Index to the Tamarack Review

Total Page:16

File Type:pdf, Size:1020Kb

Index to the Tamarack Review The Tamarack Review ROBERT WEAVER, IVON M. OWEN, WILLIAM TOYE WILLIAM KILBOURNE, JOHN ROBERT COLOMBO, KILDARE DOBBS AND JANIS RAPOPORT Issue 1 Issue 21 Issue 41 Issue 62 Issue 2 Issue 22 Issue 42 Issue 63 Issue 3 Issue 23 Issue 43 Issue 64 Issue 4 Issue 24 Issue 44 Issue 65 Issue 5 Issue 25 Issue 45 Issue 66 Issue 6 Issue 26 Issue 46 Issue 67 Issue 7 Issue 27 Issue 47 Issue 68 Issue 8 Issue 28 Issue 48 Issue 69 Issue 9 Issue 29 Issue 49 Issue 70 Issue 10 Issue 30 Issue 50-1 Issue 71 Issue 11 Issue 31 Issue 52 Issue 72 Issue 12 Issue 32 Issue 53 Issue 73 Issue 13 Issue 33 Issue 54 Issue 74 Issue 14 Issue 34 Issue 55 Issue 75 Issue 15 Issue 35 Issue 56 Issue 76 Issue 16 Issue 36 Issue 57 Issue 77-8 Issue 17 Issue 37 Issue 58 Issue 79 Issue 18 Issue 38 Issue 59 Issue 80 Issue 19 Issue 39 Issue 60 Issue 81-2 Issue 20 Issue 40 Issue 61 Issue 83-4 ISBN 978-1-55246-804-3 The Tamarack Review Index Volume 81-84 “109 Poets.” Rosemary Aubert article 81- Bickerstaff 83-84:40 82:94-99 “Concerning a Certain Thing Called “A Deposition” J.D. Carpenter poem 81- Houths” Robert Priest poem 81- 82:8-9 82:68-69 “A Mansion in Winter” Daniel David “Control Data” Chris Dewdney, poem, Moses poem 81-82:30-31 81-82:21 “Above an Excavation” Al Moritz poem “Croquet” Al Moritz poem 83-84:98 83-84:99 “Daybook” Ken Cathers poem 81-82:10- “Again” Al Moritz poem 83-84:101 11 “Air Show” J.D. Carpenter poem 81-82:9 “Daybreak at Pisa: 1945” Timothy Aquin, Hubert. Caricature by Bickerstaff Findley memoir 83-84:90-97 83-84:55 “Dead Languages” Jay MacPherson “Applause, Applause” Louis Dudek article 83-84:88-89 poem 81-82:102 Dempster, Barry. TEN YOUNGER POETS, “Arthur and Jeannie: In Memoriam” 81-82:16-19 Leon Edel Article 83-84:102-105 Dewdney, Chris, TEN YOUNGER POETS “At Breakfast Time” Marc Plourde poem 81-82:19-21 81-82:35-36 “Disguises” Robert Priest poem 81- “At Kensington Market” Roo Borson 82:69-70 poem 81-82:6 Dudek, Louis. SEVEN POEMS. 81-82:100- Atwood, Margaret. “Happy Endings” 103 story 83-84:58-61 “Easter Holiday in Morningside, Alta.” Atwood, Margaret. “The Page” story 83- story, Earle Birney 81-82:39-48 84:62-63 Edel, Leon. “Arthur and Jeannie: In Atwood, Margaret. Caricature by Memoriam” Article 83-84:102-105 Bickerstaff 83-84:49 EIGHT POEMS. Libby Scheier 81-82:49- Aubert, Rosemary. “109 Poets” article 58 81-82:94-99 Engel, Marian. Caricature by Bickerstaff “B&B Stories” F.R. Scott article 83- 83-84: 39 84:25-36 Evans, Don, as Isaac Bickerstaff. A Bickerstaff, Isaac. A CARICATURE CARICATURE GALLERY OF LITERARY GALLERY OF LITERARY MASTERS 83- MASTERS 83-84: 37 84: 37 “February” Daniel David Moses poem “Big Ben and the Anarchists” George 81-82:31-32 Woodcock story 83-84:76-88 Filip, Raymond. TEN YOUNGER POETS, Birney, Earle. “Easter Holiday in 81-82:21-24 Morningside, Alta.” story 81-82:39- Findley, Timothy. “Daybreak at Pisa: 48 1945” memoir 83-84:90-97 “Bobby Sands” Alden Nowlan poem 83- “Fire” Kim Maltman poem 81-82:28-29 84:119 FIVE POEMS Al Moritz 83-84:97-101 Borson, Roo. TEN YOUNGER POETS, 81- FIVE POEMS. J. Michael Yates 81-82:91- 82:5-8 93 Carpenter, J.D. TEN YOUNGER POETS, “Flowers” Roo Borson poem 81-82:7 81-82:8-10 “Fluke” J. Michael Yates poem 81- Carrier, Roch. Caricature by Bickerstaff 82:91-92 83-84:51 “For Gary Gilmour: A Man with Cathers, Ken, TEN YOUNGER POETS, 81- Imagination” Karl Jirgens poem 81- 82:10-15 82:26-28 “Chat Overheard in Bar After Poetry “From the Earth” Al Moritz poem 83- Reading” Libby Scheier poem 81- 84:97 82:50-51 Gatenby, Greg. Editor, TEN YOUNGER Cohen, Leonard. Caricature by POETS 81-82:5-38 2 The Tamarack Review Index Volume 81-84 Godbout, Jacques. Caricature by Bickerstaff 83-84:48 Bickerstaff 83-84:53 Macpherson, Jay. “Dead Languages” “Goddamn Canuck” poem translated by article 83-84:88-89 Marc Plourde 81-82:36-37 “Maiden Wood” J. Michael Yates poem Gotlieb, Phyllis. Caricature by 81-82:91 Bickerstaff 83-84:46 Maltman, Kim. TEN YOUNGER POETS, Grady, Wayne, “Some Fiction Writers” 81-82:28-30 review 81-82:104-111 “Mere Thinker” J. Michael Yates poem “Greybeard” Libby Scheier poem 81- 81-82:93 82:55 Miron, Gaston two poems translated by “Growing Up Rosie” Lesley Krueger Marc Plourde 81-82:36-38 story 81-82:74-90 Miron, Gaston. Caricature by Bickerstaff Harrison, James. “Islands” poem 83- 83-84: 38 84:64-75 “Monty Python’s Flying Circus Fights “Hawk and Dove” J.D. Carpenter poem The Royal Canadian Air Farce” 81-82:10 Raymond Filip poem 81-82:21-24 Hood, Hugh. Caricature by Bickerstaff MORE LITERARY CHARACTERS: A 83-84:44 CARICATURE GALLERY OF LITERARY “I Like” Libby Scheier poem 81-82:53- MASTERS Don Evans as Isaac 54 Bickerstaff. 83-84: 37 “In a Northern Car” Daniel David Moses Moritz, Al. FIVE POEMS 83-84:97-101 poem 81-82:32-33 Moses, Daniel David. TEN YOUNGER “In the Air” Louis Dudek poem 81- POETS, 81-82:30-33 82:102 “Mrs Cross and Mrs Kidd” Alice Munro “Insomniac Vision Clarifying Last story 83-84:5-24 Night’s Dream” Libby Scheier poem Munro, Alice. “Mrs Cross and Mrs Kidd” 81-82:49-50 story 83-84:5-24 Isaac Bickerstaff. A CARICATURE Munro, Alice. Caricature by Bickerstaff GALLERY OF LITERARY MASTERS 83- 83-84:41 84: 37 “My Infected Rainbow” Robert Priest “Islands” James Harrison poem 83- poem 81-82:71-72 84:64-75 “Notes on Parking” Richard Teleky 81- Jirgens, Karl. TEN YOUNGER POETS, 81- 82:59-67 82:24-28 Nowlan, Alden. “Bobby Sands” poem Jones, D.G. Caricature by Bickerstaff 83-84:119 83-84:50 Nowlan, Alden. Caricature by Krueger, Lesley. “Growing Up Rosie” Bickerstaff 83-84:43 story 81-82:74-90 “October” poem translated by Marc “Lake Surrounded by Land Surrounded Plourde 81-82:36-37-38 by Sea” J. Michael Yates poem 81- “On Genuflection” Robert Priest poem 82:92 81-82:73 Laurence, Margaret. Caricature by “On Reproduction” Robert Priest poem Bickerstaff 83-84:42 81-82:72-3 Lee, Dennis. Caricature by Bickerstaff Ondaatje, Michael. Caricature by 83-84:57 Bickerstaff 83-84:45 “Limits of the Werewolf” Libby Scheier “Performance for Whistler Rider & Dog” poem 81-82:58 Karl Jirgens poem 81-82:24-25 “Lion Annihilate Himalaya” Chris Plourde, Marc. TEN YOUNGER POETS, 81- Dewdney poem, 81-82:19-20 82:34-38 “Lost” Ken Cathers poem 81-82:11-13 “Poem” Ken Cathers, two poems 81- “Lyric: The Falling Snow” Louis Dudek 82:13-15 poem 81-82:101-102 “Poetry Reading” Louis Dudek poem 81- MacEwen, Gwendolyn. Caricature by 82:100-101 3 The Tamarack Review Index Volume 81-84 Priest, Robert. SIX POEMS 81-82:68-73 TEN YOUNGER POETS, Greg Gatenby “Reef Visible Only at Minus Tide” J. Editor 81-82:5-38 Michael Yates poem 81-82:93 “The Hour of Wind” Roo Borson poem “Return Journey” Derek Wynand story 81-82:6 83-84:106-118 “The Old Woman and the Sun” Marc “Reversals” Libby Scheier poem 81- Plourde poem 81-82:34 82:55 “The Stray Cats” Louis Dudek poem 81- “Revolutions” Robert Priest poem 81- 82:100 82:70-71 “The Thoughts of a Writer, circa 1910” Richler, Mordecai. Caricature by Barry Dempster poem 81-82:18-19 Bickerstaff 83-84:47 “Think of the Stomach” Kim Maltman Ryga, George. Caricature by Bickerstaff poem 81-82:30 83-84:56 “To a One Hundred Year Old Woman” Scheier, Libby. EIGHT POEMS 81-82:49- Barry Dempster poem 81-82:16-17 58 Tremblay, Michel. Caricature by Scott, F.R. “B&B Stories” article 83- Bickerstaff 83-84:52 84:25-36 “Two Poems by Gaston Miron” two SEVEN POEMS. Louis Dudek 81-82:100- poems 81-82:36-38 103 “Vigilance” Chris Dewdney poem, 81- SIX POEMS. Robert Priest 81-82:68-73 82:20 “Some Fiction Writers” Wayne Grady Weaver, Robert. Editorial 83-84:3-4 review 81-82:104-111 “What God Looks Like” Barry Dempster “Something More Than Man” Louis poem 81-82:17-18 Dudek poem 81-82:101 “What is Impossible” Al Moritz poem “Song for Another Sun” Marc Plourde 83-84:100 poem 81-82:35 Wiebe, Rudy. Caricature by Bickerstaff “Spasm” Libby Scheier poem 81-82:56- 83-84:54 57 Woodcock, George. “Big Ben and the “Success” Louis Dudek poem 81-82:103 Anarchists” story 83-84:76-88 “Survivors” Kim Maltman poem 81- Wynand, Derk. “Return Journey” story 82:29-30 83-84:106-118 “Tattoo Artist” Karl Jirgens poem, 81- Yates, J. Michael. FIVE POEMS. 81-82:91- 82:25-26 93 Teleky, Richard. “Notes on Parking” 81- “Your Body” Libby Scheier poem 81- 82:59-67 82:52 4 Index FOR ISSUE l:AUTUMN 1956 TO ISSUE 20:SUMMER 1961 1 :AUTUMN 1956 11 :SPRING 1959 2:WINTER 1957 12:SUMMER 1959 3:SPRING 1957 13:AUTUMN 1959 4:SUMMER 1957 14: WINTER 1960 5:AUTUMN 1957 15:SPRING 1960 6:WINTER 1958 16:SUMMER 1960 7:SPRING 1958 17 :AUTUMN 1960 8:SUMMER 1958 18:WINTER 1961 9:AUTUMN 1958 19:SPRING 1961 10:WINTER 1959 20:SUMMER 1961 A Aldridge, John W.
Recommended publications
  • The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
    Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian
    [Show full text]
  • A Voice of English-Montreal the First Twenty Years of Véhicule Press
    A Voice of English-Montreal The First Twenty Years of Véhicule Press, 1973–1993 Amy Hemond Department of English McGill University, Montreal April 2019 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts © Amy Hemond 2019 Hemond ii Table of Contents Abstract ................................................................................................................................................................ iii Résumé ................................................................................................................................................................. iv Acknowledgements ............................................................................................................................................... v Introduction ........................................................................................................................................................... 6 The Véhicule fonds .................................................................................................................................................. 13 The History of English-Quebec Publishing ............................................................................................................... 16 Discussion ................................................................................................................................................................ 26 Chapter 1: The Poetic Prelude to a Small Press, 1972–1976 ................................................................................
    [Show full text]
  • Check All That Apply)
    Form Version: February 2001 EFFECTIVE TERM: Fall 2003 PALOMAR COLLEGE COURSE OUTLINE OF RECORD FOR DEGREE CREDIT COURSE X Transfer Course X A.A. Degree applicable course (check all that apply) COURSE NUMBER AND TITLE: ENG 290 -- Comic Books As Literature UNIT VALUE: 3 MINIMUM NUMBER OF SEMESTER HOURS: 48 BASIC SKILLS REQUIREMENTS: Appropriate Language Skills ENTRANCE REQUIREMENTS PREREQUISITE: Eligibility for ENG 100 COREQUISITE: NONE RECOMMENDED PREPARATION: NONE SCOPE OF COURSE: An analysis of the comic book in terms of its unique poetics (the complicated interplay of word and image); the themes that are suggested in various works; the history and development of the form and its subgenres; and the expectations of comic book readers. Examines the influence of history, culture, and economics on comic book artists and writers. Explores definitions of “literature,” how these definitions apply to comic books, and the tensions that arise from such applications. SPECIFIC COURSE OBJECTIVES: The successful student will: 1. Demonstrate an understanding of the unique poetics of comic books and how that poetics differs from other media, such as prose and film. 2. Analyze representative works in order to interpret their styles, themes, and audience expectations, and compare and contrast the styles, themes, and audience expectations of works by several different artists/writers. 3. Demonstrate knowledge about the history and development of the comic book as an artistic, narrative form. 4. Demonstrate knowledge about the characteristics of and developments in the various subgenres of comic books (e.g., war comics, horror comics, superhero comics, underground comics). 5. Identify important historical, cultural, and economic factors that have influenced comic book artists/writers.
    [Show full text]
  • DOCUMENT RESUME BD 055 010 SO 001 939 Project Canada West
    DOCUMENT RESUME BD 055 010 SO 001 939 TITLE Project Canada West. Urbanization as Seen Through Canadian Writings. INSTITUTION Western Curriculum Project on Canada Studies, Edmonton (Alberta). PUB DATE Jun 71 NOTE 105p. EDRS PRICE 1F-$0.65 HC-$6.58 DESCRIPTORS Curriculum Development; *Environmental Education; Interdisciplinary Approach; Literature; *Literature Programs; Projects; Self Concept; Senior High Schools; Social Problems; *Social Studies; Urban Culture; Urban Environment; *Urbanization; *Urban Studies IDENTIFIERS Canada; *Project Canada West ABSTRACT Facing the reality that students have become very aware of their environment and the problems we face merely to survive, and being aware of the alienation of a person as urbanization increases, the project staff decided to develop a curriculum to examine the urban environment through the works of Canadian writers, poets, novelists, etc. IR this way, tenth, eleventh, and twelfth grade students could confront some of the major concerns; become involved personally, though vicariously, in the lives and situations of individuals; and, learn about himself, his place, his role in urban society, and his Canadian literary heritage. The content selection and coMpilation of the writings was from a national point of view related to all parts of Canadian urbanization. The materials accumulated or referred to them during six months are included here in various categories taking into consideration the physical and human elements of each work:1) Faces of the City: descriptions, rejection of and attraction to the city; 2) Faces in the City: dwellers life styles, reactions, age, ef'-nic groups, city natives; 3) Poverty; 4) Handicapped; 5)So-. Tres; and, 6) Pollution. The material discussed is very co allow for survey studies city or local studies, or intensive area studies of urban regions; and, may be used as supplementary material or as primary content.
    [Show full text]
  • A Canadian Child's Year by Fran Newman
    Volume 8, Number 1 January. 1979 The Ghost Calls You Poor. by PBATURES Andrew Suknaski; lkons of the ILLUSTRATIONS Hunt. by There Kishkan: Once Balanehtg the Book% The results of e When I War Drowning. by Al Cover end drawing on pe8e 5 survey rating CanLit reputations Pittman 14 by Kim la Few bigger some editoriel rdleztions on Some of the Cat Poems. by Anie Drawings by Geor8e Unger 7.8.9 Cumde’s CUltural meturity 3 Gold; The Assumption of Private Othw drawings throughout the issue Rttglii, Our English. An essay by Lives. by Roben Allen; Prisoner. by by loan Acosta George Bowering examines how the Linda Pyke: A Burning Patience language is being tortured by the and Dancing in the House of Card% grammetieal berbariisms and by Pier Giorgio Di Cicco 14 onblocked meuphon that abound in The Trial of Adolf Hitler. by Phillipe daily, weekly. and monthly we Rjndl IS joumalism 7 Canadien Poetry I and 2. edited by Bigger Bmthexhood. Wayne Grady Michael Gnemwski and 0. M. R. reviews 1985 by Anthony Burgess. e Bentley; Book Forum: Canada revised and updated version of Emergent. edited by James Cerley lb George Orwell’s not-so-prophetic Making Arrangements. by Roben nightmare IO Herlow 16 A Dream of Riches: The Japanese Canadians 1877-3977. by the Japanese Centennial Reject 17 Go Do Some Great Thing. by CONTRIBUTORS Crawford Kilian I8 Lost Toronto. by William Dendy: Yesterday’s Toronto. lg70-1910. Tometo frecleecer Msrk Abley rpcn, the part edited by Linda Shapim I9 three years al O&ford es a Rhodes Scholar from Seskatchewm.
    [Show full text]
  • Joe Rosochacki - Poems
    Poetry Series Joe Rosochacki - poems - Publication Date: 2015 Publisher: Poemhunter.com - The World's Poetry Archive Joe Rosochacki(April 8,1954) Although I am a musician, (BM in guitar performance & MA in Music Theory- literature, Eastern Michigan University) guitarist-composer- teacher, I often dabbled with lyrics and continued with my observations that I had written before in the mid-eighties My Observations are mostly prose with poetic lilt. Observations include historical facts, conjecture, objective and subjective views and things that perplex me in life. The Observations that I write are more or less Op. Ed. in format. Although I grew up in Hamtramck, Michigan in the US my current residence is now in Cumby, Texas and I am happily married to my wife, Judy. I invite to listen to my guitar works www.PoemHunter.com - The World's Poetry Archive 1 A Dead Hand You got to know when to hold ‘em, know when to fold ‘em, Know when to walk away and know when to run. You never count your money when you're sittin at the table. There'll be time enough for countin' when the dealins' done. David Reese too young to fold, David Reese a popular jack of all trades when it came to poker, The bluffing, the betting, the skill that he played poker, - was his ace of his sleeve. He played poker without deuces wild, not needing Jokers. To bad his lungs were not flushed out for him to breathe, Was is the casino smoke? Or was it his lifestyle in general? But whatever the circumstance was, he cashed out to soon, he had gone to see his maker, He was relatively young far from being too old.
    [Show full text]
  • The Canadian Writer & the Iowa Experience
    THE CANADIAN WRITER & THE IOWA EXPERIENCE Anthony Bukoski Τ PURPOSE OF THIS PAPER IS TWO-FOLD: to try to piece together from interviewlHsE and correspondence I have had with a number of Canadian authors — twenty-seven to be exact — a sort of general history, a chronological overview of their involvement in the Iowa Writers' Workshop, and to try to assess the significance of that involvement not only to the writers them- selves but to Canadian literature in general. I intend hedging a bit by including some writers who became Canadians only after leaving Iowa.1 Could so many writers have studied at the same institution in the United States without its having left some mark? What attitudes about teaching creative writing or the commitment to the writer's life and craft did they form? Given the method of Workshop investigation, the fragile egos of most young writers, and the fact that the Workshop is in another country, not all of them profited from the experi- ence of studying at Iowa. Speaking of her experiences there in the late 1950's, for instance, Carol Johnson, who teaches at the University of Victoria, noted, "Writ- ers on the whole seem notorious for their unhappiness. Legends of particularly unhappy types prevailed [though not necessarily Canadians]. Since writers are apparently predisposed to neurosis, it would be safe to assume that most of them would be unhappy anywhere."2 Those who were satisfied found the programme valuable, the atmosphere con- ducive to work — though perhaps neither so attractive nor congenial as the main character finds Iowa in W.
    [Show full text]
  • The Matter of Glassco on the R
    tt rg ly no proof of REYIEWS in Dublin con- The Matter of Glassco on the R. Rob- ltismal records Pleasure: One Life of John Glassco, Poet, :tized not only Busby, Brian. A Gentleman of Memoirist, Translator, Pornographer. Montreal and Kingston: 5. At that time, and pp. rning from the McGill-Queen's tIP,20l1. 398 2, and Stephen expected not only to know John Glassco better when I finished reading act destroYs the I Brian Busby's handsome new biography A Gentleman of Pleasure: One as Day.) Emma Life of John Glassco but to like him better as well. The interlacing and 1 a supposition as read on made me reflect on my lge on the shiP estrangement of these expectations I naivet6 as a reader (a loving reader) ofbiographies. I find that I expect a biography to leave me feeling nearer to the subject, though of course such improved intimacy might sharpen dislike to revulsion as easily as in another case it raises admiration to affection. The biographer's means of prompting such a sense of nearness seem obvious: he or she supplies a compendium ofbiographical facts and details, to at least some of which his v19.1.1MQQ6-52F or her readers had no easy access until the book was published, and then d9.1.1M473-JPB. submits those discrete materials to some goveming interpretation or finite [9.1.1,&{vF3-BT5 range of major insights that re-constitutes the subject personality in our il.ancestory.com. feelings and understanding. The biography ofa writer has a special chance lentry number N/R .
    [Show full text]
  • Goose Lane Editions Winter 2019
    Goose Lane Editions Winter 2019 Image: Paul Wallez, Unsplash.com 2018 Award Nominees 2018 A National Bestseller Winner, Best Atlantic-Published Book Award Winner, CMA Award 9781773100210 pb | $35 Shortlisted, Best Atlantic-Published Book Award English 9780864929747 hc | $45 French 9780864929754 hc | $45 Inuktitut 9780864929761 hc | $45 with The Rooms Corporation Shortlisted, Democracy 250 Award Shortlisted, Kobo Emerging Writer Shortlisted, Taste Canada Awards Prize Shortlisted, New Brunswick Book 9781773100050 pb | $18.95 Award for Non-Fiction 9781773100067 e | $18.95 9780864929945 pb | $22.95 CAN Longlisted, RBC Taylor Prize 9781773100074 k | $18.95 9780864929952 e | $19.95 CAN with the Gregg Centre 9780864929969 k| $19.95 CAN 9780864929617 pb | $24.95 CAN for the Study of War and Society 9780864929501 e | $19.95 CAN 9780864929518 k | $19.95 CAN 9781773100418 pb | $22.95 CAN 286 pages, 6 x 9 Index March 2019 Politics Rights held: Canada Also appearing as an eBook: 9781773100425 e | $19.95 CAN 9781773100432 k | $19.95 CAN • ARCs • National review copy and press release distribution • National advertising • National media relations • National speaking tour and in-conversation events • Pre-publication excerpts • Co-op available Too Dumb for Democracy? Why We Make Bad Political Decisions and How We Can Make Better Ones DAVID MOSCROP Brexit. Trump. Ford Nation. In this timely book, David Moscrop asks why we make irrational political decisions and whether our stone-age brains can process democracy in the information age. In an era overshadowed by income inequality, environmental catastrophes, terrorism at home and abroad, and the decline of democracy, Moscrop argues that the political decision-making process has never been more important.
    [Show full text]
  • Robert Graves Remembered by Jay Macpherson (1931–2012) Dunstan Ward
    ‘An Immensely Happy Time’: Robert Graves Remembered by Jay Macpherson (1931–2012) Dunstan Ward Eighteen months before her death in March 2012, the distinguished Canadian poet and scholar Jay Macpherson made a return visit to Mallorca, where in 1952 she had met Robert Graves, who so admired her poems that he published her first book himself under his Seizin Press imprint. It was William Graves who suggested at the end of January 2010 that I should try and persuade Professor Macpherson to come to the Tenth Robert Graves Conference in Palma and Deyá that July. ‘She was in Deyá on and off from the early to the late 1950s,’ he wrote. ‘I’ve never seen a copy of Nineteen Poems. I think only she and Terence Hards were given the honour of a Seizin publication.’ I had once spoken briefly with this almost legendary figure, at the Robert Graves Centenary Conference at Oxford in 1995, when Beryl Graves introduced us. Now I wrote to the University of Toronto inviting her to take part in a poetry reading at the conference in Mallorca. I also said that William and I were wondering if she might be prepared to give an interview, in which she could talk about her relationship with Robert Graves and his work. Jay Macpherson’s email reply came two days later: Monday 8 February 2010 Well, yes, tentatively--that is, I have commitments to a sick friend whom I can’t leave without some difficult arranging; but had been hoping to do just that for at least a bit of this summer.
    [Show full text]
  • Writing About Comics
    NACAE National Association of Comics Art Educators English 100-v: Writing about Comics From the wild assertions of Unbreakable and the sudden popularity of films adapted from comics (not just Spider-Man or Daredevil, but Ghost World and From Hell), to the abrupt appearance of Dan Clowes and Art Spiegelman all over The New Yorker, interesting claims are now being made about the value of comics and comic books. Are they the visible articulation of some unconscious knowledge or desire -- No, probably not. Are they the new literature of the twenty-first century -- Possibly, possibly... This course offers a reading survey of the best comics of the past twenty years (sometimes called “graphic novels”), and supplies the skills for reading comics critically in terms not only of what they say (which is easy) but of how they say it (which takes some thinking). More importantly than the fact that comics will be touching off all of our conversations, however, this is a course in writing critically: in building an argument, in gathering and organizing literary evidence, and in capturing and retaining the reader's interest (and your own). Don't assume this will be easy, just because we're reading comics. We'll be working hard this semester, doing a lot of reading and plenty of writing. The good news is that it should all be interesting. The texts are all really good books, though you may find you don't like them all equally well. The essays, too, will be guided by your own interest in the texts, and by the end of the course you'll be exploring the unmapped territory of literary comics on your own, following your own nose.
    [Show full text]
  • IN the WHALE's BELLY Jay Macpherson's Poetry
    IN THE WHALE'S BELLY Jay Macpherson's Poetry Suniti Namjoshi J"A.Y MACPHERSON'S FIRST MAJOR BOOK of poems, The Boat- man, was published in 1957 by Oxford University Press and then republished in 1968 with the addition of sixteen new poems.1 Her second book of poems, Wel- coming Disaster, appeared in 1974. No discussion of modern Canadian poetry is complete without at least a mention of Jay Macpherson's name, but the only article on her poetry that I have come across is the one by James Reaney, "The Third Eye: Jay Macpherson's The Boatman," which appeared in Canadian Literature in 1960. Fortunately, that article is almost definitive. Superficially, there seem to be some obvious differences between The Boatman and Welcoming Disaster. The second in some ways seems much "simpler." It is my purpose here to explore some of the similarities and differences with the aid of Jay Macpher- son's other writings,2 which include two theses, two lectures, and a children's text on classical mythology. As Reaney makes clear, the central myth of The Boatman is that of the ark. The ark appears to contain us, as though we were trapped in the belly of some monstrous creature, and its contents appear to be hopelessly miscellaneous; but properly perceived, Man, in fact, contains the ark, and its contents are ordered: In a poem entitled "The Anagogic Man" we are presented with ... the figure of a sleeping Noah whose head contains all creation ... The whole collection of poems requires the reader to transfer himself from the sleep our senses keep to Noah's sleep, and from Noah's sleep eventually to the first morning in Paradise.
    [Show full text]