Community Code: Supporting the Mission of Open Access and Preservation with the Use of Open Source Library Technologies Keila Zayas-Ruiz and Mark Baggett
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Resolving Dilemmas Arising During Design and Implementation of Digital Repository of Heterogenic Scientific Resources
applied sciences Article Resolving Dilemmas Arising during Design and Implementation of Digital Repository of Heterogenic Scientific Resources Tomasz Kubik 1,* and Agnieszka Kwiecie ´n 2 1 Faculty of Electronics, Wrocław University of Science and Technology, Wybrzeze˙ Wyspia´nskiego27, 50-370 Wrocław, Poland 2 Wrocław Centre for Networking and Supercomputing, Wrocław University of Science and Technology, Wybrzeze˙ Wyspia´nskiego27, 50-370 Wrocław, Poland; [email protected] * Correspondence: [email protected] Abstract: The creation of digital repositories for archiving and disseminating scientific resources faces many challenges. These challenges relate not only to the modelling of the processes of preparing, depositing, sharing, maintaining, and curating resources. They also face the feasibility of the adopted assumptions and final implementation. Such kind of issues become particularly important in the case of processing of resources containing multimedia. The critical factor then becomes a properly designed architecture that supports efficient data processing and universal data presentation. This article aims to answer questions that may arise when approaching various designing and implementation dilemmas, such as how to handle processes in a digital repository, how to use cloud solutions in its construction, how to work with user interfaces, and how to process collected multimedia. The presented study explores their practical context based on the experiences gained during the AZON platform’s implementation. This platform stores tens of thousands of scientific resources: books, articles, magazines, teaching materials, presentations, photos, 3D scans, audio and video files, databases, and many more. It serves as a running example for all presented proposals. Keywords: digital repository; multimedia processing; cloud architecture; scientific resources Citation: Kubik, T.; Kwiecie´n,A. -
Objectives in the Library’S Strategic Plan
38 Provenance XXXIII Time, Money, and Effort: A Practical Approach to Digital Content Management Christine Wiseman and Al Matthews Introduction For libraries and archives, the digital content management and preservation landscape is rapidly evolving. As digital projects evolve into digital programs focusing on the mass digitization of entire collections, institutions are faced with ensuring long term accessibility to vast quantities of digital assets. "Most institutions," according to a Portico and Cornell University Library report, "are only beginning to understand that their investment in creating digital collections must be met with a commitment and infrastructure to protect this content for its lifetime." As digital collections grow exponentially, institutions are faced with the challenge of providing continued access as well as long term preservation. The systems and options for the management, presentation, and preservation of digital assets are numerous. Each has its pros and cons, whether an out-of- the-box, vendor-provisioned system, or an open-source application where the source code is free and openly available for use and modification. Some platforms focus on preservation, others on presentation, and still others on content management. Company mergers, upgrades – and even dissolutions – further complicate the problem. Like many mid-sized academic institutions, the Atlanta University Center Robert W. Woodruff Library (AUC Woodruff Library) found itself in need of assessment and consolidation of existing digital content management platforms as digital collections rapidly expand. This article addresses the process this institution undertook to evaluate the digital content management and preservation landscape in order to inform future growth and expansion of its digital program. Background Established in 1982, the AUC Woodruff Library is unique on a number of fronts. -
Digital Technologies for Documenting and Preserving Cultural Heritage
and Digital Humanities Collection Development, Cultural Heritage, Cultural Heritage, Collection Development, DIGITAL TECHNIQUES FOR DOCUMENTING AND PRESERVING CULTURAL HERITAGE Edited by ANNA BENTKOWSKA-KAFEL and LINDSAY MacDONALD COLLECTION DEVELOPMENT, CULTURAL HERITAGE, AND DIGITAL HUMANITIES This exciting series publishes both monographs and edited thematic collections in the broad areas of cultural heritage, digital humanities, collecting and collections, public history and allied areas of applied humanities. In the spirit of our mission to take a stand for the humanities, this series illustrates humanities research keeping pace with technological innovation, globalization, and democratization. We value a variety of established, new, and diverse voices and topics in humanities research and this series provides a platform for publishing the results of cutting- Theedge aim projects is to illustrate within these the impact fields. of humanities research and in particular the cultural sector, including archives, libraries and museums, media and thereflect arts, the cultural exciting memory new networks and heritage developing institutions, between festivals researchers and tourism, and and public history. DIGITAL TECHNIQUES FOR DOCUMENTING AND PRESERVING CULTURAL HERITAGE Edited by ANNA BENTKOWSKA-KAFEL and LINDSAY MacDONALD Library of Congress Cataloging in Publication Data A catalog record for this book is available from the Library of Congress © 2017, Arc Humanities Press, Kalamazoo and Bradford This work is licensed under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International Licence. Permission to use brief excerpts from this work in scholarly and educational works is hereby The authors assert their moral right to be identified as the authors of their part of this work. granted provided that the source is acknowledged. -
Barriers to Initiation of Open Source Software Projects in Research Libraries
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2016-05-01 Barriers to Initiation of Open Source Software Projects in Research Libraries Jason Curtis Thacker Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Computer Sciences Commons BYU ScholarsArchive Citation Thacker, Jason Curtis, "Barriers to Initiation of Open Source Software Projects in Research Libraries" (2016). Theses and Dissertations. 5879. https://scholarsarchive.byu.edu/etd/5879 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Barriers to Initiation of Open Source Software Projects in Research Libraries Jason Curtis Thacker A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Science Christophe Giraud-Carrier, Chair Parris Egbert Bryan Morse Department of Computer Science Brigham Young University May 2016 Copyright © 2016 Jason Curtis Thacker All Rights Reserved ABSTRACT Barriers to Initiation of Open Source Software Projects in Research Libraries Jason Curtis Thacker Department of Computer Science, BYU Master of Science Libraries share a number of core values with the Open Source Software (OSS) movement, suggesting there should be a natural tendency toward library participation in OSS projects. However, Dale Askey’s 2008 Code4Lib column entitled We Love Open Source Software. No, You Can’t Have Our Code, claims that while libraries are strong proponents of OSS, they are unlikely to actually contribute to OSS projects. -
Digital Preservation Functionality in Canadian Repositories
08 Fall • OPEN REPOSITORIES REPORT SERIES Digital Preservation Functionality in Canadian Repositories by Tomasz Neugebauer, Pierre Lasou, Andrea Kosavic, and Tim Walsh (on behalf of the CARL Open Repositories Working Group’s Task Group on Next Generation Repositories) DECEMBER 2019 Digital Preservation Functionality in Canadian Repositories was written by members of the CARL Open Repositories Working Group’s Task Group on Next Generation Repositories and is licensed under a Creative Commons Attribution 4.0 International License. Table of Contents Introduction ................................................................................................................................................ 2 Summary of Recommendations ......................................................................................................... 3 Digital Preservation Requirements ................................................................................................... 3 Bit preservation .......................................................................................................................................... 4 Preservation Metadata ............................................................................................................................ 4 AIP Export .................................................................................................................................................... 5 Open Repository Systems in Canada .............................................................................................. -
NLG-L Recipient, LG-72-18-0204
LG-72-18-0204-18 Fedora Commons, Inc. Abstract DuraSpace seeks a National Digital Platform Planning Grant for $49,279 to investigate barriers upgrading hundreds of U.S.-based libraries and archives running unsupported versions of Fedora. Running unsupported software puts at risk the stability, security, and functionality of the content and services they support. There are approximately 240 libraries and archives in the United States identified as using unsupported versions of Fedora making them target beneficiaries of the deliverables of this project. They include R1, R2, and R3 universities, liberal arts colleges, and not-for-profit special libraries hosted by historical societies and small research institutes. DuraSpace’s proposed one-year planning project, Designing a Migration Path: Assessing Barriers Upgrading to Fedora 4.x, will include consultation with an advisory board of stakeholders, conducting an environmental scan of relevant community initiatives, and gathering primary research data to determine what tools and supports are needed for the upgrade path. We can identify the following as deliverables for this proposed planning project: ● Describing a collection of the most common Fedora 3.x - Fedora 4.x upgrade user stories ● Creating an inventory of tools, documentation, and other resources for the upgrade path ● Providing the Islandora, Samvera, and Fedora community governance bodies feedback on the challenges and advantages of working within their communities ● Developing migration path recommendations and prioritizing -
Where Digital Archaeology Might Go Next 167
The Open Digital Archaeology Textbook Shawn Graham, Neha Gupta, Jolene Smith, Andreas Angourakis, Andrew Reinhard, Kate Ellenberger, Zack Batist, Joel Rivard, Ben Marwick, Michael Carter, Beth Compton, Rob Blades, Cristina Wood, & Gary Nobles 2020-07-11 2 Contents notice 5 About the Authors 7 Getting Started 11 Instructors: How to use this text ............................................ 11 Students: How to use this text ............................................. 11 How to contribute changes, or make your own version ................................. 12 How to access and use the computational environment ................................ 13 Colophon ....................................................... 13 Welcome! 15 1 Going Digital 17 1.1 So what is Digital Archaeology? ......................................... 19 1.2 Project Management Basics ........................................... 24 1.3 Github & Version Control ............................................. 26 1.4 Open Notebook Research & Scholarly Communication .............................. 31 1.5 Failing Productively ............................................... 37 1.6 The Ethics of Big Data in Archaeology ...................................... 39 1.7 Effective Collaboration .............................................. 40 2 Making Data Useful 45 2.1 Proper Prior Planning .............................................. 45 2.2 Designing Data Collection and Curation ..................................... 54 2.3 Cleaning Data ................................................. -
Omeka and the Nlm Digital Repository: a New Way of Creating Hmd-Curated Websites
NATIONAL LIBRARY OF MEDICINE OMEKA AND THE NLM DIGITAL REPOSITORY: A NEW WAY OF CREATING HMD-CURATED WEBSITES January-August 2011 Julie Adamo, Associate Fellow, 2010-2011 Project leaders: Jennifer Marill (Chief, Technical Services Division), Jeff Reznick (Deputy Chief, History of Medicine Division) Contents Abstract ......................................................................................................................................................... 4 Introduction ................................................................................................................................................... 5 Motivations ............................................................................................................................................... 5 HMD Ad Hoc Committee for Online Programs ....................................................................................... 5 R2 Consulting Report ............................................................................................................................... 5 Curated Websites ...................................................................................................................................... 6 What is Omeka? ........................................................................................................................................ 6 Why focus on Omeka? .............................................................................................................................. 7 Procedures .................................................................................................................................................... -
From OASIS to Samvera: Three Decades of Online Access to OSU's
OLA Quarterly Volume 24 Number 4 Digital Repositories and Data Harvests 8-1-2019 From OASIS to Samvera: Three Decades of Online Access to OSU’s Archives and Special Collections Lawrence A. Landis Oregon State University Recommended Citation Landis, L. A. (2019). From OASIS to Samvera: Three Decades of Online Access to OSU’s Archives and Special Collections. OLA Quarterly, 24(4), 5-12. https://doi.org/10.7710/1093-7374.1958 © 2019 by the author(s). OLA Quarterly is an official publication of the egonOr Library Association | ISSN 1093-7374 From OASIS to Samvera: Three Decades of Online Access to OSU’s Archives and Special Collections by Lawrence A. Landis LARRY has been director Director, Special Collections of the OSU Libraries and and Archives Research Center, Oregon State University Press’s Special Collections Libraries and Press and Archives Research [email protected] Center since 2011. He has worked as an archivist at OSU since 1991, and has been active with creating digital collections and online access to collections. Oregon State University has been a leader in making unique resources accessible via the Internet. Individually or with collaborative partners, OSU made collection information, exhibits and en- tire collections available online. This timeline article presents OSU’s major projects and develop- ments to promote online accessibility over the past thirty years. Background For several decades, Oregon State University has been at the forefront of making library and archives resources available online. Many of these efforts have been collaborative in nature; OSU has worked with a broad range of library and archives/special collections partners in Oregon and the Northwest. -
Open Source Alternatives to Digital Commons
Open Source Alternatives to Digital Commons David Brian Holt, UC Davis Brian Huffman, University of Hawaii Erik Beck, Sacramento State University Leah Prescott, Georgetown University Kathy McCarthy, TIND.io http://bit.ly/daviscow Why is this via WebEx? California Travel Ban Erik and David are both employed by the State of California. South Carolina is on the travel ban list due to its active enabling of discrimination against its LGBT residents. Campaign for Southern Equality Consider offsetting your travel to South Carolina by making a contribution to the Campaign for Southern Equality https://southernequality.org “Life Cycle” of Legal Scholarly Publishing Research to Publication 1. Conduct research and create working draft a. Upload to SSRN (or LawArXiv!!) 2. Submit to journals a. Via Expresso or Scholastica 3. Publication 4. Deposit in IR Credit to University of Wyoming Current Landscape Digital Commons Market Share Of the 206 ABA-accredited law schools, 82 of them are currently using Digital Commons as their institutional repository Why Digital Commons? 1. Hosted solution 2. Provides platform for journal publishing and symposia 3. Sophisticated search engine optimization Why not Digital Commons? 1. Now owned by Elsevier!! a. History of opposing open-access scholarship 2. One vendor controls entire “eco-system” of legal scholarly publishing: a. Expresso b. SSRN c. Digital Commons Alternatives Major Open-Source IR Projects 1. Dspace 2. Tind (Invenio) 3. Samvera a. Islandora b. Hyku 4. EPrints 5. Omeka? (not really) What’s missing? 1. Journal hosting a. Open Journal Systems (OJS) may be viable alternative 2. Symposia hosting a. Ubiquity Press working on a Hyku-based IR for symposia along with OJS-based journal hosting platform Tech Specs How it’s made 1. -
Exhibiting Library Collections Online: Omeka in Context Juliet L. Hardesty
Exhibiting library collections online: Omeka in context Juliet L. Hardesty Metadata Analyst Indiana University Bloomington, Indiana [email protected] © 2014 Juliet L. Hardesty This work is licensed under a Creative Commons Attribution 4.0 International License. (http://creativecommons.org/licenses/by/4.0/) Introduction For Indiana University (IU) Libraries, and for most libraries out there, our collections comprise more than just books. We have more than just a series of things on a shelf with descriptions that can be searched. We have items that are part of a larger donated set; we have original pieces that tell a story or are part of a story in history; we have art objects; we have sound and moving pictures; we have born digital items; we represent and reflect our community. All of these items are in the library (or gallery, archive, or museum) to be preserved, viewed, and researched. Many times, however, those goals are conflicting, particularly for physical items. Digital library efforts have pursued digitizing and providing some kind of online access to as much content as possible. These efforts can result in specialized web sites focused on a particular collection using functionality so specialized to the collection or metadata as to be unusable anywhere else. In the opposite direction, online access can come in the form of web sites focused solely on a format resulting in the loss of context and significance. How can we reveal the significance and context of individual items and provide access to them in a way that makes them more collectively available? Online exhibition tools allow libraries (along with galleries, archives, and museums) the opportunity to provide access to items that are fragile, popular, or both and that have a story to be shared, regardless of the digital management process. -
In the Application for the Digital Methods for Military History
OFFICE OF DIGITAL HUMANITIES Narrative Section of a Successful Application The attached document contains the grant narrative and selected portions of a previously funded grant application. It is not intended to serve as a model, but to give you a sense of how a successful application may be crafted. Every successful application is different, and each applicant is urged to prepare a proposal that reflects its unique project and aspirations. Program guidelines also change and the samples may not match exactly what is now required. Please use the current Notice of Funding Opportunity instructions to prepare your application. Prospective applicants to the Institutes for Advanced Topics in the Digital Humanities program should consult the current Notice of Funding Opportunity at https://www.neh.gov/grants/odh/institutes-advanced-topics-in-the-digital- humanities for instructions. Applicants are also strongly encouraged to consult with the NEH Office of Digital Humanities staff well before a grant deadline. Note: The attachment only contains the grant narrative and selected portions, not the entire funded application. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. Project Title: Digital Methods for Military History Institution: George Mason University Project Director: Abigail Mullen Grant Program: Institutes for Advanced Topics in the Digital Humanities 1 Digital Methods for Military History: An Institute for Advanced Topics in the Digital Humanities Proposal submitted by the Roy Rosenzweig Center for History and New Media List of Participants • Abigail Mullen (project director), George Mason University • Christopher Hamner (instructor), George Mason University • Jean Bauer (instructor), independent contractor • Jason Heppler (instructor), University of Nebraska-Omaha • Jeffrey W.