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Do Not Take Diller's Thirty Bucks
The Voice of the West Village WestView News VOLUME 11, NUMBER 7 JULY 2015 $1.00 Do Not Take Diller’s Thirty Bucks By George Capsis will disturb the breeding ground of the Striped Bass, but because it is gratuitously I was taking a vacation from my morn- expensively and ugly—which is what hap- ing Times while at Bridgehampton, when pens when a pretentious designer caters to MaggieB. emailed me a June 11th article the taste of a rich and pretentious client. byveteran Times writer Charles Bagli (he Filing the action against Diller Island writes a lot about real estate), with a title is the City Club of New York, a group of that gave me a quick shot of joy—“Civic independently minded citizens who act Group Sues to Halt Hudson River Park when the city process fails (they stopped Backed by Barry Diller”—oh wow! the destruction of Grand Central Station). As we fought to save St. Vincent’s an oc- Their volunteer attorney, Michael Gruen, casional wave of deep sadness would over- spent days working his way through a come me—we were a lone, very small voice lengthy “signed” lease between Diller and that nobody was listening to. Now, here is a the Hudson River Park to uncover some noted and powerful voice, The City Club of surprises. New York, filing a court action to halt con- According to the lease, the city and state struction of Diller Island “until it undergoes have to contribute an embankment and a new environmental review and is approved two bridges to the island which will cost by the State Legislature”—wow again. -
Manhattan CD 4 the Chelsea Plan 197-A Plan
I I CB 4 Chel ea 197-a Plan: A Contextual Zoning ropo al 0 Create Housing Opportuniti Community Board 4 I Borough of Manhattan New York City The Chelsea Plan Community Board 4 Chelsea 197 -a Plan: A Contextual Zoning Proposal to Create Housing Opportunities City of New York Rudolph W. Giuliani, Mayor Department of City Planning Joseph B. Rose, Director Summer 1996 NYC DCP 96·17 INTRODUCTION Under Section 197 -a of the New York City Charter, community boards may propose plans for the development, growth and improvement of land within their districts. Pursuant to the Charter, the City Planning Commission developed and adopted standards and rules of procedure for 197-a plans. Once approved by the Commission and adopted by the City Council, 197 -a plans are intended to serve as policy guides for subsequent actions by city agencies. Community Board 4 Chelsea 197-a Plan: A Contextual Zoning Proposal to Create Housing Opportunities, as modified by the City Planning Commission, is the second community board 197-a plan to be adopted by the city. This report provides information for those interested in the plan's policies and recommendations. It may also be of interest to other community boards considering the 197-a process. This report contains three sections: 1. The City Council resolution, dated May 22, 1996, adopting the plan as modified by the City Planning Commission. 2. The City Planning Commission report, including its consideration and resolution, dated April 10, 1996, approving and modifying the 197-a plan. 3. The proposed Community Board 4 Chelsea J97-a Plan: A Contextual Zoning Proposal to Create Housing Opportunities, as originally submitted by Manhattan Community Board 4 on April 28, 1994. -
Hispanic-Americans and the Spanish Civil War (1936-1939)
Southern Methodist University SMU Scholar History Theses and Dissertations History Spring 2020 INTERNATIONALISM IN THE BARRIOS: HISPANIC-AMERICANS AND THE SPANISH CIVIL WAR (1936-1939) Carlos Nava [email protected] Follow this and additional works at: https://scholar.smu.edu/hum_sci_history_etds Recommended Citation Nava, Carlos, "INTERNATIONALISM IN THE BARRIOS: HISPANIC-AMERICANS AND THE SPANISH CIVIL WAR (1936-1939)" (2020). History Theses and Dissertations. 11. https://scholar.smu.edu/hum_sci_history_etds/11 This Thesis is brought to you for free and open access by the History at SMU Scholar. It has been accepted for inclusion in History Theses and Dissertations by an authorized administrator of SMU Scholar. For more information, please visit http://digitalrepository.smu.edu. INTERNATIONALISM IN THE BARRIOS: HISPANIC-AMERICANS AND THE SPANISH CIVIL WAR (1936-1939) Approved by: ______________________________________ Prof. Neil Foley Professor of History ___________________________________ Prof. John R. Chávez Professor of History ___________________________________ Prof. Crista J. DeLuzio Associate Professor of History INTERNATIONALISM IN THE BARRIOS: HISPANIC-AMERICANS AND THE SPANISH CIVIL WAR (1936-1939) A Thesis Presented to the Graduate Faculty of Dedman College Southern Methodist University in Partial Fulfillment of the Requirements for the degree of Master of Arts with a Major in History by Carlos Nava B.A. Southern Methodist University May 16, 2020 Nava, Carlos B.A., Southern Methodist University Internationalism in the Barrios: Hispanic-Americans in the Spanish Civil War (1936-1939) Advisor: Professor Neil Foley Master of Art Conferred May 16, 2020 Thesis Completed February 20, 2020 The ripples of the Spanish Civil War (1936-1939) had a far-reaching effect that touched Spanish speaking people outside of Spain. -
Retail Mid-Q2 2019
Manhattan Retail Market MID-2ND QUARTER 2019 REPORT Pictured: 915 Broadway Shops & Restaurants at Hudson Yards Shops & Restaurants at Hudson Yards Makes its Far West Side Debut Opening day arrived on Friday, March 15th for the highly anticipated 7-story, 1 million-square-foot retail center within the multi-building Hudson Yards complex. Anchored by Neiman Marcus, which has made its New York City debut in the 3-story, 250,000-square-foot space the Dallas, TX-based high-end department store leased back in 2014, the vertical mall adds a wide variety of retailers and food offerings to the burgeoning Far West Side neighborhood. Developed by Related Companies and Oxford Properties Group, the retail component that straddles the 10 and 30 Hudson Yards offi ce towers sits along 10th Avenue between West 30th and 33rd Streets. About 90% leased at opening, there are 100 stores and 25 restaurants from fast-casual to fi ne dining spread throughout, with several of the restaurants operated by well-known chefs including the 35,000-square-foot Mercado Little Spain, a Spanish-themed foot court operated by chef José Andrés located in the base of 10 Hudson Yards; as well as the casual all-day restaurant Cedric’s at the Shed by Danny Meyer’s Union Square Hospitality Group that opened in April within the arts and culture venue. In addition the entire 2nd fl oor dubbed Floor of Discovery is an experimental concept that offers a mix of “fi rst locations for digitally native brands and experiential shopping offerings from modern brands;” while the permanent Snark Park exhibition space operated by design studio Snarkitecture will feature a rotating schedule of design environments and unique retail experiences. -
Haitian Historical and Cultural Legacy
Haitian Historical and Cultural Legacy A Journey Through Time A Resource Guide for Teachers HABETAC The Haitian Bilingual/ESL Technical Assistance Center HABETAC The Haitian Bilingual/ESL Technical Assistance Center @ Brooklyn College 2900 Bedford Avenue James Hall, Room 3103J Brooklyn, NY 11210 Copyright © 2005 Teachers and educators, please feel free to make copies as needed to use with your students in class. Please contact HABETAC at 718-951-4668 to obtain copies of this publication. Funded by the New York State Education Department Acknowledgments Haitian Historical and Cultural Legacy: A Journey Through Time is for teachers of grades K through 12. The idea of this book was initiated by the Haitian Bilingual/ESL Technical Assistance Center (HABETAC) at City College under the direction of Myriam C. Augustin, the former director of HABETAC. This is the realization of the following team of committed, knowledgeable, and creative writers, researchers, activity developers, artists, and editors: Marie José Bernard, Resource Specialist, HABETAC at City College, New York, NY Menes Dejoie, School Psychologist, CSD 17, Brooklyn, NY Yves Raymond, Bilingual Coordinator, Erasmus Hall High School for Science and Math, Brooklyn, NY Marie Lily Cerat, Writing Specialist, P.S. 181, CSD 17, Brooklyn, NY Christine Etienne, Bilingual Staff Developer, CSD 17, Brooklyn, NY Amidor Almonord, Bilingual Teacher, P.S. 189, CSD 17, Brooklyn, NY Peter Kondrat, Educational Consultant and Freelance Writer, Brooklyn, NY Alix Ambroise, Jr., Social Studies Teacher, P.S. 138, CSD 17, Brooklyn, NY Professor Jean Y. Plaisir, Assistant Professor, Department of Childhood Education, City College of New York, New York, NY Claudette Laurent, Administrative Assistant, HABETAC at City College, New York, NY Christian Lemoine, Graphic Artist, HLH Panoramic, New York, NY. -
Prostitution
The Voice of the West Village WestView News VOLUME 14, NUMBER 10 OCTOBER 2018 $1.00 Duty to Warn: How Big Business Northwell Runs the Healthcare Industry Opens Suite of By Gary G. Kohls, MD the World. Around the time that the book was published, I was a small-town family practitioner still trying mightily to follow PART ONE—In this two-part series, Dr. Kohls explores the Hippocratic Oath, which I took back in 1968. I was also Doctor Offices how the intersection of big business and the pharmaceuti- still trying to honor my patient’s inalienable right to be fully cal, vaccine and medical device corporations have come to informed about the risks and benefits of any drug I was con- rule the healthcare industry. Part two of the series will ap- sidering prescribing before he or she consented to the prescrip- pear in the November issue of WestView. tion. It was time-consuming to follow those ethical principles. “Corporations should not be involved in any aspect of the Korten followed up with a sequel in 1999, titled “The democratic process. They should not be involved in educa- Post-Corporate World. Here is an excerpt that nicely sum- tion at any level. They should not be involved in healthcare. marizes what he was warning his readers about: They should not be involved in the administration of social “’When Corporations Rule the World’ told the new story as I had services. They should not be involved in the administration come to understand it: “Our relentless pursuit of economic growth of justice. -
Elenco Volumi Esposti Su Musica
COMUNE DI ALPIGNANO ASSESSORATO ALLA CULTURA In Biblioteca ... CD musica straniera pop-rock 1 Abba The album CD 782.42 ABB Bryan Adams So far so good CD 782.42 ADA Aerosmith Big Ones CD 782.42 AER Aerosmith Rockin' the joint CD 782.42 AER Christina Stripped CD 782.42 AGU Aguilera Air Moon safari CD 782.42 AIR The Alan I Robot CD 782.42 ALA Parsons Project America The definitive pop collection CD 782.42 AME Anastacia Anastacia CD 782.42 ANA Anastacia Pieces of a dream CD 782.42 ANA The Ark State of The Ark CD 782.42 ARK Richard Ashcroft Alone With Everybody CD 782.42 ASH Audioslave Out of exile CD 782.42 AUD Aventura God's project CD 782.42 AVE Backstreet Boys Millennium CD 782.42 BAC Backstreet Boys Backstreet's Back CD 782.42 BAC Joan Baez The Best of Joan C. Baez CD 782.42 BAE Basement Jaxx Kish kash CD 782.42 BAS B.B. King & Eric Riding With the King CD 782.42 BBK Clapton Beastie Boys Licensed to ill CD 782.42 BEA The Beatles The Beatles CD 782.42 BEA The Beatles The Beatles CD 782.42 BEA Beck Mutations CD 782.42 BEC George Benson The best of George Benson CD 782.42 BEN Samuele Bersani Che vita! CD 782.42 BER The B-52'S The B-52'S CD 782.42 BFI Björk SelmaSongs CD 782.42 BJO Björk Debut CD 782.42 BJO The Black Eyed Elephunk CD 782.42 BLA Peas The Black Eyed Monkey business CD 782.42 BLA Peas Blink-182 Blink-182 CD 782.42 BLI 2 Blur 13 CD 782.42 BLU Blues Brothers & Live from Chicago's house of blues CD 782.42 BLU Friends Blue Guilty CD 782.42 BLU Blue Best of Blue CD 782.42 BLU James Blunt Chasing time: the Bedlam sessions CD 782.42 BLU Michael Bolton Greatest Hits 1985-1995 CD 782.42 BOL Jon Bon Jovi Crush CD 782.42 BON David Bowie Live Santa Moica '72 CD 782.42 BOW Goran Bregovic Ederlezi CD 782.42 BRE James Brown Sex machine: The very best of James Brown CD 782.42 BRO Jackson Browne The Next Voice you Hear CD 782.42 BRO Michael Bublé It's time CD 782.42 BUB Jeff Buckley Sketches for my Sweetheart the Drunk CD 782.42 BUC AA. -
Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H. -
Ellen Stewart La Mama of Us
MTDR190_11311_ch02 4/26/06 3:24 PM Page 12 Ellen Stewart La Mama of Us All Downloaded from http://direct.mit.edu/dram/article-pdf/50/2 (190)/12/1821778/dram.2006.50.2.12.pdf by guest on 26 September 2021 1. Ellen Stewart with playwrights Leonard Melfi, Paul Foster, Tom O’Horgan, and Kevin O’Connor at Brandeis University, 1967. (Courtesy of Ellen Stewart/The La Mama Archive) Cindy Rosenthal Cindy Rosenthal is Associate Professor at Hofstra University where she teaches theatre, performance, and women’s studies. She is coeditor, with James Harding, of Restaging the Sixties: Radical Theatres and Their Legacies (University of Michigan Press, 2006). She has contributed two articles on NYC community gardeners’ activist performances to TDR; her work is also published in Women and Performance, Theatre Journal, and Radical Street Performance (Routledge, 1998). 12 MTDR190_11311_ch02 4/26/06 3:24 PM Page 13 You let yourself become one of them and you use whatever skills you have to enhance what they have, what they do. This is my philosophy. Nobody tells me anything. —Ellen Stewart, 30 June 2003 Where to Begin? 30 September 2004, City University of New York Ellen Stewart, “La Mama,” founder/director of the La Mama Experimental Theatre Club, was honored at a symposium celebrating Off and Off-Off Broadway at the Elebash Recital Hall, CUNY. Stewart was accom- panied by La Mama “baby” performer/director/playwright Paul Zimet, who first worked at La Mama when the Open Theater performed there in 1967. Zimet begins by ringing the bell (laughter in the auditorium). -
Coffeehouse Chronicles #154 Taylor Mac
Coffeehouse Chronicles #154 Taylor mac Michal Gamily - Series Director Arthur Adair - Educational Outreach Ellen Stewart Theatre 66 East 4th Street, NYC, 10003 June 8, 2019 Coffeehouse Chronicles Honors the career and achievements of American actor, playwright, performance artist, director, producer and MacArthur Fellow recipient Taylor Mac with panelists, live performances and archival materials. Moderated by Gabriel Berry With Morgan Jenness, Melanie Joseph, Niegel Smith, Barbara Maier Gusten, Timothy White Eagle, Linda Brumbach. Appearing on Video: Machine Dazzle Live Music by Matt Ray (Piano) Gary Wang (Bass) Viva DeConcini (Guitar) Bernice “Boom Boom” Brooks (Drums) Greg Glassman (Trumpet) COFFEEHOUSE CHRONICLES STAFF Director/Curator: Michal Gamily Educational Outreach: Arthur Adair Stage Manager: Jialin (Liz) He Resident Audio Visual Designer: Hao Bai Video Production Manager / Photographer: Theo Cote Digital Media: Ryan Leach Director of Archive: Ozzie Rodriguez Archive Project Manager: Sophie Archive/Resident Artistic Associate: Shigeko Suga Prologue Taylor reads a monologue (Lilies Revenge or Prosperous Fools) Live performance: Turn, Turn,Turn (Taylor and the band) Gabriel Berry introduces Whitey Part 1: Playwriting Morgan Jenness leads the exploration of Taylor’s work as a playwright Taylor reads excerpts from his new play Live performance: Taylor plays the uke Part 2: The visual world Machine Dazzle ’s interview Slideshow presentation of show images of the last 25 years Whitey and Niegel Smith about Taylor’s aesthetic Live performance: Ghost Riders (Taylor and the band) Linda Brumbach about producing the A 24- Decade History of Popular Music Barbara Maier Gusten about Vocal lessons and performing at the A 24- Decade History of Popular Music Part 3: Audience interaction and Q&A Melanie Joseph about audience interaction in Taylor’s world Melanie leads a Q&A Live performance: A scene from A Walk Across America for Mother Earth (La MaMa 2011) Taylor leads the audience in the sing-a-long. -
Fred Ho Enrico Pieranunzi Russell
November 2011 | No. 115 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Fred • Enrico • Russell • Auand • Festival • Event Ho Pieranunzi Garcia Records Reports Calendar John Coltrane is rightly considered one of the innovators in jazz even though his career as a leader lasted only a brief, if remarkably prolific, decade before his tragic death in 1967 at 40. But most critical acclaim is heaped on the period before New York@Night 1964. Ascension, recorded in 1965, is considered by many the end of Coltrane as a 4 legitimate jazz musician, as he moved away from his roots into the burgeoning Interview: Fred Ho avant garde and free jazz scenes. But another group see Coltrane’s shift in this direction helping to propel these new forms, not least because of his championing 6 by Ken Waxman of such musicians as Pharoah Sanders, Archie Shepp, John Tchicai and Marion Artist Feature: Enrico Pieranunzi Brown, now all legends in their own rights. This month two tributes (at Le Poisson Rouge and Jazz Standard) will recreate Coltrane’s controversial work with allstar by Laurel Gross 7 casts of musicians from across the modern spectrum, a living testament to the On The Cover: John Coltrane’s Ascension music’s continuing impact. For our cover story this month, we’ve spoken with by Marc Medwin participants from the original Ascension album plus other musicians who have 9 done their own interpretations and those involved in the upcoming tributes. Encore: Lest We Forget: Two other controversial figures are baritone saxophonist/composer Fred Ho 10 (Interview), whose political statements and inclusive musical blending have Russell Garcia Sam Jones resulted in some monumental works over the past few decades, and Italian pianist by Andy Vélez by Donald Elfman Enrico Pieranunzi (Artist Feature), who mixes the classical music of his native Megaphone VOXNews Europe with his adopted jazz in a mélange that challenges the assumptions of both by Denny Zeitlin by Suzanne Lorge art forms. -
Grey Gardens
WWW.ACTTHEATRE.ORG WWW.5THAVENUE.ORG A CO-PRODUCTION OF ACT — A CONTEMPORARY THEATRE AND THE 5TH AVENUE THEATRE JONES NEW YORK SIGNATURE THE COLLECTOR JACKET Cotton blazer. Misses. $149. Women. $159. Chambray shirt. Cotton. Misses. $79. MACY’S BY APPOINTMENT Contact Linda Lee & her personal shoppers for our free service. Make an appointment today. Call 1-800-343-0121 or log on to macys.com/mba 3010029. ONLY ONE STAR CAN PUT IT ALL TOGETHER Advertised merchandise may not be carried at your local Macy’s and selection vary by store. FROM THE ARTISTIC DIRECTORS David Armstrong Kurt Beattie Executive Producer and Artistic Director Artistic Director The 5th Avenue Theatre ACT–A Contemporary Theatre The production that you are about to see is the result of a unique collaboration between two of Seattle’s leading not-for-profit theater companies: ACT – A Contemporary Theatre and The 5th Avenue Theatre. This is the third time that we have joined forces in this manner — jointly producing and presenting a musical as part of both of our theaters’ subscription seasons. This collaboration provides each organization with the opportunity to fulfill important aspects of our artistic missions that would be difficult for us to accomplish outside of this creative partnership. It allows The 5th Avenue the chance to bring to our audience some of the many wonderful, smaller-scale musicals that would not be a good fit for our home theater, and it allows ACT the opportunity to include musical theater in its programming on a regular basis. We are thrilled to tell you that the fruits of this collaboration will soon go far beyond our expectations — and far beyond Seattle.