DOCSLIB.ORG

Kendor Catalog 2020 Web.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Kendor Catalog 2020 Web.Pdf 2020 Catalog Celebrating 66 Years Of Educational Publishing distributor of Doug Beach Music & Sammy Nestico Music www.kendormusic.com CONTENTS • 1 Noteworthy Contents • Kendor/Doug Beach/Sammy Nestico publications are available through music dealers worldwide. A listing of Kendor's preferred dealers is available on our website. Jazz Ensemble Kendor Music Jazz Quest Series ................................................................................................................ 2 www.kendormusic.com Jazz Gateway Series ............................................................................................................ 2 Art Dedrick Legacy Editions ................................................................................................. 3 e-mail ................. [email protected] Jazz Journey Series ............................................................................................................. 3 phone ............................... 716-492-1254 Vanguard Jazz Orchestra Signature Editions ...................................................................... 4 24-hour fax ....................... 716-492-5124 Jazz Summit Series .............................................................................................................. 4 Vocalist With Big Band Series .............................................................................................. 5 Jazz Combo Series .............................................................................................................. 5 • Prices are subject to change without notice. Kendor Archive Editions ....................................................................................................... 5 Jazz Method Books .............................................................................................................. 8 • Extra scores and parts are available for nearly all Kendor publications. Exceptions are Doug Beach Music clearly noted. Prices appear at the beginning of each series. Unless an entry includes a Rhythm Studies .................................................................................................................... 9 (CS) notation indicating that condensed scores only are available, scores are full. The Jazz Foundations Series ............................................................................................... 9 Condensed scores are $3.50 each regardless of series. The First Edition Series ........................................................................................................ 9 The Threshold Series ......................................................................................................... 10 The Jazz Ensemble Series ................................................................................................. 10 • Any prior publication not listed in this catalog is permanently out of print. However, extra scores and parts may still be available from our archives. Check with your dealer for Sammy Nestico Music availability and prices. Sammy Nestico Young Jazz Series ................................................................................... 11 Sammy Nestico Premium Jazz Series ............................................................................... 11 • Free copies of current and past jazz ensemble and string orchestra demos can be Concert Band requested directly from Kendor while supplies last. Many of these recordings can also be Playground Band Series ..................................................................................................... 11 downloaded free from our website. Concert Band Series .......................................................................................................... 11 Solo Series With Concert Band .......................................................................................... 11 • Grading indications in this catalog are based on this scale: Orchestra 1=VE = Very Easy String Collections ............................................................................................................... 12 1+ - 2 =E=Easy Accent String Orchestra Series .......................................................................................... 12 Voyager String Orchestra Series ........................................................................................ 13 2+ - 3 = ME = Medium Easy Apex String Orchestra Series ............................................................................................. 14 3+ - 4 =M=Medium Jazz Classics For String Orchestra .................................................................................... 15 4+ - 5 = MA = Medium Advanced 5+ - 6 =A=Advanced Solos Solo Collections .................................................................................................................. 16 Woodwind ........................................................................................................................... 17 Availability Color Coding Brass .................................................................................................................................. 18 Percussion .......................................................................................................................... 20 Titles printed in: Strings ................................................................................................................................ 22 BLACK • physical editions only Ensembles RED • digital editions only Woodwind ........................................................................................................................... 23 BLUE • physical and digital editions Brass .................................................................................................................................. 28 Mixed-Instrument Collections ............................................................................................. 33 Percussion .......................................................................................................................... 35 Books Classroom Books ............................................................................................................... 37 Composing & Arranging Books .......................................................................................... 37 Woodwind Methods ............................................................................................................ 37 Brass Methods ................................................................................................................... 38 Percussion Methods ........................................................................................................... 38 Piano Methods ................................................................................................................... 38 Alphabetical Appendix Jazz Ensemble ................................................................................................................... 40 Concert Band ..................................................................................................................... 43 Orchestra ............................................................................................................................ 43 Solos .................................................................................................................................. 45 Ensembles .......................................................................................................................... 48 Books & Recordings ............................................................................................................ 54 2 • KENDOR JAZZ ENSEMBLE Jazz Quest Series Jazz Gateway Series charts designed for beginning groups charts designed for developing groups EXTRA FULL SCORES ($8.00) & PARTS ($3.50) AVAILABLE EXTRA SCORES (FULL - $8.00, COND. (CS) - $3.50) & PARTS ($3.50) AVAILABLE TITLE USD ITEM # STYLE • FEATURE TITLE USD ITEM # STYLE • FEATURE ALL ‘DEM LEAVES (based on the chord ABSOLUTELY, POSITIVELY - changes to “Autumn Leaves”) - Yasinitsky ........................................... $48.00 _____60005 ........................ slow shuffle (KK) Adamsons .......................................... $45.00 _____63010 .............................. swing (KK+) AFTER HOURS - Yasinitsky ................... $48.00 _____223 .................................... ballad (KK) ▲ ALL NEW KICKS (based on the chord ALL’S WELL THAT ENDS WELL - changes to “My Little Suede Shoes” Phelps ................................................ $48.00 _____60020 .................................... swing (+) by Charlie Parker) - ARROZ CON POLLO - Adamsons .......................................... $45.00 _____63015 ...................... 2-3 cha cha (KK+) Yasinitsky ........................................... $48.00 _____60037 ...................... funky Latin (KK+) ANOTHER SONG TO SWING (based on BACK ONLINE - Yasinitsky .................... $48.00 _____60042 .................... shuffle blues (KK+) the chord changes to “There Will Never BACK TO HAVANA - Jarvis .....................$48.00 _____60043 ............................ cha-cha (KK+) Be Another You” by Warren and Gordon) - ▲ BAD DOG! - Dana .................................. $48.00 _____60045 .................. driving shuffle (KK+) Blair .................................................... $45.00 _____63022 .............................. swing (KK+) BLOOMIN’ JAZZMEN - Niehaus ............ $48.00 _____60048 .............
Load more

Recommended publications
  • EW Hollywood Orchestra Opus Edition User Manual
    USER MANUAL 1.0.6 < CONTENTS HOLLYWOOD ORCHESTRA OPUS EDITION INFORMATION The information in this document is subject to change without notice and does not represent a commitment on the part of East West Sounds, Inc. The software and sounds described in this document are subject to License Agreements and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by East West Sounds, Inc. All product and company names are ™ or ® trademarks of their respective owners. Solid State Logic (SSL) Channel Strip, Transient Shaper, and Stereo Compressor licensed from Solid State Logic. SSL and Solid State Logic are registered trademarks of Red Lion 49 Ltd. © East West Sounds, Inc., 2021. All rights reserved. East West Sounds, Inc. 6000 Sunset Blvd. Hollywood, CA 90028 USA 1-323-957-6969 voice 1-323-957-6966 fax For questions about licensing of products: [email protected] For more general information about products: [email protected] For technical support for products: http://www.soundsonline.com/Support < CONTENTS HOLLYWOOD ORCHESTRA OPUS EDITION CREDITS PRODUCERS Doug Rogers, Nick Phoenix, Thomas Bergersen SOUND ENGINEER Shawn Murphy ENGINEERING ASSISTANCE Jeremy Miller, Ken Sluiter, Bo Bodnar PRODUCTION COORDINATORS Doug Rogers, Blake Rogers, Rhys Moody PROGRAMMING / SOUND DESIGN Justin Harris, Jason Coffman, Doug Rogers, Nick Phoenix SCRIPTING Wolfgang Schneider, Thomas Bergersen, Klaus Voltmer, Patrick Stinson
    [Show full text]
  • Turned Adventurer in Her Stanford Home Studio
    MOUNTAINVIEWVOICE SECTION"SUT&WFOUT By Rebecca Wallace now in August. Grizzly bears paw- ing the moss for food. Icebergs and Sice cliffs and a raucous river. In the middle of it all, there was Sukey Bryan, unscrolling thick rolls of paper on the ground to draw and paint Alaska. She was doing a 10-day artist resi- "SUJTU dency in the Denali National Park and Preserve, gathering sketches and quick acrylic paintings that she would later use to create her oil paintings and prints back turned adventurer in her Stanford home studio. She was also taking photos, thousands of them. “It was such a profound feeling to be alone in such wild immensity. I just can’t shake it,” Bryan later wrote in an artist’s statement. Three years later, those 10 days con- tinue to yield rich inspiration for Bryan, as seen in her prints and giant paintings of ice formations, waterfalls, peaks, rivers and snow. She’s exhibiting sev- eral works this fall at the Community School of Music and Arts in Mountain View in a Mohr Gallery solo show called “Glacier Works.” Sukey Bryan The show runs through Nov. 27 at CSMA, 230 San Antonio Circle. Works will include “Ice Walls,” a trip- tych of oil paintings depicting the chilly blues of ice walls above a river floating with ice chunks. The darknesses buried in the blues hint at the cliffs’ depths, the silt in the ice and the mud in the water. “The ice has a strangeness to it,” Bryan says in her studio, a converted, comfortably large garage with natural light and sweeping white walls.
    [Show full text]
  • National Endowment for the Arts Annual Report 1990
    National Endowment For The Arts Annual Report National Endowment For The Arts 1990 Annual Report National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts for the Fiscal Year ended September 30, 1990. Respectfully, Jc Frohnmayer Chairman The President The White House Washington, D.C. April 1991 CONTENTS Chairman’s Statement ............................................................5 The Agency and its Functions .............................................29 . The National Council on the Arts ........................................30 Programs Dance ........................................................................................ 32 Design Arts .............................................................................. 53 Expansion Arts .....................................................................66 ... Folk Arts .................................................................................. 92 Inter-Arts ..................................................................................103. Literature ..............................................................................121 .... Media Arts: Film/Radio/Television ..................................137 .. Museum ................................................................................155 .... Music ....................................................................................186 .... 236 ~O~eera-Musicalater ................................................................................
    [Show full text]
  • The Romantic Trumpet Part Two
    110 HISTORIC BRASS SOCIETY JOURNAL THE ROMANTIC TRUMPET PART TWO Edward H. Tarr Continued from Historic Brass Society Journal, volume 5 (1993), pages 213-61. The two-part series is an expansion of an article written for Performance Practice Encyclopedia. We thank Roland Jackson, editor of this forthcoming reference work, for permission to we this material in HBSJ. For a Conclusion to Part One, containinga list oferrata, please see followingthe endnotes for the current installment. Summary of Part One In Part One, the author first attempted to show the various types of trumpets, cornets, and flugelhorns, both natural and chromaticized, that existed before the advent of valves, together with their literature. Before there were valved trumpets, for example, natural trumpets, etc., were made chromatic by the technique of hand-stopping or by being fitted with slides or keys. He then showed how the first valved brass instruments—in particular trumpets, and to a lesser extent, comets—were accepted into musical circles. Introduction to Part Two In Part Two, it is the author's aim to raise the flag on a forgotten figure in brass history— one who was reponsible not only for the development ofboth the Vienna valve and the rotary valve, but also for the creation of the first solo compositions for the newly invented valved trumpet: Josef Kail (1795-1871), the first professor of valved trumpet at the Prague Conservatory (served 1826-1867). For this reason, the central part of this study will be devoted to works hitherto unknown, written for the trumpet (and to a lesser extent the cornet, flugelhom, horn, and trombone) during his time.
    [Show full text]
  • Hilbert Circle Theatre
    HILBERTCIRCLETHEATRE KRZYSZTOFURBAŃSKI MUSIC DIRECTOR | JACKEVERLY PRINCIPAL POPS CONDUCTOR Vadim Gluzman Plays Bruch Bronfman Plays Beethoven Sibelius Symphony No. 5 Music of U2 Side-by-Side The Sounds of Simon & Garfunkel MARCH | VOLUME 5 Jump in, IT’SJump PERFECT in, From diving into our heated pool to joining neighbors for a day trip From divingIT’S into our heated PERFECTpool to joining neighbors for a day trip Careful planning, talent and passion are on to taking a dance class, life feels amazingly good here. Add not-for- Fromto taking diving IT’Sa dance into our class, heated life feels PERFECTpool amazingly to joining goodneighbors here. for Add a day not-for- trip pro t ownership, a local board of directors, and CCAC accreditation, display at today’s performance. proFromto t takingownership, diving a danceinto a our local class, heated board life feels pool of directors,amazingly to joining andgood neighbors CCAC here. forAddaccreditation, a daynot-for- trip and Marque e truly is the place to be. proto ttaking ownership, a dance a local class, board lifeand feels ofMarque directors,amazingly e and trulygood CCAC ishere. the accreditation, Add place not-for- to be. pro t ownership, a local board of directors, and CCAC accreditation, At Citizens Energy Group, we understand the value of working hard and Marque e truly is the place to be. behind the scenes to deliver quality on a daily basis. We strive to To learn more, call, visit our websiteand Marque or stop e truly by isour the community. place to be. replicate that ensemble effort in our work and are proud to support To learn more, call, visit our website or stop by our community.
    [Show full text]
  • The Trumpet As a Voice of Americana in the Americanist Music of Gershwin, Copland, and Bernstein
    THE TRUMPET AS A VOICE OF AMERICANA IN THE AMERICANIST MUSIC OF GERSHWIN, COPLAND, AND BERNSTEIN DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Amanda Kriska Bekeny, M.M. * * * * * The Ohio State University 2005 Dissertation Committee: Approved by Professor Timothy Leasure, Adviser Professor Charles Waddell _________________________ Dr. Margarita Ophee-Mazo Adviser School of Music ABSTRACT The turn of the century in American music was marked by a surge of composers writing music depicting an “American” character, via illustration of American scenes and reflections on Americans’ activities. In an effort to set American music apart from the mature and established European styles, American composers of the twentieth century wrote distinctive music reflecting the unique culture of their country. In particular, the trumpet is a prominent voice in this music. The purpose of this study is to identify the significance of the trumpet in the music of three renowned twentieth-century American composers. This document examines the “compositional” and “conceptual” Americanisms present in the music of George Gershwin, Aaron Copland, and Leonard Bernstein, focusing on the use of the trumpet as a voice depicting the compositional Americanisms of each composer. The versatility of its timbre allows the trumpet to stand out in a variety of contexts: it is heroic during lyrical, expressive passages; brilliant during festive, celebratory sections; and rhythmic during percussive statements. In addition, it is a lead jazz voice in much of this music. As a dominant voice in a variety of instances, the trumpet expresses the American character of each composer’s music.
    [Show full text]
  • Clarence Williams
    MUNI 2017-2 – Flute 1-2 Shooting the Pistol (Clarence Williams) 1:26 / 1:17 Clarence Williams Orchestra: Ed Allen-co; Charlie Irvis-tb; possibly Arville Harris-cl, as; Alberto Socarras-fl; Clarence Williams-p; Cyrus St. Clair-tu New York, July 1927 78 Paramount 12517, matrix number 2837-2 / CD Frog DGF37 3 I’ll Take Romance (Ben Oakland) 2:39 Bud Shank-fl; Len Mercer and His Strings Bud Shank With Len Mercer Strings: Giulio Libano (trumpet) Appio Squajella (flute, French horn) Glauco Masetti (alto sax) Bud Shank (alto sax, flute) Eraldo Volonte (tenor sax) Fausto Pepetti (baritone sax) Bruno De Filippi (guitar) Don Prell (bass) Jimmy Pratt (drums) with unidentified harp and strings, Len Mercer (arranger, conductor) Milan, Italy, April 4 & 5, 1958 LP World Pacific WP-1251, Music (It) EPM 20096, LPM 2052 4-5 What’ll I Do (Irving Berlin) 1:26 / 1:23 Bud Shank-fl; Bob Cooper-ob; Bud Shank - Bob Cooper Quintet: Bud Shank (alto sax, flute) Bob Cooper (tenor sax, oboe) Howard Roberts (guitar) Don Prell (bass) Chuck Flores (drums) Capitol Studios, Hollywood, CA, first session, November 29, 1956 LP Pacific Jazz X-634, PJ 1226, matr. ST-1894 / CD Mosaic MS-010 6-7 Flute Bag (Rufus Harley) 2:06 / 2:15 Herbie Mann.fl; Rufus Harley-bagpipes; Roy Ayers (vibes) Oliver Collins (piano) James Glenn (bass) Billy Abner (drums) "Village Theatre", NYC, 2nd show, June 3, 1967 LP Atlantic SD 1497, matr. 12589 8-10 Moment’s Notice (John Coltrane) 4:58 / 1:04 / 0:52 Hubert Laws-fl; Ronnie Laws-ts; Bob James-p, elp, arranger; Gene Bertoncini-g; Ron Carter-b; Steve
    [Show full text]
  • Berkeley Symphony 2012-13 Season
    % #!"$ ! % ! ! $ Berkeley Symphony 2012-13 Season 5 Message from the Music Director 7 Message from the Executive Director 9 Board of Directors & Advisory Council 10 Orchestra 13 Program 15 Program Notes 29 Music Director: Joana Carneiro 31 Guest Artists 37 Berkeley Symphony 41 Music in the Schools 43 Under Construction 45 Young People’s Symphony Orchestra 47 Contributed Support 66 Advertiser Index Season Sponsors: Kathleen G. Henschel and Official Wine Sponsor of Berkeley Symphony: Presentation bouquets are graciously provided by Jutta’s Flowers, the official florist of Berkeley Symphony. Berkeley Symphony is a member of the League of American Orchestras and the Association of California Symphony Orchestras. No photographs or recordings of any part of tonight’s performance may be made without the written consent of the management of Berkeley Symphony. Program subject to change. Berkeley Symphony, 1942 University Ave., Ste. 207, Berkeley, CA 94704 510.841.2800 • Fax: 510.841.5422 E-mail: [email protected] Web site: www.berkeleysymphony.org To advertise: 510.652.3879 March 28, 2013 3 SAVE THE DATE Friday, May 10, 2013 The Claremont Hotel Berkeley Symphony’s Defiantly Original Benefit Gala Held at the historic Claremont Hotel, this year’s Gala promises to be an unforgettable event with new surprises and special guests! The night includes an elegant wine and hors d’oeuvres reception, world class cuisine, live music and entertainment, and exciting silent and live auctions with a bevy of unique items available. Be sure to keep an eye out for the 2013 Auction catalog to be available online soon! For more information, visit www.berkeleysymphony.org/support/ special-events.
    [Show full text]
  • Consumer Alert Regarding Ticket Purchasing
    CONSUMER ALERT REGARDING TICKET PURCHASING With so many high-profile and popular events coming to Wharton Center, we have found more and more patrons are being exploited by unscrupulous ticket resellers. Often our tickets are being marketed on secondary ticket websites before the operator of the website has even purchased tickets – and they are selling at prices far above the price you will pay through whartoncenter.com. Purchasing tickets to Wharton Center events through another source might result in paying too much for your tickets or paying for tickets that are invalid. If there is a problem with your tickets, you may not be able to receive help from Wharton Center’s Ticket Office as there will be no in-house record of your transaction. In addition, we are unable to contact you if there is a change in performance time, traffic notices, etc. To avoid being ensnared by unscrupulous ticket resellers: • Bookmark our website, whartoncenter.com for ticket and show information. • Sign up for our eClub to receive information directly from Wharton Center. We urge you to protect yourself by purchasing directly from the official source for Wharton Center tickets: at whartoncenter.com; by phone at 1-800-WHARTON (1-800-942-7866); or at the Auto-Owners Insurance Ticket Office at Wharton Center. IN CASE OF EMERGENCY Please observe the lighted exit signs located throughout the building and theatre(s). All patrons should note all exits, especially those closest to your seat location. Our staff and ushers are trained to assist patrons through multiple emergency situations. If you have questions regarding our safety and security procedures, please contact the house management staff at Wharton Center by calling 884-3119 or 884-3116.
    [Show full text]
  • Budget Cuts Spare School Programs W Here the Beaches
    MAY 25, 1994 40 CENTS VOLUME 24, NUMBER 21 Budget cuts spare school programs assessed at BY LAUREN JAEGER $ 1 20,000 Staff W riter would see an total of $810,000 was cut increase of from the defeated 1994-95 $156, to a A Matawan-Aberdeen proposed total tax of school budget. $2,402. As required by law, the councils of Before the Matawan and Aberdeen met last week, Cuts were along with the regional board of educa­ made, the rate tion, to amend the defeated budget, was $2 .10 for which originally proposed $33,532,113 A b e r d e e n ; in current expense and $28,926 in capital 2.05 for outlay. M ataw an — The new school tax rate will be $2.05 translating to a Brian Murphy per $100 assessed value for Aberdeen yearly tax rate residents, and $2.01 per $100 of assessed on a $120,000 property of $2,530 for an home value for Matawan residents. Aberdeen homeowner and $2,460 for In other words, this means that an M atawan homeowner. Marlboro High School’s Amy Feaster (gold jersey) and Middletown North’s Aberdeen resident with a home assessed Matawan’s Mayor Robert Shuey was Ann Marie Sacco hook up in a battle for the ball during a Shore at $ 120,00 would see an increase in the pleased by what he said was a smooth Conference A North Division soccer match won by the Mustangs, 2-1, on school tax rate of $95, bringing the bill meeting between the three parties and May 18 in Marlboro.
    [Show full text]
  • National Endowment for the Arts Annual Report 1989
    National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1989. Respectfully, John E. Frohnmayer Chairman The President The White House Washington, D.C. July 1990 Contents CHAIRMAN’S STATEMENT ............................iv THE AGENCY AND ITS FUNCTIONS ..............xxvii THE NATIONAL COUNCIL ON THE ARTS .......xxviii PROGRAMS ............................................... 1 Dance ........................................................2 Design Arts ................................................20 . Expansion Arts .............................................30 . Folk Arts ....................................................48 Inter-Arts ...................................................58 Literature ...................................................74 Media Arts: Film/Radio/Television ......................86 .... Museum.................................................... 100 Music ......................................................124 Opera-Musical Theater .....................................160 Theater ..................................................... 172 Visual Arts .................................................186 OFFICE FOR PUBLIC PARTNERSHIP ...............203 . Arts in Education ..........................................204 Local Programs ............................................212 States Program .............................................216
    [Show full text]
  • Narm Convention Stresses Marketing of Music Indie
    NEWSPAPER $3.00 NARM CONVENTION STRESSES MARKETING OF MUSIC INDIE DISTRIBS MOBILIZE AS MOTOWN DROPS PICKWICK `UNIVERSAL' AM STEREO RADIO INTRODUCED AT NAB GRANT CONTINUES AWARDS SWEEP WITH THREE DOVES CASH BOX SALUTES RONNIE MILSAP SPRING TOURING SEASON BLOSSOMS .:. -!uiri+.aF:.,.,:,,: Centuri's Marty Altman, yId Kaminkow, Siemieniec and n Rothstein with YRLSS';` the firm s n:west release. www.americanradiohistory.com THE NEW ALBUM FEATURING THE SINGLE "BACK aadoe--' www.americanradiohistory.com COSH THE INTERNATIONAL MUSIC / COIN MACHINE BOX / HOME ENTERTAINMENT WEEKLY VOLUME XLIV - NUMBER 47 - April 23, 1983 CASH BQX EDITORIAL A Matter Of Survival It has become clear of late that the entire in- tributors Committee and other members of this in- GEORGE ALBERT dependent distribution community is President and Publisher concerned dustry segment have committed themselves to es- with its fate and it is willing to pick up the gaun- tablish a fund to MARK ALBERT be used in promotion of their in- Vice President and General Manager tlet. Never was this more evident or openly ad- terests, the indies must also recognize the reasons J.B. CARMICLE dressed than at the recent National Assn. of for the flight of their more substantial accounts. Vice President and General Manager, East Coast Recording Merchandisers (NARM) Convention, If major branch operations can offer penetrating JIM SHARP where a group Vice President, Nashville of independent distribs decided to promotion opportunities and can pay the RICHARD IMAMURA develop strategies to challenge major branch associated label in a timely manner, then the in- Managing Editor operations and make it clear that they intend to sur- dependent distributor must address those needs as East Coast Editorial vive.
    [Show full text]