“Top 10 Best Science Fiction Films of the Decade”
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The Ontology and Literary Status of the Screenplay:The Case of »Scriptfic«
DOI 10.1515/jlt-2013-0006 JLT 2013; 7(1–2): 135–153 Ted Nannicelli The Ontology and Literary Status of the Screenplay:The Case of »Scriptfic« Abstract: Are screenplays – or at least some screenplays – works of literature? Until relatively recently, very few theorists had addressed this question. Thanks to recent work by scholars such as Ian W. Macdonald, Steven Maras, and Steven Price, theorizing the nature of the screenplay is back on the agenda after years of neglect (albeit with a few important exceptions) by film studies and literary studies (Macdonald 2004; Maras 2009; Price 2010). What has emerged from this work, however, is a general acceptance that the screenplay is ontologically peculiar and, as a result, a divergence of opinion about whether or not it is the kind of thing that can be literature. Specifically, recent discussion about the nature of the screenplay has tended to emphasize its putative lack of ontological autonomy from the film, its supposed inherent incompleteness, or both (Carroll 2008, 68–69; Maras 2009, 48; Price 2010, 38–42). Moreover, these sorts of claims about the screenplay’s ontology – its essential nature – are often hitched to broader arguments. According to one such argument, a screenplay’s supposed ontological tie to the production of a film is said to vitiate the possibility of it being a work of literature in its own right (Carroll 2008, 68–69; Maras 2009, 48). According to another, the screenplay’s tenuous literary status is putatively explained by the idea that it is perpetually unfinished, akin to a Barthesian »writerly text« (Price 2010, 41). -
International Production Notes
INTERNATIONAL PRODUCTION NOTES PUBLICITY CONTACT Julia Benaroya Lionsgate +1 310-255-3095 [email protected] US RELEASE DATE: SEPTEMBER 28, 2018 RUNNING TIME: 89 MINUTES TABLE OF CONTENTS PRODUCTION INFORMATION ..................................... 4 ABOUT THE CAST ................................................ 14 ABOUT THE FILMMAKERS ..................................... 18 END CREDITS ...................................................... 26 3 PRODUCTION INFORMATION In this terrifying thrill ride, college student Natalie is visiting her childhood best friend Brooke and her roommate Taylor. If it was any other time of year these three and their boyfriends might be heading to a concert or bar, but it is Halloween which means that like everyone else they will be bound for Hell Fest – a sprawling labyrinth of rides, games and mazes that travels the country and happens to be in town. Every year thousands follow Hell Fest to experience fear at the ghoulish carnival of nightmares. But for one visitor, Hell Fest is not the attraction – it is a hunting ground. An opportunity to slay in plain view of a gawking audience, too caught up in the terrifyingly fun atmosphere to recognize the horrific reality playing out before their eyes. As the body count and frenzied excitement of the crowds continue to rise, he turns his masked gaze to Natalie, Brooke, Taylor and their boyfriends who will fight to survive the night. CBS FILMS and TUCKER TOOLEY ENTERTAINMENT present a VALHALLA MOTION PICTURES production HELL FEST Starring Amy Forsyth, Reign Edwards, Bex Taylor-Klaus and Tony Todd. Casting by Deanna Brigidi, CSA and Lisa Mae Fincannon. Music by Bear McCreary. Costume Designer Eulyn C. Hufkie. Editors Gregory Plotkin, ACE and David Egan. -
Comiccon 2018 Held October 20-21, 2018
Metrics Associated with the ComicCon 2018 Held October 20-21, 2018 Prepared by: David Nash Research and Data Manager John Meroski Chief Executive Officer October 26, 2018 Contents i. Introduction ii. They Identified Themselves as… iii. Where Were They From? ▪ Overview ▪ By State, County and City iv. How Did They Find Out About Event? v. Survey Requirements ▪ Requirements ▪ Information Provided vi. Bureau Generated Publicity vii. Public Relations Recap viii. Occupancy Comparison ix. Summary 2 Introduction • All data was collected by the ComicCon staff. • The ComicCon management estimated 10,000 attendees prior to the event. • The agreed upon minimum number of completed surveys needed was 370. • The final number of submitted surveys was 145. • Using the 10,000 attendees, the Confidence Interval for this presentation with a 145 Sample Size is +/- 8.08%. Because of the size of the sample the Confidence Interval is below the “best practice” of +/- 5.00%. 3 Introduction • Surveys were collected at the following times (blue shaded area indicates event is in progress): Completed Completed Completed Time Time Time Surveys Surveys Surveys Thursday, Oct 18, 2018 Saturday, Oct 20, 2018 Sunday, Oct 21, 2018 3-4 p.m. 2 8-9 a.m. 1 10-11 a.m. 0 Total Collected Day 1 2 9-10 a.m. 1 11 a.m.-12 Noon 0 10-11 a.m. 0 12-1 p.m. 0 11 a.m.-12 Noon 1 1-2 p.m. 11 12-1 p.m. 8 2-3 p.m. 0 1-2 p.m. 19 3-4 p.m. 1 2-3 p.m. -
Resume Dop Jackson Hunt
2018-09-24 | Page 1 [ 2 ] Resume DoP Jackson Hunt Feature Film The Standoff at Sparrow Creek, Dir: Henry Dunham Short Films Jellywolf, Dir: Alma Har’el Lifeboat, Dir: Lorraine Nicholson Gerty, Dir: Dori Oskowitz Blackout, Dir: Dori Oskowitz Commercials Absolut Vodka, Airwick, Apple, Audi, Beats, Bank of Montreal, Black XS Perfume, Beats by Dre, BMO, Chanel/ID Magazine, Com hem, Converse, Facebook, Federal Student Aid: PSA, Goodwill: PSA, Google, Google Glass, Google Pixel, H&M, Head & Shoulders, Hershey’s, Honey Maid, i-D Magazine, John Lewis, Kiehls, LA Tourism & Convention Board, Lacoste, Levis, Lululemon, McDonalds, Nationwide, Nike, Paco Rabanne, P & G Secret, Rapha, River Island: SS15, Rosetta Stone, Stella McCartney, Telekom, Toyota, Unilever Project Sunlight, Uniqlo, Vauxhall: Corsa, Virgin Atlantic, Woolworths feat. Pharrell, World Vision: PSA Music Videos 2Chainz feat. Pharrell, Ambrosius, Angel Haze, Banks, Bastille, Belly, Ben Booker, Best Coast, Beyonce, Broods, Bryson Tiller, Cliff Dweller, Carly Rae Jepsen, Chrome Canyon, Coasts, Dj Cassidy ft. R Kelly, Hilary Duff, How to Destroy Angels, Hundred in the Hands, Indiana, Jake Bugg, Jamie XX, Jesse Boykins III, Jill Scott feat. Robert Glasper, Lawrence Rothman, Lawson, London Grammar, Major Lazer, Manchester Orchestra, Marsha, Mary J. Blige, Mary Lambert, Meghan Trainor, Travis Scott, Nick Jonas, Passion Pit, Purity Ring, RAC feat. Penguin Prison, Rita Ora, Sam Hunt, Selena Gomez, Skylar Grey, Solange, Steve Aoki, Sub Focus, The hundred in the Hands, The 1975, The War on Drugs, -
M I K E S a R K I S S I a N Credits
MIKE SARKISSIAN CREDITS _____________________________________________________________________________ EXECUTIVE PRODUCER / PRODUCER FILM The White Stripes Under Great White Northern Lights Emmett Malloy Jack Johnson En Concert Emmett Malloy Jack Johnson A Weekend at the Greek Emmett Malloy Jack White Jack White Kneeling at The Anthem Emmett Malloy TV Paramount Dream: Birth of the Modern Athlete The Malloy Brothers National Geographic Breakthrough Season 2 Series Producer Revolution Studios Pilot – Everyday People Tim Wheeler GSN / Revolution Studios Drew Carey’s Improv-A-ganza 40 eps Liz Zannin The Dead Weather Live at the ROXY Tim Wheeler Jack Johnson Kokua Festival 05-09 Emmett Malloy From The Basement Raconteurs / Kills / Fleet Foxes Nigel Godrich From The Basement Queens of the Stone Age Nigel Godrich Sundance Channel 5 Years of Change – KOKUA Emmett Malloy Selena Gomez Girl Meets World – Disney Channel Tim Wheeler James Blunt Live & SPPP Studios Tim Wheeler Disney Channel Radio Disney Concert Special Tim Wheeler Nickelback Live at Home Nigel Dick Marie Digby Live At Rick Ruben Studios Mike Piscitelli Grace Potter Live In Burlington Tim Wheeler Alpha Rev Live @SPPP Studios Tim Wheeler Kate Vogel Live @SPPP Studios Tim Wheeler ZZ Ward Live @ The Troubadour Tim Wheeler Nick Jonas Live @ Capitol Records Giles Dunning Grace Potter Live @ The Waterfront Tim Wheeler R5 Live @ the O2 London Tim Wheeler COMMERCIALS Honda Happy Honda Days ’19 Campain Jed Hathaway Apple Apple TV+ 2019 March Launch Robin Cosimir Waze Waze Carpool Jeff + Pete Accenture Talent, Resilience, Disruption Jordan Bahat Google Google Cloud Jordan Bahat Amazon Fire TV Twin Peaks Pie Shop, Playlist Jeff + Pete Always Prepared, No Chance Whip It, Whip it Good Sharknado by the Sea Chicken Little Fingers Dove Real Moms Acura Emotion Is In IBM / Watson Not Easy Nicolas Davenel Max Factor Miracle Touch Camilla Akrins Visa Snapchat / Olympics Giles Dunning McDonalds Fans vs Critics Jordan Bahat Navy Federal Credit Union Veterans Bond Jeff + Pete Dr. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Introduction Screenwriting Off the Page
Introduction Screenwriting off the Page The product of the dream factory is not one of the same nature as are the material objects turned out on most assembly lines. For them, uniformity is essential; for the motion picture, originality is important. The conflict between the two qualities is a major problem in Hollywood. hortense powdermaker1 A screenplay writer, screenwriter for short, or scriptwriter or scenarist is a writer who practices the craft of screenwriting, writing screenplays on which mass media such as films, television programs, comics or video games are based. Wikipedia In the documentary Dreams on Spec (2007), filmmaker Daniel J. Snyder tests studio executive Jack Warner’s famous line: “Writers are just sch- mucks with Underwoods.” Snyder seeks to explain, for example, why a writer would take the time to craft an original “spec” script without a mon- etary advance and with only the dimmest of possibilities that it will be bought by a studio or producer. Extending anthropologist Hortense Powdermaker’s 1950s framing of Hollywood in the era of Jack Warner and other classic Hollywood moguls as a “dream factory,” Dreams on Spec pro- files the creative and economic nightmares experienced by contemporary screenwriters hoping to clock in on Hollywood’s assembly line of creative uniformity. There is something to learn about the craft and profession of screenwrit- ing from all the characters in this documentary. One of the interviewees, Dennis Palumbo (My Favorite Year, 1982), addresses the downside of the struggling screenwriter’s life with a healthy dose of pragmatism: “A writ- er’s life and a writer’s struggle can be really hard on relationships, very hard for your mate to understand. -
STEVE KIMMEL Production Designer
STEVE KIMMEL Production Designer FEATURES/TELEVISION MINORITY REPORT Kurt Matilla Imaginary Forces STOMP OUT LOUD L. Cresswell & S. McNichols HBO Productions Emmy Nomination: Art Direction UNITED STATES OF POETRY Mark Pellington Washington Square Films THE DIGNITY OF CHILDREN Merle Worth ABC Television THE LAST SEDUCTION John Dahl Kroy Pictures (NY Art Director) BARBARIANS AT THE GATE Glenn Jordan HBO / Barbarus (NY Art Director) THE BET Ted Demme Spanky Productions DIRECTORS & COMMERCIALS – Partial List JOHN DOLAN Centennial NEIL ABRAMSON Verizon DANIEL KLEINMAN Brand Jordan SCOTT DUNCAN DriveTime AGUST BALDURSSON Chrysler MICHAEL BERNARD Revlon, Victoria’s Secret “IPEX”, “Holiday Package”, Designer Shoe Warehouse FREDERICO BRUGIA Volvo, BMW COEN BROTHERS Dime Savings Bank DAVID CORNELL Minute Maid CALEB DESCHANEL Disney KAREN FONG Masterpiece Theater – Emmy Winner 2001, Chevron / Texaco PETER KAGAN Miracle Grow, Scotts JEFF KAROFF GMC, Mercedes, Toyota, Hewlett Packard PHIL MORRISON Dunkin Donuts, T-Mobile (2 spots), 7-Up, Eveready Energizer, Coinstar, Nike, Sony, Volkswagen, Dominos MARCUS NISPEL Kodak JOE PUBLIC Got Milk, Visa, Churches PAM THOMAS Coke, Reebok, Sprite MARK TIEDEMANN Castrol Motor Oil, Sprint, Mike’s Hard Lemonade MALCOLM VENVILLE Killians Beer JORDAN BRADY Avery, McDonalds, Ringling Bros., KFC, York, Long John Silver STACY WALL SBC Long Distance, SBC Yahoo (6 spots), Cartoon Network ALBERT WATSON Neutrogena, Ford, Pacificare, Toyota, Acura, AT&T, Vidal Sasson, Levi’s, Max Factor, Oil of Olay, Zelnorm International Paper, Miller Lite (3 spots), The Shield – Promos ’03-05 SCOTT YOUNG Yamaha MATTHIAS ZENTNER Sharp Aquos DIRECTORS & MUSIC VIDEOS – Partial List SAMUEL BAYER Corrosion of Conformity TED DEMME House of Pain SCOTT DUNCAN INXS “Afterglow”, “Pretty Vegas” DAVID HOGAN Sting, Rod Stewart, Bryan Adams PHIL JOANOU U2 MARK KOHR Soul Coughing MARCUS NISPEL Mariah Carey, B52’s MARK PELLINGTON Nine Inch Nails, Catherine Wheel, Leonard Cohen PAM THOMAS Vanessa Williams 800 South Robertson Blvd. -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
Introduction 1 Mimesis and Film Languages
Notes Introduction 1. The English translation is that provided in the subtitles to the UK Region 2 DVD release of the film. 2. The rewarding of Christoph Waltz for his polyglot performance as Hans Landa at the 2010 Academy Awards recalls other Oscar- winning multilin- gual performances such as those by Robert de Niro in The Godfather Part II (Coppola, 1974) and Meryl Streep in Sophie’s Choice (Pakula, 1982). 3. T h is u nder st a nd i ng of f i l m go es bac k to t he era of si lent f i l m, to D.W. Gr i f f it h’s famous affirmation of film as the universal language. For a useful account of the semiotic understanding of film as language, see Monaco (2000: 152–227). 4. I speak here of film and not of television for the sake of convenience only. This is not to undervalue the relevance of these questions to television, and indeed vice versa. The large volume of studies in existence on the audiovisual translation of television texts attests to the applicability of these issues to television too. From a mimetic standpoint, television addresses many of the same issues of language representation. Although the bulk of the exempli- fication in this study will be drawn from the cinema, reference will also be made where applicable to television usage. 1 Mimesis and Film Languages 1. There are, of course, examples of ‘intralingual’ translation where films are post-synchronised with more easily comprehensible accents (e.g. Mad Max for the American market). -
2014 FEATURE Press Kit
2014 FEATURE Press Kit CONTACT: Alec Peters — Axanar Productions — 10901 Whipple St. #208, Toluca Lake, CA 91602 phone: 404-918-1701 — email: [email protected] — www.StarTrekAxanar.com ©2014 Star Trek: Axanar. STAR TREK and all related marks, logos and characters are owned by CBS Studios Inc. This website, the promotion thereof and/or any exhibi- tion of material created by the operators of this website are not endorsed or sponsored by or affiliated with CBS/Paramount Pictures or the STAR TREK franchise. Table of Contents The Story of Star Trek: Axanar Page 3 Synopsis & Essential Information Page 4 Featured Cast Page 5 Featured Crew Page 9 Production F.A.Q. Page 12 Star Trek Continuity F.A.Q. Page 13 Internet Resources & Video Links Page 15 Interview & Podcast Links Page 16 Production Contacts Page 17 Publicity Stills Page 18 CONTACT: Alec Peters — Axanar Productions — 10901 Whipple St. #208, Toluca Lake, CA 91602 phone: 404-918-1701 — email: [email protected] — www.StarTrekAxanar.com ©2014 Star Trek: Axanar. STAR TREK and all related marks, logos and characters are owned by CBS Studios Inc. This website, the promotion thereof and/or any exhibi- tion of material created by the operators of this website are not endorsed or sponsored by or affiliated with CBS/Paramount Pictures or the STAR TREK franchise. 2 The Story of Star Trek: Axanar “Axanar” takes place 21 years before the events of “Where No Man Has Gone Before”, the first Kirk episode of the original Star Trek. Axanar is the story of Garth of Izar, the legendary Starfleet captain who is Captain Kirk’s hero. -
Download in Tutto Il Mondo! Incidente E Tutto Cambia… O Forse No Happens and Everything Changes
cover aperta 2020.qxp_Layout 1 09/11/20 14:57 Pagina 1 RIFF Awards 2020 ROME INSDPEEPCEINADLE NETV FEILNMT SFESTIVAL 27 Novembre > 3 dicembre XIX Edizione R O M E I N D E P E N D E N T F I L M F E S T I V A L 2 7 N o v e m b r e > 3 d i c e m b r e 2 0 2 0 X I X E d i z i o n e r e n g i s e D z e d n a n r e F a n i r e N PROUD TO BE INDIE 1 Medaglia all’Onore conferita dal Presidente della Repubblica Honour Medal From The Italian President Con il contributo di: With the contribution of Le ambasciate di: The embassy of Con il patrocinio di: With the patronage of “Il progetto è vincitore dell’Avviso Pubblico Contemporaneamente Roma 2020-2021-2022, fa parte di ROMARAMA 2020 il palinsesto culturale promosso da Roma Capitale, ed è realizzato in collaborazione con SIAE” 2 ROME INDEPENDENT FILM FESTIVAL Media partner Direzione Artistica / Artistic Direction direttore artistico / artistic director: Fabrizio Ferrari coordinamento artistico / artistic coordination: Fabrizio Ferrari, Gilda Ciccone, Vanessa Formichetti, Cosimo Santoro Coordinamento della selezione e programmazione / Selection & Programming Coordination programmazione e selezione / selection & programming: Fabrizio Ferrari, Giovanni Ottone delegato festival internazionali / delegate for international festivals: Giovanni Ottone love & pride day (LGBTQ Programm): Cosimo Santoro programma documentari / documentaries program: Sara Sicoli, Giacomo Odoardi corti nazionali / national shorts: Vanessa Formichetti corti internazionali / international shorts: Veronica Franchetti, Milena Vukcevic,