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CBS Cuts $ on CD Front -Lines
iUI 908 (t,14 **,;t*A,<*fi,? *3- DIGIT 4401 8812 MAR90UHZ 000117973 MONTY GREENLY APT A TOP 3740 ELM 90P07 LONG BEACH CA CONCERTS & VENUES Follows page 56 VOLUME 100 NO. 13 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT March 26, 1988/$3.95 (U.S.), $5 (CAN.) 3-Inch CD Gets Big Play Dealers Get A Big Spring Break As Majors Start Ball Rolling CD Front This story was prepared by Dave said Lew Garrett, vice president of CBS Cuts $ On -lines DiMartino and Geoff Mayfield. purchasing for North Canton, Ohio- will cut prices on selected black, front -line level and will translate based Camelot Music, speaking at a BY KEN TERRY country, and new artist releases and roughly to a $1 drop in wholesale LOS ANGELES The 3 -inch compact seminar. "Now, we're more excited LOS ANGELES In a surprise MCA plans to reduce the cost of its cost. At the same time, CBS will disk got major play at the National about it." move that may have a profound ef- country CD releases (see story, start offering new and developing Assn. of Record- Discussion among many label exec- fect on industry page 71), the CBS package repre- artist product at the $12.98 list ing Merchandis- utives shifted from general concerns pricing of com- sents the most comprehensive as- equivalent, which represents a ers convention with product viability to more specific pact disks, CBS wholesale cut of about $2. NAHM here March 11 -14. matters of packaging. One executive HARM Records plans to Teller keynote, p. -
Jazzletter P-Q Ocrober 1986 P 5Jno;..1O
Jazzletter P-Q ocrober 1986 P 5jNo;..1o . u-1'!-an J.R. Davis,.Bill Davis, Rusty Dedrick, Buddy DeFranco, Blair The Readers . Deiermann, Rene de Knight,‘ Ron Della Chiesa (WGBH), As of August 25, I986, the JazzIetrer’s readers were: Louise Dennys, Joe Derise, Vince Dellosa, Roger DeShon, Michael Abene, John Abbott, Mariano F. Accardi, Harlan John Dever, Harvey Diamond, Samuel H. Dibert’, Richard Adamcik, Keith Albano, Howard Alden, Eleanore Aldrich, DiCarlo, Gene DiNovi, Victor DiNovi, Chuck Domanico, Jeff Alexander, Steve Allen, Vernon Alley, Alternate and Arthur Domaschenz, Mr. and Mrs. Steve Donahue, William E. Independent Study Program, Bill Angel, Alfred Appel J r, Ted Donoghue, Bob Dorough, Ed Dougherty, Hermie Dressel, Len Arenson, Bruce R. Armstrong, Jim Armstrong, Tex Arnold, Dresslar, Kenny Drew, Ray Drummond, R.H. Duffield, Lloyd Kenny Ascher, George Avakian, Heman B. Averill, L. Dulbecco, Larry Dunlap, Marilyn Dunlap, Brian Duran, Jean Bach, Bob Bain, Charles Baker (Kent State University Eddie Duran, Mike Dutton (KCBX), ' School of Music), Bill Ballentine, Whitney Balliett, Julius Wendell Echols, Harry (Sweets) Edison,Jim_Eigo, Rachel Banas, Jim Barker, Robert H. Barnes, Charlie Barnet, Shira Elkind-Tourre, Jack Elliott, Herb Ellis, Jim Ellison, Jack r Barnett, Jeff Barr, E.M. Barto Jr, Randolph Bean, Jack Ellsworth (WLIM), Matt Elmore (KCBX FM), Gene Elzy Beckerman, Bruce B. Bee, Lori Bell, Malcolm Bell Jr, Carroll J . (WJR), Ralph Enriquez, Dewey Emey, Ricardo Estaban, Ray Bellis MD, Mr and Mrs Mike Benedict, Myron Bennett, Dick Eubanks (Capital University Conservatory of Music), Gil Bentley, Stephen C. Berens MD, Alan Bergman, James L. Evans, Prof Tom Everett (Harvard University), Berkowitz, Sheldon L. -
Collegian 2012.Indd
CollegianThis is how college is meant to be. Scholar, Teacher, Mentor: Trudier Harris Returns Home By Kelli Wright Coming home at the end of a long journey is a theme that DR. TRUDIER HARRIS has contemplated, taught, and writ- ten about many times in her award-winning books and in the classroom. Recently, Harris found herself in the midst of her own home- coming, the central character in a narrative that is a familiar part of southern life and literature. When she retired from the University of North Carolina at Chapel Hill, where she was the J. Carlyle Sitterson Professor of English, she was not looking for other work. But her homecoming resulted in an unexpected “sec- ond career” as a professor in the College’s Department of English and a chance to explore new intellectual territories. In addition, it has meant a return to many of the places of her youth, this time in the role of change agent. Raised on an 80-acre cotton farm in Greene County, Ala., Harris was the sixth of nine children. Though her parents had to work hard to make ends meet, they always stressed the impor- tance of education. Harris attended Tuscaloosa’s 32nd Avenue Elementary School, now known as Martin Luther King Elementary School. In the late 1960s she entered Stillman College in Tuscaloosa. Initially she considered a career as a physical educa- tion teacher or a psychiatrist. But losing an intramural race to a young woman who was half as tall as she dampened her desire to teach PE, and the realization that she did not want to listen to people’s problems soured her plans in psychiatry. -
Download the Blood on the Fields Playbill And
Thursday–Saturday Evening, February 21 –23, 2013, at 8:00 Wynton Marsalis, Managing & Artistic Director Greg Scholl, Executive Director Bloomberg is the Lead Corporate Sponsor of this performance. BLOOD ON THE FIELDS JAZZ AT LINCOLN CENTER ORCHESTRA WYNTON MARSALIS, Music Director, Trumpet RYAN KISOR, Trumpet KENNY RAMPTON, Trumpet MARCUS PRINTUP, Trumpet VINCENT GARDNER, Trombone, Tuba CHRIS CRENSHAW, Trombone ELLIOT MASON, Trombone SHERMAN IRBY, Alto & Soprano Saxophones TED NASH, Alto & Soprano Saxophones VICTOR GOINES, Tenor & Soprano Saxophones, Clarinet, Bass Clarinet WALTER BLANDING, Tenor & Soprano Saxophones CARL MARAGHI, Baritone Saxophone, Clarinet, Bass Clarinet ELI BISHOP, Guest Soloist, Violin ERIC REED, Piano CARLOS HENRIQUEZ, Bass ALI JACKSON, Drums Featuring GREGORY PORTER, Vocals KENNY WASHINGTON, Vocals PAULA WEST, Vocals There will be a 15-minute intermission for this performance. Please turn off your cell phones and other electronic devices. Jazz at Lincoln Center thanks its season sponsors: Bloomberg, Brooks Brothers, The Coca-Cola Company, Con Edison, Entergy, HSBC Bank, Qatar Airways, The Shops at Columbus Circle at Time Warner Center, and SiriusXM. MasterCard® is the Preferred Card of Jazz at Lincoln Center. Qatar Airways is a Premier Sponsor and Official Airline Partner of Jazz at Lincoln Center. This concert is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. ROSE THEATER JAZZ AT LINCOLN CENTER’S FREDERICK P. ROSE HALL jalc.org PROGRAM JAZZ AT LINCOLN CENTER 25TH ANNIVERSARY SEASON HONORS Since Jazz at Lincoln Center’s inception on August 3, 1987, when Lincoln Center for the Performing Arts initiated a three-performance summertime series called “Classical Jazz,” the organization has been steadfast in its commitment to broadening and deepening the public’s awareness of and participation in jazz. -
Welcome Back to Paper Mill Playhouse's 80Th
WELCOME FROM THE PRODUCING ARTISTIC DIRECTOR elcome back to Paper Mill Playhouse’s 80th anniversary season and to our groovy, world- Wpremiere production of My Very Own British Invasion! Any fan of popular music is sure to enjoy this nostalgic and energetic trip down memory lane as told through the eyes of Peter Noone, who struck fame at age fifteen as the lead singer for Herman’s Hermits. Lovingly crafted by Tony-nominated book writer Rick Elice ( Jersey Boys, Peter and the Starcatcher, The Cher Show) and Tony winner Jerry Mitchell (Half Time, Kinky Boots, Pretty Woman), who directs and choreographs, this blockbuster retrospective features a rarely heard story, a Paper Mill Playhouse received the 2016 song list jam-packed with favorites, and a cast of the Regional Theatre Tony Award. absolute best actors and musicians of Broadway. Paper Mill recently announced the appointment of our new Managing Director, Michael Stotts, after a nationwide search, and he officially joins the staff as of the opening night of this production. Friends of the New Jersey theatrical community may remember Mike from his previous engagements in leadership roles with the Shakespeare Theatre of New Jersey and George Street Playhouse. He comes to Paper Mill after serving thirteen years at Hartford Stage in Connecticut, where some of his notable projects included the new musicals Anastasia and A Gentleman’s Guide to Love & Murder, which both transferred to Broadway. Mike is a dedicated, passionate, and well-respected arts administrator who brings an incredible skill set to our organization. As Paper Mill prepares for our next phase of growth, he is exactly the coleader I was hoping to find, and we all could not be more thrilled to welcome him back to the Garden State. -
November 1987
EDUCATION DRIVER'S SEAT Playing In Two or Four by Ed Shaughnessy 48 IN THE STUDIO Those First Sessions by Craig Krampf 50 ROCK 'N' JAZZ CLINIC Two-Surface Riding: Part 1 by Rod Morgenstein 52 CORPS SCENE Flim-Flams by Dennis DeLucia 66 MASTER CLASS Portraits in Rhythm: Etude #9 by Anthony J. Cirone 76 ELECTRONIC INSIGHTS MIDI System Interconnections by Jim Fiore 78 ROCK CHARTS Carl Palmer: "Brain Salad Surgery" by William F. Miller 80 Cover Photo by Michael S. Jachles ROCK PERSPECTIVES Ringo Starr: The Middle Period by Kenny Aronoff 90 RANDY CASTILLO JAZZ DRUMMERS' WORKSHOP Imagine this: You are at home with a broken leg, and you get a Your Drum Setup call to audition for Ozzy Osbourne. That happened to Randy by Peter Erskine 94 Castillo, and he got the gig. Here, he discusses such topics as SOUTH OF THE BORDER his double bass drum work and showmanship in drumming. Latin Rhythms On Drumset by John Santos 96 by Robyn Flans 16 CONCEPTS The Natural Drummer CURT CRESS by Roy Burns 104 Known for his work in Germany's recording studios and his CLUB SCENE playing with the band Passport, Curt Cress has also recorded Hecklers And Hasslers with Freddie Mercury, Meatloaf, and Billy Squier. Curt by Rick Van Horn 106 explains why the German approach is attracting British and EQUIPMENT American artists and producers. SHOP TALK by Simon Goodwin 22 Evaluating Your Present Drumset by Patrick Foley 68 PRODUCT CLOSE-UP DRUMMERS OF Pearl MLX/BLX Pro Series Drumkits by Bob Saydlowski, Jr 110 CONTEMPORARY ELECTRONIC REVIEW Korg DDD-1 Drum Machine CHRISTIAN MUSIC: by Rick Mattingly 112 NEW AND NOTABLE 124 PART 1 PROFILES John Gates, Art Noble, and Keith Thibodeaux discuss their PORTRAITS work with a variety of Christian music bands, and clarify what Thurman Barker Christian music is and what it is not. -
Collegian 2014 (PDF)
Volume 23 • No.1 / Fall 2014 This is how college is meant to be… COLLEGIANTHIS IS HOW COLLEGE IS MEANT TO BE. Blount Undergraduate Initiative Celebrates 15th Anniversary It’s a weighty question. What was the most important thing you did while you were in college? For a small group of students in UA’s College of Arts and Sciences, the answer is often instantaneous and simple: The Blount Undergraduate Initiative. Although the four-year liberal arts program comprises a mere 20 percent of each participating student’s course of study, giving each student a minor in the liberal arts, Director Joe Hornsby said he hears the same message from graduating seniors each year. That is, the Blount Initiative was the single most important part of their collegiate careers. MICHELLE FUENTES, a 2007 graduate of the program who received her doctorate in political science from UA this year, is no exception.“Blount has been the most transformative organization I’ve ever participated in,” she said. The program, which boasts one of the strong- College of Arts and Sciences alumnus Jim Noe, far left, is the executive vice president of est 10-year reviews on record, is celebrating its Hercules Offshore, the largest shallow water drilling company in the Gulf of Mexico. 15th anniversary this year with an on-campus commemoration Oct. 31-Nov. 1. All alumni, faculty, and staff who have participated in the Broad Education for a Broad World program are invited to attend. Sociology and criminal justice alumnus Jim Noe leads The Blount Undergraduate Initiative was established in 1999 as an intellectual and social major offshore drilling company haven for exceptional students interested in the liberal arts. -
Jazz at Lincoln Center Orchestra
Jazz at Lincoln Center Orchestra Spaces with Lil Buck and Jared Grimes WHEN: VENUE: WEDNESDAY, BING SEPTEMBER 26, 2018 CONCERT HALL 7∶30 PM Program Artists Spaces by Wynton Marsalis: Jazz at Lincoln Center Orchestra Wynton Marsalis, Ch-Ch-Ch-Chicken Music Director, Trumpet Monkey in a Tree Ryan Kisor, Trumpet Pachyderm Shout Kenny Rampton, Trumpet Leap Frogs Marcus Printup, Trumpet Mr. Penguin Please Vincent Gardner, Trombone Chris Crenshaw, Trombone — INTERMISSION — Elliot Mason, Trombone Sherman Irby, Alto and Soprano Like a Snake Saxophones, Flute, Clarinet Those Sanctified Swallows Ted Nash, Alto and Soprano Saxophones, A Nightingale Flute, Clarinet King Lion Victor Goines, Tenor and Soprano Bees Bees Bees Saxophones, Clarinet, Bass Clarinet Greg Tardy, Tenor and Soprano Saxophones, Clarinet This program is generously supported by Paul Nedzela, Baritone and Soprano Stephanie and Fred Harman and the Koret Foundation, Saxophones, Bass Clarinet with additional support from the Western States Arts Federation Dan Nimmer, Piano and the National Endowment for the Arts. Carlos Henriquez, Bass The Koret Jazz Project is a multiyear initiative to support, expand, and celebrate Charles Goold, Drums the role of jazz in the artistic and educational programming of Stanford Live. Lil Buck and Jared Grimes, Dancers Brooks Brothers is the official clothier of the Jazz at Lincoln Center Orchestra Jazz at Lincoln Center’s commissioning of Spaces was made possible, in part, with Wynton Marsalis. by a leadership gift from Jody and John Arnhold and a generous grant from the Howard Gilman Foundation. PROGRAM SUBJECT TO CHANGE. Please be considerate of others and turn off all phones, pagers, and watch alarms. -
John Kay & Steppenwolf
JOHN KAY & STEPPENWOLF Biography CELEBRATE THEIR 50TH ANNIVERSARY "The central theme of Feed The Fire," says John Kay, "is, 'don't let the bastards get you down!'" Lyrically, songs such as "Rock & Roll Rebels" and "Hold On" focus on the resiliency of the human spirit in spite of life's many setbacks. The title song speaks to the needs of the inner flame that burns in all of us and drives us in our quest for fulfillment. Other tracks, such as "Man On A Mission", "Rock Steady" and "Rage", are songs of defiance and passion, while "Bad Attitude" and "Give Me News I Can Use", rely on tongue-in-cheek and at times sardonic humor to make their point. In Kay's words: "This album is about and for all the rock and roll rebels, be they 14 or 54, who refuse to throw in the towel and who struggle to keep their dreams alive in the face of ever diminishing freedom." With "Feed The Fire," their most potent album in years, Kay and company have written the newest chapter of the Steppenwolf legend. Kay has certainly lived the life of a rock and roll rebel himself. After a perilous midnight escape from post-war East Germany as a child, he grew up with a steady diet of Armed Forces Radio and became inspired by the likes of Little Richard and Chuck Berry. At age 13, John decided to make rock and roll his life. "Considering I was only 13, legally blind, spoke the wrong language and was on the wrong side of the ocean, maybe I was a little optimistic," he says. -
Bob Gordon Discography
BOB GORDON DISCOGRAPHY BOB GORDON RECORDINGS, CONCERTS AND WHEREABOUTS Bob Gordon was born in St. Louis, Missouri, June 11, 1928. He passed away in a car accident between Hollywood and San Diego, CA., August 28, 1955 by Kenneth Hallqvist, Sweden January 2019 Bob Gordon DISCOGRAPHY - Recordings, Concerts and Whereabouts by Kenneth Hallqvist - page No. 1 INTERNAL INFORMATION Colour markings for physical position: IKEA-boxes with Bob Gordon = GREEN IKEA-boxes with Lars Gullin = YELLOW IKEA-boxes with Gerry Mulligan = BLUE Shelves = ORANGE Cupboard = RED Bob played tenor sax with: Shorty Sherock (1946) Alvino Ray (1948-1951) Billy May (1952) Horace Heidt (1952-1953) George Redman (1954) Search for LPs/CDs: GNP J.S.L.P. 50.042: "Maynard Ferguson - Dimensions" (Trip Jazz LP available) EMArcy LP #MG 36044: "Lyle Murphy: Four saxophones in twelwe tones" (10" LP 1955) Mercury CD EJD-1016: COMPACT JAZZ - Maynard Ferguson with Bob Gordon (released in Japan 1989) EMArcy CD #3071: "Introducing Bob Gordon" Bob Gordon DISCOGRAPHY - Recordings, Concerts and Whereabouts by Kenneth Hallqvist - page No. 2 Abbreviations used in this discography acc accordion mda mandola arr arranger mdln mandolin as alto saxophone mel melodica b bass (contrabass or double bass) mgs Moog synthesizer b-cl bass clarinet oboe oboe b-tb bass trombone oca ocarina b-tp bass trumpet org organ bars baritone saxophone p piano bgs bongos panfl pan flute bjo banjo perc percussion bnd bandoneon saxes saxophones bs bass saxophone sop soprano saxophone bsn bassoon st-d steel drums cgs -
2014 Volume 2
Perfer an email version? If you’d like to receive the Bulletin via email instead, please let us know. The money saved on printing and postage Call (802) 721-6916 and leave a message or email [email protected]. costs will be used for children’s care. Kurn Hattin Homes Non Profit Org. PO Box 127 • 708 Kurn Hattin Rd. U.S. Postage Westminster, Vermont 05158 PAID (802) 722-3336 Kurn Hattin www.kurnhattin.org Homes 23rd Annual Conference KURN HATTIN HOMES FOR CHILDREN with Karen Gould & Dianna Christmas 2013 volume i FRIDAY, OCTOBER 24, 2014 8:45 A.M. – 3:30 P.M. WESTMINSTER, VERMONT For more info or to register; Bulletin conference.kurnhattin.org 2014 VOLUME 2 What About the Kids? or contact Darlene Pecor; Substance Use Treatment and Recovery in Families (802) 721-6913, [email protected] KURN HATTIN HOMES FOR CHILDREN Bulletin 2014 Volume 2 Table of Contents Message from the Acting Executive Director .. 2 Alumni Mentoring Alumni ............... 3 Summertime and the Living is Active ...... 4 Alumni Association President’s Message .... 5 FRIDAY, NOV. 14, 2014 Letter from an Alumna ................. 5 Kurn Hattin Album ..................... 6 Bridge Builder ....................... 12 Kurn Hattin Hosts Alumni Association Centennial Celebration ................ 14 On the Cover: Famous Graduate Dick Nash Honored .... 15 FEATURED SPEAKERS FEATURED SPEAKERS Children having a great time during one of the many Meet the Chairman of the PATRICIA ANNINO; nationally GREG HAMMOND CFP®, CPA; square dances held during Executive Committee ................. 16 recognized authority on estate nationally respected wealth the years when Mr. Mayo and and tax planning— management expert— Emerging Voices: Featuring the Creative Mr. -
Jazz at Lincoln Center Orchestra
CAL PERFORMANCE PRESENTS ABOUT THE ARTISTS Tuesday, September 22, 2009, 8pm The Jazz at Lincoln Center Orchestra (JLCO), Freddie Hubbard, Charles McPherson, Marcus Zellerbach Hall composed of 15 of today’s finest jazz soloists and en- Roberts, Geri Allen, Eric Reed, Wallace Roney semble players, has been the Jazz at Lincoln Center and Christian McBride, as well as from current and resident orchestra for over 13 years. Featured in all former JLCO members Wynton Marsalis, Wycliffe Jazz at Lincoln Center Orchestra aspects of Jazz at Lincoln Center’s programming, Gordon, Ted Nash and Ron Westray. Over the last the remarkably versatile JLCO performs and leads few years, the JLCO has performed collaborations with educational events in New York, across the United with many of the world’s leading symphony or- States and around the world; in concert halls, chestras, including the New York Philharmonic, Wynton Marsalis dance venues, jazz clubs, public parks, river boats the Russian National Orchestra, the Berlin and churches; and with symphony orchestras, bal- Philharmonic, the Boston, Chicago, and London let troupes, local students and an ever-expanding symphonies, and the Orchestra Esperimentale in roster of guest artists. Education is a major part São Paolo, Brazil. In 2006, the JLCO collaborated Wynton Marsalis music director, trumpet of Jazz at Lincoln Center’s mission, and its educa- with Ghanaian drum collective Odadaa!, led by James Zollar trumpet tional activities are coordinated with concert and Yacub Addy, to perform Congo Square, a compo- Ryan Kisor trumpet JLCO tour programming. sition Mr. Marsalis and Mr. Addy co-wrote and Marcus Printup trumpet These programs, many of which feature JLCO dedicated to Mr.