FALL 2018 Mary Ann Caws the Milk Bowl of Feathers: Essential Surrealist Writings
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THE WORLD OVER: TRANSLATORS SPEAK ON NEW POETRY IN TRANSLATION BY H. L. HIX ESSAY PRESS LISTENING TOUR #22 ESSAY PRESS LISTENING TOUR CONTENTS As the Essay Press website re-launches, we have commissioned some of our favorite conveners of Introduction: Translation as Demopoesis public discussions to curate conversation-based by H. L. Hix v chapbooks. Overhearing such dialogues among poets, prose writers, critics and artists, we hope Don Mee Choi on Kim Hyesoon’s Mommy Must to re-envision how Essay can emulate and expand Be a Fountain of Feathers 1 upon recent developments in trans-disciplinary small-press cultures. Ferial Ghazoul on Muhammad Afifi Matar’s Quartet of Joy 7 Johannes Göransson on Aase Berg’s Remainland 11 Series Editors: Andy Fitch Aimee Harrison Courtney Mandryk David Keplinger on Carsten René Nielsen’s Victoria A. Sanz The World Cut Out with Crooked Scissors 16 Ryan Spooner Alexis Levitin on Astrid Cabral’s Cage 23 Series Assistants: Cristiana Baik Ryan Ikeda George Messo on İlhan Berk’s A Leaf About Christopher Liek to Fall 27 Cover design: Courtney Mandryk Wayne Miller on Moikom Zeqo’s I Don’t Believe in Ghosts 31 ii iii Jennifer Moxley on Jacqueline Risset’s Sleep’s Powers 36 Idra Novey and Paulo Henriques Britto Introduction: on Britto’s The Clean Shirt of It 40 Translation as Demopoesis Ravi Shankar on Language for a New Century 44 —H. L. Hix Carolyne Wright on Taslima Nasrin’s The Game in Reverse 53 ne of the bumper stickers on my neighbor’s pickup Oreads: “I love my country. -
Yoknapatawpha County-On-The-Mediterranean: Barcelona, Literary Capital of Catalan-Language Letters and the Third World (1962-1975)
Treballs de la Societat Catalana de Geografia, 61-62, 2006, p. 129/155 Yoknapatawpha County-on-the-Mediterranean: Barcelona, Literary Capital of Catalan-language Letters and the Third World (1962-1975) Olivier Thomas Kramsch Nijmegen Centre for Border Research (NCBR) Department of Human Geography Radboud Universiteit [email protected] Abstract Against the backdrop of a perceived near total hegemony of Anglophone norms and scholarly practices within the discipline of international geogra- phy, a growing chorus of voices from outside Anglo-Saxon geography is cur- rently pleading for a greater sensitivity to context and language diversity in the field. Nowhere is the sense of exclusion and marginalization more acute than in the often frustrated attempts by non-English language geographers to publish in the leading Anglo-American geographical journals. This paper argues that the current state of debate on the issue has reached a certain con- ceptual impasse, as those voices from the self-proclaimed “peripheries” of international geography today cannot seem to reconcile a central tension between a call for greater context-specificity in knowledge production and an abiding concern to avoid the parochialism of local or national scholarly tra- ditions. In an attempt to open alternative visions for publishing practices within the non-English language discipline, the author engages in a geo-his- torically informed analysis of the Barcelona-based book publishing industry during a crucial time of socio-political transition informed by anti-Franco cultural resistance. By excavating the geo-history of this urban industrial 130 Treballs de la SCG, 61-62, 2006 Oliver Kramsch milieu (1962-75), the author attempts to reveal how the Catalan capital became, for a brief moment, the center of a world, connecting not only Latin America to the Iberian Peninsula but articulating wider politico-cultural proj- ects between the global North and South. -
The Latin American Literary Boom and U.S. NATIONALISM DURING the COLD WAR the Latin American Literary Boom and U.S
Deborah Cohn THE LATIN AMERICAN LITERARY BOOM AND U.S. NATIONALISM DURING THE COLD WAR THE LATIN AMERICAN LITERARY BOOM AND U.S. NATIONALISM DURING THE COLD WAR THE LATIN AMERICAN LITERARY BOOM AND U.S. NATIONALISM DURING THE COLD WAR Deborah Cohn Vanderbilt University Press ■ Nashville © 2012 by Vanderbilt University Press Nashville, Tennessee 37235 All rights reserved First printing 2012 This book is printed on acid-free paper. Manufactured in the United States of America Excerpt from letter by Carlos Fuentes on José Donoso’s Coronation, copyright © 1964 by Carlos Fuentes. Reprinted by permission of Brandt and Hochman Literary Agents Inc. Excerpts from letter to Carlos Fuentes by Arthur Miller, copyright © 1969 by Arthur Miller. Reprinted by permission of The Wylie Agency LLC. Excerpts from address by Pablo Neruda, 10 April 1972, 50th Anniversary of the American Center of PEN, copyright © Fundación Pablo Neruda, 2011. PEN Archives, Box 95, Folder 14. Reprinted by permission of the Agencia Literaria Carmen Balcells SA. Library of Congress Cataloging-in-Publication Data on file LC control number 2011023793 LC classification PQ7081.C633 2012 Dewey class number 860.9/980904 ISBN 978-0-8265-1804-0 (cloth) ISBN 978-0-8265-1805-7 (paperback) ISBN 978-0-8265-1806-4 (e-book) To my beloved boys— Noah, Benjamin, and Daniel— and to Peter, for giving me the joy of his love and our family CONTENTS ACKNOWLEDGMENTS ix INTRODUCTION Multiple Agendas: Latin American Literary Fervor and U.S. Outreach Programs following the Cuban Revolution 1 1 “Catch 28”: The McCarran-Walter Immigration Blacklist and Spanish American Writers 37 2 PEN and the Sword: Latin American Writers and the 1966 PEN Congress 65 3 Latin America and Its Literature in the U.S. -
Una Crónica Transatlántica Del Boom (1963-1972) / Pablo Sánchez
La emancipación engañosa. Una crónica transatlántica del boom (1963-1972) Pablo Sánchez La emancipación engañosa. Una crónica transatlántica del boom (1963-1972) Prólogo de Joaquín Marco Cuadernos de América sin nombre Cuadernos de América sin nombre dirigidos por José Carlos Rovira Nº 25 COMITÉ CIENTÍFICO: Remedios Mataix Azuar Carmen Alemany Bay Sonia Mattalia Miguel Ángel Auladell Pérez Ramiro Muñoz Haedo Beatriz Aracil Varón María Águeda Méndez Eduardo Becerra Grande Pedro Mendiola Oñate Helena Establier Pérez Francisco Javier Mora Contreras Teodosio Fernández Rodríguez Nelson Osorio Tejeda José María Ferri Coll Ángel Luis Prieto de Paula Virginia Gil Amate José Rovira Collado Aurelio González Pérez Enrique Rubio Cremades Rosa Mª Grillo Francisco Tovar Blanco Ramón Lloréns García Eva Mª Valero Juan Francisco José López Alfonso Abel Villaverde Pérez El trabajo está integrado en las actividades de la Unidad de Investigación de la Univer- sidad de Alicante «Recuperaciones del mundo precolombino y colonial en el siglo XX hispanoamericanos» y en los proyectos «Desarrollo y consolidación de las investiga- ciones sobre creación de un corpus textual de recuperaciones del mundo precolombino y colonial en la literatura hispanoamericana» (MEC/HUM 2005-04177/ FILO) y «La formación de la tradición hispanoamericana: historiografía, documentos y recupera- ciones textuales» (MCI FFI2008-03271/FILO). Los cuadernos de América sin nombre están asociados al Centro de Estudios Ibero- americanos Mario Benedetti. Ilustración: Perro sobre mesa. Antonio Audirac Camarena © Pablo Sánchez I.S.B.N.: 978-84-7908-725-8 Depósito Legal: MU-1064-2009 Fotocomposición e impresión: Compobell, S.L. Murcia Índice Unas palabras . 9 Agradecimientos. 15 1. Hacia una lectura sistémica del boom . -
Download Press Release, Poet Bios and Citations
THE GRIFFIN TRUST For Excellence In Poetry Press Release THE GRIFFIN POETRY PRIZE ANNOUNCES Trustees: THE 2019 INTERNATIONAL AND CANADIAN SHORTLIST Mark Doty Carolyn Forché TORONTO – April 9, 2019 – Scott Griffin, on behalf of the trustees of The Griffin Trust For Excellence In Poetry, is pleased to announce the International Scott Griffin and Canadian shortlist for this year’s prize. Judges Ulrikka Gernes (Denmark), Marek Kazmierski Srikanth Reddy (USA), and Kim Maltman (Canada) each read 510 books of Jo Shapcott poetry, from 32 countries, including 37 translations. Karen Solie The authors of the seven shortlisted books —four International and three Canadian—will be invited to read in Toronto at Koerner Hall at The Royal Ian Williams Conservatory in the TELUS Centre for Performance and Learning, 273 Bloor David Young Street West, Toronto, on Wednesday, June 5 at 7.30 p.m. Trustees Emeriti: The finalists will each be awarded $10,000 for their participation in the Shortlist Margaret Atwood Readings. Robert Hass The two winners, to be announced at the Griffin Poetry Prize Awards on Michael Ondaatje Thursday, June 6, will each be awarded $65,000. Robin Robertson International Colm Tóibín The Perseverance ● Raymond Antrobus Penned in the Margins Lake Michigan ● Daniel Borzutzky University of Pittsburgh Press Autobiography of Death ● Don Mee Choi, translated from the Korean written by Kim Hyesoon New Directions Negative Space ● Ani Gjika, translated from the Albanian written by Luljeta Lleshanaku Bloodaxe Books Canadian The Blue Clerk ● Dionne -
Un Aporte Monumental
Mario Vargas Llosa y Carmen Balcells al comienzo de una cena organizada por el pintor peruano Fernando de Szyszlo, en el Museo de la Danza de Estocolmo, 2011. Foto: EFE/Javier Lizón i en Los funerales de la Mamá Grande Gabriel García Márquez dibujaba el perfi l de una ma- Strona omnipotente que dominaba con mano de hierro el territorio de Macondo, Carmen Balcells ejerció también su inmenso poder de representación de los más grandes escritores hispanoamericanos ante los poderosos grupos editoriales. No en vano, negociar con Balcells era hacerlo con García Márquez, Mario Vargas Llosa, Carlos Fuen- Gabriel García Marquez, Jorge Edwards, Mario Vargas tes, Julio Cortázar, José Donoso y otros genios que Llosa, José Donoso y Ricardo Muñoz Suay junto protagonizaron el boom de la literatura latinoame- a Carmen Balcells en la despedida de Vargas Llosa ricana, una lista a la que se unieron los principales de Barcelona. Foto: Archivo El Tiempo escritores españoles, entre ellos Juan Marsé, Juan Goytisolo, Eduardo Mendoza, Manuel Vázquez Mon- talbán o Javier Cercas. esos derechos que resultó fundamental para la pros- Pero si la Mamá Grande de Macondo pretendía peridad y estabilidad económica de sus autores. que nada cambiara, Balcells llegó al mundo literario “Gracias a Carmen Balcells voy al mercado cada para revolucionar la hasta entonces relación pater- mañana”, llegó a decir de ella el escritor uruguayo nalista entre autor y editor, y cambiar las reglas del Juan Carlos Onetti, al que la agente fue a buscar a juego en benefi cio de los autores de su cartera. Montevideo para que fi rmara con ella. -
Spring 2014 Summer Kyol Che 2014 July 5 - August 1 at Providence Zen Center Teaching Schedule TBA
Primary VolumeP 31 • Number 1 int• Spring 2014 Summer Kyol Che 2014 July 5 - August 1 at Providence Zen Center Teaching Schedule TBA Please Join Us And Awaken Your Insight! See your guiding teacher for information on obtaining a scholarship 2] [email protected] - www.providencezen.org - 401-658-1464 PRIMARY POINT Spring 2014 Primary Point 99 Pound Road, IN THIS ISSUE Cumberland RI 02864-2726 U.S.A. Telephone 401/658-1476 Perceive World www.kwanumzen.org Empty Is Clear [email protected] Zen Master Su Bong ....................................................................4 online archives: After the Body, Where Will It Go? www.kwanumzen.org/teachers-and-teaching/ Pure Land primary-point Zen Master Dae Kwan .................................................................5 Remembering Zen Master Seung Sahn Published by the Kwan Um School of Zen, a nonprofit reli- gious corporation. The founder, Zen Master Seung Sahn, 78th Zen Master Hae Kwang ...............................................................6 Patriarch in the Korean Chogye order, was the first Korean Zen Master to live and teach in the West. In 1972, after teaching This sI the Bodhi Tree in Korea and Japan for many years, he founded the Kwan Um Zen Master Wu Kwang ................................................................8 sangha, which today has affiliated groups around the world. He gave transmission to Zen Masters, and inka (teaching author- Sitting in a Cave . in New York City ity) to senior students called Ji Do Poep Sas (dharma masters). Nancy Hathaway .......................................................................11 The Kwan Um School of Zen supports the worldwide teaching schedule of the Zen Masters and Ji Do Poep Sas, assists the Morning Bell Reverberates Throughout the Universe: member Zen centers and groups in their growth, issues publi- Notes on a Residency at the London Zen Centre cations on contemporary Zen practice, and supports dialogue Pedro Dinis Correia ...................................................................12 among religions. -
Multilingual and Visual Poetics in Contemporary Experimental Asian American and Pacific Islander Poetry Ad
EXPANSIVE HYBRIDITY: MULTILINGUAL AND VISUAL POETICS IN CONTEMPORARY EXPERIMENTAL ASIAN AMERICAN AND PACIFIC ISLANDER POETRY A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Elizabeth Kim May 2021 Examining Committee Members: Jena Osman, Advisory Chair, English Sue-Im Lee, English Eli Goldblatt, English Josephine Park, External Member, University of Pennsylvania, English © Copyright 2021 by Elizabeth Kim All Rights Reserved ii ABSTRACT Although the term hybrid has gained much traction in literary analyses of contemporary experimental poetry, there is a notable divide within scholarly discourse wherein its uses pertain to either form or content. The term has been used by literary critics and anthologists to categorize works of poetry that combine formal techniques and practices from opposing traditions of literary history, but within cultural, postcolonial, and Asian American studies, it has served as an important term that designates sites of resistance within cross-cultural contexts of uneven power dynamics. This discrepancy in uses of the term hybrid serves as the basis for my critical investigation of experimental poetry by Cathy Park Hong, Craig Santos Perez, Don Mee Choi, and Monica Ong. This dissertation presents an interdisciplinary reassessment of the concept of hybridity that applies it to both formal experimentation and cultural content by examining the innovative ways in which Asian American and Pacific Islander poets use hybrid forms to represent hybrid identities and the particular social, political, and colonial contexts within which they emerge. While the term in relation to ethnic American poetry has primarily pertained to multilingual features, my study widens the scope of hybridity to not only include verbal expression but also visual forms of representation (such as photographs, illustrations, and digital renderings of images). -
MARIO VARGAS LLOSA and the POLITICS of LITERATURE By
MARIO VARGAS LLOSA AND THE POLITICS OF LITERATURE By David P. Wiseman Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in Spanish December, 2010 Nashville, Tennessee Approved: Professor William Luis Professor Earl E. Fitz Professor Edward H. Friedman Professor Marshall C. Eakin Copyright © 2010 by David P. Wiseman All Rights Reserved ACKNOWLEDGMENTS Above all, I recognize my God, without whose many tender mercies none of this would have been possible. I acknowledge His hand throughout my life and certainly in the completion of this dissertation. My most sincere appreciation goes to my wife, Heather, an exceptionally talented helpmeet and my best friend. Her support for this project and our growing family is more significant than even she knows. I express my gratitude to Sarah, Joseph, Kathryn, and Baby David for the many wuvs that their Daddy needed to complete his ―book report.‖ All other family members have also been a constant support. I sincerely appreciate the years of encouragement, advice, prayers, and financial contributions that have made my graduate experience possible. William Luis has been a skilled mentor and a valued friend. I will always be indebted to him for his guidance with this project and so many others. Earl Fitz, Edward Friedman, and Marshall Eakin have also provided invaluable feedback as members of my dissertation committee. More importantly, however, they have been models for the type of professional and person that I hope to become. I would also like to thank Douglas Weatherford for his constant support of my development as a scholar and an individual. -
SPRING 1995 105 the Theatre of Mario Vargas Llosa
SPRING 1995 105 The Theatre of Mario Vargas Llosa: A Bibliography and Production History, 1981-1994 Ken McCoy Introduction The following bibliography and production history were first collected as part of the author's dissertation research. They cover the period from 1981 to mid-1994, that is, from the year that Vargas Llosa's plays began to appear in print until the author's dissertation was published. The production history was compiled using information provided primarily by La Agencia Carmen Balcells, Barcelona, the agency responsible for collecting royalty payments for performances of Vargas Llosa's plays. Although it has been possible to clarify some entries with published information available in journal and newspaper articles, the relative specificity of each entry continues to vary based on the information made available to the author at the time of publication. The author continues to track new publications in this area, and encourages input and comments via electronic mail to: [[email protected]]. Part One: Bibliography The Plays Vargas Llosa, Mario. La Chunga. Barcelona: Seix Barrai, 1986. HKathie and the Hippopotamus." Drama Contemporary: Latin America I Plays by Puig, Skarmeta, Vargas Llosa, Fuentes. Eds. George W. Woodyard and Marion Peter Holt. Trans. Kerry McKenny and Anthony Oliver-Smith. New York: Performing Arts Journal, 1986. Kathie y el hipopótamo: Comedia en dos actos. Barcelona: Seix Barrai, 1983. La señorita de Tacna: Pieza en dos actos. Barcelona: Seix Barrai, 1981. 106 LATIN AMERICAN THEATRE REVIEW . Three Plays: The Young Lady from Tacna, Kathie and the Hippopotamus, La Chunga. Trans. David Graham-Young. New York: Noonday P, 1990. -
2008 ೠҵޙߣਗࢎসোх Lti Korea Annual Report 2008
ISSN 1976-9997 2008 ೠҴޙߣਗࢎসোх LTI KOREA ANNUAL REPORT 2008 ӝദౠ ӝࠄߑೱীࢲ ಝࠄ ֙ ࢎসѾ 2008 Annual Report : Three Main Directions ೱز ನழझ ]Ҵղ ӂ ೧৻ࣻ оٜsಕझ౭ߥ അܰನ ]rࢲ Ԙ ޛ ޙӂী ೠҴۉࣁ҅৬ ೣԋ ] ই Sharing Korean Literature With The World Korea Literature Translation Institute ޙೠҴ חࣁ҅৬ ೣԋೞ ݾର Contents 04 06 दझమ ҳ୷u 02 A Message from Dr. Joo Youn Kim, the New Director of LTI Korea ܨਬӝ Ү חߊрࢎ ]tࣁ҅৬ ҕਬೞ 14 ӝࠄߑೱীࢲ ಝࠄ ֙ ࢎসѾ 04 2008 Annual Report : Three Main Directions [ ӝദౠ ೱ 08 Domestic Copyright Exports Trendز ನழझ ]Ҵղ ӂ ೧৻ࣻ Ԙ 12 Spreading Korean Literature to the Arabic World, a Jump Startޛ ޙӂী ೠҴۉࣁ҅৬ ೣԋ ]ই оٜs 16 2008 Seoul Young Writers' Festival അܰನ ]rࢲ 16 ೠҴޙߣਗ ࣗѐ 20 Introduction to LTI Korea ࢎস ࣗѐ ] ߣ߂౸ਗ 24 Translation & Publication Grants ֙ International Exchange Programs 46 ܨ ೧৻Үޙࢎস ࣗѐ ]ೠҴ ֙ 48 ਭࢿࢎস 66 Fostering Professional Translators ۱ੋޙࢎস ࣗѐ ] ֙ ഘࠁ 78 Promoting Korean Literatureޙࢎস ࣗѐ ]ೠҴ ֙ नр উղ 82 New Books 2008 72 Director’s Column | ߊрࢎ 02 חtࣁ҅৬ ҕਬೞ ਬӝ Үܨ दझమ ҳ୷u ೠҴޙߣਗࢎসোх 2008 ߊрࢎ פߣਗ ӣোੑޙө ೠҴפউ֞ೞभ פߣਗ ֙ ೠ ೧ ࣁ҅৬ ഐ൚ೞӝ ਤೠ ৈ۞ о ࢎসਸ ӝദೞҊ पୌী ҂णޙೠҴ פਸ ղ ֬णߣਗ ࢎসোхޙ֙ ೠҴ ઁ Ӓ Ѿपਸ ೠ ӂ ଼ী ݽই ই ߣਗ ߧ റޙೠҴפࢿҗٜ ঋण ܘ݅ ӘԈ ૣ ח ೧৻Үࢼ ࢎޙܻ ࣁ҅౸द ۽ઁ ࠄѺਵ ࣗѐରਗ ߣ౸ࢎসীࢲ द೧ޙୡӝ ೠҴ بۄࠁ؊ ݅ ചࣿ బஎ ߣਸ ਤೠrӝޙ חܖ೧ ӝୡܳ ޙ ਸ ೱೠr౸ӂ ࣻഝࢿച ࢎসs ߣޙ؊ աইо ೠҴ ಕझ౭ߥ ѐ୭ޙ ߂ Ҵઁ ܨࣁ҅ оٜҗ Ү ୡࣿߣਗࢎসs ࢎস নҗ ী য Ӓ և৬ Өо ؊೧оҊ ١ ۔Ӓ۽झ ؍о নࢿ ߂ ӝߣоٜ ۨ פण ۽ӒܻҊ ߄פ അप ࣁ҅о ೞաਸ ࠁ ؊ ӓݺೞѱ ࠁৈҊ णטয় חә߸ೞҊ ೠ ೧ Ѧ ӝ ೧ੑ ী۽ࢲפӘ ࢚ഐ ࣗాҗ ೧ ਃࢿ ؊ ழҊ ण ۧ٠פয ࣻ হणܖ ۽ઁ חೞ ঋҊࢲా ܳܨఋੋҗ Ү חೞ݅ ӝ ೧פ פѪ ਗജ ࢿѺਸ ыण חചܳ ܲ ٜҗ ҕਬೠޙ ߂ޙܻ ই ۽ ߊਵ۽ োх ࢎসٜਸ द ೠߣ ԝԝ ಝ ࢜ޘ դ ೠ ೧ ࢿҗܳ ח൞ ਬӝ חࣁ҅৬ ҕਬೞ ਸ ֫Ҋ ཫฯ ߥ ҃੬۱ ъചܳ ా೧ ҴѺ۽ࢲ Ӗب ߂ޙೠҴ بೠ ೧ ৢ ೧৻ࣗѐ ঌ য়ݫоੋrࣻೠ ߣоsܳ নࢿೞҊ ޙೠҴ दझమਸ ҳ୷ೞݴ ܨ Ү פؘ ֢۱ೞѷणחਗೞ פҊणפ౸ࢎ ৈ۞࠙ ࢿਗҗ ҙबਸ ࠗఌ٘݀ ߣо ੋ оޙೠҴ ਘ ֙ ೠҴޙߣਗ ӣো 03 A Message from Dr. -
Translation & Publication
2019 해외 주요인사 초청사업 K-FELLOWSHIP INTERNATIONAL TRANSLATION PUBLICATION WORKSHOP & 번역출판 국제 워크숍 세계 속의 한국문학 그 다양한 흐름들 6. 19.(수) ~ 20.(목) 10:00 ~ 13:00 코엑스 컨퍼런스룸 317호 번역출판 국제 워크숍 International Translation & Publication Workshop 세계 속의 한국문학 그 다양한 흐름들 001 목차 CONTENTS 인사말 김사인 (한국문학번역원장) ………………………………………………………………………………………………… 004 Opening Remarks Kim Sa-in (President, Literature Translation Institute of Korea) ……………………………………………………………… 004 김태훈 (해외문화홍보원장) ……………………………………………………………………………………………… 006 Kim Tae-hoon (Director, Korean Culture and Information Service) ………………………………………………………… 006 [세션 1] 한국문학 출간의 흐름 [Session1] Introducing Korean Literature & Publishing Market 사회자 양경언 (문학평론가) Moderator Yang Kyung-eon (Literary Critic) 발제자 신준봉 (중앙일보 문학전문기자) …………………………………………………………………………………………… 010 Participants Shin Joon-bong (Journalist/ Joongang Ilbo) ……………………………………………………………………………… 010 1980년대 이후 한국문학, 최근의 몇 가지 흐름들 Korean Literature since the 1980s, Some Recent Trends 서효인 (민음사 차장/시인) ………………………………………………………………………………………………… 021 Seo Hyo In (Poet & Editor/ Minumsa Publishing Group) ……………………………………………………………………… 021 최근의 한국 소설과 여성서사 Contemporary Korean Novels and the Female Narrative 이윤영 (한국문학번역원 문학향유팀장) …………………………………………………………………………………… 027 Yoonie Lee (Manager/ Literary Exchange Team, LTI Korea) ………………………………………………………………… 027 한국문학 해외 소개 현황 The Status Quo of Korean Literature [세션 2] 해외 번역문학 출간의 흐름 [Session2] Introducing Translated Literature & Publishing Market Overseas 사회자 양경언 (문학평론가) Moderator Yang Kyung-eon (Literary Critic) 발제자 엠마 라닷츠 (Emma Raddatz / 미국 Archipelago 편집자) ……………………………………………………………