DOCSLIB.ORG

Nightspots#1079 • October 24, 2012 This Halloween/Election Issue Sponsored by the Letters G-A-Y

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nightspots#1079 • October 24, 2012 This Halloween/Election Issue Sponsored by the Letters G-A-Y nightspots#1079 • October 24, 2012 this halloween/election issue sponsored by the letters G-A-Y That Guy by Kirk Williamson Been feeling a little under the weather lately. I must have picked something up. Happy Halloween, vote on Tuesday, Nov. 6, and happy 38th birthday to me, Mon., Oct. 29. I’ll accept your birthday kisses on a kiss-by-kiss basis. You WISH you can catch what I have! [email protected] PUBLISHER Tracy Baim ASSISTANT PUBLISHER nightspots Terri Klinsky MANAGING EDitor #1079 • October 24, 2012 Kirk Williamson ADVERTISING REPRESENTATIVES Terri Klinsky, Kirk Williamson, Amy Matheny, Christopher Cheuvront MAIN COVER IMAGE NATIONAL ADVERTISING REPRESENTATIVE Benjamin “Big Bird” Rivendell Media 212-242-6863 Bradshaw DIRECTOR OF NEW MEDIA Photo by Kirk Jean Albright OFFICE Ripley Caine PhotoGraphY Mel Ferrand, Kat Fitzgerald, Kirk, Kizzy, Anthony Meade, DJ Res-5 CAST OF CHARACTERS C.J., Homer Marrs, AK Miller, Marc “Moose”Moder, Copyright 2012 Windy City Media Group/Lambda Publications Inc. All rights reserved. Jennifer Parello, Randy Pubert Reprint by permission only. Back issues available for $3 per issue (postage included). Return postage must accompany all manuscripts, drawings, and photographs submitted if they are to be returned, and no responsibility may be assumed for unsolicited materials. nightspots All rights to letters, art and photos sent to Nightspots/Windy City Times will be treated as unconditionally assigned for publication purposes and as such, subject to editing and 5315 N. Clark St. #192, Chicago, IL 60640 comment. The opinions expressed by the columnists, cartoonists, letter writers, and com- mentators are their own and do not necessarily reflect the position of Nightspots/Windy 773.871.7610, fax 773.871.7609 City Times. Publication of the name, photograph, or likeness of a person or organization in articles or advertising in Nightspots/Windy City Times is not to be construed as any www.WindyCityMediaGroup.com indication of the sexual orientation of such person or organization. While we encourage [email protected] readers to support the advertisers who make this newspaper possible, Nightspots/Windy City Times cannot accept responsibility for advertising claims. /nightspots [email protected] Celebrating the Legacy Walk dedication with Matt Alber! SIDETRACK Photos by Kirk Creaoke Karaoke turns Bobby’s into a real pickup joint. BOBBY LOVE’S Photos by Kirk 8 nightspots October 24, 2012 I am a partner, an editor, and a runner. And I am living with HIV. TM Creaoke Karaoke turns Bobby’s into a real pickup joint. Oriol (left) has lived with HIV since 1992. Get the facts. Get tested. Get involved. www.cdc.gov/ActAgainstAIDS DANCING ABOUT ARCHITECTURE by Marc “Moose” Moder NEW SOUL POWER GENERATION Maybe I’m still on a high from Prince’s Welcome 2 Chicago shows, or on a pre-high from getting tix to Emeli Sandé’s upcoming show at Lincoln Hall in January, but I’ve been getting deeply back into R&B/soul these past few months. Much in the way hip-hop proved it was still one of the most creative and vital formats this past year, R&B is now catching that same creative fever it’s been lacking since Wendy and Lisa left The Revolution. Recently albums by The Weeknd and Frank Ocean echo the minimalism of Drake and Kanye West to yield some truly beautiful, stripped down soul music that once again showcase the heart and lyrics over high production. If you want to ride this party train and don’t know where to start loving soul again, might I suggest the old standards? You can’t lose with divas like The Best of Whitney Houston, with two newish tracks; or the brand new comeback record by Xtina Aguilera, both out on November 13. If you can’t wait that long you can pick up Chicago’s own Heather Headley’s new collection of covers, Only One In the World, in anticipation of her run in the West End’s The Bodyguard musical; or Anita Baker’s new album Only Forever, which hits stands as this issue hits the street. Now that you’ve got your comfort zone set, there’re some past acts lighting new creative flames lately -- to mixed results. Brandy’s latest, Two Eleven, might as well have been left in Twenty Eleven. It rings similar to Beyoncé’s hookless disappointment, 4; last year I trashed it in this column, but I still love that girl, no matter. Here’s hoping Alicia Keys’ foray into modern territory (Girl On Fire, 11/27) hits rather than misses. If the single is any indication, her dress may be the edgiest thing happening here. Now you’re ready to take some chances with your soul. Do not resist picking up Kaleidoscope Dream, the newest by Miguel. In the same vein as Kanye’s 808s or Frank Ocean, Miguel taps into classic soul structures and vocal styles, but puts them through a filter from the future, creating an unsettling but sexy mix. Possibly one of the finest collections this year. And keep an eye out for both Missy Elliot and D’Angelo’s comeback albums, or Aaliyah’s posthumous Drake- produced CD, rumored for 2013. Early signs point to an even better 2013: The year “soul” took back its soul. Keep an eye out for DJ Moose’s new Old Skool night in 2013 ... 10nightspots October 24, 2012 If I hafta hear this damn song one more time tonight ... Karaoke by Creagh MON MON TUES TUE TUE WED Jackhammer Bistro After Dark Spin Sidecar Bar 10pm-4am Cocktail The Glenwood 10pm-2am COMING SOON! (773) 743-5772 9pm-1am Oct. 30 - 4pm-8pm 9pm-1am (773) 327-7711 (773) 477-1420 (773) 525-2522 (773) 764 -7363 WED WED WED THU THU THU Hideaway Holiday Club Scot’s Crew Four Farthings The Call 9:30pm-1:30am 9:30pm-1:30am Oct. 31 - 8pm-midnight 9:30pm-1:30am 9:30pm-1:30am 7pm-11:30pm (708) 488-9382 (773) 348-9600 (773) 528-3253 (773) 784-CREW (773) 935-2060 (773) 334-2525 THU FRI FRI FRI SAT Bistro After Dark Bobby Love’s Hideaway Halsted Harp Coppolino’s 5pm-9pm 9:30pm-1:30am 10pm-2:30am 9:30pm-1:30am 10:30pm-2:30am (773) 525-2522 (773) 525-1200 (708) 488-9382 (773) 348-3665 (773) 735-8647 SAT SAT SUN SAT SUN Four Farthings Christina’s Hideaway Bobby Love’s The Sofo Tap 9:30pm-1:30am 10pm-2am 9pm-1am 9pm-Midnight 8pm-Midnight (773) 935-2060 (773) 463-1768 (708) 488-9382 (773) 525-1200 (773) 784-7636 Now contact us at 773-720-7347 or [email protected] Join Creaoke on Facebook www.CreaokeKaraoke.net She-bopping with Cyndi Lauper and AIDS Legal Council of Chicago. DOWNTOWN Photos by Anthony Meade, Kirk See Chicago Cabaret Project’s Rocky Horror, Thu., Oct. 25! MARY’S ATTIC Photos by Kirk 12 nightspots October 24, 2012 HHaa® ppppyy AApocalyppssee!! wedNeSday OCt. 31St watCH tHe Parade She-bopping with Cyndi Lauper and AIDS Legal Council of Chicago. ON Our SCreeNS See Chicago Cabaret Project’s Rocky Horror, Thu., Oct. 25! SCREAMS FrOm 7Pm $500 CaSH Prize COStume CONteSt: 10:00 Pm /SidetrackBar 3349 N. Halsted SidetrackChicago.com The Prairie State Empire welcomes Emperor 9 Herman Coen! CHARLIE’S Photos by Kirk Happy boo-irthday! THE GLENWOOD Photos by Kirk 14 nightspots October 24, 2012 watch for 2.0 AN UPSCALE DIVE COMING SOON SAT MAY 5TH CINCO DE MAYO DANCE PARTY/ STRIP CONTEST $100 CASH PRIZE Happy boo-irthday! DRAG SHOW FRI MAR 30 IT’ BR S ITNEY BITCH DJ RILEY YORK twitter.com/thecallbar facebook.com/thecallbar 1547 W BRYN MAWR @ CLARK ST IN ANDERSONVILLE MARRS ATTACKS by Homer Marrs Death to the Z-word Okay, Halloweeners, listen something after he’s seen it it at the drag show? And then up! The good news is we’re done four times in a year? I what if the theme of Friday’s going to have a zombie-tastic for sure do. I was very tired beer bust were something Halloween. The bad news is of zombies by the time totally different from those two we will not reference zombies Zombieland came out in 2009. and yet equally as memorable? again for ten solid years. You’ll And Zombieland was a good Then we’d be living in a cool thank me later. movie! I had just been bored of world, keeping our creative five years (at that point – eight juices flowing and bringing In 2004 it was really cool when now) of zombie pub crawls, fresh ideas with us everywhere they re-made Dawn of the zombie survival guides, zombie we go—growing, expanding, Dead. It had been awhile since retellings of classic novels, evolving, et cetera. we’d had a bona fide walking zombie drawings of your corpses flick hit the big screen, favorite cartoon characters on Maybe you don’t hit drag and one with a high budget key fobs, and the like. shows and church ice cream and respectable acting gave socials in the same week as us just the proof we needed Nothing against popularity. often as I do, but you catch my that vampires weren’t the only So what, the zombies are “in” drift. We need to move on from supernatural creature we could again, as bell bottoms and zombies now. There are lots respect. It was even cooler pompadours will invariably be of other things we can scare later that year when Shawn of if fashion cycles continue as ourselves with that are just as the Dead managed to spoof predicted.
Load more

Recommended publications
  • Ffaaammmiiilllyyy,,, Ffaaaiiittthh Aannnddd Ffoooooodd
    PhoenixPhoenixBristol eastbayri.com THURSDAY, JULY 17, 2014 VOL. 178, NO. 29 $1.00 Voters to FFaammiillyy,, ffaaiitthh decide school aanndd ffoooodd funding issue Ballot initiatives will determine how enrollment is calculated BY TED HAYES [email protected] Voters will get to decide later this year how exactly to determine how many students are enrolled in the Bristol Warren School Dis- trict every year. It sounds odd, but the issue of enrollment for years has vexed the Joint Finance Committee when it comes to divvying state education aid between the two towns. The biggest issue occurs when there are “spikes” in stu- dent population, either up or down, from one year to the next and in one town and not the oth- er. Since school funding is par- tially based on how many stu- dents are enrolled in each town, those “spikes can cause issues,” PHOTOS BY MANUEL C. “MANNY” CORREIRA Warren Town Council president The statue of Our Lady of Mt. Carmel is carried down High Street in perfect weather conditions Sunday. Chris Stanley said. The legislation, sponsored by Sen. Walter Felag of Warren and 116th OLMC Feast draws huge crowds to sample tables of Italian food, desserts David Bates of Bristol and approved by Gov. Lincoln Chaffee BY MANUEL C. “MANNY” CORREIRA earlier this month, will put a ques- Special to the Phoenix tion on the November ballot that he 116th edition of the Feast of asks residents of Bristol and War- Our Lady of Mt. Carmel took ren whether they want to change place this past weekend with the way enrollment is calculated.
    [Show full text]
  • Decolonizing Rhetoric in Legal Writing for a “Woke” Legal Academy, 21 the Scholar 255 (2019)
    UIC School of Law UIC Law Open Access Repository UIC Law Open Access Faculty Scholarship 12-2019 Still Writing at the Master’s Table: Decolonizing Rhetoric in Legal Writing for a “Woke” Legal Academy, 21 The Scholar 255 (2019) Teri A. McMurtry-Chubb [email protected] Follow this and additional works at: https://repository.law.uic.edu/facpubs Part of the Law and Philosophy Commons, Law and Politics Commons, Law and Race Commons, Law and Society Commons, Legal Education Commons, Legal History Commons, Legal Profession Commons, and the Legal Writing and Research Commons Recommended Citation Teri McMurtry-Chubb, Still Writing at the Master’s Table: Decolonizing Rhetoric in Legal Writing for a “Woke” Legal Academy, 21 The Scholar 255 (2019) https://repository.law.uic.edu/facpubs/734 This Article is brought to you for free and open access by UIC Law Open Access Repository. It has been accepted for inclusion in UIC Law Open Access Faculty Scholarship by an authorized administrator of UIC Law Open Access Repository. For more information, please contact [email protected]. McMurtry-Chubb: Decolonizing Rhetoric in Legal Writing STILL WRITING AT THE MASTER’S TABLE: DECOLONIZING RHETORIC IN LEGAL WRITING FOR A “WOKE” LEGAL ACADEMY1 TERI A. MCMURTRY-CHUBB* I. WESTERN THOUGHT & INVENTIO AND DISPOSITIO AS BARRIERS TO SOCIAL JUSTICE ............................................... 258 A. Mississippi History: Conflict and Change .......................... 261 B. Loewen v. John Turnipseed & the Mississippi State Textbook Purchasing Board ............................................... 266 C. Litigation, Legal Education, & the Dominance of the Western Rhetorical Canon ....................................... 269 II. FROM CANONICITY TO CENTERING OPPOSITIONAL RHETORICS .. 272 A. Indigenous Rhetorics .......................................................... 274 B. African Diasporic Rhetoric ...............................................
    [Show full text]
  • Drag.Qxd (Page 1)
    Academy established its separate its established Academy courtesy Patsy Lynch Patsy courtesy Beulah Buskirk, 2004 Buskirk, Beulah America pageant. In 1986, the 1986, In pageant. America equally diverse in their styles and music with music and styles their in diverse equally took it over as the Miss Gaye Miss the as over it took offer a mix of all backgrounds. Performers are Performers backgrounds. all of mix a offer the St. James, and many others. many and James, St. the leading female impersonators, female leading white. The ethnic circuits overlap where clubs where overlap circuits ethnic The white. Kazans, the Maharises, the O’Haras, the Santanas, the O’Haras, the Maharises, the Kazans, , one of Washington’s of one , Buskirk cuits: African-American, Latino, Asian, and Asian, Latino, African-American, cuits: the Dennises, the Devereaux, the Kanes, the Kanes, the Devereaux, the Dennises, the Beulah a.k.a. Buskirk, Jerry Today’s club scene offers distinct ethnic cir- ethnic distinct offers scene club Today’s include the Bloomingdales, the Blues, the Carreros, the Blues, the Bloomingdales, the include first city-wide pageant. In 1964 In pageant. city-wide first beyond the gay community. gay the beyond eages as well. Well-known DC drag families drag DC Well-known well. as eages started a Masquerade Ball, the Ball, Masquerade a started sional drag performances to an audience far audience an to performances drag sional of them trainees of the Academy) created club lin- club created Academy) the of trainees them of In the fall of 1961, Bill Frye Bill 1961, of fall the In Brice and her Henry Street house brought profes- brought house Street Henry her and Brice trees.
    [Show full text]
  • Martha Wash to Be Honored on World Aids Day Page 13
    Volume 25 • Issue 22 • No. 469 • November 22, 2012 • outwordmagazine.com Martha Wash To Be Honored On World Aids Day page 13 SGMC Lights Your World page 8 Brandy and Miguel page 15 Del Shores & Disco page 17 Drag Queens on Ice Pics! page 21 Our Annual Holiday Shopping Guide is on page 12! COLOR GIVE THE GIFT OF FAIR TRADE, CO-OPERATIVE VALUES AND REAL FOOD FOR EVERYONE OPEN DAILY 7AM–10PM (530) 758-2667 • www.davisfood.coop 620 G Street (cross is Sixth) • Davis 95616 YOUR NEIGHBORHOOD GROCERY STORE... & SO MUCH MORE. 2 Outword Magazine November 22, 2012 - December 13, 2012 • Volume 25 • Issue 22 • No. 469 outwordmagazine.com COLOR Ad Name: Gay Males club Closing Date: 3/28/12 Trim: 10.8125x13 Item #: PBL20109925 QC: CS Bleed: none Job/Order #:238788 Pub: Outword Live: 10.3125x12.5 COLOR 594708_02712 10.8125x13 4c Personal Financial Review You’ve found one another and you’re ready to take the next big step — sharing expenses. Talk to someone who can help you navigate the maze of your personal finances and help you take control of your financial situation. Wells Fargo has a wide range of accounts and services including flexible checking and savings accounts, investments, and loans, and we’ll work with you to create a financial strategy that works for you both. Speak with a Wells Fargo banker today, and take your next big step with confidence. wellsfargo.com © 2011 Wells Fargo Bank, N.A. All rights reserved. Member FDIC. (594708_02712) 594708_02712 10.8125x13 4c.indd 1 8/4/11 10:42 AM Outword Letters Staff actualization.
    [Show full text]
  • How Ninja from Die Antwoord Performs South African White Masculinities Through the Digital Archive
    ZEF AS PERFORMANCE ART ON THE ‘INTERWEB’: How Ninja from Die Antwoord performs South African white masculinities through the digital archive by Esther Alet Rossouw Submitted in fulfilment of the requirements of the degree MAGISTER ARTIUM in the Department of Drama Faculty of Humanities University of Pretoria Supervisor: Dr M Taub AUGUST 2015 1 ABSTRACT The experience of South African rap-rave group Die Antwoord’s digital archive of online videos is one that, in this study, is interpreted as performance art. This interpretation provides a reading of the character Ninja as a performance of South African white masculinities, which places Die Antwoord’s work within identity discourse. The resurgence of the discussion and practice of performance art in the past thirty years has led some observers to suggest that Die Antwoord’s questionable work may be performance art. This study investigates a reconfiguration of the notion of performance art in online video. This is done through an interrogation of notions of risk, a conceptual dimension of ideas, audience participation and digital liveness. The character Ninja performs notions of South African white masculinities in their music videos, interviews and short film Umshini Wam which raises questions of representation. Based on the critical reading of Die Antwoord’s online video performance art, this dissertation explores notions of Zef, freakery, the abject, new ethnicities, and racechanges, as related to the research field of whiteness, to interpret Ninja’s performance of whiteness. A gendered reading of Die Antwoord’s digital archive is used to determine how hegemonic masculinities are performed by Ninja. It is determined that through their parodic performance art, Die Antwoord creates a transformative intervention through which stagnant notions of South African white masculinity may be reconfigured.
    [Show full text]
  • Memphis Dzyn001-052.Indd
    18 1919 MEMPHIS POLICE DEPARTMENT HISTORY THE HISTORY OF THE MEMPHIS POLICE DEPARTMENT Written by Eddie M. Ashmore Researched by Joseph E. Walk Sidebars written by MPD Research and Development emphis began as a rough and tumble riverboat town, second home to characters like Big Mike Fink and Davy Crockett. MThe city was incorporated in 1826, only a few years after General Andrew Jackson acquired the land west of the Tennessee River from the Chickasaws by treaty. Tennessee was part of the western frontier of the young nation. The sheriff of Shelby County was appointed when the county was organized, but soon a law enforcement officer was appointed specifically to serve the town of Memphis. Memphis’s first lawman was John J. Balch. He was elected as Town Constable on May 12, 1827. A town constable had the same power as other constables of the county. The one man Police Department was a tinker by trade. Balch May 4, 1840, “An account to M. M. Wise for three dollars earned his living mainly by mending household pots and pans was also allowed, being for rattlers for the use of the night and other utensils. The job of Town Constable was a part-time watch.” position that included both criminal and civil law enforcement. Rattles used by the police force were wooden noise makers. Balch walked an area of less than one half of a square mile in When the device was rotated by the handle, a flat piece of wood his patrol of the young town, and earned fees from fines and struck against a notched wheel making a clacking sound that licenses.
    [Show full text]
  • (Urban) Jungle Léo Kloeckner
    Urbanités Afrique du Sud – Septembre 2013 – Vu Welcome to the (urban) jungle #éo Kloeckner Le clip (https://youtu.be/AIXUgtNC4Kc) réalisé à l’occasion de la sortie de la chanson Fatty Boom Boom du groupe sud-africain Die Antwoord (Yolandi Visser et de Watkin Tudor Jones) déplie sur le mode du grand-guignol les motifs de l’urbanité sud-africaine contemporaine, et livre une fresque intéressante de Johannesburg, malgré son exotisme caricatural. Ces motifs font écho à ceux que l’on retrouve dans la littérature sud-africaine, notamment dans les romans de Lauren Beukes où la violence urbaine se manifeste sous les espèces de la magie et de l’animalité, mais aussi dans le cinéma si l’on pense par exemple à District 9 de Neill Blomkamp, qui donne à voire de façon métaphorique l’héritage de la ségrégation urbaine en mettant en scène les inégalités entre aliens et êtres humains. Fatty Boom Boom est emblématique du souci de Die Antwoord de rendre compte de la société et de la culture populaire sud-africaine contemporaine, que trahit la narration presque didactique de leurs clips musicaux, et de se définir comme pilier de cette culture. Dans l’ouverture du clip « Dis is why i’m hot » Die Antwoord revendique d’ailleurs ouvertement ce rôle de pilier, au 2 Urbanités – Septembre 2013 Afrique du Sud même titre que Nelson Mandela et District 9. Les hyènes (« Fatty Boom Boom », Die Antwoord) La caricature de Lady Gaga, qui est aussi celle du touriste curieux mais un peu inquiet qui s’aventure dans les quartiers chauds de « Jozie », permet à Die Antwoord de donner dans l’exotisme sans en porter la responsabilité, puisque c’est la vision et les représentations de Lady Gaga et du spectateur étranger qui sont en jeu, et que tous deux sont condamnés d’emblée à être contaminés par des parasites (le Parktown Prawn) ou à être jetés dans la gueule du lion.
    [Show full text]
  • Songs by Title
    Sound Master Entertainment Songs by Title smedenver.com Title Artist Title Artist #thatPower Will.I.Am & Justin Bieber 1994 Jason Aldean (Come On Ride) The Train Quad City DJ's 1999 Prince (Everything I Do) I Do It For Bryan Adams 1st Of Tha Month Bone Thugs-N-Harmony You 2 Become 1 Spice Girls Bryan Adams 2 Legit 2 Quit MC Hammer (Four) 4 Minutes Madonna & Justin Timberlake 2 Step Unk & Timbaland Unk (Get Up I Feel Like Being A) James Brown 2.Oh Golf Boys Sex Machine 21 Guns Green Day (God Must Have Spent) A N Sync 21 Questions 50 Cent & Nate Dogg Little More Time On You 22 Taylor Swift N Sync 23 Mike Will Made-It & Miley (Hot St) Country Grammar Nelly Cyrus' Wiz Khalifa & Juicy J (I Just) Died In Your Arms Cutting Crew 23 (Exp) Mike Will Made-It & Miley (I Wanna Take) Forever Peter Cetera & Crystal Cyrus' Wiz Khalifa & Juicy J Tonight Bernard 25 Or 6 To 4 Chicago (I've Had) The Time Of My Bill Medley & Jennifer Warnes 3 Britney Spears Life Britney Spears (Oh) Pretty Woman Van Halen 3 A.M. Matchbox Twenty (One) #1 Nelly 3 A.M. Eternal KLF (Rock) Superstar Cypress Hill 3 Way (Exp) Lonely Island & Justin (Shake, Shake, Shake) Shake KC & The Sunshine Band Timberlake & Lady Gaga Your Booty 4 Minutes Madonna & Justin Timberlake (She's) Sexy + 17 Stray Cats & Timbaland (There's Gotta Be) More To Stacie Orrico 4 My People Missy Elliott Life 4 Seasons Of Loneliness Boyz II Men (They Long To Be) Close To Carpenters You 5 O'Clock T-Pain Carpenters 5 1 5 0 Dierks Bentley (This Ain't) No Thinkin Thing Trace Adkins 50 Ways To Say Goodbye Train (You Can Still) Rock In Night Ranger 50's 2 Step Disco Break Party Break America 6 Underground Sneaker Pimps (You Drive Me) Crazy Britney Spears 6th Avenue Heartache Wallflowers (You Want To) Make A Bon Jovi 7 Prince & The New Power Memory Generation 03 Bonnie & Clyde Jay-Z & Beyonce 8 Days Of Christmas Destiny's Child Jay-Z & Beyonce 80's Flashback Mix (John Cha Various 1 Thing Amerie Mix)) 1, 2 Step Ciara & Missy Elliott 9 P.M.
    [Show full text]
  • Dichterliebe" by Robert Alexander Schumann
    Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1959 An Analysis of Musical Form, Comparison of Translations, and Interpretations of the "Dichterliebe" by Robert Alexander Schumann David Lynn Walter Eastern Illinois University Follow this and additional works at: https://thekeep.eiu.edu/theses Part of the Musicology Commons Recommended Citation Walter, David Lynn, "An Analysis of Musical Form, Comparison of Translations, and Interpretations of the "Dichterliebe" by Robert Alexander Schumann" (1959). Masters Theses. 4718. https://thekeep.eiu.edu/theses/4718 This Dissertation/Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. Date � ( / .llN AHALYSIS OF J.ftJSICAL FOilH, COl-iPARISOH OF TRANSLATIONS, AND INTERPHETATIONS OF THE DICHTERLIEBE BY ROBE.'R.T ALEXANDE.11. SCHlJ1·WlN A Thesis Presented to the Faculty of the Department of Husic Eastern Illinois University In Partial Eulfillment of the Requirements for the Degree Master of Science in Education by David LYnn Halter -.:> May 1959. TABLE OF CONTENTS� CHAPTER PAGE I. THE PROBLEM 1 II. GENERAL REMARKS. 2 Schumann '.2 Romanticism and the Lied .3 Schumann and.Romanticism 4 Schubert, Schumann, and Wolf 4 Dichterliebe 6 Source 6 List of songs 7 Poetry and music 8 Accompaniments.and vocal line 11 Cyclic links 16 Editions. •.. 18 III. !'!OTES ON EACH ClF THE. SONGS 21 "Im wunder.schonen Monat Hai11' 21 11:11:us meinen Tranen spriessen11 22 11Die Rose, die Lilie, die Taube" 24 11:Wenn ich in deine Allgen seh 111' 25 "ImRhein, im heiligen Strome" 27 e0Ich grolle nicht11· • • •.
    [Show full text]
  • Transgender Research Guide, 1923-2014 Tretter: 357
    Transgender Research Guide, 1923-2014 Tretter: 357 This finding aid was produced using ArchivesSpace on September 29, 2016. English Jean Nickolaus Tretter Collection in GLBT Studies Transgender Research Guide, 1923-2014 Tretter: 357 Table of Contents Summary Information .................................................................................................................................... 3 Scope and Content ......................................................................................................................................... 3 Arrangement ................................................................................................................................................... 4 Administrative Information ............................................................................................................................ 4 Related Materials ........................................................................................................................................... 4 Controlled Access Headings .......................................................................................................................... 5 Collection Inventory ....................................................................................................................................... 6 Transgender Informational Files ................................................................................................................. 6 Transgender Periodicals 1 ........................................................................................................................
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Reading RuPaul's Drag Race: Queer Memory, Camp Capitalism, and RuPaul's Drag Empire Permalink https://escholarship.org/uc/item/0245q9h9 Author Schottmiller, Carl Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Carl Douglas Schottmiller 2017 © Copyright by Carl Douglas Schottmiller 2017 ABSTRACT OF THE DISSERTATION Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire by Carl Douglas Schottmiller Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor David H Gere, Chair This dissertation undertakes an interdisciplinary study of the competitive reality television show RuPaul’s Drag Race, drawing upon approaches and perspectives from LGBT Studies, Media Studies, Gender Studies, Cultural Studies, and Performance Studies. Hosted by veteran drag performer RuPaul, Drag Race features drag queen entertainers vying for the title of “America’s Next Drag Superstar.” Since premiering in 2009, the show has become a queer cultural phenomenon that successfully commodifies and markets Camp and drag performance to television audiences at heretofore unprecedented levels. Over its nine seasons, the show has provided more than 100 drag queen artists with a platform to showcase their talents, and the Drag Race franchise has expanded to include multiple television series and interactive live events. The RuPaul’s Drag Race phenomenon provides researchers with invaluable opportunities not only to consider the function of drag in the 21st Century, but also to explore the cultural and economic ramifications of this reality television franchise.
    [Show full text]
  • Inside This Issue This Inside               Integrity - October 2014 Page 2
    Inside this Issue Miss Gay USofA At Large Lawanda Jackson From the Heart The Skyy’s the Limit Volume 2014 - Issue 10 OCTOBER 2014 Promoter’s Spotlight Clasically Yours October Events Lovingly Angelica Capturing Christo- pher Smooth Sounds of O’Dey Twerkin with Tic Toc Evolving with Eazy Breakin it down with Brandon The Faux/Real DI- VA Mr. Gay USofA At Large & Mr. Gay USofA USofA Pageants 1713 Garden Road Pearland, TX 77581 www.usofa.org [email protected] [email protected] INTEGRITY Is a monthly electronic publication of USofA Pageants copyright 2014 USofA Pageants Integrity - October 2014 Page 2 future was going to hold because I had lost the use of my left leg and my left arm. It was very scary! At that moment I knew exactly who my There’s an old saying that your life could close friends were and to this day I still do. change in seconds. My USofA family put together a PayPal account to help with the expenses. They I never understood what that meant until contacted everyone on Facebook and kept May 31st when I was on the phone with a them informed on what was happening and dear friend Coti Collins and I collapsed. how I was doing. Because of those Face- When I came to on the floor Coti was still on book posts communities and clubs across the phone and said Lawanda you don’t sound the country decided they wanted to do the same. To me it felt like when you fall something to help and I am very grateful asleep and your leg goes to sleep but Coti for that.
    [Show full text]