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Drag.Qxd (Page 1)
Academy established its separate its established Academy courtesy Patsy Lynch Patsy courtesy Beulah Buskirk, 2004 Buskirk, Beulah America pageant. In 1986, the 1986, In pageant. America equally diverse in their styles and music with music and styles their in diverse equally took it over as the Miss Gaye Miss the as over it took offer a mix of all backgrounds. Performers are Performers backgrounds. all of mix a offer the St. James, and many others. many and James, St. the leading female impersonators, female leading white. The ethnic circuits overlap where clubs where overlap circuits ethnic The white. Kazans, the Maharises, the O’Haras, the Santanas, the O’Haras, the Maharises, the Kazans, , one of Washington’s of one , Buskirk cuits: African-American, Latino, Asian, and Asian, Latino, African-American, cuits: the Dennises, the Devereaux, the Kanes, the Kanes, the Devereaux, the Dennises, the Beulah a.k.a. Buskirk, Jerry Today’s club scene offers distinct ethnic cir- ethnic distinct offers scene club Today’s include the Bloomingdales, the Blues, the Carreros, the Blues, the Bloomingdales, the include first city-wide pageant. In 1964 In pageant. city-wide first beyond the gay community. gay the beyond eages as well. Well-known DC drag families drag DC Well-known well. as eages started a Masquerade Ball, the Ball, Masquerade a started sional drag performances to an audience far audience an to performances drag sional of them trainees of the Academy) created club lin- club created Academy) the of trainees them of In the fall of 1961, Bill Frye Bill 1961, of fall the In Brice and her Henry Street house brought profes- brought house Street Henry her and Brice trees. -
Transgender Research Guide, 1923-2014 Tretter: 357
Transgender Research Guide, 1923-2014 Tretter: 357 This finding aid was produced using ArchivesSpace on September 29, 2016. English Jean Nickolaus Tretter Collection in GLBT Studies Transgender Research Guide, 1923-2014 Tretter: 357 Table of Contents Summary Information .................................................................................................................................... 3 Scope and Content ......................................................................................................................................... 3 Arrangement ................................................................................................................................................... 4 Administrative Information ............................................................................................................................ 4 Related Materials ........................................................................................................................................... 4 Controlled Access Headings .......................................................................................................................... 5 Collection Inventory ....................................................................................................................................... 6 Transgender Informational Files ................................................................................................................. 6 Transgender Periodicals 1 ........................................................................................................................ -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Reading RuPaul's Drag Race: Queer Memory, Camp Capitalism, and RuPaul's Drag Empire Permalink https://escholarship.org/uc/item/0245q9h9 Author Schottmiller, Carl Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Carl Douglas Schottmiller 2017 © Copyright by Carl Douglas Schottmiller 2017 ABSTRACT OF THE DISSERTATION Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire by Carl Douglas Schottmiller Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor David H Gere, Chair This dissertation undertakes an interdisciplinary study of the competitive reality television show RuPaul’s Drag Race, drawing upon approaches and perspectives from LGBT Studies, Media Studies, Gender Studies, Cultural Studies, and Performance Studies. Hosted by veteran drag performer RuPaul, Drag Race features drag queen entertainers vying for the title of “America’s Next Drag Superstar.” Since premiering in 2009, the show has become a queer cultural phenomenon that successfully commodifies and markets Camp and drag performance to television audiences at heretofore unprecedented levels. Over its nine seasons, the show has provided more than 100 drag queen artists with a platform to showcase their talents, and the Drag Race franchise has expanded to include multiple television series and interactive live events. The RuPaul’s Drag Race phenomenon provides researchers with invaluable opportunities not only to consider the function of drag in the 21st Century, but also to explore the cultural and economic ramifications of this reality television franchise. -
Inside This Issue This Inside Integrity - October 2014 Page 2
Inside this Issue Miss Gay USofA At Large Lawanda Jackson From the Heart The Skyy’s the Limit Volume 2014 - Issue 10 OCTOBER 2014 Promoter’s Spotlight Clasically Yours October Events Lovingly Angelica Capturing Christo- pher Smooth Sounds of O’Dey Twerkin with Tic Toc Evolving with Eazy Breakin it down with Brandon The Faux/Real DI- VA Mr. Gay USofA At Large & Mr. Gay USofA USofA Pageants 1713 Garden Road Pearland, TX 77581 www.usofa.org [email protected] [email protected] INTEGRITY Is a monthly electronic publication of USofA Pageants copyright 2014 USofA Pageants Integrity - October 2014 Page 2 future was going to hold because I had lost the use of my left leg and my left arm. It was very scary! At that moment I knew exactly who my There’s an old saying that your life could close friends were and to this day I still do. change in seconds. My USofA family put together a PayPal account to help with the expenses. They I never understood what that meant until contacted everyone on Facebook and kept May 31st when I was on the phone with a them informed on what was happening and dear friend Coti Collins and I collapsed. how I was doing. Because of those Face- When I came to on the floor Coti was still on book posts communities and clubs across the phone and said Lawanda you don’t sound the country decided they wanted to do the same. To me it felt like when you fall something to help and I am very grateful asleep and your leg goes to sleep but Coti for that. -
F.M.I. Female Mimics International
Female Mimics International VOLUME 17, NUMBER 4 No. 42 The California Continental Pageant 1987-88 Ik All models over 18 years of age Adults Only s , Female Mimics International Co« ten ts Mardi Gras Passion 4 Cajun Queens Letters to the Editor 10 Readers talk back F. M.I. Forum 14 This and that from here and there Love Sally 18 Poetic justice Miss California Continental. 20 A San Francisco extravaganza Personal Ads 30 Flow to meet Robert/Roberta .40 F.M.I. Fiction Eros Publishing Company, Inc., Wilmington, T LMALE MIMICS INTERNATIONAL, #42, Vol. 17, No. 4, is pubiished bi-monthly by reproduced, in whole or Dela are. Copyright A 1987 by Eros Publishing Company, Inc. All rights reserved on entire contents. Nothing may be for unsolicited materials. All manuscripts, m oa’’!., without written permission from the publisher. The publisher assumes no responsibility professional models, except as O'. '!')' and artwork must be accompanied by return postage. All photos in this publication were posed by to depict the actual conduct or personality of the models. All 'r , i-.-j noted. Neither said photos, nor words used to describe them, are meant between real persons and characters depicted in fiction or ; will be released. Any similarity :ol : are i 8 years of age or older. No data on models The Magazine Corporation of America. Printed in USA. - iciion herein is purely coincidental. Exclusive distribution by MAGCORP, The Original Magazine For Men Who Enjoy Dressing Like Women! Editorial Hello all, It’s been a whirl-wind couple of months here since our last issue. -
UNIVERSITY of CALIFORNIA Los Angeles Reading Rupaul's Drag Race
UNIVERSITY OF CALIFORNIA Los Angeles Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Carl Douglas Schottmiller 2017 © Copyright by Carl Douglas Schottmiller 2017 ABSTRACT OF THE DISSERTATION Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire by Carl Douglas Schottmiller Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor David H Gere, Chair This dissertation undertakes an interdisciplinary study of the competitive reality television show RuPaul’s Drag Race, drawing upon approaches and perspectives from LGBT Studies, Media Studies, Gender Studies, Cultural Studies, and Performance Studies. Hosted by veteran drag performer RuPaul, Drag Race features drag queen entertainers vying for the title of “America’s Next Drag Superstar.” Since premiering in 2009, the show has become a queer cultural phenomenon that successfully commodifies and markets Camp and drag performance to television audiences at heretofore unprecedented levels. Over its nine seasons, the show has provided more than 100 drag queen artists with a platform to showcase their talents, and the Drag Race franchise has expanded to include multiple television series and interactive live events. The RuPaul’s Drag Race phenomenon provides researchers with invaluable opportunities not only to consider the function of drag in the 21st Century, but also to explore the cultural and economic ramifications of this reality television franchise. ii While most scholars analyze RuPaul’s Drag Race primarily through content analysis of the aired television episodes, this dissertation combines content analysis with ethnography in order to connect the television show to tangible practices among fans and effects within drag communities. -
Nightspots #1100 • August 21, 2013
nightspots #1100 • August 21, 2013 GLAMOUR & GRIT Get ready for Miss and Mr. Continental (above) and Windy City Rodeo 2013 (below) That Guy by Kirk Williamson Is it me or did it just get more glamorous in Chicago? Here’s a hint: It ain’t me. It’s Labor Day and, with it, the annual Miss and Mr. Continental competitions. Our fair city becomes the world’s stage for top-notch female impersonation and its male-as-male counterpart (also top-notch). See who will ascend to the coveted role of Mr. Continental 2013-14 at Park West on Sat., August 31, and Miss Continental 2013 at The Vic Theatre on Mon., September 2. You want class? They got class! If your tastes tend more toward the down and dirty (and sweaty and rope-burnt), check out this year’s Windy City Rodeo at Six Guns Ranch in Crete, Ill. After a one-year hiatus, the men and women of the Illinois Gay Rodeo Association are ready to come bustin’ out of the gate with a weekend filled with sportsmanship, charity, and fuckin’ hot-ass cowboys. That last one’s my favorite. Kick off the weekend Thursday night with the Fahootched bar crawl, starting at 8 p.m. at Charlie’s. Oh, and did I mention that I am this year’s Grand Marshal? Guess I just did. KWESTIONS I got You got answers? Q&A Trivia with with Kwizmaster Kirk Williamson WEDNESDAYS - 9pm THURSDAYS - 9pm @mosphere The Glenwood QATrivia 5355 N. Clark St. 6962 N. Glenwood Ave. EVERY WEEK! STARTING SOON! [email protected] MAIN COVER IMAGES ABOVE: Mr. -
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\ -i--: s13 East State Street Rockford It svkA# Thiota, 1-f-xtt ACe,- -" 81S-0S-0344 Where are you from? The Tarheel State...North Carolina....Go Heels! Wri-e &w6 How young are you2 35 Saturday, April 9th "SPRING BREAK" PARTY Where do you perform at? You can find me every Wednesday night at Hydrate in Chicago, WEAR ANYTHING TROPICAL, BRIGHT & TIGHT every other Saturday at The Office Niteclub in Rockford, every Sunday in a Paul Lopez SWIMSUIT/TAN LINE CONTEST Production, Filling in where needed at The Baton in Chicago, and all over the country at $150 CASH PRIZE! various times. J PERFORMING LIVE ON STAGE... TEDDY SHANE "THE HUMAN JUKE BOX" Who is do alot e? In general I idolize my mother....she is a strong woman who raised rim to be myself and enjoy everything i SHOW STARTS AT 10pm I do. I have watched her struggle and always come back stronger....she takes a licking and keeps on ticking. She is my strength and always has such positive words for me. I you mother!!! In the art of female impersonation I idolize Victo- \ Saturday, April 16th ria LaPaige and Tommie Ross...those two individuals are such ladies and always give me words of encouragement. I feel they PERFORMING IN THE are the true definition of Continental and I only hope to one day be as fabulous and glamorous as they are. OFFICE NITECLUB SHOW LOUNGE... OUR OWN CECE TAJMA HALL Can you believe you are the longest running columnist in the Edge? I think it is an honor to be a columnist for the Edge. -
The Book 1 TG-Ato Z Intro 30/5/05 15:04 Page 1
1 TG-Ato Z cover 30/5/05 10:22 Page 3 INTERNATIONAL Personal Reports Personal Profiles Listings Shops Services Events Places to Go Edited by Vicky Lee The Book 1 TG-Ato Z intro 30/5/05 15:04 Page 1 CONTENTS Front cover Photograph: 1 INDEX Introduction Valmir Silva 2 Introducing This new book Transgender AtoZ Cover Model: 6 Introducing links between books and websites 8 Introducing links between publishing and club Alekssandra Ceiliato 10 Introducing TG words, concepts & definitions 14 Introducing WayOut Personal Profiles 16 Personal Profile of the editor - Vicky Lee 21 Super Report A year with Tranny Grange - Nicki 28 Super Report Working Girls - Monica Dream girl 36 Super Report Brazillian Girls - Alekssandra Ceciliato 40 INDEX International Section Listing PLUS 41 Euro Events 2005/2006 68 Personal Profile of Jaquline from Germany 43 Personal Profile Sasha De Monaco from Holland 50 Australia Report - Christie McNichol 55 Belgium Report - Pamela 59 Denmark Report - Rebecca Holm 65 Finland Report - Mandy Romero 70 Germany Report - Charis Berger 81 Holland Report - Monica Dreamgirl 90 Gran Canaria Report - The Gemini Club 92 Ibiza Report - Cathy Kissmet 96 Thailand’s Alcazar Report - Nikki 99 INDEX USA Section Listing PLUS Book Editor: Vicky Lee 98 USA Events 2005/2006 DTP: Vicky Lee and Karen 101 Event Report SCC Atlanta - Vicky Lee Research & editing: Karen 106 Event Report Dignity Cruises - Peggy & Melanie Advertising sales: 110 Personal Profile of Michelle Zee 112 Personal Profile of Fionnola Orlando Sue Mills at Planet Advertising 160 -
The Queer Economy of Rupaul's Drag Race by Ted
MOTHER OF THE HOUSE OF NO SHAME: THE QUEER ECONOMY OF RUPAUL’S DRAG RACE BY TED FAUST DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications & Media in the Graduate College of the University of Illinois at Urbana-Champaign, 2019 Urbana, Illinois Doctoral Committee: Professor James Hay, Chair Professor CL Cole Associate Professor Richard T. Rodriguez, UC Riverside Assistant Professor Amanda Ciafone i ABSTRACT In this dissertation, I consider the television show RuPaul’s Drag Race and the vast web of digital and broadcast media productions it has spawned, as a means to explore the changing cultural, technological, and economic conditions that have allowed for the emergence of a widespread queer media economy in which it is currently positioned as a central touchstone and engine of production and productivity. I seek to understand the history and evolution of the changing economics and production practices of the reality television genre that led to the emergence of (and have been deployed, tweaked, and recirculated by) the semi-satirical Drag Race; to better understand its position, as a “broadcast” cable television show, in a wider network of “new” and “spreadable” social media enterprises flowing into and out of it; to analyze the artistic, aesthetic, ethical and ascetic technologies of the self practiced by the contestants on the show, alongside a genealogical account of their origins in queer spaces and subcultures; and to explore the show’s position in a wider television landscape, asking how it is related to other programs of the current conjuncture, its technologization and commodification of a queer mode of belonging, and its relationships to virtual and material queer spaces as a globalized cultural technology. -
0 Drag in Oklahoma: the Power of Performance By
DRAG IN OKLAHOMA: THE POWER OF PERFORMANCE BY: STEPHANIE VICTORIA ALLEN A thesis submitted to the graduate faculty in partial fulfillment requirements for the degree of MASTERS OF HISTORY University of Central Oklahoma 2017 0 Acknowledgments I would like to thank the professors and students that I have worked with at the University of Central Oklahoma (UCO). They have supported me with advice and resources to further my thesis. First, I would like to thank my thesis chairman and professor Dr. Lindsey Churchill for believing in me when I did not believe in myself. Without her enthusiasm, dedication, and mentorship this work would not have been possible. Dr. Katrina Lacher also on my committee, for introducing me to public entertainment history and supporting my decision to write a thesis on it. Heidi Vaughn, the third member of my committee, for always being there for me when I needed it. I have never met a more helpful person. To my friends and family thank you for the support and toleration. To David Whitmire for your constant love and motivation. A special thanks to Verta Taylor and Leila Rupp. Their publications gave me the base from which to start this research and many of my interview questions came from their work. To the community of UCO scholars, I will forever be grateful for the support and comradery. I would specifically like to thank Patrick and Helen Salkeld for pushing me and taking a real interest in this research. To each of the drag artists who graciously allowed me to interview them I am deeply grateful, this work would be nothing without you. -
It's the 1995 Monas!
News Ii views Vision • Integrity •Quality Vol. 9, No. 4•April1995 Just When You Thought It Was Safe To Be Stupid ... It's The 1995 MONAs! That's right ladies (and gentl emen) it's som - transgender alli ance Pledge for ommunity: "\\ e thing w haven't done for awhile but we sa id , "Hey, ha to stop this b fore it g ts started! " I t's dust off those old MO A statuettes and gi' e The " Darwin Was Right" Award-to eryon out a ~ win the April issu ." MO Asar n't lik the who b Ii ved last year's Renaissance ews & Vi ews Philadelphia Chapter's Rennie Awards. Oh no, Apri l cover story. thos are giv n out to women that the chapt r picks The "All Fizz, No Socia" Award- to It's Tim a go cl rol model . The MONA is a Renais ance meri a. After a blitzkri g announcement of politi National pr s ntation and the name tands for: cal lobbying goals this summ r, nothing lse has Meaningless, Obscure, Nonsense Awards. b n h ard from th m. Thcs prestigious award ar picked b th eu;s The "We Ain't No Preverts" Awarcl-to J ri & Views ditorial staff. Do we have so me obscur L and Tmnsf ormations magazin for publishing a ritual or esoteric m th cl by which we pick these magazine with pornographic drawings and photos of luck')' winners? o. \\ h n v r w ~ l lik it, w it transvestit sand she-ma! s, and th n claiming to around, attired in elegant drag, sipping aperitifs, r present the transgender community.