Botany Bay on Talking Pictures TV Stars: Alan Ladd, James Mason and Patricia Medina

Total Page:16

File Type:pdf, Size:1020Kb

Botany Bay on Talking Pictures TV Stars: Alan Ladd, James Mason and Patricia Medina Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 11th May 2020 FREESAT 306 | VIRGIN 445 Botany Bay on Talking Pictures TV Stars: Alan Ladd, James Mason and Patricia Medina. Directed by John Farrow, released in 1953. In 1787 prisoners are shipped from Newgate Jail on Charlotte to found a new penal colony in Botany Bay, New South Wales. Amongst them is an American medical student who was wrongly imprisoned. During the journey he clashes with the villainous Captain, and is soon plotting mutiny against him. Airs on Saturday 16th May at 9pm. Monday 11th May 1:10pm Tuesday 12th May 10pm The Importance of being Earnest The Best of Everything (1959) (1952) Drama, directed by Jean Negulesco. Comedy, directed by Anthony Stars: Joan Crawford, Louis Jourdan, Asquith. Stars: Michael Redgrave, Hope Lange, Stephen Boyd and Suzy Richard Wattis, Michael Denison, Parker. A story about the lives of three Edith Evans, Margaret Rutherford. women who share a small apartment Algernon discovers that his friend in New York City. Ernest has a fictional brother and Wednesday 13th May 11:30am decides to impersonate the brother. Scotland Yard Investigator (1945) Monday 11th May 5:30pm Directed by George Blair. Hue and Cry (1947) Stars: C. Aubrey Smith, Stephanie Adventure. Director: Charles Crichton. Bachelor, Erich von Stroheim. During Stars: Alastair Sim, Frederick Piper, the Second World War the Mona Lisa Harry Fowler. A gang of street boys is moved to a London gallery, where a foil a crook who sends commands for German art collector tries to steal it. robberies in a cunning way. Wednesday 13th May 3:10pm Monday 11th May 10pm Raising The Wind (1961) The Enforcer (1951) Comedy. Director: Gerald Thomas. Adventure. Director: Bretaigne Stars: James Robertson Justice, Windust. Stars: Humphrey Bogart, Sid James, Leslie Phillips, Kenneth Everett Sloane, Zero Mostel, Williams, Jennifer Jayne and Liz Fraser. Ted de Corsia. For as long as crime A group of music students move into a boss Albert Mendoza has been shared flat in order to cut costs. running a notorious ring of hired hitmen, DA Martin Ferguson has been Wednesday 13th May 10:05pm hunting him down. (AKA Murder, Inc.) The Nanny (1965) Thriller. Director: Seth Holt. Tuesday 12th May 1:25pm Stars: Bette Davis, Wendy Craig and Silver Bears (1978) Jill Bennett. Joey Fane is a young boy Thriller, directed by: Ivan Passer. who believes that the nanny killed his Stars: Cybill Shepherd, Michael Caine, sister, but nobody believes him. Louis Jourdan, Stéphane Audran, David Warner, Tom Smothers and Thursday 14th May 5:30pm Martin Balsam. Double dealing in S is For Stanley (2015) the world’s silver market. 30 Years Behind the Wheel Tuesday 12th May 7:25pm for Stanley Kubrick Spare A Copper (1940) Award winning documentary film Comedy, directed by: John Paddy depicting the relationship between Carstairs. Stars: George Formby, film director Stanley Kubrick and Dorothy Hyson, George Merritt. A War his chauffeur and assistant, Reserve Policeman foils saboteurs Emilio D’Alessandro. plotting to destroy a warship. Talking Pictures TV Highlights for week beginning www.talkingpicturestv.co.uk SKY 328 | FREEVIEW 81 Mon 11th May 2020 continued FREESAT 306 | VIRGIN 445 Thursday 14th May 6:50pm Saturday 16th May 6:50pm The Lady With A Lamp (1951) Cloak and Dagger (1946) Drama. Director: Herbert Wilcox. Drama. Directed by Fritz Lang. Stars: Anna Neagle, Michael Wilding & Starring: Gary Cooper, Gladys Young. Based on the Reginald Vladimir Sokoloff, Lilli Palmer. Berkeley stage play, this compelling Pressed into in the last months of drama offers a depiction of WWII, physics professor Alvah Jesper is Florence Nightingale. sent to Europe in search of an atomic Thursday 14th May 10pm scientist held captive by the Nazis. The Man Who Fell To Earth (1976) The first major “atomic power” Science-fiction fantasy. melodrama of the postwar era. Director: Nicolas Roeg. Saturday 16th May 9pm Stars: David Bowie, Rip Torn, Candy Clark. Botany Bay (1953) The mysterious and complex Thomas Drama. Directed by John Farrow. Jerome Newton appears in New York. Starring: Alan Ladd, James Mason and Despite his frail physical presence, Patricia Medina. In 1787 prisoners are the strength of his intellect and scientific shipped to Botany Bay, New South knowledge transcend contemporary Wales. Amongst them a wrongly human experience. imprisoned American medical student Friday 15th May 9:10am clashes with the villainous Captain. It’s Great to be Young (1956) Sunday 17th May 10:30am Musical. John Mills stars as a well-loved Bell Bottom George (1944) teacher in this gentle musical comedy Drama. Directed by Marcel Varnel. portraying life in the 1950s British Starring George Formby, Anne Firth classroom and the school jazz band. & Reginald Purdell. Rejected by the Friday 15th May 7pm military, a hapless waiter gets a job on I Know Where I’m Going (1945) a ship but is mistaken for a real sailor. Drama. Directed by Michael Powell and Sunday 17th May 2:50pm Emeric Pressburger. Starring: Wendy Small Hotel (1957) Hiller, Roger Livesey, George Carney. Comedy, directed by David A young Englishwoman travels to the Mcdonald. Stars: Gordon Harker, Hebrides to marry her older fiancé. Marie Lohr, John Loder, Irene Handl, Friday 15th May 10pm Billie Whitelaw, Janet Munro, Francis The Masque of the Red Death (1964) Matthews. At a small, hotel, Albert, Fantasy horror. Directed by Roger an aged but shrewd waiter, is a past Corman. Starring: Vincent Price, master at the art of fiddling. Hazel Court, Jane Asher, David Weston, Nigel Green, Patrick Magee, Sunday 17th May 4pm Paul Whitsun-Jones, Robert Brown. Viva Max (1969) Prince Prospero learns that a village is Comedy, directed by Jerry Paris. plagued with the dreaded Red Death Stars: Peter Ustinov, Pamela Tiffin, and orders it to be burnt to the ground. Jonathan Winters. Delusional Mexican Gen. Maximilian Rodrigues Saturday 16th May 10:30am tells his troops they are on their way Lambretta to an American march in honour of Between 1946-1947 Italy begins to move. George Washington’s birthday – Lambrettas become the symbol of a new then leads them over the border and Italian vitality, after the trauma of the recaptures the Alamo. civil war. Distances grow smaller, ideas circulate, people meet. Sunday 17th May 10pm The Molly Maguires (1970) Saturday 16th May 2:40pm Drama, directed by Martin Ritt. Lucy Gallant (1955) Stars: Sean Connery, Richard Harris, Drama. Directed by Robert Parrish. Samantha Eggar. Embittered Irish Starring: Jane Wyman, Charlton Heston, immigrant coal miners start a Claire Trevor. Jilted at the altar, Lucy campaign of sabotage to retaliate retreats to an oil town, where she opens against the owners’ cruelty. up a gown shop. Rancher Casey Cole disdains “working women”, but he is madly in love with Lucy. .
Recommended publications
  • Michael Powell and Emeric Pressburger, a MATTER of LIFE and DEATH/ STAIRWAY to HEAVEN (1946, 104 Min)
    December 8 (XXXI:15) Michael Powell and Emeric Pressburger, A MATTER OF LIFE AND DEATH/ STAIRWAY TO HEAVEN (1946, 104 min) (The version of this handout on the website has color images and hot urls.) Written, Produced and Directed by Michael Powell & Emeric Pressburger Music by Allan Gray Cinematography by Jack Cardiff Film Edited by Reginald Mills Camera Operator...Geoffrey Unsworth David Niven…Peter Carter Kim Hunter…June Robert Coote…Bob Kathleen Byron…An Angel Richard Attenborough…An English Pilot Bonar Colleano…An American Pilot Joan Maude…Chief Recorder Marius Goring…Conductor 71 Roger Livesey…Doctor Reeves Robert Atkins…The Vicar Bob Roberts…Dr. Gaertler Hour of Glory (1949), The Red Shoes (1948), Black Narcissus Edwin Max…Dr. Mc.Ewen (1947), A Matter of Life and Death (1946), 'I Know Where I'm Betty Potter…Mrs. Tucker Going!' (1945), A Canterbury Tale (1944), The Life and Death of Abraham Sofaer…The Judge Colonel Blimp (1943), One of Our Aircraft Is Missing (1942), 49th Raymond Massey…Abraham Farlan Parallel (1941), The Thief of Bagdad (1940), Blackout (1940), The Robert Arden…GI Playing Bottom Lion Has Wings (1939), The Edge of the World (1937), Someday Robert Beatty…US Crewman (1935), Something Always Happens (1934), C.O.D. (1932), Hotel Tommy Duggan…Patrick Aloyusius Mahoney Splendide (1932) and My Friend the King (1932). Erik…Spaniel John Longden…Narrator of introduction Emeric Pressburger (b. December 5, 1902 in Miskolc, Austria- Hungary [now Hungary] —d. February 5, 1988, age 85, in Michael Powell (b. September 30, 1905 in Kent, England—d. Saxstead, Suffolk, England) won the 1943 Oscar for Best Writing, February 19, 1990, age 84, in Gloucestershire, England) was Original Story for 49th Parallel (1941) and was nominated the nominated with Emeric Pressburger for an Oscar in 1943 for Best same year for the Best Screenplay for One of Our Aircraft Is Writing, Original Screenplay for One of Our Aircraft Is Missing Missing (1942) which he shared with Michael Powell and 49th (1942).
    [Show full text]
  • The Representation of Reality and Fantasy in the Films of Powell and Pressburger: 1939-1946
    The Representation of Reality and Fantasy In the Films of Powell and Pressburger 1939-1946 Valerie Wilson University College London PhD May 2001 ProQuest Number: U642581 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642581 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Representation of Reality and Fantasy In the Films of Powell and Pressburger: 1939-1946 This thesis will examine the films planned or made by Powell and Pressburger in this period, with these aims: to demonstrate the way the contemporary realities of wartime Britain (political, social, cultural, economic) are represented in these films, and how the realities of British history (together with information supplied by the Ministry of Information and other government ministries) form the basis of much of their propaganda. to chart the changes in the stylistic combination of realism, naturalism, expressionism and surrealism, to show that all of these films are neither purely realist nor seamless products of artifice but carefully constructed narratives which use fantasy genres (spy stories, rural myths, futuristic utopias, dreams and hallucinations) to convey their message.
    [Show full text]
  • HOLLYWOOD – the Big Five Production Distribution Exhibition
    HOLLYWOOD – The Big Five Production Distribution Exhibition Paramount MGM 20th Century – Fox Warner Bros RKO Hollywood Oligopoly • Big 5 control first run theaters • Theater chains regional • Theaters required 100+ films/year • Big 5 share films to fill screens • Little 3 supply “B” films Hollywood Major • Producer Distributor Exhibitor • Distribution & Exhibition New York based • New York HQ determines budget, type & quantity of films Hollywood Studio • Hollywood production lots, backlots & ranches • Studio Boss • Head of Production • Story Dept Hollywood Star • Star System • Long Term Option Contract • Publicity Dept Paramount • Adolph Zukor • 1912- Famous Players • 1914- Hodkinson & Paramount • 1916– FP & Paramount merge • Producer Jesse Lasky • Director Cecil B. DeMille • Pickford, Fairbanks, Valentino • 1933- Receivership • 1936-1964 Pres.Barney Balaban • Studio Boss Y. Frank Freeman • 1966- Gulf & Western Paramount Theaters • Chicago, mid West • South • New England • Canada • Paramount Studios: Hollywood Paramount Directors Ernst Lubitsch 1892-1947 • 1926 So This Is Paris (WB) • 1929 The Love Parade • 1932 One Hour With You • 1932 Trouble in Paradise • 1933 Design for Living • 1939 Ninotchka (MGM) • 1940 The Shop Around the Corner (MGM Cecil B. DeMille 1881-1959 • 1914 THE SQUAW MAN • 1915 THE CHEAT • 1920 WHY CHANGE YOUR WIFE • 1923 THE 10 COMMANDMENTS • 1927 KING OF KINGS • 1934 CLEOPATRA • 1949 SAMSON & DELILAH • 1952 THE GREATEST SHOW ON EARTH • 1955 THE 10 COMMANDMENTS Paramount Directors Josef von Sternberg 1894-1969 • 1927
    [Show full text]
  • Boxoffice Barometer (March 6, 1961)
    MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph.
    [Show full text]
  • Aspects of Film Noir: Alan Ladd in the 40'S
    The Museum of Modern Art 50th Anniversary NO. 38 •JO RELEASE ON OR BEFORE JULY 11, 1980 "ASPECTS OF FILM NOIR: ALAN LAPP IN THE 40*5" OPENS AT MoMA ON JULY 11, 1980 A series of four important Alan Ladd films forms ASPECTS OF FILM NOIR: ALAN LADD IN THE 40'S, an exhibition running from July 11 through July 15, 1980 at The Museum of Modern Art. To be shown in the series are: THIS GUN FOR HIRE, Ladd's first starring role; THE GLASS KEY; THE BLUE DAHLIA; and the 1949 Paramount production of the F. Scott Fitzgerald classic, THE GREAT GATSBY. The films will be shown in 35mm studio prints made available by Universal/MCA and the UCLA Film Archives. Notes from The Museum's Department of Film indicate that "During the 1940's Hollywood studios produced a large number of crime melodramas whose stylistic con­ sistency has since been given the name of 'Film Noir'. These shadowy and urbane films not only commanded consummate studio craftsmanship, but enabled a charismatic group of performers to express the tensions that provided the thematic content for the 'Film Noir'. At Paramount Pictures during the 1940's perhaps the emblematic figure of the 'Film Noir' was Alan Ladd." The series opens with THIS GUN FOR HIRE at 8:30 PM on Friday, July 11 (to be repeated at 6 PM on Sunday, July 13). The film was directed by Frank Tuttle in 1942 with Ladd, Veronica Lake and Robert Preston and runs 81 minutes. THIS GUN FOR HIRE was the film that launched Ladd's career.
    [Show full text]
  • Shail, Robert, British Film Directors
    BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.
    [Show full text]
  • Sharon Knolle
    Sharon Knolle n the noir landscape, nestled between hard-boiled writers synony- dramatist Terence Rattigan (Separate Tables). Not surprisingly, Greene mous with the genre—Dashiell Hammett, Raymond Chandler, James was happiest with those adaptations. M. Cain—are the works of literary giant Graham Greene, who par- The world-weary way Greene ended most of his novels was typically layed his own experiences with the British Secret Service into nov- considered too downbeat for moviegoers; the films based on his books els that included Our Man in Havana and The Quiet American. The have endings ranging from slightly less bleak to positively upbeat. The final classicI film noir films based on his work—This Gun for Hire (1942), Minis- shot of The Third Man—where after Harry Lime’s funeral, Anna (Alida Valli) try of Fear (1944), Brighton Rock (1947) and The Third Man (1949)—all walks inexorably toward an increasingly optimistic Holly Martins (Joseph bear his particular brand of profound cynicism and moral conflict. Cotten) … and then right past him, without breaking stride—remains one of Made by four different directors, these films reached the screen with the most stingingly bitter endings in film history. varying degrees of fidelity to their sources. Greene himself wrote the Oddly, it was Greene who advocated for a finale in which Anna and Holly end screenplay for The Third Man and cowrote Brighton Rock’s script with up together. For once, Greene was the odd man out in desiring a happy ending. 26 NOIR CITY I NUMBER 27 I filmnoirfoundation.org filmnoirfoundation.org I NUMBER 27 I NOIR CITY 27 Greene set A Gun for Sale in the British city of Nottingham, where a munitions magate hires an assassin to kill a British minister; the film version, starring Veronica Lake and Alan Ladd, moves the story to California, undermining the book’s geopolitical relevance THIS GUN FOR HIRE (1942) nett, who wrote such classic crime novels as High Sierra and The As Greene writes in his 1980 autobiography, Ways of Escape, this Asphalt Jungle.
    [Show full text]
  • Canterbury Christ Church University's Repository of Research Outputs Http
    Canterbury Christ Church University’s repository of research outputs http://create.canterbury.ac.uk Please cite this publication as follows: Fox, K. (2019) Paddy the Cope, Michael Powell and the story of the unmade film. Donegal Annual: Journal of the Donegal Historical Society. (In Press) Link to official URL (if available): This version is made available in accordance with publishers’ policies. All material made available by CReaTE is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Contact: [email protected] Dr Ken Fox, School of Media, Art and Design, Canterbury Christ Church University Paddy the Cope, Michael Powell and the story of the unmade film. As a native of Donegal with some knowledge of Paddy the Cope’s legendary status I find myself working in a University film department housed in the Powell Building, named after Michael Powell. The opportunity to bring Donegal and Powell’s Canterbury back together again was too serendipitous to miss. The story of Paddy the Cope was another of those films which only I would want to make and which I certainly should have made (Powell, 1986: 565). Almost ten pages of the first volume of Michael Powell’s (1905-90) autobiography is taken up with the trip to Ireland in 1946, the journey on horseback from Dublin to Dungloe to meet Paddy the Cope, at least near Dungloe, as by most accounts the horses were stabled at Inver and had to be returned to their owners in Dublin. Powell’s sojourn through Ireland provided so much publicity and incident it is surprising the trek has not become the basis for some retelling in film, television, radio, prose or theatre.
    [Show full text]
  • Winter Series Art Films and Events January February Filmmarch Film
    Film Program Winter 2008 National Gallery of Art, Washington Winter Series film From the Archives: 16 at 12 England’s New Wave, 1958 – 1964 István Szabó’s 20th Century Alexander Sokurov In Glorious Technicolor Art Films and Events This Sporting Life (Photofest) 19 Sat II March Edward 2:00 England’s New Wave, 1958 – 1964: A Kind of Loving 1 Sat J. M.W. Turner and Film 4:30 England’s New Wave, 1958 – 1964: 2:00 István Szabó’s 20th Century: Mephisto (two-part program) This Sporting Life 4:30 István Szabó’s 20th Century: Colonel Redl 2 Sun The Gates 20 Sun 4:30 England’s New Wave, 1958 – 1964: 4:30 István Szabó’s 20th Century: Hanussen International Festival of Films Saturday Night and Sunday Morning; 4 Tues The Angry Silence on Art 12:00 From the Archives: 16 at 12: The City 22 Tues of Washington Henri Storck’s Legacy: 12:00 From the Archives: 16 at 12: Dorothea 8 Sat Lange: Under the Trees; Eugène Atget (1856 – 1927) Belgian Films on Art 3:00 Event: Max Linder Ciné-Concert 26 Sat 9 Sun 2:00 Event: International Festival of Films on Art England’s Finest Hour: 4:30 Alexander Sokurov: The Sun (Solntse) Films by Humphrey Jennings 27 Sun 11 Tues 4:00 Event: International Festival of Films on Art Balázs Béla Stúdió: 1961 – 1970 12:00 From the Archives: 16 at 12: Washington, 29 Tues City with a Plan Max Linder Ciné-Concert 12:00 From the Archives: 16 at 12: Dorothea 15 Sat Lange: Under the Trees; Eugène Atget (1856 – 1927) 2:30 Alexander Sokurov: Elegy of Life: Silvestre Revueltas: Music for Film Rostropovich Vishnevskaya February 4:30 Alexander
    [Show full text]
  • The Western by Eric Patterson the Cowboy Member of the Disco Group the Encyclopedia Copyright © 2015, Glbtq, Inc
    The Western by Eric Patterson The cowboy member of the Disco group The Encyclopedia Copyright © 2015, glbtq, Inc. Village People wears a Entry Copyright © 2008 glbtq, Inc. costume derived from Reprinted from http://www.glbtq.com those found in the Hollywood Western to create an instantly The Western is a distinctive American narrative genre that has developed over more recognizable than two centuries and now is recognized and consumed worldwide. Its most familiar hypermasculine persona. expressions are in literature, popular fiction, film, and television, but it also is This image created by important in painting, photography, music, sport, and advertising. Flickr contributor Jackie from Monouth County, New Jersey appears Heroic Western narratives have served to justify transformation and often destruction under the Creative of indigenous peoples and ecosystems, to rationalize the supposedly superior Commons Attribution 2.0 economic and social order organized by European Americans, and particularly to License. depict and enforce the dominant culture's ideals of competitive masculine individualism. The celebration of male power, beauty, and homosocial relationships in Westerns is compelling to many readers and viewers. Although the form of masculinity idealized in the Western is in opposition to the majority's stereotypical constructions of male homosexuality, both man-loving men and those who claim to reject same-sex attraction have found a great deal of interest in the narrative. Development and Form of the Western The national fantasy of the Western has its roots in the seventeenth and eighteenth centuries in the wars between Native Americans and European colonists. It developed during the rapid westward movement of settlers and the continuing conflict with native peoples after the American Revolution.
    [Show full text]
  • American Heritage Center
    UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew.
    [Show full text]
  • SHSU Video Archive Basic Inventory List Department of Library Science
    SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films.
    [Show full text]