Collegian 2014 (PDF)
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CBS Cuts $ on CD Front -Lines
iUI 908 (t,14 **,;t*A,<*fi,? *3- DIGIT 4401 8812 MAR90UHZ 000117973 MONTY GREENLY APT A TOP 3740 ELM 90P07 LONG BEACH CA CONCERTS & VENUES Follows page 56 VOLUME 100 NO. 13 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT March 26, 1988/$3.95 (U.S.), $5 (CAN.) 3-Inch CD Gets Big Play Dealers Get A Big Spring Break As Majors Start Ball Rolling CD Front This story was prepared by Dave said Lew Garrett, vice president of CBS Cuts $ On -lines DiMartino and Geoff Mayfield. purchasing for North Canton, Ohio- will cut prices on selected black, front -line level and will translate based Camelot Music, speaking at a BY KEN TERRY country, and new artist releases and roughly to a $1 drop in wholesale LOS ANGELES The 3 -inch compact seminar. "Now, we're more excited LOS ANGELES In a surprise MCA plans to reduce the cost of its cost. At the same time, CBS will disk got major play at the National about it." move that may have a profound ef- country CD releases (see story, start offering new and developing Assn. of Record- Discussion among many label exec- fect on industry page 71), the CBS package repre- artist product at the $12.98 list ing Merchandis- utives shifted from general concerns pricing of com- sents the most comprehensive as- equivalent, which represents a ers convention with product viability to more specific pact disks, CBS wholesale cut of about $2. NAHM here March 11 -14. matters of packaging. One executive HARM Records plans to Teller keynote, p. -
Collegian 2012.Indd
CollegianThis is how college is meant to be. Scholar, Teacher, Mentor: Trudier Harris Returns Home By Kelli Wright Coming home at the end of a long journey is a theme that DR. TRUDIER HARRIS has contemplated, taught, and writ- ten about many times in her award-winning books and in the classroom. Recently, Harris found herself in the midst of her own home- coming, the central character in a narrative that is a familiar part of southern life and literature. When she retired from the University of North Carolina at Chapel Hill, where she was the J. Carlyle Sitterson Professor of English, she was not looking for other work. But her homecoming resulted in an unexpected “sec- ond career” as a professor in the College’s Department of English and a chance to explore new intellectual territories. In addition, it has meant a return to many of the places of her youth, this time in the role of change agent. Raised on an 80-acre cotton farm in Greene County, Ala., Harris was the sixth of nine children. Though her parents had to work hard to make ends meet, they always stressed the impor- tance of education. Harris attended Tuscaloosa’s 32nd Avenue Elementary School, now known as Martin Luther King Elementary School. In the late 1960s she entered Stillman College in Tuscaloosa. Initially she considered a career as a physical educa- tion teacher or a psychiatrist. But losing an intramural race to a young woman who was half as tall as she dampened her desire to teach PE, and the realization that she did not want to listen to people’s problems soured her plans in psychiatry. -
Welcome Back to Paper Mill Playhouse's 80Th
WELCOME FROM THE PRODUCING ARTISTIC DIRECTOR elcome back to Paper Mill Playhouse’s 80th anniversary season and to our groovy, world- Wpremiere production of My Very Own British Invasion! Any fan of popular music is sure to enjoy this nostalgic and energetic trip down memory lane as told through the eyes of Peter Noone, who struck fame at age fifteen as the lead singer for Herman’s Hermits. Lovingly crafted by Tony-nominated book writer Rick Elice ( Jersey Boys, Peter and the Starcatcher, The Cher Show) and Tony winner Jerry Mitchell (Half Time, Kinky Boots, Pretty Woman), who directs and choreographs, this blockbuster retrospective features a rarely heard story, a Paper Mill Playhouse received the 2016 song list jam-packed with favorites, and a cast of the Regional Theatre Tony Award. absolute best actors and musicians of Broadway. Paper Mill recently announced the appointment of our new Managing Director, Michael Stotts, after a nationwide search, and he officially joins the staff as of the opening night of this production. Friends of the New Jersey theatrical community may remember Mike from his previous engagements in leadership roles with the Shakespeare Theatre of New Jersey and George Street Playhouse. He comes to Paper Mill after serving thirteen years at Hartford Stage in Connecticut, where some of his notable projects included the new musicals Anastasia and A Gentleman’s Guide to Love & Murder, which both transferred to Broadway. Mike is a dedicated, passionate, and well-respected arts administrator who brings an incredible skill set to our organization. As Paper Mill prepares for our next phase of growth, he is exactly the coleader I was hoping to find, and we all could not be more thrilled to welcome him back to the Garden State. -
October 2009.Pmd
“The Rest of the Story” by Ahmad Alaadeen, offers music instruction and jazz history. New book tells "The Rest of the Story" ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ By Grace Sankey-Berman ○○○○○○○○○○○○○○○○○○○○○○○○○ KANSAS CITY, Mo.—Ahmad Photo by Grace Sankey-Berman Alaadeen has written a jazz instruction October 2009 manual called “The Rest of The Story,” Vol. 14, Number 4 which the Berman Music Foundation helped to publish. It is a collection of music and lessons the Kansas City saxophonist compiled over many years, with fascinating stories about his music In this issue career. On Aug. 2, I attended a book- Ahmad Alaadeen and Fanny at book- signing event at the Musician Mutual signing in Kansas City BMF history documented...................3 Institute. Lincoln Center Jazz review.................4 It was also a celebration of sic from an early age, but said that he Alaadeen’s 75th birthday. A cross sec- could not have published this book with- John Kay & Steppenwolf review.............5 tion of the Kansas City arts community out the persistence of his long-time part- Andrea Marcovicci review......................6 was in attendance, including Stan ner and manager, Fanny. His face lit up Wycliffe Gordon review......................7 Kessler of the Sons of Brasil and when he spoke of Fanny, whom he re- Mulgrew Miller Trio review................8 Sharon Valleau of Kansas City fers to in his book as “the heartbeat Barbeque and All That Jazz, which pro- next to mine.” Mark Eisenman Quintet review............9 vides hospitality services for visitors He also credits her for saving his Les Paul memorial.............................10 who want to combine the food and the life. -
John Kay & Steppenwolf
JOHN KAY & STEPPENWOLF Biography CELEBRATE THEIR 50TH ANNIVERSARY "The central theme of Feed The Fire," says John Kay, "is, 'don't let the bastards get you down!'" Lyrically, songs such as "Rock & Roll Rebels" and "Hold On" focus on the resiliency of the human spirit in spite of life's many setbacks. The title song speaks to the needs of the inner flame that burns in all of us and drives us in our quest for fulfillment. Other tracks, such as "Man On A Mission", "Rock Steady" and "Rage", are songs of defiance and passion, while "Bad Attitude" and "Give Me News I Can Use", rely on tongue-in-cheek and at times sardonic humor to make their point. In Kay's words: "This album is about and for all the rock and roll rebels, be they 14 or 54, who refuse to throw in the towel and who struggle to keep their dreams alive in the face of ever diminishing freedom." With "Feed The Fire," their most potent album in years, Kay and company have written the newest chapter of the Steppenwolf legend. Kay has certainly lived the life of a rock and roll rebel himself. After a perilous midnight escape from post-war East Germany as a child, he grew up with a steady diet of Armed Forces Radio and became inspired by the likes of Little Richard and Chuck Berry. At age 13, John decided to make rock and roll his life. "Considering I was only 13, legally blind, spoke the wrong language and was on the wrong side of the ocean, maybe I was a little optimistic," he says. -
Crimson White 1974
the GAMEDAY somehow knew polar bears Scene are left-handed 16 This Friday Thursday, October 6, 2011 Serving the University of Alabama since 1894 Vol. 118, Issue 35 Students show homecoming spirit in effort to fi ght hunger Debate over gun control continues Group advocates right for concealed carry on campuses CW | Drew Hoover CW | Margo Smith This year, at least 14 states have introduced 35 bills that would Laura Phillips and Kristy Tippey, members of Materials Advantage Club for Metallurgical Engineering, participate in the Can Formation com- allow students and faculty to carry concealed weapons on state petition Wednesday afternoon. For more on homecoming, see page 8. colleges and universities. By Rich Robinson Contributing Writer As the freshly energized debate over allowing firearms on FERPA overused, law’s author says college campuses is brought back into the spotlight by the actions of state legislatures across the country, it is important to remember the event that served as its impetus. Law not originally intended to apply to student governments The Virginia Tech massacre was the worst killing spree in American history. Colin Goddard survived. He was shot four By Tray Smith the law was never intended to York told The Crimson White 1974. times by Seung-Hui Cho, who killed 32 people and wounded 16 Opinions Editor shield records about Student when asked if student govern- Buckley’s comments came others in the 2007 rampage. [email protected] Government Association activ- ment records were outside a week after the UA adminis- “It was my fourth year,” recounts Goddard in a phone inter- ities from the public. -
John Kay & Steppenwolf
JOHN KAY & STEPPENWOLF In the chaotic world of rock 'n' roll, in which the lifespan of most bands can be measured in terms of a few years or a few months, John Kay and Steppenwolf have emerged as one of rock's most enduring and respected bands, delivering hard-hitting, personally-charged music for more than three decades. In the late 1960s, Steppenwolf embodied that era's social, political and philosophical restlessness, building an impressive body of edgy, uncompromising rock 'n' roll that retains its emotional resonance more than three decades after the band's formation. Such Steppenwolf standards as "Born to Be Wild," "Magic Carpet Ride," "Rock Me" and "Monster" stand amongst Rock's most indelible anthems. At last count, the band's worldwide record sales exceed 25 million units. Its songs remain fixtures on classic-rock radio, and have been licensed for use in approximately 50 motion pictures and an even greater number of television programs. And, in addition to being the first band to use the term "heavy metal" in a song (in "Born to Be Wild"), Steppenwolf's punchy style helped to establish the fundamentals of the hard-rock sound that would flourish in the 1970s. Steppenwolf's remarkable resilience is largely a reflection of the fierce determination and never-say-die tenacity that's driven Kay for much of his life. He was born Joachim Fritz Krauledat in 1944 in the section of Germany then known as East Prussia. He never knew his father, who was killed fighting in Russia a month before John's birth. -
Crimson White
LIFESTYLES 8 NEWS 3 Vintage T-shirt sale UA Environmental Council starts a comes to UA community garden Tuesday, October 11, 2011 Serving the University of Alabama since 1894 Vol. 118, Issue 37 Athletic trainers: the other team on the fi eld Students help tend to injured Tide players through Athletic Training Education Program By Aldo Amato ropes through he Athletic Training Contributing Writer “Injuries happen all the time in Education Program (ATEP), which sports, and as allied health profes- provides exposure to students by As Alabama strength coach Scott sionals we are called on as part placing them in clinics and athletic Cochran comes across the screen at of the recovery and rehabilitation programs both at Alabama and in Bryant-Denny Stadium, the crowd process.” high schools around Tuscaloosa. erupts and Alabama fans across the Upon completion of the program, stadium put up four fingers to signal — Jacob Bell each student must pass the Board the beginning of the fourth quarter. Third-year athletic training student of Certification exam in order to be The Crimson Tide knows it is time to fully certified as an athletic trainer shine as it looks to carry on the tradi- in Alabama. tion of being the best fourth-quarter in-game assistance to players in team in football. need. More than meets the eye However, there is another team on “We are, in a sense, the first the field who also is well prepared responders on the field,” said Dr. Many in the crowd assume that ath- for the fourth quarter. They too Deidre Leaver-Dunn, associate pro- letic trainers are no more than water- are donned in crimson and provide fessor of health science and director boys. -
2016 Media Guide Cover.Pdf 1 7/11/16 11:23 AM
2016 Media Guide Cover.pdf 1 7/11/16 11:23 AM C M Y CM MY CY CMY K 2016 MEDIA GUIDE mailing address Ohio Expo Center 717 E. 17th Ave Columbus, OH 43211 614-644-3247 / 888-646-3976 OhioExpoCenter.com OhioStateFair.com ohio state fair general manager Virgil Strickler marketing and pr director Alicia Shoults 614-644-4011 [email protected] visual communications director Julian O’Loughlin 614-644-4013 [email protected] marketing and pr coordinators Catherine Graham 614-644-4432* [email protected] Kenzie Johnston 614-644-4433* k.johnston@ expo.state.oh.us Krista McComb 614-644-4434* [email protected] Erin Pogue 614-644-4012* [email protected] fax number Public Relations Office Fax: 614-644-4031 *These numbers will ring directly to the Media Center during the Fair. connect with us Don’t forget #OhioStateFair! www.facebook.com/ohiostatefair @OhioStateFair @OhioStateFair www.pinterest.com/ohiostatefair www.youtube.com/theohiostatefair table of contents Media Information.................................................................. 5 Media Parking and Directions ...................................................5 Registration Information ......................................................... 5 WCOL Celeste Center Guidelines .............................................. 7 General Information ..............................................................8 Hours and Admission ................................................................8 Ohio Expositions Commission ..................................................9 -
Grandmaster Flash and the Furious Five
GRANDMASTER CUTS FASTER: THE STORY OF GRANDMASTER FLASH AND THE FURIOUS FIVE By Chuck Miller Originally published in Goldmine, 1997. "Flash comes out first complete with rousing introduction, takes off a black cape and -- plays records. He goes to the double turntables at the back of the stage and cuts and blends bits of "Good Times" and "Another One Bites The Dust" -- not just the usual segues but real tight-to-the-beat mixes and tricks like holding the edge of the record so the beat clicks back on itself: the vinyl "talks" rap-style ... The Furious Five -- the MC's, the rappers -- come out one by one in glitzy black and white outfits, talking fast, faster, fastest. They had this choreography that reminded me of the old Temptations -- classic but knife-sharp -- and they were in constant motion even when they broke out of the routines. They would hold their mikestands out over the crowd to get the response: 'Say hooo!' 'Hooo!' 'Somebody scream!'" (Vince Aletti, "Golden Voices and Hearts of Steel," The Village Voice, May 6, 1981). They entertained crowds for free, five rappers and a sixth man who used phonograph turntables as musical instruments. The Clash wanted them to be their opening act. Blondie performed a #1 song about their parties. Duran Duran covered their songs. For 20 years, Grandmaster Flash and the Furious Five brought hip-hop from the parks of 137th Street and Gunhill Road to radio stations across the world. Grandmaster Flash, the disc jockey who created the group, could trace his involvement with music to the early 1960's, when a young Joseph Saddler constantly raided his father's prized record collection.