The United States Army Band Herald Trumpets, 1959-2017 D.M.A

Total Page:16

File Type:pdf, Size:1020Kb

The United States Army Band Herald Trumpets, 1959-2017 D.M.A The United States Army Band Herald Trumpets, 1959-2017 D.M.A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Kenneth Bradley Holzworth, MM Graduate Program in Music The Ohio State University 2018 D.M.A. Document Committee Timothy Leasure, Advisor Bruce Henniss Daryl Kinney Copyright by Kenneth Bradley Holzworth 2018 Abstract The United States Army Herald Trumpets is a unique military musical ensemble consisting of musicians from the United States Army Band “Pershing’s Own” in Washington, DC. Founded in 1959 by two Army Band members, Lieutenant Colonel (retired) Gilbert Mitchell and former Specialist William Bramwell Smith II, this volunteer unit is made up of trumpets, trombones, euphoniums and percussionists from the United States Army Ceremonial Band. Mitchell’s and Smith’s vision was to form an organization of long-belled fanfare trumpets, complete with tabards, for military ceremonial functions which would add pomp and flair to the events. Their inspiration came from the British “Coronation” Trumpets which were introduced for the coronation of King George VI in 1937. The Herald Trumpets’ inaugural performance was in 1959 when they welcomed Queen Elizabeth II to Chicago for events related to the opening of the St. Lawrence Seaway. Since their inception, the Herald Trumpets have been recognized as the official fanfare ensemble for the President of the United States and have performed in every presidential inauguration since President Kennedy’s in 1961. Gaining recognition and popularity, the Herald Trumpets have been invited to perform at countless national and international events including the opening ceremonies of four Olympic Games held within the United States. The most recognizable fanfares, “Bugler’s Dream” and “Olympic Fanfare,” were introduced at the Olympic Games by the Herald Trumpets under the baton of prolific composer, John Williams. After the exposure at the Olympics, the Herald Trumpets became a popular performing ensemble at several sporting events, including Super Bowl XXXIX where the Herald Trumpets accompanied the choirs of all the military academies in the playing and singing of the National i Anthem. In addition, the Herald Trumpets have participated in several international “tattoos,” events that feature international military bands and organizations as entertainment for the local population. From participating in White House presidential arrival ceremonies to performing with the Boston Pops Orchestra to presenting educational clinics, the Herald Trumpets are one of the most popular and versatile military musical ensembles. ii Acknowledgements I would like to thank The United States Army Band “Pershing’s Own” and its leader and commander Colonel Andrew Esch for allowing me to conduct research on The United States Army Herald Trumpets. Special gratitude and appreciation goes to Sergeant First Class Trent Stockton, historian for the Army Band and member of the Herald Trumpets, for his dedicated assistance and interest in this project. Additional thanks goes to Sergeant Major (retired) W. Bramwell Smith III, Sergeant Major (retired) Michael Johnston, Master Sergeant (retired) Michael Yoder, Command Sergeant Major (retired) Hartman Beynon, and Enlisted Group Leader of the United States Army Herald Trumpets, Sergeant Major Michael Cano for their valuable information. iii Vita 1974……………………………………………………….............................Wooster High School Wooster, Ohio 1978-1998………………………………………The United States Army Band “Pershing’s Own” Ft. Myer, Virginia 1980………………..................................Bachelor of Music, The Catholic University of America Washington, DC 2001………………………………………………………Master of Music, Kent State University Kent, Ohio 2015 to present……………………………….Doctor of Musical Arts, The Ohio State University Columbus, Ohio Fields of Study Major Field: Music iv Table of Contents Abstract…………………………………………………………………………………………….i Acknowledgements………………………………………………………………………………iii Vita…………………………………………………………………………………………….....iv List of Figures…………………………………………………………………………………....vii Introduction………………………………………………………………………………………..1 History……………………………………………………………………………………………..2 Founders…………………………………………………………………………………………...7 Development……………………………………………………………………………………..13 Instruments……………………………………………………………………………………….19 Tabards…………………………………………………………………………………………...23 Musicians and Formations…………………….…………………………………………………26 Uniforms…………………………………………………………………………………………30 Music……………………………………………………………………………………………..36 White House Ceremonies and Inaugurations…………………………………………………….39 The Olympic Games……………………………………………………………………………..42 v Other Sporting Events……………………………………………………………………………47 Music Performed with the Army Band…………………………………………………………..49 Holiday Events…………………………………………………………………………………...51 Appearances with Orchestras…………………………………………………………………….53 The Clinic………………………………………………………………………………………...55 Television and Movies…………………………………………………………………………...56 9/11……………………………………………………………………………………………....57 Notable Herald Trumpet Missions 1959-2017..…………………………………………………59 Conclusion……………………………………………………………………………………….69 Bibliography……………………………………………………………………………………..71 Appendix A: Letter of Permission for Research…………………………………………………73 Appendix B: Commanding Officers of The United States Army Band “Pershing’s Own”……..74 vi List of Figures Figure 1. General John J. Pershing………………………………………………………………..2 Figure 2. Ceremonial Band participating in a military funeral at Arlington National Cemetery..5 Figure 3. The Army Band performing in Europe during World War II………………………………6 Figure 4. The United States Army Herald Trumpets with the British Royal Marine Band Herald Trumpets, Canadian National Exhibition, Toronto, 1980………………………………..8 Figure 5. SPC W. Bramwell Smith II……………………………………………………………10 Figure 6. LTC Gilbert Mitchell.………………………………………………………………….12 Figure 7. Ceremony for Queen Elizabeth II at the opening of the St. Lawrence Seaway in Chicago. 1959……………………………………………………………………………………14 Figure 8. Example of an arrival ceremony………………………………………………………15 Figure 9. Letter from President Nixon to General Galley…………………………………….....17 Figure 10. Tympani on wheels, 1959……………………………………………………………21 Figure 11. Grand Republic Snare Drum…………………………………………………………22 Figure 12. The United States Army Band Coat of Arms………………………………………...23 Figure 13. Herald trumpets, rope drums, and tabards on display at Brucker Hall, Fort Myer, Virginia, headquarters of The United States Army Band………………………………………..25 Figure 14. Herald Trumpets in most common formation on White House grounds with President Reagan………………………………………………………………………………....27 vii Figure 15. Herald Trumpets in two lines in front of White House………………………………28 Figure 16. Herald Trumpets on a riser in front of Brucker Hall…………………………...……28 Figure 17. The original Army Band uniform, Pershing Grey…………………………………....30 Figure 18. On left, wool serge, OD 33 uniform (1922-24) On right, wool serge, blue uniform (1943-45)…………………………………………...………31 Figure 19. The yellow uniform (1951-56)……………………………………………….………32 Figure 20. Blue uniform (1957-68), with original tabards……………………………………....33 Figure 21. Army Band dress blue uniform (1969-present)……………………………………...35 Figure 22. White House Presidential arrival ceremony………………………………………….40 Figure 23. The United States Army Band and Herald Trumpets at presidential review stand during inaugural parade for President George W. Bush, January 20, 2001……………………..41 Figure 24. 1980 Olympic Games opening ceremonies, Lake Placid, NY……………………….43 Figure 25. Herald Trumpets with conductor John Williams at 1984 Olympic Games, Los Angeles, CA…………………………………………………………………………………44 Figure 26. Herald Trumpets entering Olympic stadium, 1996 Olympic Games, Atlanta, GA……………………………………………………………………………………....45 Figure 27. 2002 Olympic Games, Salt Lake City, UT…………………………………………..46 Figure 28. Herald Trumpets at Super Bowl XXXIX, 2005……………………………………...48 viii Figure 29. Program from summer concert series at the Watergate, August 25, 1959…………...50 Figure 30. Herald Trumpets performing at “A Capitol Fourth.”………………………………...52 Figure 31. Concert Band, Chorus, and Herald Trumpets performing at Avery Fisher Hall, Lincoln Center…………………………………………………………………………………...57 Figure 32. Ceremonial Band at Ground Zero, New York City, 2001. ………………………….58 Figure 33. Herald Trumpets at ease before a Presidential departure ceremony…………………70 ix Introduction The purpose of this document is to discuss the history, development, and role of The United States Army Herald Trumpets from their inception in 1959 through 2017. Extensive research has been conducted on The United States Army Band “Pershing’s Own” by David C. McCormick in his dissertation, A History of the United States Army Band to 1946, followed by Scott A. Weiss’s dissertation which continues the band’s history titled, A History of the United States Army Band ‘Pershing’s Own,” 1945-2000. There is a wealth of information about the Herald Trumpets, however it has never been fully researched, organized, and documented. Information obtained from personal interviews, articles, dissertations, and visual aids will provide a comprehensive overview of the ensemble. Specifically, this document includes information about its history, founding members, development, instruments and tabards, musicians and formations, uniforms, music, and missions. 1 History The United States Army Herald Trumpets is one of several units that make up the organization known as The United States Army Band “Pershing’s Own.” The
Recommended publications
  • Agenda As of 3/9/17
    Association of the United States Army Institute of Land Warfare GLOBAL FORCE SYMPOSIUM AND EXPOSITION A Professional Development Forum “Delivering Capabilities for Multi-Domain Battle” 13-15 March 2017 Von Braun Center Huntsville, Alabama NOTE: All participants/speakers/times are subject to change Symposia events take place in the Mark C. Smith Concert Hall, unless otherwise noted SUNDAY, 12 MARCH 2017 1300 – 1700 REGISTRATION (South Hall Foyer) MONDAY, 13 MARCH 2017 0700 – 1830 REGISTRATION (South Hall Foyer) 0700 – 0800 COFFEE SERVICE (Mark C. Smith Concert Hall Foyer) 0800 PRESENTATION OF THE COLORS Lee/New Century JROTC 0800 - 0810 SYMPOSIUM ADMINISTRATION, SAFETY, SECURITY Michael M. Scanlan Senior Director, Meetings Association of the United States Army 0810 - 0820 INTRODUCTION/WELCOME GEN Carter F. Ham United States Army Retired President Association of the United States Army 0820 - 0830 WELCOME TO MADISON/HUNTSVILLE Mayor Tommy Battle Mayor of Huntsville, Alabama 1 Agenda as of 3/9/17 0830 - 0900 TRADOC UPDATE GEN David G. Perkins Commanding General United States Army Training and Doctrine Command 0900 - 0930 ASA(ALT) UPDATE Steffanie B. Easter Acting Assistant Secretary of the Army Acquisition, Logistics and Technology 0930 - 1000 AMC UPDATE GEN Gustave F. Perna Commanding General United States Army Materiel Command 1000 – 1830 EXHIBIT HALL OPEN (South and East Halls) 1000 - 1130 PANEL DISCUSSION Winning in Close Combat: Ground Forces in Multi-Domain Battle Panel Chair: MG Bo Dyess Acting Director Army Capabilities Integration Center United States Army Training and Doctrine Command Panel Moderator: Nina A. Kollars, Ph.D. Assistant Professor of Government Franklin & Marshall College Panel Members: Paul Rogers, Ph.D.
    [Show full text]
  • ESO Highnotes November 2020
    HighNotes is brought to you by the Evanston Symphony Orchestra for the senior members of our community who must of necessity isolate more because of COVID-!9. The current pandemic has also affected all of us here at the ESO, and we understand full well the frustration of not being able to visit with family and friends or sing in soul-renewing choirs or do simple, familiar things like choosing this apple instead of that one at the grocery store. We of course miss making music together, which is especially difficult because Musical Notes and Activities for Seniors this fall marks the ESO’s 75th anniversary – our Diamond Jubilee. While we had a fabulous season of programs planned, we haven’t from the Evanston Symphony Orchestra been able to perform in a live concert since February so have had to push the hold button on all live performances for the time being. th However, we’re making plans to celebrate our long, lively, award- Happy 75 Anniversary, ESO! 2 winning history in the spring. Until then, we’ll continue to bring you music and musical activities in these issues of HighNotes – or for Aaron Copland An American Voice 4 as long as the City of Evanston asks us to do so! O’Connor Appalachian Waltz 6 HighNotes always has articles on a specific musical theme plus a variety of puzzles and some really bad jokes and puns. For this issue we’re focusing on “Americana,” which seems appropriate for Gershwin Porgy and Bess 7 November, when we come together as a country to exercise our constitutional right and duty to vote for candidates of our choice Bernstein West Side Story 8 and then to gather with our family and friends for Thanksgiving and completely spoil a magnificent meal by arguing about politics… ☺ Tate Music of Native Americans 9 But no politics here, thank you! “Bygones” features things that were big in our childhoods, but have now all but disappeared.
    [Show full text]
  • The United States Atomic Army, 1956-1960 Dissertation
    INTIMIDATING THE WORLD: THE UNITED STATES ATOMIC ARMY, 1956-1960 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Paul C. Jussel, B.A., M.M.A.S., M.S.S. * * * * * The Ohio State University 2004 Dissertation Committee Approved by Professor Allan R. Millett, Advisor Professor John R. Guilmartin __________________ Professor William R. Childs Advisor Department of History ABSTRACT The atomic bomb created a new military dynamic for the world in 1945. The bomb, if used properly, could replace the artillery fires and air-delivered bombs used to defeat the concentrated force of an enemy. The weapon provided the U.S. with an unparalleled advantage over the rest of the world, until the Soviet Union developed its own bomb by 1949 and symmetry in warfare returned. Soon, theories of warfare changed to reflect the belief that the best way to avoid the effects of the bomb was through dispersion of forces. Eventually, the American Army reorganized its divisions from the traditional three-unit organization to a new five-unit organization, dubbed pentomic by its Chief of Staff, General Maxwell D. Taylor. While atomic weapons certainly had an effect on Taylor’s reasoning to adopt the pentomic organization, the idea was not new in 1956; the Army hierarchy had been wrestling with restructuring since the end of World War II. Though the Korean War derailed the Army’s plans for the early fifties, it returned to the forefront under the Eisenhower Administration. The driving force behind reorganization in 1952 was not ii only the reoriented and reduced defense budget, but also the Army’s inroads to the atomic club, formerly the domain of only the Air Force and the Navy.
    [Show full text]
  • A Selection of Contemporary Fanfares for Multiple Trumpets Demonstrating Evolutionary Processes in the Fanfare Form
    MODERN FORMS OF AN ANCIENT ART: A SELECTION OF CONTEMPORARY FANFARES FOR MULTIPLE TRUMPETS DEMONSTRATING EVOLUTIONARY PROCESSES IN THE FANFARE FORM Paul J. Florek, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2015 APPROVED: Keith Johnson, Major Professor Eugene Corporon, Committee Member John Holt, Committee Member and Chair of the Department of Instrumental Studies Benjamin Brand, Director of Graduate Studies in Music James C. Scott, Dean of the College of Music Costas Tsatsoulis, Interim Dean of the Toulouse Graduate School Florek, Paul J. Modern Forms of an Ancient Art: A Selection of Contemporary Fanfares for Multiple Trumpets Demonstrating Evolutionary Processes in the Fanfare Form. Doctor of Musical Arts (Performance), May 2015, 73 pp., 1 table, 26 figures, references, 96 titles. The pieces discussed throughout this dissertation provide evidence of the evolution of the fanfare and the ability of the fanfare, as a form, to accept modern compositional techniques. While Britten’s Fanfare for St. Edmundsbury maintains the harmonic series, it does so by choice rather than by the necessity in earlier music played by the baroque trumpet. Stravinsky’s Fanfare from Agon applies set theory, modal harmonies, and open chords to blend modern techniques with medieval sounds. Satie’s Sonnerie makes use of counterpoint and a rather unusual, new characteristic for fanfares, soft dynamics. Ginastera’s Fanfare for Four Trumpets in C utilizes atonality and jazz harmonies while Stravinsky’s Fanfare for a New Theatre strictly coheres to twelve-tone serialism. McTee’s Fanfare for Trumpets applies half-step dissonance and ostinato patterns while Tower’s Fanfare for the Uncommon Woman demonstrates a multi-section work with chromaticism and tritones.
    [Show full text]
  • View Playbill
    MARCH 1–4, 2018 45TH ANNIVERSARY SEASON 2017/2018 Great Artists. Great Audiences. Hancher Performances. WORK LIGHT PRODUCTIONS PRESENTS BOOK BY BERRY GORDY MUSIC AND LYRICS FROM THE LEGENDARY MOTOWN CATALOG BASED UPON THE BOOK TO BE LOVED: MUSIC BY ARRANGEMENT WITH THE MUSIC, THE MAGIC, THE MEMORIES SONY/ATV MUSIC PUBLISHING OF MOTOWN BY BERRY GORDY MOTOWN® IS USED UNDER LICENSE FROM UMG RECORDINGS, INC. STARRING KENNETH MOSLEY TRENYCE JUSTIN REYNOLDS MATT MANUEL NICK ABBOTT TRACY BYRD KAI CALHOUN ARIELLE CROSBY ALEX HAIRSTON DEVIN HOLLOWAY QUIANA HOLMES KAYLA JENERSON MATTHEW KEATON EJ KING BRETT MICHAEL LOCKLEY JASMINE MASLANOVA-BROWN ROB MCCAFFREY TREY MCCOY ALIA MUNSCH ERICK PATRICK ERIC PETERS CHASE PHILLIPS ISAAC SAUNDERS JR. ERAN SCOGGINS AYLA STACKHOUSE NATE SUMMERS CARTREZE TUCKER DRE’ WOODS NAZARRIA WORKMAN SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN PROJECTION DESIGN DAVID KORINS EMILIO SOSA NATASHA KATZ PETER HYLENSKI DANIEL BRODIE HAIR AND WIG DESIGN COMPANY STAGE SUPERVISION GENERAL MANAGEMENT EXECUTIVE PRODUCER CHARLES G. LAPOINTE SARAH DIANE WORK LIGHT PRODUCTIONS NANSCI NEIMAN-LEGETTE CASTING PRODUCTION MANAGEMENT TOUR BOOKING AGENCY TOUR MARKETING AND PRESS WOJCIK | SEAY CASTING PORT CITY TECHNICAL THE BOOKING GROUP ALLIED TOURING RHYS WILLIAMS MOLLIE MANN ORCHESTRATIONS MUSIC DIRECTOR/CONDUCTOR DANCE MUSIC ARRANGEMENTS ADDITIONAL ARRANGEMENTS ETHAN POPP & BRYAN CROOK MATTHEW CROFT ZANE MARK BRYAN CROOK SCRIPT CONSULTANTS CREATIVE CONSULTANT DAVID GOLDSMITH & DICK SCANLAN CHRISTIE BURTON MUSIC SUPERVISION AND ARRANGEMENTS BY ETHAN POPP CHOREOGRAPHY RE-CREATED BY BRIAN HARLAN BROOKS ORIGINAL CHOREOGRAPHY BY PATRICIA WILCOX & WARREN ADAMS STAGED BY SCHELE WILLIAMS DIRECTED BY CHARLES RANDOLPH-WRIGHT ORIGNALLY PRODUCED BY KEVIN MCCOLLUM DOUG MORRIS AND BERRY GORDY The Temptations in MOTOWN THE MUSICAL.
    [Show full text]
  • 19Th Century Tragedy, Victory, and Divine Providence As the Foundations of an Afrikaner National Identity
    Georgia State University ScholarWorks @ Georgia State University History Theses Department of History Spring 5-7-2011 19th Century Tragedy, Victory, and Divine Providence as the Foundations of an Afrikaner National Identity Kevin W. Hudson Follow this and additional works at: https://scholarworks.gsu.edu/history_theses Part of the History Commons Recommended Citation Hudson, Kevin W., "19th Century Tragedy, Victory, and Divine Providence as the Foundations of an Afrikaner National Identity." Thesis, Georgia State University, 2011. https://scholarworks.gsu.edu/history_theses/45 This Thesis is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. 19TH CENTURY TRAGEDY, VICTORY, AND DIVINE PROVIDENCE AS THE FOUNDATIONS OF AN AFRIKANER NATIONAL IDENTITY by KEVIN W. HUDSON Under the DireCtion of Dr. Mohammed Hassen Ali and Dr. Jared Poley ABSTRACT Apart from a sense of racial superiority, which was certainly not unique to white Cape colonists, what is clear is that at the turn of the nineteenth century, Afrikaners were a disparate group. Economically, geographically, educationally, and religiously they were by no means united. Hierarchies existed throughout all cross sections of society. There was little political consciousness and no sense of a nation. Yet by the end of the nineteenth century they had developed a distinct sense of nationalism, indeed of a volk [people; ethnicity] ordained by God. The objective of this thesis is to identify and analyze three key historical events, the emotional sentiments evoked by these nationalistic milestones, and the evolution of a unified Afrikaner identity that would ultimately be used to justify the abhorrent system of apartheid.
    [Show full text]
  • An HD Odyssey
    The Earth - An HD Odysse y Grades 9-12 Young Peopl e's Concert Listening Guide PERFORMERS Nashville Sympho ny Giancarlo Guerrero, condu ctor PROGRAM John Adams – Short Ride in a Fast Machine R. Strauss – Also sprach Zarathustra The program will be accompanied by high-definition images taken from NASA missions to Earth’s orbit JOHN ADAMS Born on February 15, 1947, in Worcester, Massachusetts; currently lives in Berkeley, California John Adams, whose new opera Girls of the Golden West received its world premiere at the end of last year at San Francisco Opera, is equally at home on the stage and in the concert hall. In fact, Short Ride in a Fast Machine is a concert-opening fanfare that Adams wrote during the period, in the mid-1980s, when he was busy composing his first opera, Nixon in China. It also shows a kinship with the exultant passages of Harmonielehre, Adams’s breakthrough orchestral work that preceded Nixon. Adams had an opportunity around this time to experiment twice with the format of the stand-alone concert fanfare. Preceding Short Ride in a Fast Machine was Tromba Lontana (“Distant Trumpet”). The composer characterizes both pieces as “in extremis versions of the traditional fanfare.” As a pair, they form a kind of fanfarish yin-and-yang: Tromba being a reserved, ruminative “anti-fanfare,” while Short Ride is a boisterously in-your-face, virtuoso roller coaster ride of orchestral sonorities. Although both are sometimes presented as companion pieces, Adams points out that he never actually intended them to be played together. WHAT TO LISTEN FOR: Short Ride in a Fast Machine Composed: 1986 First performance: June 13, 1986, with Michael Tilson Thomas conducting the Pittsburgh Symphony Short Ride might almost be heard as a concise primer on how Adams forged a freshly powerful musical language all his own from the building blocks of Minimalism as well as from the vernacular idioms of his upbringing—all transmogrified by his buoyant imagination.
    [Show full text]
  • Jack Everly Leads the Magic of Motown, May 30-June 2
    PRESS CONTACTS: Laura Farmer, 410.783.8024 [email protected] Alyssa Porambo, 410.783.8044 [email protected] Jack Everly Leads the Magic of Motown, May 30-June 2 Program features male vocal quartet, Spectrum, and female vocal quartet, Radiance, performing hits by the Temptations, The Supremes, the Four Tops and more Baltimore, Md. (April 25, 2013) – The Baltimore Symphony Orchestra’s Principal Pops Conductor Jack Everly leads male vocalist group Spectrum and female vocalist group Radiance in Motown’s most memorable hits on Thursday, May 30 at 8 p.m. at the Music Center at Strathmore, and Friday, May 31, Saturday, June 1 at 8 p.m. and Sunday, June 2 at 3 p.m. at the Joseph Meyerhoff Symphony Hall. The program will feature legendary songs from the Temptations, The Supremes, the Four Tops, Aretha Franklin and more. Please see below for complete program details. In 1959, Berry Gordy borrowed $800 to establish Motown Records, the label that would quickly go on to produce more than 180 No. 1 hit songs and sign some of the best-selling artists of all time including the Jackson 5 and Stevie Wonder. The record company’s huge success is credited to its unique “Motown Sound,” a funky blend of horns, tambourines, hand clapping and the interplay of gospel music’s call-and- response patterns with jazz music’s improvisational be-bop style. The “Motown Sound” changed American music forever. Jack Everly, conductor Jack Everly is the Principal Pops Conductor of the Baltimore and Indianapolis Symphony Orchestras, Naples Philharmonic Orchestra and National Arts Centre Orchestra (Ottawa), and the Music Director of the National Memorial Day Concert and A Capitol Fourth on PBS.
    [Show full text]
  • ABA Past Presidents (1930-2000)
    The American Bandmasters Association Past Presidents 1930-2000 by Victor William Zajec, 2000 (Chicago, IL, March 4, 1923 - Homewood, IL, January 26, 2005) Revised by Raoul F. Camus, ABA Historian, 2017 Past Presidents of the American Bandmasters Association by Victor Zajec, Honorary Life Member and ABA Historian, was published in 2000. It was as much a history of the organization as that of the past presidents, and contained prefaces by several ABA presidents—Bryce Taylor, Stanley F. Michalski, Jr., and Edward S. Lisk. Except for the biographies, most of this information is presently available on the ABA web site. The ABA Board of Directors decided against reprinting the book and chose to put the biographies of the past presidents on the website in chronological order Additional information provided by Vincent J. Novara, curator, Special Collections in Performing Arts, Michelle Smith Performing Arts Library, University of Maryland. The American Bandmasters Association PRESIDENTS Arranged alphabetically 51. Allen, Eugene W. 1988 52. Julian, W J 1989 13. Bachman, Harold B. 1950 53. Kelly, Mark S. 1990 10. Bainum, Glenn Cliffe 1947 6. King, Karl L. 1938 47. Begian, Harry 1984 24. Kraushaar, Otto J. 1961 31. Berdahl, James E. 1968 63. Lisk, Edward S. 2000 58. Bloomquist, Kenneth G. 1995 30. Loboda, Samuel R. 1967 46. Boundy, Martin 1983 50. Long, John M. 1987 54. Bourgeois, John R. 1991 36. Mahan, Jack H. 1973 17. Brendler, Charles 1954 56. McBeth, W. Francis 1993 11. Bronson, Howard C. 1948 29. McCall, Fred W. 1966 7. Buys, Peter 1939 41. McGinnis, Donald E. 1978 3.
    [Show full text]
  • July 2017-Special Events 3 Monday 2
    July 2017-Special Events 3 Monday 2:00 Historian Jack Lightcap will present a slide show lecture “The Story of the American Declaration of Independence’ in the Event Center. 4 Tuesday Happy Independence Day! 8:00 PBS stations 48 & 54 will show “A Capitol Fourth.” Emmy 'Award-nominated actor and producer John Stamos is set to host the 37th annual edition of PBS’ A Capitol Fourth, broadcast live from the West Lawn of the U.S. Capitol. The all- star musical and fireworks extravaganza will kick off the country’s 241st birthday with performances by: soul men Dan Aykroyd and Jim Belushi of The Blues Brothers; iconic multi- platinum selling music legends The Beach Boys; legendary Motown stars The Four Tops; and The Voice Season 12 winner Chris Blue; with the National Symphony Orchestra. Gifted actress and singer Sofia Carson will open the show with a special performance of the national anthem. The concert will also feature a tribute to our men and women in uniform by Trace Adkins who will perform his new single “Still a Soldier.” Also participating in the event will be the Choral Arts Society of Washington, the U.S. Army Herald Trumpets, the U.S. Army Ceremonial Band, Members of the Armed Forces carrying the State and Territorial Flags and the Armed Forces Color Guard provided by the Military District of Washington, D.C. Capping off the show will be a rousing rendition of Tchaikovsky’s “1812 Overture” complete with live cannon fire provided by the United States Army Presidential Salute Battery, an audience favorite and A Capitol Fourth tradition.
    [Show full text]
  • International Exhibitions, Expositions Universelles and World's Fairs, 1851-2005: a Bibliography
    Freie Universität Berlin, Germany California State University, Fresno, USA International Exhibitions, Expositions Universelles and World’s Fairs, 1851-2005: A Bibliography by Alexander C.T. Geppert, Jean Coffey and Tammy Lau 1. Introduction _________________________________________________________ 5 2. Research Aids ______________________________________________________ 7 2.1 Research Aids General _________________________________________________7 2.2 Bibliographies ________________________________________________________8 2.3 Review Articles ______________________________________________________10 2.4 Journals and Newsletters ______________________________________________10 3. History and Theory of International Exhibitions: General Works _______________ 11 3.1 Official Exhibition Regulations ___________________________________________11 3.2 Exhibition Theory _____________________________________________________11 3.3 Exhibition History _____________________________________________________13 4. International Exhibitions, 1851-2005 ____________________________________ 28 4.1 Australia ____________________________________________________________28 4.1.0 Australia Genera l _____________________________________________28 4.1.1 International Exhibition, Sydney 1879-1880 _________________________28 4.1.2 International Exhibition, Melbourne 1880-1881 ______________________28 4.1.3 Centennial International Exhibition, Melbourne 1888-1889 _____________28 4.1.4 Expo 88, Brisbane 1988 ________________________________________28 4.2 Austria _____________________________________________________________28
    [Show full text]
  • Y =)~.~: Ss ~S I3y Ijurch4.Se
    Scientia Militaria, South African Journal of Military Studies, Vol 8, Nr 4, 1978. http://scientiamilitaria.journals.ac.za 3 ~ - -S - 4. ~~Y =)~.~: SS ~S I3Y IJURCH4.SE U J (UICK) USUER' the ages of fifteen and eighteen years to produce I have before me a copy of a letter dated 12 May, specialist officers for the Sappers and Miners (En- 1814, written by certain Lieutenant-Colonel William gineers) and for the Royal Artillery. The Academy Fuller of the King's Dragoon Guards to a British Lord, in which is advised that a commission for for future regimental officers at Sandhurst, was not founded until 1812, but it took fifty years before His Lordship's son would cost £735. Further on in it came to be regarded as a career asset to have this article I shall state the prices as they were at the attended there. The Staff College for senior offI- time of the' Crimean War. Only recently did I read cers was established in 1799, but attendance there a book by a very well-known British author who was not insisted upon for higher promotion until the claims that the British army of the 1850's was small, and that the Crimean War was to prove that late Victorian period. it was shockingly organised, but he speaks only Information obtained from the National Army well of the navy of that period. I ask that my Museum in London on the appointment of army readers please bear in mind that in earlier days officers during the early Victorian period is of there was no such rank as second-lieutenant nor interest.
    [Show full text]