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Portland Pride 2008 Is Going to Bring. It. Oh Really?
PRIDE1 This year, Pride Northwest, Inc. has made quite the promise: Portland Pride 2008 is going to Bring. It. Oh really? Well, the Mercury is going to Bring. It. On! Inside, check out our homage to the cheer-tastic lm of the same name, featuring Portland’s brightest stars of the queer cheerleading squad (and their rivals, the anti-gay troupe). We’ve also got queers who bring it with guns, a head-to-head gay-off, and a polite request that certain gays stop bringing it, please. Plus: All the info you need to enjoy Portland Pride 2008, from the parade and waterfront festival EDITED BY AMY J. RUIZ to every dance night in town. You know what to do. PRIDE2 2 Portland Mercury June 5, 2008 The Official Guide to Pride June 14-15, 2008 PRIDE3 The Official Guide to Pride June 14-15, 2008 June 5, 2008 Portland Mercury 3 PRIDE4 HP. Proud Sponsor of the Portland Pride Festival. hp.com/go/diversity 2008 Hewlett-Packard Development Company, L.P. 4 Portland Mercury June 5, 2008 The Official Guide to Pride June 14-15, 2008 PRIDE5 The BRING IT Manifesto BRO’s Next Battle… and How You Can Bring it, Too! by Basic Rights Oregon The BRING IT Manifesto Can you hear the bells ringing? No, it’s not the sound of be free to earn a living, and able to care for the ones we love. wedding bells (yet). It’s the sound of socially regressive vot- After 20 years of ballot measures designed to divide our state ers getting their wings! According to polls, bigotry is aging in two, we believe the time to BRING IT for equality is now. -
2020 Submissions
2020 Submissions FEMALE VOCALIST CORINNA SOWERS ADLER Second Stories; Songs from the Heart; Winter Song The Triad, Laurie Beechman, Oakeside Bloomfield Cultural Center LUCILLE CARR-KAFFASHAN How the Light Gets In Don’t Tell Mama CYNTHIA CRANE This Is a Changing World, My Dear Don’t Tell Mama SALLY DARLING And Kurt Weill Begat Kander & Ebb Don’t Tell Mama, Urban Stages DAWN DEROW The House That Built Me Laurie Beechman GOLDIE DVER Back in Mama’s Arms Don’t Tell Mama RENEE KATZ When It Happens to You: Renee Katz Sings Jule Styne; How Can I Keep From Singing Don't Tell Mama, Laurie Beechman ANN KITTREDGE Fancy Meeting You Here; Movie Nite Feinstein’s/54 Below, Urban Stages, Feinstein’s at Vitello's, Beach Cafe ANGELA LEONE Mathis and More Don’t Tell Mama SUSANNE MACK Where I Belong Pangea, Don’t Tell Mama NICCI NICHOLAS Nothin’ Can Be Done Don’t Tell Mama LESLIE OROFINO Shine Don’t Tell Mama, BJ Ryan's Magnolia Room YAEL RASOOLY Glamour in the Dark; Love Must Have an End Laurie Beechman, Don’t Tell Mama WENDY SCHERL Town & Country; You’ll See Laurie Beechman, Davenport’s, BJ Ryan's Magnolia Room JILL SENTER Celebrate the Moment Laurie Beechman - 1 - MAUREEN KELLEY STEWART There Will Never Be Another You: The Songs of Harry Warren; A Gershwin Sampler; Everything’s Coming Up Roses: The Music of Jule Styne Laurie Beechman, Mohonk Mountain House, Sharon Country Club, Spencertown Academy Art Center MAUREEN TAYLOR Cosmic Connections: The Lyrics of Michael Colby Don’t Tell Mama STEPHANIE TRUDEAU Chavela: Think of Me Don’t Tell Mama LISA VIGGIANO From Lady Day to The Boss Pangea, Don’t Tell Mama ROBIN WESTLE In the Summer of ‘69 Don’t Tell Mama AMY BETH WILLIAMS Meet Me at the Bar Don’t Tell Mama MALE VOCALIST ARI AXELROD A Celebration of Jewish Broadway Birdland Theater, The Kranzberg (St. -
Miss Gay America 1995 Me
~~~g~~~~~~~~ Mm@ ~~@'~Qg f~r l' r~~ @Dd ~w It bg@ II~. mHJ Q) ~M w@11§~It ~~. tM IuMlra every w~ ftle new llelcony fgnd•• tin ••• weather 385 ••• a year~It has 115 tGDB cat *conditioning; 411dJ fudIItrooms; more Gum 13,888 watts of alftPiDiad SOUIId feeding 315~ 8Iid a video systeM wRb 611fiiDfiltGr8~Itis i ref it ~ iI Oii8iis AUgus' ia at 8. ,. 3923 Cedar Springs, Dallas, Texas ~ (214) 559-0650 [email protected] ~nf;~ ;fitnti ~IHfif. ;ti\fI~ ~IH; VOLUME 23, NUMBER 22 AUGUST 1 - 7, 1997 14 LOOKING BACK The Lost Year, Part 2: Trouble, Progress and Division for DGA by Phil Johnson 18 SURFING THE NET A Quick Tour of Gay Stops on the Information Highway by Chris Gray 26 FRESH BEATS Waako Records President Bob Shami Talks Dance Music by Jimmy Smith 30 ON OUR COVER Scott Andrew Robbins photos by Artistic Visions by Greg 39 CURRENT EVENTS 45 BACKSTAGE Casa Manana Brings Candy Buckley to Fort Worth in Mame 49 STARSCOPE Surly, Rampaging Mars Changes Signs in Mid-Month 59 TEXAS SPORTS 60 TEXAS NEWS 65 TEXAS TEA 78 CLASSIFIEDS 84 OBITUARIES 85 GUIDE TWT (This Week In Texas) Is published by Texas Weekly Times Newspaper Co.. at 3300 Reagan Street In Dallas, Texas 75219 and 811 Westhelmer In Houston, Texas 77CXJ6.Opinions expressed by columnists are not necessarily those of lWT or of Its staff. Publication of the nome or photograph of any person or organization in articles or advertising In 1WTIs not to be construed as any Indication of the sex- ual orientation of said person or organization. -
The Reconstruction of Gender and Sexuality in a Drag Show*
DUCT TAPE, EYELINER, AND HIGH HEELS: THE RECONSTRUCTION OF GENDER AND SEXUALITY IN A DRAG SHOW* Rebecca Hanson University of Montevallo Montevallo, Alabama Abstract. “Gender blending” is found on every continent; the Hijras in India, the female husbands in Navajo society, and the travestis in Brazil exemplify so-called “third genders.” The American version of a third gender may be drag queen performers, who confound, confuse, and directly challenge commonly held notions about the stability and concrete nature of both gender and sexuality. Drag queens suggest that specific gender performances are illusions that require time and effort to produce. While it is easy to dismiss drag shows as farcical entertainment, what is conveyed through comedic expression is often political, may be used as social critique, and can be indicative of social values. Drag shows present a protest against commonly held beliefs about the natural, binary nature of gender and sexuality systems, and they challenge compulsive heterosexuality. This paper presents the results of my observational study of drag queens. In it, I describe a “routine” drag show performance and some of the interactions and scripts that occur between the performers and audience members. I propose that drag performers make dichotomous American conceptions of sexuality and gender problematical, and they redefine homosexuality and transgenderism for at least some audience members. * I would like to thank Dr. Stephen Parker for all of his support during the writing of this paper. Without his advice and mentoring I could never have started or finished this research. “Gender blending” is found on every continent. The Hijras in India, the female husbands in Navajo society, and the travestis in Brazil are just a few examples of peoples and practices that have been the subjects for “third gender” studies. -
A Look at 'Fishy Drag' and Androgynous Fashion: Exploring the Border
This is a repository copy of A look at ‘fishy drag’ and androgynous fashion: Exploring the border spaces beyond gender-normative deviance for the straight, cisgendered woman. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/121041/ Version: Accepted Version Article: Willson, JM orcid.org/0000-0002-1988-1683 and McCartney, N (2017) A look at ‘fishy drag’ and androgynous fashion: Exploring the border spaces beyond gender-normative deviance for the straight, cisgendered woman. Critical Studies in Fashion and Beauty, 8 (1). pp. 99-122. ISSN 2040-4417 https://doi.org/10.1386/csfb.8.1.99_1 (c) 2017, Intellect Ltd. This is an author produced version of a paper published in Critical Studies in Fashion and Beauty. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ 1 JACKI WILLSON University of Leeds NICOLA McCARTNEY University of the Arts, London and University of London A look at ‘fishy drag’ and androgynous fashion: Exploring the border spaces beyond gender-normative deviance for the straight, cisgendered woman Abstract This article seeks to re-explore and critique the current trend of androgyny in fashion and popular culture and the potential it may hold for gender deviant dress and politics. -
Drag King Camp: a New Conception of the Feminine
DRAG KING CAMP: A NEW CONCEPTION OF THE FEMININE By ANDRYN ARITHSON B.A. University of Colorado, 2005 April 23, 2013 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Theatre & Dance 2013 This thesis entitled: Drag King Camp: a New Conception of the Feminine written by Andryn Arithson has been approved by the Department of Theatre & Dance ________________________________________________ Bud Coleman, Committee Chair ________________________________________________ Erika Randall, Committee Member ________________________________________________ Emmanuel David, Committee Member Date_______________ The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. Arithson iii ABSTRACT Arithson, Andryn (M.A., Theatre) Drag Kings: A New Conception of the Feminine Thesis directed by Associate Professor Bud Coleman This thesis is an exploration of drag king performance through the lens of third wave feminism and Camp performance mechanisms. The term drag king refers to any person, usually female, that is making a performance of masculinity using costume, makeup and gesture. Camp is defined as an ever-changing system of humor and queer parody that works to subvert hegemonic cultural structures in an effort to gain queer visibility. Drag king Camp is posited as a theatrical mechanism that works to reveal maleness and masculinity as a performative act, therefore destabilizing the gender binary, and simultaneously revealing alternative conceptions of femininity. Drag king performance will be theorized in five sections. -
Ptown Hacks 2019
Ptown Hacks 2019 1 2 1 Because every ship needs a port. No place is as open-minded and welcoming as Key West. So whether you come for the gay tours, live theatre, bars and bistros or the warm and incredibly clear water and weather, Key West has whatever floats your boat. fla-keys.com/gaykeywest 305.294.4603 2 MCTKW-3916 Towleroad P’Town LO1 2019 Because every ship needs a port. No place is as open-minded and welcoming as Key West. So whether you come for the gay tours, live theatre, bars and bistros or the warm and incredibly clear water and weather, Key West has whatever floats your boat. fla-keys.com/gaykeywest 305.294.4603 3 MCTKW-3916 Towleroad P’Town LO1 2019 Ptown Hacks 2019 6-22 What’s New in 2019 24 Ptown Theme Weeks 26-28 Weekly Bar Events 30 The Ptown Agenda 32-40 Show Listings 40 Beach Adventures 42-46 Lodging 48 The Food Pages 58 Book Excerpt 62 Provincetown Essentials 68 Art Agenda 78 News - Talk of our Town 84 Marijuana Ptown 86-92 A Book Lover’s Primer 96 Body Hacks - Gym/Yoga/Massage 98 Map COVER PHOTO SHOT BY: SALOME FONSECA 4 5 NEW IN 2019 BIG SHOT Photographer Greg Salvatori, whose book Beards of New York celebrated the hirsute hunks of the Big Apple, has opened a gallery in Whaler’s Wharf where he’ll showcase color- ful and provocative images in four shows this summer. 237 Commercial, gregsalvatori.com. EARTHLY DELIGHTS Tween the Tides moves into Street Eats’ old spot in the Aquarium Mall. -
LISTENING to DRAG: MUSIC, PERFORMANCE and the CONSTRUCTION of OPPOSITIONAL CULTURE DISSERTATION Presented in Partial Fulfillmen
LISTENING TO DRAG: MUSIC, PERFORMANCE AND THE CONSTRUCTION OF OPPOSITIONAL CULTURE DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy In the Graduate School of The Ohio State University By Elizabeth Kaminski, M.A. * * * * * The Ohio State University 2003 Dissertation Committee: Approved by Professor Vincent Roscigno, Advisor Professor Verta Taylor _________________________ Advisor Professor Nella Van Dyke Sociology Graduate Program ABSTRACT This study examines how music is utilized in drag performances to create an oppositional culture that challenges dominant structures of gender and sexuality. I situate this analysis in literature on the role of music and other cultural resources in the mobilization of social movement protest. Drawing from multiple sources of data, I demonstrate that drag queen performers make use of popular songs to build solidarity, evoke a sense of injustice, and enhance feelings of agency among audience members – three dimensions of cognition that constitute a collective action framework, conducive to social protest. The analysis is based on observations of drag performances; content analysis of the lyrics of drag songs; intensive interviews with drag queens at the 801 Cabaret in Key West, Florida; focus groups with audience members who attended the shows at the 801 Cabaret; and interviews with drag queen informants in Columbus, Ohio. I demonstrate how drag performers use music to construct new alliances and understandings of gender and sexuality among gay and heterosexual members of the audience. The data illustrate that drag performers strategically select songs to evoke an array of emotions among audience members. First are songs that utilize sympathy, sorrow, and humor to build solidarity. -
QUEEN LATIFAH Lina Bradford •Rupaul’S Queens•Fayslift April 2017 /May2017
Lina Bradford • RuPaul’s Queens • Fay Slift esented by PinkPlayMags www.thebuzzmag.ca Pr QUEEN LATIFAH For daily and weekly event listings visit Wishes on a Star April 2017 / May 2017 Issue #018 The Editor Greetings and salutations! Publisher + Creative Director: Our cover feature this issue is with Queen Latifah, Antoine Elhashem who currently has a lead role in the new FOX television Editor-in-Chief: series, Star, which has just been renewed for a second Bryen Dunn season and can be seen here in Canada on Netflix. Our Art Director: writer Jerry Nunn chatted with Latifah about her role as Mychol Scully Carlotta Brown, the owner of an Atlanta beauty salon, her General Manager: trans daughter Cotton (played by Amiyah Scott), and the Kim Dobie wonderful wigs she wears. Sales Representatives: Carolyn Burtch, Michael Wile Our second feature is a spotlight on up and coming Kitchener musician, Aylsha Brilla, who’s new album, Events Editor: Sherry Sylvain Humans, has been getting regular play on CBC radio. She Counsel: discusses the challenges of being a female in the male Lai-King Hum, Hum Law Firm dominated music industry, her community work, and her Columnists: love of Amy Winehouse and Bob Marley. Cat Grant skips Fay Slift, Shangela, Paul Bellini, Boyd Kodak, this issue of her She Beat column, and RuPaul protege Raymond Helkio Shangela steps in to tell us all about the upcoming Feature Writers: Queens WERQ The World tour kicking off in Toronto on Jerry Nunn, Bryen Dunn May 26. Cover Photo: Courtesy of FOX Our Wigged Out column this issue is written by Lady- Published by Bear-Extraordinaire, Fay Slift, who is teacher by day and INspired Media Inc. -
Are They Family?: Queer Parents and Queer Pasts In
ARE THEY FAMILY?: QUEER PARENTS AND QUEER PASTS IN CONTEMPORARY AMERICAN CULTURE BY MICHAEL SHETINA DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2019 Urbana, Illinois Doctoral Committee: Associate Professor Siobhan Somerville, Chair Professor Chantal Nadeau Associate Professor Julie Turnock Associate Professor Richard T. Rodríguez, University of California, Riverside ABSTRACT The early twenty-first century saw a marked increase in depictions of LGBTQ people and communities in American popular culture occurring alongside political activism that culminated in the repeal of the Pentagon's Don't Ask, Don't Tell policy (2010) and the Supreme Court's overturning of same-sex marriage bans in Obergefell v. Hodges (2015). Even as these events fueled a triumphant progressive narrative in which social and political representation moved LGBTQ people into a better future, a significant strain of LGBTQ-focused popular culture drew its attention to the past. My dissertation, Are They Family?: Queer Parents and Queer Pasts in Popular Culture, examines how American film, television, and literature between 2005 and 2016 construct relationships among LGBTQ people across recent history in generational and familial terms. These works queer the concept of the family by deploying parents and parental figures to examine the role of families in the transmission of queer knowledges, practices, and identities, countering notions of families as mere precursors to queer identity—“families of origin”—or as the agential creations of out LGBTQ people—“families of choice.” These works demonstrate how such dichotomous conceptions of family limit the people, experiences, and forms of affect that are legible within the category of LGBTQ history. -
Drag Performance and Femininity: Redefining Drag Culture Through Identity Performance of Transgender Women Drag Queens
Minnesota State University, Mankato Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato All Graduate Theses, Dissertations, and Other Graduate Theses, Dissertations, and Other Capstone Projects Capstone Projects 2017 Drag Performance and Femininity: Redefining Drag Culture through Identity Performance of Transgender Women Drag Queens Cristy Dougherty Minnesota State University, Mankato Follow this and additional works at: https://cornerstone.lib.mnsu.edu/etds Part of the Gender, Race, Sexuality, and Ethnicity in Communication Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, and the Women's Studies Commons Recommended Citation Dougherty, C. (2017). Drag Performance and Femininity: Redefining Drag Culture through Identity Performance of Transgender Women Drag Queens [Master’s thesis, Minnesota State University, Mankato]. Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. https://cornerstone.lib.mnsu.edu/etds/730/ This Thesis is brought to you for free and open access by the Graduate Theses, Dissertations, and Other Capstone Projects at Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in All Graduate Theses, Dissertations, and Other Capstone Projects by an authorized administrator of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Drag Performance and Femininity: Redefining Drag Culture through Identity Performance of Transgender Women Drag Queens By Cristy A. Dougherty A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts In Communication Studies Minnesota State University, Mankato Mankato, Minnesota July 2017 Title: Drag Performance and Femininity: Redefining Drag Culture through Identity Performance of Transgender Women Drag Queens Cristy A. -
Lauren Morelli Mandy Goodhandy•Unit2oldsoulrebel
Mandy Goodhandy • Unit 2 • Old Soul Rebel esented by PinkPlayMags www.thebuzzmag.ca Pr Lauren Morelli From Orange Is The New Black to Tales Of The City For daily and weekly event listings visit RuPaul’s Drag Race: Season 11 Tour Asia O’Hara and Plastique Tiara JUNE 2019 / JULY 2019 2 June 2019 / July 2019 theBUZZmag.ca Keep moving your way From coast to coast, we encourage diversity—it’s part of what makes each of us unique and proud to be Canadian. The VIA Rail logo is a trademark owned by VIA Rail Canada Inc. TMTrademark owned by VIA Rail Canada Inc. theBUZZmag.ca June 2019 / July 2019 3 Issue #031 The Editor Publisher + Creative Director Greetings and Salutations! Antoine Elhashem Welcome to our big summer Pride issue! We’re proud to Editor-in-Chief feature writer/director, Lauren Morelli, on our cover. Not Bryen Dunn only was she the brains behind one of the first Netflix Art Director series to create a real BUZZ, Orange Is The New Black, Mychol Scully but now she’s taking on the leadership role for the new General Manager Tales Of The City mini-series recently premiered on Netflix Kim Dobie this month just in time for Pride season. The show features Sales Representatives one of the most diverse cast ever assembled on screen, Carolyn Burtch, Michael Wile including trans actress Jen Richards and trans-nonbinary Events Editor actor Garcia, RuPaul’s Drag Race legends, Bob The Drag Sherry Sylvain Queen and Katya, Canadian icons Paul Gross and Ellen Counsel Page, and even a cameo appearance from Molly Ringwald.