHOR IN ULTRAMARINE AND UNDER THE VOLCANO BY SISTER BERNADETTE WILD A T hesis Submitted to the Faculty of Graduate Studies through the Department of English in Partial Fulfillment of the Requirements for the Degree of Master of Arts at the University of Windsor Windsor, Ontario 1967 Reproduced with permission of the copyright owner. -
The Watch That Ends the Night Hugh Maclennan (Macmillan, 1959, Now Available from Mcgill-Queen’S) I Knew Hugh Maclennan Well
the storytellers book club presents The Watch That Ends the Night Hugh MacLennan (Macmillan, 1959, now available from McGill-Queen’s) I knew Hugh MacLennan well. I knew him in the 1960s first as a friend and neighbour at his cottage at North Hatley, in the Eastern Townships, then as his editor (for his last novel, Voices in Time), and as his publisher. After his death in 1990, I created the anthology Hugh MacLennan’s Best, selected from all of his work, fiction and non-fiction. In 2013, when Two Solitudes was selected as a finalist for Canada Reads, I was asked by the CBC to speak on Hugh’s behalf, which was a very great honour. Although I can claim to have edited all of the other four books that I have selected for this book club, I did not edit The Watch That Ends the Night, which I think is Hugh MacLennan’s best book. It was published in 1959, when I was still in high school (although I still remember browsing through the paperback version at a Glasgow Station book stall, attracted by the exciting — if misleading — log- ging scene on the cover. Ah, those publishers!). Hugh had spent many years writing it. Elspeth Cameron’s defini- tive biography Hugh MacLennan: A Writer’s Life shows that as far back as July 1954 he had felt able to say that he had the whole novel drafted “from beginning to end,” but it took him several years to finish it. One reason was Hugh’s determination to make sure that this, a sig- nificant novel dealing with major themes, was not going to be rushed. -
A Canadian Child's Year by Fran Newman
Volume 8, Number 1 January. 1979 The Ghost Calls You Poor. by PBATURES Andrew Suknaski; lkons of the ILLUSTRATIONS Hunt. by There Kishkan: Once Balanehtg the Book% The results of e When I War Drowning. by Al Cover end drawing on pe8e 5 survey rating CanLit reputations Pittman 14 by Kim la Few bigger some editoriel rdleztions on Some of the Cat Poems. by Anie Drawings by Geor8e Unger 7.8.9 Cumde’s CUltural meturity 3 Gold; The Assumption of Private Othw drawings throughout the issue Rttglii, Our English. An essay by Lives. by Roben Allen; Prisoner. by by loan Acosta George Bowering examines how the Linda Pyke: A Burning Patience language is being tortured by the and Dancing in the House of Card% grammetieal berbariisms and by Pier Giorgio Di Cicco 14 onblocked meuphon that abound in The Trial of Adolf Hitler. by Phillipe daily, weekly. and monthly we Rjndl IS joumalism 7 Canadien Poetry I and 2. edited by Bigger Bmthexhood. Wayne Grady Michael Gnemwski and 0. M. R. reviews 1985 by Anthony Burgess. e Bentley; Book Forum: Canada revised and updated version of Emergent. edited by James Cerley lb George Orwell’s not-so-prophetic Making Arrangements. by Roben nightmare IO Herlow 16 A Dream of Riches: The Japanese Canadians 1877-3977. by the Japanese Centennial Reject 17 Go Do Some Great Thing. by CONTRIBUTORS Crawford Kilian I8 Lost Toronto. by William Dendy: Yesterday’s Toronto. lg70-1910. Tometo frecleecer Msrk Abley rpcn, the part edited by Linda Shapim I9 three years al O&ford es a Rhodes Scholar from Seskatchewm. -
MARGARET ATWOOD: WRITING and SUBJECTIVITY Also by Colin Nicholson
MARGARET ATWOOD: WRITING AND SUBJECTIVITY Also by Colin Nicholson POEM, PURPOSE, PLACE: Shaping Identity in Contemporary Scottish Verse ALEXANDER POPE: Essays for the Tercentenary (editor) CRITICAL APPROACHES TO THE FICTION OF MARGARET LAURENCE (editor) IAN CRICHTON SMITH: New Critical Essays (editor) Margaret Atwood photo credit: Graeme Gibson Margaret Atwood: Writing and Subjectivity New Critical Essays Edited by Colin Nicholson Senior Lecturer in English University of Edinburgh M St. Martin's Press Editorial material and selection © Colin Nicholson 1994 Text © The Macmillan Press Ltd 1994 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1P 9HE. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. First published in Great Britain 1994 by THE MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 2XS and London Companies and representatives throughout the world A catalogue record for this book is available from the British Library. ISBN 978-0-333-61181-4 ISBN 978-1-349-23282-6 (eBook) DOI 10.1007/978-1-349-23282-6 First published in the United States of America 1994 by Scholarly and Reference Division, ST. MARTIN'S PRESS, INC., 175 Fifth Avenue, New York, N.Y. 10010 ISBN 978-0-312-10644-7 Library of Congress Cataloging-in-Publication Data Margaret Atwood : writing and subjectivity I edited by Colin Nicholson. -
Four Poems by Malcolm Lowry
383 FOUR POEMS BY MALCOLM LOWRY Quartermaster at the Wheel The Harkness light! Another hour spelled out, Struck by myself with unction but with doubt. A man is killed but does not hear the shot Which kills him; four bells kills me. Lucky to hear it jf I killed myself,- Whose age haunts calendars upon the screen; The heroine horn in nineteen eighteen, Who yesterday was born in nineteen eight. A pile of magazines assess dead love On shore, where one light burns no love will wait. -Past years are volcanoes beyond the wake, Tomorrow is the sea and then the sea, To both least faithless when we most forsake, The one unsealed, the other vomltless Of Jonah to his gourd or Nineveh .... It is a straw to tickle bloodshot eyes Of quartermasters soldered to darkness, The stiff wheel and the remembrance of the drowned, For sinking men to suck at or to claw, The thought that what we saw we often hear Too late or not at all, or cannot bear To know resounding eardrums register ... Our siren now! What ugliest ship has not Borne heart from heart with that deep plangency, Sadder than masthead's light, a soul In mourning whose voice is grief gone by. Roll on, you witless, dark brown ocean, roll, And light light years and grey ones let us live Within that gracious nexus of reprieve Between the fated sight and fatal sound - Now leave the world to Harkness and to me. 384 THE DALHOUSIE REVIEW [This Bitterest Coast] This is the end but since it is the end, You are happy at least in this one certainty, As you were in the eternity Of childhood's blue summer with seagull and yacht for friend, When God was good; love, true; sea, sea; land, land. -
Proquest Dissertations
UNIVERSITY OF CALGARY Prize Possession: Literary Awards, the GGs, and the CanLit Nation by Owen Percy A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH CALGARY, ALBERTA JANUARY 2010 ©OwenPercy 2010 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre inference ISBN: 978-0-494-64130-9 Our file Notre r6f6rence ISBN: 978-0-494-64130-9 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Nnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Jack Hodgins
Kunapipi Volume 12 Issue 1 Article 11 1990 Interview and Extract from Innocent Cities Jack Hodgins Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Hodgins, Jack, Interview and Extract from Innocent Cities, Kunapipi, 12(1), 1990. Available at:https://ro.uow.edu.au/kunapipi/vol12/iss1/11 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Interview and Extract from Innocent Cities Abstract Interview and Extract from Innocent Cities This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol12/iss1/11 Jack Hodgins. Photograph by Lawrence McLagan. 90 Jack Hodgins INTERVIEW Russell McDougall interviewed Jack Hodgins at Writers' Week, Adelaide Festival of Arts, 5 March 1990. Jack, I'd like to begin by asking you to tell a little about your Vancouver Island background. I was born into a family of loggers and farmers in a tiny community - it wasn't even a town, just a sort of crossroads - of sixty-acre farms: people worked in the woods as loggers, but at home they had a couple of cows and a chicken-run and huge gardens. A person's father spent the days up in the mountains cutting down all the giant trees and then came home and spent the rest of the time clearing land for pasture. It was a community where hardly anybody went on to University and certainly few people read books. I went to a very small school, where I read the whole library, which was one shelf across the back of a class room, quite quickly. -
Proquest Dissertations
C'SP-Q. 000825 COf.l UNIVERSITY D'OTTAWA ~ ECOLE DES GRADUES THE IMPACT OF A CENTURY OF IRISH CATHOLIC IMMIGRATION IN NOVA SCOTIA (1750 - 1850) by Sister Mary Liguori (S.C.H.) Thesis presented to the Faculty of Arts of the University of Ottawa as partial fulfillment of the requirements for the degree of Doctor of Halifax, Nova Scotia, 1961 UNIVERSITY OF OTTAWA « SCHOOL OF GRADUATE STUDIES UMI Number: DC53625 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform DC53625 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 UNIVERSITE D'OTTAWA ~ ECOLE DES CRADUES ACKNOWLEDGEMENTS The author of this dissertation is greatly indebted to Professor Guy Fregault, Ph. D., now Deputy Minister of Cultural Affairs for the Province of Quebec, under whose guidance as former Director of the Institute of History at the University of Ottawa, this thesis was written. For his thorough and prompt reading of the manuscript, his sincere criticism, and his kindly encouragement, heartfelt thanks is due. -
QC Fiction in EN
QUEBEC FICTIO I EGLISH DURIG THE 1980S: 1 A CASE STUDY I MARGIALITY Linda Leith I The unique position of Quebec writers in the English language 2 and the peculiarities of the fiction they have been publishing during the 1980s are best understood in the light of recent socio-political and cultural changes within Quebec and in Canada as a whole. Caught up as no other English-Canadian writers have been caught up in the maelstrom of change, and living as no other English-Canadian writers live in a society with a French face, these writers have produced a body of work quite distinct in some ways from other contemporary English-Canadian fiction. Much of my thinking about this writing is inspired by recent work on the formation of literary canons and on the literary production of marginal social groups. It owes a particular debt to the work of Raymond Williams, who devoted much of his career to exploring the possibilities of discussing English literature and society together while respecting the uniqueness of specific texts. This is a debt not only to Williams's most general observation that "as a society changes, its literature changes" (1965, 268), and to his comments on the formation of a literary tradition, but also to his suggestive, though not wholly applicable, account of the interrelations between dominant and alternative or oppositional aspects at a given historical moment. Williams's distinction between two different kinds of alternatives on a status quo, which he terms the "residual" and the "emergent" (1977, 121-27), is helpful in discussions of the cultural manifestations of the middle class in nineteenth century Britain; it is not applicable in the present context of English Quebec fiction, which requires an assessment of a social group linked not along class lines but rather along linguistic and cultural lines.