Luther College Symphony Orchestra Residency in Vienna, Austria: Performance and Musical Tradition in the Context of Austrian History

Total Page:16

File Type:pdf, Size:1020Kb

Luther College Symphony Orchestra Residency in Vienna, Austria: Performance and Musical Tradition in the Context of Austrian History Luther College Symphony Orchestra Residency in Vienna January Term 2011 GS 105 prepared by Professors John F. and Virginia F. Strauss Table of Contents Course Title, Description, Requirements and URL Address 2011 LCSO January Residency in Vienna: Daily Program Study Guide to The Viennese: Splendor, Twilight and Exile Governance and Politics Political Parties, Colors and Personalities Packing Suggestions A Few Hints About Etiquette Transportation Walking Our Hotel and the Immediate Vicinity Buying Tickets and Locating Concert Venues Dining Out and Procuring Comestibles Three Excellent and Inexpensive Restaurants Restaurants in the First District Typical Viennese Menu Items Exploring Vienna First District Churches You Should Visit Other Things to Do Shopping Tips Banking Tips Telephone and E-mail Useful Phrases Useful Websites Course Title GS 105 Luther College Symphony Orchestra Residency in Vienna, Austria: Performance and Musical Tradition in the Context of Austrian History Course Description An intensive three-week residency in Vienna, Austria, culminating in three public performances. Daily rehearsals, lectures and discussions, museum visits and performances focusing on Viennese history, culture and music traditions. Study topics include the clash between Christian Europe and Islam, the Austrian Baroque, fin de siècle Vienna, the Holocaust and contemporary Austrian politics. On-site visits focus on the study of representative works of music, art, and architecture emblematic of Austria history. This is a J- term II course, which also satisfies the general education category Human Expression. Course Requirements 1. You are expected to participate fully in all scheduled rehearsals and concerts, tours, discussions, lectures and other group activities arranged by the faculty A loose-leaf notebook for written work is highly recommended. YOU MUST SATISFY PERFORMANCE EXPECTATIONS IN ORDER TO GET CREDIT FOR THE COURSE. 2. Before departure for Europe, read Paul Hofmann’s The Viennese: Splendor, Twilight and Exile. Bring the book with you! A study guide will be provided to help prepare for group discussions. Take notes and write down questions as you read. You should be able to respond to all of the questions on the study guide. YOU MUST PASS A WRITTEN FINAL EXAM IN ORDER TO GET CREDIT FOR THE COURSE. URL Address This Study Guide plus the Strauss Travel Guide for Vienna are available to students on the KATIE site. The address is: katie.luther.edu/moodle/ After you log in, open the folder labeled 2011JT, and click on the course 52809-GS-105-A. 2011 LUTHER COLLEGE SYMPHONY ORCHESTRA JANUARY RESIDENCY IN VIENNA T3733 Program direction/academic content provided: by Daniel Baldwin, John & Virginia Strauss Thursday LUTHER Departure. Meet at 8:00 in back of Jenson-Noble for bus departure at 8:30 to Chicago. Meet January 6 your Seminars International representative at 15:00 at the United Airlines check-in counter, Chicago O’Hare International Airport, Terminal 1 for departure (18:18) on United Airlines flight UA #906 to Munich, non-stop Boeing 777 service with meals served en route. Friday SALZBURG Arrival. Arrive (09.50) at Munich Airport and transfer by private motorcoach to Salzburg to January 7 the PLAZA ZUM HIRSCHEN HOTEL for check-in. Brief map, menu and language orientation led by the faculty directors, followed by orientation dinner (19.00) at the Restaurant Stiftskeller St. Peter. (D) Saturday SALZBURG. Breakfast and meeting in the Salzburger Saal until 10.30 followed by historical/cultural January 8 orientation walking tour of old Salzburg guided by faculty directors with stops at Mirabel Gardens, the Wolf Dietrich Mausoleum, Getreidegasse, the Dom, St. Peter Churchyard, Mozart's Birthplace (entrance included) and the Hohensalzburg Fortress (combi-ticket entrance) Wear good walking shoes/boots. Rest of day free. (B) Sunday SALZBURG/VIENNA. Morning departure (09.00) by private motorcoach to Vienna (en route stop January 9 for guided tour and short film of Mauthausen (10.50; three groups of 30). Arrive Vienna (14.30) for a guided coach tour of the city and check-in at the HOTEL KUMMER. Orientation in the hotel restaurant including a trial walk to the Haus der Begegnung. (Bring your information booklet, city map and outdoor clothing) followed by group dinner (19.15)) at the hotel. Transportation passes provided for duration of Vienna stay. (B,D) Monday VIENNA. Breakfast (06.30-10.30 daily) and announcements followed by departure for Haus der January 10 Begegnung, (available weekdays from 08.30 – 17.30). Self-serve buffet lunch at hotel. Evening (19.30) performance of Tosca at the Staatsoper. (B,L) Tuesday VIENNA. Same morning program as Monday. Following lunch, Strings meet for a sectional rehearsal January 11 in the Grossesaal. Winds and Percussion meet with J. Strauss in the Klubsaal for a discussion of the introduction and first two chapters of Paul Hofmann's The Viennese. Please be prepared to answer the questions in the study guide and share your observations with the group. (B,L) Wednesday VIENNA. Same morning program as Monday. Following lunch, Winds and Percussion meet for a January 12 sectional rehearsal, while Strings meet with J. Strauss in the Klubsaal (available until 15.00) for a discussion of the introduction and first two chapters of Paul Hofmann's The Viennese. Please be prepared to answer the questions in the study guide and share your observations with the group. (B,L) Thursday VIENNA. Same morning program as Monday. Following lunch, the Strings meet for a sectional January 13 rehearsal while the Winds and Brass take a guided tour of the Kunsthistorisches Museum. Evening (19.30) performance of the Freiburger Barockorchester at the Musikverien. (B,L) Friday VIENNA. Same morning program as Monday. Following lunch, the Winds and Brass meet for a January 14 sectional rehearsal while the Strings take a guided tour of the Kunsthistorisches Museum. Evening (19.30) performance of the Vienna Symphony at the Konzerthaus. (B,L) Saturday VIENNA. Free time for independent exploration. Consult your travel packet and see John or Virginia January 15 Strauss if you have questions. Evening (19.00) performance of Carmen at the Volksoper. (46 tickets). (B) Sunday VIENNA. Optional morning church service at the Augustinerkirche or Stefansdom. Mid-afternoon visit January 16 to Wien Oberlaa (a modern indoor/outdoor thermal spa with swimming pools, whirl pools, etc.). Group dinner at a Heurige in Oberlaa. (B,D) Monday VIENNA. Same morning program as previous Monday. Following lunch, Strings meet for a sectional January 17 while Winds and Brass meet with J. Strauss to discuss the rest of Paul Hofmann's The Viennese. Please be prepared to answer the questions in the study guide. (B,L) Tuesday VIENNA. Same morning program as previous Monday. Following lunch, Winds and Brass meet for January 18 a sectional while Strings meet with J. Strauss to discuss the rest of Paul Hofmann's The Viennese. Please be prepared to answer the questions in the study guide. (B,L) Wednesday VIENNA. Morning rehearsal at Haus der Begegnung, followed by self-serve buffet lunch at the hotel. January 19 Afternoon guided visit to Belvedere Palace (Group B/Winds); lecture/sectional rehearsals for Group A/ Strings as arranged by faculty directors. (B,L) Thursday VIENNA. Same morning program. Following lunch, Winds and Brass (Group B) meet for a sectional January 20 rehearsal while Strings (Group A) take a guided tour of the Belvedere Palace. (B,L) Friday VIENNA. Morning rehearsal at Haus der Begegnung followed by self-serve buffet lunch at the hotel. January 21 Return for a 90 minute rehearsal and an afternoon dance lesson. Vans to collect instruments from Haus der Begegnung and deliver to Hotel Kummer for storage. Evening attendance at the Officer’s Ball at the Wiener Hofburg (doors open at 20.00, 4 tables reserved). (B,L) Saturday VIENNA. Free time for independent exploration of the city. J. Strauss will lead two tours of the City of January 22 Vienna Museum: strings at 10.00 and winds/brass at 13.00. (B) Sunday VIENNA. Morning (09.00-13.00) review session at the Fleming Hotel. Optional hike through the Vienna January 23 Woods lead by John and Virginia Strauss: from Kahlenberg to Pfarrplatz in Heiligenstadt. Afternoon (16.30) performance of La Cenerentola at the Volksoper. (46 tickets) (B) Monday VIENNA (OBERSCHUTZEN). Free morning. Two motorcoaches (one with trailer), guide, arrive at January 24 Hotel Kummer for drive to Oberschutzen (about 90 min. drive) for rehearsal. Early dinner at a local restaurant. Evening (19.00) performance at the Kulturzentrum Oberschutzen. (B,D) (Students should be prepared to load/unload instrument vans) Tuesday VIENNA. Following breakfast, final exam on Paul Hofmann’s The Viennese. Free afternoon for January 25 independent exploration. (B) Wednesday VIENNA (STOCKERAU). Free morning. Two motorcoaches (one with trailer) and guide arrive (12.00) January 26 at Hotel Kummer for 40 minute drive to Stockerau for rehearsal. Early dinner at local restaurant, followed by evening (19.00) performance at the Concert Hall. (B,D) Thursday VIENNA. Instrument vans arrive at hotel to transport instruments and crates from hotel to the January 27 Konzerthaus for morning three-hour rehearsal. Afternoon free. Motorcoach transfer to the Konzerthaus for evening performance (19.00) (recorded for personal use), followed by transfer to StadtParkBräu for late (22.15) dinner. (B,D) Friday VIENNA/MUNICH. Morning (09.00) departure by private motorcoach for Munich, with check-in upon January 28 arrival at the HOTEL ATRIUM. (B) Saturday MUNICH. Morning guided tour of the city including the Alte and Neue Pinakotek. Afternoon at leisure. January 29 Farewell (19.00) dinner at Restaurant Augustiner Gaststaette. (B,D) Sunday MUNICH/CHICAGO. Morning (08.30) transfer by private motorcoach to Munich Airport for departure January 30 (12.15) on United Airlines flight UA #907 for Chicago, non-stop Boeing 777 service with meals served en route.
Recommended publications
  • Worlds Apart: Bosnian Lessons for Global Security
    Worlds Apart Swanee Hunt Worlds Apart Bosnian Lessons for GLoBaL security Duke university Press Durham anD LonDon 2011 © 2011 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ♾ Designed by C. H. Westmoreland Typeset in Charis by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data appear on the last printed page of this book. To my partners c harLes ansBacher: “Of course you can.” and VaLerie GiLLen: “Of course we can.” and Mirsad JaceVic: “Of course you must.” Contents Author’s Note xi Map of Yugoslavia xii Prologue xiii Acknowledgments xix Context xxi Part i: War Section 1: Officialdom 3 1. insiDe: “Esteemed Mr. Carrington” 3 2. outsiDe: A Convenient Euphemism 4 3. insiDe: Angels and Animals 8 4. outsiDe: Carter and Conscience 10 5. insiDe: “If I Left, Everyone Would Flee” 12 6. outsiDe: None of Our Business 15 7. insiDe: Silajdžić 17 8. outsiDe: Unintended Consequences 18 9. insiDe: The Bread Factory 19 10. outsiDe: Elegant Tables 21 Section 2: Victims or Agents? 24 11. insiDe: The Unspeakable 24 12. outsiDe: The Politics of Rape 26 13. insiDe: An Unlikely Soldier 28 14. outsiDe: Happy Fourth of July 30 15. insiDe: Women on the Side 33 16. outsiDe: Contact Sport 35 Section 3: Deadly Stereotypes 37 17. insiDe: An Artificial War 37 18. outsiDe: Clashes 38 19. insiDe: Crossing the Fault Line 39 20. outsiDe: “The Truth about Goražde” 41 21. insiDe: Loyal 43 22. outsiDe: Pentagon Sympathies 46 23. insiDe: Family Friends 48 24. outsiDe: Extremists 50 Section 4: Fissures and Connections 55 25.
    [Show full text]
  • Fourth Consultation for Points of Contact for the Purpose of Accident Notification and Mutual Assistance Designated Within the UNECE 25-26 March 2010, Zagreb
    Fourth Consultation for Points of Contact for the Purpose of Accident Notification and Mutual Assistance designated within the UNECE 25-26 March 2010, Zagreb Problems in notifications – obligations for use of several notification systems in an event of emergency situation Mr. Christian Krol Official Counsellor, Department for Civil Protection, Crisis- and Disaster Protection Management in the MoI BUNDESMINISTERIUM FÜR INNERES, 1014 WIEN, HERRENGASSE 7, TEL.: +43 - (0)1 - 531 26 - 0 Content General remarks and basic principles Origin, tasks and structure of National Crisis and Disaster Protection Management in Austria The Federal Alarm Centre as Initial Point of Contact Systems operated/monitored by Duty Officers in the Federal Alarm Centre Recommendations/Conclusions BUNDESMINISTERIUM FÜR INNERES, 1014 WIEN, HERRENGASSE 7, TEL.: +43 - (0)1 - 531 26 - 0 General remarks and basic principles BUNDESMINISTERIUM FÜR INNERES, 1014 WIEN, HERRENGASSE 7, TEL.: +43 - (0)1 - 531 26 - 0 83,858 km² 8.09 million inhabitants 9 Provinces/“Länder“ Czech Republic Slovakia Germany Switzer- land Hun- gary Liechtenstein Italy Slovenia BUNDESMINISTERIUM FÜR INNERES, 1014 WIEN, HERRENGASSE 7, TEL.: +43 - (0)1 - 531 26 - 0 13 Federal Ministries BKA BMeiA BMUKK BMF BMI BMJ BMLVS BMLFUW BMASK BMG BMVIT BMWFJ BMWF Subordinated authorities 9 provincial governments W B NÖ OÖ ST K S T V 99 administrative districts 2359 local authorities BUNDESMINISTERIUM FÜR INNERES, 1014 WIEN, HERRENGASSE 7, TEL.: +43 - (0)1 - 531 26 - 0 Basic Principles: Precautionary measures
    [Show full text]
  • Annual Report
    COUNCIL ON FOREIGN RELATIONS ANNUAL REPORT July 1,1996-June 30,1997 Main Office Washington Office The Harold Pratt House 1779 Massachusetts Avenue, N.W. 58 East 68th Street, New York, NY 10021 Washington, DC 20036 Tel. (212) 434-9400; Fax (212) 861-1789 Tel. (202) 518-3400; Fax (202) 986-2984 Website www. foreignrela tions. org e-mail publicaffairs@email. cfr. org OFFICERS AND DIRECTORS, 1997-98 Officers Directors Charlayne Hunter-Gault Peter G. Peterson Term Expiring 1998 Frank Savage* Chairman of the Board Peggy Dulany Laura D'Andrea Tyson Maurice R. Greenberg Robert F Erburu Leslie H. Gelb Vice Chairman Karen Elliott House ex officio Leslie H. Gelb Joshua Lederberg President Vincent A. Mai Honorary Officers Michael P Peters Garrick Utley and Directors Emeriti Senior Vice President Term Expiring 1999 Douglas Dillon and Chief Operating Officer Carla A. Hills Caryl R Haskins Alton Frye Robert D. Hormats Grayson Kirk Senior Vice President William J. McDonough Charles McC. Mathias, Jr. Paula J. Dobriansky Theodore C. Sorensen James A. Perkins Vice President, Washington Program George Soros David Rockefeller Gary C. Hufbauer Paul A. Volcker Honorary Chairman Vice President, Director of Studies Robert A. Scalapino Term Expiring 2000 David Kellogg Cyrus R. Vance Jessica R Einhorn Vice President, Communications Glenn E. Watts and Corporate Affairs Louis V Gerstner, Jr. Abraham F. Lowenthal Hanna Holborn Gray Vice President and Maurice R. Greenberg Deputy National Director George J. Mitchell Janice L. Murray Warren B. Rudman Vice President and Treasurer Term Expiring 2001 Karen M. Sughrue Lee Cullum Vice President, Programs Mario L. Baeza and Media Projects Thomas R.
    [Show full text]
  • Notes of Michael J. Zeps, SJ
    Marquette University e-Publications@Marquette History Faculty Research and Publications History Department 1-1-2011 Documents of Baudirektion Wien 1919-1941: Notes of Michael J. Zeps, S.J. Michael J. Zeps S.J. Marquette University, [email protected] Preface While doing research in Vienna for my dissertation on relations between Church and State in Austria between the wars I became intrigued by the outward appearance of the public housing projects put up by Red Vienna at the same time. They seemed to have a martial cast to them not at all restricted to the famous Karl-Marx-Hof so, against advice that I would find nothing, I decided to see what could be found in the archives of the Stadtbauamt to tie the architecture of the program to the civil war of 1934 when the structures became the principal focus of conflict. I found no direct tie anywhere in the documents but uncovered some circumstantial evidence that might be explored in the future. One reason for publishing these notes is to save researchers from the same dead end I ran into. This is not to say no evidence was ever present because there are many missing documents in the sequence which might turn up in the future—there is more than one complaint to be found about staff members taking documents and not returning them—and the socialists who controlled the records had an interest in denying any connection both before and after the civil war. Certain kinds of records are simply not there including assessments of personnel which are in the files of the Magistratsdirektion not accessible to the public and minutes of most meetings within the various Magistrats Abteilungen connected with the program.
    [Show full text]
  • Oscar Straus Beiträge Zur Annäherung an Einen Zu Unrecht Vergessenen
    Fedora Wesseler, Stefan Schmidl (Hg.), Oscar Straus Beiträge zur Annäherung an einen zu Unrecht Vergessenen Amsterdam 2017 © 2017 die Autorinnen und Autoren Diese Publikation ist unter der DOI-Nummer 10.13140/RG.2.2.29695.00168 verzeichnet Inhalt Vorwort Fedora Wesseler (Paris), Stefan Schmidl (Wien) ......................................................................5 Avant-propos Fedora Wesseler (Paris), Stefan Schmidl (Wien) ......................................................................7 Wien-Berlin-Paris-Hollywood-Bad Ischl Urbane Kontexte 1900-1950 Susana Zapke (Wien) ................................................................................................................ 9 Von den Nibelungen bis zu Cleopatra Oscar Straus – ein deutscher Offenbach? Peter P. Pachl (Berlin) ............................................................................................................. 13 Oscar Straus, das „Überbrettl“ und Arnold Schönberg Margareta Saary (Wien) .......................................................................................................... 27 Burlesk, ideologiekritisch, destruktiv Die lustigen Nibelungen von Oscar Straus und Fritz Oliven (Rideamus) Erich Wolfgang Partsch† (Wien) ............................................................................................ 48 Oscar Straus – Walzerträume Fritz Schweiger (Salzburg) ..................................................................................................... 54 „Vm. bei Oscar Straus. Er spielte mir den tapferen Cassian vor;
    [Show full text]
  • Alexander Kluge Raw Materials for the Imagination
    FILM CULTURE IN TRANSITION Alexander Kluge Raw Materials for the Imagination EDITED BY TARA FORREST Amsterdam University Press Alexander Kluge Alexander Kluge Raw Materials for the Imagination Edited by Tara Forrest Front cover illustration: Alexander Kluge. Photo: Regina Schmeken Back cover illustration: Artists under the Big Top: Perplexed () Cover design: Kok Korpershoek, Amsterdam Lay-out: japes, Amsterdam isbn (paperback) isbn (hardcover) e-isbn nur © T. Forrest / Amsterdam University Press, All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Every effort has been made to obtain permission to use all copyrighted illustra- tions reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. For Alexander Kluge …and in memory of Miriam Hansen Table of Contents Introduction Editor’s Introduction Tara Forrest The Stubborn Persistence of Alexander Kluge Thomas Elsaesser Film, Politics and the Public Sphere On Film and the Public Sphere Alexander Kluge Cooperative Auteur Cinema and Oppositional Public Sphere: Alexander Kluge’s Contribution to G I A Miriam Hansen ‘What is Different is Good’: Women and Femininity in the Films of Alexander Kluge Heide
    [Show full text]
  • Železničář Č. 12/2017
    8 . č e r v n a 2 0 1 7 | c e n a 1 8 K č čtrnáctideník v y d á v a j í č e s k é d r á h y 12 r O iv čník X X | zeleznicar.cd.cz www.cd.cz/facebook Z OBSAHU 6–7 r o z h o v o r Jedním ze dvou nových vrchních přednostů Dep kolejových vozidel (DKV) je od února Zbyněk Rederer. Jaké to je řídit provoz několika pracovišť, prozradil v rozhovoru. 8–9 z P r a v o d a j s t v í Vyřazený motorový vůz řady 810 slouží v Karlových Varech k výuce dopravní výchovy. Pro zdejší Svět záchranářů ho připravily České dráhy. Motorák doplňuje multifunkční výukový areál. 11–13 t é M a České dráhy se u cestujících stále těší relativně vysoké oblibě. Vyplývá to z průzkumu, který si nechal národní dopravce zpracovat od agentury pro výzkum trhu a veřejného mínění na konci minulého roku. 15 P r o v o z a t e c h n i k a Přesně před deseti lety začal v přerovském provozním středisku oprav DPOV, dceřiné společnosti Českých drah, opravárenský cyklus pro příměstské patrové jednotky řady 471 CityElefant. 16–17 r e c e n z e Nedávno se na trhu objevila nová série Brejlovců firmy Kuehn v několika provedeních. Uvedení modelů se stále odkládalo. Jak moc bylo dlouhé čekání vyváženo kvalitou, na to se podíváme u stroje 750.330-3 Čd cargo. 18–19 c e s t o P i s Drsný kraj vysočina v sobě skrývá řadu unikátních míst, která jsou navíc snadno dostupná vlakem.
    [Show full text]
  • Warsaw in Short
    WarsaW TourisT informaTion ph. (+48 22) 94 31, 474 11 42 Tourist information offices: Museums royal route 39 Krakowskie PrzedmieÊcie Street Warsaw Central railway station Shops 54 Jerozolimskie Avenue – Main Hall Warsaw frederic Chopin airport Events 1 ˚wirki i Wigury Street – Arrival Hall Terminal 2 old Town market square Hotels 19, 21/21a Old Town Market Square (opening previewed for the second half of 2008) Praga District Restaurants 30 Okrzei Street Warsaw Editor: Tourist Routes Warsaw Tourist Office Translation: English Language Consultancy Zygmunt Nowak-Soliƒski Practical Information Cartographic Design: Tomasz Nowacki, Warsaw Uniwersity Cartographic Cathedral Photos: archives of Warsaw Tourist Office, Promotion Department of the City of Warsaw, Warsaw museums, W. Hansen, W. Kryƒski, A. Ksià˝ek, K. Naperty, W. Panów, Z. Panów, A. Witkowska, A. Czarnecka, P. Czernecki, P. Dudek, E. Gampel, P. Jab∏oƒski, K. Janiak, Warsaw A. Karpowicz, P. Multan, B. Skierkowski, P. Szaniawski Edition XVI, Warszawa, August 2008 Warsaw Frederic Chopin Airport Free copy 1. ˚wirki i Wigury St., 00-906 Warszawa Airport Information, ph. (+48 22) 650 42 20 isBn: 83-89403-03-X www.lotnisko-chopina.pl, www.chopin-airport.pl Contents TourisT informaTion 2 PraCTiCal informaTion 4 fall in love wiTh warsaw 18 warsaw’s hisTory 21 rouTe no 1: 24 The Royal Route: Krakowskie PrzedmieÊcie Street – Nowy Âwiat Street – Royal ¸azienki modern warsaw 65 Park-Palace Complex – Wilanów Park-Palace Complex warsaw neighborhood 66 rouTe no 2: 36 CulTural AttraCTions 74 The Old
    [Show full text]
  • Institutsliste Volks- Und Raiffeisenbanken; Marktbanken Der Fiducia & GAD Institut BAK-Nummer
    Institutsliste Volks- und Raiffeisenbanken; Marktbanken der Fiducia & GAD Institut BAK-Nummer Aachener Bank eG 101715 Abtsgmünder Bank -Raiffeisen- eG 102017 Airbus Bank GmbH 100043 Aktivbank AG 100025 Allgäuer Volksbank eG Kempten-Sonthofen 101487 Alxing-Brucker Genossenschaftsbank eG 106415 Bank 1 Saar eG 101838 Bank für Kirche und Caritas eG 103494 Bank für Kirche und Diakonie eG - KD-Bank 103231 Bank im Bistum Essen eG 103473 Bank11 für Privatkunden und Handel GmbH 100072 Bankhaus Bauer Aktiengesellschaft 123396 Bankhaus E. Mayer AG 100021 Bankhaus Ellwanger & Geiger AG 100305 Bankhaus Max Flessa KG 100316 Bankhaus Rautenschlein AG 100401 Bayerische BodenseeBank - Raiffeisen - eG 102588 BBBank eG 102011 Bensberger Bank eG 103180 Berliner Volksbank eG Abteilung BIT 101543 Bernhauser Bank eG 102028 Bopfinger Bank Sechta-Ries eG 102298 Brandenburger Bank Volksbank-Raiffeisenbank eG 101891 Bremische Volksbank eG 101547 Brühler Bank eG 104165 Budenheimer Volksbank eG 103549 Cronbank AG 115072 CVW-Privatbank AG 100031 Dettinger Bank eG 105969 Dithmarscher Volks- und Raiffeisenbank eG 101855 DKM Darlehnskasse Münster eG 103350 Donau-Iller Bank eG 101328 Donner & Reuschel AG 108533 Dortmunder Volksbank eG 101736 Echterdinger Bank eG 102046 Eckernförder Bank eG Volksbank-Raiffeisenbank 101848 EDEKABANK AG Hamburg 101550 Emsländische Volksbank eG 103036 Erfurter Bank eG 101931 Eurocity Bank AG 100344 Evangelische Bank eG 102868 Evenord-Bank eG-KG 101513 Federseebank eG 102198 Vereinigte VR Bank eG, Wyk auf Föhr 101876 Frankenberger Bank Raiffeisenbank
    [Show full text]
  • Vienna Guide
    April 22—24, 2015, Vienna, Austria Hotel Park Royal Palace Vienna Guide SIGHTSEEING Vienna is old, Vienna is new… and the sights are so varied: from the magnificent Baroque buildings to “golden” Art Nouveau to the latest architecture. And over 100 museums beckon… ALBERTINA The Albertina has the largest and most valuable graphical collection in the world, including works such as Dürer’s “Hare” and Klimt‘s studies of women. Its latest exhibition presents masterpieces of the Modern era, spanning from Monet to Picasso and Baselitz. As the largest Hapsburg residential palace, the Albertina dominates the southern tip of the Imperial Palace on one of the last remaining fortress walls in Vienna. ANKER CLOCK This clock (built 1911–14) was created by the painter and sculptor Franz von Matsch and is a typical Art Nouveau design. It forms a bridge between the two parts of the Anker Insurance Company building. In the course of 12 hours, 12 historical figures (or pairs of figures) move across the bridge. Every day at noon, the figures parade, each accompanied by music from its era. AUGARTEN PORCELAIN MANUFacTORY Founded in 1718, the Vienna Porcelain Manufactory is the second-oldest in Europe. Now as then, porcelain continues to be made and painted by hand. Each piece is thus unique. A tour of the manufactory in the former imperial pleasure palace at Augarten gives visitors an idea of how much love for detail goes into the making of each individual piece. The designs of Augarten have been created in cooperation with notable artists since the manufactory was established.
    [Show full text]
  • Herbstneuheiten 2016/17Autumn News 2016/17
    H0 Autumn News 2016/17 Herbstneuheiten 2016/17 81789 www.roco.cc Success lies in the details and advanced technology! Groß in Detail und Technik! Groß Photo: C. Auerweck 2 Elektrotriebwagen 4061.22, ÖBB / 4061.22, Elektrotriebwagen The prototype pulled the Ex „Mozart“. West. Wien Depot: Without tail lamp. triple headlights. greenThe livery. model is equipped with flywheel, metal numbers, raised decorative metal trim lines and Model of the 2nd series of the electric locomotive class 4061 of theAustrian Federal Railways in fir-tree bespannte den Expresszug „Mozart“. Vorbild Das West. Wien Zfl. zensignal ohne Zugschlußlampe, mit 3-Licht-Spit erhabener Metallzierlinie, nengrüner Farbgebung mit Flügelrad und Metallziffern, Serie des Elektrotriebwagen Rh 4061 der Österreichischen Bundesbahnen in tan Modell der 2. 4061.14 der ÖBB / Elektrotriebwagen Art. Nr.: Art. Nr.: Art. 10 / 2016 10 / 2016 www.roco.cc III-IV III-IV PluX22 PluX22 186 186 79293 73292 I H0 Herbstneuheiten 2016/17 / € € 309,00 229,00 Electric locomotive 4061.22, ÖBB Electric locomotive 4061.22, Electric railcar 4061.14, ÖBB 4061.14, Electric railcar Art. Nr.: Art. 73293 Abbildung zeigt Muster / Photo: A. Zronek A. Photo: Neukonstruktion New Design Image depicts rendered model € Sound 309,00 - - Neukonstruktion New Design Autumn News 2016/17 lights. Without tail lamp. Depot: Salzburg. The prototype pulled famous trains like the TEE „Blauer Enzian“. The prototype pulled famous trains like the Salzburg. Depot: Without tail lamp. lights. raised decorative metal trim lines and triple head metal numbers, The model is equipped with flywheel, livery. Modell of the 2nd series of the electric locomotive class 4061 of theAustrian Federal Railways in fir-tree green TEE „Blauer Enzian“.
    [Show full text]
  • Part I – Introduction and Context
    Report on the state of cultural cooperation in Europe Final report For the European Commission Directorate-General for Education and Culture 3 october 2003 i list of contents Contents English summary ix Résumé en français xxi PART I – INTRODUCTION AND CONTEXT 1. Introduction 3 2. Methodology 5 2.1. General framework 5 2.2. Focus 5 2.2.1. Object of the study 5 2.2.2. Scope of sectors 7 2.3. Objectives 7 2.4. Other concepts 8 2.4.1. Cooperation and promotion 8 2.5. Research structure 9 2.5.1. National analysis 9 2.5.2. Sectorial analysis 11 2.5.3. Transversal analysis 13 2.5.4. Acknowledgements 15 2.5.5. Coordination 15 3. Intergovernmental cultural cooperation in Europe: The context 17 3.1. Historical overview: Hosts and guests 17 3.2. Aims and motivations 22 3.3. Notions of cooperation 23 3.4. Interdependence of domestic and international cultural policies and engagements 26 4. Intergovernmental cultural cooperation in Europe: The agents 29 4.1. The governmental context 29 4.2. Governments’ involvement in cultural events 30 4.2.1. Government-initiated events 30 4.2.2. Governmental participation in major cultural events 34 4.3. National cultural institutes 35 4.3.1. Overview 35 4.3.2. The landscape of national cultural institutes in Europe 36 4.3.3. Cooperation in action 38 4.3.4. Obstacles and issues 44 4.3.5. Trends and prospects 46 4.3.6. Conclusions 50 5. Intergovernmental cultural cooperation in Europe: Forms and areas 52 5.1.
    [Show full text]