Great Patriotic War: 80 Years Since the Beginning
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Soviet Youth on the March: the All-Union Tours of Military Glory, 1965–87
This is a repository copy of Soviet Youth on the March: The All-Union Tours of Military Glory, 1965–87. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/96606/ Version: Accepted Version Article: Hornsby, R (2017) Soviet Youth on the March: The All-Union Tours of Military Glory, 1965–87. Journal of Contemporary History, 52 (2). pp. 418-445. ISSN 0022-0094 https://doi.org/10.1177/0022009416644666 © 2016, The Author. This is an author produced version of a paper published in Journal of Contemporary History. Uploaded in accordance with the publisher's self-archiving policy. Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Soviet Youth on the March: the All-Union Tours of Military Glory, 1965-87 ‘To the paths, friends, to the routes of military glory’1 The first train full of young people pulled into Brest station from Moscow at 10.48 on the morning of 18 September 1965. -
ICTV Morozov
CISCCONTENTONTENT:CONTENRTRREPORTEPORTEPORT CC ReviewОбзорОбзор of новостейaudiovisualновостей рынка content производства production and ии дистрибуциидистрибуции distribution аудиовизуальногоаудиовизуальногоin the CIS countries контента контента Media«»«MediaМ«»ÌЕДИÅÄÈ ResourcesА rÀРesourcesЕСУРСЫÐÅÑÓÐÑÛ МManagement ÌManagementЕНЕДЖМЕНТÅÍÅÄÆÌÅÍÒ» № №2№121(9)№24, №2 13 1April января, April, 1 July April, 30, 20152012 20132011 2012 tion but also be the award winners and nominees of тема номера DEARсловоDear colleagues!COLLEAGUES редакции different international film festivals. Despite large FOCUSFOCUS portion of information on the new movies, shows and УжеWeWe are areв первые happy toto дни present present нового you you the годаthe July Aprilнам, issue issue редакof the of cцtheиIsи: ПервыйLastseries autumn you’ll номер membersalso Contentfind theof Russian detailedReport association выходитreport on ofвthe televiкану re-н- UKRAINEКИНОТЕАТРАЛЬНЫ BECOMESЙ A ContentCIS:content Content Report, report Report сразу where whereстало we tried понятно,we to tried gather toчто thegather в most2011 the inм- Старогоsioncent anddeals movie Нового of international producers года, который chose distributors Red (наконецто) Square with the Screen cI sза-- всеmostteresting мы interesting будем up-to-date усердно up-to-date information и неустанно information about трудиться. rapidlyabout rapidly devel За- вершаетingspartners. as the чередуmost important праздников, industry поэтeventом of theу еще season. раз РЫН О К В УКРАИН Е : HIGH-PROSPECTIVETV MARKETS: -
War Memory Under the Leonid Brezhnev Regime 1965-1974
1 No One is Forgotten, Nothing is Forgotten: War Memory Under the Leonid Brezhnev Regime 1965-1974 By Yevgeniy Zilberman Adviser: Professor David S. Foglesong An Honors Thesis Submitted To The History Department of Rutgers University School of Arts and Sciences New Brunswick, NJ April, 2012 2 Table of Contents Acknowledgements Pg. 3 Introduction Pg. 5 1964-1967: Building the Cult Pg. 18 a) Forming the Narrative: Building the Plot and Effacing the Details Pg. 21 b) Consecrating the War: Ritual, Monument and Speech Pg. 24 c) Iconography at Work: Soviet War Poster Pg. 34 d) Digitizing the War: On the Cinema Front Pg. 44 1968-1970: Fascism Revived and the Battle for Peace Pg. 53 a) This Changes Everything: Czechoslovakia and its Significance Pg. 55 b) Anti-Fascism: Revanchism and Fear Pg. 59 c) Reviving Peace: The Peace Cult Pg. 71 1970-1974: Realizing Peace Pg. 83 a) Rehabilitating Germany Pg. 85 b) Cinema: Germany and the Second World War on the Film Screen Pg. 88 c) Developing Ostpolitik: War memory and the Foundations for Peace Pg. 95 d) Embracing Peace Pg. 102 Conclusion: Believing the War Cult Pg. 108 Bibliography Pg. 112 3 Acknowledgements Perhaps as a testament to my naivety, when I embarked upon my journey toward writing an honors thesis, I envisioned a leisurely and idyllic trek toward my objective. Instead, I found myself on a road mired with multiple peaks and valleys. The obstacles and impediments were plentiful and my limitations were numerous. Looking back now upon the path I traveled, I realize that I could not have accomplished anything without the assistance of a choice collection of individuals. -
Saqartvelos Inteleqtualuri Sakutrebis Erovnuli Centris Saqpatentis Perioduli Gamocema Saqartvelo Gamodis Sam Tvesiiertxel © Saqpatenti, 2014
gazafxuli SPRING #7 2014 saqarTvelos inteleqtualuri sakuTrebis erovnuli centris saqpatentis perioduli gamocema saqarTvelo gamodis sam TveSiIerTxel © saqpatenti, 2014 PERIODICAL PUBLICATION OF NATIONAL INTELLECTUAL PROPERTY CENTER OF GEORGIA “SAKPATENTI” GEORGIA PUBLISHED QUARTERLY dabeWdilia saqpatentis poligrafiaSi PRINTED AT SAKPATENTI PUBLISHING HOUSE mis.: 0179, Tbilisi, nino ramiSvilis q. 31 ADDRESS: 0179 TBILISI, NINO RAMISHVILI STR. 31 © SAKPATENTI, 2014 tel.: (+995 32) 291-71-82 TEL.: (+995 32) 291-71-82 www.sakpatenti.org.ge [email protected] Tavmjdomaris sveti CHAIRMAN’S COLUMN Dear Reader, 26 April is the World Intellectual Property Day. The World Intellectual Property Organization (WIPO) celebrates this date since 2001 and every year defines the theme and slogan of the day. This year the World Intellectual Property Day is dedicated to cinematography Zvirfaso mkiTxvelo, and, respectively, to the people working in this field, 26 aprili inteleqtualuri sakuTrebis msoflio who indeed deserve universal admiration by their work. dRea. am dRes inteleqtualuri sakuTrebis msof And the slogan Movies – A Global Passion, selected by lio organizacia (ismo) 2001 wlidan aRniSnavs da WIPO for this day, is very accurate. yovelwliurad gansazRvravs masTan dakavSirebul Cinematography has always been a sensitive and re Tematikasa da slogans. wels es dRe mieZRvna kine levant issue for Georgia. At the Georgian Film Archives matografias da, Sesabamisad, am sferoSi moRvawe ada numerous films are preserved which have gained mianebs, romlebic Tavisi SemoqmedebiT marTlac sa international recognition as the best directing, acting, yovelTao aRtacebas iwveven. Zalian zustia am dRisTvis SerCeuli sloganic _ „kino _ sayovelTao aRtaceba“. artistic or musical works. It is extremely important that kinematografiis Tema yovelTvis Zalian mgrZno this high standard of Georgian cinematography was biare da aqtualuri iyo saqarTvelosTvis. -
Call Number DVD-5801 BARNET, Boris Shchedroe Leto
09 January 2020 SSEES DVDs Nos 5801-5900 Page 1 Call number DVD-5801 BARNET, Boris Shchedroe leto [The Generous Summer] [Bountiful Summer] Kievskaia kinostudiia khudozhestvennykh fil´mov, 1950; released 8 March 1951 Screenplay: Evgenii Pomeshchikov, Nikolai Dalekii Photography: Aleksei Mishurin Production design: Oleg Stepanenko, N. Iurov Music: German Zhukovskii Song lyrics: A. Malyshko Nazar Protsenko Nikolai Kriuchkov Vera Goroshko Nina Arkhipova Petr Sereda Mikhail Kuznetsov Oksana Podpruzhenko Marina Bebutova Ruban Viktor Dobrovol´skii Tesliuk Konstantin Sorokin Darka Muza Krepkogorskaia Kolodochka Evgenii Maksimov Prokopchuk Anton Dunaiskii Podpruzhenko Mikhail Vysotskii Zoological technician Alla Kazanskaia Ekaterina Matveevna Vera Kuznetsova Musii Antonovich Georgii Gumilevskii Dar´ia Kirillovna, his wife Tat´iana Barysheva 82 minutes In Russian with optional English subtitles DVD Region code Aspect ratio Languages Optional English subtitles Features Chapter selection Source Rare Films and More 09 January 2020 SSEES DVDs Nos 5801-5900 Page 2 Call number DVD-5802 BASOV, Vladimir Pavlovich Shchit i mech [Shield and Sword] Fil´m 1. Bez prava byt´ soboi [Film 1. Without the Right to be Yourself] Mosfil´m, Tvorcheskoe ob´´edinenie pisatelei i kinorabotnikov, with Defa, East Germany and Start, Poland, 1967; released 19 August 1968 AND Fil´m 2. Prikazano vyzhit´ [Film 2. Ordered to Survive] Mosfil´m, Tvorcheskoe ob´´edinenie pisatelei i kinorabotnikov, with Defa, East Germany and Start, Poland, 1967; released 19 August 1968 AND Shchit i mech [Shield and Sword] Fil´m 3. Obzhalovaniiu ne podlezhit [Film 3. Without the Right of Appeal] Mosfil´m, Tvorcheskoe ob´´edinenie pisatelei i kinorabotnikov, with Defa, East Germany and Start, Poland, 1967; released 2 September 1968 AND Shchit i mech [Shield and Sword] Fil´m 4. -
Glasnost and the Great Patriotic War
THE NATIONAL COUNCIL FOR SOVIET AND EAST EUROPEAN RESEARC H TITLE : Glasnost and the Great Patriotic War AUTHOR: Nin a Tumarkin CONTRACTOR: Wellesley College PRINCIPAL INVESTIGATOR : Nin a Tumarkin COUNCIL CONTRACT NUMBER : 804-07 DATE : April 199 1 The work leading to this report was supported by funds provided by the National Councilfor Soviet and Eas t European Research. The analysis and interpretations contained in the report are those of the author. NCSEER NOTE This paper is a contemporary, analytical discussion of the impact of Glasnost on Soviet citizens ' perceptions of the experiences and memories of World War II, The Great Patriotic War." It is expected to be published in a more compressed form in an upcoming issue of The Atlantic. Summary of Final Report GLASNOST AND THE GREAT PATRIOTIC WAR Nina Tumarkin Today, fifty years after Operation Barbarossa, the 1941 German invasion of the Sovie t Union, the winds of glasnost and perestroikahave demolished that sonorous combination of self- pity and self-congratulation that for so long had characterized the official memorialization of th e "Great Patriotic War" . An enshrined, idealized saga is being replaced with raw human memory . "Our understanding of the war," historian Mikhail Gefter remarked to me not long ago, "i s being transformed from a heroic farce to the tragedy that it really was . " My final report is a summary article based on my forthcoming book, Russia Remember s the War . In 1985, when I began the book, its subject was the cult of the Great Patriotic War i n the Soviet Union . The astonishing events of the past five years have forced me to transform th e book into an exploration of the history, successes, and sudden demise of the war cult . -
Russia's Heroes 1941–45
152 RUSSIA’S HEROES 1941–45 Albert Axell London: Robinson Books, 2002 264 pages (nine maps, 24 photos included) ISBN: 978-1-84119-534-6 R168.00, Soft cover It is seldom that one comes across a work where history-writing and qualitative research meet succinctly. Add to this an author who communicates crisply and relates real-life narratives that capture and hold the reader’s attention. This is such a work. The author read history but did more than that. Since 1960, Axell has interviewed dozens of veterans of all genders, from soldiers to marshals, who took part in the battles on the Eastern Front. Through his reading of history, close acquaintanceship with the Soviet Union and Russian-speaking society, and multiple interviews, Axell brings the experience of the individual and group up close and personal. Although the work is entitled Russia’s Heroes, the author vividly demonstrates that war is deeply destructive and brings about more than just burning oil, dust, mud, snow, sweat and tears. Organised mass conflict is dehumanising in the extreme. The work shows that heroes are often ordinary people acting out of conviction or sheer necessity, and that villains are frequently driven not (only) by greed or creed, but by arrogance and habitually overrating their own capabilities. The Eastern Front saw more than 50 major battles, and at different times, the two sides had 8–12 million soldiers confronting one another across vast landscapes. Until the Allied landings, the numbers of Axis divisions thrown against the Soviets were 20 times greater than the divisions deployed against the Allied Forces (p.xv). -
Uzbek: War, Friendship of the Peoples, and the Creation of Soviet Uzbekistan, 1941-1945
Making Ivan-Uzbek: War, Friendship of the Peoples, and the Creation of Soviet Uzbekistan, 1941-1945 By Charles David Shaw A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Yuri Slezkine, Chair Professor Victoria Frede-Montemayor Professor Victoria E. Bonnell Summer 2015 Abstract Making Ivan-Uzbek: War, Friendship of the Peoples, and the Creation of Soviet Uzbekistan, 1941-1945 by Charles David Shaw Doctor of Philosophy in History University of California, Berkeley Professor Yuri Slezkine, Chair This dissertation addresses the impact of World War II on Uzbek society and contends that the war era should be seen as seen as equally transformative to the tumultuous 1920s and 1930s for Soviet Central Asia. It argues that via the processes of military service, labor mobilization, and the evacuation of Soviet elites and common citizens that Uzbeks joined the broader “Soviet people” or sovetskii narod and overcame the prejudices of being “formerly backward” in Marxist ideology. The dissertation argues that the army was a flexible institution that both catered to national cultural (including Islamic ritual) and linguistic difference but also offered avenues for assimilation to become Ivan-Uzbeks, part of a Russian-speaking, pan-Soviet community of victors. Yet as the war wound down the reemergence of tradition and violence against women made clear the limits of this integration. The dissertation contends that the war shaped the contours of Central Asian society that endured through 1991 and created the basis for thinking of the “Soviet people” as a nation in the 1950s and 1960s. -
Soviet Science Fiction Movies in the Mirror of Film Criticism and Viewers’ Opinions
Alexander Fedorov Soviet science fiction movies in the mirror of film criticism and viewers’ opinions Moscow, 2021 Fedorov A.V. Soviet science fiction movies in the mirror of film criticism and viewers’ opinions. Moscow: Information for all, 2021. 162 p. The monograph provides a wide panorama of the opinions of film critics and viewers about Soviet movies of the fantastic genre of different years. For university students, graduate students, teachers, teachers, a wide audience interested in science fiction. Reviewer: Professor M.P. Tselysh. © Alexander Fedorov, 2021. 1 Table of Contents Introduction …………………………………………………………………………………………………………………………3 1. Soviet science fiction in the mirror of the opinions of film critics and viewers ………………………… 4 2. "The Mystery of Two Oceans": a novel and its adaptation ………………………………………………….. 117 3. "Amphibian Man": a novel and its adaptation ………………………………………………………………….. 122 3. "Hyperboloid of Engineer Garin": a novel and its adaptation …………………………………………….. 126 4. Soviet science fiction at the turn of the 1950s — 1960s and its American screen transformations……………………………………………………………………………………………………………… 130 Conclusion …………………………………………………………………………………………………………………….… 136 Filmography (Soviet fiction Sc-Fi films: 1919—1991) ……………………………………………………………. 138 About the author …………………………………………………………………………………………………………….. 150 References……………………………………………………………….……………………………………………………….. 155 2 Introduction This monograph attempts to provide a broad panorama of Soviet science fiction films (including television ones) in the mirror of -
High Treason: Essays on the History of the Red Army 1918-1938, Volume II
FINAL REPORT T O NATIONAL COUNCIL FOR SOVIET AND EAST EUROPEAN RESEARCH TITLE : HIG H TREASON: ESSAYS ON THE HISTORY OF TH E RED ARMY 1918-193 8 VOLUME I I AUTHOR . VITALY RAPOPOR T YURI ALEXEE V CONTRACTOR : CENTER FOR PLANNING AND RESEARCH, .INC . R . K . LAURINO, PROJECT DIRECTO R PRINCIPAL INVESTIGATOR : VLADIMIR TREML, CHIEF EDITO R BRUCE ADAMS, TRANSLATOR - EDITO R COUNCIL CONTRACT NUMBER : 626- 3 The work leading to this report was supported in whole or i n part from funds provided by the National Council for Sovie t and East European Research . HIGH TREASO N Essays in the History of the Red Army 1918-1938 Volume I I Authors : Vitaly N . Rapopor t an d Yuri Alexeev (pseudonym ) Chief Editor : Vladimir Trem l Translator and Co-Editor : Bruce Adam s June 11, 198 4 Integrative Analysis Project o f The Center for Planning and Research, Inc . Work on this Project supported by : Tte Defense Intelligence Agency (Contract DNA001-80-C-0333 ) an d The National Council for Soviet and East European Studies (Contract 626-3) PART FOU R CONSPIRACY AGAINST THE RKK A Up to now we have spoken of Caligula as a princeps . It remains to discuss him as a monster . Suetoniu s There is a commandment to forgive our enemies , but there is no commandment to forgive our friends . L . Medic i Some comrades think that repression is the main thing in th e advance of socialism, and if repression does not Increase , there is no advance . Is that so? Of course it is not so . -
Russian Cinema: a Very Short Story
Zhurnal ministerstva narodnogo prosveshcheniya, 2018, 5(2) Copyright © 2018 by Academic Publishing House Researcher s.r.o. Published in the Slovak Republic Zhurnal ministerstva narodnogo prosveshcheniya Has been issued since 2014. E-ISSN: 2413-7294 2018, 5(2): 82-97 DOI: 10.13187/zhmnp.2018.2.82 www.ejournal18.com Russian Cinema: A Very Short Story Alexander Fedorov a , a Rostov State University of Economics, Russian Federation Abstract The article about main lines of russian feature film history: from 1898 to modern times. The history of Russian cinema goes back more than a century, it knew the stages of rise and fall, ideological repression and complete creative freedom. This controversial history was studied by both Russian and foreign scientists. Of course, Soviet and Western scientists studied Soviet cinema from different ideological positions. Soviet filmmakers were generally active in supporting socialist realism in cinema, while Western scholars, on the contrary, rejected this method and paid great attention to the Soviet film avant-garde of the 1920s. After the collapse of the Soviet Union, the situation changed: russian and foreign film historians began to study cinema in a similar methodological manner, focusing on both ideological and socio-cultural aspects of the cinematographic process. Keywords: history, film, movie, cinema, USSR, Russia, film historians, film studies. 1. Introduction Birth of the Russian "Great Mute" (1898–1917). It is known that the French brought the movies to Russia. It was at the beginning of 1896. However, many Russian photographers were able to quickly learn a new craft. Already in 1898, documentary plots were shot not only by foreign, but also by Russian operators. -
The Jewish Topic in the Soviet Media: Political Environment, Priorities and Heroes
National Resilience, Politics and Society Volume 1, No. 2, Fall 2019, pp. 143-177 DOI: https://doi.org/10.26351/NRPS/1-2/2 ISSN: 2706-7645 (print); 2706-7653 (online) The Jewish Topic in the Soviet Media: Political Environment, Priorities and Heroes Dmitry Strovsky Abstract This article examines the evolution of the Soviet media in relation to the “Jewish topic”, which has become an integral part, albeit not very visible, of their common content. In the Soviet years, the subject of Jewishness was limited to connotations and never came to the fore. Nonetheless, it did exist in the Soviet media, albeit subtly, and often acquired hidden outlines. The main attention in the article is therefore paid to the stuff which for a few decades centered on situations that in one way or another involved Jewish circumstances, as well as to names of journalists of Jewish origin, who worked in the media and greatly influenced public consciousness during different periods of national history. The author envisages processes and events of Soviet life that affected the above topic, and predetermined the professional priorities of Soviet journalists. These occurrences affected the evolution of the entire media process in the country. Consequently, the article promotes strictly academic generalizations, and contains elements of essays that are very important for reconstruction of real situations in certain periods of Soviet history. In the meantime, the article serves as a well-structured representation of diverse empirical material being useful for studies in political science, sociology, media history, as well as other humanities. Keywords: Communist ideology, Soviet propaganda, Israel, “Jewish issue” in the USSR, anti-Semitism, “rootless cosmopolitanism”, media, samizdat Dr.