Thursday –Saturday Evening, October 24–26, 2013, at 8:00

Wynton Marsalis, Managing and Artistic Director Greg Scholl, Executive Director

Abyssinian: A Gospel Celebration

Jazz at Orchestra , Music Director, , Trumpet KENNY RAMPTON, Trumpet , Trumpet VINCENT GARDNER, , Tuba CHRIS CRENSHAW, Trombone ELLIOT MASON, Trombone , Alto and , Flute, Clarinet TED NASH, Alto and Soprano Saxophones, Flute, Piccolo, Clarinet , Tenor and Soprano Saxophones, B b and Bass Clarinets , Tenor and Soprano Saxophones, Clarinet PAUL NEDZELA, Baritone , B b and Bass Clarinets , CARLOS HENRIQUEZ, Bass ALI JACKSON, Drums and

Chorale Le Chateau DAMIEN L eCHATEAU SNEED, Conductor with

REV. DR. CALVIN O BUTTS, III, Sermon

There will be a 20-minute intermission during this performance. Please turn off your cell phones and other electronic devices. at Lincoln Center acknowledges the generous underwriters of the Abyssinian: A Gospel Celebration tour, The Steward Family Foundation and Ray & Barbara Dalio. thanks its season sponsors: Bloomberg, Brooks Brothers, The Coca-Cola Company, Con Edison, Entergy, HSBC Bank, Qatar Airways, The Shops at at Time Warner Center, and SiriusXM.

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Jazz at Lincoln Center’s Please make certain your cellular phone, Rose Theater pager, or watch alarm is switched off. Frederick P. Rose Hall jalc.org Jazz at Lincoln Center

Chorale Le Chateau Damien LeChateau Sneed, Conductor

Rasul A-Salaam Maryvel Gonzalez John Rawlins III Justin Michael Austin Jamal Green Brittany Robinson Martin Bakari Amber Harris Cameron James Ross Derrick Baskin Kaleb Alexander Hopkins Timothy Springs Jeanette Blakeney Candice Hoyes Quiana Smith Clayton Brown Clinton Ingram Travis Smith Quinn Brown Arielle Jacobs Karyn Stevenson Chenee Campbell Michael Jahlil Sharol Stone Joe Caruncho Jr. Edward Jordan Gabrielle Stravelli Rafael Clark Jonathan Kirkland Elaine Sturkey Lauren Michelle Criddle Tesia Kwarteng Brandie Sutton Emily Dankworth Latoya Lewis Laina Sweetney Tynan Davis Marvin Lowe Jennalyn Thomas Josh Adam Dawson Maria Marsalis Nathaniel Thompson Lauren Dawson Ann McCormack Tonya Thompson George Dowdy Richard McMichael Bobby W. Walker Sequina Dubose Lynette Rhett McNeil Joanna Wallfisch Patrice Eaton Jamal Moore Matia Washington Patricia Pates Eaton Belinda Munro Montavius Wells Stephanie Estep Djore Nance Kortland Whalum Christine Fanuel Darnell Norman Kali Wilder Eustacia Foster Jonathan Owens Jorell Williams Shani Foster Nicole Phifer Allyson Wilson Ayana George Marquita Raley Jazz at Lincoln Center

Program

WYNTON MARSALIS The Abyssinian Mass

I. Devotional II. Call to Worship III. The Lord’s Prayer IV. Processional “We Are On Our Way” V. Invocation and Chant VI. Responsive Reading Matthew 5:3-12 The Beatitudes VII. Gloria Patri VIII. Prayer “Pastoral Prayer” IX. Choral Response “Through Him I’ve Come to See” X. Anthem “Glory to God in the Highest”

Intermission

XI. Scripture Isaiah 56:7 XII. Meditation “Lord Have Mercy” XIII. Sermon “The Unifying Power of Prayer” Part I. “This House is God’s House” Part II. “The Power of Prayer” Part III. “Everyone Has a Place” XIV. Invitation “Come and Join the Army” XV. Offertory a. The Father b. The Son c. The Holy Ghost XVI. Doxology XVII. Recessional “The Glory Train” XVIII. Benediction XIX. Amen Jazz at Lincoln Center

Notes on the Program contemporary gospel songs. In addition to his stellar musical credentials, Mr. by Greg Thomas © 2013 Sneed also possesses a sterling heart. Coming off a nine-state tour, Wynton He is an ambassador for classical and Marsalis and the Jazz at Lincoln Center gospel music who brings positivity, Orchestra are joined in the House of Swing optimism, and thoroughness to every by the 70-member choir Chorale Le occasion. His talent stretches across Chateau, led by conductor Damien Sneed. traditional divisions. In the realest Marsalis and Sneed have been collabo - sense, he uses his artistry to make our rating since Marsalis first composed this world a better place. work, a compositional re-enactment based on the order of service of the Abyssinian Sneed and Marsalis harmonized their Baptist Church, in honor of the historic visions to refine the orchestration for the Harlem church’s 200th anniversary in 2008. tour and tonight’s show, which will be recorded for possible release. Sneed The Abyssinian Mass continues Marsalis’ describes the Abyssinian Mass as “inge - aesthetic investigation of the power of spir - nious” and emphasizes Marsalis’ years of itual optimism to confront or transcend the study of Jewish and Christian religious his - blues, as first presented on the smaller tory and culture to write the Mass libretto ensemble work, In This House, On This with integrity. Going beyond press Morning (1992). This theme also inspirited accounts in 2008 that aptly recalled the the large-scale All Rise , featuring jazz big integration of idiomatic tech - band, symphony orchestra, and choir. niques with gospel shouts and plaintive moans, call and response vocalizations, Tonight’s choir, says Sneed, is comprised and prayerful moments of quiet solitude, of top-flight artists from The Metropolitan Sneed relates other qualities that make and Broadway, as well as standout tonight’s rendition special. jazz and gospel singers. Having grown up performing in the church, I formed the choir back in January 2009 Sneed marvels at the keen manner in which for President Obama’s first inaugura - Marsalis devised each movement to cap - tion. Jazz at Lincoln Center wanted me ture the emotional timbre and communal to get a group of singers to go there intent of a church service while stylizing the with them to sing in the Celebration of orchestration with his own fingerprint. The America program. So, I hand-selected “Devotional” begins the Mass with open people that I’ve worked with over the choir voicing and harmony recalling early years, from going to high school in music in Western history, coupled with a Augusta, to D.C. for grad downward modulation as the vocal regis - school, and people I’ve met while ters ascend. “Lord’s Prayer” is eclectic, working at The or for synthesizing European choral approaches other professional engagements. with jazz styling similar to Singers Unlimited and Lambert, Hendricks, and Ross. The Marsalis was drawn to Sneed’s musical “Processional” features Basie-like swing depth: with primal choir stomps and hand claps, marching “down the streets of Glory land,” Damien works well under pressure and followed by “Invocation and Chant,” where is capable of performing a startling a member of the trombone section sings range of music from baroque and clas - and improvises as the choir holds a hum in sical pieces to romantic warhorses to the fashion of Ladysmith Black Mambazo. Jazz at Lincoln Center

“The effect is very ethereal and transcen - “Recessional,” exhibiting not only mastery dent and uplifting. It really makes you feel of train onomatopoeia, but relating Old and that it’s a chant taking you to a higher New Testament history via a roll call of bib - place of existence within the service,” lical characters set to the chords of Antonio Sneed says. Carlos Jobim’s “Waters of March” and ’s “A Real Slow Drag” from the “Responsive Reading” is plaintive, soft, opera Treemonisha as they “ride up to with a feeling akin to Lester “Pres” Young. heaven on the Glory train.” “Gloria Patri” features familiar choral call and response juxtaposed with intricate sax - Such catholic diversity is a musical reflec - ophone section passages. After intermis - tion of the meaning of tonight’s service: sion, one of the many highlights is the everyone has a place in the House of God.

Libretto THE LORD’S PRAYER Our Father, Who art in heaven The Abyssinian Mass Hallowed be Thy name. WYNTON MARSALIS Thy Kingdom come. Thy will be done, On Earth as it is in Heaven. DEVOTIONAL Lord, give us this day our daily bread. Hmm, hmm, hmm And forgive us our trespasses, I didn’t hear nobody prayin’ As we forgive those who trespass against us. I didn’t hear nobody sayin’ I didn’t hear nobody And lead us not into temptation, Calling on the Lord But deliver us from evil Thank you, Lord Yes, Yes, Yes I didn’t hear nobody prayin’ For Thine is the Kingdom, I didn’t hear nobody sayin’ For Thine is the Kingdom, I didn’t hear nobody For Thine is the Kingdom, Calling on the Lord The power, the glory, Forever and ever and ever I didn’t hear nobody prayin’ I didn’t hear nobody sayin’ In thy Holy name. I didn’t hear nobody Calling on the Lord PROCESSIONAL Lord, Lord, Lord If you need Him, Yes, Lord. Raise your voice and tell Him so. Yes, Lord. If you seek Him, Yes, my Lord. Raise your hand and let Him know. CALL TO WORSHIP When you praise Him, Lift your head up to the sky. God is great! And greatly to be praised! When you find Him, Worship the Lord in the beauty of Holiness. Bare your soul and testify. Fear before Him all, all, all, all the Earth! Oh! Hallelujah We are on our way Jazz at Lincoln Center

To the house of the Lord INVOCATION AND CHANT To the house of the Lord Father, please come sit with us now We march onward Father, please come teach us just how Down the streets of the Glory land Father, how to live by your plan Steady walkin’ Father, hold our souls in Your hand Right to the house of the Son of Man Father, please be with us always He will greet us on the shores of Galilee With us please, through dark painful days There’s no stopping this almighty Jubilee With us now Lord, we sing in praise

Looyah RESPONSIVE READING Glory Hallelujah Glory Hallelujah Blessed are the humble of spirit. Yes! We’re on our way Blessed are the humble and poor

Bah-bah dah dah dah dee Blessed are the humble of spirit dah dah dah dah, Hear me children, Bah-bah dah dah dah dee Knock, knock on the door dah dee dah For theirs is the kingdom of Heaven We march onward Yes Lord theirs, is the kingdom of Heaven Down the streets of the Glory land Steady walkin’ Blessed are they who mourn in Zion Right to the house of the Son of Man Blessed are they who mourn and weep

He will greet us on the shores of Galilee Blessed are they who mourn in Zion There’s no stopping this almighty Jubilee Listen children, ‘fore you speak To the House of the Lord To the House of the Lord For they shall be comforted, For they shall be comforted If you need Him, Raise your voice and tell Him so Blessed are the meek and quiet, If you seek Him, Blessed are the quiet and meek Raise your hand and let Him know Blessed are the meek and quiet When you praise Him, Hear me children, Lift your head up to the sky What I speak When you find Him, Bare your soul and testify For they shall inherit the earth, For they shall inherit the earth Oh! Hallelujah We are on our way Are they blessed who hunger after righteousness? We are marching to the House of the Lord Yes, my Lord We are marching to the House of the Lord Are they blessed who hunger after Hallelujah. righteousness? Yes, my Lord Jazz at Lincoln Center

For they shall be filled, World without end, For they shall be filled Amen, Amen World without end, Are the merciful blessed? Amen, Amen Yes, Lord PRAYER Are the merciful blessed? Yes, Lord Before the hills in order stood, And Earth received its frame. For they shall obtain God’s mercy From everlasting thou art God, To endless years the same. Are they blessed, the pure in heart? Oh Lord, we thank You Yes, my Lord Lord we thank you for life itself Are they blessed, the pure in heart? and for the privilege of being in the house Yes, my Lord of prayer. Oh, Lord, we thank You For they shall see God, They shall see God You’ve been good to us, Oh, Lord Better than we’ve been to ourselves. Blessed are the peacemakers Lord, we want to thank You Bless them all who make the peace. Blessed are the peacemakers You woke us up this morning, Listen children, what I speak started us on our way. Thank you, Lord. For they shall be called the children of God For they shall be called the children of God You put food on our tables, clothes on our backs. Oh! Blessed are the persecuted Lord, thank You. Oh, blessed are, oh for righteousness sake Oh! Blessed are the persecuted You delivered us from danger, Hear me children, what I say Seen and unseen. Lord we want to thank You. For theirs is the Kingdom of Heaven For theirs is the Kingdom of Heaven If we had ten thousand tongues, For theirs is the Kingdom of Heaven we could not thank you enough (And the Kingdom of Heaven, I say) Thank you, O Lord.

GLORIA PATRI Recitation:

Oh glory be Now, Dear Jesus Oh glory be Please have Mercy, Come by here. Glory be to the Father Somebody needs You, Lord. And to the Son We know you are a heart fixer and a mind And to the Holy, Holy, Holy Ghost regulator. Come by, Lord, and mend a broken heart. As it was in the beginning, Wipe tears from eyes; turn some sinner Is now and ever, ever shall be around. Jazz at Lincoln Center

Heal our bodies, Lord. Early Sunday morning, Ease our troubling minds. God raised him up from the dead. Save our children. Stop by the hospitals. Now he sits at the right hand of God Set the wrongly imprisoned free. Waiting to judge the quick and the dead.

O Lord, my Lord, CHORAL RESPONSE How excellent is Thy name in all the Earth. How great Thou art, Oh, oh, oh, oh, The God of my salvation. Our Lord is my savior, but Through him I’ve come to see Choir: Just before I close my eyes, Our God He: I whisper that, in praise, Set his course through 42 generations, Oh Our Lord is my guiding light. Plant Himself in Blessed Mary’s womb, With Him I long to be. Entered this world all bloody and sweaty, Wrapped up, wrapped up, wrapped up, Our Lord gave with loving kindness wrapped up, On Mount Calvary. Wrapped up in swaddling clothes. Oh, Jesus is my savior but, In Him all people free. Our Lord He: Grew in wisdom and stature, ANTHEM Was baptized by John in the Jordan stream, Tempted of the devil and delivered of Glory to God, angels, Glory to God. Yes our Lord would reign supreme. Glory to God in the highest, Our Lord He: Glory to God in the highest. Went out preaching the Kingdom, Feeding the hungry, Glory to God, Giving sight to the blind, Glory to God. Casting out devils, Healing the sick, Glory to God in the highest, Making the lame walk and raising the dead, Glory to God in the highest. Just on what he said. He spoke the light from darkness, Our Lord was loved by His friends, He framed the open sky. Hated by His enemies. He laid the earth’s foundation, Caused forest and field to thrive. Our Lord was misunderstood, Falsely accused. Glory to God, Glory to God. Our Lord was tried before Pilate, Hung on a Roman cross, He set the bright stars in motion, Buried in a borrowed grave, Made all that swims and flies. Battled in Hell, Brought forth the animals that walk the (Battled in Hell) ground, Two days. He never blinked His eyes. Jazz at Lincoln Center

Glory to God Ahh ahh ahh ahh Glory to God. Ahh ahh was lost Ahh I was, I oh Lord He forged a man and woman, To be fruitful and multiply. SERMON PART 1 Sat down on that seventh day, And heard them testify. Ooo! Yes, this house is God’s house, God’s house, God’s house, Glory to God, Yes, this house is God’s house Glory to God. Long as it shall be.

Glory to God in the highest. Yes, this land is God’s land. God’s land, God’s land, Glory to God in the highest. Yes, this is God’s land, Glory to God. Far as we can see.

SCRIPTURE Yes this house is God’s house, Don’t belong to me. Soloist: Yes, this land is God’s land, Far as we can see. These I will bring to my holy mountain. And give them joy. Oh! Yes, my soul is God’s soul, God’s soul, God’s soul. Chorus: Yes, my soul is God’s soul, Don’t belong to me. And give them joy, In my house of prayer. PART 2

Soloist: Come together Through the power of prayer. In my house of prayer, Be together In my house of prayer, In the power of prayer. In my house of prayer. Stay together With the power of prayer. Chorus: We shall find peace of mind For my house shall be called Over the Lord, A house of prayer for all, all, all, all Over the Lord. nations. Hallelujuah, Hallelujah, Hallelujah MEDITATION PART 3 Mmm mmm mmm mmm mercy Mmm mmm, Mercy Everyone has a place On my, mmm Oh, everyone has a place Everyone has a place Ooo ooo ooo ooo In the House of God. Ooo ooo, Oh my Oh my Lord Our Lord spoke of what will be When He set the temple free, Free for all who seek Him Jazz at Lincoln Center

Everyone has a place Won’t you come and join the army of the Oh, everyone has a place Jubilee, Everyone has a place Carrying the banner of the Prince of Peace. In the House of God. Come and join the army of the Holy revelry, All the people dancin’, singin’, sayin' INVITATION O-E O-E-OEOE, O-E-O-E-O!

Join the army, Lift up this heavy burden, Come join the army Not gonna let it ride. Pick up this heavy burden, Won’t you come and join the army of the Not gonna let it slide. Jubilee, We’ll be carrying the banner cross the We gonna march ‘round the tree of life, Red Red Sea. Carryin’ our golden shield. Won’t you come and join the army of the March ‘round the tree of life, Holy Revelry, Standin’ in that old field. All the people dancin’, singin’, sayin' O-E O-E-OEOE, O-E-O-E-O! O! Everybody sing, O! Hallelujah. Won’t you come and join the army of the O! Everybody sing, Jubilee O! Hallelujah. We are carryin’ the banner to Victory. Won’t you come and join the army of the Hallelujah, Hallelu Holy Revelry, Hallelujah, hallelujah, lelujah All the people dancin’, singin’, sayin' O-E O-E-OEOE, O-E-O-E-O! DOXOLOGY

We gon’ lift up this heavy burden, Praise God, Heavy for you and me. From whom all blessings flow. O I say we’re gonna lift up this heavy burden, Praise Him, Pick it up and let it be. All creatures here below.

We gon’ march ‘round the tree of life, Praise Him above, Circle with our golden shield. Ye heavenly host. O, I say we’re gonna march ‘round the Praise Father, Son, tree of life, And Holy Ghost. Marching ‘round that old field. RECESSIONAL Say, He’s gonna lay down His heavy hammer, I’m goin’ straight up to heaven, Listen to that hammer ring. Straight up to heaven to see my Lord. He’s gonna lay down his heavy hammer, I’m goin’ straight up to heaven, Listen to that hammer sing. Straight up to heaven to see my Lord.

O! Everybody sing, And it be beautiful, O! Hallelujah. And it be glorious, O! Everybody sing, And it be marvelous, O! Hallelujah. And it be wonderful. Jazz at Lincoln Center

I’m goin’ ride up to heaven, All the fountains of gold, Ride up to heaven on the Glory train. Crystal rivers and streams. I’m goin’ right up to heaven, And the ringing of bells, Straight up to heaven on the Glory train. Holy angels who tells The glory of Christ When I ride, I’m a ridin’ with my white robe on, Oh! The Lamb of God My white robe on. The Savior of man, Oooh, oooh, oooh. Oh! The light of the world, I say, the Prince of Peace, I’m goin’ straight up to heaven, The Redeemer, the Lord, Straight up to heaven to see my Lord. And the bringer of mercy and kindness I’m goin’ straight up to heaven, and love. Straight up to heaven to see my Lord. Oh! That powerful love, And yes the Lord will see, That still brings a true healing And He will smile at me To this whole world And He will hold my hand, As we sing, as we sing, as we sing, Ah-a-a! Up in the Glory land. I’m goin’ straight up to heaven, I’m on my way to heaven, Straight up to heaven to see my Lord. Right past the pearly gates to see my Lord. I’m on my way, way way, up to heaven, I’m on my way up to heaven, Right past the pearly gates to see my Lord. Right past the pearly gates to see my Lord. I’m going’ right up to heaven, When I ride, I’m a ridin’ with my white Straight up to heaven on the Glory train. robe on, My white robe on. And it be beautiful, Whoo, whoo, whoo. And it be wonderful, And it be glorious, I’m goin’ straight up to heaven, And it be marvelous. Straight up to heaven to see my Lord. I’m goin’ ride up to heaven, And yes the Lord will see, Ride up to heaven on the Glory train. And He will smile at me. I’m on my way to heaven, (on my) And He will hold my hand, Right past the pearly gates to see my Lord. Up in the Glory land. Them Holy Bells will ring, I see Ezekial’s wheel, And all those Angels sing. And Moses’ staff, And the thundering of Jericho. When I ride, Done climbed Jacob’s ladder I’m-a ridin’ with my white robe on, With the patience of Job, My white robe on. And the faith of Father Abraham, Whoo, whoo, whoo.

Sweet Mother Mary and Mary and Martha, BENEDICTION John, John the Baptizer, John the Revalator, Lord, from You, all things. Even old Methusaleh standing there Though we are many, With Lazarus. In life and death, We are truly one. Jazz at Lincoln Center

Just the calling of Your Holy Name Amen, amen, amen Releases us to perceive The oneness in all, of all. Blessed be Father, Blessed be. You have given us Blessed we go forth through Your word, In Thy Holy name. the Divine thought. Amen, amen, amen And the Divine thought is the Divine manifestation Go in peace, IS Holy action. Love and serve the Lord. Let us Mighty is the healing of Thy name Go in peace, O! Most High. Love and serve the Lord. Go forth and shout it In kingdoms earthly and divine. Blessed our mothers, And blessed our fathers AMEN Blessed our brothers in Thy Holy Name.

Amen, amen, amen Blessed our mothers and O Father we go forth in Thy Holy Name. Blessed our sisters, Blessed our brothers in Thy Holy name. Oh, peace be unto you, Oh, peace be unto me. Amen, amen, amen Oh, blessed be the name of the Lord. Almighty God, Oh, blessed be thy name, Amen. Forever Holy be, Forever blessed be Thy Holy Name, Amen, amen, amen Forever be. O Father we go forth in Thy Holy Name. O Lord forever be, Blessed our sisters, O Lord, oh blessed be, And blessed our brothers. Forever blessed be Thy Holy Name, Blessed our mothers, Forever be. Blessed our fathers in Thy Holy Name. Amen, amen, amen Jazz at Lincoln Center

Meet the Artists by Jazz at Lincoln Center. The event raised more than $3 million for the Higher Ground Relief Fund to benefit the musicians, music industry-related enterprises, and other indi - viduals and entities from the areas in Greater who were impacted T R

A by Hurricane Katrina. Marsalis helped lead W E

T the effort to construct Jazz at Lincoln S

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N Center’s home—Frederick P. Rose Hall— A

R Wynton Marsalis F the first education, performance, and Wynton Marsalis (Music Director, Trumpet) broadcast facility devoted to jazz, which is the managing and artistic director of Jazz opened in October 2004. at Lincoln Center and a world-renowned trumpeter and composer. Born in New Orleans, Louisiana in 1961, Marsalis began his classical training on trumpet at age 12, entered The Juilliard School at age 17, and N

then joined and the Jazz W O R B Messengers. He made his recording debut Damien E U

as a leader in 1982, and has since recorded Q LeChateau Sneed more than 60 jazz and classical recordings, Damien Sneed ( Conductor ) A sought-after which have won him nine GRAMMY ® pianist, organist, vocal coach, conductor, Awards. In 1983 he became the first and composer, arranger, lecturer, and producer, only artist to win both classical and jazz Damien Sneed is a native of Augusta, GRAMMYs ® in the same year and Georgia. Sneed’s professional affiliations repeated this feat in 1984. Marsalis is also (as a professor, performer, artistic consul - an inter nationally respected teacher and tant, and more) include the City University spokesman for , and has of New York (CUNY), The Juilliard School, received honorary doctorates from dozens the Martina Arroyo Foundation, Jazz at of U.S. universities and colleges. He has Lincoln Center, New Brunswick Theological written six books; his most recent are Seminary, and Yamaha. He served as Squeak, Rumble, Whomp! Whomp! musical director for season four of BET’s Whomp! , illustrated by Paul Rogers and Gospel singing competition, Sunday Best . published by Candlewick Press in 2012, Sneed was the accompanist and arranger and Moving to Higher Ground: How Jazz for several times, most Can Change Your Life with Geoffrey C. notably on the bicentennial of Abraham Ward, published by Random House in Lincoln’s birth, at a performance attended 2008. In 1997 Marsalis became the first by President and Mrs. Obama, and jazz artist to be awarded the prestigious more recently at the International AIDS Pulitzer Prize in music for his oratorio Blood Conference at the Kennedy Center. He has on the Fields, which was commissioned by also served as music director for Rhonda Jazz at Lincoln Center. In 2001 he was Ross, including in 2013 at the second appointed Messenger of Peace by Mr. Kofi Inaugural Ball for President , Annan, Secretary-General of the United and at a concert headlined by . Nations, and he has also been designated Sneed led the world premiere of Wynton cultural ambassador to the United States of Marsalis’ Abyssinian Mass with the Jazz at America by the U.S. State Department Lincoln Center Orchestra and 150-voice through their CultureConnect program. choir at Jazz at Lincoln Center in 2008. He Marsalis was instrumental in the Higher also led a performance of Abyssinian Mass Ground Hurricane Relief concert, produced at London’s Barbican Centre. In the gospel Jazz at Lincoln Center genre and beyond, he has performed in featured on Damien Sneed’s debut CD, Europe, Japan, the United States, Virgin Introspections LIVE, and will be recording Islands, and South America. Sneed was its own project to be released in 2014. nominated for a 2010 GRAMMY ® Award for traditional gospel music album for his exten - Reverend Dr. Calvin O. Butts, III sive work on Vickie Winans’ How I Got Education and faith are the hallmarks of the Over . In December 2012 he made his ministry of the Reverend Dr. Calvin O. debut as featured soloist in Butts, III, infusing his life, his work, and his Diogo Pereira’s Fier Herzog and performed teachings. As pastor of the nationally with the Coro do Gospel de Madrid in Spain. renowned Abyssinian Baptist Church in the Sneed recently joined Lawrence Brownlee City of New York, and president of the for a recital of arias, art songs, and spirituals, SUNY –College at Old Westbury, Dr. Butts’ and he recorded Spiritual Sketches, a CD of sincere commitment to enhancing the his arrangements of African-American spiri - kingdom of God on earth is evidenced in a tuals, released in June 2013 on his label, loyal attention to the daily activities and LeChateau Earl Records. This past spring, services of the congregation, as well as the Sneed also conducted Nkeiu Okoye’s new pervasive impact of the church on commu - opera at SUNY –Albany. His nity development initiatives including latest recording, LIVE in , fea - homelessness, senior citizen and youth turing his group The Levites, is due for empowerment, cultural awareness, and release in early winter 2013. Join Sneed on ecumenical outreach. Dr. Butts is often November 9 when he hosts Jazz at Lincoln invited to preach in distinguished pulpits Center’s Jazz for Young People concert, throughout New York, nationally, and inter - Jazz Meets Gospel. nationally. He has traveled to Africa, China, Cuba, Europe, the Middle East, Netherlands, Chorale Le Chateau South America, and throughout the Chorale Le Chateau is a musical group Caribbean. He has been recognized as a developing a remarkable reputation for its Living Treasure by the vivid interpretations of vocal literature, Chamber of Commerce and Industry. from Renaissance vocal literature to jazz, spirituals, gospel, and avant-garde contem - Walter Blanding porary music. Damien Sneed, the artistic Walter Blanding (Tenor and Soprano director and founder, selected each singer Saxophones, Clarinet) was born into a from his personal experiences as a per - musical family on August 14, 1971 in former, professor, and conductor over Cleveland, Ohio. He began playing the saxo - the past 20 years. Members hail from var - phone at age six and by age 16, he was per - ious parts of the world and come from per - forming regularly with his parents at the forming arts institutions and venues such . Blanding attended LaGuardia as The Juilliard School, The Metropolitan High School of Music and Art and Opera, , , Performing Arts and continued his studies at The City University of New York, Morgan the New School for Social Research where State University, American Musical and he earned a B.F.A. in 2005. His 1991 debut Dramatic Academy, and many more. release, Tough Young Tenors , was Members include amateurs and profes - acclaimed as one of the best jazz albums of sionals, GRAMMY ® Award winners, col - the year, and his artistry began to impress lege professors, and students. Chorale Le listeners and critics alike. He has been a Chateau has been featured at the Kennedy member of the Jazz at Lincoln Center Center, Jazz at Lincoln Center’s Rose Orchestra since 1998 and has performed, Theater, Columbia University, and the City toured and/or recorded with his own groups University of New York. The choral group is and with such renowned artists as the Cab Jazz at Lincoln Center

Calloway Orchestra, , Hilton Hampton, Virginia. After singing, playing Ruiz, Orchestra, piano, violin, saxophone, and French horn at Big Band, , , an early age, he decided on the trombone at Wynton Marsalis Quintet, Isaac Hayes, and age 12. He attended Florida A&M University many others. Blanding lived in Israel for four and the University of North Florida. He soon years and had a major impact on the music caught the ear of Mercer Ellington, who scene while touring the country with his hired Gardner for his first professional job. own ensemble and with U.S. artists such as After graduating from college, he moved to , , Vanessa Rubin, and Brooklyn, New York, completed a world tour others invited to perform there. He taught with Lauryn Hill in 2000, then joined the Jazz music in several Israeli schools and eventu - at Lincoln Center Orchestra. Gardner has ally opened his own private school in Tel served as instructor at The Juilliard School, Aviv. During this period, Newsweek as visiting instructor at Florida State International called him a “Jazz Ambassador University and Michigan State University, to Israel.” and as adjunct instructor at The New School. He has contributed many arrangements to Chris Crenshaw the Jazz at Lincoln Center Orchestra and Chris Crenshaw (Trombone) was born in other ensembles. In 2009 he was commis - Thomson, Georgia on December 20, 1982. sioned by Jazz at Lincoln Center to write Since birth, he has been driven by and sur - “The Jesse B. Semple Suite,” a 60- minute rounded by music. When he started playing suite inspired by the short stories of piano at age three, his teachers and fellow . Gardner is featured on a students noticed his aptitude for the instru - number of notable recordings and has ment. This love for piano led to his first gig recorded five CDs as a leader for with Echoes of Joy, his father Casper’s Steeplechase Records. He has performed group. He picked up the trombone at 11 and with The Orchestra, Bobby hasn’t put it down since. He graduated from McFerrin, Harry Connick, Jr., The Saturday Thomson High School in 2001 and received Night Live Band, Chaka Khan, A Tribe Called his bachelor’s degree with honors in jazz Quest, and many others. performance from Valdosta State University in 2005. He was awarded Most Outstanding Victor Goines Student in the VSU Music Department and Victor Goines (Tenor and Soprano College of Arts. In 2007 Crenshaw received Saxophones, B b and Bass Clarinets) is a his Master’s degree in Jazz Studies from native of New Orleans, Louisiana. He has The Juilliard School where his teachers been a member of the Jazz at Lincoln Center included Dr. Douglas Farwell and Wycliffe Orchestra and the Wynton Marsalis Septet Gordon. He has worked with Gerard Wilson, since 1993, touring throughout the world Jiggs Whigham, , Marc Cary, and recording more than 20 albums. As a , , Eric leader, Goines has recorded seven albums Reed, and many more. In 2006 Crenshaw including his most recent release Twilight joined the Jazz at Lincoln Center Orchestra (2012) on Rosemary Joseph Records. A and in 2012 he composed “God’s gifted composer, Goines has more than 50 ,” a spiritually-focused work original works to his credit. He has recorded which was premiered by the orchestra at and/or performed with many noted jazz and Jazz at Lincoln Center. popular artists including Ahmad Jamal, , , , Vincent Gardner , , , Vincent Gardner ( Trombone, Tub a) was born , Ellis Marsalis, Dianne in Chicago in 1972 and was raised in Reeves, , Marcus Roberts, Jazz at Lincoln Center

Diana Ross, , and a host of Full Circle (1996) and Big Mama’s Biscuits others. Currently, he is the director of jazz (1998), on Blue Note. Irby toured the U.S. studies/professor of music at Northwestern and the Caribbean with the Boys Choir of University. He received a bachelor of music Harlem in 1995, and was a member of the degree from Loyola University in New Jazz at Lincoln Center Orchestra from 1995 Orleans in 1984, and a master of music to 1997. During that tenure, he also recorded degree from Virginia Commonwealth and toured with Marcus Roberts, was part of University in Richmond in 1990. ’s Jazz Ahead Program and Roy Hargrove’s groups. After a four-year stint Carlos Henriquez with Roy Hargrove, Irby focused on his own Carlos Henriquez ( Bass ) was born in 1979 in group in addition to being a member of Elvin the Bronx, New York. He studied music at a Jones’ ensemble and Papo Vazquez’s Pirates young age, played guitar through junior high Troubadours. Since 2003 Irby has been the school and took up the bass while enrolled in regional director for JazzMasters Workshop, The Juilliard School’s Music Advancement mentoring young children, and a board Program. He entered LaGuardia High School member for the CubaNOLA Collective. He of Music & Arts and Performing Arts and formed Black Warrior Records and released was involved with the LaGuardia Concert Black Warrior, Faith, Organ Starter, and Live Jazz Ensemble which went on to win first at the Otto Club under the new label. place in Jazz at Lincoln Center’s Essentially Ellington High School Jazz Band Competition Ali Jackson and Festival in 1996. In 1998, swiftly after Ali Jackson ( Drum s) developed his talent on high school, Henriquez joined the Wynton drums at an early age. In 1993 he graduated Marsalis Septet and the Jazz at Lincoln from Cass Tech High School and in 1998 Center Orchestra, touring the world and fea - was the recipient of Michigan’s prestigious tured on more than 25 albums. Henriquez Artserv Emerging Artist award. As a child, has performed with artists including Chucho he was selected as the soloist for the Valdes, Paco De Lucia, Tito Puente, the “Beacons Of Jazz” concert which honored Marsalis Family, Willie Nelson, Bob Dylan, legend at New School Stevie Wonder, Lenny Kravitz, Marc University. After earning an undergraduate Anthony, and many others. He has been a degree in music composition at the New member of the music faculty at School University for Contemporary Music, School of Music he studied under and Max since 2008, and was music director of the Roach. Jackson has been part of Young Jazz at Lincoln Center Orchestra’s cultural Audiences, a program that educates New exchange with the Cuban Institute of Music York City youth on jazz. He has performed with Chucho Valdes in 2010. and recorded with artists including Wynton Marsalis, Dee Dee Bridgewater, Aretha Sherman Irby Franklin, , Harry Connick, Jr., Sherman Irby ( Alto and Soprano Saxophones, KRS-1, Marcus Roberts, Joshua Redman, Flute, Clarinet) was born and raised in Vinx, Seito Kinen Orchestra conductor Seiji Tuscaloosa, Alabama. He found his musical Ozawa, , and the New York City calling at age 12. In high school, he played Ballet. His production skills can be heard on and recorded with gospel immortal James George Benson’s GRP release Irreplaceable . Cleveland. He graduated from Clark Jackson is also featured on the Wynton University with a B.A. in Music Education. In Marsalis Quartet recordings The Magic Hour 1991 he joined Johnny O’Neal’s Atlanta- (Blue Note, 2004), and From the Plantation based quintet. In 1994 he moved to New to the Penitentiary (Blue Note, 2007). York City then recorded his first two albums, Jackson collaborated with jazz greats Cyrus Jazz at Lincoln Center

Chestnut, , and ship. He has won the following awards: on Gold Sounds (Brown Brothers, 2005) that Daily Telegraph Young Jazz Soloist (under transformed songs by indie alternative rock 25) Award, the prestigious Frank Rosolino band Pavement into unique virtuosic inter - Award, the International Trombone pretations with the attitude of the church Association’s Under 29 Jazz Trombone and juke joint. He has been a member of the competition, and Berklee’s Slide Hampton Jazz at Lincoln Center Orchestra since 2005. Award in recognition of outstanding perfor - Jackson currently performs with the mance abilities. He moved to New York City Wynton Marsalis Quintet, Horns in the after graduation and in 2008, Mason joined Hood, and leads the Ali Jackson Quartet. He Northwestern University’s faculty as the also hosted “Jammin’ with Jackson,” a jazz trombone instructor. Mason has per - series for young musicians at Jazz at Lincoln formed with , the Center’s Dizzy Club Coca-Cola . He is also Mingus Big Band, the Maria Schneider the voice of “Duck Ellington,” a character in Orchestra, and the Maynard Ferguson Big the Penguin book series Baby Loves Jazz Bop Nouveau. A member of the Jazz at that was released in 2006. Lincoln Center Orchestra since 2006, Mason also continues to co-lead the Mason Ryan Kisor Brothers Quintet with his brother. The Ryan Kisor ( Trumpet ) was born on April 12, Mason Brothers released their debut 1973 in Sioux City, Iowa, and began playing album, Two Sides, One Story in 2011. trumpet at age four. In 1990 he won first prize at the Institute’s Ted Nash first annual Trumpet Ted Nash (Alto and Soprano Saxophones, Competition. Kisor enrolled in Flute, Piccolo, Clarinet) was born into a School of Music in 1991 where he studied musical family in Los Angeles. His father, with trumpeter . He has per - Dick Nash, and uncle, the late Ted Nash, formed and/or recorded with the Mingus were both well-known jazz and studio musi - Big Band, the Orchestra, Horace cians. The younger Nash exploded onto the Silver, , and ’s jazz scene at eighteen, moved to New York Liberation Music Orchestra, the Carnegie and released his first album, Conception Hall Jazz Band, the Philip Morris Jazz All- (). He is co-leader of the Jazz Stars, and others. In addition to being an Composers Collective and is constantly active sideman, Kisor has recorded several pushing the envelope in the world of “tradi - albums as a leader including Battle Cry tional jazz.” His group Odeon has often (1997), The Usual Suspects (1998), and been cited as a creative focus of jazz. Many Point of Arrival (2000). He has been a of Nash’s recordings have received critical member of the Jazz at Lincoln Center acclaim, and have appeared on the “best- Orchestra since 1994. of” lists in , New Yorker, Village Voice, Globe, and Newsday . Elliot Mason His recordings, The Mancini Project Elliot Mason ( Trombone ) was born in (Palmetto Records) and Sidewalk Meeting England in 1977 and began trumpet lessons (Arabesque Recordings), have been placed at age four with his father. At age seven, he on several “best-of-decade” lists. His album switched his focus from trumpet to trom - Portrait in Seven Shades was recorded by bone. At 11 years old, he was performing in the Jazz at Lincoln Center Orchestra and various venues, concentrating on jazz and was released in 2010. The album is the first improvisation. By 16, Mason left England to composition released by the JLCO featuring join his brother Brad Mason at the Berklee original music by a band member other than College of Music on a full tuition scholar - bandleader Wynton Marsalis. Jazz at Lincoln Center

Paul Nedzela Lincoln Center , among other broadcasts. He Paul Nedzela ( , B b and has released four of his own albums on the Bass Clarinets) was born in New York City Venus label (Japan). in 1984 and has quickly become one of the top baritone saxophone players around. Marcus Printup After graduating with honors and a degree Marcus Printup ( Trumpet ) was born and in mathematics from McGill University in raised in Conyers, Georgia. His first musical 2006, Nedzela received the Samuel L. experiences were hearing the fiery gospel Jackson scholarship and continued his music his parents sang in church. While musical studies at The Juilliard School. He attending the University of North Florida on a has studied with baritone saxophone leg - music scholarship, he won the International ends , , and Trumpet Guild Jazz Trumpet competition. In Roger Rosenberg, and has played with 1991 Printup’s life changed when he met his renowned artists and ensembles including mentor, the great pianist Marcus Roberts. Wess Anderson, Paquito D’Rivera, Benny Roberts introduced him to Wynton Marsalis, Golson, , Christian McBride, which led to Printup’s induction into the Jazz and The Temptations. Nedzela also per - at Lincoln Center Orchestra in 1993. Printup formed in ’s Broadway show, has recorded with Betty Carter, Dianne Come Fly Away, as well as at major festi - Reeves, Eric Reed, Madeline Peyroux, Ted vals, such as The Nash, , Wycliffe Gordon, and and The Banff Music Festival. Roberts, among others. He has recorded several records as a leader: Song for the Dan Nimmer Beautiful Woman, Unveiled, Hub Songs, Dan Nimmer (Piano) was born in 1982 in Nocturnal Traces, The New Boogaloo, Peace , Wisconsin. With prodigious in the Abstract, Bird of Paradise, London technique and an innate sense of swing, his Lullaby, Ballads All Night, and A Time for playing often recalls that of his own heroes Love . He made his screen debut in the 1999 , , Erroll Garner, movie Playing by Heart and recorded on the and . Nimmer studied classical film’s soundtrack. August 22 has been piano and eventually became interested in declared “Marcus Printup Day” in his home - jazz. He began playing gigs with renowned town of Conyers, Georgia. saxophonist and mentor Berkley Fudge. Nimmer studied music at Northern Illinois Kenny Rampton University and became one of Chicago’s Kenny Rampton ( Trumpet ) joined the Jazz at busiest piano players. A year after moving to Lincoln Center Orchestra in 2010. He also New York City, he became a member of the leads his own sextet in addition to per - Jazz at Lincoln Center Orchestra and the forming with the Mingus Big Band, The Wynton Marsalis Quintet. Nimmer has Mingus Orchestra, The Mingus Dynasty, worked with , Willie Nelson, George Gruntz’ Concert Jazz Band, and The , George Benson, Frank Manhattan Jazz Orchestra (under the direc - Wess, , Tom Jones, Benny tion of Dave Matthews). In 2010 Rampton Golson, Lewis Nash, , Ed performed with The Scottish National Jazz Thigpen, Wess “Warmdaddy” Anderson, Orchestra at the Edinburgh International Fareed Haque, and many more. He has Festival, and was the featured soloist on the appeared on The Tonight Show with Jay /Gil Evans classic version of Leno, The Late Show with David Letterman, Porgy and Bess. He toured the world with The View, The , Live The Ray Charles Orchestra in 1990 and with from Abbey Road, and PBS’ Live from the legendary jazz drummer Panama Francis, Jazz at Lincoln Center

The Savoy Sultans, and The Jimmy McGriff advances a unique vision for the continued Quartet, with whom he played for 10 years. development of the art of jazz by producing As a sideman, Rampton has performed with a year-round schedule of performance, edu - Mingus Epitaph (under the direction of cation, and broadcast events for audiences ), Bebo Valdez’ of all ages. These productions include con - All-Stars, Maria Schneider, the Afro-Latin certs, national and international tours, resi - Jazz Orchestra, Charles Earland, Dr. John, dencies, weekly national radio programs, , , Illinois television broadcasts, recordings, publica - Jacquet, Geoff Keezer, Christian McBride, tions, an annual high school jazz band com - and a host of others. Most recently, he was petition and festival, a band director hired as the trumpet voice on Sesame academy, jazz appreciation curriculum for Street. Some of his Broadway credits students, music publishing, children’s con - include Finian’s Rainbow, The Wiz, Chicago: certs and classes, lectures, adult education The Musical, In The Heights, Hair, Young courses, student and educator workshops, Frankenstein, and The Producers. and interactive websites. Under the leader - ship of Managing and Artistic Director Jazz at Lincoln Center Wynton Marsalis, Chairman Robert J. Appel, Jazz at Lincoln Center is dedicated to and Executive Director Greg Scholl, Jazz at inspiring and growing audiences for jazz. Lincoln Center produces thousands of With the world-renowned Jazz at Lincoln events each season in its home in New York Center Orchestra and a comprehensive City, Frederick P. Rose Hall, and around the array of guest artists, Jazz at Lincoln Center world. For more information, visit jalc.org.

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Inc Richard Hogan Steven Mazzuchelli Stuart Saal Katherine C. Wickham Alan Holtz Mary and R. Lawrence George H. Sands, MD Maria and David Wildermuth Waring Hopkins McCaffrey Phyllis W. Bertin and Michael E. Wiles Donna Raftery and Merridith and Robert Anthony M. Saytanides Shelley and Robert Willcox Vincent Inconiglios McCarthy Cynthia and Brian Scanlan Janice Savin Williams and Joy and Jonathan Ingham Sandy and Michael Barbara and James Schadt Christopher Williams Adam Inselbuch McManus Amy Katz and Irving Scher Richard M. Winn III Khalil Jackson Joyce F. Menschel Karenna Gore Schiff and Benjamin Winter Andrea Montalbano and Lybess Sweezy and Andrew N. Schiff The Craig E. Wishman Diron Jebejian Ken Miller Irwin Schloss Foundation Steven Joubert Irene Weiss Miller and June and Paul Schorr Wolfensohn Family Laurence Jurdem Jeffrey D. Miller Annette Mitchell Scott Foundation Marni and Eric Kaltman Jennifer and Scott Miller Robin and Enrique Senior Karen Wood Clarence Kam Cheryl and Philip Milstein Bennett Shapiro Anne Youngblood

As of September 1, 2013 1

UPCOMING EVENTS Jazz at Lincoln Center’s Frederick P. Rose Hall

November 2013 THE ALLEN ROOM ROSE THEATER Ladies Sing The Blues November 8–9 at 7pm & 9:30pm Family Concert: Jazz Meets Gospel Vocalists Catherine Russell, , and Charenee Wade will channel the independent, liber- November 9 at 1pm & 3pm ated spirits, and pioneering vocalizations of 1920s A mainstay of Jazz at Lincoln Center's programming blues divas (“the Empress of the since 1992, the perennially popular Jazz for Young Blues”), Mamie Smith (“the Queen of the Blues”), People® series teaches key musical concepts and Ma Rainey (“the Mother of the Blues”), and of the other fundamentals via hour-long, interactive, family- legendary icon of stage and film, Ethel Waters. friendly concerts that illuminate the subject at hand Featuring arrangements of this era, pianist Mark with a light, amusing touch, while delving into a Shane takes the reins as Music Director, enlivening theme from another major performance of the this important strain of American music and demon- season. The subject of this family concert is "Jazz strating the ageless relevance of this century-old Meets Gospel," in which the dynamic young pianist transcendence of love’s follies through innuendo, and conductor Damien Sneed explores the deep and revelation, and stomping the blues away. These per- soulful connections between these two iconic formances also feature trumpeter Jon-Erik Kellso, genres, drawing on the music of giants such as Duke saxophonist and clarinetist Mark Lopeman, trom- Ellington, , and Wynton Marsalis to bonist Harvey Tibbs, guitarist Matt Munisteri, bassist demonstrate how the styles have been combined to Tal Ronen, and drummer Mark McLean. create important works. Free pre-concert activities at 12:15pm and 2:15pm. : Modern Jazz Guitar November 22 at 7pm Music From Pakistan: Sachal Jazz November 23 at 9:30pm Ensemble & JLCO with Wynton Marsalis At 82, the universally influential guitarist and NEA November 22–23 at 8pm Jazz Master Jim Hall, recently appointed Chevalier by The Sachal Jazz Ensemble is a group of virtuosic France’s prestigious Order of Arts and Letters, master musicians from Pakistan who incorporate remains committed to the experimentation and Eastern instruments such as sitar, sarod, tabla, and boundary- breaking that has defined his career. Hall dholak into new interpretations of jazz standards that performs with his exemplary trio and in two or three are informed by their own rich musical tradition. In guitar combinations with the spectacular Peter this ground-breaking collaboration, the Jazz at Lincoln Bernstein and John Abercrombie, both of whom Center Orchestra with Wynton Marsalis and the have been deeply influenced by Hall. Sachal Jazz Ensemble will create and then premiere Free live music and tastings, nightly, 6pm. entirely new arrangements, blending the sonorities of modern and ancient instruments and using the jazz Chris Potter’s Underground Orchestra form to integrate American values of blues and swing November 22 at 9:30pm with sophisticated and highly-evolved Eastern music November 23 at 7pm traditions. Oscar-winning director Sharmeen Obaid- Protean saxophonist Chris Potter, called “one of the Chinoy is filming the remarkable Sachal Jazz most studied (and copied) saxophonists on the planet” Ensemble for a documentary to be released in 2014, by DownBeat Magazine and “one of the best musi- which will conclude with this highly anticipated JLCO cians around” by saxophone legend , collaboration. This project furthers JALC’s commit- leads Underground, one of the freshest units of jazz ment to cross-cultural understanding. today. The plugged-in quartet will present an expanded Free live music and tastings, nightly 6pm. version of their works with acoustic elements. Free pre-concert discussion, nightly, 7pm. Free live music and tastings, nightly, 6pm.

Except where noted, all venues are located in Jazz at Lincoln Center’s Frederick P. Rose Hall, Time Warner Center, 5th floor Tickets starting at $10 To purchase tickets call CenterCharge: 212-721-6500 or visit: jalc.org. The Jazz at Lincoln Center Box Office is located on Broadway at 60th Street, Ground Floor. Hours: Monday-Saturday, 10am-6pm; Sunday, 12pm-6pm. For groups of 15 or more: 212-258-9875 or jalc.org/groups. For more information about our education programs, visit jalc.org/learn. For Swing University and WeBop enrollment: 212-258-9922. Find us on Facebook, Twitter, YouTube, and Foursquare. 1

UPCOMING EVENTS

Jazz at Lincoln Center’s Frederick P. Rose Hall

Jacky Terrasson Quartet October 2013 with Cécile McLorin Salvant (11/10 only) November 7–10 Christian McBride Trio 7:30pm & 9:30pm with and Ulysses Owens, Jr. October 22–27 Monday Nights with WBGO 7:30pm & 9:30pm Jon Cowherd Mercy CD Release November 11 Judy Carmichael Quartet 7:30pm & 9:30pm I Love Being Here With You with Harry Allen, Chris Flory, Jay Leonhart, and The Danny Mixon Quartet Mike Renzi with Lisle Atkinson, George Gray, and James October 28 Stewart 7:30pm & 9:30pm November 12 7:30pm & 9:30pm Antonio Sanchez and Migration with David Binney, John Escreet, Matt Brewer, and Niels Lan Doky Trio Thana Alexa Scandinavian Standards CD Release October 29–30 with and Jeff “Tain” Watts 7:30pm & 9:30pm November 13 7:30pm & 9:30pm Ted Nash Big Band Chakra CD Release Trio Featuring Victor Lewis: October 31–November 3 A Birthday Celebration 7:30pm & 9:30pm November 14–15 7:30pm & 9:30pm

November 2013 The George Cables Songbook Featuring Victor Lewis: Manhattan School of Music Afro-Cuban Orchestra A Birthday Celebration conducted by Bobby Sanabria with , Steve Kroon, Steve Wilson, November 4 and Sarah Elizabeth Charles 7:30pm November 16–17 7:30pm & 9:30pm Momentum with , Eden Ladin, Yasushi Nakamura, Manhattan School of Music Jazz Ensemble and Mark Whitfield, Jr. November 18 November 5–6 7:30pm & 9:30pm 7:30pm & 9:30pm

In deference to the artists, patrons of Dizzy’s Club Coca-Cola are encouraged to keep conversations to a whisper during the performance. Artists and schedule subject to change.

Dizzy’s Club Coca-Cola is located in Jazz at Lincoln Center’s Frederick P. Rose Hall, Time Warner Center, 5th floor New York. Reservations: 212-258-9595 or jalc.org/dizzys; Group Reservations: 212-258-9595 or jalc.org/dizzys/group-sales. Nightly Artist sets at 7:30pm & 9:30pm. Late Night Session sets Tuesday through Saturday at 11:30 pm. Cover Charge: $20–40. Special rates for students with valid student ID. Full dinner available at each artist set. Rose Theater and The Allen Room concert attendees, present your ticket stub to get 50% off the late-night cover charge at Dizzy’s Club Coca-Cola Fridays and Saturdays. Jazz at Lincoln Center merchandise is now available at the concession stands during performances in Rose Theater and The Allen Room. Items also available in Dizzy’s Club Coca-Cola during evening operating hours. Dizzy’s Club Coca-Cola gift cards now available. Find us on Facebook, Twitter, YouTube, and Foursquare.