Spring 2017 Contents

New Titles 5

Collector’s Editions 41

Recent Highlights 59

Backlist Highlights 65

Toiletpaper 75

Backlist 79

Photography 80 & Lifestyle 92 Contemporary Art 93 Music 97 Urban Art 97 Architecture & Design 98 Antiques & Collectibles 99

Spazio Damiani 100

Contacts 101

Distributors 102 New Titles Photography

Larry Fink Warhol: The Moment Within

The 1960’s was an era in the United States alive with protest—the crisis of the Vietnam war and the struggle for civil rights provoked the nation to question the nature of the moral and political world. During this period of foment arose a band of arty nihilists with a mission that had little to do with politics yet everything to do with clever posturing and hobnobbing with the art-hungry power elite. Andy Warhol was the leader of the pack, and his den was The Factory. Warhol’s cohort included Gerard Malanga, Ingrid Superstar, Edie Sedgewick, Julie Garfield, Sussana Campbell, and Benedetta Barzini, as well as members of the punk group The Velvet Underground—Lou Reed, John Cale, and Sterling Morrison. Warhol diverted attention from the political struggle and directed it toward a sullen narcissism aligned with fashion. Fink happened upon Warhol and his followers through a magazine assignment for the literary journal The East Side Review. Warhol and his acolytes spent three days with Fink, who photographed them in various locations. The pictures were not published, though, and they sat untouched in Fink’s archive for five decades. Warhol: The Moment Within presents for the first Text by Kevin Moore time a full selection of the photographs made over that 24.8 x 29.8 cm | 9 ¾ x 11 ¾ inches three-day period, along with additional unpublished works 128 pages, 80 b&w, hardbound ISBN 978-88-6208-515-1 from Fink's extensive archive, offering additional insight $50 | £38 into the political climate of 1960s New York.

Larry Fink has been a professional photographer for over 55 years. He has had one-man shows all over the world. He has been awarded two John Simon Guggenheim Fellowships and two National Endowment for the Arts, Individual Photography Fellowships. He taught for over 52 years. Fink’s first monograph, Social Graces, was published by Aperture in 1984. He has published 12 additional books. His long career in editorial photography has resulted in portfolios for publications such as The New Yorker and Vanity Fair.

New Titles 7 Photography

Hiroshi Sugimoto Snow White

Snow White is a unique collector’s edition book containing 65 artworks by Hiroshi Sugimoto. All of the photographs in Snow White are from his Theaters series and include many of his well known photographs of classic movie palaces and drive-ins, along with new photographs of Italian opera houses and abandoned theaters. Sugimoto began the Theaters series four decades ago. To make these images, he exposes the film inside the dark theater (or in the case of the drive-ins, outside at night) for the duration of the movie. The running movie is the only source of light bringing out the architectural details of these Edition of 370 signed and numbered books spaces.The Disney movie Snow White was running when Text by Hiroshi Sugimoto Sugimoto photographed Palace Theater, Gary, 2013, one of 34 x 27.1 cm | 13 ½ x 10 ¾ inches 144 pages, 65 b&w, clothbound with aluminum slipcase the abandoned theaters that is reproduced here. In this ISBN 978-88-6208-520-5 book, Sugimoto reveals for the first time the movies that $750 | £580 were screened when he took these photographs and the exposure time of each photograph. Each artwork in Snow White is accompanied by the name of the movie, its running time, and a short text about each written by Sugimoto. The black-and-white photographs are hand-tipped onto the pages. The book is bound in silk cloth. Each book contains a numbered colophon signed by Sugimoto and is housed in a custom-made slipcase.

Hiroshi Sugimoto has defined what it means to be a multi- disciplined contemporary artist, blurring the lines between photography, painting, installation, and architecture. Preserving and picturing memory and time is a central theme of Sugimoto’s photography, including the ongoing series Dioramas, Theaters, and Seascapes. His work is held in numerous public collections including The Metropolitan Museum of Art, New York; Museum of Contemporary Art, Tokyo; The National Gallery, ; The National Museum of Modern Art, Tokyo; Smithsonian Institute, Washington, D.C., and Tate, London, among others.

New Titles 9 Photography

Jamel Shabazz Sights in the City: New York Photographs

During the summer of 1980, under the direction of his father, a photographer, Jamel Shabazz armed himself with a Canon AE1 SLR camera and passionately photographed the urban landscape that he called home. —the city that never sleeps—was the ideal epicenter to photograph because of its 24-hour subway system and the many businesses that are open late into the night. New York’s energy inspired him to use the streets as a canvas for the majority of his work for over 35 years. Photographing in the streets put Shabazz in the heart of all of the action— he carried his camera everywhere, always set and at the 30.5 x 24.1 cm | 12 x 9 ½ inches ready. Like a fisherman seeking a fruitful catch, Shabazz 160 pages, 120 color and b&w, hardbound ventured into locations full of life and uncertainty in hopes ISBN 978-88-6208-522-9 $50 | £38 of capturing a unique moment. More importantly, he sought to gain insight into the conditions of the larger world and its inhabitants. Sights in the City is a testament to Shabazz’s visual journey, contianing 120 color and black-and-white photographs, most of which have never been published. His images are both intimate and provocative in nature, each having its own DNA.

Jamel Shabazz is a documentary, fashion, and street photographer. Since first picking up a camera nearly 40 years ago, he has authored seven monographs and exhibited worldwide. His work is in the permanent collections of the Whitney Museum of American Art, New York; Smithsonian Institution, Washington, D.C.; and the Bronx Museum, New York.

New Titles 11 $55 |£40 ISBN 978-88-6208-512-0 (French) ISBN 978-88-6208-511-3 (English) 288 pages122colorandb&w, softcover withflaps 21 x27cm|81⁄4101⁄2inches Photography Valérie Belin Museum ofModern Art,amongothers. Européenne delaPhotographie,Paris;andSanFrancisco Angeles CountyMuseumofArt;KunsthausZurich;Maison Fondation Cartierpourl’Art Contemporain,Paris;Los Pompidou, Paris;MuseumofModern Art,NewYork; New York. Herwork is incollectionsincludingtheCentre Pompidou, Paris;andInternationalCenterofPhotography, Museum ofContemporaryArtKorea, Seoul;Centre Seattle ArtMuseum;Mori ArtMuseum,Tokyo; National de laVilleParis;MuseumofModern Art,NewYork; Musée desArtsDécoratifs,Paris;d’Art Moderne also taken partinmanymajorgroupshows, notablyatthe de Janeiro;andFotoMuseum Provincie, Antwerp. Shehas Multimedia ArtMuseum,Moscow; CasaFranca-Brasi, Rio at theCentrePompidou, Paris;DHC/ART, Montreal; lives andworks inParis.Belinhashadsoloexhibitions Born inBoulogne-Billancourt,France, in1964,Valérie Belin photographic medium. work thatbrilliantlyquestionsmatterandlifethroughthe It offersanimmersionintoarareandunusualbodyof performance attheCentrePompidou, Paris,in2014. contains exhibitionviewsandphotographstaken duringher most recentandoriginalseries,AllStar. Thebookalso Settings, Brides,Bob,InteriorsandStillLifeaswell asher Dancers, VintageCars,Crowned Heads,BlackEyed Susan, between 2007and2016:Fruit Baskets, Lido,Ballroom volume, Damianipresentsthework shehasproduced reveal herresearchonlight,detail,andtexture.Inthis living, absence,andtheirrepresentations.Herphotographs Valérie Belinconstantlyexploresmatter, thebodyand 13 New Titles 13

(French) (English) Photography

Ricky Adam Belfast Punk. Warzone Centre 1997—2003

The Warzone Collective began in 1984 in Belfast, Northern Ireland, when a few local punks decided to consolidate their efforts and find their own venue, practice, and social space. In 1986, the Collective opened Giros, its first premises in Belfast, which contained a vegetarian cafe, practice space, and screen printing facilities. It soon became a focal point for anarchists and punks. In 1991 the Collective moved Giros to a larger and more ambitious venue, the spot where all of the photographs in this book were taken. Over the years, thousands of people passed through Giros’ doors. A strong D.I.Y. ethic defined the way gigs and events were organized. It didn’t have an alcohol license, and it was was an all ages venue. The Warzone Centre, or The Centre as it was called by some, became the countercultural hub for the greater Belfast area and beyond. Bands from all over the world played there, and it was famous for being one of the best in Europe for D.I.Y. punk. The photographs in this book were taken between 1997 and 2003. Toward the end of 2003, the Centre closed, leaving a huge gap in radical 25.5 x 30 cm | 10 x 11 ¾ inches Belfast culture. It reopened in 2011, in a different venue on 176 pages, 85 b&w, hardbound the opposite side of town and is still going strong today. ISBN 978-88-6208-510-6 $40 | £30 Ricky Adam was born in Bangor, Northern Ireland, in 1974. He has been involved in the D.I.Y. punk community for many years and has been co-editor and photographer for DIG BMX magazine for over 20 years. He has spent many years playing in bands and taking photographs all over the world. His work has been featured in many worldwide publications and record labels, including DIG BMX, The Independent, Juxtapoz, Obey, Maximum Rock N’Roll, British Journal of Photography, Upper Playground, Hamburger Eyes, Dischord Records, and Burning Heart Records. His work has been exhibited internationally.

New Titles 15 Photography

James Moore Retrospective

Retrospective spans 50 years of extraordinary photographs by this influential mid-20th-century fashion photographer. This is the first time Moore’s work has been gathered into a single monograph. This book surveys his career, starting with Harper’s Bazaar in the 1960s, as well as his work for W, Vogue, Clairol, Cover Girl, and many other major publications and brands. Every image is an intricate exploration of space and beauty, showcasing his attention to detail and clever eye. Moore’s work influenced a generation of great fashion photographers. Accompanied by texts from leading editors, models, photographers, and designers of the day, Retrospective is the original and ultimate collection of James Moore’s astounding career.

After studying with the legendary art director Alexey Brodovitch, James Moore (1936–2007) began working for Harper’s Bazaar in 1962. From the 1970s to the mid-1990s, Moore directed television commercials for Clairol, Cover Previously announced Girl, and others, as well as working as a photographer. In Text by Carla Sozzani, Martin Harrison, et al. the 1980s, he shot the majority of the covers for the Italian 25 x 33.5 cm | 10 x 13 ¼ inches 208 pages, 190 color and b&w, hardbound edition of Harper’s Bazaar. Moore taught photography at the ISBN 978-88-6208-494-9 School of Visual Arts in New York City and lectured at the $75 | £60 Smithsonian Institution as well as at the Rochester Institute of Photography. In 2004, a retrospective of his work was exhibited at the Carla Sozzani Gallery in Milan.

New Titles 17 Toiletpaper

Maurizio Cattelan and Pierpaolo Ferrari Toiletpaper 14

Toiletpaper is an artists’ magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari and born out of a shared passion for images. The magazine contains no text. Each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists’ mental outbursts. Since the first issue, in June 2010, Toiletpaper has created a world that (Trade edition) (Trade displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy.

Maurizio Cattelan has exhibited internationally in leading institutions and has participated numerous times in the Biennale. He curated the 4th Berlin Biennale with 22.5 x 29 cm | 8 ⅞ x 11 ½ inches Massimiliano Gioni and Ali Subotnick. He collaborated on 40 pages, 22 color, softbound No Soul for Sale—A Festival of Independents, which took place ISBN 978-88-6208-536-6 in the Turbine Hall of the Tate Modern in 2010. Cattelan also $16 | £10 conceived the art magazines Permanent Food and Charley. Limited edition of 650 copies with a surprise... Since retiring from art, after the acclaimed 2011 retrospective ISBN 978-88-6208-537-3 at the Guggenheim Museum in New York City, he has $45 | £35 committed himself to publishing Toiletpaper magazine.

Pierpaolo Ferrari is a fashion and advertising photographer

and creative researcher. In 2007 he began a collaboration (Limited edition) with L’Uomo Vogue that offered him the chance to explore the portrait’s potential and radically change its codes. In 2009, he teamed with Maurizio Cattelan to create Toiletpaper. When he is not shooting, he can be found surfing in Costa Rica.

New Titles 19 Photography

Christopher Niquet Models That Matter

In 2008, Christopher Niquet, a well-known French stylist, spotted the 1960s supermodel Peggy Moffitt in a Beverly Hills restaurant. Never an autograph chaser, he nonetheless felt compelled to ask for hers. This candid moment ignited an obsessive, ongoing quest. Niquet began to reach out to the models he considered quintessential figures in his industry, for their epic beauty and remote auras. Deploying a sleuth's methods to locate these models around the globe, he collected 100 signatures, most of which are framed along with an iconic portrait. “My original purpose was to get beyond the abstract, incorporeal beauty of these icons, and bring back a sense of their physicality. For me, each signature restored a womanly reality to the imaginary being.” This book highlights the unique personalities of celebrated or forgotten women from the late 1950s to the 1990s and what they all have in common: the power to awaken creativity in the people who see them. Through generations of cover stories, Models That Matter explores a multi-layered history of feminine beauty, from Jean Shrimpton to Jerry Hall, Lauren Bacall to Linda Evangelista, Text by Anita Pallenberg to , muses for extraordinary 22 x 28 cm | 8 ½ x 11 inches fashion lensmen like Steven Meisel (who wrote the preface), 120 pages, 70 color and b&w, softbound ISBN 978-88-6208-519-9 Irving Penn, and Richard Avedon. $40 | £30 Christopher Niquet is a Paris-born and Sorbonne-educated writer. He moved to New York City in 2006, after years of working behind the scenes with designers in Paris (A.P.C., Karl Lagerfeld, Christian Lacroix) and Milan (Dolce & Gabbanna, Alessandro Dell’Acqua, Anna Molinari). He is now a contributing writer to French Vanity Fair with a monthly column about culture and style and is finishing his first novel. Models That Matter is his first book and combines his passion for fashion history, beauty, and words.

New Titles 21 Photography

Berndnaut Smilde Builded Remnants

This monograph presents Dutch artist Berndnaut Smilde’s ethereal and awe-inspiring Nimbus series for the first time. Smilde combines the heritage of traditional Dutch interior paintings with contemporary media and conceptual techniques. In his Nimbus series, Smilde creates a “real” cloud in interior spaces, depicting a moment of fragility in evocative locations. Smilde creates his clouds by carefully regulating the temperature and humidity of a room and then, using a smoke machine, lighting, and moisture, captures the brief moment when a fleeting “cloud” is created. He carefully 28.5 x 22.8cm | 11 ¼ x 9 inches selects the locations for their visual as well as historical 112 pages, 50 color, hardbound relevance. Smilde’s choice of location often contains visual ISBN 978-88-6208-532-8 $50 | £38 evidence of the building’s purpose, further emphasizing the temporality of both the cloud and its surroundings. Builded Remains explores never before seen “backstage” images of Smilde making the Nimbus artworks and also documents his wider practice and further artistic investigations into nature, science, and the uncanny.

Berndnaut Smilde was born in Groningen, The Netherlands, in 1978. His works have been shown in solo and group exhibitions internationally in institutions worldwide, including the Bonnefantenmuseum, Maastricht; Saatchi Gallery, London; Irish Museum of Modern Art, Dublin; Smithsonian Institution, Washington, D.C.; and the 21st Century Minsheng Museum, Shanghai, among many others. In 2012, Time magazine selected the artist’s indoor clouds as one of its Best Inventions of the Year. Smilde lives and works in Amsterdam.

New Titles 23 Photography

Mark Segal Cheetah

For the past 15 years, American photographer Mark Segal’s fascination with the world’s fastest land mammal has taken him across the U.S., Europe, Kenya, Namibia, and South Africa. What started out as an aesthetic obsession evolved as he deepened his understanding of this fierce yet fragile creature and its rapid path toward extinction. “My desire changed from simply wanting to experience cheetahs for my own selfish curiosity to wanting to contribute to their conservation.” Over the last five years, Segal has traveled to various cheetah research and conservation centers to show the beauty and draw awareness to the endangered 35 x 24 cm | 13 ¾ x 9 ½ inches state of this magnificent predator. Known for his moody 272 pages, 180 color and b&w, hardbound ISBN 978-88-6208-523-6 and emotional portrait and fashion work, Segal takes a $120 | £90 personal approach to photographing nature, distinct from most wildlife photographers. He hopes that viewers will be captivated by the cheetah’s beauty and recognize the imperative to protect itand ensure its survival on our planet. Segal will donate all his profits from the sale of this book to the world’s leading wild cheetah research center, the Cheetah Conservation Fund in Namibia.

Mark Segal graduated from the École Nationale Supérieure des Beaux-arts in Paris with high honors and the photography merit prize. He has exhibited his work at the National Museum of Modern Art-Centre Georges Pompidou, Paris, and the Maison Européenne de la Photographie in Paris. He was the only photographer unanimously awarded the first ever “Young Photographer’s Prize” at Paris Photo in 1997. His work is in the French National Collection of Contemporary Art and the permanent collection of the Maison Européenne de la Photographie. Segal has contributed to Vogue, W, AnOther Magazine and T: Style Magazine, among others.

New Titles 25 Photography

Sarai Mari Speak Easy

Sarai Mari is drawn to an examination of the gender roles men and women play in society. We all share a desire to be understood and accepted. In our radically changing and highly judgmental society, people are often scared of being isolated or left behind, so they conform to societal norms. But in adhering to an external perception of oneself, we are unconsciously denying our true selves. Mari is obsessed with discovering the true people behind their masks. What lies hidden beneath the skin is often much more beautiful than what is projected outward. Breaking down the layers through her lens, Mari reveals an intimate vulnerability that stops time. Speak Easy captures her subjects’ essence. By celebrating the continuum of gender and sexuality, preconceptions lose their meaning, leaving nothing but the raw expression of the subject in the image.

Sarai Mari was born in Nara, Japan. She studied English at UCLA when she was a teenager. After working in New York for the Spanish magazine Semana, she moved back to Tokyo and began taking portraits of rock stars for music 21 x 27 cm | 8 ¼ x 10 ½ inches magazines as well as photographs for fashion publications. 160 pages, 100 color, hardbound In 2005, she relocated to London, where she became ISBN 978-88-6208-507-6 a well-established fashion photographer, shooting for $45 | £35 magazines such as Harper’s Bazaar and Vogue UK. She is also the photographer of choice of many celebrities, such as the late Amy Winehouse, , Adele, Ewan McGregor, Arctic Monkeys, and Victoria Beckham. In 2010, she published her first book, Naked. She currently lives and works in New York.

New Titles 27 Photography

Robin Broadbent The Photographic Work of Robin Broadbent

Robin Broadbent is a master photographer, sought out for his exquisite still life photographs. An acute knack for identifying and capturing the glancing profile of an object is part of the character of his work, which abstracts the essence from contemporary brand and fashion advertising and then combines it with the universal photographic language of the 20th century avant-garde. The starting point for Broadbent is lighting, his end-point the printed image. He works with light to give flatness or depth to his images—he can make a building seem weightless or a small crater of powder epic in scale. Being able to play with our perceptions in this way recalls the early days of Surrealism and highlights the playfulness of his work. Broadbent uses a complex and nuanced language of color and scale, guile and humour, to play with our preconceptions of fashion and abstraction. The book reads like a magazine, and there is an undercurrent that emerges suggesting these images have a meaning more than the sum of their content. This undercurrent represents the essence of the fashion world now. 21.6 x 28 cm | 9 x 11 ¾ inches 184 pages, 160 color and b&w, hardbound Robin Broadbent was born in the U.K., and after studying ISBN 978-88-6208-530-4 photography, worked in London before moving to his $50 | £38 current studio in New York City. His work with luxury and high-fashion brands has led him to develop a unique photographic language. Rigorous attention to detail and core knowledge of the medium give the objects he photographs a sophisticated multi-dimensional presence. Broadbent frequently works with publications such as Numéro, Vogue, V Magazine, Port Magazine, New York Times Magazine, Wall Street Journal Magazine, and Harper's Bazaar.

New Titles 29 Photography

Franco Gobbi Fragile

Franco Gobbi's Fragile is a series of photographs featuring the world top models. His aim is to surpass the straightforward portrait and instead create images that capture the essense of what is illusive, fragile, and vulnerable in these highly photographed subjects. The women in his photographs live on the stages of art, photography, cinema, theater, and fashion. He seeks out subjects who are “deeply connected with Mother Earth” and who understand her capacity for generation and regeneration. Gobbi believes that this connection grants the women he photographs the capacity to return to their own essence, no matter the physical modifications required of her. Gobbi’s work draws on and refers to an array of predecessors, including , Francis Bacon, and Andy Warhol. Fragile is Gobbi’s debut book of photography. 22,2 x 22,2 cm | 8 ¾ x 8 ¾ inches 192 pages, 150 color and b&w, hardbound Franco Gobbi was born in Sant’Arcangelo di Romagna, ISBN 978-88-6208-529-8 Italy in 1976, a small village of just 1,000 people. Gobbi $70 | £55 is a longtime member of the London cyberpunk artist collective The Mutoid Waste Company, which arrived in Sant’Arcangelo in the 1990s. Since his early years, he has been in search of transformative experiences. He started cutting and styling hair in the his village salon at the young age of 14. His interests and ambitions soon led him to bigger things. At age 21, he opened a salon in central Riccione, Italy, at that time a hotbed of nightlife and club kid culture. From there, he went on to live in Milan, then Paris, and finally New York City, where he now lives and creates.

New Titles 31 Photography

Motus Hello Stranger

Hello Stranger is the newest book by the theater group Motus, whose hybrid work has unleashed dramaturgy and artistic languages as well as produced new scenic forms since its founding in the early 1990s. Hello Stranger is an “atlas of images” and textual fragments focused on eight thematic chapters. These topoi have been transformed throughout the years, through the evolution of time and the bodies that have inhabited Motus’s stage. Built around the photographic images of the almost 100 shows that Motus has created, the words are a “choral” accompaniment, almost a polyphonic soundtrack, featuring the short contributions of company members, their fellow artists, and critics.

This publication reveals the intimate nature of the ensemble’s visual universe, as it is displayed in their latest performance MDSLX, currently touring worldwide. It presents the actor’s body as a feeling machine, as the permanent cornerstone of the stage, as a sacred but foreign 21.6 x 25.4 cm | 8 ½ x 10 inches guest with whom Motus has fought, built, destroyed, and 244 pages, 150 color, hardbound ISBN 978-88-6208-518-2 especially transformed its art. Hello Stranger is an open $35 | £25 invitation to welcome the stranger–other–different . . . but also a sign of peace towards the darkest and “wildest” parts of ourselves. The theme of geographical and identity limits/borders—and the challenges connected to their overcoming—currently leads Motus’s dramaturgical research, and this constant attempt exploration of artistic and mental categories leads this book to take an expanded and welcoming shape.

New Titles 33 Photography

Tom Atwood Kings & Queens in Their Castles

Kings & Queens in Their Castles has been called the most ambitious photo series ever conducted of the LGBTQ experience in the U.S. Over a span of 15 years, Atwood photographed more than 350 subjects at home nationwide, including nearly 100 celebrities. With individuals from 30 states, Atwood offers a window into the lives and homes of some of America's most intriguing and eccentric personalities. Among those depicted are Meredith Baxter, Alan Cumming, Don Lemon, John Waters, George Takei, Alison Bechdel, Barney Frank, Don Bachardy, Billy Porter, Ari Shapiro, Arthur Tress, Michael Urie, Greg Louganis, Tommy Tune, Jonathan Adler, and Terrence McNally. Modern day tableaux vivants, the images portray whimsical, intimate moments of daily life that shift between the pictorial and the theatrical. Rich in beauty and clarity, these personal landscapes are both a witness and a celebration.

Tom Atwood has photographed over 100 luminaries such as Hilary Swank, Buzz Aldrin, and John Waters. He 24.8 x 31.8 cm | 9 ¾ x 12 ½ inches won Photographer of the Year from London's Worldwide 144 pages, 135 color, hardbound Photography Gala Awards, first place in Portraiture in the ISBN 978-88-6208-516-8 Prix de la Photographie Paris and has won over 30 other $45 | £35 awards. Atwood's work has been exhibited at the Museum of Photographic Arts, the George Eastman Museum, the Center for Fine Art Photography, and at galleries including ClampArt, Steven Kasher, Louis Stern, and PDNB. Atwood's work has been featured in over 150 publications, including the New York Times, , The New Yorker, Art Newspaper, Elle, and PDN.

New Titles 35 Photography

Toni Meneguzzo Gauchillos

Gauchillos follows the footsteps of Gauchito Gil and San La Muerte, two of many folk saints not recognized by the Roman Catholic Church but who are venerated in Argentina. Gauchito Gil was allegedly born in the area of Mercedes, Corrientes, around the 1840s and died on January 8, 1878. He became a mystical symbol of bravery, stealing from the rich and giving to the poor. The book includes evocative pictures of the pilgrims, the prayer centers, those saved or cured by miracles, and the gauchos arriving on horses in Mercedes to celebrate the death of Gil. Devotees of San La Muerte, who is depicted as a male skeletal figure

Text by Toni Meneguzzo, Andrés Sala, holding a scythe, make offerings in hopes of favors ranging Daphné Anglès, Jean Blanchaert, Tommaso Basilio from health, fortune, protection, and revenge. Meneguzzo 28 x 21.2 cm | 11 x 8 ½ inches took these photographs of Argentine folk culture in 184 pages, 140 color, hardbound Corrientes, El Chaco, Missiones, and Buenos Aires. ISBN 978-88-6208-513-7 $35 | £25 Toni Meneguzzo, born in Italy in 1949, is an internationally acclaimed photographer who has worked for over 30 years in fashion. He pioneered a unique technique of shooting large- format Polaroids, which became Meneguzzo’s trademark and was soon adopted by many artists. His work has been exhibited internationally, both in solo and group exhibitions, and has been published in the New York Times, Harpers’ Bazaar, and Elle, among others. His stop-motion videos have been shown at the Triennale Design Museum in Milan, at the Musée des Arts décoratifs du Louvre in Paris, and at the Whitney Museum of American Art in New York.

New Titles 37 Photography

Monica Biancardi RiMembra

RiMembra is a reportage of limbs scattered in places and years, connecting them to physical or mental spaces, with no common denominator among them. Each image comes into being independently, and is able, even years later, to evolve into a new image thanks to its forceful lines. Diptychs and triptychs take shape through chromatic correspondences: a triptych composed of a photograph of the light seeping into a temple of Taipa (2015) seems to cross an image of a woman’s face in the sauna of Lucrino (2010) and to crash into a lake of San Francisco (2012). Different moments reunited over the years lead to reflection, to the call of mind, generating happy or unhappy memories. The theme “Ri” is linked to the noun “membra” (limbs). In this way, the image is able to generate a new one and links develop along the way, creating a paradoxical collage in motion through time, which transcends the single still image.

Monica Biancardi was born in Naples in 1972. She began working with filmmakers including Romeo Castellucci, 24 x 32 cm | 9 ½ x 12 ½ inches Kiarostami, Peter Brook, Mario Martone, and Toni 96 pages, 50 color, hardbound Servillo early in her career while conducting photographic ISBN 978-88-6208-514-4 $30 | £25 research. She currently works in collaboration with Costantini Art Gallery, Turin. In 2014, she presented the Credere (Believe) project in the official programme of Mois de la Photo, Paris. Her works are held in many private art collections.

New Titles 39 Collector’s Editions 42 $750 |£580 ISBN 978-88-6208-520-5 144 pages,65b&w, clothboundwithaluminumslipcase 34 x27.1 cm|13 Text by HiroshiSugimoto Edition of370signedandnumberedbooks New forspring2017 ½ x10¾inches S Snow White Hiroshi Sugimoto a custom-madeslipcase. a numberedcolophonsignedby Sugimotoandishousedin pages. Thebookisboundinsilkcloth.Eachcontains black-and-white photographsarehand-tippedontothe time, andashorttextabouteachwrittenby Sugimoto.The White isaccompaniedby thenameofmovie, itsrunning exposure timeofeachphotograph.Eachartwork inSnow were screenedwhenhetookthesephotographsandthe book, Sugimotoreveals forthefirsttimemovies that the abandonedtheatersthatisreproducedhere. Inthis Sugimoto photographedPalaceTheater, Gary,2013, oneof spaces.The Disneymovie Snow Whitewas runningwhen source oflightbringingoutthearchitecturaldetailsthese duration ofthemovie. Therunningmovie istheonly (or inthecaseofdrive-ins, outsideatnight)forthe these images,heexposesthefilminsidedarktheater began theTheatersseriesfourdecadesago.To make Italian operahousesandabandonedtheaters.Sugimoto palaces anddrive-ins, alongwithnewphotographs of many ofhiswell known photographsofclassicmovie in SnowWhitearefromhisTheatersseriesandinclude 65 artworks by HiroshiSugimoto.Allofthephotographs now Whiteisauniquecollector’s editionbookcontaining $750 |£500 ISBN 978-88-6208-384-3 Release date:fall2014 140 pages,65b&w, clothboundwithaluminumslipcase 26.6 x35.5cm|10 Text by JonathanSafranFoer Edition of300signedandnumberedbooks ½ x14inches $11,000 |£7,200 ISBN 978-88-6208-460-4 (LightningFields304) ISBN 978-88-6208-469-7 (LightningFields289) Sheet size:27.5 x34.2cm|10 Image size:25.5x32cm|1012 Gelatin silver prints Bottom: LightningFields304,2014 Top: LightningFields289 , 2014 Each aneditionof25signedandnumberedprints aluminum box. The bookandprintarehousedinacustom-madebrushed artist’s proofs.Eachnumberedprintissignedby Sugimoto. for thiseditiononly, was printedinaneditionof25with5 Lightning Fields304.Eachartwork, whichtheartistproduced silver gelatinprintsby Sugimoto,LightningFields289or one signedandnumberedcopy ofthebookandonetwo An exclusive editionof50copiesTheLongNeverincludes aluminum slipcase. Sugimoto, areavailable withacustom-madebrushed hundred copiesoftheedition,signedandnumberedby The LongNeverislimitedtoaneditionof360copies.Three lift upeachphotographinordertoreadthestory. sits onthepageunderneatheachartwork, sothereadermust Jonathan SafranFoer haswrittenanoriginalstory. Foer’s text book, whichiswrappedinsilkcloth.Celebratedauthor white photographsarehand-tippedontothepagesof perhaps even oneuntouchedby humans.Theblack-and- sequence ofimagesconjuresanaturalhistorytheplanet, Time Recording Devices,LightningFieldsandSeascapes—the from five series—Meteorites,Dioramas, Pre-Photographic 65 artworks by HiroshiSugimoto.Composedofphotographs The LongNeverisauniquecollector’s editionbookcontaining The LongNever Hiroshi Sugimoto ⅞ x13 ⅝ inches ½ inches Collector’s Editions 43

(Lightning Fields 304) (Lightning Fields 289) Pamela Hanson Jamel Shabazz Private Room Sights in the City: New York Photographs

Private Room is a series of photographs of eight different This limited edition of Sights in the City: New York Photographs women who Pamela Hanson photographed between 2012 (see p. 11) includes a signed and numbered print of Street and 2014 at Lafayette House, a small hotel in New York City. Photographers of Times Square. Beginning when she photographed Camille Rowe in 2012, the photographs in Private Room progressed into a series of nudes and semi-nudes. Hanson was inspired to shoot in the Lafayette House because of its European feeling. A brownstone built in the 19th century, the hotel is a place of New for spring 2017 Edition of 25 numbered prints New for spring 2017 forgotten beauty, with walls lined in gold-leafed wallpaper. Street Photographers of Times Square, 1982 Edition of 25 signed and numbered prints It is charming, sexy, romantic, and private. Women Archival inkjet print Kayleigh Crying #1, 2012 photographed by a woman: the intimate and feminine Image size: 25.4 x 20.3 cm | 10 x 8 inches Archival inkjet print Sheet size: 35.6 x 25.4 cm | 14 x 10 inches Image size: 35 x 27.8 cm | 13¾ x 10 ⅞ inches environment captures the essence of each subject. Hanson Sheet size: 45 x 37.8 cm | 17 ¾ x 14 ⅞ inches collaborated with stylist Susan Winget, and together they 30.5 x 24.1 cm | 12 x 9 ½ inches 160 pages, 100 color and b&w, hardbound Text by Jack Pierson cast each woman for her individual beauty and personality. ISBN 978-88-6208-527-4 17.1 x 22.9 cm | 6 ¾ x 9 inches This collector's edition of 25 copies includes a signed and $950 | £750 96 pages, 60 color, clothbound ISBN 978-88-6208-508-3 numbered print. $500 | £380

Antoine Le Grand Dennis Hopper Portraits Colors. The Polaroids

Portraits is the first monograph on the work of Antoine In 1987, Dennis Hopper began to use a Polaroid camera Le Grand and spans the 20-year career of this acclaimed to document gang graffiti. Hopper transformed the celebrity photographer. Taken from the pages of leading instantaneous, disposable nature of Polaroid film into fashion and lifestyle magazines such as Vogue, W, GQ, pictures as deliberate and final as images achieved by and Vanity Fair, Le Grand’s images provide an astonishing an artist painting on canvas. This limited edition of collection of portraits of the actors, musicians, and Colors. The Polaroids includes a numbered print of Untitled New for spring 2017 personalities who enliven our culture. Through his irony, (Diamonds), 1987, which has been certified authentic by Edition of 15 signed and numbered prints Iggy Pop, 2002 witty storytelling, and concise visual aesthetic, Le Grand Hopper Art Trust. Archival inkjet print has created indelible imagery of celebrities such as Iggy Edition of 25 numbered prints Image size: 28 x 28 cm | 11 x 11 inches Pop, Gilbert and George, Harrison Ford, Al Pacino, Tim Untitled (Diamonds), 1987 Sheet size: 38 x 38 cm | 15 x 15 inches Giclée print Burton, Woody Allen, and Jean Nouvel. The book includes Image size: 19.1 x 19.3 cm | 7 ½ x 7 ⅝ inches Introduction by Jean-Paul Goude over 250 portraits and an introduction by the French Sheet size: 21.5 x 25.5 cm | 8 ½ x 10 inches 27.5 x 27.5 cm | 11 x 11 inches visionary Jean-Paul Goude. This collector's edition of 15 316 pages, 280 color and b&w, hardbound Text by Aaron Rose ISBN 978-88-6208-509-0 copies includes a signed and numbered print. 23.5 x 20.3 cm | 9 ¼ x 8 inches $500 | £380 132 pages 120 color, clothbound Release date: fall 2016 ISBN 978-88-6208-488-8 $500 | £350

44 Collector’s Editions 45 Carrie Mae Weems Joel Meyerowitz Kitchen Table Series Morandi’s Objects

Kitchen Table Series is the first publication dedicated solely to In the spring of 2015, the photographer Joel Meyerowitz sat at this early and important body of work by the American artist the work table in Giorgio Morandi’s Bologna home, in the exact Carrie Mae Weems. The 20 photographs and 14 text panels spot where the painter sat for over 40 years making his quiet, that make up Kitchen Table Series tell a story of one woman’s sublime still lifes. Here Meyerowitz looked at, touched, studied, life, as conducted in the intimate setting of her kitchen. The and connected with the more than 250 objects that Morandi kitchen, one of the primary spaces of domesticity and the painted. Using only the warm natural light in the room, he traditional domain of women, frames her story, revealing to photographed Morandi’s objects: vases, shells, pigment-filled Edition of 25 signed and numbered prints us her relationships—with lovers, children, friends—and bottles, silk flowers, tins, cans, funnels, watering cans. In the Untitled (Man Reading Newspaper), 1990/1999 her own sense of self, in her varying projections of strength, photographs, each object sits on Morandi’s table, which still Silver gelatin print vulnerability, aloofness, tenderness, and solitude. Weems bears the marks the painter drew to set the positions of his Image size: 25.2 x 25.2 cm (9 ⅞ x 9 ⅞ inches) Edition of 25 signed and numbered prints Sheet size: 27.7 x 35.5 cm | 11 x 14 inches herself is the protagonist of the series, though the woman she White Bottles, 2015 subjects. In the background is the same paper that Morandi depicts is an archetype. Kitchen Table Series seeks to reposition Archival digital print left on the wall, now brittle and yellow with age. Meyerowitz’s Image size: 22.8 x 28 cm | 9 x 11 inches Text by Sarah Lewis and Adrienne Edwards and reimagine the possibility of women and the possibility portraits of these dusty, aged objects are not only works of art 24.8 x 34.3 cm | 9 ¾ x 13 ½ inches Sheet size: 25.4 x 30.5 cm | 10 x 12 inches 86 pages, 34 b&w, hardbound with jacket of people of color, and has to do with, in the artist’s words ISBN 978-88-6208-473-4 themselves, but they offer insight into the humble subjects that ISBN 978-88-6208-471-0 “unrequited love.” The collector’s edition of Kitchen Table Morandi transformed into his subtle and luminous paintings. Text by Joel Meyerowitz, Maggie Barrett Release date: fall 2016 Series includes a signed and numbered silver gelatin print of For this collector’s edition of Morandi’s Objects, Joel Meyerowitz $3,000 | £2,200 25.4 x 32 cm | 10 x 12 5/8 inches Untitled (Man Reading Newspaper), 1990/1999. 116 pages, 65 color, clothbound has printed an edition of 25 of the photograph White Bottles. Release date: spring 2016 $1,000 / £750 Andrew Moore David Leventi Dirt Meridian Opera

The acclaimed photographer Andrew Moore takes to the air Photographing the interiors of some of the most storied and to create an intimate vision of the High Plains. The title refers illustrious opera houses around the world, David Leventi to the 100th meridian, the longitude that neatly bisects the has constructed an arresting, visually rich survey of grand United States and has long been considered the dividing line architecture. Opera brings together in one publication images between the fertile green East and dry brown West. Much from over 40 opera houses, spanning four continents and of the meridian traverses America’s “flyover country,” those over 400 years of history, and includes a foreword by Plácido remote and sparsely populated landscapes with a long history Domingo. Taken over an eight-year period and shot on a large of repeated drought and failed dreams. Yet other parts of format camera, the images demonstrate Leventi’s meticulous the meridian overlap bustling and contentious zones such approach to his subject, revealing these temples of music Edition of 25 signed and numbered prints as the heavily fracked Bakken formation in North Dakota. Edition of 15 signed and numbered prints in all their wealth of architectural detail and design. The Cash Meier Barn, 2012 Dirt Meridian interweaves both these stories together: the Palais Garnier, 2009 collector’s edition of Opera includes a color print of Palais Archival inkjet print C-print Image size: 35.5 x 27.7 cm | 14 x 11 inches enduring myths and rich history of a place where so little Image size: 35.6 x 28.2 cm | 14 x 11 inches Garnier, 2009. Sheet size: 50.8 x 40.6 cm | 20 x 16 inches meets the eye, alongside a portrayal of those who continue to Sheet size: 38.1 x 30.5 cm | 15 x 12 inches live amidst its vast and severe magnificence. The collector’s Text by Kent Haruf, Toby Jurovics, Inara Verzemnieks Text by Plácido Domingo, Marvin Heiferman, 24.8 x 34.3 cm (9 ¾ x 13 ½ inches) edition of Dirt Meridian includes a signed and numbered color Thomas Mellins 140 pages, 73 color, hardbound print of Cash Meier Barn, 2012. 33.8 x 28 cm | 13 ¼ x 11 inches ISBN 978-88-6208-470-3 120 pages, 40 color, clothbound with jacket Release date: fall 2016 ISBN 978-88-6208-440-6 $600 | £450 Release date: spring 2016 $700 | £490

46 Collector’s Editions 47 Peter Schlesinger Dan Martensen A Photographic Memory 1968–1989 Wolves Like Us: Portraits of the Angulo Brothers

The photographs of artist Peter Schlesinger are a visual diary In 2010, photographer Dan Martensen was introduced to the of an extraordinary life that has intersected with some of the Angulo brothers by filmmaker Crystal Moselle, who had just brightest names in the worlds of art, fashion, and society. begun work on her hit documentary The Wolfpack. The film Schlesinger’s remarkable journey began in 1966 when, as chronicles the lives of six home-schooled boys, who gained an 18-year-old student at UCLA, he met the artist David most of their knowledge of the outside world from the movies Hockney. The couple moved to London, where Schlesinger they watched at home. Confined to their four-bedroom met and photographed luminaries including Cecil Beaton, apartment in New York City’s Lower East Side for 14 years, Paloma Picasso, and Manolo Blahnik. This monograph the siblings recreated cult-classic films, fashioning props Edition of 30 signed and numbered prints presents the full range of Schlesinger’s photographic work. as well as costumes from the contents of their apartment. The Deck at La Piscine Deligny, 1975 Edition of 25 signed and numbered prints C-print The collector’s edition includes a signed and numbered color Mukunda as Death in the Graveyard, 2015 Martensen photographed the boys, capturing the cinema- Image size: 30. 5 x 22.8 cm | 12 x 9 inches print of The Deck at La Piscine Deligny, 1975. C-print inspired world they had created, while also documenting Sheet size: 35.5 x 28 cm | 14 x 11 inches Image size: 20.5 x 26.5 cm | 8 x 10 ½ inches their first forays into to the world outside. The collection of Sheet size: 21.6 x 28 cm | 8 ½ x 11 inches Text by Peter Schlesinger, Hilton Als intimate portraits and still lifes in Wolves Like Us adds another 24.8 x 28.6 | 9 ¾ x 11 ¼ inches Text by Crystal Moselle, Joseph Akel layer to the captivating story of the Angulo brothers and is a 176 pages, 150 color, hardbound 21.6 x 28 cm | 8 ½ x 11 inches testament to the enduring spirit of creativity. The collector’s Release date: spring 2016 160 pages, 168 color, softcover ISBN 978-88-6208-459-8 Release date: spring 2016 edition of Wolves Like Us includes a signed and numbered $500 | £300 ISBN 978-88-6208-461-1 color print of Mukunda as Death in the Graveyard, 2015. $300 | £200

Matthew Brookes Matthew Brandt Les Danseurs Lakes & Reservoirs

Matthew Brookes’s style of photography leans toward the For his series Lakes & Reservoirs, Matthew Brandt natural, raw emotion of his subjects. In his first book, Brookes photographed lakes and reservoirs in the western United has turned his lens toward the professional male ballet States and then submerged each print in water collected from dancers of Paris. For a year in the life of these dancers, he the subject of the photograph. Prints are soaked for days, took them out of their regular environment of rehearsals and weeks, or even months, and this process influences the layers performances and photographed them in a raw space, where of color that comprise the image. The resulting photographs they were allowed to explore the physicality of dance in its range from mostly representational to completely abstract. essential form. Brookes’s stunning series of portraits depicts This series considers the current condition not only of our the pure physicality of the male dancer. This collector’s Edition of 17 unique signed lakes and reservoirs, but also of traditional color photography. edition includes a signed and numbered black-and-white and numbered prints, matted This edition of Lakes & Reservoirs is limited to 17 copies and Edition of 25 signed and numbered prints Container, 2014 Feet I, 2014 print of Feet I, 2014. includes the book and a unique matted print numbered and C-print C-print Image size: 28.4 x 35.4 cm | 11 x 14 inches signed by the artist. Each of the 17 prints in the Lakes & Image size: 20. 5 x 26.5 cm | 8 ⅛ x 10 ⅜ inches Sheet size: 37 x 44.5 cm | 14 x 17 ½ inches Reservoirs series is titled Container, plus its unique number. Sheet size: 21.6 x 28 cm | 8 ½ x 11 inches The prints comprising this collector’s edition are not 35 x 28 cm | 13 ¾ x 11 inches Text by Marie-Agnès Gillot 176 pages, 120 color, hardbound reproduced in the book. 21.5 x 28.7 cm | 8 ½ x 11 ¼ inches Release date: fall 2014 68 pages, 40 b&w, hardbound ISBN 978-88-6208-375-1 Release date: spring 2016 $3,000 | £2,000 ISBN 978-88-6208-467-3 $450 | £290

48 Collector’s Editions 49 Joseph Szabo Andrew Moore Rolling Stones Fans Detroit Disassembled

On June 17th, 1978, Joe Szabo accompanied two of his high For Andrew Moore, the wonder of Detroit’s transformation is school students to a Rolling Stones concert. The kids needed its demonstration of nature’s power to devour, and, through the ride from Philadelphia to JFK Stadium in Long Island, destruction, to renew. He has remarked, “One could say New York, and Szabo thought he would be able to take some Edition of 50 signed and numbered prints that Detroit has become America’s version of an open city. good photographs. Thirty-five years after the event, Szabo Waiting Room with Snowdrift, 2008 It’s been left undefended against an onslaught of scrappers, Archival C-print selected the best shots from that day when 90,000 fans Image size: 28 x 35.5 cm | 11 x 14 inches vandals, and the forces of nature. It’s a city of hundreds, if not gathered to hear the Stones and presents them here in Rolling Sheet size: 30.5 x 38 cm | 12 x 15 inches thousands, of empty homes, apartment buildings, factories, Edition of 20 signed and numbered prints Stones Fans. This collector’s edition is limited to 20 copies and libraries, hospitals, schools, and churches. All are abandoned Text by Andrew Moore, Philip Levine Delight, 1978 includes a signed and numbered print, Delight. and most are unguarded, barely salvageable, and slated for Gelatin silver print 34.5 x 27 cm | 13 ½ x 10 ½ inches Image size: 25.4 x 33 cm | 10 x 13 inches 128 pages, 70 color, hardbound with jacket and slipcase demolition that gets delayed year after year.” His depiction Sheet size: 27.9 x 33.5 cm | 11 x 14 inches Release date: fall 2010 of Detroit questions what the changing, precarious future of ISBN 978-88-6208-140-5 America holds. 24.5 x 22.5 cm | 9 ¾ x 9 inches $ 750 | £500 104 pages, 100 b&w, hardbound Release date: fall 2015 ISBN 978-88-6208-435-2 $650 | £450

Andrew Moore This collector’s edition of Detroit Disassembled includes the Cuba book and one of the two prints at left, signed, numbered, and titled on its verso. Moore printed these photographs in 2015 in an edition of 5 copies each.

Each an edition of 5 signed and numbered prints Top: National Time, 2009 Cuba offers a series of poignant interiors that display the Bottom: The Rouge, 2008 changing fortunes of the country over its 500-year history, Archival inkjet prints Image size: 42.6 x 53.3 cm | 16 ¾ x 21 inches with portraits and landscapes that hint at the changes coming Sheet size: 50.7 x 60.8 cm | 20 x 23 ⅝ inches to this island nation. Originally published as Inside Havana ISBN 978-88-6208-534-2 (National Time) in 2002 to wide acclaim, this new version expands that ISBN 978-88-6208-535-9 (The Rouge) $4,000 | £2,700 book with finer and larger reproductions, older photographs never before seen or published, as well as new work made For availability, please contact the publisher at specifically for this edition. This collector’s edition includes a [email protected] signed and numbered photograph and is housed in a slipcase. Edition of 50 signed and numbered prints Casa de Verano, El Vedado, 1999 Archival inkjet print Also available Image size: 28.5 x 36 cm | 11 ¼ x 14 ⅛ inches Edition of 300 signed and numbered books Sheet size: 30 x 38 cm | 11 ¾ x 15 inches ISBN 978-88-6208-236-5 $150 | £100 Text by Joel Smith, Orlando Luis Pardo Lazo 40 x 30 cm | 15 ¾ x 11 ¾ inches 128 pages, 68 color, hardbound with slipcase Release date: fall 2012 ISBN 978-88-6208-258-7 $750 | £500

50 Collector’s Editions 51 Julian Wasser Derek Ridgers The Way We Were: The Photography 78–87 London Youth of Julian Wasser

This long-overdue monograph presents an astonishing Taken in the streets, clubs, basements, and bars of London panorama of a bygone Los Angeles from photographer Julian between 1978 and 1987, this book brings together an Wasser. The Way We Were is replete with iconic images such incredible series of images from the British photographer as a 1968 shot of Joan Didion leaning against a Corvette Derek Ridgers. Since first picking up a camera in 1971, Ridgers Stingray in . But photographs of Jack Nicholson has felt compelled to record the characters that make up and Angelica Huston at Nicholson’s Mulholland Drive the social scenes around him. These photographs bridge the home, or the Fonda family lined up on the family sofa, paint extremities of youth culture in the U.K., from punk through Edition of 50 signed and numbered prints a picture of a very private Hollywood of the 1960s and 70s, the birth of acid house, and document the changing faces Marcel Duchamp and Eve Babitz, 1963 Edition of 15 signed and numbered prints Silver gelatin print when privacy was possible and celebrity culture had not yet Tuinol Barry, Kings Road, 1983 of fashion, music, and culture through individuals and Image size: 30.7 x 20.5 cm | 12 x 8 inches completely consumed the country. This collector’s edition C-print influential social scenes in a time of DIY attitudes. This Sheet size: 32 x 24.7 cm | 12 ⅝ x 9 ¾ inches includes a numbered and signed photograph and is issued Image size: 28.5 x 36 cm | 11 ¼ x 14 ¼ inches collector’s edition includes the numbered and signed print Sheet size: 36.6 x 44.3 cm | 14 ⅜ x 17 ½ inches Edited by Brad Elterman in a cloth slipcase. Wasser’s famous print captures Marcel Tuinol Barry, Kings Road. 24.1 x 31.7 cm | 9 ½ x 12 ½ inches Duchamp playing chess with a naked Eve Babitz at his Text by John Maybury 144 pages, 150 b&w, hardbound with slipcase seminal 1963 exhibition at the Pasadena Art Museum. 21.5 x 31.5 cm | 8 ½ x 12 ⅜ inches Release date: fall 2014 160 pages, 120 b&w, hardbound ISBN 978-88-6208-377-5 Release date: fall 2014 $700 | £420 ISBN 978-88-6208-405-5 $650 | £450

Ari Marcopoulos Tom Bianchi Shit and Die: Maurizio Cattelan Fire Island Pines: Polaroids 1975–1983 Photographed by Ari Marcopoulos

Shit and Die: Maurizio Cattelan Photographed by Ari Marcopoulos Growing up in the 1950s, Tom Bianchi would head into is a limited edition that includes a portrait of Maurizio downtown Chicago and pick up 25-cent “physique” Cattelan by Ari Marcopoulos, the book Shit and Die, and magazines at newsstands. In one, he found a photograph a zine by Marcopoulos. Shit and Die was published to of bodybuilder Glenn Bishop on Fire Island. Years later, accompany an exhibition of the same name at Palazzo Bianchi began traveling to New York and was invited to Cavour in Turin, curated by Cattelan, Myriam Ben Salah, spend a weekend at Fire Island Pines, where he encountered and Marta Papini in 2014. Marcopoulos’s zine documents the a community of gay men. Using an SX-70 Polaroid camera, exhibition backstage. Bianchi documented his friends’ lives in the Pines, amassing Edition of 67 signed and numbered prints Edition of 25 signed and numbered prints, matted Untitled, 250, 1978 an image archive of people, parties, and private moments. Maurizio Cattelan by Ari Marcopoulos, 2014 Giclée print These photos, accompanied by Bianchi’s moving memoir of C-print Image size: 19.1 x 19.3 cm | 7 ½ x 7 ⅝ inches the era, record the birth and development of a new culture. Image size: 27.6 x 41.2 cm | 10 ⅞ x 16 ½ inches Sheet size: 21.5 x 25.5 cm | 8 ½ x 10 inches Sheet size: 30.5 x 45.6 cm | 12 x 18 inches Soaked in sun, sex, camaraderie, and reverie, Fire Island Pines Edited by Ben Smales. Text by Edmund White, conjures a magical bygone era. This collector’s edition of 67 Edited by Maurizio Cattelan, Myriam Ben Salah, Tom Bianchi numbered copies comes in an orange cloth slipcase with a Marta Papini 21.5 x 25.5 cm | 8 ½ x 10 inches 23 x 29 cm | 9 x 11 ½ inches 212 pages, 350 color, hardcover with jacket and slipcase tipped-in cover image and contains a signed and numbered 160 pages, 120 color, softcover Release date: spring 2014 giclée print. Release date: fall 2014 ISBN 978-88-6208-314-0 ISBN 978-88-6208-409-3 $750 | £500 $500 | £350

52 Collector’s Editions 53 Nick Waplington Richard Corman Alexander McQueen: Working Process NYC 83

In 2008, Alexander McQueen commissioned the photographer Madonna NYC 83 celebrates a moment in early 1980s New Nick Waplington to document the creation of his Fall 2009 York that has been reappraised in recent years for its fecund collection—all the way from inception to runway showing. interactions and overlaps between the worlds of fashion, art, Unfortunately, this fall/winter collection was to be the last and music. The vital, edgy restlessness in the city spawned that McQueen would stage before his untimely death. Every adventurous personal styles and music that merged rap, funk, step of the creative process is documented in fascinating punk, and pop. Madonna represented this sensibility like no detail, and readers receive a rare insight into the inner one else, and she was determined to define a look for herself, Edition of 100 signed and numbered prints Untitled, 2009 workings of McQueen’s creative process. Waplington was Edition of 50 signed and numbered prints and to carve out a space in the public imagination. After C-print given unprecedented access to McQueen and his staff, Cinderella, 1983 her countless subsequent incarnations over the past three Image size: 15.8 x 23.4 cm | 6 ¼ x 9 ¼ inches including Sarah Burton, the current creative director. Most Archival pigment print decades, it is extraordinary to revisit these early years. This Sheet size: 23.8 x 29.4 cm | 9 ⅜ x 11 ½ inches Image size: 23.5 x 31.2 cm | 9 ¼ x 12 ¼ inches notably, McQueen edited the sequence of photographs in the Sheet size: 24.9 x 32.5 cm | 9 ¾ x 12 ¾ inches collector’s edition is housed in a silk slipcase and includes a Edited by Alexander McQueen, Nick Waplington. book’s layout. This collector’s edition includes a signed and signed and numbered print, Cinderella. Text by Susannah Frankel numbered print and is housed in a linen slipcase. 24 x 31.5 cm | 9 ½ x 12 ½ inches 26.3 x 30.5 cm | 10 ⅜ x 12 inches 96 pages, 80 color and b&w, clothbound with slipcase 304 pages, 200 color, hardbound with jacket and slipcase Release date: spring 2014 Release date: spring 2014 ISBN 978-88-6208-346-1 ISBN 978-88-6208-356-0 $750 | £500 $1,500 | £990

Jessica Todd Harper Xavier Guardans The Home Stage Windows

The title of Jessica Todd Harper’s The Home Stage is a double Windows is the debut volume of photographer Xavier entendre that alludes to both the homebound lifestyle of Guardans. The photographs in Windows were taken in 2006 families with small children as well as to the idea that home while he was exploring the Kenyan bush. Guardans’ portraits is the stage on which children first learn how to live. Her of Turkana, Samburu, Masai, Rendille, Gabra, and Pokot nuanced treatment of her subjects and environs, coupled with people were shot through the window of his Toyota Land her elegant compositions, unique color palette, and theatrical Cruiser. His world is both dark and light, expressed elegantly handling of light transforms each room and yard into stage through black-and-white film. The balance in these images is Edition of 15 signed and numbered prints sets. No detail is left untouched by her eye. Private but both solid and ephemeral. This collector’s edition is housed in Self Portrait with Nicholas, Becky, and Marshall, 2009 Inkjet pigment print universal, she is genuine, tender, uninhibited, and humorous. a slipcase and includes a signed and numbered print. Image size: 35.5 x 28 cm | 14 x 11 inches This collector’s edition includes the signed and numbered Edition of 25 signed and numbered prints Sheet size: 38 x 30.5 cm | 15 x 12 inches print Self Portrait with Nicholas, Becky, and Marshall. Nangorot. Turkana, Loiyangalani, 2006 Archival pigment print Text by Alain de Botton, Alison Nordström Image size: 26.8 x 26.8 cm | 10 ½ x 10 ½ inches 28 x 24 cm | 11 x 9 ½ inches Sheet size: 28 x 28 cm | 11 x 11 inches 112 pages, 50 color, hardbound Release date: fall 2014 Text by Christopher Harth, Amanda Schmitt ISBN 978-88-6208-406-2 28 x 28 cm | 11 x 11 inches $650 | £450 80 pages, 25 b&w, clothbound with jacket and slipcase Release date: fall 2014 ISBN 978-88-6208-350-8 $390 | £250

54 Collector’s Editions 55 Tierney Gearon Ed Templeton Alphabet Book Deformer

This book by Tierney Gearon takes the form of a children’s Eleven years in the making and compiling more than 30 years alphabet book. Each letter of the alphabet is illustrated with a worth of material, Ed Templeton’s Deformer is a multimedia photograph by Gearon that animates the letter: A is “Airplane scrapbook of his upbringing in suburban Orange County, Adventure,” B is “Bear Boy,” C becomes “Clown Car,” and . Its photographs give a sun-drenched glimpse of so on. At once an inventive photo book and an enchanting what it might be like to be young and alive in what Templeton take on the classic children’s alphabet book, this volume is refers to as “the suburban domestic incubator.” Deformer Gearon’s most charming and lighthearted work to date. This intertwines photographs, paintings, drawings, sketchbook collector’s edition includes a signed and numbered color print. pages, disciplinary letters from his grandfather, and religious Edition of 100 signed and numbered prints Edition of 200 signed and numbered prints notes from his mother into a magnificent narrative of teenage Instant Incognito, 2010 Cross, 2004 isolation and social criticism. This collector’s edition includes Archival pigment print C-print a signed and numbered photograph. Image size: 21.8 x 16.3 cm | 8 ⅝ x 6 ⅜ inches Image size: 20.3 x 29 cm | 8 x 11 ⅜ inches Sheet size: 24 x 18 cm | 9 ½ x 7 inches Sheet size: 20.3 x 29 cm | 8 x 11 ⅜ inches

23.5 x 16.5 cm | 9 ¼ x 6 ½ inches 24 x 29 cm | 9.5 x 11.5 inches 56 pages, 25 color, hardcover with jacket and slipcase 176 pages, 150 color, hardbound Release date: spring 2014 Release date: fall 2008 ISBN 978-88-6208-351-5 ISBN 978-88-6208-060-6 $490 | £330 $600 | £300

Klaus Mitteldorf Work: Klaus Mitteldorf Photographs 1983–2013

Work: Klaus Mitteldorf Photographs 1983–2013 is a catalogue raisonné of the work of Brazilian photographer Klaus Mitteldorf from 1983 to 2013. Now primarily involved in fashion photography, Mitteldorf began his career as a surf photographer in Brazil in the 1970s. This collector’s edition includes the numbered and signed photograph Tributo a Tarsila.

Edition of 10 signed and numbered prints Tributo a Tarsila, 1997 Ultrachrome inkjet print Print size: 45.1 x 30 cm | 17 ¾ x 11 ¾ inches Sheet size: 48.9 x 33.8 cm | 19 ¼ x 13 ¼ inches

Text by Rubens Fernades Junior, Simonetta Persichetti, Diogenes Moura 24 x 30 cm | 9 ½ x 11 ¾ inches 360 pages, 800 color and b&w, softcover English & Portuguese Release date: spring 2015 ISBN 978-88-6208-425-3 $600 | £450

56 Collector’s Editions 57 Recent Highlights

58 Hiroshi Sugimoto Maurizio Cattelan and Pierpaolo Ferrari Theaters Toiletpaper Calendar 2017

In the late 1970s, as Hiroshi Sugimoto was defining his artistic The upcoming Toiletpaper wall calendar 2017 features voice, he posed a question to himself: “Suppose you shoot a whole photographs conceived by Maurizio Cattelan and Pierpaolo movie in a single frame?” The answer that came to him: “You get Ferrari taken from their magazine Toiletpaper, an image-only a shining screen.” For almost four decades, Sugimoto has been publication devoted to the combination of the height of photographing the interiors of theaters using a large-format camera attractiveness with ugliness. and no lighting other than the projection of the running movie. 21 x 28 cm | 8 ¼ x 11 inches Text by Hiroshi Sugimoto 13 pages, 13 color, wire-O 25.4 x 27.9 cm | 10 x 11 inches ISBN 978-88-6208-517-5 176 pages, 130 b&w, clothbound with jacket $25 | £16.99 Rights world except France ISBN 978-88-6208-477-2 $60 | £40

Terence Donovan Alexi Lubomirski Portraits Diverse Beauty

This is the first book dedicated to the portraiture of legendary Fashion photographer Alexi Lubomirski was inspired to photographer Terence Donovan. Donovan’s interest in create this book, which represents diverse beauty without portraiture spanned the entirety of his four-decade career. Some boundaries, after photographing the actress Lupita Nyong’o. of his many sitters include Yasser Arafat, Naomi Campbell, Diverse Beauty embraces all beauty and aims to put every type Sean Connery, Diana Princess of Wales, Laurence Olivier, and of beauty on a pedestal, so that everyone who looks at it, no Charlotte Rampling, among many others. matter her race, size, color, or sexual orientation, can identify and see herself as beautiful. Text by Philippe Garner 24.5 x 28 cm | 9 ¾ x 11 inches Text by Lupita Nyong’o, Alexi Lubomirski 176 pages, 160 color and b&w, hardbound 25 x 34.5 cm | 9 ⅞ x 13 ½ inches ISBN 978-88-6208-482-6 192 pages, 135 color and b&w, hardbound $50 | £35 ISBN 978-88-6208-479-6 $50 | £35

Dennis Hopper Antoine Le Grand Colors. The Polaroids Portraits

Hopper transformed the instantaneous, disposable nature of Portraits is the first monograph on the work of Antoine Polaroid film into pictures as deliberate and final as images Le Grand and spans the 20-year career of this acclaimed achieved by an artist painting on canvas. celebrity photographer. Through his irony, witty storytelling, and concise visual aesthetic, Le Grand has created indelible imagery Text by Aaron Rose of celebrities such as Iggy Pop, Gilbert and George, Harrison 23.5 x 20.3 cm | 9 ¼ x 8 inches Ford, Al Pacino, Tim Burton, Woody Allen, and Jean Nouvel. 132 pages 120 color, clothbound ISBN 978-88-6208-476-5 $45 | £30 Introduction by Jean-Paul Goude 27.5 x 27.5 cm | 11 x 11 inches 316 pages, 280 color and b&w, hardbound ISBN 978-88-6208-503-8 $50 | £35

60 Recent Highlights 61 Mariano Vivanco Brian Young Portraits Nudes Flowers The Train NYC, 1984

Mariano Vivanco’s Portraits Nudes Flowers presents ten years Brian Young took the pictures in The Train NYC, 1984, the year of his photographs of the world’s most fashionable faces, he moved to New York, when the city was recovering from an including Cindy Crawford, , , Naomi economic depression that began in the mid-1970s but whose Campbell, Ricky Martin, Antonio Banderas, Emma Watson, effects were still quite visible. Graffiti exploded and spread and Sam Smith, among many others. across the city landscape, in particular on the subway system.

Foreword by Domenico Dolce, Stefano Gabbana. 30 x 29.8 cm | 8 ¼ x 11 ¾ inches Text by Tim Blanks. Conversation with Janet Mock 112 pages, 80 color, hardbound 24.5 x 32.6 cm | 9 ¾ x 12 ⅞ inches ISBN 978-88-6208-492-5 224 pages, 200 color, clothbound $45 | £30 ISBN 978-88-6208-489-5 $50 | £35

Pamela Hanson Simon Eeles Private Room Australiana

Private Room is a series of photographs of eight different women Australiana is the result of a cross-continental road trip who Pamela Hanson photographed between 2012 and 2014 at photographer Simon Eeles took in his homeland of Australia Lafayette House, a small hotel in New York City. after years of working in the U.S. and other countries. Eeles presents a portrait of the people who reside in the Edition of 1,500 numbered copies geographically separated, diverse landscapes that make up Text by Jack Pierson this unique country. 17.1 x 22.9 cm | 6 ¾ x 9 inches 96 pages, 60 color, clothbound ISBN 978-88-6208-491-8 24.1 x 30.5 cm | 9 ½ x 12 inches $40 | £30 96 pages, 60 color, clothbound ISBN 978-88-6208-499-4 $35 | £25

Happy Massee Landon Nordeman Diary of a Set Designer Out of Fashion

Diary of a Set Designer is a book of Polaroids that Happy Photographer Landon Nordeman infiltrates the world Massee shot over a 25-year period, while traveling the world as of fashion, shooting hundreds of shows backstage at a production designer. This photographic journal is a journey fashion weeks in New York, Milan, and Paris. Originally through time—a collection of images taken with the now- commissioned by New York magazine and the New York defunct Polaroid camera, which at the time was as essential to Times, Nordeman’s inimitable eye brings a fresh and bold the art of designing for film as was a measuring tape. perspective to contemporary photography.

Text by Happy Massee 23.5 x 16 cm | 9 ¼ x 6 ¼ inches 21 x 26 cm | 8 ¼ x 10 ¼ inches 128 pages, 112 color, clothbound 160 pages, 140 color, clothbound ISBN 978-88-6208-496-3 ISBN 978-88-6208-485-7 $50 | £30 $50 | £35

62 Recent Highlights 63 Backlist Highlights Hiroshi Sugimoto Joel Meyerowitz The Long Never Morandi's Objects

Edition of 300 signed and numbered books Edition of 25 signed and numbered prints Text by Jonathan Safran Foer White Bottles, 2015 26.6 x 35.5 cm | 10 ½ x 14 inches Archival digital print 140 pages, 65 b&w, clothbound with aluminum slipcase Image size: 22.8 x 28 cm (9 x 11 inches) Release date: fall 2014 Sheet size: 25.4 x 30.5 cm (10 x 12 inches) ISBN 978-88-6208-384-3 ISBN 978-88-6208-473-4 $750 | £500 Text by Joel Meyerowitz, Maggie Barrett 25.4 x 32 cm (10 x 12 5/8 inches) 116 pages, 65 color, clothbound Release date: spring 2016 Each an edition of 25 signed and numbered prints $1,000 | £750 Left: Lightning Fields 289, 2014 Right: Lightning Fields 304, 2014 Trade edition also available Gelatin silver prints 21.5 x 25.5 cm | 8 ½ x 10 inches Image size: 25.5 x 32 cm | 10 x 12 ⅝ inches 212 pages, 150 color, clothbound Sheet size: 27.5 x 34.2 cm | 10 ⅞ x 13 ½ inches ISBN 978-88-6208-453-6 ISBN 978-88-6208-469-7 (Lightning Fields 289) $50 | £35

ISBN 978-88-6208-460-4 (Lightning Fields 304)

$11,000 | £7,200

Hiroshi Sugimoto Carrie Mae Weems Dioramas Kitchen Table Series

25.2 x 27.8 cm | 10 x 11 inches Edition of 25 signed and numbered prints 118 pages, 56 b&w, clothbound with jacket Untitled (Man Reading Newspaper), 1990/1999 Rights world except France Silver gelatin print ISBN 978-88-6208-327-0 Image size: 25.2 x 25.2 cm | 9 ⅞ x 9 ⅞ inches $65 | £40 Sheet size: 27.7 x 35.5 cm | 11 x 14 inches

Text by Sarah Lewis and Adrienne Edwards 24.8 x 34.3 cm | 9 ¾ x 13 ½ inches 86 pages, 34 b&w, hardbound with jacket ISBN 978-88-6208-471-0 Release date: fall 2016 Hiroshi Sugimoto $3,000 | £2,200 Seascapes Trade edition also available 24.8 x 34.3 cm | 9 ¾ x 13 ½ inches 86 pages, 34 b&w, hardbound with jacket 25.2 x 27.8 cm | 10 x 11 inches ISBN 978-88-6208-462-8 272 pages, 213 b&w, clothbound with jacket $50 | £35 Rights world English ISBN 978-88-6208-416-1 $70 | £45

66 Backlist Highlights 67 Tom Bianchi Nick Waplington Fire Island Pines: Polaroids 1975–1983 Alexander McQueen: Working Process

Edition of 67 signed and numbered prints Edition of 100 signed and numbered prints Untitled, 250, 1978 Untitled, 2009 Giclée print C-print Image size: 19.1 x 19.3 cm | 7 ½ x 7 ⅝ inches Image size: 15.8 x 23.4 cm | 6 ¼ x 9 ¼ inches Sheet size: 21.5 x 25.5 cm | 8 ½ x 10 inches Sheet size: 23.8 x 29.4 cm | 9 ⅜ x 11 ½ inches

Edited by Ben Smales. Text by Edmund White, Tom Bianchi Edited by Alexander McQueen, Nick Waplington. 21.5 x 25.5 cm | 8 ½ x 10 inches Text by Susannah Frankel 212 pages, 350 color, hardbound with jacket and slipcase 26.3 x 30.5 cm | 10 ⅜ x 12 inches Release date: spring 2014 304 pages, 200 color, hardbound with jacket and slipcase ISBN 978-88-6208-314-0 Release date: spring 2014 $750 | £500 ISBN 978-88-6208-356-0 $1,500 | £990 Trade edition also available 21.5 x 25.5 cm | 8 ½ x 10 inches Trade edition also available 212 pages, 150 color, hardbound with jacket 24 x 29 cm | 9 ½ x 11 ½ inches ISBN 978-88-6208-270-9 304 pages, 160 color, hardbound with jacket $50 | £35 ISBN 978-88-6208-295-2 $60 | £40

David Leventi Julian Wasser Opera The Way We Were

Edition of 15 signed and numbered prints Edition of 50 signed and numbered prints Palais Garnier, 2009 Marcel Duchamp and Eve Babitz, 1963 C-print Silver gelatin print Image size: 35.6 x 28.2 cm | 14 x 11 inches Image size: 30.7 x 20.5 cm | 12 x 8 inches Sheet size: 38.1 x 30.5 cm | 15 x 12 inches Sheet size: 32 x 24.7 cm | 12 ⅝ x 9 ¾ inches

Text by Plácido Domingo, Marvin Heiferman, Thomas Mellins Edited by Brad Elterman 33.8 x 28 cm | 13 ¼ x 11 inches 24.1 x 31.7 cm | 9 ½ x 12 ½ inches 120 pages, 40 color, clothbound with jacket 144 pages, 150 b&w, hardbound with slipcase ISBN 978-88-6208-440-6 Release date: fall 2014 Release date: spring 2016 ISBN 978-88-6208-377-5 $700 | £490 $700 | £420

Trade edition also available Trade edition also available 33.8 x 28 cm | 13 ¼ x 11 inches 24.1 x 31.7 cm | 9 ½ x 12 ½ inches 120 pages, 40 color, clothbound with jacket 144 pages, 150 b&w, hardbound ISBN 978-88-6208-397-3 ISBN 978-88-6208-349-2 $50 | £30 $60 | £39

68 Backlist Highlights 69 John Goldberger Joni Sternbach Patek Philippe Steel Watches Surf Site Tin Type

Limited edition of 300 copies numbered and signed by Text by Lyle Rexer, April M. Watson, Chris Malloy, Johnny Abegg the author 30.5 x 24.8 cm | 12 x 9 ¾ inches 24 x 32.5 cm 9½ x 12¾ inches 192 pages, 123 b&w, hardbound 440 pages, 900 color, hardbound with cork, plexiglass ISBN 978-88-6208-380-5 slipcase $45 | £29 ISBN 978-88-6208-304-1 $800 | £500

Maurizio Cattelan and Pierpaolo Ferrari John Severson Toiletpaper Volume II John Severson’s Surf

22.9 x 30.5 cm | 9 x 12 inches Text by Gerry Lopez, Drew Kampion. Interview by Nathan Howe 240 pages, 200 color, hardbound 24 x 31 cm | 9 ½ x 12 ¼ inches ISBN 978-88-6208-427-7 212 pages, 200 color and b&w, hardbound $65 | £45 ISBN 978-88-6208-326-3 $45 | £29

Maurizio Cattelan and Pierpaolo Ferrari Derek Ridgers Toiletpaper Volume II: Platinum Collection 78–87 London Youth

Limited edition of 1,000 copies Text by John Maybury 23.8 x 34.5 cm | 9 ½ x 13 ½ inches 21.5 x 31.5 cm | 8 ½ x 12 ½ inches 240 pages, 200 color, hardbound 160 pages, 120 b&w, hardbound Includes Toiletpaper watch ISBN 978-88-6208-359-1 ISBN 978-88-6208-445-1 $50 | £30 $150 | £100

Mariana Cook Richard Corman Stone Walls: Personal Boundaries Madonna NYC 83

Text by Wendell Barry, Susan Allport, Lucy Breathitt, Thomas 24 x 31.5 cm | 9 ½ x 12 ½ inches Cummins, Robert O. Paxton, et al. 96 pages, 80 color and b&w, clothbound 28 x 28 cm | 11 x 11 inches ISBN 978-88-6208-288-4 192 pages, 82 b&w, hardbound with sleeve $49.95 | £34 ISBN 978-88-6208-169-6 $50 | £35

70 Backlist Highlights 71 Hans Feurer Andrew Moore Detroit Disassembled

Text by Gianni Jetzer 22.5 x 33 cm | 10 x 13 inches 24 x 34 cm | 9 ½ x 13 ½ inches 136 pages, 70 color, hardbound 200 pages, 175 color, clothbound ISBN 978-88-6208-118-4 ISBN 978-88-6208-292-1 $50 | £34.95 $65 | £40

Philippe Halsman Andrew Moore Philippe Halsman's Jump Book Dirt Meridian

22 x 28 cm | 8 ⅝ x 11 inches Text by Kent Haruf, Toby Jurovics, Inara Verzemnieks 96 pages, 194 b&w, hardbound with jacket 34.5 x 27.9 cm | 13 ½ x 11 inches ISBN 978-88-6208-420-8 132 pages, 60 color, hardbound $45 | £30 ISBN 978-88-6208-412-3 $50 | £35

Diller Scofidio & Renfro JR and Art Spiegelman Lincoln Center Inside Out The Ghosts of Ellis Island

23.8 x 31.8 cm | 9 ⅜ x 12 ½ inches 21.7 x 27 cm | 8 ½ x 10 ½ inches 288 pages, 800 color, clothbound 120 pages, 90 color, hardbound ISBN 978-88-6208-244-0 ISBN 978-88-6208-395-9 $85 | £50 $39.95 | £25

Brad Elterman Christine Osinski Dog Dance: The Photograps Summer Days Staten Island of Brad Elterman

Edited by Sandy Kim. Text By Olivier Zahm Interview by A. H. Data. 16.8 x 23.8 cm | 6 ½ x 9 ½ inches Text by Paul Moakley 96 pages, 100 color and b&w, hardbound 30.5 x 24.1 cm | 12 x 9 ½ inches ISBN 978-88-6208-297-6 96 pages, 51 b&w, hardbound $35 | £25 ISBN 978-88-6208-448-2 $40 | £25

72 Backlist Highlights 73

Toiletpaper

Toiletpaper is an artists’ magazine and book series Maurizio Cattelan and Maurizio Cattelan and Maurizio Cattelan and Pierpaolo Ferrari Pierpaolo Ferrari Pierpaolo Ferrari created by Maurizio Cattelan and Pierpaolo Toiletpaper Calendar 2017 Toiletpaper Magazine 7 Toiletpaper Magazine 12 Ferrari, born out of a shared obsession with 21 x 28 cm | 8 ¼ x 11 inches 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches images. Each picture in a Toiletpaper publication 13 pages, 13 color, wire-O 40 pages, 22 color, softcover 40 pages, 22 color, softcover ISBN 978-88-6208-517-5 ISBN 978-88-6208-280-8 ISBN 978-88-6208-428-4 springs from an idea, often simple, but through a $25 | £16.99 $16 | £10 $16 | £10 complex orchestration of people it becomes the materialization of the artists’ mental outbursts. Toiletpaper creates a world that displays ambiguous narratives and a troubled imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. Maurizio Cattelan and Maurizio Cattelan and Maurizio Cattelan and The resulting publications are themselves works Pierpaolo Ferrari Pierpaolo Ferrari Pierpaolo Ferrari Toiletpaper Volume II: Toiletpaper Magazine 8 Toiletpaper Magazine 13 of art that, through the accessible and widely Platinum Collection 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches distributed media of magazines and books, challenge 23.8 x 34.5 cm | 9 ½ x 13 ½ inches 40 pages, 22 color, softcover 40 pages, 22 color, softcover the limits of the contemporary art economy. 240 pages, 200 color, hardbound ISBN 978-88-6208-286-0 ISBN 978-88-6208-490-1 Limited to 1,000 copies $16 | £10 $16 | £10 Includes Toiletpaper watch ISBN 978-88-6208-445-1 Kenzine is a collaboration between Toiletpaper $150 | £100 magazine and the Parisian clothing label Kenzo. Founder Kenzo Takada is known for his synthesis of Japanese style with Parisian high fashion. The current creative directors, Humberto Leon and Carol Lim, Maurizio Cattelan and Maurizio Cattelan and Maurizio Cattelan and embarked on the Kenzine project with Kenzo’s avant- Pierpaolo Ferrari Pierpaolo Ferrari Pierpaolo Ferrari Toiletpaper Volume II Toiletpaper Magazine 9 Toiletpaper Magazine 13 garde aesthetic sense. Set in a graphic and futuristic 22.9 x 30.5 cm | 9 x 12 inches 22.5 x 29 cm | 9 x 11 ½ inches Limited edition of 650 copies universe, the magazine conveys an optimistic utopia 240 pages, 200 color, hardbound 40 pages, 22 color, softcover with Toiletpaper fan ISBN 978-88-6208-427-7 ISBN 978-88-6208-294-5 22.5 x 29 cm | 9 x 11 ½ inches with an element of surprise. The viewer witnesses at $65 | £45 $16 | £10 40 pages, 22 color, softcover once something instantly recognizable and familiar, ISBN 978-88-6208-501-4 but upon closer reflection records an observation into $45 | £35 the unknown. The images in Kenzine contain subtle visual tricks that become more powerful the longer you are exposed to them.

Maurizio Cattelan and Kenzo and Toiletpaper Pierpaolo Ferrari Kenzine Vol. 3 Toiletpaper Magazine 10 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches 40 pages, 22 color, softcover 40 pages, 22 color, softcover ISBN 978-88-6208-385-0 ISBN 978-88-6208-339-3 $35 | £25 $16 | £10

Maurizio Cattelan and Kenzo and Toiletpaper Pierpaolo Ferrari Kenzine Vol. 4 Toiletpaper Magazine 11 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches 40 pages, 22 color, softcover 40 pages, 22 color, softcover ISBN 978-88-6208-430-7 ISBN 978-88-6208-394-2 $35 | £25 $16 | £10

76 Toiletpaper 77 Backlist Photography

Mark Abrahams Tom Bianchi Susan Burnstine Michel Comte Text by James Frey Fire Island Pines: Polaroids Absence of Being Michel Comte and MILK: 24 x 31.4 cm | 9 ½ x 12 ½ inches 1975–1983 Text by Del Zogg, Chantel Paul, A Collaboration 1996–2016 304 pages, 150 b&w, clothbound Edited by Ben Smales. Text by Susan Burnstine Interview by Bobby Woods Rights world except Germany Edmund White, Tom Bianchi 24 x 24 cm | 9 ½ x 9 ½ inches 24.1 x 34 cm | 9 ½ x 13 ⅜ inches Tom Bianchi was born and raised in the suburbs of Chicago and graduated from Northwestern University School of Law in 1970. He became a corporate attorney, eventually working with Columbia Pictures in New York, painting and Growing up in the 1950s, Tom Bianchi would head into downtown Chicago and drawing on weekends. His artwork came to the attention of Betty Parsons and pick up 25-cent “physique” magazines at newsstands. In one such magazine, Carol Dreyfuss and they gave him his first one-man painting show in 1980. In ISBN 978-88-6208-138-2 21.5 x 25.5 cm | 8 ½ x 10 inches 96 pages, 80 b&w, hardbound 336 pages, 265 color, clothbound he found a photograph of bodybuilder Glenn Bishop on Fire Island. “Fire Island 1984, he was given his first solo museum exhibition at the Spoleto Festival. After sounded exotic, perhaps a name made up by the photographer,” he recalls in Bianchi’s partner died of AIDS in 1988, he turned his focus to photography, the preface to his latest monograph. “I had no idea it was a real place. Certainly, producing Out of the Studio, a candid portrayal of gay intimacy. Its success led I had no idea then that it was a place I would one day call home.” In 1970, to producing numerous monographs, including On the Couch, Deep Sex and In $70 | £45 fresh212 out of law school,pages, Bianchi began traveling to150 New York, and wascolor, invited hardbound ISBN 978-88-6208-475-8 with jacket Defense of Beauty. In 1993 Tom co-founded CytoDyn, a biotech company with to spend a weekend at Fire Island Pines, where he encountered a community the mission of developing new H.I.V./AIDS therapies. Tom was the Director of the of gay men. Using an SX-70 Polaroid camera, Bianchi documented his friends’ company responsible for funding the research through 2000. lives in the Pines, amassing an image archive of people, parties and private moments.with These images, jacketpublished here for the first time, and accompanied by $50 | £35 Bianchi’s moving memoir of the era, record the birth and development of a new ISBN 978-88-6208-446-8 culture. Soaked in sun, sex, camaraderie and reverie, Fire Island Pines conjures a ISBNmagical bygone era. 978-88-6208-270-9 $75 | £50 These photographs are at once formal and intimate for they bring both rigor and tenderness to glimpses of real people. Edmund White $50 | £35

$ 50.00 | £ 35.00

Elizabeth Albert Cass Bird Kristin Capp Mariana Cook Silent Beaches, Untold Stories: Rewilding Brasil Justice: Faces of the Human New York City’s Forgotten Waterfront Text by Sally Singer, Text by Paulo Venancio Filho, Rights Revolution Edited by Elizabeth Albert Jack Halberstam Sergio Alcides Text by Anthony Lewis 24 x 30 cm | 9 ½ x 11 ⅞ inches 18 x 24 cm | 7 x 9 ½ inches 22.5 x 22.5 cm | 8 ⅞ x 8 ⅞ inches 25 x 29.2 cm | 9 ⅞ x 11 ½ inches SILENT BEACHES. UNTOLD STORIES NEW YORK CITY’S FORGOTTEN WATERFRONT 128 pages, 80 color and b&w, 88 pages, 42 b&w, clothbound 120 pages, 98 b&w, hardbound 216 pages, 99 b&w, clothbound softcover ISBN 978-88-6208-218-1 English & Portuguese with jacket ISBN 978-88-6208-500-7 $35 | £20 ISBN 978-88-6208-455-0 ISBN 978-88-6208-261-7 $39.95 | £30 $40 | £25 $50 | £35

Mariam Amurvelashvili James Casebere Mariana Cook Eric Boman Endless Questions Works 1975–2010 Stone Walls: Personal Boundaries A Wandering Eye. 22.2 x 22.2 cm | 8 ¾ x 8 ¾ inches Edited and with text by Okwui Text by Wendell Barry, Susan Photographs 1975–2005 112 pages, 70 b&w, hardbound Enwezor. Text by Toni Morrison, Allport, Lucy Breathitt, Thomas Edition of 1,200 numbered copies ISBN 978-88-6208-447-5 Hal Foster, Ford Morrison Cummins, Robert O. Paxton, et al Text by Kevin Moore $35 | £24 29.8 x 29.8 cm | 11 ¾ x 11 ¾ inches 28 x 28 cm | 11 x 11 inches 23.5 x 17.1 cm | 9 ¼ x 6 ¾ inches 320 pages, 250 color, hardbound 192 pages, 82 b&w, hardbound 128 pages, 120 color, hardbound with jacket with jacket ISBN 978-88-6208-487-1 ISBN 978-88-6208-186-3 ISBN 978-88-6208-169-6 $45 | £30 $80 | £50 $50 | £35

Marco Anelli Matthew Brandt Gusmano Cesaretti Richard Corman Portraits in the Presence of Lakes & Reservoirs Fragments of Los Angeles, Madonna NYC 83 Marina Abramović 35 x 28 cm | 13 ¾ x 11 inches 1969–1989 24 x 31.5 cm | 9 ½ x 12 ½ inches Text by Marina Abramović, 176 pages, 120 color, hardbound In association with Alleged Press 96 pages, 80 color and b&w, Klaus Biesenbach, Chrissie Iles ISBN 978-88-6208-374-4 Edited by Aaron Rose. Text by clothbound 22.6 x 22.6 cm | 8 ⅞ x 8 ⅞ inches $65 | £40 Jeffrey Deitch, Michael Mann ISBN 978-88-6208-288-4 192 pages, 1,600 color, softcover 24 x 30.5 cm | 9 ½ x 12 inches $49.95 | £34 ISBN 978-88-6208-249-5 164 pages, 100 b&w, hardbound $40 | £25 ISBN 978-88-6208-275-4 $50 | £35

Stephanie Berger Matthew Brookes Ludovic Cesari Alessandro Cosmelli and Merce Cunningham: Beyond Les Danseurs Text by Phil Bicker Gaia Light the Perfect Stage Text by Marie-Agnès Gillot 24 x 28 cm | 9 ½ x 11 inches Brooklyn Buzz Text by Nancy Dalva 21.5 x 28.7 cm | 8 ½ x 11 ¼ inches 160 pages, 100 color, hardbound Text by Gavin Keeney, Jamie Wellford 22.8 x 22.8 cm | 9 x 9 inches 68 pages, 40 b&w, hardbound ISBN 978-88-6208-421-5 16.8 x 23.8 cm | 6 ⅝ x 9 ⅜ inches 96 pages, 100 color, hardbound ISBN 978-88-6208-433-8 $40 | £25 208 pages, 94 color, softcover with slipcase $45 | £30 ISBN 978-88-6208-241-9 ISBN 978-88-6208-465-9 $40 | £25 $50 | £35

80 Backlist 81 Alessandro Cosmelli and Terence Donovan Deborah Feingold Greg Gorman Gaia Light Portraits Music Outside the Studio Milano Buzz Text by Philippe Garner Introduction by Anthony Text by James Nachtwey, 17.1 x 22.8 cm | 6 ¾ x 9 inches 24.5 x 28 cm | 9 ¾ x 11 inches DeCurtis Greg Gorman 208 pages, 120 color, softcover 176 pages, 160 color and b&w, 25.4 x 25.4 cm | 10 x 10 inches 30.5 x 30.5 cm | 12 x 12 inches ISBN 978-88-6208-393-5 hardbound 108 pages, 60 b&w, hardbound 156 pages, 140 b&w, hardbound $40 | £25 ISBN 978-88-6208-482-6 ISBN 978-88-6208-311-9 with jacket $50 | £35 $45 | £30 ISBN 978-88-6208-391-1 $50 | £30

Chris Craymer Cheryl Dunn Hans Feurer Xavier Guardans From the Heart Festivals Are Good Text by Gianni Jetzer Self-Portraits 24.1 x 30.5 cm | 9 ½ x 12 inches In association with Standard Press 24 x 34 cm | 9 ½ x 13 ½ inches Text by Emilie Lee, 192 pages, 48 color, 87 b&w, 29.2 x 19 cm | 11 ½ x 7 ½ inches 200 pages, 175 color, clothbound Sarita Louise Moore, hardbound 128 pages, 80 color, hardbound ISBN 978-88-6208-292-1 Anja Skidan, Grace Villamil ISBN 978-88-6208-452-9 ISBN 978-88-6208-466-6 $65 | £40 28 x 28 cm | 11 x 11 inches $50 | £35 $40 | £25 96 pages, 46 b&w, clothbound with jacket ISBN 978-88-6208-484-0 $50 | £35

Stéphane Coutelle Simon Eeles Fischerspooner Xavier Guardans Insomnies Australiana Egos Traveling Lights 24 x 17 cm | 9 ½ x 6 ¾ inches 24.1 x 30.5 cm | 9 ½ x 12 inches Edited by Meredith Mowder Text by Amelia Rina 160 pages, 100 color, clothbound 96 pages, 60 color, hardbound Text by Klaus Biesenbach, 27.9 x 27.9 cm | 11 x 11 inches ISBN 978-88-6208-303-4 ISBN 978-88-6208-499-4 Gavin Brown, Jeffrey Deitch, 84 pages, 39 b&w, clothbound $40 | £25 $35 | £25 Warren Fischer, Casey Spooner ISBN 978-88-6208-387-4 24.2 x 28 cm | 9 ½ x 11 inches $50 | £30 96 pages, 70 color, hardbound ISBN 978-88-6208-429-1 $45 | £30

Marco Craig Sasha Eisenman Ron Galella Xavier Guardans NYC Marathon: Do Not Cross California Girls New York Windows Text by Federico Rampini 24.2 x 30 cm | 9 ½ x 11 ¾ inches Edited by Nick Vogelson Text by Christopher Harth, 30.5 x 22.9 cm | 12 x 9 inches 240 pages, 200 color, softcover Text by William Van Meter Amanda Schmitt 80 pages, 60 color, hardbound ISBN 978-88-6208-366-9 22.8 x 28 cm | 9 x 11 inches 28 x 28 cm | 11 x 11 inches ISBN 978-88-6208-497-0 $50 | £35 176 pages, 150 b&w, hardbound 80 pages, 25 b&w, clothbound $45 | £30 ISBN 978-88-6208-355-3 ISBN 978-88-6208-323-2 $49.95 | £34 $60 | £39

Philip-Lorca diCorcia Brad Elterman Tierney Gearon Torkil Gudnason Eleven Dog Dance: The Photographs Alphabet Book Body Vase Edited by Dennis Freedman of Brad Elterman 23.5 x 16.5 cm | 9 ¼ x 6 ½ inches 25.4 x 30.5 cm | 10 x 12 inches Interview by Jeff Rian Edited by Sandy Kim 56 pages, 26 color, hardbound 80 pages, 70 color, clothbound 24.8 x 33 cm | 9 ½ x 13 inches Text By Olivier Zahm with jacket ISBN 978-88-6208-296-9 272 pages, 144 color, hardbound 16.8 x 23.8 cm | 6 ½ x 9 ½ inches ISBN 978-88-6208-320-1 $40 | £25 with jacket 96 pages, 100 color and b&w, $40 | £25 ISBN 978-88-6208-167-2 hardbound $70 | £50 ISBN 978-88-6208-297-6 $35 | £25

82 Backlist 83 Philippe Halsman Dennis Hopper David Lachapelle Joan Liftin Philippe Halsman’s Jump Book Colors. The Polaroids Landscape Marseille 22 x 28 cm | 8 ⅝ x 11 inches Text by Aaron Rose Text by Shana Nys Dambrot, 30.5 x 23.5 cm | 12 x 9 ¼ inches 96 pages, 194 b&w, hardbound 23.5 x 20.3 cm | 9 ¼ x 8 inches Paul Watson 112 pages, 64 b&w, hardbound with jacket 132 pages 120 color, clothbound 33 x 30 cm | 13 x 11 ¾ inches ISBN 978-88-6208-449-9 ISBN 978-88-6208-420-8 ISBN 978-88-6208-476-5 88 pages, 80 color, softcover $50 | £35 $45 | £30 $45 | £30 ISBN 978-88-6208-331-7 $45 | £29

Pamela Hanson Dennis Hopper Gillian Laub Lima, Peru Private Room Drugstore Camera Southern Rites Edited by Mario Testino. Edition of 1,500 numbered copies Edited by Michael Schmelling 24.1 x 26.7 cm | 9 ½ x 10 ½ inches Text by Mario Vargas Llosa Text by Jack Pierson Text by Marin Hopper 160 pages, 100 color, clothbound 23 x 33 cm | 9 x 13 inches 17.1 x 22.9 cm | 6 ¾ x 9 inches 23.5 x 20.3 cm | 9 ¼ x 8 ½ inches ISBN 978-88-6208-413-0 224 pages, 190 color, hardbound 96 pages, 60 color, clothbound 96 pages, 60 b&w, clothbound $50 | £35 English, Italian & Spanish ISBN 978-88-6208-491-8 ISBN 978-88-6208-403-1 ISBN 978-88-89431-92-4 $40 | £30 $45 | £30 $65 | £35

Charles Harbutt David Lykes Keenan Antoine Le Grand Lipstick Flavor: Departures and Arrivals Fair Witness Portraits A Contemporary Art Story 24 x 29 cm | 10 ½ x 11 ½ inches Text by Eli Reed Introduction by Jean-Paul Goude with Photography 120 pages, 93 b&w, clothbound 24.1 x 20.3 cm | 9 ½ x 8 inches 27.5 x 27.5 cm | 11 x 11 inches Edited by Jérôme Sans, Marla ISBN 978-88-6208-243-3 160 pages, 100 b&w, hardbound 316 pages, 280 color and b&w, Hamburg Kennedy $50 | £35 ISBN 978-88-6208-389-8 hardbound 24.4 x 31.7 cm | 9 ⅜ x 12 ½ inches $45 | £29 ISBN 978-88-6208-503-8 174 pages, 120 color and b&w, $50 | £35 hardbound ISBN 978-88-6208-426-0 $50 | £35

Jessica Todd Harper Daniel King David Leventi Alexi Lubomirski The Home Stage Ukraine Youth, Between Days Opera Diverse Beauty Text by Alain de Botton, 22.8 x 30.5 cm | 9 x 12 inches Text by Plácido Domingo, Marvin Text by Lupita Nyong’o, Alexi Alison Nordström 96 pages, 80 color, hardbound Heiferman, Thomas Mellins Lubomirski 28 x 24 cm | 11 x 9 ½ inches ISBN 978-88-6208-398-0 33.8 x 28 cm | 13 ¼ x 11 inches 25 x 34.5 cm | 9 ⅞ x 13 ½ inches 112 pages, 50 color, hardbound $40 | £25 120 pages, 40 color, clothbound 192 pages, 135 color and b&w, ISBN 978-88-6208-364-5 with jacket hardbound $45 | £30 ISBN 978-88-6208-397-3 ISBN 978-88-6208-479-6 $50 | £30 $50.00 | £35

Jessica Todd Harper Jeremy Kost Julien Levy Magnum Photos with Reda: 150 Interior Exposure Fractured Every Day Is Doomsday 24 x 28 cm | 9 ½ x 11 inches Text by Larry Fink Interview by Franklin Sirmans. 28 x 19 cm | 11 x 7 ½ inches 180 pages, 102 color and b&w, Interview by Sarah A. McNear Text by Glenn O’Brien, Garrett Neff 144 pages, 110 color, hardbound clothbound 28 x 24 cm | 11 x 9 ½ inches 23 x 28 cm | 9 x 11 inches ISBN 978-88-6208-442-0 ISBN 978-88-6208-408-6 112 pages, 50 color, hardbound 208 pages, 180 color, hardbound $50 | £35 $50 | £35 English & Italian ISBN 978-88-6208-363-8 ISBN 978-88-6208-016-3 $49.95 | £35 $45 | £24.99

84 Backlist 85 Eric Maillet Happy Massee Sabine Mirlesse Andrew Moore Silent Conversations Diary of a Set Designer As If It Should Have Been a Quarry Detroit Disassembled Text by Jérôme Sans 21 x 26 cm | 8 ¼ x 10 ¼ inches Text by Eduardo Cadara 22.5 x 33 cm | 10 x 13 inches 24.6 x 30.5 cm | 9 ¾ x 12 inches 160 pages, 140 color, clothbound 30 x 24 cm | 11 ¾ x 9 ½ inches 136 pages, 70 color, hardbound 192 pages, 150 color and b&w, ISBN 978-88-6208-485-7 64 pages, 60 color, clothbound ISBN 978-88-6208-118-4 hardbound $50 | £35 ISBN 978-88-6208-310-2 $50 | £34.95 ISBN 978-88-6208-415-4 $40 | £25 $50 | £35

Ari Marcopoulos Rania Matar Klaus Mitteldorf Andrew Moore Out & About L’Enfant-Femme Next Dirt Meridian In association with Alleged Press Introduction by Her Majesty Text by Joseph Akel Text by Kent Haruf, Toby Jurovics, Edited by Aaron Rose Queen Noor. Text by Lois Lowry, 25 x 30.5 cm | 9 ⅞ x 12 inches Inara Verzemnieks 24 x 31.5 cm | 9 ½ x 12 ½ inches Kristen Gresh 96 pages, 60 color, hardbound 34.5 x 27.9 cm | 13 ½ x 11 inches 248 pages, 200 b&w, clothbound 24.1 x 31.7 cm | 9 ½ x 12 ½ inches ISBN 978-88-6208-456-7 132 pages, 60 color, hardbound with sleeve 152 pages, 97 color, clothbound $50 | £35 ISBN 978-88-6208-412-3 Italian & English ISBN 978-88-6208-450-5 $50 | £35 ISBN 978-88-89431-13-9 $50 | £35 $55 | £35

Caleb Cain Marcus Joel Meyerowitz Klaus Mitteldorf Tom Munro Goddess Morandi’s Objects Work: Photographs 1983–2013 Text by Madonna. Interview Text by Richard Ford Text by Joel Meyerowitz, 24 x 30 cm | 9 ½ x 11 ¾ inches with Pierre Alexandre de Looz 25 x 29.1 cm | 8 ½ x 11 ½ inches Maggie Barrett 360 pages, 800 color and b&w, 24 x 34 cm | 9 ½ x 13 inches 116 pages, 90 color, hardbound 25.4 x 32 cm | 10 x 12 ⅝ inches softcover 240 pages, 127 color and b&w, ISBN 978-88-6208-418-5 116 pages, 65 color, clothbound English & Portuguese clothbound with jacket $50 | £35 ISBN 978-88-6208-453-6 ISBN 978-88-6208-291-4 ISBN 978-88-6208-125-2 $50 | £35 $50 | £35 $75 | £50

Dan Martensen William Meyers Carlo Mollino Joan Myers Photographs from the American Outer Boroughs: New York Polaroids Fire and Ice: Timescapes Southwest Beyond Manhattan Text by Fulvio Ferrari, Text by Joan Myers, Kathleen 30 x 24.5 cm | 11 ¾ x 9 ½ inches 22.2 x 19.7 cm | 8 ¾ x 7 ¾ inches Napoleone Ferrari, James Crump, Stewart Howe 100 pages, 60 color, clothbound 208 pages, 160 b&w, hardbound Silvio Curto 31.1 x 24.1 cm | 12 ¼ x 9 ½ inches ISBN 978-88-6208-232-7 with jacket 21.5 x 26.5 cm | 8 ½ x 10 ½ inches 160 pages, 140 color, hardbound $50 | £35 ISBN 978-88-6208-401-7 288 pages, 400 color, clothbound ISBN 978-88-6208-392-8 $50 | £30 ISBN 978-88-6208-378-2 $50 | £30 $65 | £40

Dan Martensen Bart Michiels Andrew Moore Joan Myers and Nathaniel Tarn Wolves Like Us: Portraits of The Course of History Cuba The Persephones the Angulo Brothers Text by Sonja Fessel, Simon Text by Joel Smith, Orlando Luis Edition of 500 numbered copies Text by Crystal Moselle, Schama Pardo Lazo Text by Nathaniel Tarn Joseph Akel 31.5 x 27 cm | 12 ⅜ x 10 ⅝ inches 40 x 30 cm | 15 ¾ x 11 ¾ inches 18 x 23.8 cm | 7 x 9 inches 21.6 x 28 cm | 8 ½ x 11 inches 156 pages, 70 color, clothbound 128 pages, 68 color, hardbound 60 pages, 30 color, hardbound 160 pages, 168 color, softcover ISBN 978-88-6208-305-8 ISBN 978-88-6208-252-5 ISBN 978-88-6208-498-7 ISBN 978-88-6208-443-7 $65 | £39 $75 | £50 $40 | £30 $35 | £24

86 Backlist 87 Hans Neumann Norma I. Quintana Lynn Saville David Benjamin Sherry and Gabriel Rivera-Barraza Circus: A Traveling Life Dark City: Urban America at Night It’s Time Nuevo New York Text by Mona Simpson Text by Geoff Dyer Text by Neville Wakefield 25.5 x 30 cm | 10 x 11 ⅞ inches 28 x 28 cm | 11 x 11 inches 33.8 x 27 cm | 13 ¼ x 10 ⅝ inches 22 x 30 cm | 9 x 12 inches 176 pages, 98 color and b&w, 144 pages, 120 b&w, hardbound 128 pages, 80 color, hardbound 96 pages, 60 color, clothbound hardbound ISBN 978-88-6208-365-2 ISBN 978-88-6208-411-6 ISBN 978-88-6208-093-4 ISBN 978-88-6208-495-6 $60 | £39 $50 | £35 $50 | £29.99 $50 | £35

Marc Ohrem-Leclef Terry Richardson Portraits of an Urban Hymn David Scheinbaum David Benjamin Sherry Olympic Favela Terrywood Hip Hop: Portraits of an Quantum Light Text by Luis Perez-Oramas, Text by Jeffrey Deitch, Al Moran HIP HOP Urban Hymn Text by Collier Schorr

Itamar Silva, David Kelley 25 x 30 cm | 10 x 12 inches PHotograPHs 26 x 30 cm | 10 ¼ x 11 ¾ inches 21 x 27 cm | 8 ¼ x 10 ⅝ inches DaviD scHeinbaUm 24.1 x 31.1 cm | 11 x 11 inches 228 pages, 150 color, hardbound 160 pages, 100 color and b&w, 72 pages, 70 color, clothbound 88 pages, 50 color, hardbound with jacket hardbound ISBN 978-88-6208-213-6 ISBN 978-88-6208-338-6 ISBN 978-88-6208-251-8 ISBN 978-88-6208-273-0 $50 | £30 $50 | £30 $60 | £40 $50 | £34

Christine Osinski Curt Richter Peter Schlesinger Erica Simone Summer Days Staten Island Thousand Words. Portraits A Photographic Memory 1968–1989 Nue York: Self-Portraits of a Interview by A. H. Data. from the Key West Literary Seminar Text by Peter Schlesinger, Hilton Als Bare Urban Citizen Text by Paul Moakley Text by Ann Beattie 24.8 x 28.6 cm | 9 ¾ x 11 ¼ inches NUE YORK 30.5 x 24.7 cm | 12 x 9 ¾ inches 30.5 x 24.1 cm | 12 x 9 ½ inches 29.8 x 29.8 cm | 11 ¾ x 11 ¾ inches 176 pages, 150 color, hardbound ERICA SIMONE 88 pages, 48 color, hardbound 96 pages, 51 b&w, hardbound 96 pages, 48 b&w, hardbound ISBN 978-88-6208-436-9 English & French ISBN 978-88-6208-448-2 ISBN 978-88-6208-478-9 $50 | £35 ISBN 978-88-6208-464-2 $40 | £25 $45 | £30 $40 | £25

Elizabeth Peyton Derek Ridgers David Seltzer Brian Bowen Smith Portrait of an Artist: 78–87 London Youth Knowledge of the Raw Projects Photographs 1994–2008 Text by John Maybury Text by Eric Fischl 24 x 30.5 cm | 9 ½ x 12 ½ inches Text by Richard Klein, Rirkrit 21.5 x 31.5 cm | 8 ½ x 12 ½ inches 24.1 x 30.4 cm | 9 ½ x 12 inches 168 pages, 100 b&w, hardbound Tiravanija 160 pages, 120 b&w, hardbound 160 pages, 100 color and b&w, ISBN 978-88-6208-263-1 28 x 20 cm | 11 x 8 inches ISBN 978-88-6208-359-1 hardbound $60 | £40 112 pages, 62 color, clothbound $50 | £30 ISBN 978-88-6208-417-8 ISBN 978-88-6208-077-4 $45 | £30 $45 | £24.99

Giuseppe Pino Jacqueline Roberts Andres Serrano Randi Malkin Steinberger The Way They Were: Portraits & Nebula Holy Works No Circus Stories from the 20th Century Text by Frank Kalero Text by Germano Celant, James Frey Text by D.J. Waldie 30 x 30 cm | 11 ¾ x 11 ¾ inches 25.5 x 30 cm | 10 x 11 ⅞ inches 24 x 31 cm | 9 ½ x 12 inches 22.9 x 17.8 cm | 9 x 7 inches 304 pages, 250 b&w, hardbound 144 pages, 87 b&w, clothbound 112 pages, 60 color, clothbound 128 pages, 69 color, hardbound ISBN 978-88-6208-341-6 ISBN 978-88-6208-486-4 ISBN 978-88-6208-209-9 ISBN 978-88-6208-480-2 $70 | £45 $45 | £30 $50 | £30 $35 | £25

88 Backlist 89 Aaron Stern Joseph Szabo Diego Uchitel Jork Weismann I Woke Up in My Clothes Rolling Stones Fans Polaroids Asleep at the Chateau Text by David Wagoner, Rich Appel 24.5 x 22.5 cm | 9 ¾ x 9 inches Text by Diane von Furstenberg Text by Bret Easton Ellis 24 x 30 cm | 9 ½ x 11 ¾ inches 104 pages, 100 b&w, hardbound 25 x 31.5 cm | 9 ¾ x 12 ½ inches 33 x 24 cm | 12 x 9 inches 96 pages, 50 color, clothbound ISBN 978-88-6208-399-7 240 pages, 200 color and b&w, 184 pages, 87 color, clothbound ISBN 978-88-6208-352-2 $39 | £25 clothbound ISBN 978-88-6208-242-6 $45 | £25 ISBN 978-88-6208-239-6 $50 | £35 $50 | £35

Joni Sternbach Alexey Titarenko Carlo Van de Roer James Welling Surf Site Tin Type The City Is a Novel The Portrait Machine Project Glass House Text by Lyle Rexer, April M. Watson, Text by Alexey Titarenko, Gabriel 24,5 x 30.5 cm | 9 ¾ x 12 inches Text by Noam Elcott, Sylvia Lavin Chris Malloy, Johnny Abegg Bauret, Brett Abbott, Sean Corcoran 88 pages, 40 color, clothbound 32.2 x 24.8 cm | 12 ¾ x 9 ¾ inches 30.5 x 24.8 cm | 12 x 9 ¾ inches 24.1 x 26.7 cm | 9 ½ x 10 ½ inches ISBN 978-88-6208-268-6 112 pages, 45 color, hardbound 192 pages, 123 b&w, hardbound 208 pages, 122 b&w, clothbound $40 | £25 ISBN 978-88-6208-161-0 ISBN 978-88-6208-380-5 with jacket $50 | £35 $45 | £29 ISBN 978-88-6208-414-7 $60 | £40

Hiroshi Sugimoto Michael Thompson Mariano Vivanco Amani Willett Dioramas Portraits Portraits Nudes Flowers Disquiet 25.2 x 27.8 cm | 10 x 11 inches Edited by Vince Aletti Foreword by Domenico Dolce, 16.5 x 24 cm | 6 ½ x 9 ½ inches 118 pages, 56 b&w, clothbound 26 x 33 cm | 10 x 13 inches Stefano Gabbana. 128 pages, 60 color, clothbound with jacket 216 pages, 147 color, clothbound Text by Gianluca Longo. ISBN 978-88-6208-274-7 Rights world except France with jacket Conversation with Janet Mock $40 | £25 ISBN 978-88-6208-327-0 English, Italian & French 24.5 x 32.6 cm | 9 ¾ x 12 ⅞ inches $65 | £40 Rights world except Germany and Asia 224 pages, 200 color, clothbound ISBN 978-88-6208-156-6 ISBN 978-88-6208-489-5 $65 | £45 $50 | £35

Hiroshi Sugimoto Charles H. Traub Julian Wasser Stephan Würth Seascapes Dolce Via: Italy in the 1980’s The Way We Were: The Ikinga 25.2 x 27.8 cm | 10 x 11 inches Text by Max Kozloff, Luigi Ballerini Photography of Julian Wasser Text by Joseph Akel 272 pages, 213 b&w, clothbound 30 x 24 cm | 11 ¾ x 9 ½ inches Edited by Brad Elterman. Text by 24.1 x 24.1 cm | 9 ½ x 9 ½ inches with jacket 112 pages, 60 color, hardbound Julian Wasser 72 pages, 31 color, clothbound Rights world except France ISBN 978-88-6208-344-7 24.1 x 31.7 cm | 9 ½ x 12 ½ inches ISBN 978-88-6208-444-4 and Japan $50 | £30 144 pages, 150 b&w, hardbound $45 | £30 ISBN 978-88-6208-416-1 ISBN 978-88-6208-349-2 $70 | £45 $60 | £39

Hiroshi Sugimoto Charles H. Traub Ben Watts Brian Young Theaters Lunchtime Montauk Dreaming The Train NYC, 1984 Text by Hiroshi Sugimoto 21.5 x 21.5 cm | 8 ½ x 8 ½ inches 22.2 x 22.2 cm | 8 ¾ x 8 ¾ inches 30 x 29.8 cm | 8 ¼ x 11 ¾ inches 25.4 x 27.9 cm | 10 x 11 inches 140 pages, 100 color, hardbound 144 pages, 140 color, hardbound 112 pages, 80 color, hardbound 176 pages, 130 b&w, clothbound ISBN 978-88-6208-423-9 ISBN 978-88-6208-388-1 ISBN 978-88-6208-492-5 with jacket $45 | £30 $45 | £29 $45 | £30 Rights world except France ISBN 978-88-6208-477-2 $60.00 | £40

90 Backlist 91 Fashion & Lifestyle Contemporary Art

Ara Gallant Harri Peccinotti Vivienne Westwood Jennifer Bartlett Edited by David Wills. Text by H.P. Shoes Epic Systems Anjelica Huston Text by Derek Birdsall Edited by Luca Beatrice, Text by Barry Schwabsky 23.5 x 31 cm | 9 ½ x 12 ½ inches 23 x 30 cm | 9 ½ x 12 inches Matteo Guarnaccia 28.5 x 28.5 cm | 11 ¼ x 11 ¼ inches 260 pages, 100 color, hardbound 228 pages, 200 color, hardbound 24 x 31.5 cm | 9 ½ x 12 ½ inches 88 pages, 75 color, clothbound ISBN 978-88-6208-120-7 (English) with jacket 192 pages, 120 color, hardbound ISBN 978-88-6208-410-9 $60 | £39 ISBN 978-88-6208-074-3 with sleeve $45 | £30 $60 | £34 ISBN 978-88-89431-84-9 (English) $65 | £39

Embroidery Italian Fashion Bob Recine Daniel Brush Text by Giusy Ferra, Valentino, Alchemy Of Beauty Text by Oliver Sacks, David Gianfranco Ferre, Anna Molinari, Text by René Ricard. Photographs Revere McFadden, Brett Littman. Roberto Cavalli, et al by Mario Sorrenti, Robbie Fimmano Interview by Paul Keegan 24 x 31.5 cm | 9 ½ x 12 ½ inches and Bob Recine 34.2 x 33 cm | 13 ½ x 13 inches 280 pages, 240 color, clothbound 24 x 31.2 cm | 9 ½ x 12 inches 276 pages, 250 color, hardbound with embroidery 164 pages, 130 color and b&w, with jacket ISBN 978-88-89431-23-8 (English) hardbound with jacket Rights world except USA $99 | £60 ISBN 978-88-6208-212-9 ISBN 978-88-6208-278-5 $65 | £40 $85 | £50

$ 65,00 £ 40,00

Fashion at the Time of Fascism: Stephen Sprouse: Xerox / Rock / Colors: A Book About a Magazine Italian Modernist Lifestyle, 1922–1943 Art: An Archive of Drawings and About the Rest of the World Edited by Mario Lupano, Ephemera 1970s–1980s Text by Francesco Bonami. Alessandra Vaccari Edited by Carol McCranie, Javier Interview with Luciano Benetton 23 x 29.5 cm | 9 x 11 ½ inches Magri. Text by Debbie Harry, and Oliviero Toscani 400 pages, 700 color and b&w, Carol McCranie 24.5 x 33.8 cm | 9 ⅝ x 13 ¼ inches hardbound 21.5 x 28 cm | 8 ½ x 11 inches 240 pages, 300 color, clothbound ISBN 978-88-6208-051-4 (English) 208 pages, 200 color, hardbound with jacket ISBN 978-88-6208-061-3 (Italian) ISBN 978-88-6208-370-6 ISBN 978-88-6208-424-6 $60 | £39 $50 | £35 $50 | £35

Johan Creten Maripol Nick Waplington In association with Galerie Perrotin Little Red Riding Hood Alexander McQueen: Working Process Text by Jan Hoet. Interview by Léa Text by Maripol. Conversation Edited by Alexander McQueen Chauvel-Lévy with Marc Jacobs and Nick Waplington. Text by 21 x 27 cm | 8 ¼ x 10 ½ inches 24 x 30 cm | 9 ½ x 11 ½ inches Susannah Frankel 264 pages, 200 color, hardbound 268 pages, 350 color, hardbound 24 x 29 cm | 9 ½ x 11 ½ inches ISBN 978-88-6208-308-9 ISBN 978-88-6208-136-8 (English) 304 pages, 160 color, hardbound $50 | £34 ISBN 978-88-6208-143-6 (French) with jacket $60 | £40 ISBN 978-88-6208-295-2 $60 | £40

Landon Nordeman Nick Waplington Dzine Out of Fashion The Isaac Mizrahi Pictures: Nailed: The History of Nail Culture 23.5 x 16 cm | 9 ¼ x 6 ¼ inches New York City 1989–1993 and Dzine 128 pages, 112 color, clothbound 25 x 28.4 cm | 9 ⅞ x 11 ¼ inches In association with Standard Press ISBN 978-88-6208-496-3 168 pages, 119 color, hardbound 24.4 x 29.3 cm | 9 ½ x 11 ½ inches $50 | £30 ISBN 978-88-6208-451-2 216 pages, 290 color, hardbound $50 | £35 ISBN 978-88-6208-205-1 $45 | £30

92 Backlist 93 Electrical Banana: Masters of Fischerspooner: New Truth Barry McGee José Parlá Psychedelic Art Edited with text by Meredith In association with Alleged Press In Medias Res Text by Paul McCartney, Norman Mowder. Text by Klaus Biesenbach, Edited by Aaron Rose Text by Manon Slome, Greg Hathaway, Dan Nadel Gavin Brown, Jeffrey Deitch, 24 x 31.5 cm | 9 ½ x 12 ½ inches Tate, Carlo McCormick, Michael 23.5 x 26 cm | 9 ½ x 10 ¼ inches Warren Fischer, Casey Spooner 204 pages, 200 color, hardbound Betancourt, Isolde Brielmaier, et al 208 pages, 150 color, softcover 24.2 x 28 cm | 9 ½ x 11 inches ISBN 978-88-6208-096-5 24 x 29.2 cm | 9 ½ x 11 ½ inches ISBN 978-88-6208-204-4 256 pages, 220 color, hardbound $49.95 | £29.99 256 pages, 220 color, hardbound $39.95 | £27 ISBN 978-88-6208-328-7 ISBN 978-88-6208-362-1 $50 | £35 $60 | £39

FAQ Natalie Frank Mike Mills José Parlá Edited by Maurizio Cattelan, Tales of the Brothers Grimm Graphics / Films Segmented Realities Myriam Ben Salah Drawings by Natalie Frank. Edited In association with Alleged Press Text by Michael Rooks, Rey Parlá, 15.5 x 21 cm | 6 x 8 ¼ inches by Karen Marta. Text by Claire 24 x 31.5 cm | 9 x 12 inches Steve Swieter, Mike Jensen, Farzad 120 pages, 80 color, accordion fold Gilman, Linda Nochlin, Julie 164 pages, 100 b&w, hardbound 24 x 29.2 cm | 9 ½ x 11 ½ inches ISBN 978-88-6208-502-1 Taymor, Jack Zipes English & Italian 96 pages, 70 color, hardbound $35 | £25 22.8 x 30.5 cm | 9 x 12 inches ISBN 978-88-6208-075-0 ISBN 978-88-6208-422-2 272 pages, 250 color, hardbound $50 | £24.99 $45 | £30 ISBN 978-88-6208-386-7 $60 | £40

Okwui Enwezor and Chris Johanson Gianni Motti Paola Pivi Chika Okeke-Agulu Please Listen I Have Something In association with Galerie Perrotin In association with Galerie Perrotin Contemporary African Art to Tell You About What Is Text by Elisabeth Lebovici, Françoise Text by Massimiliano Gioni, Jens Since 1980 In association with Alleged Press Ninghetto, Marie-Olivier Wahler, Hoffmann 24 x 31.5 cm | 9 ½ x 12 ½ inches 24 x 31.5 cm | 9 ½ x 12 ½ inches Jade Lindgaard, Fabrice Stroun, et al 21 x 27 cm | 8 ¼ x 10 ½ inches 368 pages, 400 color, softcover 208 pages, 180 color, hardbound 21 x 27 cm | 8 ¼ x 10 ⅝ inches 192 pages, 100 color, hardbound ISBN 978-88-6208-092-7 English & Italian 240 pages, 200 color and b&w, ISBN 978-88-6208-319-5 $60 | £45 ISBN 978-88-89431-45-0 hardbound $50 | £34 $50 | £27.50 ISBN 978-88-6208-361-4 $50 | £34

Monir Shahroudy Farmanfarmaian JR and Art Spiegelman Kaz Oshiro Carlos Rolon Cosmic Geometry The Ghosts of Ellis Island In association with Galerie Perrotin Boxed: A Visual History and Edited by Hans Ulrich Obrist, Karen 21.7 x 27 cm | 8 ½ x 10 ½ inches Text by Michael Duncan, Ed Schad the Art of Boxing Marta. Text by Nader Ardalan, Media 120 pages, 90 color, hardbound 21 x 27 cm | 8 ¼ x 10 ½ inches Edited and with text by Carlos Farzin, Eleanor Sims. Conversation ISBN 978-88-6208-395-9 144 pages, 120 color, hardbound Dzine Rolon. Text by Franklin with Hans Ulrich Obrist $39.95 | £25 ISBN 978-88-6208-342-3 Sirmans 24.5 x 29.4 cm | 9 ½ x 11 ½ inches $40 | £25 24 x 29.2 cm | 9 ½ x 11 ½ inches 296 pages, 200 color, clothbound 208 pages, 150 color, hardbound ISBN 978-88-6208-175-7 ISBN 978-88-6208-354-6 $70 | £45 $60 | £39

Daniel Firman JR and José Parlá Parallel Views: Italian and Japanese Claude Rutault In association with Galerie Perrotin The Wrinkles of the City: Art from the 1950s, 60s and 70s In association with Galerie Perrotin Text by Emmanuel Latreille, Thierry Havana Cuba Edited by by Allan Schwartzman Text by Claude Rutault. Interview Raspail. Interview by Hou Hanru In association with Standard Press 28 x 30.5 cm | 11 x 12 inches by Hans Ulrich Obrist 21 x 27 cm | 8 ¼ x 10 ½ inches 30 x 30 cm | 11 ¾ x 11 ¾ inches 408 pages, 249 color, clothbound 21 x 27 cm | 8 ¼ x 10 ⅝ inches 192 pages, 250 color, hardbound 160 pages, 150 color, hardbound with jacket 238 pages, 200 color, hardbound ISBN 978-88-6208-309-6 with jacket ISBN 978-88-6208-400-0 ISBN 978-88-6208-321-8 $40 | £25 ISBN 978-88-6208-250-1 $75 | £45 $50 | £34 $49.95 | £35

94 Backlist 95 Music Urban Art

Kenny Scharf Ed Templeton Keziah Jones and Native Maqari Chaz Bojorquez Kolors Deformer Captain Rugged The Art and Life of Chaz Bojorquez In association with Standard Press In association with Alleged Press 16.5 x 24 cm | 6 ½ x 9 ½ inches Edited by Mario Klefisch, Alberto Text by Jeffrey Deitch 24 x 29 cm | 9 ½ x 11 ½ inches 120 pages, 110 color, hardbound, Scabbia. Text by François Chastenet, 21.6 x 26.7 cm | 8 ½ x 10 ½ inches 176 pages, 150 color and b&w, includes a card to download an Greg Escalante, Usugrow 96 pages, 68 color, hardbound hardbound album by Keziah Jones 24 x 28 cm | 9 ½ x 13 inches ISBN 978-88-6208-287-7 ISBN 978-88-6208-050-7 ISBN 978-88-6208-340-9 (English) 160 pages, 140 color, hardbound $40 | £25 $55 | £25 ISBN 978-88-6208-336-2 (French) ISBN 978-88-6208-121-4 $45 | £29 $50 | £30

John Severson Cy Twombly Moby Dumbo John Severson’s Surf Paradise Destroyed Acts of Vandalism and Stories Text by Gerry Lopez, Drew Kampion. Edited by Julie Sylvester. Text by 29 x 22.8 cm | 11 ½ x 9 inches of Love Interview by Nathan Howe Walter Hartsarich, Gabriella Belli, 128 pages, 55 color, hardback, Text by Barry McGee, Federico 24 x 31 cm | 9 ½ x 12 ¼ inches Philip Larratt-Smith includes Destroyed CD Sarica, Kyri Chenven 212 pages, 200 color and b&w, 25 x 34.5 cm | 9 ¾ x 13 ½ inches English, Italian, German, 20 x 29 cm | 8 x 11 ½ inches hardbound 172 pages, 90 color, clothbound Spanish & French 136 pages, 130 color, hardbound ISBN 978-88-6208-326-3 with jacket ISBN 978-88-6208-155-9 English & Italian $45 | £29 ISBN 978-88-6208-376-8 $39.95 | £25 ISBN 978-88-89431-95-5 $60 | £39 $35 | £19

Shit and Die Carrie Mae Weems Sound & Vision Alex Fakso Edited by Maurizio Cattelan, Kitchen Table Series Texts by Luca Beatrice, Fast or Die Myriam Ben Salah, Marta Papini Text by Sarah Lewis and Alberto Campo Text by Andrea Caputo, 23 x 29 cm | 9 x 11 ½ inches Adrienne Edwards 20 x 28 cm | 8 x 11 inches Alessandro Zuek Simonetti 152 pages, 100 color, softcover 24.8 x 34.3 cm | 9 ¾ x 13 ½ inches 260 pages, 200, softcover 24 x 31 cm | 9 ½ x 12 ½ inches English & Italian 86 pages, 34 b&w, hardbound ISBN 978-88-89431-98-6 (English) 112 pages, 60 color, softcover ISBN 978-88-6208-402-4 with jacket $35 | £22 ISBN 978-88-6208-164-1 $30 | £19 ISBN 978-88-6208-462-8 $35 | £19.95 $50 | £35

Gary Simmons Peter Zimmermann Sound Zero Alex Fakso Paradise In association with Galerie Perrotin Texts by Fabio de Luca, Uwe Husslein, Heavy Metal Text by Gwen Allen, Nancy 21 x 27 cm | 8 ¼ x 10 ½ inches Aaron Rose, Valerio Dehò Text by Alex Fakso, Giovanna Princenthal, Charles Wylie. 96 pages, 250 color, hardbound 16.5 x 23 cm | 6 ½ x 9 inches Calvenzi, Jamel Shabazz Conversation with Okwui Enwezor ISBN 978-88-6208-307-2 200 pages, 150 color, hardbound 30 x 18 cm | 12 x 7 inches 24.2 x 29.2 cm | 9 ½ x 11 ½ inches $40 | £25 ISBN 978-88-89431-63-4 (German) 164 pages, 100 color, hardbound 192 pages, 150 color, clothbound $48 | £27.50 ISBN 978-88-89431-49-8 ISBN 978-88-6208-240-2 $35 | £19 $50 | £35

Tabboo! The Art of Stephen Roger Harris Frontier: The Line of Style Tashjian This Is My Generation. Edited by Claudio Musso, Fabiola Edited by Lia Gangitano. Text Rock Legends of the 1950s, 60s, 70s Naldi. Text by Mubi Brighenti, by Jack Pierson, Elisabeth Kley, and 80s on Stage Today Claire Calogirou, Dado, Stewart Lia Gangitano Text by Bob Eisenberg, Roger Harris Home, Christian Omodeo, et al 24 x 30.5 cm | 9 ½ x 12 inches 22.9 x 22.9 cm | 9 x 9 inches 16.5 x 23 cm | 6 ½ x 9 inches 224 pages, 150 color, hardbound 96 pages, 80 color, hardbound 176 pages, 100 color, softcover ISBN 978-88-6208-264-8 ISBN 978-88-6208-493-2 English & Italian $50 | £35 $30 | £20 ISBN 978-88-6208-300-3 $40 | £25

96 Backlist 97 Architecture & Design Antiques & Collectibles

Phil Frost Diller Scofidio & Renfro Qualities of Duration: The Longines Watches Text by Pushead, Carlo McCormick Lincoln Center Inside Out Architecture of Phillip Smith Edited by John Goldberger. 28 x 28 cm | 11 x 11 inches 23.8 x 31.8 cm | 9 ⅜ x 12 ½ inches and Douglas Thompson Text by Giampiero Negretti 162 pages, 164 color, hardbound 288 pages, 800 color, clothbound Text by Alastair Gordon 21 x 29 cm | 8 ½ x 11 ½ inches English & Italian ISBN 978-88-6208-244-0 22.9 x 22.9 cm | 9 x 9 inches 304 pages, 280 color, hardbound ISBN 978-88-6208-024-8 $85 | £50 222 pages, 357 color, hardbound ISBN 978-88-89431-47-4 (French) $45 | £24.99 ISBN 978-88-6208-231-0 $99 | £60 $50 | £35

ISBN 978-88-6208-244-0

9 788862 082440 >

Rae Martini Stewart Grimshaw Thomas R. Schiff John Goldberger 24 Carat Dirt The Loveliest Valley: Prospect Patek Philippe Steel Watches 24 x 30 cm | 9 ½ x 11 ½ inches A Garden in Sussex Text by Michael Speaks, Ann Cotter Limited edition of 300 copies 208 pages, 150 color, hardbound 30 x 25 cm | 11 ¾ x 9 ⅞ inches 42.5 x 24.8 cm | 16 ½ x 10 inches numbered and signed by the author ISBN 978-88-6208-207-5 240 pages, 265 color, hardbound 304 pages, 250 color, clothbound 24 x 32.5 cm | 9 ½ x 12 ¾ inches $40 | £25 with jacket with jacket 440 pages, 900 color, hardbound ISBN 978-88-6208-441-3 ISBN 978-88-6208-195-5 with cork, plexiglass slipcase $65 | £40 $80 | £50 ISBN 978-88-6208-304-1 $800 | £500

Stefano Pane The Haas Brothers Walter Vallini Manfred Rössler People Think I’m Cool: The Life Haas Brothers Walter Vallini Architect: Zenith and Art of Pane Text by Laura Dern, Vincent Gallo, Works 2000–2012 21 x 29 cm | 8 ½ x 11 ½ inches 23 x 28.7 cm | 9 ½ x 11 inches Simon and Nikolai Haas 19 x 22 cm | 7 ¾ x 8 ¾ inches 328 pages, 700 color, hardbound 208 pages, 140 color, hardbound 22 x 29 cm | 8 ½ x 11 ½ inches 96 pages, 80 color, hardbound English & Italian English & Italian 176 pages, 150 color, softcover ISBN 978-88-6208-279-2 ISBN 978-88-6208-069-9 (English) ISBN 978-88-6208-183-2 ISBN 978-88-6208-373-7 $30 | £20 ISBN 978-88-6208-068-2 (Italian) $39 | £24.95 $50 | £35 $150 | £80

Raptuz The Haas Brothers Village: One Land Two Systems Mother Road Haas Brothers Volume II: Afreaks and Platform Paradise Text by Lorenzo Bonini, Raptuz 21.6 x 29.2 cm | 8 ½ x 11 ½ inches Edited and with text by Malkit 22.8 x 22.8 cm | 9 x 9 inches 160 pages, 120 color, softcover Shoshan, Maurizio Bortolotti 144 pages, 100 color, hardbound ISBN 978-88-6208-434-5 16.5 x 24 cm | 6 ½ x 9 ½ inches ISBN 978-88-6208-229-7 $50 | £35 256 pages, 200 color, softcover $35 | £20 ISBN 978-88-6208-254-9 $30 | £19

ISBN 978-88-6208-229-7

9 788862 082297 >

Tsang Tsou Choi Maria Pergay Jeff Zimmerman The King of Kowloon: The Art Complete Works 1957–2010 Text by John Drury. Interview by of Tsang Tsou Choi Text by Suzanne Demisch, Sean Kelly Edited by David Spalding Stephane Danant, Adam Lindeman 24 x 28 cm | 9 ½ x 11 inches 24.5 x 27 cm | 9 ⅝ x 10 ⅝ inches 25.4 x 29.8 cm | 10 x 11 ¾ inches 224 pages, 210 color, hardbound 240 pages, 150 color, hardbound 290 pages, 300 color, hardbound ISBN 978-88-6208-358-4 English & Chinese with jacket $60 | £39 ISBN 978-88-6208-271-6 ISBN 978-88-6208-174-0 $50 | £35 $70 | £50

98 Backlist 99 Contacts

Damiani Press Offices Via dello Scalo, 3/2 ABC Via dello Scalo, 3/2 ABC Europe 40131 Bologna, Italy 40131 Bologna, Italy [email protected] Tel. +39 051 438 07 47 Tel. +39 051 635 68 58 [email protected] [email protected] London www.spaziodamiani.com www.damianieditore.com Mark Fletcher [email protected] In June 2015, Damiani opened a new gallery space, Spazio Damiani. Past exhibitions include Morandi’s Objects by President and Publisher T: +44 (0)20 7980 258484 Joel Meyerowitz, Dirt Meridian by Andrew Moore and Opera by David Leventi. Spazio Damiani offers a continuing Andrea Albertini program of exhibitions devoted to showcasing the work of significant contemporary artists along with lectures and [email protected] New York other events. Spazio Damiani is open to the public from Monday to Friday, 12:00 to 6:00 pm, and by appointment. Artbook | D.A.P. Editorial Office Luke P. Brown Eleonora Pasqui [email protected] [email protected] 155 6th Avenue, 2nd floor New York, NY 10013-1507 Sales and Marketing T: +1 212 627 1999 Enrico Farinazzo F: +1 212 627 9484 [email protected] www.artbook.com

Printed in October 2016 by Grafiche Damiani – Faenza Group, Italy

Design: Robin Brunelle, Matsumoto Incorporated, New York Editor: Amy Wilkins, Matsumoto Incorporated, New York

Unless otherwise indicated, all photographs are copyright the artists.

Cover: Concept and images by Maurizio Cattelan and Pierpaolo Ferrari. From Toiletpaper (pp. 76–77) Pages 4–5: © Larry Fink. From Warhol: The Moment Within (p. 7) Pages 40–41: Jamel Shabazz, Street Photographers of Times Square (detail), 1982. From Sights in the City: New York Photographs (p. 11) Pages 58–59: Terence Donovan, Jimi Hendrix (detail), 1967. From Portraits (p. 60) Pages 64–65: Hiroshi Sugimoto, North Pacific Ocean, Ohkurosaki (detail), 2013. From Seascapes (p. 66) Pages 74–75: Concept and images by Maurizio Cattelan and Pierpaolo Ferrari. From Toiletpaper (pp. 76–77) Pages 78–79: Andrew Moore, The Rouge (detail), 2008. From Detroit Disassembled (p. 51)

Information in this catalogue is accurate at press time. Prices, specifications, and terms are subject to change without notice.

100 101 Distributors

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