Theory and Interpretation of Narrative James Phelan and Peter J
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Hugo Award -- Britannica Online Encyclopedia
10/10/2017 Hugo Award -- Britannica Online Encyclopedia Hugo Award Hugo Award, any of several annual awards presented by the World Science Fiction Society (WSFS). The awards are granted for notable achievement in science �ction or science fantasy. Established in 1953, the Hugo Awards were named in honour of Hugo Gernsback, founder of Amazing Stories, the �rst magazine exclusively for science �ction. Hugo Award. This particular award was given at MidAmeriCon II, in Kansas City, Missouri, on August … Michi Trota Pin, in the form of the rocket on the Hugo Award, that is given to the finalists. Michi Trota Hugo Awards https://www.britannica.com/print/article/1055018 1/10 10/10/2017 Hugo Award -- Britannica Online Encyclopedia year category* title author 1946 novel The Mule Isaac Asimov (awarded in 1996) novella "Animal Farm" George Orwell novelette "First Contact" Murray Leinster short story "Uncommon Sense" Hal Clement 1951 novel Farmer in the Sky Robert A. Heinlein (awarded in 2001) novella "The Man Who Sold the Moon" Robert A. Heinlein novelette "The Little Black Bag" C.M. Kornbluth short story "To Serve Man" Damon Knight 1953 novel The Demolished Man Alfred Bester 1954 novel Fahrenheit 451 Ray Bradbury (awarded in 2004) novella "A Case of Conscience" James Blish novelette "Earthman, Come Home" James Blish short story "The Nine Billion Names of God" Arthur C. Clarke 1955 novel They’d Rather Be Right Mark Clifton and Frank Riley novelette "The Darfsteller" Walter M. Miller, Jr. short story "Allamagoosa" Eric Frank Russell 1956 novel Double Star Robert A. Heinlein novelette "Exploration Team" Murray Leinster short story "The Star" Arthur C. -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
Vop #141 / 3 Are on My Own Recommended Reading List, So I Ordered the Following Books
Visions of Paradise #141 Visions of Paradise #141 Contents Out of the Depths...............................................................................................page 3 Favorite SF Movies ... Paperback Swap Will F. Jenkins Day..............................................................................................page 4 A celebration of the life and career of Murray Leinster The Passing Scene................................................................................................page 6 Homes ... May 2009 Wondrous Stories................................................................................................page 9 Going For Infinity … F&SF ... Deathworld ... Heat On the Lighter Side............................................................................................page 13 _\\|//_ ( 0_0 ) ___________________o00__(_)__00o_________________ Robert Michael Sabella E-mail [email protected] Personal blog: http://adamosf.blogspot.com/ Sfnal blog: http://visionsofparadise.blogspot.com/ Fiction blog: http://bobsabella.livejournal.com/ Available online at http://efanzines.com/ Copyright ©May 2009, by Gradient Press Available for trade, letter of comment or request Artwork Franz H. Miklis … Cover Terry Jeeves … p. 9 http://www.sfsite.com/~silverag/leinster.html … page 4 Out of The Depths I am not a huge movie fan, partly because I don’t have a lot of available time to watch them (without depleting my limited reading time), and partly because movies rarely interest me as much as a good book does. So when I was -
Booklet Gormenghast
A FANTASY OPERA BY IRMIN SCHMI DT Irmin Schmidt, founder of the legendary group CAN, has written an opera: GORMENGHAST. Commissioned by Wuppertaler Bühnen, the work was performed in the English language and premiered at the Operahouse Wuppertal on 15. November 1998. Inspired by Mervyn Peake’s masterpiece of gothic fantasy, English novelist Duncan Fallowell wrote the libretto in St. Petersburg, combining romance, comedy and futurism into an adventure of epic strangeness peopled by unforgettable characters. The opera is in 3 acts and centres on the rise and fall of Steerpike, a courageous, clever and charming kitchen-boy who becomes by degrees the murderous tyrant of Gormenghast Castle and its domain. In the process he bewitches and destroys Fuchsia the daughter of Gormen ghast’s opium-addicted ruler. Finally he meets his own dramatic death. The other inhabitants of this vivid decaying realm are drawn into the terrible tale. Irmin Schmidt, who studied under Ligeti and Stockhausen, not only created in CAN one of the most influential of avant garde groups, but is also a classical conductor and pianist and has com- posed music for over 70 film productions. His work transforms elements of the popular, ethnic and classical into a wholly original musical language . In both libretto and music, this integration of high culture and popular culture is not like any- thing which has gone before: it is achieved with perfect naturalness, carrying the art of opera forward into a new phase. The result is both accessible and magically unexpected: GORMENGHAST is a major addition to the world of musical theatre. -
“Top 10 Best Science Fiction Films of the Decade”
“TOP 10 BEST SCIENCE FICTION FILMS OF THE DECADE”. COMING TO 2/2/10 The Man From Earth cast includes: Richard Riehle (Rob Zombie’s Halloween II, Lethal Weapon 4, Casino) Tony Todd (Transformers: Revenge of the Fallen, Candyman, “24”) William Katt (Carrie, Fanboys, “The Greatest American Hero”) John Billingsley (2012, Out of Time, "Star Trek: Enterprise") David Lee Smith ("CSI: Miami", Fight Club, Zodiac) Ellen Crawford ("ER“, Soldier) Executive Producer Mark Pellington (U2-3D, Henry Poole Is Here, The Mothman Prophecies, Arlington Road) Written by acclaimed Science Fiction author Jerome Bixby (“Star Trek”, “The Twilight Zone”, Fantastic Voyage) REVIEWS • “A considerable achievement… a picture which deserves wide exposure… The Man From Earth gradually and stimulatingly builds to a pitch of near hypnotic intensity.” – Neil Young, The Hollywood Reporter • “Based on a really wonderful final work by Jerome Bixby… If you’re a fan of Bixby’s – it’s a must own.” – Harry Knowles, Ain’t It Cool News (www.aintitcool.com) • "The Man From Earth is a perfect venue for Bixby's brand of philosophical sci-fi." - Jay A. Fernandez, Los Angeles Times • "A tall tale... that ends with a devastatingly clever twist." - Michael Janusonis, The Providence Journal • "Great acting performances... with an ending you wouldn't want to miss… Jerome Bixby's last written work has turned out to be his best." - Hock Teh, IGN (www.ign.com) • "A mind bending drama... It sure beats watching Transformers." - Nick Lyons, DVD Talk (www.dvdtalk.com) • “Wow… Fascinating…I just finished -
A Case Study Exploring a Women's and Gender
COLONNA, SARAH ELIZABETH, Ph.D. There’s More to It than Just Girl Power: A Case Study Exploring a Women’s and Gender Studies Class Taught with The Hunger Games. (2016) Directed by Dr. Leila Villaverde. 303pp. In this qualitative case study dissertation, the researcher explored students’ perspectives on young adult dystopian fiction in the feminist classroom. Through the lens of popular culture and storytelling, the researcher considers the powerful pedagogical possibilities that lie within these stories. Using a single class as a case study, students were interviewed about their experience in a class taught using The Hunger Games trilogy. Data was also collected from student assignments, class documents, and the researcher’s field journal. The results of this study include five categories that exemplified the students’ experience learning with young adult dystopian fiction: the power of storytelling; students’ reflections on class experiences; the need for imagination; fiction as educational space; and continuing to think with The Hunger Games. Further, this study showed there is room for additional study of the intersection of young adult dystopian fiction and feminist pedagogy and highlights the place of imagination and storytelling in higher education. THERE’S MORE TO IT THAN JUST GIRL POWER: A CASE STUDY EXPLORING A WOMEN’S AND GENDER STUDIES CLASS TAUGHT WITH THE HUNGER GAMES by Sarah Elizabeth Colonna A Dissertation Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Greensboro 2016 Approved by _______________________________ Committee Chair For PJ Colonna because you have always believed in me. -
The Gothic As a Practice, by TGS Jones
CORE Metadata, citation and similar papers at core.ac.uk Provided by ResearchArchive at Victoria University of Wellington THE GOTHIC AS A PRACTICE: Gothic Studies, Genre and the Twentieth Century Gothic by Timothy Graham Stanford Jones A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy in English Victoria University of Wellington 2010 ABSTRACT Gothic studies, the specialist academic field that explores the Gothic text, has developed substantially over the last twenty-five years. The field often frames the Gothic as a serious literature, involved in historic discourse, and having special psychological acuity; this thesis suggests that there are a number of problems with these argumentative strategies, and that the academy now makes claims for the Gothic that are discontinuous with how this popular genre is understood by most readers. While Gothic studies is the study of a genre, curiously, it has seldom engaged with theorisations of genre. Nevertheless, an understanding of what genre is, and how it alters reading practice, is crucial to understanding the Gothic text. This thesis attempts to reconcile and develop a number of disparate approaches to genre through Pierre Bourdieu’s notion of habitus. It argues that genre is not a set of textual conventions but a group of procedures that facilitate and modify both writing and reading practices. Consequently, genres like the Gothic should be seen as discrete historicised phenomena, which retain a cohesive practical sense of how they ought to be performed before they hold discursive properties. Rather than arguing for the literary value of the Gothic, this thesis understands the genre as a popular practice. -
Realms of Fantasy Dec 2010
The WyndMaster's Lady The WyndMaster's Son Srae Iss-Ka-Mala A Dream of Drowned Hollow Nexus Point Motor City Fae Author: Charlotte Boyett~Compo Author: Charlotte Boyett~Compo Author: Chaeya Author: Lee Barwood Author: Jaleta Clegg Author: Cindy Spencer Pape www.windlegends.org www.windlegends.org www.electricgentlemen.com www.leebarwood.com www.jaletac.com www.cindyspencerpape.com Background Images Courtesy Of: © 2010 STScI & NASA Bloodsworn: Bound by Magic Mudflat Spice and Sorcery Blood of the Dark Moon A Bloody Good Cruise Author: Kathy Lane Author: Phoebe Matthews Author: Adrianne Brennan Author: Diana Rubino www.kyrlane.com www.phoebematthews.com www.adriannebrennan.com www.dianarubino.com Resurrection Code Second Night: More Fairy Tales Retold Some Cost a Passing Bell On the Wild Side Heartstone Shadows of the Soul Author: Lyda Morehouse Author: Caroline Aubrey Author: Lee Barwood Author: Gerri Bowen Author: Lynda K. Scott Author: Angelique Armae www.lydamorehouse.com www.carolineaubrey.net www.leebarwood.com www.gerribowen.com www.lyndakscott.com www.angeliquearmae.com INFINITE WORLDS OF FANTASY AUTHORS IMAGINATION UNRESTRICTED BY REALITY The WyndMaster's Lady The WyndMaster's Son Srae Iss-Ka-Mala A Dream of Drowned Hollow Nexus Point Motor City Fae Author: Charlotte Boyett~Compo Author: Charlotte Boyett~Compo Author: Chaeya Author: Lee Barwood Author: Jaleta Clegg Author: Cindy Spencer Pape www.windlegends.org www.windlegends.org www.electricgentlemen.com www.leebarwood.com www.jaletac.com www.cindyspencerpape.com Background Images -
Stories from the Twilight Zone Free Ebook
FREESTORIES FROM THE TWILIGHT ZONE EBOOK Rod Serling | 176 pages | 30 Jun 2013 | Createspace | 9781490423913 | English | United States Twilight Zone episodes based on short stories This episode is based on the short story "What You Need" by Henry Kuttner and C.L. Moore. This story was first published in Astounding Science Fiction (October, ). Before the Twilight Zone, this story was adapted as an episode of the classic sci-fi anthology Tales of Tomorrow (under the same title). With six stories in one book, The Mighty Casey, Escape Clause, Walking Distance, The Fever, Where is Everybody, and The Monsters are due on Maple Street, content is not an issue. The Twilight Zone has a large following in (after a release date), and numerous pop-culture references. The enduring legacy of these stories speaks for itself. Here are some short stories that were adapted into episodes of the Twilight Zone. The Howling Man | Charles Beaumont The narrator recounts his experiences traveling through Europe before he commenced his professional life. He ended up falling sick with pneumonia in Germany. The Twilight Zone: Complete Stories This episode is based on the short story "What You Need" by Henry Kuttner and C.L. Moore. This story was first published in Astounding Science Fiction (October, ). Before the Twilight Zone, this story was adapted as an episode of the classic sci-fi anthology Tales of Tomorrow (under the same title). With six stories in one book, The Mighty Casey, Escape Clause, Walking Distance, The Fever, Where is Everybody, and The Monsters are due on Maple Street, content is not an issue. -
Titus Groan · Gormenghast · Titus Alone Himself, Had a Son, Moved to Sussex, Publication), in the House Previously and Begun the Writing of Titus Groan
Other works on Naxos AudioBooks The Master and Margarita Frankenstein (Bulgakov) ISBN: 9789626349359 (Shelley) ISBN: 9789626340035 Read by Julian Rhind-Tutt Read by Daniel Philpott Bleak House Our Mutual Friend (Dickens) ISBN: 9789626344316 (Dickens) ISBN: 9789626344422 Read by Sean Barrett and Teresa Gallagher Read by David Timson www.naxosaudiobooks.com CD 1 For a complete catalogue and details of how to order other 1 Gormenghast taken by itself would have displayed... 7:23 Naxos AudioBooks titles please contact: 2 5:33 As Flay passed the curator on his way to the door... 3 It was impossible for the apprentices to force themselves... 5:43 In the UK: Naxos AudioBooks, Select Music & Video Distribution, 4 He peered at the immobile huddle of limbs. 4:40 3 Wells Place, Redhill, Surrey RH1 3SL. 5 From his vantage point he was able to get a clear view... 7:47 Tel: 01737 645600. 6 Her Ladyship, the seventy-sixth Countess of Groan... 4:06 In the USA: Naxos of America Inc., 7 Every morning of the year... 4:43 1810 Columbia Ave., Suite 28, Franklin, TN37064. 8 5:30 Mrs Slagg entered. Tel: +1 615 771 9393 9 Leaving the tray on the mat outside... 3:13 Mrs Slagg made her way along the narrow stone path... 6:40 In Australia: Select Audio/Visual Distribution Pty. Ltd., B Titus, under the care of Nannie Slagg and Keda... 6:58 PO Box 691, Brookvale, NSW 2100. Tradition playing its remorseless part... 6:35 Tel: +61 299481811 Meanwhile, hiding behind a turn in the passage... 4:49 order online at Mr Flay was possessed by two major vexations. -
Star Trek's Fifty Year Mission: an Essay Celebrating a Cultural Landmark
View metadata, citation and similar papers at core.ac.uk brought to you by CORE Star Trek’s Fifty Year Mission: an Essay Celebrating a Cultural Landmark Star Trek’s Fifty Year Mission: an Essay Celebrating a Cultural Landmark Martin Connolly ‘Space: the final frontier. These are the voyages of the starship Enterprise. Its five-year mission: to explore strange, new worlds, to seek out new life and new civilisations, to boldly go where no man has gone before.’ Star Trek is a half-century old. The first ever episode of the original television series aired on September 8th, 1966. The fifty-minute show (or one hour, considering advertisements), on the NBC network, was entitled ‘The Man Trap’, and concerned an alien predator which disguised itself as human in order to entrap, and kill, its victims. It was science fiction, but science fiction that could appeal to both a younger and an older audience. Cast demographics steered toward the latter: the two main characters (Kirk & Spock) were played by actors who were both thirty-five years old, while the third most important character (McCoy) was played an actor who had only four years to go to reach his own half-century.(1) If younger people might be wooed by the science fiction element, more mature viewers could find plenty to enjoy in terms of pure drama. The dialogue was generally excellent because it was character-centric, and the acting was always of the highest quality. Many of the writers who would contribute to the series already had a -17- reputation for producing thought-provoking sci-fi –writers like Richard Matheson, Theodore Sturgeon and Harlan Ellison. -
Scratch Pad 78 October 2011
Scratch Pad 78 October 2011 Based on the non-mailing comments section of *brg* 72, a fanzine forANZAPA (Australia and New Zealand Amateur Publishing Association) written and published by Bruce Gillespie, 5 Howard St, Greensborough VIC 3088. Phone: (03) 9435 7786. Email: [email protected]. Member fwa. Contents 2 Mervyn Peake: Mind out of time — by Bruce Gillespie The covers of the first two volumes in the Penguin Modern Classics edition: (This page:) Gormenghast, first published 1950; Penguin edition 1969 cover: Mervyn Peake’s sketches of Steerpike (above) and Barquentine (below). (Next page:) Titus Groan, first published 1946; Penguin edition 1968 cover: Mervyn Peake’s sketch of Fuchsia. 1 Bruce Gillespie Mervyn Peake: Mind out of time [*brg* First presented as a talk to the Nova Mob, Melbourne’s SF discussion group, Wednesday, 5 October 2011.*] I For the last few weeks I have been living inside a dream. The dream springs from the mind of Mervyn Peake, as found in the vast territory described in the books called the ‘Gormenghast trilogy’ or the ‘Titus books’. They are Titus Groan, Gormenghast, and Titus Alone. After rereading the first two of these books in recent weeks, I have found myself waking in the early hours almost unable to remember where I am: the world of Gormenghast castle and that of my own. Why have I become mildly obsessed with the Gormenghast books, even to the extent of also reading two biographies of Mervyn Peake? First, the long answer. The long answer is that the three novels always seems to have been a part of my consciousness, although I hadn’t read them.