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An Exploration of Gender, Sexuality and Queerness in Cis- Female Drag Queen Performance
School of Media, Culture & Creative Arts Faux Queens: an exploration of gender, sexuality and queerness in cis- female drag queen performance. Jamie Lee Coull This thesis is presented for the Degree of Doctor of Philosophy of Curtin University November 2015 DECLARATION To the best of my knowledge and belief this thesis contains no material previously published by any other person except where due acknowledgment has been made. This thesis contains no material which has been accepted for the award of any other degree or diploma in any university. Human Ethics The research presented and reported in this thesis was conducted in accordance with the National Health and Medical Research Council National Statement on Ethical Conduct in Human Research (2007) – updated March 2014. The proposed research study received human research ethics approval from the Curtin University Human Research Ethics Committee (EC00262), Approval Number #MCCA-12-12. Signature: Date: 20/11/2015 i ABSTRACT This PhD thesis investigates the cultural implications of cis-women performing female drag, with particular focus on cis-female drag queens (aka faux queens) who are straight-identified. The research has been completed as creative production and exegesis, and both products address the central research question. In the introductory chapter I contextualise the theatrical history of male-to-female drag beginning with the Ancient Greek stage, and foreground faux queens as the subject of investigation. I also outline the methodology employed, including practice-led research, autoethnography, and in-depth interview, and provide a summary of each chapter and the creative production Agorafaux-pas! - A drag cabaret. The introduction presents the cultural implications of faux queens that are also explored in the chapters and creative production. -
Drag.Qxd (Page 1)
Academy established its separate its established Academy courtesy Patsy Lynch Patsy courtesy Beulah Buskirk, 2004 Buskirk, Beulah America pageant. In 1986, the 1986, In pageant. America equally diverse in their styles and music with music and styles their in diverse equally took it over as the Miss Gaye Miss the as over it took offer a mix of all backgrounds. Performers are Performers backgrounds. all of mix a offer the St. James, and many others. many and James, St. the leading female impersonators, female leading white. The ethnic circuits overlap where clubs where overlap circuits ethnic The white. Kazans, the Maharises, the O’Haras, the Santanas, the O’Haras, the Maharises, the Kazans, , one of Washington’s of one , Buskirk cuits: African-American, Latino, Asian, and Asian, Latino, African-American, cuits: the Dennises, the Devereaux, the Kanes, the Kanes, the Devereaux, the Dennises, the Beulah a.k.a. Buskirk, Jerry Today’s club scene offers distinct ethnic cir- ethnic distinct offers scene club Today’s include the Bloomingdales, the Blues, the Carreros, the Blues, the Bloomingdales, the include first city-wide pageant. In 1964 In pageant. city-wide first beyond the gay community. gay the beyond eages as well. Well-known DC drag families drag DC Well-known well. as eages started a Masquerade Ball, the Ball, Masquerade a started sional drag performances to an audience far audience an to performances drag sional of them trainees of the Academy) created club lin- club created Academy) the of trainees them of In the fall of 1961, Bill Frye Bill 1961, of fall the In Brice and her Henry Street house brought profes- brought house Street Henry her and Brice trees. -
Transgender Research Guide, 1923-2014 Tretter: 357
Transgender Research Guide, 1923-2014 Tretter: 357 This finding aid was produced using ArchivesSpace on September 29, 2016. English Jean Nickolaus Tretter Collection in GLBT Studies Transgender Research Guide, 1923-2014 Tretter: 357 Table of Contents Summary Information .................................................................................................................................... 3 Scope and Content ......................................................................................................................................... 3 Arrangement ................................................................................................................................................... 4 Administrative Information ............................................................................................................................ 4 Related Materials ........................................................................................................................................... 4 Controlled Access Headings .......................................................................................................................... 5 Collection Inventory ....................................................................................................................................... 6 Transgender Informational Files ................................................................................................................. 6 Transgender Periodicals 1 ........................................................................................................................ -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Reading RuPaul's Drag Race: Queer Memory, Camp Capitalism, and RuPaul's Drag Empire Permalink https://escholarship.org/uc/item/0245q9h9 Author Schottmiller, Carl Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Carl Douglas Schottmiller 2017 © Copyright by Carl Douglas Schottmiller 2017 ABSTRACT OF THE DISSERTATION Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire by Carl Douglas Schottmiller Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor David H Gere, Chair This dissertation undertakes an interdisciplinary study of the competitive reality television show RuPaul’s Drag Race, drawing upon approaches and perspectives from LGBT Studies, Media Studies, Gender Studies, Cultural Studies, and Performance Studies. Hosted by veteran drag performer RuPaul, Drag Race features drag queen entertainers vying for the title of “America’s Next Drag Superstar.” Since premiering in 2009, the show has become a queer cultural phenomenon that successfully commodifies and markets Camp and drag performance to television audiences at heretofore unprecedented levels. Over its nine seasons, the show has provided more than 100 drag queen artists with a platform to showcase their talents, and the Drag Race franchise has expanded to include multiple television series and interactive live events. The RuPaul’s Drag Race phenomenon provides researchers with invaluable opportunities not only to consider the function of drag in the 21st Century, but also to explore the cultural and economic ramifications of this reality television franchise. -
House of Yes Alice
Margo MacDonald • Dmanda Tension • Roy Mitchell esented by PinkPlayMags www.thebuzzmag.ca Pr House of Yes Brooklyn’s Party Central Alice Bag For daily and weekly event listings visit Advocating Through Music JUNE 2020 / JULY 2020 *** free *** TLC Pet Food Proudly Supports the LGTBQ Community Order Online or by Phone Today! TLCPETFOOD.COM | 1•877•328•8400 2 June 2020 / July 2020 theBUZZmag.ca theBUZZmag.ca June 2020 / July 2020 3 Issue #037 The Editor Planning your Muskoka wedding? Make it magical Greetings and Salutations, at our lakeside resort in Ontario. Happy Pride! Although we’re in a time of change and Publisher + Creative Director uncertainty, we still must remain hopeful for a brighter future, Antoine Elhashem and we’re here to offer some uplifting, and positive stories to Editor-in-Chief kick start your summer. Bryen Dunn Art Director Feature one spotlights the incredible work of Brooklyn’s House Mychol Scully of YES collective, an incubator for the creation of awesome parties, cabaret shows, and outrageous events. While their General Manager live events are notorious, they too have had to move into Kim Dobie the digital world, where they’ve been hosting Saturday night Call +1(800)461-0243 or visit MuskokaWeddingVenues.com Sales Representatives interactive dance parties, deep house yoga, drag shows, Carolyn Burtch, Darren Stehle burlesque and dance classes, and their video project, HoY Events Editor TV. Our writer, Raymond Helkio, caught up with HoY to find Sherry Sylvain out what’s up, and he also attended one of their online yoga Counsel classes, which apparently was quite tantalizing. -
F.M.I. Female Mimics International
Female Mimics International VOLUME 17, NUMBER 4 No. 42 The California Continental Pageant 1987-88 Ik All models over 18 years of age Adults Only s , Female Mimics International Co« ten ts Mardi Gras Passion 4 Cajun Queens Letters to the Editor 10 Readers talk back F. M.I. Forum 14 This and that from here and there Love Sally 18 Poetic justice Miss California Continental. 20 A San Francisco extravaganza Personal Ads 30 Flow to meet Robert/Roberta .40 F.M.I. Fiction Eros Publishing Company, Inc., Wilmington, T LMALE MIMICS INTERNATIONAL, #42, Vol. 17, No. 4, is pubiished bi-monthly by reproduced, in whole or Dela are. Copyright A 1987 by Eros Publishing Company, Inc. All rights reserved on entire contents. Nothing may be for unsolicited materials. All manuscripts, m oa’’!., without written permission from the publisher. The publisher assumes no responsibility professional models, except as O'. '!')' and artwork must be accompanied by return postage. All photos in this publication were posed by to depict the actual conduct or personality of the models. All 'r , i-.-j noted. Neither said photos, nor words used to describe them, are meant between real persons and characters depicted in fiction or ; will be released. Any similarity :ol : are i 8 years of age or older. No data on models The Magazine Corporation of America. Printed in USA. - iciion herein is purely coincidental. Exclusive distribution by MAGCORP, The Original Magazine For Men Who Enjoy Dressing Like Women! Editorial Hello all, It’s been a whirl-wind couple of months here since our last issue. -
Played Through in Comedy But, Perhaps More
Redressing Grievances Redressing Grievances. Cross-Dressing Pleasure With the Law Hisahcth Ihonfen The notion of the subject-in-process assumes that we recogmze on the one hand, the unity ofthe subject who submits to a law - the law of communication, among others, yet who, on the other hand, does not entirely submit, cannot entirely submit, does not want to submit entirely The subject-in-process is always in a State of contestmg the law, either with the force of violence, of aggressivity, of the death dnve, or with the other side of this force pleasure and jouissance (Julia Knsteva Interviews p 26) The Riddle of Dress The double proposal scene, with which Billy Wilder puts closure on the scenario of mistaken identities played through in Some Like it Hot, continues to fascinate not only critics writing on postwar American film comedy but, perhaps more crucially, those engaged in the debate on the ' potentially subversive resignification cross-dressing might entail As the plot unfolds, the two musicians Jerry/Daphne (Jack Lemmon) and Joe/Josephine (Tony Curtis), who have unintentionally become the witnesses ofthe St Valentine's Day Massacre, find that the only way they can leave Chicago and thus escape detection is to don women's clothes and join an all-women-band, which is leaving that night on a train to Florida. Once safely installed in their new environment, they discover to their horror, that the gangsters they are fleeing from have chosen for their clan meeting precisely the hotel where their band is performing In contrast to their first successful flight, a second escape, however, now proves to be more complicated, because in the course of their stay at this Florida beach resort, they both have gotten involved in vexed romances. -
LGBTQ Oral Histories
Southwest Virginia LGBTQ+ History Project Oral History Initiative Subject Index v.7 May 2019 How to use this index Each subject is followed by a list of abbreviations. These abbreviations refer to individual oral history narrators. All oral history recordings and transcripts are in the LGBTQ History Collection, Virginia Room, RoanoKe Public Library. Abbreviations A = Anonymous AB = Anton BlacK BM = Barbara Maberry CSW = Carolyn Sue Wilson DJ = Daniel Jones DM = Don Muse DS = Daddy Sam EJ = Erika Joyner EW = Edna Whittier GB = Gail Burress GG = Garland Gravely GJ = Gerry Jennings JB = James Ernest Best, Jr. KLB = Kathryn L. Beranich KO = Kim O’Donnell LB = Larry Bly LF = Larry Forrest LC = Linny Caldwell M = Martha MB = Mary Boenke MB2 = Michelle Bennett MGK = Miss Grace Kelly NK = Nancy Kelly PS = Peggy Shifflett PT = Peter Thornhill R = Rissa RC = Riley Chattin RCH = Rev. Catherine Houchins RD = Ronald “Ron” Davidson RJ = Robin Jordan RS = Rodger Saunders RW = Rosemary Wyman SS = Sally Seagraves 1 TV = Trish Valentine VL = Virginia Irene Lindsey WC = Whitney B. Conley YCS = Yodie Cleveland Swain Table of Contents 1. Organizations a. LGBTQ organizations in Southwest Virginia b. LGBTQ organizations outside of Southwest Virginia c. Other organizations in Southwest Virginia 2. Places a. Queer bars, clubs, and restaurants in Southwest Virginia b. Queer bars, clubs, and restaurants outside of Southwest Virginia c. Queer spaces, neighborhoods, and communities in Southwest Virginia d. Queer spaces, neighborhoods, and communities outside of Southwest Virginia e. Other places/spaces in Southwest Virginia f. Other places/spaces outside of Southwest Virginia 3. Media a. LGBTQ publications in Southwest Virginia b. -
Drag! How Queer? a Reconsideration of Queer Theoretical Paradigms of Drag
A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/90883 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications Reframing Drag Performance: Beyond Theorisations of Drag as Subverting or Upholding the Status Quo Katharine Anne Louise (‘Kayte’) Stokoe Degree of Doctor of Philosophy in French Studies School of Modern Languages and Cultures, University of Warwick October, 2016 2 Table of Contents Acknowledgements .................................................................................................................. 5 Abstract .................................................................................................................................... 6 Introduction ............................................................................................................................. 7 Research contexts ................................................................................................................ 7 Research questions ............................................................................................................ 14 Corpus and methodology .................................................................................................. -
UNIVERSITY of CALIFORNIA Los Angeles Reading Rupaul's Drag Race
UNIVERSITY OF CALIFORNIA Los Angeles Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Carl Douglas Schottmiller 2017 © Copyright by Carl Douglas Schottmiller 2017 ABSTRACT OF THE DISSERTATION Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire by Carl Douglas Schottmiller Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor David H Gere, Chair This dissertation undertakes an interdisciplinary study of the competitive reality television show RuPaul’s Drag Race, drawing upon approaches and perspectives from LGBT Studies, Media Studies, Gender Studies, Cultural Studies, and Performance Studies. Hosted by veteran drag performer RuPaul, Drag Race features drag queen entertainers vying for the title of “America’s Next Drag Superstar.” Since premiering in 2009, the show has become a queer cultural phenomenon that successfully commodifies and markets Camp and drag performance to television audiences at heretofore unprecedented levels. Over its nine seasons, the show has provided more than 100 drag queen artists with a platform to showcase their talents, and the Drag Race franchise has expanded to include multiple television series and interactive live events. The RuPaul’s Drag Race phenomenon provides researchers with invaluable opportunities not only to consider the function of drag in the 21st Century, but also to explore the cultural and economic ramifications of this reality television franchise. ii While most scholars analyze RuPaul’s Drag Race primarily through content analysis of the aired television episodes, this dissertation combines content analysis with ethnography in order to connect the television show to tangible practices among fans and effects within drag communities. -
LGBTQ Oral Histories
Southwest Virginia LGBTQ+ History Project Oral History Initiative Subject Index v.6 May 2018 How to use this index Each subject is followed by a list of abbreviations. These abbreviations refer to individual oral history narrators. All oral history recordings and transcripts are in the LGBTQ History Collection, Virginia Room, RoanoKe Public Library. Abbreviations A = Anonymous AB = Anton BlacK BM = Barbara Maberry CSW = Carolyn Sue Wilson DJ = Daniel Jones DM = Don Muse DS = Daddy Sam EJ = Erika Joyner EW = Edna Whittier GG = Garland Gravely GJ = Gerry Jennings JB = James Ernest Best, Jr. KLB = Kathryn L. Beranich KO = Kim O’Donnell LB = Larry Bly LF = Larry Forrest LC = Linny Caldwell M = Martha MB = Mary Boenke MB2 = Michelle Bennett MGK = Miss Grace Kelly NK = Nancy Kelly PS = Peggy Shifflett PT = Peter Thornhill R = Rissa RD = Ronald “Ron” Davidson RJ = Robin Jordan RS = Rodger Saunders RW = Rosemary Wyman SS = Sally Seagraves TV = Trish Valentine VL = Virginia Irene Lindsey WC = Whitney B. Conley 1 Subject Index 1. Organizations A. LGBTQ organizations in Southwest Virginia – in approximate chronological order Gay Alliance of the RoanoKe Valley (GARV) (1971 – 1972) – GJ; DJ; Free Alliance for Individual Rights (FAIR) (1977-1978, Roanoke) – DJ; Positive Alternative Lifestyles (PALS) (1980 – 1983, Lynchburg) – GJ; Blue Ridge Lambda Alliance (c. 1981 – 1986, Lynchburg) – GJ; PT; - Jennings, Gerry – PS; Dignity-Integrity group (Catholic/Episcopalian gay support group in Roanoke) (early 1980s) – GJ; The Gay Rap Group (gay support group -
Nightspots #1100 • August 21, 2013
nightspots #1100 • August 21, 2013 GLAMOUR & GRIT Get ready for Miss and Mr. Continental (above) and Windy City Rodeo 2013 (below) That Guy by Kirk Williamson Is it me or did it just get more glamorous in Chicago? Here’s a hint: It ain’t me. It’s Labor Day and, with it, the annual Miss and Mr. Continental competitions. Our fair city becomes the world’s stage for top-notch female impersonation and its male-as-male counterpart (also top-notch). See who will ascend to the coveted role of Mr. Continental 2013-14 at Park West on Sat., August 31, and Miss Continental 2013 at The Vic Theatre on Mon., September 2. You want class? They got class! If your tastes tend more toward the down and dirty (and sweaty and rope-burnt), check out this year’s Windy City Rodeo at Six Guns Ranch in Crete, Ill. After a one-year hiatus, the men and women of the Illinois Gay Rodeo Association are ready to come bustin’ out of the gate with a weekend filled with sportsmanship, charity, and fuckin’ hot-ass cowboys. That last one’s my favorite. Kick off the weekend Thursday night with the Fahootched bar crawl, starting at 8 p.m. at Charlie’s. Oh, and did I mention that I am this year’s Grand Marshal? Guess I just did. KWESTIONS I got You got answers? Q&A Trivia with with Kwizmaster Kirk Williamson WEDNESDAYS - 9pm THURSDAYS - 9pm @mosphere The Glenwood QATrivia 5355 N. Clark St. 6962 N. Glenwood Ave. EVERY WEEK! STARTING SOON! [email protected] MAIN COVER IMAGES ABOVE: Mr.