The Gothic As a Practice, by TGS Jones
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LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting -
Zfwtvol. 9 No. 3 (2017) 269-288
ZfWT Vol. 9 No. 3 (2017) 269-288 FEMINIST READING OF GOTHIC SUBCULTURE: EMPOWERMENT, LIBERATION, REAPPROPRIATION Mikhail PUSHKIN∗ Abstract: Shifting in and out of public eye ever since its original appearance in the 1980ies, Gothic subculture, music and aesthetics in their impressive variety have become a prominent established element in global media, art and culture. However, understanding of their relation to female gender and expression of femininity remains ambiguous, strongly influenced by stereotypes. Current research critically analyses various distinct types of Gothic subculture from feminist angle, and positively identifies its environment as female-friendly and empowering despite and even with the help of its strongly sexualized aesthetics. Although visually geared towards the male gaze, Gothic subcultural environment enables women to harness, rather than repress the power of attraction generated by such aesthetics. Key words: Subculture, Feminism, Gothic. INTRODUCTION Without a doubt, Gothic subculture is a much-tattered subject, being at the centre of both popular mass media with its gossip, consumerism and commercialization, as well as academia with diverse papers debasing, pigeonholing and even defending the subculture. Furthermore, even within the defined, feminist, angle, a thorough analysis of Gothic subculture would require a volume of doctoral dissertation to give the topic justice. This leaves one in a position of either summarizing and reiterating earlier research (a useful endeavour, however, bringing no fresh insight), or striving for a kind of fresh look made possible by the ever-changing eclectic ambivalent nature of the subculture. Current research takes the middle ground approach: touching upon earlier research only where relevant, providing a very general, yet necessary outlook on the contemporary Gothic subculture in its diversity, so as to elucidate its more relevant elements whilst focusing on the ways in which it empowers women. -
Jack Zipes, When Dreams Came True: Classical Fairy Tales And
Jack Zipes, When Dreams Came True Classical Fairy Tales and Their Tradition (2nd ed., New York, Routledge, 2007) Introduction—“Spells of Enchantment: An Overview of the History of Fairy Tales” adopts the usual Zipes position—fairy tales are strongly wish-fulfillment orientated, and there is much talk of humanity’s unquenchable desire to dream. “Even though numerous critics and psychologists such as C. G. Jung and Bruno Bettelheim have mystified and misinterpreted the fairy tale because of their own spiritual quest for universal archetypes or need to save the world through therapy, the oral and literary forms of the fairy tale have resisted the imposition of theory and manifested their enduring power by articulating relevant cultural information necessary for the formation of civilization and adaption to the environment…They emanate from specific struggles to humanize bestial and barbaric forces that have terrorized our minds and communities in concrete ways, threatening to destroy free will and human compassion. The fairy tale sets out, using various forms and information, to conquer this concrete terror through metaphors that are accessible to readers and listeners and provide hope that social and political conditions can be changed.’ pp.1-2 [For a writer rather quick to pooh-pooh other people’s theories, this seems quite a claim…] What the fairy tale is, is almost impossible of definition. Zipes talks about Vladimir Propp, and summarises him interestingly on pp.3-4, but in a way which detracts from what Propp actually said, I think, by systematizing it and reducing the element of narrator-choice which was central to Propp’s approach. -
SFRA Newsletter 259/260
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 12-1-2002 SFRA ewN sletter 259/260 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 259/260 " (2002). Digital Collection - Science Fiction & Fantasy Publications. Paper 76. http://scholarcommons.usf.edu/scifistud_pub/76 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. #2Sfl60 SepUlec.JOOJ Coeditors: Chrlis.line "alins Shelley Rodrliao Nonfiction Reviews: Ed "eNnliah. fiction Reviews: PhliUp Snyder I .....HIS ISSUE: The SFRAReview (ISSN 1068- 395X) is published six times a year Notes from the Editors by the Science Fiction Research Christine Mains 2 Association (SFRA) and distributed to SFRA members. Individual issues are not for sale. For information about SFRA Business the SFRA and its benefits, see the New Officers 2 description at the back of this issue. President's Message 2 For a membership application, con tact SFRA Treasurer Dave Mead or Business Meeting 4 get one from the SFRA website: Secretary's Report 1 <www.sfraorg>. 2002 Award Speeches 8 SUBMISSIONS The SFRAReview editors encourage Inverviews submissions, including essays, review John Gregory Betancourt 21 essays that cover several related texts, Michael Stanton 24 and interviews. Please send submis 30 sions or queries to both coeditors. -
Inscribed 6 (2).Pdf
Inscribed6 CONTENTS 1 1. AVIATION 33 2. MILITARY 59 3. NAVAL 67 4. ROYALTY, POLITICIANS, AND OTHER PUBLIC FIGURES 180 5. SCIENCE AND TECHNOLOGY 195 6. HIGH LATITUDES, INCLUDING THE POLES 206 7. MOUNTAINEERING 211 8. SPACE EXPLORATION 214 9. GENERAL TRAVEL SECTION 1. AVIATION including books from the libraries of Douglas Bader and “Laddie” Lucas. 1. [AITKEN (Group Captain Sir Max)]. LARIOS (Captain José, Duke of Lerma). Combat over Spain. Memoirs of a Nationalist Fighter Pilot 1936–1939. Portrait frontispiece, illustrations. First edition. 8vo., cloth, pictorial dust jacket. London, Neville Spearman. nd (1966). £80 A presentation copy, inscribed on the half title page ‘To Group Captain Sir Max AitkenDFC. DSO. Let us pray that the high ideals we fought for, with such fervent enthusiasm and sacrifice, may never be allowed to perish or be forgotten. With my warmest regards. Pepito Lerma. May 1968’. From the dust jacket: ‘“Combat over Spain” is one of the few first-hand accounts of the Spanish Civil War, and is the only one published in England to be written from the Nationalist point of view’. Lerma was a bomber and fighter pilot for the duration of the war, flying 278 missions. Aitken, the son of Lord Beaverbrook, joined the RAFVR in 1935, and flew Blenheims and Hurricanes, shooting down 14 enemy aircraft. Dust jacket just creased at the head and tail of the spine. A formidable Vic formation – Bader, Deere, Malan. 2. [BADER (Group Captain Douglas)]. DEERE (Group Captain Alan C.) DOWDING Air Chief Marshal, Lord), foreword. Nine Lives. Portrait frontispiece, illustrations. First edition. -
STEVE JACKSON GAMES Printed in the SJG00895 6538 USA TECHNOLOGY IS POWER
TECHNOLOGY IS POWER. Power corrupts. Therefore absolute technology corrupts absolutely. It is an Age of Revolution; the world has been cruelly purged . in fire, and blood, and steam. From the past, untold horrors wait to clutch at men’s souls. TM It is an Age of Invention; even the Laws of Nature must fall before the power of Progress! Sinister villains plot to use their newfound inventions against society, nature, and even God Himself! GURPS Basic Set, Third Edition It is an Age of Steam; the most brilliant minds of the age Revised and GURPS Compendium I: Character Creation are required to experiment with novel, wondrous ideas – but is mankind use this supplement in a GURPS ready forfor such power? campaign. The historical and technological material and the GURPS Screampunk presents a toolkittoolkit forfor incorporatingincorporating campaign seeds can be used with VictorianVictorian steampunk into games of gothic horror. any rules system. Included are: THE UNCLEAN: • A guide to gothic horror themes, locations, and plots, with Written by suggestionssuggestions on howhow toto add a doom-laden atmosphere to JO RAMSAY your games. Edited by • The use of wweirdeird technology as a corrupting influence. LAURA WATERS, • Real-world Victorian scientific institutions – and the mobs • Real-world Victorian scientific institutions – and the mobs ALAIN H. DAWSON, that opposed them. AND ANDREW HACKARD • CharactCharacterer ararchetypeschetypes including the cruel guardian, the sinister Cover by serservant,vant, the ingenue, and the swarthy foreigner. TOM FOWLER • Adventure seeds, plot hooks, and guidance for running gothic horrorhorror scenarios.scenarios. Illustrated by TOM BIONDOLILLO The ominous shadows of the past loom over the present. -
The Evolution of the Vampire Figure in English and American Literature As Social and Economic Symbol of Contemporary Western Masculine Identity”
DOCTORAL THESIS 2015 “The Evolution of the Vampire Figure in English and American Literature as Social and Economic Symbol of Contemporary Western Masculine Identity” Kristian Pérez Zurutuza English Philology Graduate UNED Department of Foreign Philologies and their Linguistics Philology Faculty Thesis Director: Dr. Antonio Andrés Ballesteros González Department of Foreign Philologies and their Linguistics Philology Faculty “The Evolution of the Vampire Figure in English and American Literature as Social and Economic Symbol of Contemporary Western Masculine Identity” Kristian Pérez Zurutuza English Philology Graduate Thesis Director: Dr. Antonio Andrés Ballesteros González Acknowledgements I would like to express my deepest gratitude and respect, first and foremost, to my thesis director, Dr. Antonio Andrés Ballesteros, whose careful and wise guidance, counselling, and patience have shown me the necessary tools when tackling such research endeavour. Alongside his academical guidance, his passion must be addressed regarding vampires as creatures of the human mind with literary and/or anthopological significance, for that is what the ultimate target of this research thesis is, beyond its academical value and significance; to give account of a myth rooted deep in the human soul. Without any of the mentioned here would this thesis be the same. Equal gratefulness is deserved by my friend beyond appreciation, Dr. Rodrigo Carcedo, whose guidance was paramount when addressing whatever aspect regarding vampire psychology. Besides a great psychologist and scholar, he bears a especial place in my heart. True example of friendship. My deepest gratefulness to Itziar Mujika as well, amazing and challenging student of mine, true friend, and superb journalist and researcher into women’s role in peaceful resolutions of war conflicts. -
Diploma in Fashion Design 2016.Pdf
CURRICULUM DIPLOMA Fashion Design (Three Years Program - Semester System) Council for Technical Education and Vocational Training Curriculum Development Division Sanothimi, Bhaktapur 2016 Table of Contents Introduction: ..................................................................................................................... IV Course Title: ..................................................................................................................... IV Aim: ................................................................................................................................. IV Objectives: ........................................................................................................................ IV Target Location: ............................................................................................................... IV Group Size: ....................................................................................................................... IV Entry Criteria: .................................................................................................................... V Medium of Instruction: ...................................................................................................... V Course Duration:................................................................................................................ V Pattern of Attendance:........................................................................................................ V Teacher and Student -
Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature
DOCUMENT RESUME ED 414 606 CS 216 137 AUTHOR Power, Brenda Miller, Ed.; Wilhelm, Jeffrey D., Ed.; Chandler, Kelly, Ed. TITLE Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-3905-1 PUB DATE 1997-00-00 NOTE 246p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 39051-0015: $14.95 members, $19.95 nonmembers). PUB TYPE Collected Works - General (020) Opinion Papers (120) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Censorship; Critical Thinking; *Fiction; Literature Appreciation; *Popular Culture; Public Schools; Reader Response; *Reading Material Selection; Reading Programs; Recreational Reading; Secondary Education; *Student Participation IDENTIFIERS *Contemporary Literature; Horror Fiction; *King (Stephen); Literary Canon; Response to Literature; Trade Books ABSTRACT This collection of essays grew out of the "Reading Stephen King Conference" held at the University of Mainin 1996. Stephen King's books have become a lightning rod for the tensions around issues of including "mass market" popular literature in middle and 1.i.gh school English classes and of who chooses what students read. King's fi'tion is among the most popular of "pop" literature, and among the most controversial. These essays spotlight the ways in which King's work intersects with the themes of the literary canon and its construction and maintenance, censorship in public schools, and the need for adolescent readers to be able to choose books in school reading programs. The essays and their authors are: (1) "Reading Stephen King: An Ethnography of an Event" (Brenda Miller Power); (2) "I Want to Be Typhoid Stevie" (Stephen King); (3) "King and Controversy in Classrooms: A Conversation between Teachers and Students" (Kelly Chandler and others); (4) "Of Cornflakes, Hot Dogs, Cabbages, and King" (Jeffrey D. -
Metahorror #1992
MetaHorror #1992 MetaHorror #Dell, 1992 #9780440208990 #Dennis Etchison #377 pages #1992 Never-before-published, complete original works by 20 of today's unrivaled masters, including Peter Straub, David Morrell, Whitley Strieber, Ramsey Campbell, Thomas Tessier, Joyce Carol Oates, Chelsea Quinn Yarbro, and William F. Nolan. The Abyss line is . remarkable. I hope to be looking into the Abyss for a long time to come.-- Stephen King. DOWNLOAD i s. gd/l j l GhE www.bit.ly/2DXqbU6 Collects tales of madmen, monsters, and the macabre by authors including Peter Straub, Joyce Carol Oates, Robert Devereaux, Susan Fry, and Ramsey Campbell. #The Museum of Horrors #Apr 30, 2003 #Dennis Etchison ISBN:1892058030 #The death artist #Dennis Etchison #. #Aug 1, 2000 Santa Claus and his stepdaughter Wendy strive to remake the world in compassion and generosity, preventing one child's fated suicide by winning over his worst tormentors, then. #Aug 1, 2008 #Santa Claus Conquers the Homophobes #Robert Devereaux #ISBN:1601455380 STANFORD:36105015188431 #Dun & Bradstreet, Ltd. Directories and Advertising Division #1984 #. #Australasia and Far East #Who Owns Whom, https://ozynepowic.files.wordpress.com/2018/01/maba.pdf Juvenile Fiction #The Woman in Black #2002 #Susan Hill, John Lawrence #ISBN:1567921892 #A Ghost Story #1986 Set on the obligatory English moor, on an isolated cause-way, the story stars an up-and-coming young solicitor who sets out to settle the estate of Mrs. Drablow. Routine. #https://is.gd/lDsWvO #Javier A. Martinez See also: Bram Stoker Award;I Have No Mouth and I Must Scream;The Whim- per of Whipped Dogs; World Fantasy Award. -
Richard Marsh's the Beetle (1897): Popular Fiction in Late-Victorian Britain
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by City Research Online Vuohelainen, M. (2006). Richard Marsh’s The Beetle (1897): A Late-Victorian Popular Novel. Working With English: medieval and modern language, literature and drama, 2(1), pp. 89-100. City Research Online Original citation: Vuohelainen, M. (2006). Richard Marsh’s The Beetle (1897): A Late-Victorian Popular Novel. Working With English: medieval and modern language, literature and drama, 2(1), pp. 89-100. Permanent City Research Online URL: http://openaccess.city.ac.uk/16325/ Copyright & reuse City University London has developed City Research Online so that its users may access the research outputs of City University London's staff. Copyright © and Moral Rights for this paper are retained by the individual author(s) and/ or other copyright holders. All material in City Research Online is checked for eligibility for copyright before being made available in the live archive. URLs from City Research Online may be freely distributed and linked to from other web pages. Versions of research The version in City Research Online may differ from the final published version. Users are advised to check the Permanent City Research Online URL above for the status of the paper. Enquiries If you have any enquiries about any aspect of City Research Online, or if you wish to make contact with the author(s) of this paper, please email the team at [email protected]. Richard Marsh’s The Beetle (1897): a late-Victorian popular novel by Minna Vuohelainen Birkbeck, University of London This paper deals with the publication history and popular appeal of a novel which, when first published in 1897, was characterised by contemporary readers and reviewers as “surprising and ingenious”, “weird”, “thrilling”, “really exciting”, “full of mystery” and “extremely powerful”. -
Gothic Modernism: Revising and Representing the Narratives of History and Romance
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2012 Gothic Modernism: Revising and Representing the Narratives of History and Romance Taryn Louise Norman [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the American Literature Commons, Feminist, Gender, and Sexuality Studies Commons, Literature in English, British Isles Commons, and the Literature in English, North America Commons Recommended Citation Norman, Taryn Louise, "Gothic Modernism: Revising and Representing the Narratives of History and Romance. " PhD diss., University of Tennessee, 2012. https://trace.tennessee.edu/utk_graddiss/1331 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Taryn Louise Norman entitled "Gothic Modernism: Revising and Representing the Narratives of History and Romance." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. Lisi Schoenbach, Major Professor We have read this dissertation and recommend its acceptance: Mary Papke, Amy Billone, Carolyn Hodges Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) Gothic Modernism: Revising and Representing the Narratives of History and Romance A Dissertation Presented for the Doctor of Philosophy Degree The University of Tennessee Taryn Louise Norman May 2012 Copyright © 2012 Taryn Louise Norman All rights reserved.